#i feel like they're true

[bogdreamz]

korvo lost and farting 0 stars for you my boy

[mangeur-detoiles]

Aaliyah & Cruz | Special Ops: Lioness

It’s incredibly moving to see Cruz experience joy, happiness, tenderness, love, and the feeling of being important to someone, even as her conflicting loyalties between her mission and their relationship weigh heavily on her.

[casscainmainly]

Sorry if you've done this already but can we see a Damian chart?

The Feelings About Damian Wayne Alignment Chart

Stephanie, Duke, Jason, Tim, Cass, and Dick versions. This is just my opinion, sort of based in canon but also on my interpretations of the characters! Open to change <3. Fun fact: Babs is actually the one who calls Damian 'little D' (in Battle for The Cowl)!

[5-pp-man]

no you don't get it. i literally love stories where they dive into people's hearts/minds (literally or figuratively) sm it's my favourite type of storytelling.

[utilitycaster]

The thing about Ashton is while I have grown incredibly frustrated, there is something, again, terribly real about how they're behaving and how (I assume) they're feeling. There's something horrifying about learning you have endless possibilities for who you could have been in your head, and yet having to live in the one where your parents nearly killed you and your friends abandoned you for dead and you were right about your prediction that your new friend would sacrifice themself. It's just...the solution is not trying to undo the past (impossible) nor find whoever will tell you you're most special regardless of their other positions.

[numbuh424]

@nearsbday : DAY THREE - "COMFORT"

everything is fine, they're all together on a fun road trip 🚗

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[transmascutena]

something that's so important to me is that by the third arc utena and anthy are just genuinely good friends. like obviously the whole rose bride/engaged thing is still there, and anthy is still keeping horrible secrets, and they will continue to hurt each other, but . despite all that they do genuinely just care about each other and like being together. anthy is opening up in ways her role definitely doesn't require her to, and she's even acting directly against it for utena's sake at times. and utena has always believed the rose bride thing is stupid and shouldn't get in the way of their friendship, but she has learned how serious it is and to not accidentally order anthy around and stuff. and when they go to sleep together and hold hands and talk about things, it's like all of that disappears for a moment and they can just be two girls in love.

[agentark]

everything we know about Red vs Blue means that there's a canonically supported reality in which every bit of the rvb timeline that happens post-Freelancer saga is actually just simulations Epsilon is running in WASH's head as he unravels

[non-un-topo]

Thinking about Yusuf and Nicolò as young men again

[dootznbootz]

My childhood friend said that my Odysseus looks like a mix of Chappell Roan and Griffith from Berserk and that thought is killing me. It's too correct.

(Lovely doodle of my boy courtesy of the wonderful fellow trashcat @thehelplessmortals :3 )

[tradingjack]

a sensory network of thousands of eyes.

[vanilla-bean-buttercream]

Transphobic cis girlies: "How am I supposed to feel safe with trans people in the women's locker room?"

Me, who was psychologically tormented by cis girls in the locker room for not only having stretch marks as a teen but whispered about just for being fat:

[starry-bi-sky]

more about og tue timeline twins danny and dan/jamie

very touchy with each other. you might even say. ccclingy. its to be expected, they're two halves of a whole after all and all they've got of each other. worryingly co-dependent. do not separate. ever.

Danny was really weak and sick after the initial separation, and was for a while after. Jamie knew internally that if Danny died, he'd take the whole world with it. He was the one sole caretaker for him while he got better -- not for lack of trying on Vlad's part, but without his ghost powers he was nothing more than a feeble (albeit handsomely rich) man, and James looked ready to bite his head off if he got within ten feet of either of them.

Vlad is intimately aware that James (or Danny, if he tried) could snap his spine in half like a twig, and is uncomfortably aware of his own lack of ghost half now. It makes him feel self-conscious and exposed, so he never fully returns back to "cocky and self-assured billionaire Vlad Masters". Making deals with other brands feels a lot harder now that he can no longer possess them anymore.

Speaking of, he very quickly has to come up with a cover story as to why there's now a James Daniel Fenton to the public, when no records whatsoever of him existing existed prior. Lots of forging false government documents on his end. James and Danny do not help because it's his fault this happened in the first place.

(Regardless of whether or not Danny actually willingly chose to rip out his ghost half/humanity in canon is true, or if that was Vlad Masters speaking out of his ass, a large part of the blame still falls on Masters.)

(As his primary caretaker and guardian, it's his responsibility to ensure the health and safety of his charge, and since Danny was in clear emotional duress at the time, it can be argued that he was not in the mental state to make such a decision. And, allegedly, couldn't do it on his own which is why he asked Vlad for help.)

I chose "James" as Dan's name since it's a popular fanon middle name for Danny, and since he's half of Danny, it felt like it just made sense lol. Also because of the ensuing comedy of the two of them introducing themselves as "James Daniel Fenton" and "Daniel James Fenton". It's got the same energy as "danny with a y" and "danny with an i" and it's the exact kind of name bullshit you expect parents to give their twins.

