#i feel so validated bc of you <3< /div> Explore tagged Tumblr posts

[chaotic-orphan]

So I've been reading Intoxicating Fear for a while now and (Oskit shippers don't come after me) I don't see Kit and Ambrose being together. I get Ambrose but can be somewhat gentle with Kit, but I just don't think I've really seen it till now. I don't think their vibes or morals line up. I could see Jude and Ambrose together, as like a power couple of sorts, but I think don't Kit and Ambrose would be well together. (I'm sorry if this is repetitive and no one asked for my opinion on the matter. I love your work so much,

HAH HAAAAAAGGHH!!! YES!!!! WOOOOO!!!! THANK YOU ANON!!!!!! *sending kisses and bouquets of roses and popping champagne* I ABSOLUTELY ASKED FOR YOUR OPINION ON THE MATTER!!!! HAHAAAHHH! I’M NOT THE ONLY ONE!!! Now, Oskit shippers also don’t come for me, but I agree!!! Wholly and completely.

I agree that Ambrose can be gentle, and that their morals or vibes join up at all! My reasoning against them as a couple is simply because Kit would never, ever forgive Ambrose for what he did to him, what he took from him. Kit didn’t have a good life growing up, and then he found Mentor and his calling in the Hero academy — so when Mentor took him in and gave him a home and a life and love, Kit slowly, very slowly, let his guard down and started to believe the stories and movies about life being good, and then— Omen attacks and Kit is left alone again after taking the risk of hoping for a better life for himself.

It also doesn’t sit well with me because who has the power in their relationship? Ambrose, always, always Ambrose. So even if Ambrose made advances would Kit be too afraid to say no? And that makes it too like situations that happen in real life for me

Jude and Ambrose however? They are on the same kind of power balance (both in power and status and how they hold themselves) which would be a-okay to write, but because Kit is Ambrose’s second victim *ever* [and also just his victim] it is far too personal for Kit to ever get passed that and love Ambrose —— unless, Ambrose compelled him, and then it kind of goes into the Jessica Jones realm

Having said that, Oskit shippers, I get it, I love a good unbalanced power dynamic myself where love blooms — hell power imbalances in general (esp in whump, WOOF) — and I also love that you see something in the story that I never intended, and felt strongly enough about it to bring it to my attention!!! It has been a very fun and fucking hilarious experience, and I really like the coffee shop AU idea so it probably will happen, just not in canon 😉

But ANON, may the gods smile on you today for sharing your thoughts and opinions on the matter, I thought I was fighting against the army of Oskit shippers by myself, but now we can go back to back and fend them off with spears XD

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[gothsuguru]

doing the heavy lifting in a convo can be so tiring omfg

[sun-marie]

being so honest. i have so little attachment to v*rric tethr*s. when i realized the reveal i literally cheered out loud 😶

[uhohdad]

Hi!

I really loved mein perle and the hunger games au so much. The way you write Konig is so complex and skillfully done your writing is a work of art.

I just have a question the tribute from district 8 and what he did to the poor girl is there any real reason why he did it? Did he have a motif? Was it a reflection of what could have happened to Konig and reader if he held resentment towards her? Idk...

Thank you!!!

first of all tysm ily ily ily <3 bonkers to me that y’all actually enjoy my silly goofy stories. warms my lil heart yes it does yes it does 💞🩷💖💕💓💗💞💗🩷 AND y’all still snacking on meine perle????? wild. god i love this community so much.

so glad y’all like the different ways i paint konig. i know there’s a lot of different preferences out there so that fact y’all are connecting with my portrayal is - qhshzhqbab. playing with konig’s character is such a blast bc there’s so much you can do with him i love that about our mysterious hooded beefcake

as for the question about district 8 - his motivation and more will be revealed in The Aftermath - but i will say that i tried to craft a heavy theme of spite being a character’s downfall in this story, so my intention was to have it parallel to the whole “i will double down on my spite even if it kills me” mindset that we see from Reader, even right from the start. there is a bit more of ‘symbolism’ in regards to the reason he did do it that does happen to parallel to Konig & Reader, but i don’t want to spoil anything :)

thanks for asking <3 🥹🥹<3

⌜ KONIG X READER HUNGER GAMES AU ⌟

⌜ MEINE PERLE OCTOKONIG X READER ⌟

[the-judicial-assistants-notebook]

You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.

(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)

The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:

Kay is very, very sharp.

In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:

Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...

Kay: Oh, I know! It's one of the kidnappers, right!?

There's even a point where she tells him off for overexplaining things to her:

Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?

And, near the end of their first case together, he acknowledges that's she's generally quite quick:

Kay: OK, what should I re-create first?

Edgeworth: ...You haven't figured it out yet?

Kay: Heh, maybe I have, and maybe I haven't.

Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:

Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?

Edgeworth: Alright, I'm counting on you two.

Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!

...

Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.

Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!

There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:

Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?

Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.

Kay: Ms. Shih-na.

Shih-na: Yes?

Kay: I... have no intention of taking back any of what I've said.

Shih-na: ...?

Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!

Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:

Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.

Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.

She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:

Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.

Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.

Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.

Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.

To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.

With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:

Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!

Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.

The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:

Edgeworth: ...Kay, it's not good for you to stay up late, you know.

Kay: Yes, gramps!

...

Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.

Kay: Nngh... Yes, Mr. Edgeworth... I'll try...

Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.

Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK

Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: THE CITADEL (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Maj. Kaidan Alenko With: Councilor Donnel Udina, Councilor Tevos, Councilor Laiel Sparatus, Cmdr. Armando-Owen Bailey, and Kai Leng And a Special Guest Appearance by: The Illusive Man But sometimes the way a thing goes down does matter, Sophie. Later- when you have to live with yourself. Knowing that you acted with integrity- then it matters. Mass Effect 3: Legendary Edition (2021)

[crossbackpoke-check]

inspired by @colap1nto <3 and posting here to hold myself accountable: writevember! attempting to write something every day no matter how much and what it is

i am however inventing stipulations for myself so i cannot weasel my way out of it, which includes a valid definition of “write”:

actively put words into a document in the form of a proper fic!!! too many wip not enough hands!!

poems (actually laughed at me coming up with this but maybe i will go back to my roots)

research/meta/primers

tag stories are permissible IF i actually compile and edit them into a readable document that day

editing to post to ao3 (the optimism) is also valid. it takes me so long

i do have concrete arbitrary deadlines for one and a half fics that i would LOVE to finish and post in november (dewey^2 and [redacted :)]) so i’m hoping this helps!! also, this is secretly just a sticker chart where i get to put down emojis for each fic i worked on and check off boxes but a win is a win

day 1:🪻🐈‍⬛

day 2: 😇🤭 (🕒 -> 🕜)

day 3:🫃2️⃣

day 4: 🍎

day 5:🫃2️⃣

day 6: 📑, 💌

day 7:🫃2️⃣ AND ☁️💧. who is she

day 8:🪻🐈‍⬛

day 9:🫃2️⃣

day 10:🫃2️⃣

day 11:🫃2️⃣ we are on a STREAK and also a countdown 🫡

day 12:🫃2️⃣

day 13:🫃2️⃣

day 14: 📬💍

day 15: 😇🤭 (🕒 -> 🕜)

day 16:🫃2️⃣

day 17: 🔴 ⚫️,🫃2️⃣

day 18:🪻🐈‍⬛

day 19:🪻🐈‍⬛, 😇🤭 (🕒 -> 🕜)

day 20:🫃2️⃣

day 21:🫃2️⃣, 🤫 🪽🃏

day 22:🫃2️⃣

day 23: 💯❕

day 24: 🪢

day 25: 🐛🏮🦋

day 26:🫃2️⃣

day 27:🫃2️⃣

day 28:🫃2️⃣

day 29:🫃2️⃣

day 30:🫃2️⃣

WRITEMBER RECAP: an overall sucess!!!! this was so much fun and really forced me to write even if it was only a little bit every day. like, to the point that i'm debating doing a cute little twelve days of christmas snippet fest. absolutely could not have finished and published dewey^2 p2 without this challenge or posted p3 :)

thirty days of writing

twelve different fics worked on

poems: 1

i have no word count for you sorry i wish i did but it is at least over a few thousand words!!!!

times i wrote for a day past midnight (making it technically the next day) but because i was still awake i counted it for that day: at least 17 if not closer to like. 25

tags i forgot what they mean: one. what the FUCK is 🪢??? OH MY GOD I KNOW EXACTLY WHAT THAT IS NEVERMIND

duolingo streak (worked on the same fic in a row): 5

[ayyponine]

not to be a milennial but harry potter and the prisoner of azkaban really is that bitch....

[dangaer]

have to admit it following that last post, if we're shipping im 9/10 times rereading the media and looking at certain parts through a ship tinted glass set. i put it on the dash sometimes rather than dms because i'm extremely nervous that i'm going to come off as too much but, you know, i'm working on that.

[snekdood]

im so happy for you that fiction doesnt effect your reality. thats not the case for all of us though ✌️

[airenyah]

Don’t worry it’s probably better you don’t reply so they don’t know I’m sharing what they said and feel a certain way about it 😂😂. I’m cool with just dropping links and you collecting without replying so no stress.

🤝cool cool let's do it this way!

i mainly want to collect them because i wanna see how baseless most of these comments are and also because if i really do end up writing a sequel to my manifesto i might address some of these concerns 💁🏼‍♀️

[deus-ex-mona]

monthly reminder that it’s ✨ok✨ to not have friends~~~~

[four-for-fidelity]

coworker mentioned girl math and when i refused to even humour the concept she was like "it's true!!!! that's how girls justify buying another new purse even though we don't need it!!!!!" exploding tiktok in my mind

[iknowwhereyousleepatnight]

remember! when someone’s mad at you for a reason they made up just to justify being mad at you, you should explode them with your mind

[dbphantom]

you know if you guys voted for stretch armstrong i probably would have shut up a lot sooner tonight