#i feel like i'm not close to basically anyone

[lemotmo]

Yeah let's not do this for 3 months people. He's not leaving! We're at the beginning of Buddie!!!

Q. I'm so confused by all the excitement, and I admit that I struggle with facial awareness, but all we got was Eddie saying he's leaving so that feels way more like a Ryan exit than a beginning to Buddie. What did I miss?

A. Okay I'm going to say this once, and only once. We are not spending 3 months on a nonstarter spiral. Ryan is not leaving. It's not an exit story. It's the beginning of a feelings realization story, only Eddie hasn't quite arrived at the starting point for his part yet. Lots of people struggle with facial cues, anon, and there's nothing wrong with that, but it's not an exit storyline. It's drama set up to kick start Buck's spiral and to bring Christopher home. That's why I loved that they had Buck on the couch and Eddie in the kitchen. The couch has kind of always been used to symbolize a romantic relationship between Buck and Eddie, both of them being home when they're on that couch, so putting Buck on the couch in that scene basically puts Buck in position. Buck has arrived at the start of his realization arc. The box has been opened (the box being his long unexamined feelings for Eddie) and he won't be able to put the lid back on it this time. The moment we see Buck have at the end of the episode was not his 'oh Eddie's my person' moment but it was the start of Buck's journey to that realization. Buck was devastated in that moment, but for the sake of Eddie, he attempted to fake enthusiasm. Eddie being happy means more to Buck than his fear of being left behind, again. But that fear will come out when the season returns in March. Tim basically confirmed that Buck will spiral and he will throw himself into a distraction to try and block his pain. That distraction will inevitably fail, as Tim also already spoiled (they learned their Tommy lesson and they won't be repeating it), and that will force Buck to once and for all have to confront and figure out why the thought of losing Eddie sends him spiraling. The end of the episode was the beginning of Buck's journey.

Eddie hasn't reached his starting point, yet. But having him in the kitchen, the other big Buddie room, was a way to show that he is close. Framing the shot the way they did, Eddie having a straight line of sight to Buck on the couch, was intentional. Eddie is close but he's not there yet. He's distracted by the whole Christopher thing, as he should be. Eddie won't be able to arrive at his starting point until he gets the Christopher situation settled. That entire scene was LOUD. Buck letting himself in using his key. Eddie not being able to look at Buck when talking about moving. The flirty way Buck asked what he was watching on the iPad, fully believing it was porn. And again the way the entire scene was framed and shot. The close up of Eddie's face when he realizes he's not alone in this moment and that he does have someone in his corner. Then the close up of Buck's face when he allows the mask of enthusiasm to slip and we see the real sadness that he is feeling. It was very clearly the beginning of their storyline. It was in no way shaped, framed or written as the beginning of an exit storyline. It's happening, anon. Let yourself enjoy the build up 💗

Thank you Nonny! Much appreciated!

YES to all that Ali talked about here! Let's be happy you guys. We are finally here after 7 very long years of ups and many downs. This is the first time we've actually gotten real confirmation that the Buddie slow burn is on!

Let's enjoy this break before the show comes back, because I anticipate a lot of drama in 8b. And once the show is back on? Let's just sit back, relax and watch Buddie's story unfold. It'll be glorious!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[lottepriant]

On My Model(s) of Hypnosis Safety - and Communication and Vulnerability

Essays pop out of my fingers when interesting people talk to me on Discord about hypnosis theory. Basically unedited.

I often say that the dangerous part of hypnosis isn't the hypnosis, it's the people. People are able to coerce others into doing things all the time: in small ways (giving money to a charity collector in the street), medium ways (upselling someone on a car), and huge ways (long-term coercive relationships.) Change is an inherent part of interacting with another person, and to interact with another person is accepting, inherently, that they are going to have - to some degree or another proportional to your willingness to be open and vulnerable, and to the length and depth of that interaction - some ability (consciously done or not) to change you, to introduce you to new ideas, and to modify your emotional and mental state.

That is, basically, what communication is. To speak is to act upon another - this isn't true during just hypnosis, but all the time.

