#i finally wrote this omg
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megafreeman Ā· 2 years ago
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Saints Taxi
Several months after the Third Street Saints have re-established their presence in Stilwater, the gang started conducting their own criminal activities within the city. The deal was very simple, set up a stronghold in one of the neighborhoods and use it to run a local operation in that district.
This seemed simple on paper, but the problem arose in practice. While the strongholds did a great job giving the Saints a strong presence in those neighborhoods, they struggled spreading the operations outside of Saints controlled territories; especially when the Saints controlled neighborhoods weren't next to each other.
As the leadership of the Third Street Saints struggled to figure out how to solve this issue, Boss (Zack) realized something about the city. After Ultor gentrified a large portion of the city, Stilwater became a tourist trap of sort, and the taxi industry has been booming, with there never being more taxis on the streets.
So what if the Saints started their own taxi service in Stilwater, and used the taxis to blend into the Stilwater's traffic as they smuggle the goods all around the city unnoticed. Boss then made a call to his cousin Jamie O'Connor (pictured above) (full bio), who for the most of his life worked as a cab driver in London, and offered him to move to the United States and run the cab business for the Saints. He agreed, marking the start for the new era of the Third Street Saints.
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crybaby-bkg Ā· 2 years ago
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I think Deku has a bit of a mean streak, actually. he’s no Bakugou—that’s for sure—but he’s not this innocent, sweet angel baby that the media has painted him out to be. but you only catch it when you least expect it, when you’re pushing his nerves, when the stakes to everything around him are high, when he’s tired of endless sleepless nights and just—snaps.
ā€œOh?ā€ you go, grin unfurling like some grinch, chin resting on your hands as you leer at him from across his expansive desk. ā€œYou’re mean.ā€ your words are teasing, a snarl that curls your mouth up. Deku stutters, eyes going wide, jaw snapping shut in surprise as he tries to think back on how rude he just sounded.
ā€œNo, I’m not—I mean, you wouldn’t stop and I just—there’s a lot on my plate right now—and you just—you keep on—I’m not—I’m not mean.ā€ He’s sputtering, hands all over the place, the glasses perched on the bridge of his nose falling even lower with how he jabbers on and on. it’s endearing really, to see how he tries to upkeep his image of being so kind and understanding, even though his nostrils just flared at you. and his eyebrows turned down and he gritted at you, his hands were balled into fists, his words were so nasty, so ugly, so unbecoming for Deku.
you liked it. loved it even—vowed to get him like this every single fucking second that you could.
you pick and poke at him whenever you see him, teasing him and pulling at him. pushing him around even though the hero is so much stronger than you, so much bigger. and he lets you, tries to defend himself but—that’s not what you want. you want the ugliness, the snark, the mean.
he snaps, eventually, when you least expect it. grabs you up in black whip when you go to push him against the wall for the third time in only a minute, his eyes suddenly dark, the aura of the room suddenly charged.
ā€œThat’s what I was looking for.ā€ you whisper to him, the grin spreading your face quickly dissipating in only seconds when you become the prey. when you become the one pushed up against the wall with teeth at your neck, a hand in your underwear, bullying your hole with too thick fingers.
ā€œWhy do you want me to act like this? Be so mean to you, huh?ā€ he sounds so frustrated with himself, with you, growling and nipping and licking when you don’t answer quick enough. but your breath is caught in your lungs because finally—finally, did you get what you wanted. it just took a little bit of pushing, you suppose.
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rainforcsts Ā· 1 month ago
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some people need to learn that just because they don't like a character it doesn't mean that character isn't complex
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loppiopio Ā· 6 months ago
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anatomy of a heart // open up
cardiogram.carrd.co
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solastrovethefabulouskilljoy Ā· 7 months ago
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Hello y'all ritalin rats and deep sea fucked up creatures today I bring to you the first ever ZerSebPaint fic I hope you enjoy it
If you don't think you're into it, please give it a chance, I promise Polyshipping can be so much fun
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desired-misery Ā· 4 months ago
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not me having to remember GERM THEORY WASN'T A FUCKING THING IN 1899!!!!! FUCK!!!
