#i feel like i posted a lot but its not that much

[roorreer]

Something something. Making Solas a liar in Veilguard actively brings back a problem they fixed working on Inquisition.

On December 20 2019 VGS posted an interview with Trick Weekes about their work on Solas. This whole sentence is a link so its large enough for mobile but also disclaimer this is before they changed their name so deadname warning.

Here's a transcription I found here which is where i took the screenshots above. Since I know not everyone has 40 minutes to listen to an online radio interview.

I however highlighted the main point since most of you are not reading the screenshots anyway but skimming through. Rant under Read-more. Also bc i try to not be too negative on people's dashs but also i wanna ramble some more.

"But he lied a lot more. And it really weakened his character."

You can tell this happened during the game. Solas lies only once within Inquisition. He says something he can't be vague about and you push him so he lies, badly. He usually tells the truth vaguely. Typically Solas lies no more than Blackwall.

I fully believe that if in Inquisition your inquisitor figured out that Solas was Fen’harel and asked him bluntly to his face he'd confess. He might even be impressed. But why would you ever start to think that. No one assumes that their coworker is actually Poseidon regardless of how much they love the beach and ocean.

He hides in your expectations.

You can't ask him about being an ancient elf or being Fen'harel of myth because those aren't very probable. They're astronomically low to be truth within that universe. And outside, no one finished DA2 and went i wonder if one of our next companions is the Dread Wolf. Sera said, impossible things can't be surprises. He doesn't have to lie so when the truth comes out it's becomes obvious on a second playthrough.

They then actively bring back a problem they fixed in Inquisitions development. That they were open about fixing. That having a character that outright lies to you makes you have no intention of even hearing out the character. It retroactively undercuts Inquisition bc i see people trying to find Solas' lies in it when they aren't going to find any beyond the court intrigue.

It undercuts any lore we do get from Solas bc people dismiss it outright as being a lie from Mr "I abhor blood magic". I feel like shaking people's shoulders like no, dont do it.

They retconned him guys i have proof from 2019.

And its like if you hate Solas is this even satisfying? Like that's not Solas. His motivations are gone (that's a whole other post) and so is his core personality trait. It's like they went here's the Dreadwolf but during the ten years they replaced the smug asshole who was insufferably right with a 20 yo senior chihuahua that doesnt have any teeth.

My favorite villains are those that tell the truth. Because nothing hurts more than the truth. Can you imagine if he told you the truth. If he told you horrible things that you dismissed as lies to only be true. Wouldn't Varric’s death have more weight if he told you Varric was dead only for you - for everyone - to see him in the Lighthouse. If it was a spirit who took his shape to help you or even because it saw something worth reflecting in your memories.

So you dismiss him until it's revealed near the end oh he was telling the truth and you have an oh shit maybe he was right about other things but its too late to try and stop any of the truths he told you which could be from allies/companions betraying to stuff about Ghilan'nain and Elgarnan.

Like the only way to redeem Solas was to listen to him and by going out of your way to address problems he sees and you can find the alternative to tearing down the Veil by a series a little puzzle pieces throughout the game.

Have it be he will only listen to you if you listen to him. That he'll reject your other solution bc why the hell would he trust you if you couldnt extend the same.

Like Solas couldve been a great villian and he should've been great for both the haters and those that liked him. Not only the romance but for those who became his friend. Like i keep coming back to if i hated Solas would i be satisfied with Veilguard.

And the answer is no because that isnt Solas.

Tricking him has no weight bc he's an idiot in Veilguard like not even in the ending bc doesn't notice you switch the dagger around like right in front of him but none of his actions make sense. Ppl have mentioned the regret prison makes no sense for Elgarnan and Ghilan'nain bc they don't have regrets.

Attacking Solas has no weight because he literally needs the shit kicked out of him by a dragon for it to even begin to work. They literally need him to be at deaths door before its realistic that Rook could take him in a fight.

Redeem has no weight bc of the massive retcons to his motivations. They had to retcon the post credits scene bc even if Flemythal went hey i don't want you to do this Dai Solas wouldve went okay but that doesnt solve my other problems with the veil including the corruption of spirits and the fact its in literal shambles so i guess is still coming down.

I'm just disappointed. By the end of Trespasser they had a great villian and they just tossed it to the side and reverted him and people are arguing about a character who's sole defining trait in Veilguard is a problem they solved before Inquisition launched.

Basically we can sum it up with a screenshot.

[pomefioredove]

omg i LOVE the concept of cookies as asks so can i have a sugar cookie, #8, with chocolate drizzle and marshmallows thank yeww 🙏

t-t-total idia victory!

order #8, sugar with chocolate drizzle and marshmallows

*ੈ✩‧₊˚ internet connection

tropes: ex (mutuals) to lovers, roommate au characters: idia additional info: romantic, gender neutral reader, reader is yuu

It was the closest experience to dating Idia had ever gotten, and likely the only experience he'd ever get again.

Three months.

Three perfect, blissful months.

That's 13.0357 weeks, 91.2501 days, 2,190 hours of chats, voice calls, and texts with someone he had almost considered his.

He was raising his confidence stats to ask them out when they sent him a message, which would be their last:

"router busted. sry. will get it fixed soon"

That was weeks ago.

Idia couldn't blame them. They were going to get tired of him eventually, and ghosting him, sucky as it was, was still the easiest way to let him down.

Then, at least, he could pretend that they were telling the truth.

"Come on, Idy! This is your chance! You'll never get over them if you never meet anyone else!"

Ortho's cheery, hopeful words twist Idia's stomach with guilt. He knows that. Of course he knows that.

He buries himself deeper into his blankets. "I don't want anyone else,"

"It's only for a few weeks. Maybe you'll make friends!"

Unlikely. Idia doesn't have the social XP for that. Who would want to be friends with him, anyway?

He can't even keep Magicord mutuals.

Then again, he has no other choice.

The Prefect had asked to stay somewhere with a high-speed internet connection while post-S.T.Y.X. Ramshackle was being repaired, and Ortho had volunteered Idia.

And his room.

Ugh. Why can't anything go right for once?

Idia hides under his covers like a small child, drowning the sound of the door and voices in PreMo.

He honestly doesn't know a lot about you. He doesn't get out much, and even if he did, you've always got those OP normie friends around you.

He knows you don't talk much. He's actually never heard you talk at all.

Whatever.

Idia only emerges from his blankets when his ears are ringing from the music and his body is sore from stillness.

He takes off his headphones and reads the room.

There's Ortho, projecting a beam of light on the wall, and there's Grim, chasing it, and there's you.

You seem a little out of place, awkwardly sitting on the floor when there are chairs and tables, your bags still at your sides, unpacked.

Something about you makes him feel at ease. Weird.

"Oh- Idy!" Ortho chimes. Idia jumps, and then everyone is looking at him. Crap.

"We were wondering when you'd come out! The Prefect has a question for you!"

You give Ortho a panicked look, as if to say you most certainly did not have a question for him. Idia has his own suspicions.

"About the Wi-Fi," Ortho chimes. "They really need to get online."

Idia narrows his eyes. His brother can handle something as simple as that.

"...O-okay," he mumbles. "I guess."

He reluctantly gets out of bed and sits beside you. At least with an objective, he isn't so nervous. You hand him your phone, some sad secondhand thing, and he puts in the password for you.

"Lemme know if it's slow. I've been working on upgrading the router, and it's been a little laggy," he hands your phone to you.

"Shouldn't be a problem, though."

You take it. "I can't complain, I don't have a router at all right now,"

Idia's face turns red.

