#i feel. insane. thank you

[cozyships]

[thepunkmuppet]

my girl celia really said have you ever heard of this one show it’s called the magnus archives and it’s a podcast distributed by rusty quill and licensed under a creative commo-

[technically-human]

Welcome to the reverse verse! This is part 1 of 2 of a commission for @i-am-as-normal-as-you-are and I can't wait to tell you all about it, because I'm incapable of being normal and chill about these concepts, so I ran with it.

Charles Rowland was born in 1900, his mum was from India and moved to the UK after marrying Charles' dad, a soldier who was not... very loving. Charles' heritage gave him some problems, but none as bad as that one time in 1916 when he was sacrificed to a demon and spent the next 7 decades in Hell. He doesn't like to talk about it, except when it can get him what he wants. He was always an angry boy, or so he thought, but after his time spent in Hell, it became so much worse. He's explosive and unpredictable, and so he mostly avoids conflict. He doesn't need to fight anyone, as his charming personality and sweet smile (plus a few smart calculations) always seem to be enough to convince people to give him what he asks for. And when the fight is inevitable... well, he has Edwin for that!

Edwin Payne grew up very sheltered, in a deeply religious home, and he is proud of that. Don't try to argue with him, because he surely has a Bible verse that will help him win (and if not, he is not above using his croquet mallet now that he has someone to keep safe). Unfortunately for him, he realized at a quite young age that he felt attraction towards other boys. Even worse, somehow other people could tell as well, including those peers that ended up killing him for it (the rumour spread throughout school was that he had died due to AIDS, and most people just accepted it). He never acted on those unnatural urges of his, but when he met this ghost who had just escaped Hell... he decided not to risk eternal damnation, and to stay here with Charles, instead. Edwin has no interest in the supernatural or in magic, and sort of looks down on them, but luckily his friend's got that covered.

[bunnieswithknives]

Thanks.

Prev

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[commsroom]

you're remembering this wrong. (by @hehearse)

[soranker]

IMMA DEVIL IMMA BREAK YOU DOWN!!!

[heartorbit]

the star you've longed for

[gd-dollopole]

I should find another hobby

Anyway, if Merlin was set in modern times, Arthur would have called Merlin his “gay awakening”.

[cordiallyfuturedwight]

kim seokjin, 5th muster | 🌹 choker & earring edition 💎 for @rainbowcoloredpalmtrees (cr. namuspromised) as part of bangtan ccs for palestine | donate here

[dalvs-wife]

ohhhh they break me they break me .... /pos

(monster clover au by @howlonomy)

[watchyourbuck]

Oliver saying “we see everything” (Buddie related) in an interview,,,, sir I hope the FUCK you don’t

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

request: hiii idk if u take these kinds of requests but id like to see jealous reader (preferably if reader and hoshina are already in an established relationship and reader works in a different division, meaning they dont get to see each other much) like maybe he’s used to calling okonogi “my dear” and its the first reader heard him call anyone with a pet name like that and she starts to overthink and gets pouty/ sulky and hoshina doesnt notice it at first but when he does he starts teasing her which doesnt help HAHAHAHA if its ok can it be hurt/ comfort and end in fluff & HELLO!! can i request an angst to fluff with hoshina where reader thinks he likes okonogi more than him especially since he is against revealing him n reader’s relationship to the third division (for other reasons of course). hopefully this isnt too specific!! i hope u have a wonderful day:))

notes: hoshina calls the reader “darling”, hurt comfort, him accepting jealousy a valid emotion (very important to me i fear), so sorry i merged the reqs!! i hope this was satisfactory for both TY FOR THE REQ!, this is a twt thread i thought about while writing this, (l/n) mention in the bonus part

wc: 1400

Oh, you hated when this happened. You hated when your heart started to tighten in this horrible way you knew well. You hated being jealous.

You hated how self centered it made you feel and how it ate away at your thoughts and feelings. It made you feel like your good thoughts were disintegrating to horrible ones. However, what you hated even more was how it meant you were doubting his love for you— and that was the last thing you wanted to do. You didn't want to doubt him, nor did you doubt him, but when the jealousy got to your head it was over. You were stuck in a loop.

To top it off, the cause of this all was truly harmless and hardly that big of a deal, but that's usually how most anxious thoughts start. They start little.

You were called to visit the 3rd Division to help with research on a field you were particularly knowledgeable on, and you happened to hear Hoshina's laughter from the operation room, so you went in to take a peek.

“It was not that funny,” Okonogi was saying to him, but Hoshina only continued to laugh.

“Yes, it definitely was,” he laughed. “I knew Kafka would forget about that hole in the training grounds again.”