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that-was-anticlimactic Ā· 1 year ago
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this is our place, we make the rules
Kunikida rolls his eyes and takes a couple steps towards them, his gaze never straying from theirs and Dazai’s as they watch with bated breath. ā€œYou’re both terrible at this. That isn’t how you ask someone to dance!ā€
He bows, then holds a hand out to each of them, hands shaking lightly.
ā€œMay I have this dance?ā€
And, shit, how could Chuuya ever say no?
[or, chuuya, kunikida, and dazai dance, make out, and fall asleep together]
šŸ’«4,146 words | kunichuuzaišŸ’«
a two year anniversary gift for my beloved, @zukkaoru !!! i love you so so soooooo much! thank you for being in my life MWAH <333
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long-suffering-little-spoon Ā· 1 year ago
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Not sure how hot a take this is but Twelve had the best regeneration sequence (at least in NuWho) by a landslide like good fucking god
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machines-art-shenanigans Ā· 2 years ago
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*breaks through the ceiling*
Hey Narry! What's your thoughts on employee 432? :O
Sorry for breaking your ceiling...
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HOLY SHIT THAT WAS A LONG ASS ONE
+ SOME LORE AND ANGST
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marmolita Ā· 8 months ago
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bonus fic for Halloween!
Back in 2018 I started this Ardyn/Ravus werewolf fic for a kinkmeme prompt and never finished it, because I couldn't figure out where it was going. Six years later, I pulled it out of my WIPs and realized I just needed to change the last paragraph to make it a complete shorter fic, rather than the beginning of an unknown longer fic.
So, even though I literally just posted 32 fics in 31 days, I'm back again with more.
Call of the Wild
Ardyn/Ravus, AU - werewolves + modern + supernatural creatures are known + college + they're still in Niflheim so make of it what you will
Ravus isn't entirely sure what it is about Ardyn Izunia that keeps him coming back for more. Perhaps it's those golden eyes, the color so unusual that they remind him of some sort of wild animal. Perhaps it's his powerful hands, when his nails rake down Ravus's back like claws. Or perhaps it's the jaunty set of his hat and the knowing curve of his smile, the predatory gleam in his eye that changes to laughing glee when Ravus finds himself caught.
Happy Halloween!
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mcssages Ā· 4 months ago
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That moment when you have an OC , and you're totally cooking with her backstory , but you haven't revealed it all yet , so no one knows how fire she really is .
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bigskydreaming Ā· 1 year ago
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IWTV season finale (or more accurately the second half of it, from the end of the interview onward) has me positively vibrating with the implications (or at least my interpretation). Midway through the first actual meta I feel like I've written in years lol, but I've always felt like the series' meta narrative was ABOUT the power of narratives and all the ways they can distort the truth, make myths out of past events, turn fact into fiction and reframe and recontextualize things in all manner of ways......
From the editing of Claudia's diaries to Armand's memory manipulations to Louis' unreliable narration to the very format of Daniel's interview to the story Armand tells about Claudia's fate and how that shapes the story of Louis' life with him and on and on and on.....its a hugely sprawling, intricate web whose sole common thread is the reality that everyone's history is only history to THEM....to everyone else, its a story told to them....either BY them, or by someone else ABOUT them, or in some other way rendered mutable by the power of secondhand narration and all the ways intentional and even subconscious biases can reshape it.
I mean, even the facet of this in which Daniel's book IS as factual as possible, and is taken as such by vampires, but to humanity it reads as fiction because they view vampires as inherently fictional, and how this thematically ties back into how easily the lines between fact and fiction can be blurred merely by virtue of what you're willing to ACCEPT as true and capable of existing, vs what you WANT to be true and capable of existing, and what you'll go to any lengths to deny ever COULD be true or capable of existing.....
