#i feel like i can't even say much about this book because it goes in such unexpected directions but i LOVEDDDDDD IT

[quordleona03]

#this one goes out to the Beejdunking Brigade #i want bj to get better but i know he's just going to keep fighting it forever. if a warzone can't kill his ego idk what possibly could #peg takes the house and kid and dog and bj goes to maine as his backup plan and is greeted by mulcahy looking happier than ever #maybe then-- MAYYYYBE-- he can finally realize that there are consequences to shitting where you eat

I wrote Peg Hunnicutt in All We Know (will be posting the first chapter from her POV in December) as a woman who decided to stay married to BJ and made it work (and they had more children) (and BJ is a good dad). But I also wrote her - deliberately,consciously - as the kind of housewife for whom The Feminine Mystique was written when Betty Friedan was considering "The Problem That Has No Name." (Yes, I know she has a realtor's licence in "The Party" - for various reasons I decided that didn't turn into a career.) And while thinking about Peg Hunnicutt reading Betty Friedan's book when it was hot off the presses in 1963, I started to think about Peg Hunnicutt, home in Mill Valley, waiting for her husband to come home from the war - and I thought about the beejhawk narrative: BJ and Hawkeye fell in love during the war, and -

What About Peg?

So I wrote the story of BJ and Hawkeye coming home from the war, and the stranger in the house, from Peg Hunnicutt's POV: The Hunnicutt Mystique.

I don't intend to ever write a sequel to The Hunnicutt Mystique, not because I can't think of one but because I can easily think of half a dozen: and how do you pin someone as complex as BJ down to one ending? To me, BJ Hunnicutt's tragedy is that, all of his life, he has been top of the heap, king of the hill: tall and handsome and good at sports, good in his classes: he works hard for what he's got but he's starting from a privileged position which he does not in the least recognize. While an instinctively cruel person (he enjoys practical jokes) BJ recognises that being kind is better than being cruel, and he wants to be a good man, and he struggles to live up to his own ideals.

That BJ's ideals are very much that of a man who was born in the 1920s and came of age into the period where US media was pushing the narrative that a perfect family is one where the man leads and the woman follows, the man earns and has a career, and the woman stays home and is absorbed in housework and children, is of course not his fault; but I can't think that BJ ever examined this very hard. He wants to be Peg's perfect husband and Erin's perfect father, and the draft took him away from them and Peg spent two years learning to be just fine on her own.

And BJ went to the 4077th, where he found that - try as he might - he would never, there, be the man whose attention everyone competes for: he would never be top of the heap, king of the hill, recognised as the best surgeon, the funniest man, the one whose attention and approval everyone competes for - because Hawkeye got there first and BJ cannot win in any contest except those that Hawkeye frankly doesn't care about, like physical strength or chess. To make matters worse: BJ adores Hawkeye. Hawkeye is wonderful and kind and funny and knows exactly what to do in the weirdest situation BJ has ever been in. Hawkeye says, frankly and openly, that BJ is his best friend. (Except there was Trapper, who was also Hawkeye's best friend.) But if BJ is Hawkeye's best friend, Hawkeye feels no need to compete for BJ's attention: he assumes he'll have BJ's attention if he wants it, and if BJ is busy or preoccupied and brushes Hawkeye off, Hawkeye goes off to spend time with other friends and really doesn't seem to mind, or try harder for BJ's attention next time. To make matters even worse: Hawkeye keeps winning all of the contests without even seeming to try, and Hawkeye thinks BJ's work is good and offers praise and tries to find ways for BJ to shine - Hawkeye is BJ's age and all but a year in Korea equivalent in experience: but Hawkeye behaves as if he had authority over BJ. I think BJ would love to be able to take Hawkeye home and look after him. BJ would love to be in a situation where - as BJ sees it - the natural order of things is back: BJ is everyone's main guy, and Hawkeye is his best friend because BJ chose him, not because BJ fetched up at the 4077th and fell into Hawkeye's best-friend position.