The idea that we shouldn't talk about that, or that we should obfuscate that vulnerability, seems far more dangerous to me than the alternative. Particularly the idea that telling someone that they could be manipulated is a cognitohazard that will make them more vulnerable to it; people who don't know what to look for, people who don't know what's happening to them or how it works, are not capable of identifying dangerous situations or dynamics. I say dynamics because it usually that which is the "problem", because by far the most dangerous thing to do is be in a longer-term relationship with someone. Repeated exposure to someone, being willing to be open and vulnerable with them increasingly as it goes on, is... inherently risking getting hurt. Through malice - in the case of deliberate abuse - or through things that are no fault of anyone's, like relationship breakdowns or even hurting someone's feelings. This is a continuum, really, and builds over time with closeness and exposure.

There's an existential crisis that I, and quite a lot of other hypnosis-and-psychology-y people I know have had - about that first fact. The fact that every time we interact with someone we are acting upon them. "Is it even ethical to talk to anyone? Or have a friendship or relationship with someone?" (Me, 2019, when I first got into hypnosis and my brain was exploding about it.) These days, I'm a very effective communicator: in being a hypnotist, an educator, writer, speaker, and, well, in general. (Not that those things are in any way mutually distinct - hypnosis is on a continuum with the rest of human experience, but I digress.) The kicker to that little crisis was "if I'm learning to talk to people better, does that make it worse? Is it morally worse if I'm more effective?"

Overall, the resolution to this, for me, is:

Being collaborative. Conversation is a give or take, as are all relationships, and building something with the other person.

Respecting agency. Very related to the give or take - letting the other person act and be and take up space within an interaction.

Considering the well-being of the people you interact with. Whether it's a little interaction in the street, a play partner, or a long-term romantic partner - how do your interactions make them feel? Does it further their wellbeing? In the short-term? medium and long-terms?

Be skillful and aware. Understand what it is that you're doing and the impacts they are, and could have.

Own it when you fuck up.

...On the other side, because its not only true that when X interacts with Y, Y is being changed - X is also being changed as well. Which means I try to:

Examine how being around another person makes me feel. Am I actually enjoying talking to someone? Or spending time with them?

Work out whether things seem appropriately reciprocal, or whether it feels like I'm having to do all the work.

Are they working to try and paint me into corners by the situations and contexts they put me in?

Do I feel like I have the ability to say no? Do my choices feel free when e.g. they ask if I want to spend time with them, or play, or buy a car from them?

The latter points are the ones that are about safety in every sort of dynamic, and I think that information is all. I think that making people aware that they are, by virtue of being a person, going to be impacted in a lot of ways, so they can make informed choices with who and how they are vulnerable with people is the most important thing.

[tklpilled]

ship in a bottle

with all the time idia spends on his computer, it should come as no surprise that he has plenty of things on there that he’d…rather not be shared. he has folders of (totally legally) downloaded animes, his collection both impressive and highly embarrassing. he even has them nicely organised, into categories like “super underrated, binge when sad. or when happy”, and “terrible ending, can’t have shit in twisted wonderland”. he’s had to tinker with the storage a few times to make it all fit while still running smoothly.

then, of course, his games, dating sims and gachas and horror on occasion. he’s played just about every game anyone’s ever heard of, and then some.

even so, all of that isn’t even close to the worst on there. plenty of people watch anime and play those types of games, after all, and the fact that he likes them isn’t any kind of secret. he doesn’t have anything bad on there, exactly, just things that he’d rather die a slow and agonising death than let anyone else see.

like that one thing—

“idia-san.” azul’s voice breaks him from his trance. idia snaps his head up, blinking a couple times. the board sits on the table, displaying a half-finished word game. “it’s your turn.”

“o-oh, yeah.” idia scans the board in search of azul’s most recent play. he has some odd letters, but he’ll probably be able to make it work—

he freezes.

of course that’s the word azul put down.

he stares at it for a moment too long, hoping that maybe he’d misread it, but the letters don’t change. five of the tiles, in a neat row. does azul know? no, he can’t. it’s just a coincidence. it has to be.

azul speaks up. “idia-san?” he asks again, tilting his head, expression laced with concern. “are you alright? you seem rather flushed.”

“fine!” idia chokes out, squeakier than he’d like. he grabs some letters from his tile rack, spelling out jukebox using previously placed u and o tiles. he doesn’t think azul believes him; hell, not a person in the world would believe such a blatant lie. still, the topic is dropped and the game continues.