“Why don't you remind him, then?”

“Comedic relief, of course.”

“Alright then.”

“Okonogi dear, you're no fun,” he said.

They said a few more things, but you couldn't seem to focus on their words. ‘Dear’? Was that merely a simple pet name? Or was there more to them than you initially expected?

Oh, the worries started to fill your head. And they were things you didn't want to be worried about— Okonogi was always so sweet to you when you popped by and you knew Hoshina loved you. The last thing you wished to do was doubt them, nor did you want to make things awkward around them. There were just so many things that you just didn't know about, being in a different division as him. You doubted they even knew you were dating, and the voice in your head would only get louder.

It was then that Hoshina saw you at the doorway and called over to you.

“Are you done with work?” he asked, his voice excited and hopeful. Your heart stung.

“Not quite yet,” you tried to sound disappointed, but for the right reason. “I’ll get going now.”

You walked away from the room as quickly as you could, seemingly naturally. You didn't want to be there and you didn't want to talk to him before calming down first— you were sure you'd say something silly if you spoke now.

Yet, immediately you heard footsteps behind you and a hand you knew well grab yours.

“Soushirou?” you asked, turning to look behind you.

“What's wrong?” he asked, his voice soft and visible concern in his eyes. “Do you feel unwell?”

Pang in your chest again.

“Not at all, nothing's wrong?” you said, but you could see the way he pursued his lips— the hurt in his eyes from how you wouldn't tell him what was troubling you. Gosh, why did you feel this way? Why must you feel much silly emotions.

“It's truly so stupid,” you said. “I'll tell you another time.”

“Alright,” he said, letting go of your hand. That one was your bad— you knew he wouldn't push you any further, even if he wanted to.

Dinner that night was awkward. You weren't even that jealous, but the fact that you felt something was gnawing at your brain upset you. Not to mention the fact that you were keeping something from him made you feel even worse.

“How was your training?” you asked.

“Alright, I suppose,” he said. There was a horrible moment of silence. You weren’t sure what to say.

“I think I’m getting a hang of this new technique,” he finally continued, but you wouldn’t look up at him— you were afraid he wouldn’t look your way.

“I see,” you said. “That’s really cool… I’d like to see someday.”

“I’ll show you as soon as its better,” he said.

The rest of dinner felt… quiet. The two of you still talked throughout it but it was terribly different from the usual lively catch-up you’d have— it was heart-wrenching quite frankly.

So as you’d imagine, going to sleep was even worse. You subconsciously faced away from him and pretended to fall asleep quickly, hoping he’d sleep soon too. You hated what was going on, but you just couldn’t bring this up. You knew it was silly and you knew you’d forget soon enough. You’d probably regret making such a big deal out of it.

“Darling,” he said, and immediately you turned to face him. He was already facing you. “You don’t have to tell me if you don’t feel like it… I’m sorry I pushed you.”

Gosh, you thought. You gulped. You wished he wasn’t so kind.

“You’re going to think I’m so annoying though,” you said, voice cracking in a way you didn’t wish for it to and immediately his eyes widened.

“Darling, what happened?” he asked, suddenly worried. “You could never be annoying to me.”

“I�� heard you…” you started and he just listened— he waited. “I heard you calling Okonogi, ‘dear.’ And suddenly I—”

“I’m so sorry,” he said, without hesitation. “I hadn’t even realized I did that, it was completely by habit. I won’t anymore.”

You finally met his eyes and the way he looked so horrified he had made you feel bad was so prominent in his eyes.

“No, Soushirou,” you said. “I didn’t mean for you to have to change anything— I know so well that both of you are so sweet to me and there’s nothing going on. I just—”

“Darling, calm down,” he said, cutting you off. “You’ve done nothing wrong, why are you beating yourself up? This was my bad and that’s about it. None of this is you.”

“I—,” you said, taking a moment to collect yourself. “I hate to be jealous, Soushirou. I’m so sorry.”

“Why?” he asked and you paused to look up at him, utterly confused.

“Why?” he asked again.

“It’s such an… ugly feeling,” you said.

“Is it?”

“Is it… not?”

“What’s wrong with being jealous?”

“Because it’s like I’m doubting you or something… when I don’t at all.”

“I think that’s a different thing entirely, no?” he asked. “You can know in your head that I’m in love with you and still feel something else— they’re not always the same. A little jealousy is perfectly healthy, I think.”

“Oh…” you said. You wanted to say so much more but there was so much to process first. Your heart swelled with such warmth.

“I get jealous too. I hate when Narumi gets too close to you or bothers you when I’m not around,” he continued on. “But in my head I know you’d never do anything to hurt me and you’d stop him if he crosses a line. I’ll try to stop if that bothers you though.”