His eyes go wide.

He can't place it, at first. What's that weird feeling? What is it about you-

You notice his expression. "Uh... did I say something?"

And when you speak again, just like that, Idia jumps to his feet.

"IT-IT'S YOU!"

"You?" Grim asks.

"You?" Ortho echoes.

"Me?"

Idia feels like he's losing his mind, his anxiety cracking and breaking away, shock taking its place.

"Y-yes, you! I know that voice! Don't you- you recognize mine too, don't you?!"

Your eyes widen.

"Oh... no... no way,"

"I-I can't believe this!" he says, suddenly grinning. "You weren't lying about the router, it must've got totally busted when S.T.Y.X- oh, crap. IT'S ALL MY FAULT!"

"Idy..." Ortho warns. "Your heart rate is-"

"I know! I know, I just- I can't believe it- you, of all people,"

He sits again, shaking. It takes you a moment to catch up.

"I... I wasn't lying," you mumble. "I've been trying to get a decent internet connection since we got back, but..."

"This is the guy?" Grim mumbles to you. He is ignored.

Idia feels lightheaded. This isn't real. This isn't happening. This is some weird dream.

He can't seem to stop grinning, anyway.

"Will you go out with me?!" he asks, without thinking at all. But not even the sinking feeling in his stomach is enough to ground him.

You stare back, your own eyes wide.

And then, in your familiar voice, in your familiar easing presence: "I'd like that,"

[lostinlovingrevery]

Just a thought and no offense but I think Logan just wants to be in love and feel loved in return.

(This isnt proofread and came out as rambling so have fun trying to read it and decipher it! 😅)

So WE ALL know that Logan can be flirty, and that he may have had a period where he was a bit of a manwhore (*cough* 70s Logan *cough*)

I feel like that period though, and any other flings, one night stands, etc whatever was less out of lust and more of a desperation to feel SOME kind of human connection bc the mans so lonely and has been treated like a soldier, a weapon for so long that hes desperate for human connection, even if it makes him end up feeling depraved afterwards. Post-nut clarity wakes him up next to some girl he met at a bar, and guilt sinks its teeth into him because he doesnt even know her name, much less actually LIKE her. The man was born in the 1800s, he may have grown with time but you cannot tell me theres not some inkling of being a gentleman- and wanting to find someone you truly love, hidden in there somewhere. I think overtime he may fall into this routine, believing he needed to be a walking sex magnet, gruff, cocky, whatever have you because hes convinced its the only way he can have a connection with someone, even if its for a few passionate moments under bedsheets, and an awkward "that was nice. Bye"

It only fuels his self hatred, convincing him that he really his just an animal, looking to get his sick desires out, eat, fuck, sleep, survive.

When we see him in the X movies, as a cage fighter he is brutal and rough and he doesnt seem to have a caring bone in his body yet he still manages to find himself caring about this young girl who stowawayed in his trailer, and does help her, even if he acts like this version of logan he created. Someone who doesnt care. But he cares. A lot.

Its not until he meets YOU, that he starts to wonder if he got it all wrong. Kind, beautiful, smart YOU.

I fully believe that logan just wants a partner. One night stands, flings, what have you, were just him lying to himself, desperate to feel something other than hate. After he lost his memories, and he began just wandering, the concept of love was lost on him. And lust wasnt there anymore either. He was approached by women, perfectly fine, pretty women, all the time during his time cage fighting, bars, etc. He turned them all away- completely opposite of logan 30-40 years ago (my timing probs not right on xmen lol) who was convinced the only way he was living was if he had ass next to him every night he went to sleep because he was lonely. This version of logan, lost, angry, wanted nothing to do with people. Some of it the repressed feelings coming out from his past that he doesnt even remember. He was convinced then that he had to be alone. Becoming a lone wolf that bared his teeth at anyone who tried to pet it. Secretly though, deep down although he wouldnt admit it, there was that deep desire, that he always felt in his 200 years, that he just wanted to find his mate. He'd call soulmates bullshit if you asked him, but the moment he meets you, hed know that it was real, and that maybe god cursed (gifted) him the ability of healing and practical immortality just so he could find you. And hed do it over and over again, the pain and suffering and loneliness, if it meant you would be the endgoal.

Logan is a pack animal. He needed a family, to protect, and cherish. When he meets and ends up at the x-men, his demeanor and attitude changes quickly to something similar to a dog that snaps at you when you pet it only for it to whine and whimper "im sorry, please dont hate me, i just dont know how to accept love.". Hes still wary, because hed never KNOWN a family before. Put aside his memory loss, the closest things he had to a family was a creep of a brother, and a woman who said she loved him under false pretenses (i still dont like you kayla even if you say it was real). He barely knew his parents, and even then that was a lie because his father wasnt even his biological father. Yeah, Logans life was pretty damn lonely, so its no wonder the man is cautious of anybody and anything.

The moment you come into his life though, that bitterness, anger, and meaningless flirting goes right out the window. Hes serious about you. Hes usually cautious, nervous around people but he meets you and its almost like he threw all those imaginary rules he has for himself out of the window.

Look at how he was with Jean in the movies. He barely knew the woman, they barely shared ANY lines in the movie yet he was almost completely devoted (dont get me started on that storyline). Trust didnt come easy to the wolverine. And Kayla- their relationship just shows how much he wants love and to be loved. I never seen origins but a lot of gifsets and read the synopsis of the plot, but i think he had a feeling with Kayla he couldnt trust (remember how he says hell never go against his gut again?) But he so badly just wanted that connection he ignored all the warning signs and did everything to build a life with this woman who not only tricked him, but put him through unimaginable pain both physically and mentally. (Look I REALLY dont like kayla but i do feel bad for her because stryker did have her sister captive). I know stryker is the evil mastermind here, but god imagine trying to find love with someone, only for it all to be a farce, even if they claimed they did love you the entire time- the intentions from the very beginning was far from love.

Oh but when he is in love with you. From the moment he met you, it wasnt love at first sight exactly, more like a feeling that you were it. Hes all about you. He sticks around, under the pretense that he just needed to make some money first, doing some missions for charles, keep an eye on rogue. He cant admit its because he wants to stay close to you. Hes like a feral cat taking shelter in your shed. Stays away at first, cautious of your spspspsp, but curious nonetheless. Completely ignores the first bowl of food you put down for it- or so you thought because when you came back it was completely devoured. It takes weeks of food and spspsps before it finally warms up to you, but after that first contact with your hand and its head- good luck ever getting rid of it. Not that youd want to 😊

Logan becomes a shadow to you, once you become something akin to friends. (Its really more than that but no ones addressed it). He teases you and flirts with you, and its something you think he does with everyone, until Ororo tells you that he only does it to you. Sometimes he just sits in your company, other times hes curious about what youre working on, not wanting to start the convo, but does things like leering over your shoulder (which he may or may not be doing just to he close to you and get a good whiff of the smell of your hair). He stresses when you go on missions without him. He slowly opens up about his past to you when he begins to get his memories back. Trusting only you (and maybe charles) with the truth ablut the man he used to be, and still is.

When your feelings finally do come out in the open though, however it happens, that first kiss, the first time you make love, etc etc. Logans a different man. I mean, hes still that cocky, grumpy person we all know and love. But he carried himself differently. Hes confident and wiser, hes comfortable, and hes happy. He found a home, his pack. And maybe after countless conversations about his past, the things hes done, and the comforting words and understandings you give him, he starts to learn that he isnt so bad, because if you love him, YOU, the most wonderful person hes ever known in 200 years, love him despite all of his violence and hatred and slight whoreish tendecies back in the 70s...then he must be alright.