The paralleling of all this with the beginning of the season starting with Louis and Claudia's quest to find other vampires, whom they weren't even sure existed, and how much Claudia WANTED it to be true that there were others like them, and how quickly the very thing she searched for turned into the very thing she wanted to get away from when the reality of those other vampires turned out to be different from what she'd hoped for....
How much of what Armand said and did was built upon the foundation of knowing it played into what Louis would PREFER to believe had really happened, because the reality of who ACTUALLY saved him would by its very nature challenge certain things he'd long accepted and internalized as fact in order to make his peace with how things went between him and Lestat, ie the idea that Lestat was inherently monstrous, just look at the proof that lay in the monstrous things he'd done, ergo he was predisposed TO assume that it must have been Armand who saved him, because Lestat just wasn't capable of that, would never even WANT to, and the simple truth that regardless, he DID, subsequently required reconciling that with his fundamental perception and understanding of Lestat as of that point in time, and the fact that Armand's house of cards was in reality so, so FLIMSY, and vulnerable to toppling with just the right push but it still lasted for 77 years because it had been built upon the foundation of Armand's awareness of just how badly Louis NEEDED reality to be that simple:
Armand loved him and was there begging for his forgiveness for his part in things, ergo, of course Armand would have saved him when he had the chance.....vs Lestat had never loved him and would never in a million years genuinely apologize for anything he'd done or even admit he was wrong, let alone forgive Louis and Claudia for what they'd done to him, ergo, of course Lestat would never have saved him even if he had the chance.....
Like it really was that simple, that flimsy, and yet that enduring, Armand kept the lie going for almost 80 YEARS because he was confident about having built his narrative on the bedrock of what Louis believed to be true of Lestat, what he accepted as immutable FACT....
I REALLY want to rewatch some earlier episodes at some point, specifically Season One eps involving Claudia's diaries and stuff about Lestat, because I'm very curious how that comes across in hindsight - a lot of people have pointed out how little we really know of what Lestat actually thought of Claudia, and I'm curious now how much of Armand's editing and reframing of things made it a priority to emphasize the take that Lestat had nothing but contempt for Claudia.....like what I mean by that specifically - because none of this of course is meant to excuse or defend anything Lestat has done to either Louis or Claudia in the past, of course - what I mean there is Louis, even at the points where he's MOST prone to viewing Lestat in terms of extreme binaries, still has always been aware that he has complicated feelings about Lestat and that his love for him and his desire to believe that at least some of what he'd perceived as Lestat loving him had in fact been real....
Like, when it comes to him and Lestat, Louis KNOWS that he's an unreliable narrator, that he's never going to be 100% capable of having an objective view of how he truly feels about Lestat and how Lestat feels about him. Which could've made Armand's lies a lot more fragile, if there was even a chance Louis might even just in passing wonder "what IF Lestat had been the one to want to save me that night" and from there potentially sparking upon the possibility that wait....AM I sure he didn't......
BUT. For a variety of reasons, not the least of which are Louis' protectiveness towards Claudia, guilt about anything she suffered as a vampire due to having been the one to beg she be made one in the first place, and seeing Claudia as HIS responsibility......Louis' view of Lestat's treatment of Claudia has always been a lot less forgiving than his view of Lestat's treatment of him. The very things that make him WANT to give Lestat the benefit of the doubt in some cases when it comes to their own interactions, because he wants to believe that Lestat did in fact genuinely care about him.....go hand in hand with the unlikelihood of him giving Lestat the benefit of the doubt when it came to how he felt about Claudia, as interpreted by Louis based on Lestat's interactions with her....