“No,” you said. “That sounds… nice. I’m rather… happy… you were a jealous actually. But I’ll make sure to keep some more distance between Captain Narumi next time.”

He laughed. “Sounds good. But you tell me if there’s anything more that bothers you okay. I’ll fix myself up.”

“I will,” you said and he kissed your forehead. “But Soushirou, I don’t mind much anymore. You can stay the way you are.”

“No, no, stop overthinking. You need to sleep now, you have an early morning tomorrow.”

“Yeah. You too Sou,” you said and he hummed.

Once you were certain he was asleep, you kissed his cheek and slipped your hand into his. You liked holding his hand when you fell asleep, but you weren’t sure if it made it harder for him to fall asleep.

“Thank you,” you whispered to him. “You mean the world to me.”

You lightly kissed his cheek, careful not to wake him up, but to your surprised he smiled. He squeezed your hand and without opening his eyes, “You missed,” he said.

He kissed you on the lips and you laughed, snuggling up against him. “You were awake.”

“I was waiting for you to hold my hand,” he said. “I like when we hold hands when we sleep.”

BONUS:

From then on, Hoshina stopped calling Okonogi “dear” as much, and it’d only happen when it truly slipped out of him from force of habit.

“Vice-Captain, you’ve started dating (l/n), haven’t you?” she said to him one day while they were sorting through files.

“How... did you know?” he asked. The two of you had been dating for quite a while now, but he was more surprised she guessed you correctly.

“It’s terribly obvious you’re completely in love,” she said.

He blinked. And then he laughed. 

He’d have to ask you that night if he can share the news with everyone, properly, then.

[twentyfivemiceinatrenchcoat]

AGH FASHION DESIGNER SUGURU AND MODEL SATORU W A NEW INTERN DESIGNER UNDER THEIR WING 😞😞☹️ - 🌺

WAHHHH I LOVE THIS 🥺🥺🥺 the pining and flirting and slowburn of it all… model!satoru and his favorite designer suguru geto, both of them undeniably skilled and born with an eye for fashion….. well-known and adored……..

designer!suguru who gets tasked with showing you the ropes, who’s always so patient and kind despite your inexperience. diligent with his teaching but also so laidback, so easy to talk to… he looks intimidating, but he’s so polite that you can’t help but swoon a little. and he admires your enthusiasm so much…… grows fond of you soooo quickly bc you’re just such a breath of fresh air compared to the divas he’s forced to work with all the time. he thinks you’ve got real potential and he wants to nurture it.

and ofc you end up running into model!satoru eventually…. bc he’s always hanging around suguru whenever he gets the chance. and he’s maybe a little jealous that you’re hogging so much of his personal designer’s attention, but… he also thinks you’re so cute . T_T like a little puppy following suguru around… so excited to be apart of what you’ve dreamed of for so many years……… he looks into your eyes and sees the same sparkle he had before he made it big, and it makes his heart race.

yeah . i’m just thinking abt the peaceful coffee breaks with suguru….. how he’d insist on paying for your drink, ”since he’s your senior” (he wants to be your favorite </3)…… and how he’d just be so protective over his little intern. don’t get me started on the close proximity with satoru when you’re taking his measurements, the glance and smile he sends your way during an impromptu shoot… the way he always calls for you with a sweet coo of ”how’s my favorite intern doing today?”

😔😔😔 yeahhhhhh. they make me feel ill.

[skitskatdacat63]

Vettonso complaining about each other not respecting schrondinger's track limits on the radio compilation + Seb's commentary that made me a bit feral

Must include these sexy ass pics okay, it makes me feral how hard they race each other.

Also SO upset that we got this vid and there's also pictures(and presumably a vid out there somewhere) of Fernando, back then, ALSO debriefing this race. And yet we never got them together?????? Evil. Fucked up.

Imagine seeing them complaining about each other but also having to (begrudgingly if you're Fernando) compliment each other IN FRONT of each other. Maybe its a good thing it doesn't exist, bcs then I'd have a heart attack.

[littlecrittereli]

✨️how you draw so well, I'm IN LOVE with the story ✨️✨️✨️ how Chris looks exactly when he's out of control, could you doodle what he looks like :3 I LOVE your drawings <3✨️✨️

Thank you so much! I'm glad you're enjoying it! And ofc, I've been meaning to make some art about this...

In the Jaguar suit of cours, Diego has always been partial to cats.

To the outward gaze, he kinda just seems... zoned out. There are moments of clarity or recognition, but for the most part he almost doesn't react to much besides Diego's commands.