He doesnt need to worry about his past anymore, when hes got you, right there with him, promising a loving future together.

[genderqueerdykes]

Honestly seeing your posts about trans masculinity made us back track and reevaluate our trans-ness and realize-realize that we are a trans guy(or well partially).

For around 1 year we identified as transmasc and it was wonderful , until we started getting self conscious , we had friends who would constantly hate on men and would be like “ oh but not you though your a good one “ and we also had friends who dropped us after we started transitioning / not shaving our hair anymore because they said we were “ becoming the enemy “ and that “ we were betraying all women “ which stuck with us , we felt that by us being transmasc that would make us a threat to our loved ones and we then completely rejected our masculinity up until like 3-4 months ago. so like seeing your posts about trans men and masculine folks has helped us a lot so thank you so much.

-Sincerely a intersex transmasc system :3

that's actually so sad that people responded to you like that. why do people think it's okay to say this to others? like they just blurt it out without thinking or caring about how it will make the other person feel. even "joking" or being "sarcastic" about it is screwed up.

when people tell me i don't know what rad feminism is, i point to experiences like yours. this is exactly what they do and say

"you're becoming the enemy" "you're betraying all women/womanhood"

i need people to seriously analyze this verbiage. why are men and women supposed to be enemies? if we are trying to teach men that men and women are not enemies, why are we letting women who haven't grasped this concept get away with it, too? this is gender essentialism at its peak. men are not a threat to women. a "woman" becoming a man is not a betrayal to women and womanhood. you're not failing womanhood. you're not a woman. it doesn't apply to you. you can't fail a group you don't occupy just by being honest about your own identity

is becoming a woman betraying men? is becoming a woman "becoming the enemy"?

no?

okay, then realize how fucked up it is to say this to trans men. you have to care. trans men are people. you don't get to hurt us just because someone else hurt you. it's not going to solve anything. that's perpetuating the cycle of abuse.

[aishime]

Forever thinking about the fact that Campbell, a guy so proud of his own neurodivergency, still raised his voice at his own father when he called him "ill" to claim he wasnt

Taking pride in the issues you're gonna have w you your whole life is such a common way of coping w being "different" yet you always know people only see it as there being something WRONG w you

[miwiheroes]

Dropping Byler Evidence Every Day Until Season 5

Day 5: Byler parallels with Jopper and Lumax

Decided to combine Jopper and Lumax into one post because a lot of them are similar and would actually be more compelling if they were all combined, being that Jopper and Lumax are definitely endgame (they arent in any love triangles or anything)

So again, I'm gonna name the parallel and how intentional it may be. Even if it's not fully intentional as a complete parallel, this still counts as evidence because using the same tropes for Lumax and Jopper as Byler means that they are all romantic.

1. I Lost You

The fact that Byler and Lumax's ones are in the same episode oh my god???? I honestly think this is intentional. While the 'I thought I lost you' thing is common in romantic tropes, to use it for three couples is very much insane and they must have noticed this. Putting the two in the same episode as well..... oh my god

2. Holding Hands

I think that the fact its a parallel is not intentional, but hand holding is just very very common as a romantic trope. It's also the truth that they actually create a separate SHOT for each of these moments too, to signify their importance.

3. A Team

(couldnt find a good screenshot with a caption for byler but there is alt text)

If you want two people to have believable chemistry, you make them work together well. It was never explicitly stated that Jancy were a good team, but you could tell. HOWEVER THIS IS JUST EXPLICIT they are spelling it out for u!!! Mike and El never really work together. They are a couple. But they aren't a team. They don't work together on plans, there's never any back and forth planning (like with byler in s3), and once again, it's never ever acknowledged by either of them that they work well together as a team.

4. On the Bus

Both heart-to-heart scenes use this song behind it:

Oh this is highly highly intentional. You do not just use romantic, TENDER EMOTIONAL music for one couple who are definitely romantic, and then put that in the background of a platonic scene. The creators are literally screaming at u guys here <3 THIS IS SUPPOSED TO BE ROMANTICCC HELLO

(also both these scenes end with them smiling at the other and they get interrupted by a noise before anything else can happen)

5. We have to kill it

Sorry guys i totally forgot to include this one in the Jancy parallel post but literally fucking LOOK!! This is intentional to me because it is very specific, and if it's an accident that they all want to kill something and the other one agrees, then it still shows that these couples have chemistry because they are on the same page. AND one of them is reassuring the other, foreshadowing that they are gonna be a team in the next season.

Jancy are a team in season 2 after they have this convo in season 1, and Jopper are a team in season 3 after having this convo in season 2. So byler will be a team in season 5.

6. Staying in the Hospital

Honestly this one's just cute, and recontextualises the fact that Mike peers over Will on the bed, and stays by him (even though it doesnt really need recontextualising). The fact that its very romantic and cute for Lumax to do it should mean the exact same thing for Mike to do it.

7. Looking longingly at someone who's pulling away

erm this one is just so clear to me. Not exactly intentional but like- the thing with staring at someone longingly just to have them not look back at you is very slow burn romance. The fact that it's very obvious to ppl that Max is definitely aware of Lucas staring at her, but can't stare back because she's afraid to hurt him/ afraid to show her feelings again definitely parallels Mike too.

Also both Lucas and Max SIGH before going back to what they're doing...

8. TENDER EMOTIONAL MUSIC

so a tender emotional music scene for jopper makes it feel romantic:

Sooooo.... doesn't that mean that it applies for byler too?? Who had it done to them not one, not two, but THREE TIMES IN SEASON 4???

AND LUMAX HAS A SCENE WITH THIS TOO

Thanks for reading yet another long ass post :))) The next ones probably going to be Rovickie parallels because they actually have so many after doing my research so yeah

[dirt-str1der]

WHY DID YOU FEEL THE NEED TO TELL ME ABOUT YOUR AROACE SENKU HEADCANON ON MY GAY SENKU AND TRANS REI POST

Just finished Dr Stone Reboot

[arcanegifs]

Hi, I honestly don’t mind it too much if people share my gifs around, but if you’re doing it to farm likes on twt, upvotes on Reddit, or saves on Pinterest, the bare minimum you can do is to link/credit the gifs back to the blog.

I know a few people that have told me that my gifs are so distinguishable that they immediately know I made them, but it’s still mildly annoying to see them being posted as something to farm engagement without me knowing. These gifs take time and effort to do. The least you can do, if you want to farm engagement out of the gifs I make, is to link it back to this blog.

And honestly, serious gifmaking takes time. People say I’m “fast” but these still take an hour, hours, or sometimes days to do. It’s not just putting stuff into an app and automaking the gifs I make. There’s a reason why people say they’re super “high-quality”. It’s because I still make them via Photoshop, sharpen, edit, and color them etc etc.

I’m not here trying to make any money or asking for money with making gifs. I’m very privileged to say that I don’t need to. But I make these things out of own free time for fun, out of the love for the show and its characters— and that’s free time that I could spend doing something else.

Ever since the new year started, I’ve gotten pretty burnt out making stuff everyday (except for CaitVi and making the occasional requests from the Discord server that I love very much). I have no idea if I can still keep up with making daily gifs at this point since I’m also much busier now with irl things.

But if you wanna see more gifs being made and support me with this hobby, please do reblog, like, share with credit, or link back the gifs I make. That’s really it!