AND Claudia's journals....and what she had to say - and believed - about Lestat's view of her. At various points, Louis has been as prone to outright REJECTING the possibility of Claudia being an unreliable narrator as he is to accepting that his own recollections and perceptions are unreliable....because he enshrined her and put her on a kind of pedestal in an effort to keep her memory at a distance from him, where it hurt less, felt more like something told to him in a story rather than the visceral pain of losing someone he loved like a daughter. You could call Louis a liar, because it was no worse than what he'd accused himself of. Call Claudia a liar, and you wake the revenant of all Louis' most primal, savage (and ultimately failed) efforts to protect her from harm, still haunting the few things left of her like the ghost of Louis' paternal instincts and love, cursed to linger around any mention of her because it would forever have the unfinished business of needing to protect her, even now, long after it was no longer even a possibility.
Point being, I'm wondering now how much Armand leaned into THAT, to shore up the weak spots in his story......how much the potentially (and likely) far more murky, messy, and complicated truth of Claudia and Lestat's view of and feelings about each other got left on the editing room floor of their actual history so that Armand's director's cut of the past could condense all of that into the far more simple - and polarizing - idea that Claudia hated Lestat and Lestat hated Claudia, and no matter HOW complicated and uncertain things might be when it came to the truth of Louis and Lestat's history and feelings....on THIS count, there was no doubt....Lestat would never lift a finger to help Claudia, never have a kind word to say about her, had nothing but apathy with an occasional detour into contempt when it came to her.....
And thus, Armand whispered into Louis' ear for seventy seven years worth of nights spent haunted by her memory and his guilt and belief he should have done better by her - if Louis could be certain of nothing else in this life, its that Lestat would never be on Louis' side if it meant being on Claudia's too, and for that reason alone, he couldn't POSSIBLY have been the one to save Louis that night.
It had to be Armand. Nobody else had ever understood how Louis felt about Claudia. Nobody else had ever cared that Louis had loved her so much and missed her so badly. Nobody else ever WOULD.
And so the house of cards remained standing, because fragile as it was, Louis never saw a need to push at the card at the very bottom.
Until of course, a gust of hot air named Daniel came in and huffed and puffed and blew the whole thing down.
(Largely, imo, because of the power and importance of stories, rather than the actuality of their actual interactions and things Armand had physically done to piss Daniel off and make him hold a grudge, lol. Personally, I feel like Daniel - who prides himself on his ability to see the truth, report the truth, TELL the truth rather than, y'know - "stories" - who is so vehement about his role as a truth teller rather than a story teller that he will not let a single instance of someone calling his book a novel instead of a memoir go unchallenged, someone for whom the distinction between truth and fiction is a line he's staked so much of his life's work and subsumed his very identity in - its not any one THING that happened when Daniel first met them decades ago that really pissed him off, I'd argue.....its the mere knowledge of Armand messing with his mind, muddying his memories, making it IMPOSSIBLE for Daniel to ever fully trust the truth of his own personal history....THAT was the unforgivable crime that fueled Daniel's spite and was like okay, so for Today's To Do List, I'll be wrecking your marriage, your past 80 years worth of machinations, your reputation and just overall blowing up your life in every conceivable way. RIP to this little house of cards you built here, its adorable. I brought a battering ram.)
Anyway. I'm just saying. I think the role OF narratives and their importance and power WITHIN the overall narrative of the show is one of its most fascinating aspects, and is what has me so amped for Louis' arc next season to see if they go in the direction I'm hoping they do based on his final scene, which I interpreted not even so much as Louis throwing down the gauntlet to the rest of vampirekind and saying I'm not scared of you.....so much as Louis recentering himself in his own identity, his own perception of himself rather than Louis-as-depicted-in-the-stories-of-his-loved-ones-lives, and emerging from the wreckage of the house of cards he'd spent the last 80 years living in, with a reignited desire to CHOOSE life, rather than just drift through it eternally like an immortal record of the past with no real desire to partake in the present....
