#i forget what we call them

[tippenfunkaport]

One of the SPOP servers I'm in is doing a redraw event of this screenshot of Bow and Sea Hawk and people were swapping their outfits and outfit swaps always call to mind High School Musical 2 and the most heterosexual baseball themed dance number ever filmed so I had to do a quick edit of the boys as Chad and Ryan

Original below

And of course

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[alienfailboy]

please remember that luke skywalker adopted rey and fin a few years after marrying din djarin and and opening his jedi school on mandalor with their green rat son.

[tubbytarchia]

"Scar died so much because he was trying to protect Jimmy" NO? LITERALLY NO?

Do you guys just go into any Life Series with preconceived notions that shape the story as you want it rather than develop interpretations based on what is actually happening on screen

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[aru-art]

t4t misery

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[messangerforthestars]

“We need more morally gray characters” you guys can barely handle topaz and jade.

[foxx-queen]

thinking about the way shadowheart, lae'zel and minthara deal with breaking away from a god/god-like figure they've dedicated their lives to. shadowheart immediately latches onto rescuing her parents as her new 'mission'. lae'zel immediately dedicates herself to freeing orpheus with the vigor she served vlaakith. minthara fixates on obtaining the power to make sure she's never controlled again.

its like. breaking away from gods/god-like figures leaves a void to fill. they're trying to fill it, and trying to choose what they fill it with. and they know that's what they're doing, in some ways, maybe to avoid the enormity of what it means to have broken away. maybe to avoid working out what they'll do as individuals. shadowheart doesnt know her parents, and they dont know her anymore, but she has to save them. you can ask lae'zel why she won't focus on herself, and she acknowledges there's no time for that. not yet. minthara wants you to use the power of the brain, but has dialogue/approval when you speak to ravenguard and she realizes hes still in there beneath the tadpoles influence, just like she was.

'my deference to him is a habit that will die hard, i fear'. minthara still calls the elder brain the absolute, even after she knows the truth. lae'zel still calls out to vlaakith in battle. shadowheart still wears the symbol of shar in her hair after dyeing it. indoctrination/ingrained beliefs are hard to break.

they've broken away from what was controlling their lives. they're free. they've lost everything. shadowheart can save her parents and but will always have that mark. lae'zel has been declared a traitor and will be hunted until vlaakith is overthrown. minthara can never go home, and would be executed if she tried.

they've broken away. they've lost everything. they're struggling with what that means. they're free. they wouldn't have it any other way.

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[leolingo]

the rituals are intricate

[claitea]

i swear every rendition of this opening every instance of the coronation scene across all media is like. they just keep showing us more and more scenes of silly happy little n having a good time and then more and more scenes of harsh contrast with him looking so dull when part of team plasma. like while they were deciding what to put in the final cut they knew one thing for certain and that’s that they wanted to hurt us right off the bat. like really drive home the cruel irony and tragedy of n’s character through images. first thing you see when you boot up this wretched pocket monsters game

genuinely one of The best intros in any video game ever which also means aughhh this is the WORST. every other game intro is all lighthearted and cool like hey look at the cool pokemon and characters you can encounter before you play! aren't you excited!! but bw sits you right down and goes ok before you go. you need to know that we Royally fucked this one kid up. you see how happy he was in that forest with his friends? no more of that we took that away. ok Now back to the usual fun intro while you're still reeling from whatever that was. it sets SUCH a good tone like this game is something really standout and special compared to the others and you know it the moment that cartridge loads

the final version having only one scene of his memories instead of the others multiple is Heartbreaking. esp bc in the beta versions n is an adult. there being many scenes of him still having fun implies like he's still had a long life of good things! he's not always this dull and gloomy! but in the final its like his Only good memory is back when he was a kid so you wonder what happened between then and the coronation. what ruined this happy kid so badly. where are those pokemon friends he was seen with. its so so so so SO good i love you forever black and white

[quuerbee]

Just saw a picture of divine dragon chung myung before he got that title and it really hit me how small Cho Sam's body was when chung myung came back. This little thought has spoilers for chapter 400+ (I think anyway) and vague spoilers for everything past ch 400 until like. Ch 800

GOD OK so we as the reader understand chung myungs situation very very intimately. WE understand that he is an 80+ year old man mentally. WE understand that he is not in fact 15, then 17, then 19, 20, etc. Everyone around him, however, truly believe that he is those ages.