And no, spamming likes or spamming reblogs isn’t annoying! In fact, I enjoy them so much! Tumblr thrives on reblogs as well! Fandom is all about having fun and interacting with people who enjoy the same interests as you, so please don’t hesitate to reblog or like the posts!

If you’re wondering why there’s less and less of gifmakers out there, this is also one of the major reasons why people stop making things. A lot of gifmakers and especially graphic/edit makers feel like the effort they exert for the things they make is simply not worth it.

And if you have a problem with me or with my gifs, then make them yourself.

You can find so many tutorials here too! There’s so many talented people on Tumblr that have posted their gif-making tutorials that I personally also learned from. They’re all amazing! Turn your love for the media into something that we all can enjoy together!

If you’ve reached the end of this post, thank you. I appreciate you ❤️ I know it’s giga long lmao, but I needed to get this outta my system haha. Thanks for understanding!

[comikbook]

Hi! I absolutely LOVE the most recent painting you're working on! The composition is incredible and the colors are everything to me 🫶🫶 I absolutely love the way you draw faces like the piercings help map it out without showing too much and just !!! It's so good 🔥🔥🔥🔥 I was wondering if you would be willing to explain some of the symbolism behind it? Like the bleeding mouth, the house, or the dog? If it's a personal thing and you don't want to share, no worries!!

absolutely !!! this one is a little bit different story wise than some of my others but ill do my best to explain

this is the piece for those who dont know !

so lets start, why the armor and the sword ? well !

i wanted to do a piece referencing joan of arc. as someone who also has had the experience of hearing god talk to them/feeling like a messenger of god due to schizophrenia i have always felt a kinship with her. so i wanted to do a piece inspired by this iconic painting. that also goes into the composition.

however, that nod is the extent of that reference.

what about the house ? well, that is my childhood home.

here it is :,) the one with the bird over the door is the house i consider my childhood home. i no longer live here of course, the neighborhood got a lot more dangerous, abandoned, and not taken care of, i live in a city with a lot of violence, particularly gun violence and gang activity as well as heroin and fent being popular on the streets. there are houses in this neughborhood that have been destroyed by fire and were never fixed, most houses had infestation of roaches rats or mice, occassionally bedbugs. it wasnt a great neighborhood before, but its gotten worse over the years. despite that i hold some of my fondest memories here. i think its beautiful in a way, and i felt safer there than anywhere else.

the house represents my past, the blood trail leading from the door to the figure, who is me, after having slain some beast inside. this is representative of moving on, of leaving your childhood behind. It also represents the violence of where i live, and the horrid memories experienced by my father who lived there growing up as well. it was his home, but he inherited it from his mother. while that house was a safe haven for me, it was a bitter memory of horrific events for him. it was bittersweet to leave. for him, he was moving past that, for me, i was desperately trying to hold on. it was a needed sacrifice, which goes back to the blood.

the dog is a character in my work that represents god. he is omnipresent, always observing. he watched me kill a part of myself, that held on to memories i loved, and forced to move on. he watched this attack, and did not intervene. Perhaps I blame him for this, my relationship with god is not a good one, but that is the symbolism nonetheless.

lastly, there is the blood around the mouth, insinuating the beast inside had been consumed. I have killed it yes, but it stays with me. I consumed its flesh and it is now with me forever, even if it is gone. We are still one, me and the memories i shared there, even if separated by life and death.

this was a really long post, but i hope you find this explination interesting :,) !

[catboybiologist]

Wanted to ask about this for a while but you had asks off, you mentioned having experienced hetero(ish) relationships from "both sides", so like, do you have any interesting observations or perspectives you think most people don't know about?

Ah yes, the bisexual transgender eye. There's lots to say here, and I don't think much of it hasn't been said before. I don't think my observations are limited to what I'm rambling about here, but here's some surface level ones.

Btw, this is probably going to be my post with the most weirdly gendered thing of anything I've posted here. I hope its abundantly clear that I don't think any of this intrinsic or morally good, its just my observation on how heterosexuals act towards each other while dating. This isn't about the boxes men and women should be in, its about the boxes that society has put them in.

I think that dating apps are intensifying stereotypical "masculine" and "feminine" dating roles in heterosexual relationships. Eg, encouraging men to "take the intitiative", oftentimes enabling harassing behavior in the process. This, in turn, forces women to screen and shut down men extremely harshly. Except, because of the entire dynamic that's being set up now, this makes a lot of men think women are "playing the game", and again, enables harassment from them.

I recently deleted all my dating apps, but even before then, I had them set to women and enbies/other only for a long time. Her was my primary app, but it has a very small userbase where I live.

Irl, men absolutely take the initiative more than women, but less aggressively than online. There's a huge added element of fear because of the in person aspect, however, and when meeting up, men can be extremely pushy.

The "toxic girlboss" angle of this is that this is often fun to play with. If you're clearly communicating in a serious context, and have established systems of consent that extend to communication as well as the bedroom, playing with "the chase" is... intoxicating. Having a man wrapped around your finger is really fucking fun. It has to feel safe and fun for both parties involved, though. You need to be able to "break character" at any point and have direct conversations, either about boundaries or directly communicating a want or need.

Obviously I haven't publicly been a woman for very long, so my experience isn't vast and limitless or anything. But I've had a few wonderful romantic entanglements with men already. Luckily for me, one of these is ongoing 😘

As for some of the people I've talked to, but never gotten far with.... cishet men are really stupid. I'm sorry but like. Y'all are. There's a lot to be said about how society normalizes male incompetence in heterosexual relationships (eg, the dopey husband stereotype) but I think this also extends to the early stages of a relationship. Men very frequently bitch and moan about "games" while not realizing that they play just as many "games" themselves. Oftentimes, those games involve being overly pushy with everything, and then not communicating their own limits and what they want out of a situation, expecting women to figure it all out for them. Eg, they want to bring forward unlimited energy and pushiness, but expect women to be the ones that whittle them down to what they actually want. This applies both romantically and sexually. Men have a lot of emotional needs, of course, and yes its a problem that they're often not met. But a huge part of that is society discouraging them from openly communicating what they want.

I guess to summarize all of this, I feel like so much of modern dating is essentially a process of elimination, where men are constantly encouraged to push and say yes, and women are constantly encouraged to shut them down for their own safety, and if they're lucky, they eventually reach a healthy dynamic by sheer process of elimination. Which... really isn't fun, and leaves a lot of room open for frustration.

Queer relationships and flirting provide a lot of open communication that hetero dynamics don't. I've had the most luck in "heterosexual" dynamics with queer or queer adjacent people, and literally everyone I've ever gotten past the initial stages of "talking" with has been at least a little bi, by their own admission. It's not that straight men aren't interested in me, or that straight women weren't interested in me before, its just that these are the people who will understand my existence as a queer woman the best and communicate with me the most openly.

I probably could say more, but that's a summary, I guess. I know its weird and stereotypical, but unfortunately, heterosexual dating is pretty much the most gendered possible environment you could be in. I feel like Jane Goodall in there sometimes, but hey. Ya gotta do what you gotta do.