And thus, having every intention of surviving whatever comes next, due to vampirekind's shared focus and aggression towards him. He's not looking to just go down swinging, IMO, the Louis of the final scene took his time getting there. He was deliberate, methodical. He took his time between kicking Armand out of the tower and returning to it and telling the collective children of the night to come at me, bro. He retraced his steps and revisited New Orleans with intent, took in a tour guide turning past events into a mythic tale with a smirk that cast no judgment on how true or not the tour guide's version was, but rather felt instead like he was enjoying the shared joke of how easily something-that-was ended up spun into something-so-much-more-folkloric-than-it-actually-had-been. He repaired his tower and redecorated his personal place of power with actual mementos of someone he loved where once there'd just been the memory of her lying over everything like a funereal shroud, heavy and haunting and unspoken and thus impossible to ever take comfort in or make peace with. He stood there for who knows how long, through who knows how many nights, and just listened to his many would-be-enemies announce themselves and their intentions towards him, all the things they planned to do to him, and then and ONLY then, he picked his moment, took a seat, settled in......
And began to tell a story.
He didn't throw caution to the wind, double down, say fuck it, if I'm going out it'll be on my terms.....IMO, the Louis of the final scene, with the same predatory glint in his eye and devil-may-care smirk he's worn in past scenes where he's given himself permission to be the monster, if he felt the moment called for it, just was past caring, or saw it as necessary to make it through the night....
This is a Louis who doesn't give a shit about any blaze of glory, this man came to win. He chose life over death once upon a time, hell, he chose life IN death, and then he did it again and again even throughout the times when he got lost and weighed down in the inevitable tragedies of life and couldn't make the most of the equally inevitable triumphs along the way.....and I feel like he's finally at a point where he's ready to make that MEAN something. On HIS terms.
There's not going to be another book with Daniel, not about him, anyway. Let Lestat have the next one. If there's a story to be told about Louis now, it won't be told in someone else's book, in Claudia's journals, in Armand's half-truths or even Lestat's regrets.
The only one telling Louis' story from here on out is Louis. And he's going to decide what it says. I feel like this is (or at least COULD be) a Louis who is preparing for a war he has every intention of winning, and he took his time and considered his options before choosing his field of battle. He armed himself with a very specific weapon for very specific reasons. The final scene is Louis issuing a challenge, yes. But its also Louis turning his enemies into his audience, and saying.....let me tell you a story.
This is the story of The Vampire Louis De Pointe Du Lac, he intones, introducing himself with pageantry picked up from those he's met along the way in his journey these past two seasons, but given his own flourishes, said in his own voice. No mere mortal, or even mere immortal....no. This is the story of the Vampire Who Yes, Just As You Accused, DID upheave your whole world by spilling your secrets to the rest of it, who yes, DID break so many of your laws, just like he has in the past and chronicled in said book as though he genuinely gives not a single fuck. Let it be known. Let it all be known! Let his personal sanctum, that private place of power most vampires and covens are zealous about keeping hidden because of how vulnerable even the most powerful of them are when stuck in their coffins at noon, be known. Let his security measures be known. Let everything they could possibly need to enact their judgment, vengeance, fury, and just overall bloodlust upon him....be known.
Because the Vampire Louis De Pointe Du Lac....owns the night, he says.
He tells them a story, that tells them everything but also tells them they know nothing, and turns everything they know about him, think they know about him, every secret or vulnerability offered up in Daniel's book, everything that could be gleaned by any of them going to Armand or Lestat or anyone else for intel on him......into irrelevant details.
Because his story he told - to an audience of jaded immortals, masters of manipulation, mind games, and the various machinations that colored so much of Louis' history with both Armand and Lestat, because they learned them from each other, learned from the same people, taught others, and on and on and on.....the story he told to an entire world of schemers, many of whom have centuries more practice than him in the art of turning fact into fiction, distorting reality into fantasy and making themselves into mythical monsters instead of just people who do monstrous things, just now with Added Years and Also Strong Branding.....
Well, the funny part about it, the thing he could be busting a gut laughing about on the inside.....
Is the story he told is not actually a story. It was fact. Truth. One hundred percent verifiable truth.....just....presented as a story.
And thus, to the practiced and cynical eyes of immortal master storytellers slash liars slash strong believers that all vampires are as prone to truth-twisting as them.....