It's brushed upon multiple times throughout the novel, especially whenever chung myung is down for the count/recovering after a fight. The facade he makes around himself, the strong reliable leader, fades away and the "truth" of who he is reinstates itself to those close to him in this second life. His back, every time he wavers, is described as small. This is always through the perspective of anyone but himself. This is even more apparent whenever he is unconscious after a serious fight. I don't know exactly chapters, but i KNOW that baek cheon (and the rest of the 5 swords plus soso and hye yeon), at least once, has had the reality of Chung myungs apparent age dawn upon them. That they're youngest sajae (sahyung in soso's case) is constantly spilling his own blood to protect them. (This fact is straight up said by yu iseol after the particularly bad fight with Jang ilso, spitting her frustration with only getting in chung myungs way instead of protecting him).

This phenomenon is hardly limited to the main group of disciples. After the first myriad men siege on Mount hua (while The Gang is in Xian), everyone subconsciously gains courage with the thought that soon enough chung myung will come, that he'll protect them. The disciples (soso being the most prevalent since she's one of the main disciples focused on in the novel) of course correct this thought, realizing that they cannot rely on chung myung forever. Anyways moving on from just describing this arc. What I mainly want to focus on is Hyun jong and chung myungs interaction AFTER the siege is finished, after un gum is fresh off of his amputation, after chung myung has barely gotten treatment for his own (quite serious) injuries.

What do you think when through Hyun jong's mind, seeing his youngest disciple, the one who brought back the hope that had almost died out with his sect, ruthlessly kill the enemy, return heavily wounded, and then try to sneak out almost immediately to go back to smite those who have harmed his home? To us, Chung myung is more than capable. He's the plum blossom sword Saint, the one who (even with all the regret he holds over this) severed the head of the heavenly demon. He's an 80+ year old man trying to protect the only thing besides bloodshed that is familiar in this second life. We understand the guilt he has over not being able to protect his home the first time. We understand that he would rather die than allow Mount Hua to fall again.

Hyun jong does not know this. He does not understand chung myungs rage (and guilt and grief and longing and-). He looks at chung myung and sees an 18 or 19 (I don't remember) year old boy, covered in wounds, trying to sneak out of his home on a suicide mission of revenge. He sees a boy. He knows that if he let's this boy go, he will never see him alive again. So he uses chung myungs borderline (who are we kidding, it is way past borderline) unhealthy loyalty with mount hua to dissuade him from walking to his death.

ANYWAYS long story not so short, I need need need more analysis over what everyone but chung myung thinks about him. Everyone sees this young teen, then young adult, bend over backwards to the point where he has almost died so so so many times just so mount hua can flourish. They've seen him kill ruthlessly, they've seen him sob over the skeleton of an ancestor (one of his brothers, a reminder of what he has lost, what he will never get back), they've seen him silly and carefree, they've seen him almost mad with bloodlust.

To us, he is chung myung, the old plum blossom sword Saint, slayer of the heavenly demon. To them, he is chung myung, the scrawny 15 year old that changed their lives, that faces unknown traumas, that has had a life so, so unkind to him.

Sometimes I look at chung myung pre time skip, how small he is, how he looks like a child, how he acts nothing like one, and remember that only we, the readers, get the full context behind his actions.

[skrunksthatwunk]

this could be kuwameshi if you guys would like. take my hand and trust me

[ayrennaranaaldmeri]

welp since some of those shitty leaks turned out to be true, those rook's rest leaks are going to end up being true and from the very bottom of my heart i wish c*ndal a very never get work adapting anything again i hope by the end of this your reputation is worse than benioff's and weiss's because it's all you deserve.