And what if - Hawkeye's and BJ's relationship is exactly what we see it is in the series, but Hawkeye is in a loving, romantic, sexual relationship with Mulcahy?

meme redraw ft captain hunnicuck

the thing about hawkahy is i think it presents a wonderful character development opportunity for beej once he accepts that his waifish wifeable roommate picked a shorter, sweeter, quieter, poorer partner over the big man on campus who took him for granted enough to punch him in the face and then act like nothing happened, because it turns out hawkeye values honesty and empathy over whatever the hell is going on with bj. maybe eating his own heart out is the first step to getting over himself

[roseyswords]

An analysis of Mastermind (the Song)

Now this is gonna focus primarily on Stolas's perspective throughout this whole song. Not that I think Blitzø or Satan's parts are less interesting they're just more straightforward than the rest of it and I don't think I can expound on them that much.

So first we have Stolas using societies already baked in prejudices against imps to immediately square away the idea that Blitzø could be to blame for the whole thing. And you'll notice that when he's doing this he's putting on the same persona that he used in Circus when he got Blitzø out of trouble with his security guards. The act of a haughty Prince that is taking responsibility for an imp. It's a bit of a go to for him.

Then he starts building up the idea of a Mastermind whose actually behind it all that just using Blitzø for nefarious purposes. I also want to point out the look on Ozzie's face here because it is expressing exactly what I was thinking when I first watched this which was " what the fuck are you going on about Stolas?"

But if you notice something that I'll talk about a bit more later he's not saying he's the Mastermind at this point. He's just talking about a vague Boogeyman esque mastermind here.

Then he goes on to detail what killing Blitzø like this would mean in Hell. First he's doubling down on how lowly he is, meaning he couldn't possibly have done it and that he is clearly just a scapegoat. Basically telling them that doing so won't solve anything. But then next he says that it would "light a fire in the hearts of his race" which as we see afterwards, it did. This whole song stoked massive support for Blitzø and if we remember resulted in the first time in history where an imp sentenced with death got away and survived.

Fuck it! I am the Mastermind. There is the briefest moment here where Stolas closes his eyes and thinks. Right before he says Fuck It. I don't think Stolas had fully cemented on the idea of taking the blame himself until this point. I think this is the point where he realized he can't back down from this, he can't just make up a Mastermind he has to be the Mastermind. I think he has this sort of as the plan the whole time but that he was also giving himself a bit of an out before by being vague. He could have said he was the Mastermind the entire song but this was the moment he started taking full ownership of the title.

I have no regrets/ I have regrets. Publically Stolas is saying that he has no regrets about the whole scheme that he used Blitzø for. But then we immediately go into private mode where Stolas is having some regrets and second thoughts about doing this. He says " why am I throwing my life away for this idiot?" He doesn't like doing this but he's going to anyway.

And he decides to do it because the alternative is Blitzø dying. And that is too horrible of a fate for him to bear. Stolas probably also feels actual responsibility for the whole situation because he made the deal to let Blitzø use the book knowing it was illegal. So if he can do anything to let Blitzø live, this is it and he's gotta do it. So then we get to

I am the Mastermind, the master of my faith. No looking back, we're doubling down. Full on. So much of Stolas arc as a character is culminating in this moment. For so long he has just been a puppet in other peoples plans. He has never been in charge of his own life but now he is the master behind his own decisions and steering his own fate. Even if it's at his own detriment. He sings about how much he loves Blitzø and death itself is the only thing that can break them. He is resolved to this fate and he's taking it head on.

There are so many fucking layers to this episode, it's a gift that keeps on giving. It's my favorite episode containing my favorite Helluva Boss song. I hope you enjoyed this attempt at a breakdown I did.

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[phantajam]

my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)

[dogearedheart]

8i've been thinking about the last asks i got today. and i think it's better for me to take a step back from this account. i know the anon didn't mean anything by it, but i still feel like i am being a negative presence on here and weirding people out with who i am is nothing i want. so, i am not deleting or anything. i am just gonna be less present with sharing personal things or leaving tags. I'll probably be more active on my second account where i don't have that many followers :)

[leatherbookmark]

hopping around different blogs is fun.

a post on blog 1: i find it a little weird that -- don't get me wrong, the barbie movie looks great with all the doll-like details, i bet the actors had great fun and i'd like to see it myself, but -- people are getting excited about marketing of this movie. they're acting as though mattel's 3985* deals with 837* different companies are something new, exciting and creative instead of... 3985 deals with 837 companies spanning many different areas! this movie is a commercial for a doll! isn't this kinda weird?