I don't have their exact personalities down, but something I am actively writing into this au's bible is that I think Danny should be the quiet and (ig technically) meaner one. There's a lot to go into about interpretations for ghosts, halfas, and the incident itself, but TL:DW; Danny is technically soulless, or at the very least missing half of his soul (altho Jamie is too just in a different direction).

Pair that with the trauma of losing his family in front of him + having his ghost half ripped out + all the trauma he would've sustained as a hero, and he's not doing too hot mentally! i think if the twins met good timeline!Danny, Danny would've mistaken Danny for Dan and Jamie for the original half.

He comes off to others as pretty apathetic and indifferent to a borderline terrifyingly calm degree. He doesn't go out of his way to insult people, but he also doesn't care enough to consider the other party's feelings so he doesn't filter himself, which makes him come off as rude. The only times he looks truly comfortable is when he's near Jamie or talking to him.

His standoffish, ice prince demeanor makes Jamie look like a saint in comparison. When really he's not all that much better? He's more outwardly emotional than Danny, whether that be positive or negative, but at the end of the day he doesn't trust or care about anyone else any more than Danny does, and he's got a bit of a sadistic streak. Danny reigns him in when he starts becoming too destructive.

(Which I think makes sense. Danny asked Vlad to rip out his ghost half specifically so he could stop feeling his human emotions. Dan, despite his monotone voice, does exhibit emotions. He's smug when he asks Valerie if he likes his ghostly wail, sardonic when he reunites with Sam and Tucker, annoyed, shocked at Danny's ghostly wail, etc. He enjoys wreaking destruction and chaos.)

(If Danny had survived his encounter with Dan and if Vlad was successful, then I imagine he'd be rather apathetic to his other half as a whole. That'd be interesting.)

Overall though they're both hurt, bitter, and distrustful of the world around them, with abandonment issues a mile wide. They can get better and they can heal, but it takes time and patience and proper support.

On the DPxDC side of things, they do genuinely hold some kind of respect or regard for Bruce. They also don't become vigilantes for a while. Neither of them are jumping at the bit to enter heroism again, not when it was heroism that killed their family in the first place.

In fact when they find out Bruce = Batman they think he's foolish for it. They think its a fool's errand, and they've been so spurned by their time as Phantom that for a few weeks, Jamie even refused to call Bruce anything but Sisyphus. Danny called him Tantalus, and the two of them had a faux-argument about which one was more accurate.

Bruce does, though, worm his way into both of their hearts, and that's like, the main reason they become vigilantes to join him. So that they could keep him safe and not because of any desire to return to the heroic life. Relearning to care and finding satisfaction in helping others was an unintentional side effect.

(Bruce is so very smug)

Essentially:

The Twins: this is our squishy and fragile adoptive father. If anything happened to him, we're becoming mass extinction events.

Bruce: Nnno.

[infiniteorangethethird]

[gently holding the hands of those who mourn the loss of their dream futures after they realized they are aro] you're still allowed to do all those things you wanted. You can still find yourself a lifelong partner, you can still dedicate yourself to another person, you can still share your life with someone you deeply care about. You're allowed to date and you're allowed to be in relationships with people and you can still form those deep bonds without romantic attraction. You don't need romantic attraction to do all those fun couple-y things alloro people do. You're allowed to parttake in that fun if that's what you want to do.

You can still have your dream future. You just need someone who's willing to have it with you.

[a-couple-of-notes]

I too loved everything about Agatha and Rio this week ("she is my scar"--that's my shit!) but I do want to give flowers for how efficiently that relationship is connected to and contextualized by Alice's story.

Alice has spent a long time dismissing her mother and being angry at her, not seeing that Lorna worked as hard as she could to protect her. Agatha and Rio both immediately see it--Agatha is the one to put the pieces together, and Rio's the one who answers the question of "what were Lorna's intentions?" with "to save her daughter"--because, in some way, they are Lorna. They would do the exact same thing to try to protect their child (as we see Agatha desperately attempt to save/protect Teen later).

At the same time, like Alice, Agatha has retreated into anger to avoid grief. She doesn't, or refuses to, understand it was Rio's job to (presumably) reap Nicholas' soul. Alice has to "face" the curse and her own grief by the end of the episode, and likewise, Agatha has to face both her feelings for Rio and the truth about Teen.

This is just really smart writing; it weaves the themes of mothers and children throughout, has two parallel narratives about bridging an impossible gap in a relationship, and furthers the larger arcs of every character involved. Plus it's super gay.

(And they even throw in the bit about Jen's backstory as a midwife! More thematic weaving of motherhood and children--it makes a lot of sense that Agatha specifically would consider midwifery "important work" worth leaving someone alone for, as she said in Episode 3.)