[karmaajr]

HEYO Y'ALL!!!! I got bored and decided my last intro post was WAY too unorganised (even by my standards frfr 😔😔🙏) so i made a new one!!! hopefully this ones a bit better or else ima light somebody on fire 🥰🥰

anyways dms n asks r ALWAYS open and if ur new to my person-being-blog-whatevs and wanna get to know me or smth then FEEL FREE TO SLIDE IN GIRLYPOPS!!! I'M ALWAYS BORED SOO 😭😭🙏 (might take like, a billion years to reply tho mbmb >:3)

and thus again, without any further ado, MY INTRO POST 😍

🎶 try to strike a chord but it's probably A MINOR 🎶 -> ✨️im under 18✨️ idm nsfw convos tho bcuz theyre funny :D

sooo tbh you can call me whatever you want? like ppl call me different things (eg senka calls me kam, bea calls me keke/kekere bcuz shes 🎶a meanie, a big meanie🎶 my irl bestie westie pookie poo calls me jeena CUZ HES A LIL BITCH) but MHM!!! CALL ME WHATEVER U WANNA <33 (as long as it dont feel masc bcuz my dumbass got issues w feeling masc for some RANDOM STUPID REASON 💀) (like im literally a cis girl why do i got problems w this....... but YAAAA 😭) (she/her btw!!! if that wasnt obvious!! ^^)

✨️i am cringe but i am free✨️

I SOMETIMES USE GENDERED TERMS LIKE GIRLY/BRO/DUDE/ETC BUT I DON'T MEAN IT GENDERED SO IF YOU FEEL IFFY THEN DONT HESITATE TO HMU N TELL ME TO FIX UP MY SHIT

btw im a tad bit of train wreck but if u enjoy the chaos then we'll get along js fine i think pooks 😋😋

anyways it came to my shitty little attention span one day when i was just being a silly lil girly that some of yall think im white when i say im british....... CHAT NOOO IM BORN N RAISED IN THIS TEA RIDDEN COUNTRY BUT ETHNICITY WISE IM BANGLADESHI!??!?! YALL IM LITERALLY A BROWNIE OMFDS 🤧

also a lot of this blog is a bunch of reblogs of shit im interested in BUT I DO HAVE OG STUFFFFFF, THEY'RE JUST IN THEIR OWN TAGS U GET ME??? anyways some of the tags!!!

karmaajr rambles -> for everything i post besides answers to asks :3

karmaajr answers ig :D -> answers to asks ^^

important thing for me to tag bcuz yes -> random thing i really wanna save (also im bad at tagging so sometimes thing has an "s" or tag has an "s" lmfao, ITS A RLLY USELESS TAG TO TRY SCROLL THRU ICL.... RLLY DRY AS WELL)

karmas mum mentions :3 -> i like to think this one explains itself yall 😘

daddy's unhinged -> anything about my sweet ol' pops (who totes cares abt me yall) 🥰

my sister and I -> anything my sister is involved in that i actually remember to tag LMFAO

NOT MY ASS MENTIONING PANIK -> me wanting to save things that r to do w my gf 🫶

BTW HIS @ IS @panikbutt0n AND SHE'S MY MAPLE SYRUP CHUGGING 4LIFER AND LITERALLY THE BEST THING SINCE RIPPED BREAD AND I LOVE HER SO SO SO MUCH SO ACC HIT HER UP PLZ 🙏🙏🙏🙏

btw yall, ur homegirl aint no gatekeeper so the group matching pfp thingy is from @tuturthecarvroom 's blog (n they very skibidi sbg art btw so i do reccomend frfr) and mY HEADER IS OFF GOOGLE SEARCH 😍😍

ALSO I AM CURRENTLY MATCHING WITH THE SILLIEST GROUP EVER FRFR, GONNA TRY @ THEM ALL BUT IT'S HARDDD (my memory is the shittiest thing since That One Time my friend shit his trousers on call w me 💪💪💪)

@lee1504 -> BRAINROTTED KING 🙏🙏

@d011zk1ll -> both kind af and somewhat unhinged??? like both "do a good deed to make somebody else's life easier ☺️" AND "im gonna eat a bicycle :p"

@sketchingwithlyn -> JUST THE CHILLEST GUY EVERRRR!!!!

@rot-decay-erosion -> gramps 🧓🏻 (also known as the desendant of our king garfield 😙✨️)

@afrogwhocantdraw -> RESIDENT BENLOR POOKIE

@low-senka -> the brokest senior citezen youve ever met 💔💔💔💔 (yall need to donate to my guy 🥺🥺🥺)

(also the thing below had me stuck looking at it for literally AGES so hehehehehhehehe GET TRAPPED IDIOT!!!!!! >:3!!!!!)

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(dots r fun)

anyways i have no clue what else to write!!! which is weird bcuz im a yapper frfr :D

ANYWAYS LOVE Y'ALL ✨️✨️✨️

WAIT

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THEY 👥 DONT🙅🏼‍♀️ LOVE 😘 YOU 🫵🏼 LIKE I 👀 LOVE 🥰 YOU 🫵🏼🫵🏼🫵🏼

[fuckyeahisawthat]

I'm gonna split the difference between your Watsonian and Doylist takes and say a little about each.

As someone who is ALWAYS down for a story about the oppressed rising up...I personally would have been disappointed if what seems like generations of inequality had been magically (ha) solved in 18 episodes. I don't think there's a way to do that without it feeling cheap and fake--even if any of the show's other plotlines were sacrificed to give the class struggle story elements more screentime. I also think that expecting that from a show called ARCANE is setting yourself up for disappointment. Magic was always going to be the main plotline. The inequality between the two cities is a backdrop for stories focused on the characters and their relationships, as @thetardigrape says. And given that (in my understanding) that inequality still exists in the world of the game, it seems unrealistic to expect it to be resolved in the show.

Sevika taking her one (1) token Council seat for the Undercity under the stink-eyed gaze of all the old money Pilties was a great moment, actually. That's fucking real, man. It's gonna suck so so much for her both politically and personally and I tend to think it will be nothing but ineffective and frustrating as a strategy for change, but that door toward more equality between the two cities has been shoved open a tiny bit and someone's gotta stick their foot in the gap. Within the world of the show, a tiny, imperfect and resentfully acknowledged crack in the status quo honestly feels way more real to me--and consistent with the tone of fragile hope that most of the storylines end on--than a more decisive political victory would.

And within the world of the show...I mean. Class struggle is never over. As long as there is inequality there will be new rounds of social upheaval, and there are many forms of struggle in between fighting the police and becoming a politician.

I do think that Silco's (and young Vander's) framing of the conflict in nationalist/separatist terms seems to be a very small minority position in their time, and that specific political project dies (for now) with Silco. I have a lot (like a LOT) more to say about this but it does not seem like most residents of the Undercity think of themselves as having a shared national identity. Maybe there is some vague sense of a shared class identity but there is certainly no sense of unified class power. (Again...a lot more to say about this that really deserves its own post.) In general, people's group loyalties seem to be to (1) their families (both bio and found) and informal networks of mutual support for basic survival, (2) gangs and networks of criminal enterprise, which can overlap with (1), and maybe in certain limited senses (miners, probably) to their fellow workers.

This doesn't mean that trying to cohere a national identity for Zaun is an objectively incorrect political strategy (my answer on that is a big fat "it depends!") just that it's not popular. The Undercity is not united at all during the timeline of the show. We're seeing it in a moment of division and defeat and I have a whole theory about exactly why but that's really getting into the other post I just need to sit down and write now.

(Arcane Meta) Zaun Died with Silco

I want to open this by saying I understand people who are upset that there isn't more Piltover/Zaun conflict and resolution in S2 of Arcane. However, I'm going to argue here that the reason it's not in S2 after 2.03 is because the conflict is over. Piltover won. There is no more Zaun anymore as a potential political player and, ultimately, this comes back to haunt Piltover in their hour of need.