*numbers made up

a post on blog 2: i don't think any sane adult doesn't realize that this is a toy commercial! it's rather obvious.

a post on blog 3: boo hoo 'the barbie movie is capitalist propaganda' i don't give a SHIT marx won't fuck you. did you do this for transformers too? do you think only stupid girls who like pink need the reminder?

like, oooooh! things are happening!

[libraryleopard]

Adult fantasy novel (sequel to The Unspoken Name/series conclusion)

After dying Belthandros Sethennai and stealing his magical gauntlets, Csorwe and Shuthmili have struck out to create a life of their own investigating relics from dead civilizations

When they awaken a dormant power, old gods begin stirring and threaten the fate of the worlds themselves

Lesbian main characters; F/F romance; Black, gay main character; nonbinary side character

[julymusings]

Jason Todd x Single Mom!Reader

I've been plagued for many months now by the idea of jason todd x young single mom!reader. I literally made this blog this morning just to post this

this is so LONG try as i might to shorten it i've been itching to get all this out of me so enjoy this word vomit i might just make a full fic if i'm feeling extra frisky

You got pregnant in college, and now you’re fresh out of grad school moving to a new city with your 3 year old daughter

You got a job at Wayne Enterprises, leading an important new project. You and your colleagues are invited to the latest Wayne Gala, hosted at the billionaire’s own manor. All these years as a young mother and a student, you hadn’t any experience with such extravagance-- how could you say no?

the party lowkey sucks because it's all old rich people so you sneak out to a balcony where you find a young man drinking whiskey and texting on his phone.

he introduces himself as jason, and his hand is rough and calloused when you shake it, but it's warm and sends a tingle up your arm. (😏)

You chat about your work, he complains about the stuffiness of a life at Wayne Enterprises and you laugh when he warns you to get out while you can (he's joking, of course. not because he thinks it's worth staying but because if you leave he'd never be able to hear that adorable laugh again)

when you go off on a tangent about how excited you are for your project, he's not even listening anymore. the sheer passion that lights up your face has his mind going fuzzy and a full orchestra playing in the background

you're pulled back in before he can get your number :( he's so mopey all weekend he doesn't even have it in him to retaliate when damian makes fun of him for having pink pony club as his top song for this month :(

when you get home your email is flooded with warnings from other parents at your daughter's daycare about a lice scare?? okay, you think, she's definitely not going on monday, you can just bring her to work with you, right? what's the worst that could happen?

the following monday he just happens to show up at the office (He can't just stop by to say hi to his brother who he loves?) (tim calls security almost immediately)

you're not at your cubicle (in a meeting, your desk neighbor informs him) so he mills about the floor like a lost puppy just waiting for you to show up so he can "accidentally" run into you

the woman at the front desk has a chair pulled up next to hers where this little girl with pigtails is sitting, trying to console her as tears stream down her face

jason springs into action, kneeling in front of her chair to ask what's wrong

she just sniffles and holds up her stuffed animal, an elephant whose button eye has popped out, the woman watching her trying to get her to hand it over so she can sew it back on but she wont let go

he goes full grey's anatomy, fussing over the toy like it's in mortal peril and complimenting her for being so brave before gently asking if he can try to fix it

she lets him take it and he uses the woman's travel sewing kit to stitch it back on

she's ecstatic, leaping forward into his arms to give him a big hug

but now she won't let him leave because no he has to have a conversation with the elephant first and introduce himself and give it post-surgery care instructions and listen to it talk about how much she it wants a puppy and he feels like such an idiot talking to that thing but anything to make this little girl smile

she pulls a little picture book from the backpack hung on the back of her chair and asks him to read with her and he can't just say no!