For everything his "story" told them, the attached implication is there MUST be more he's not telling them. No vampire offers all that up, waves a red flag like that, declares war on untold legions of immortals more powerful, more experienced, more monstrous than him.....
Unless there's something he's NOT saying. Some trick. Some scheme. Some sword of Damocles hanging just out of sight over head, waiting for the first challenger foolish enough to take at face value this relatively young upstart (who nevertheless has survived over a century in the company of some of the most dangerous and unpredictable vampires out there - always a bundle of contradictions, our Louis).....and as much as they ALL agree this heretic must burn for what he did, for what he dares, laying claim to the night like that, like he has any RIGHT, let alone some greater right than THEM....
Well. SOMEONE has to take the first swing, don't they? And suddenly.....they're probably not all that eager to BE that first contender, the first to take a run down the straight shot Louis has invited them to take right to his front door and down the hall to where he can be found sleeping in his coffin incapable of defending himself.....
Because, well. There HAS to be some trick, doesn't there?
And there is, of course. The trick is that there is no trick. The lie is that the truth isn't a lie, its the actual truth. Its a simple, basic, and perilously flimsy house of cards Louis has erected around his tower as his ACTUAL fortification, but if this is his game, he's got reason to be pretty confident in it buying him a fair amount of time and allowing him plenty of maneuvering room while he engineers more of the situation to his advantage.
After all.....nobody knows better than Louis how effective something like this can be.
Its quite literally the exact same sleight of fact and fiction that Armand used to keep him contentedly playing make believe for the past seventy seven years. The more you ground a fiction in lies someone is already telling themselves or is all too willing to believe - because it falls naturally into place alongside similar-seeming and deeply-rooted beliefs - the less you actually have to LIE. The less you actually even have to do at ALL, because they're already inclined to fill in the blank spaces with their own correlating assumptions and just keep going and going from there. The fiction writes itself, because you've just given them the prompt and invited them to use their own history as a map for what makes most sense to come next.
And why wouldn't they? Vampires are natural storytellers, after all. How else does a factual species continually convince the world around them that they're really just fiction?
Armand's lie worked as long as it did because it was never a gamble at all. He knew it would work - at least for a time - because it always works. Vampires do this constantly. We've seen it time and again. They pull this gambit on each other, they pull it on themselves, they turn their own histories into stories that make them feel better whenever they peer into the past because perception is reality and if you have literal mind powers that let you alter perceptions at will its not exactly a hop skip and a jump from there to the belief that you can render reality similarly mutable.
Life is beautiful and great and wonderful and also hard and cruel and painful. And the unfortunate truth for many of us is the memories that hurt tend to have more weight than the memories that lift us up. They have an easier time sticking around, accumulating their weight, making the accumulation of decades and centuries more of a curse than a blessing unless you find some way to relieve the pressure, shed those burdens regularly. Or just get really good at telling yourself that weight, those hurts, they just aren't there. Because the things that caused them never happened. Because your immortal life has been wonderful and grand and anyone who challenges that is probably a liar who is invited to defenestrate themselves at the next available opportunity.
Armand wasn't shocked that a few pokes at his house of cards could collapse the whole web of lies. He was shocked that someone poked at it at all. He's five hundred years old. That shit just doesn't happen. That's not what they DO. Vampires only GET through as many centuries of bloody, brutals acts by LYING to themselves about those acts not being bloody or brutal or that they were done by someone else entirely, EVERYBODY KNOWS THAT, what kind of fucking BARBARIAN goes around poking at other peoples' houses of lies to see if they'll collapse when like, no shit, its OBVIOUS that it would collapse, because duh, its made of CARDBOARD, nobody is out here in Vampirelandia arguing that these things are sturdily constructed, but its not like its a problem as long as you just dont POKE at it and like, who even does that? Its RUDE!