Overall, while I am invested in the Piltover/Zaun conflict, especially in S1, I'm less focused on Caitlyn and Vi's story which is our main lens for the conflict, or rather the end of the conflict, in S2. Still, I hope to offer my more Arcane worldbuilding-focused perspective. And just to get it out of the way, here are a few things I had trouble with:

I too was puzzled that anyone from the Undercity would join Piltover in the defense of the city.

I also thought it was strange to have Jayce focus on the threat that Viktor posed with his robots while soliciting help from the undercity, instead of on Ambessa, the more clear and understandable threat that would have made a better rallying point and allowed for a final discussion about the Noxian occupation of the undercity and how Noxus turning on Piltover was just them reaping what they sowed.

I was certainly taken aback when everyone was given Enforcer uniforms for the final fight.

That said, I believe there are answers to all three of these. From there, I want to dive into what exactly happened in S2 with Piltover vs. Zaun, to my eyes. Short version: there is no more "Zaun" as a potential nation or political player by 2.03 when the Chem Barons are taken out by Cait's forces, but it really died before that with Silco, who was already in a precarious negotiating situation himself and he knew it.

Very few people from the Undercity joined Piltover's defense of the city. Maybe a half dozen. I felt that was our moment of "you reap what you sow" for Piltover. A few passionate idealists who could see the bigger picture that saving Piltover does mean saving the undercity joined, but there were no hordes of volunteers. Piltover had lost the right to them and was substantially weakened for it.

Jayce choosing to focus on Viktor as the threat makes sense for him, but it was a poor political move and probably lost him volunteers he would have otherwise gained. The robot army threat is too esoteric and fantastical. "The Noxians turned on us and plan to conquer the city," is a threat that would have been better for rallying the troops, Jayce is just too single-minded to think of it. He's a bad politician.

The Enforcer uniforms are an odd sour note, but they do make sense as protective gear. Piltover doesn't have an army. There are no uniforms to give people. All they have is Enforcer uniforms. It is an odd note symbolically, but practically speaking it shows how little time Piltover had to prepare. Piltover is a civilian city going up against a military force like Noxus. They are woefully underprepared and really only have their status as defender in urban fighting to give them a prayer of even stalling the Noxian forces. Ironically, Piltover's only hope against Noxus mirrors Zaun's only hope against Piltover if they had gone to war: the difficult nature of urban fighting against an entrenched, motivated opponent on their home turf.

Now, to get into, "What happened to the overall Piltover vs. Zaun fight?" I get why people think it's lacking in S2, and I get why people find it horrifying that there is no independent Zaun at the end, all we've got is Sevika with one seat on the Council, as far as we can tell but I would point out:

Zaun is dead at this point. It's been dead since 2.03. Arguably, it really died with Silco.

As Jinx said, she didn't just destroy her own family, she cursed an entire society when she launched that rocket into the Council Chamber.

Here's the thing, Jayce was actually right when he said Zaun wouldn't stand a chance in an outright war with Piltover.

Yes, Zaun has a lot of brawlers. They have Shimmer and the Shimmer berserkers.

But Zaun doesn't have any sort of organized fighting force beyond the guards of individual Chem Barons and their factories.

What Zaun has is the fissures. It has ugly, difficult urban fighting in dangerous spaces. But as a counter to that, we have the fact that their ventilation is controlled from Piltover. In a true all-out war, Piltover could in theory just flush out the entire undercity using the Gray. Having your infrastructure entirely dependent on an enemy oppressor is what I would call a "fatal flaw" in any defensive military strategy, particularly when what they can cut off is the air you breathe. That's easily game over right there unless Silco has a way to circumvent that.

In a guerilla war, Zaun could probably hold out for a long, grinding, ugly civil war made up of mostly guerrilla attacks, in which a great number of innocent civilians will die, even in an all-out conflict with Piltover. But it would suffer catastrophic losses and probably still lose in the end.

Now, Jayce is I think somewhat naive in his claim Zaun doesn't stand a chance. Maybe Zaun wouldn't stand a chance in the long run, but they'd make Piltover pay for every inch with blood. They'd grind Piltover down into a shadow of its former self, force them to sacrifice all of their principles. To some extent, I think Jayce gets that, he gets that he doesn't want more kids to die, but I think even he underestimates just how ugly that war would be and how long it would go and how unrecognizable his Piltover would be by then.

The moment that gives Silco pause in Jayce's assessment of how easily Zaun would be crushed isn't the fighting. Silco is pretty confident that they could make Piltover pay and he's arguably looking forward to the chance on some level.

What gives him pause is when Jayce says the Council doesn't care.

To some extent, Silco like any revolutionary against an oppressive "civilized" society (heavy, heavy emphasis on the air quotes there) is that a certain point, Piltover is so soft-hearted they will get tired of the bloodshed.

What Jayce just told Silco is that the Council is more barbaric than even Silco maybe appreciated, for all their vaunted principles. There isn't necessarily a limit to how many Zaunite children will die before Piltover decides to cease hostilities. Knowing what Silco knows of Piltover's brutality, I think that is a sobering moment for Silco. That's when he decides this really is the best time to negotiate.

(Aside, this is by the way where Vi is wrong about Silco, driven by her emotions. Silco is willing to set aside the feud to get his nation of Zaun, he can be negotiated with. He's just not willing to give up his daughter (something Vi can't possibly understand at this point).)

Here's why it's the best time for Silco to negotiate and it ties into everything else:

Without Shimmer, which has been severely hampered by the raid on the factory, Zaun doesn't have anything to counter Hextech.

Jinx's wild attacks against Piltover has helped put the pressure on them that Silco capitalizes on. But it is a paper-thin threat. She is a lone albeit devastating terrorist. She makes Zaun appear more dangerous than it is but that can't last forever. Silco has leveraged her attacks into a pressure campaign against Piltover, but a serious response from Piltover (as seen in 2.03 with the strike team corners and very nearly captures her) could reveal just how fragile that threat is.

Basically, Zaun has some champions, arguably a league of legends lol, but it doesn't have an army. It doesn't even have Enforcers of its own. It doesn't have a concerted force of any kind.

The money is running out. As "Sucker" shows us in 2.02, each Chem Baron that gets taken out means less money on the table, and we're down 2 by the beginning of S2 with Silco and Finn, who arguably both fell to internal fighting.

As the Chem Barons say in 2.02, even if they got total unity in Zaun, they're outnumbered.

However, they don't have total unity in Zaun. They can't even get the Chem Barons to agree on what to do on one topic, with Jinx.

Silco basically has to accept the deal with Jayce when he does, while Zaun appears to be at its strongest. Because if he had waited any longer, the fact that they don't have the strength or money to back it up would have become apparent.

Furthermore, once Jayce resigns from the Council, which he was planning to do anyway regardless of Jinx's attack, would mean Zaun would lose its one champion with the political capital to give them independence. The window for Zaun independence is actually extremely narrow.

With Silco's death and Jinx's attack on the Council, then the subsequent eradication of the other Chem Barons, their resources, their money, including Shimmer which was the only thing Zaun really had to match them against Hextech in that arms race, there really isn't a Zaun anymore.

There's no one to negotiate with. No one to hand power to. No force that can govern itself. Zaun is completely fractured with the eradication of the Chem Barons. By taking them out, Cait removed the need for Piltover to negotiate with Zaun. And the reason Piltover chose not to was because of Jinx's rocket and then the attack on the memorial, which was orchestrated by Ambessa.