—

“you should tell him, nii-san!” ortho encourages, bouncing on his feet. “you want to, so go for it!”

idia buries his face in his arms, his normally freezing cold room feeling way warmer than usual. “i can't! there's no way he'll ever think i'm cool!”

he regrets even telling ortho about his problem. he should have seen this coming. doesn't ortho get it? azul is basically idia's only friend. sevens, he'd rather confess his stupid crush on azul over this, and he can’t begin to express how badly he doesn’t want to do that. literally anything but this.

“azul ashengrotto-san isn’t the type of person to judge his friends,” says ortho. “plus, his affection levels towards you are higher than usual.”

“th-that’s the problem!” idia squeaks. “being friends with him is already, like, a secret route! if he finds out, it's totally game over for me!”

azul is nice enough, but idia is still nothing short of terrified of what his reaction would be. maybe he'd distance himself, stop coming to club meetings or quit entirely. avoid idia at every chance. tell the whole school what a fucking weirdo the ignihyde housewarden is.

(and yet at the same time, idia can't stop imagining, fantasising about the other possibility. that azul would just laugh, reassure him in his own azul-like way, move closer and closer until his hands are on idia's waist, nimble fingers instantly drawn to all of his most sensitive spots. the mere idea, however unrealistic, fills his stomach with butterflies. he can't think about it too long before he feels likes he's about to explode.)

ortho sighs. “it’s worth considering, at least.”

idia mumbles into his sleeves, “yeah, whatever.”

he’s not going to consider it for a second.

—

idia can't get the conversation out of his head. he can't really tell azul about it, can he? no. no way. out of the question, one hundred percent. possible reaction aside, there’s no way idia would even be able to say it.

azul clears his throat and idia snaps his head up.

“apologies,” he says, straightening his glasses. “there was a bit of a tickle in my throat, you see.”

great. of course that’s the phrasing he uses. idia nods, trying his best to act casual, even though the word makes him so panicky and now he can’t stop thinking about it. the way azul says it, how easily it falls from his mouth. he’s obsessed. he hates it.

there's silence in the empty room as azul moves his piece a few spaces. then, as idia is trying to figure out his next move, azul speaks.

“you're blushing again.”

huh?! well, his face does feel rather warm. his eyes widen and he stammers, pulling his hood over his head to hide the pastel pink tips of his hair. ugh. humiliating.

“um, s-sorry. it’s my turn, right—?”

“tell me,” interrupts azul, tilting his head. idia glances over at him, but doesn’t quite look up. “why do you get so flustered when i mention tickling?”

fuck. fuck fuck fuck fuck.

it’s idia’s own fault, really. he’s the idiot for thinking azul hadn’t noticed. he was just so desperate, hoping that his most well-guarded secret would stay a secret—from the boy he likes, especially. he must have gotten careless at some point.

he realises azul is still watching him. idia coughs weakly, looking anywhere else. “i-i don’t know what you’re talking about! it’s def just some sort of bug, i’m totally fine…!” he’s talking too fast, too high pitched. it’s not a believable excuse at all.

there’s something dancing in azul's eyes; amusement? excitement? “is that so? then, please,” he gestures towards idia, “explain why your face has gone so red.”

“eh?!” idia hides his face with his hands, peeking out between his fingers after a moment. “j-just…drop it, please…”

and, to his disappointment, azul listens.

—

at least, in a way. he doesn’t mention it outright, but every interaction with him from then on is a constant reminder to idia that he knows (some of it, at least), and he’s not above using it against him.

azul begins to bring up the word as casually but as often as he can, and sevens, why are there so many damn phrases that use it? he jabs idia’s side when he spaces out, squeezes his knee under the table, pinches at his waist when he walks past. each touch is brief, and it only leaves idia craving more.

he can’t take it.