*Enter Daniel, stage left, with jazz hands*
The older you get, the more memories you have, the more they all cram up against each other, the lines get blurred, the contents of each memory end up in each other's boxes, and when its that already that hard to tell which ones are still accurate anyway, its that much easier to just go with the stories and decide fiction's an acceptable substitute for fact any day.
Its not surprising it took a relatively young, spry and sassy septuagenarian to remind the two century plus lying liars who lie....that all of that may very well be true.....but that doesn't mean facts don't still matter. Truth doesn't still matter.
Any vampire could see the fragility of the ruse Louis' erecting here based on their own experiences doing the same thing. Most of them won't, because exposing the reality of his ruse requires an admittance of familiarity with it themselves. And that leads to acknowledging when and where they've deployed it in their own lives, with their own companions.....
And vampires, as we all know....rather famously don't spend a lot of time looking at themselves in a mirror.
The ten million Louis paid Daniel to tell his story was well worth it, and not just because it let him see what Armand had done. But because Louis already knew the power of a good story.....but Daniel reminded him that the truth has power too.
Its all in how you use it.
Related but tangential.....not gonna lie, a major inspiration for this take is just Louis fucking SMILING so much more in the last several scenes of the episode than in pretty much any of the present day scenes until now, at least in any kind of way that feels genuine and like he's actually engaged with what he's smiling at and dialed in. Like just....it feeling like being freed from the isolating house of fabrications he's spent the last several decades in has already led to him reconnecting with that fond curiosity he's had in the past, when not being alternately wallopped with Trauma and Tragedy hammers every other scene he's in. Him being able to look around and just take in stuff like "oh hey, that sparks joy. Neat. Forgot I had that emotion."
Like, I just really, REALLY like the scenes in the show (relatively few and scattered as they are) where we get.....playful Louis. The simple sincerity of just finding something amusing.....
Buuuuuut I also like when Louis is being a bitch and also when Daniel is being a bitch and I just think their being a bitch frequencies should be allowed to sync up more. As a treat. Just saying, this interpretation/take was 100% inspired by the thought of Louis finding the effectiveness of his ruse hilarious in an ironic kinda way, and being like, I wonder if Daniel thinks the joke is as funny as I do, since I think he's pretty much the only other person who'd get it without me explaining anything.
Daniel: Oh I absolutely do, except I just think its hilarious and not in an ironic way or anything, its just funny. Plus I enjoy that its at most vampires' expense, because at the risk of generalizing, literally every single vampire I've ever met has been a giant dick. So. There's that.
Louis: You do remember that you're a vampire too now, right?
Daniel: Well yeah. And I've met me, and I'm a giant dick. Where's the confusion here, Louis.
Anyway.
ALSO! The parallel of Daniel writing a fact-based memoir that exposes the truth about vampires to a world that refuses to believe it because it challenges the beliefs they already have about what is fact and what is fiction.....
And Louis armoring himself with truth told as a story to vampires that refuse to even look for the holes in that armor because to do so would risk applying fatal pressure to the fiction painted over the vulnerabilities in their own.....
.....mmmm. *chef's kiss*
So, yeah. I would love it if the above interpretation is where things go. Based on where they left Louis, I feel pretty confident I'll like wherever they take him next season regardless of how well it aligns with this take or not, but I mean. I'm egotistical enough that I'm like yeah, I would in fact like it if the show validated the two hours I just spent haphazardly rambling away in a post that started off with "So this isn't an actual meta but rather a post ABOUT a meta that I'm GOING to write but that is not actually this" and then turned into an obvious meta that didn't even have the fucking decency to be the meta that the post was initially about.
Look, I'm just saying. I would win so hard at being a vampire, I've already finished all the prerequisite courses.
Thus concludeth the rambles.
.....ugh fucking hell, just remembered that now I STILL have to write the actual meta that I was already planning to write before my brain decided hey what if instead of that we did a whole Russian nesting dolls thing that turned that meta into like, nine other metas that don't get you any closer to writing the thing that you originally set out to write hahaha this is fun, I'm fine, the show has absolutely not rewired my brain chemistry at all.