This is all according to Ambessa's design, by the way. She divides Piltover/Zaun against themselves by capitalizing on Jinx's attack. She leaves both severely weakened to make it easier for her to take over, and Piltover walks right into the trap. They would have fallen to Noxus if not for Mel's love of the city, even if you remove Viktor and Jayce's plotline entirely.

TL;DR Zaun is gone, guys. It's a distant dream. Sevika is the only person with an interest in making it happen anymore and she can't even get the Jinxers to listen to her. All the factions are easily arrested at the rally. Piltover has no reason to negotiate with any of these people. As the lone torchbearer for that cause, it makes sense for Sevika to be on the Council but beyond her, there is literally no one else to give a voice to (since Ekko doesn't appear to have an interest).

At least, until the Noxians turn on them, and then there's an interest in Piltover and the undercity joining forces, but as I referenced at the beginning of this, Piltover has now lost the right to the undercity's help AND lacks the undercity's resources too. Now Noxus has Shimmer instead of Piltover or Zaun, in addition to their sophisticated and expertly trained military force. As Jayce said, they were meant to lose this fight. Arguably, they never had a chance of winning if not for Mel claiming the loyalty of the Noxians in the wake of her mother's death and everything Jayce did to stop Viktor and the Hexcore.

[she-whatshername]

So, your Tyrrish men headcanons are life. I adore every last one of them even when they make my heart hurt.

Not that any of them have time now, but someday when the war has ended and they all obviously live HEA, what kind of hobbies would they be into?

Apologies if this has already been asked. If it has I missed it.

Oh, excellent ask. And love the emphasis on LIVE. Because yes they do, all of them, lolol

Bodhi:

I shared this in an earlier post somewhere but I am fully convinced Xaden commissioned Bodhi to make the saddle for Violet. So, being that I feel that he’d be doing some type of metal work when he gets around to it

But, because he’s such a people person and people leader, I think post the war he’s doing a lot of leadership and helping to rebuild Aretia and the building up the Tyrrish crown. He does it so much its now his hobby haha

Also, while not a hobby persay, this man is getting busy post the war

Settling down

Having all the kids

And still being the best at balancing Xaden on the throne, leadership duties, and his family

This man can truly do all things

Garrick:

Horses

Lolol

IDK why but he gives ‘horse girl’ vibes.

I think he’d take up horse riding again and it become a joke that his ‘mares’ in his stable are actual horses in his stable. He’s of course at Xaden’s side post the war but when he isn’t he’s with the horses. Raising them, teaching others to ride, caretaking, etc

Also, runes. I think he’s also doing rune work in his spare time and teaching others. He’s always just crafting up something unique with runes to help others

And, like Bodhi, he’s spending a lot of time taking of and supporting others

I adore Garrick

Xaden

Violet

Lolol

Is that a hobby? Because that’s all I see him doing pos the war

But, in all seriousness, I think he’d be into swimming

Okay hear me out. I have nothing to back up this headcanon but, If we take into account what happened to him at the end of IF, I could maybe see him becoming paranoid about being out in nature alone wandering around, fearful he could lose himself and be tempted again (because I thought he’d be into hiking, climbing at first)

I could see a cute moment where Violet lures him into a pool of water and has him just float for a bit, completely weightless and unable to touch the ground that he actually loves it?

So to clear his head or release stress he just goes and does some laps and floats about

Imogen

She is on a journey of herself

Self care is her hobby post the war

She’s finding peace outside hiking, journaling, maybe even knitting

I know, everyone would be like “Imogen, you’re knitting a scarf?! That’s so cute.” And then she’d just glare at them and tell them she could easily stab them with the needles

But honestly they’d be some of the warmest scarfs, hats, blankets, etc

Knitting reminds her of her life before the apostasy. Her mother and sister would knit and Imogen would hate the idea of just, sitting there for days, but now she sits on her bed, knitting quietly while putting together a beautiful quilt while putting herself back together in the process

[vonbabbitt]

Throwing this in, though I know you have a post saying you're taking a break: I quite like Tetro. The story is exciting, and incredible. You've done an amazing job piecing everything together, and it has lead to me pretty seriously looking into following the footsteps of this project with a story also told in this audio format, since you demonstrated so clearly not only how this was possible, but how this could be done so well for a Killing Game specifically. The latest events, the latest death, as made me incredibly sad, and I feel a lot of emotional turmoil over losing both victims. But despite that, I have enjoyed the loving, losing, and worrying for the future. That's amazing. All of it is amazing. I have my theories and conclusions about who may be guilty and who isn't, but based on the posts I read, I mainly wanted to express an amount of thankfulness that the series exists at all. It's even lead to me writing fanpieces for some character interactions, and I imagine I have a few more in me from all that's gone on. Not only that, but the hard topics of this series have meant a lot to me. Yanagi and Tsuno have especially felt really close to home. The stories they talk about and the things they deal with matter in my own life. And the series as a whole has made me cry over stuff that mattered to me much more than any other media has done in the last year or so, maybe longer, in even broader strokes. All the characters don't just feel like people one could meet, but people I have met. People I have known. And some of those conversations feel just like ones I've had in my own life. You've done something incredible, and the writing has connected to me deeply. And though I can only speak for me, I doubt I'm alone in this. Thank you for this project, and thank you for sharing it so broadly, freely, and completely. Thanks for writing it, and writing daringly, maturely, and earnestly. At least, such are the ways I would describe it.

I hope I can cross paths with you sometime in the future over a creative endeavor. But in the meanwhile, I'll be tuned in to whatever you do for this, and for whatever comes next. As these things are called asks, if you do decide to respond: Who on Tetro is your favorite? Is it the same from when you were initially writing it? And what lead you to choose an audio drama as the medium in question? Thanks, and see ya at the trial.

thank you very very much, im extremely glad that youve been able to connect with my writing on that level and i hope that others have as well! i really enjoyed the writing process for tetro so its always really cool for me when others can enjoy my story as well

also, my favourite is hama! that changed a lot during production, but ive settled on hama as my goat forever i think. sorry to all the other favs i abandoned along the way

i chose the audio drama format because ive always really liked being able to picture things. when i was a kid, i used to fall asleep to audio books every night, and i really liked being able to picture the characters and stories as they were happening. i would always be so disappointed when id go to watch a movie adaptation of a book i liked only to see that everything looked different from in my head lmao.

i also think audio is a really fun format for this type of story! it was a fun challenge to get my points across without having visuals to back my writing. i didnt have very much faith in my ability to do this at first. tetro was originally planned to have a narrator because i didnt think id be able to tell a story without one. when i realized my writing could stand on its own, i took out the narrator and just let myself carry it as best i could. i think it made for some really fun opportunities where the impact of a scene just wouldnt have been nearly as strong if there had been visuals or narration.

i think [Ice Fairy] is a highlight of tetro in terms of audio storytelling - same with [Good Child]. having only audio forces you as the viewer to take a moment to figure out what's happening, which in turn gives you an "oh shit" realization moment that really helps the impact of a scene like [Ice Fairy] or [Good Child]. there are still some more really cool examples of tetro utilizing its format left to come - i hope you enjoy them when they do!