“stop teasing me!” he gets the courage to blurt out over a game of chess one day. he can already feel the warmth creeping under his skin.

azul stares for a moment, and in that instant idia has a sudden feeling of impending doom.

and then azul laughs.

he doubles over, pushing the board away from him as he holds a hand over his mouth to muffle the sound. he laughs like idia’s just told him some sort of joke, and idia wants to be annoyed by it, but the sight is just too cute. screw his stupid feelings.

when azul is done laughing, he looks back up at idia. “i'm surprised,” he admits. “i didn't think you'd say anything this soon.”

idia crosses his arms, glaring. his face could easily be on fire and he wouldn't know the difference. he can't say anything. he doesn't know what to say.

azul straightens the frames of his glasses, still smiling. “so, idia-san,” he starts, “what do you want?”

he must be dreaming. idia feels like he’s going to throw up, in some sort of excited way. is this not what he’s been wanting? what he’s been thinking about for ages?

this can't be real.

it takes a while to find his voice. “please,” he whispers. “i want you to t-tickle me.”

and azul…

…stays silent.

idia’s words linger in the air, neither of them moving an inch. idia stares a hole into the table, his hands trembling as he clenches them.

azul isn’t saying anything. he’s not doing anything. shit, he’s never going to want to talk to idia again, he thinks idia is some sort of freak—

idia stands up suddenly, preparing to run, but azul’s hand grabs his wrist before he can move. idia, finally, locks eyes with him.

“okay,” azul says, smiling so genuinely in a way idia has never seen before. “i'll tickle you.”

and idia stops thinking altogether.

azul guides him to the ground, lays him on the floor of the classroom and hovers over him, practically straddling him. their position in the end would surely give anyone who walked in the wrong idea; but then again, maybe that assumption wouldn't be too far off.

“okay?” azul asks once they're settled, tilting his head. he's waiting for idia's go-ahead—as if he would say no.

idia can't find the words in him, so he merely nods.

he flinches almost violently when azul's fingers meet his stomach, both because his hands are cold and he knows what's coming. he gasps in a breath of air, but it doesn't matter. the moment nails begin to drag across his skin, he falls apart. he couldn't keep from laughing if he tried.

“az-azuhul-shi! wait, plehease, please…!” he doesn't even know what he's begging for. he doesn't want it to stop, but he doesn't think he could handle any more.

azul giggles, a light sound that barely carries over the sound of idia's desperation. “please? is this not what you've been waiting for? make up your mind.”

idia can't remember ever laughing this hard. he doesn't even remember the last time he was properly tickled, if it ever happened at all. he didn't know his body could even be this sensitive; it's overwhelming, any attempt at a coherent thought being instantly washed away.

yet at the same time, it's euphoric. he can't deny that he loves this, even as azul manages to find the spots that make him practically scream. it's such a relief that all the classrooms are soundproofed.

“please,” he begs, “dohon’t stohohop!”

[delqcate]

my blog is basically a ghost town so like the pick me i think i am i'm gonna rant 😋

[anothermonikan]

I see a lot of sentiment within techum spaces about not understanding how tech actually works and considering tech divine or whatever and like. I really do get it's pretty intimidating, but you can learn how your machines work. In fact I think a lot of you would appreciate your objects even more than you do by learning about how they actually function. Demystify tech in your minds NOW!!!

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[self-shipper-snowdrop]

I am in the airport heading back from vacation why do I see notifs for comments asking me to DM them

[nilesmoon]

infinite wealth if sawashiro said "who gives a shit about ebina im going to hawaii with ichi" and then the rest of the game is a family vacation

[mossbabie]

⏰

[jewishbuckley]

"was there a reason you didn't cancel this" honestly I thought I had so no there wasn't a reason but also if clients are going to have Your personal number and reach out to You about canceling (when they Should be reaching out via email per our cancelation policy) then You should be canceling the appt anyway imo. all the other trainers cancel their appointments AND add their appointments to the system 🤪

[practically-an-x-man]

I never realize how unevenly pigmented my skin is until someone has to put me in makeup lol

[letbuckfuck]

.

[louderfade]

exene talking about the state of the world. the good stuff starts at eight minutes. or you can just read the transcript complete with the usual errors that accompany robot transcribed speech (the irony of which is not lost on me). maybe it's not about transhumanism and living forever (or maybe it is who knows), but there's definitely an agenda of surveillance and control at work which is designed to keep the powerful in power. cash rules everything around me and you will own nothing etc. the future is worse.

[essektheylyss]

.

[eggmeralda]

can you get burnout from doing nothing

[grimandghoulish]

.