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good-beanswrites Ā· 2 years ago
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Hello šŸŽ¬šŸ‘‹!! Haha, I’m glad you enjoyed the thoughts, I loved these so much! Thank you!
LMAO I think a few of them would have real good taste in song titles, but others… not so much šŸ˜… I actually think Yuno would have some pretty solid ideas. Though Haruka has some nice thoughts too, I heard both his titles are specific plays on words that I don’t think he’d come up with himself…
Omg yes! The prisoners would have such a good time planning mv outfits! I can definitely see it being bittersweet for Fuuta – exasperated by, but also homesick because, they all remind him so much of his sister ;-; Mahiru is devastated she's not getting a new outfit for I Love You and so she enjoys styling vicariously through helping the others. Shidou’s outfit was even more painfully Dad before the group helped tone it down. Before the mv color scheme was decided, they cycle through a few different colored marching band uniforms for Amane. Muu doesn’t quite understand the flower dress, but the team promises her it will all come together to look great.
>:O The birthday art can be au canon!! The previously mentioned fashion crew makes everyone dress up like their cake, and designer Mikoto photoshops them into a pic of it aww. Even after watching the t1 videos, it would be the nicest they've seen everyone get dressed up. They're shocked seeing the boys clean up so nicely in their suits, and the girls are just shining in their fancy dresses and heels. And maybe Es’ ā€œbirthdayā€ pic was a pre-experiment candid shot of them chillin with the bunny off set :’)
On a slightly darker note, I wonder if those pv shots of the restraints are canon too. Milgram had a few ideas for worst-case restraints and took a few shots for reference during an early fitting…
ADFGGH rip Haruka šŸ˜‚šŸ˜‚šŸ˜‚ I love the idea of a whole group of them sneaking around looking for tasty goo and fun props, and instead stumbling upon The Mannequin Room. And waait I'm so emotional over Kazui loosening up and having a bit of fun with his tricks :’D With all the themes about certain characters growing up faster than they should, it would be so lovely to see them giggling and messing around in a blooper reel! I’m imagining someone trying to twirl Amane’s baton as well as her and epically failing at it.
Yeah, I have a lot of different predictions for Amane’s t3 changes – but no matter what happens, she starts accepting help just a little bit more behind the scenes >:) It’ll still take her a really long time to break away from the cult’s beliefs (no one in the cast/team really knows proper cult deprogramming strategies at this point, but they start looking into it as soon as the experiments ends.) Still, she finds a balance of keeping most of her religion and also realizing that the others genuinely care for her.Ā 
And oooh I really like that šŸ‘€ I always pictured the prisoner Es hints to be leading toward them being a prisoner in the future (accused of executing prisoners), but that would add so much more drama if it relates to a past imprisonment. The ten would make a perfect heist team, hacking the system, snooping around, and charming facility members in order to find paperwork detailing past experiments featuring Es. And Kotoko would certainly be leading the investigation – I love how closely she’s monitoring everything, it would fit so well if she were the one to see the truth first. Between the realization that Milgram hasn’t been fully honest, and the threat that Es may be there for even longer, the jailbreak would erupt much quicker than the current timeline. Although the au is nicer overall, I really like keeping Milgram a pretty shady organization heheĀ 
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timothyslucy Ā· 1 year ago
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ngl in all my polin hype and the bridgerton brainrot i COMPLETELY forgot about the rookie/chenford and the finale tomorrow oop! 😶
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thescholarlystrumpet Ā· 2 years ago
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There's A First Time for EverythingĀ 
Rated: Mature words: 4,720
Aziraphale and Crowley live in Earthly bodies most of the time, but rarely get to have the same experiences that humans do. Therefore, there's always more to learn - especially when they have one another to help out...
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mooph Ā· 6 months ago
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chat i just posted my first fic on ao3 in 5 years. this has never happened what is becoming of me.
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