[raycatz]

some more LU things that throw me for a loop,,

An artist I follow, wilimia, started a LU dnd AU, and then mentioned wanting to make it it's own thing. Shortly after, they received an ask,

"I'd be down for un lu-ing the dnd boys cause I got lu blocked ad hate how it affects most links meet aus, so yeah. If you do that I'd reach non lu audience. Most loz fandom doesn't follow lu blogs"

and idk, I get it, but it's also hard to read. So much of Wilimia's art is LU. It seems like something they found, and still do, find joy in creating for--and for years, too--longer than I've been in the fandom. "Most loz fandom doesn't follow lu blogs." Most loz fandom wouldn't have any interest in the majority of the art Wilimia's shared? Anon would prefer it to be non-lu? It reads to me a little like putting down or dismissing the art just because it's LU. Wilimia's art is amazing. I admire it so much. Their ideas are wonderful, too. And like many other pieces of LU fanart, there's a lot of exploration of comparing and contrasting the games, or analyzing the games, borrowing the LU cast, without explicit connection to the events of the comic itself. So much incredible creativity missed, because it is LU. LU's not for everyone. To each their own, I guess.

But I feel like so much interesting insight into the games is lost if LU fanwork is disregarded simply for being LU.

I also struggle with feeling like I have to choose an audience. I have ideas for pre-LU comics that would tell stories of fun moments from the games, during an adventure--but I want to use the LU heroes because I care more for those interpretations of Link. I'm blending my own game experience and opinion of that Link with what's been provided by the fandom.

I think the stories are fun and worth sharing! However, what tag do I use? It's the Linked Universe design and character, but it's also me, but it's also not Linksmeet or the LU adventure, really. It's LU, it's not LU, it's gen loz, it's both. And yet you'd get scolded for posting LU in the gen loz tags. I feel as though I must choose a side.

For example: there's a moment in OoS where a woman asks you to help her in exchange for a shovel. I got the shovel and then immediately dug up the entire map chunk surrounding her house. It would make for a good comic! But do I make it LU inspired or gen loz? I'd probably use a slightly more generic design for Link (Legend) anyways because he would be younger. Honestly, I could probably get away with barely changing the design at all, tag it as gen loz, and be praised for it.

There's a huge double standard when it comes to LU and Linksmeets. Both argue that not everyone has played all the games. All the interpretations and designs are unique and, at times, should be read as their own aus without worrying too much about adherence to the game or specific comic canon. Characterization and knowledge varies by writer. At the same time, no one person owns specific design elements or traits. Don't worry too much about being too similar. Let people make what they want. Every new instance adds to the wider understanding of the character and is therefore valuable.

Yet, by the people who dislike LU and its fandom and favor other Linksmeets, in LU fandom it's seen as an excuse, and in Linksmeets and gen loz it's seen as a strength.

The character of my comic could barely be LU Legend, and yet if it is LU even in name only, it is disregarded and unwelcome. The character could draw strong influence from Jojo's designs or LU fandom, and if I change one thing only but claim it as my own, it would be praised and defended.

Analysis and discussion in the LU fandom (especially from around 2020) brought me a better appreciation and understanding of the heroes and game similarities then any other kind of online fan created material had.

So for my mini comic- and going off of the anon's ask- what do I do?

I want my work to be seen. I feel like it is valuable to be seen by anyone who enjoys the games. I want to inspire people who see the comic to think more about the games and to create. I don't particularly care through what lense they connect with my gen loz / nebulously LU work--if they apply the situation to their own game experience, gen loz, or to any Linksmeet--if my work has connected with someone- has broadened someone's understanding of a game or character- then my goal has been met. Obviously use the correct tags and credit where credit it due, but if I am making pre-adventure or gen loz stuff, then I want to inspire. Write fic! Add the headcanon to your own! Just like- if you make something based off an idea of mine, include me! We are all building off of each other's stories. It is all inspiration. It's all the same soup.

There is no Linksmeet element. And yet, in my heart, I know the character will become some personal variation of LU Legend, influenced by a variety of fanwork, because that's the interpretation I favor.

If it's tagged gen loz it reaches the broader loz and Linksmeets audiences. If it's tagged LU then it stays within the sub fandom I know and care for. The thing is--it's a pre-adventure story, so it's not solidly one or the other. I don't want to tag it gen loz and have LU fans feel they aren't allowed to think of it as LU Legend. I don't want to tag it as LU and have it be missed by so many people, or have gen loz / linksmeet fans feel they aren't allowed to think to think of it as their own characters either. However, also, why should I be creating for an audience who would disregard so much of my and other's works?

Mina of Mina's Linkverse's recent posts have thrown me for a loop again. She's shared a headcanon post about Twilight Princess Link that delves into how Link, given his background in Ordon, might feel about turning into a wolf. What struggles, but also acceptance and joy, can be found in it. It's beautiful. I'd love to add it as another perspective into my understanding of TP Link--both solely within the game context and also more broadly across a variety of Linksmeets. It's one more way to further appreciate things I already enjoy. However, Mina opened the post with "Dont tag as L/U". Okay, don't tag, but am I allowed to borrow this and apply it to LU Twilight? I relate to it most strongly through that lense. It's a general loz post, and LU is loz. What if I were to apply it to Mina's Fangs, or Em's Wolf, or Frulle's Twilight? If I were to write a LU fic or draw a comic and tagged Mina as inspiration would she take offense? Would it be less of an offense if it was anything but?

Am I as a LU fan allowed to take inspiration from this and put it into LU fanwork? What about LU fanwork that goes more strongly into exploring these themes or situations from the games instead of the comic itself?

It just feels kind of feels like a whole perspective or group is being excluded. I feel like I am being excluded and that I am unwelcome. But, maybe that's just me being an entitled LU fan who thinks everything belongs to them and needs to learn to stay in their lane.

I've considered making multiple versions of the same comic. One that uses the LU design and tag, and one that does not, so that I'm able to reach and be appreciated by both audiences. But, I don't want to have to choose. There would be no difference in the comic but character design and name. And yet, that's all the means necessary to be completely disregarded.

[steph-anie723]

any Hamilton hot takes you wanna get off ur chest??

i don’t have any hot takes atm but since that you mentioned getting stuff of my chest I wanna rant about something 🙁🙁🙁☝️☝️

stupid people always mentioning The Reynolds Pamphlet and Lams on Hamliza posts,, yes it’s a recurring issue yes I’ve ranted about it multiple times but ITS DONE SO MUCH???

If I see “but.. he cheated on her!!” ONE MORE TIME I’m going to slam my head into a telephone pole!!!People seem to ignore ALL of Hamliza’s years spent together— trying to deem their relationship as abusive or toxic, yes, the Pamphlet IS important in their story, yes, the Pamphlet IS a major turning point in the musical, however we shouldn’t subject their relationship BASED OFF this one singular event, completely diminishing all the established love they CLEARLY have for each other; Eliza forgave Alex,,, not to mention her dedicating 50 years of her life into post his deathtelling her, her husband’s, and everyone else’s stories. If that’s not love I don’t know what it is— and i feel like in a way if you base their relationship JUST on the Pamphlet it’s like disregarding all the work Eliza had done after Alexander died.

there’s also Lams, I fw Lams don’t get me wrong— but a lot of people definitely think theyre confirmed in love and married or smth that they have to shove it in everyone’s faces about “the letters!!” and all that, trying to disregard the relation of Alex and Eliza

I’m sorry but Alex and Eliza ALSO had letters?? Now my life gets better every letter that you write me???also they were MARRIED?? if you want to use Lams letters as a point to ignore Hamliza how about you can go take those letters shove it down your throat and try to shit out a better counterpoint thanks /j /j /j don’t cancel me!! 😭😭🙁

however I don’t really see this on this app,, mostly on YouTube and Pinterest (since that’s kinda my main app I post on) so i see it a lot in comment sections, and yes I know the people who comment on there are usually younger and more immature than us so there’s also that to take into consideration