so he plops down on the tile floor and starts reading out loud and even though she's standing next to him craning her neck to see the pictures he's a head taller than her

when you finish your meeting and head back to the front desk to thank gretchen for watching your kid the sight you see makes your heart absolutely melt

jason and your daughter are sitting criss-cross applesauce on the floor of Wayne Enterprises as he reads to her, and he's pulling out all the stops, he's doing voices, sound effects, and she's giggling so hard she can't sit up straight

but then they both finally notice you

"mommy!" she yells, running to you and wrapping herself around your leg

you're surprised to see him, but definitely not disappointed, and if what you just walked in on indicated anything, it was that you wanted, nay, needed this man

so now you're flushed and hopeful, mind running with possibilities of why he's here; could it be? he couldn't stop thinking about you either? he came all the way to ask you out?

but jason is also surprised, astounded even, by the miniature carbon copy clinging to your leg saying something about scooby snacks

he's freaking out on the inside

through a tight-lipped greeting he excuses himself with what he hopes is a neutral demeanor (spoiler alert: it's not) and goes home to think

and you obviously know exactly what that was about, one doesn't go through pregnancy at 19 without becoming well-acquainted with the whole catalogue of surprised/judgy reactions

of course you're a mess because the early/mid 20s dating scene is hard enough as it is but with a toddler? forget it, might as well just give up now

you go home to call your best friend and get drunk over face time while she assures you that men aint shit and offers to put a curse on him (you consider it, but how are you supposed to get a lock of his hair?)

he's up all night hating himself for being such an asshole and trying to come up with a scenario in which this works, in which he can have you in his life and also a child and be the red hood because he can't stop thinking about you

so then he just says fuck it and the next morning he shows up at your office with flowers and a puppy stuffed animal and finally asks you out

[wifelinkmtg]

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

[teaandspite]

The Great Goodreads Diss List (Part 1)

Context: For many years now, I have been collecting funny lines from Goodreads reviews to share with my coworkers. (I do collection development, reader's advisory, and weeding at a public library, so I read a LOT of reviews)

Are some of these, perhaps, rather mean? Yes, but they are also very funny, and come from a place of honest frustration. In the tradition of Bargepole threads and lists everywhere, names and titles have been censored.

"First, I want to say that I understand how hard it is to write a book and how amazing it is when it is actually published. Congrats to the author for that accomplishment. That said--"

"Warning: This review will be lengthy due to pure hatred."

"I found myself feeling really, really annoyed with the world that this book is allowed to exist. We live in a universe where the passenger pigeon is extinct but this book goes along merrily being read by unsuspecting lovers of words and ideas and stories? It just seems like too much, you know?"

"Don't do it. Don't spring the cash for the hardcover. Instead, eat an entire bag of Twizzlers, spend some money you don't have at a high-end department store, look up on Facebook the shady college boyfriend that made you cry, research the current value of your home or 401K and then read all about how the big hedge fund managers are faring during the economic crisis. You'll feel about the same stomach pain if you waste your time reading this book."

"This wretched novel begins with the mugging of an old lady and it appears I may be in the process of repeating that loathsome crime as [author] was 78 when she wrote it. It is not nice to put the boot into such a poor defenseless old creature lying there with only a damehood, a Booker Prize and a few million quid. It’s a nasty job but somebody has to do it."

"I think this is the way dead people would write, if they could."

"I am considering setting up SPABB: Society for the Protection of Accurate Book Blurb. This blurb appears to have been written by someone from the publishers who met [the author] the night before, got very drunk, lost his notes and then constructed something in a fug of hangover the next morning."

"I congratulate [the author] on the early half of his book, which was thoroughly fun and made me laugh and think. I congratulate [the author] on the second half of his book, for finishing it. It reads like that was difficult."

"…a woman whose taste in contemporary literature has roughly the same batting average as a pitcher in the National League."

"The author is a pompous windbag."

"Recommends it for: No one. Recommended to me by: A friend who apparently wished to cause me great suffering."

"Makes me wonder: is it possible to obtain similes at a volume discount?"

"The repeated phrases made me want to mail a thesaurus to the author."

"I'm disappointed in myself for finishing this book."

"if the author described [character's] eyes as "obsidian" one more time I was tempted to write her and ask if her thesaurus broke."

"They say that an infinite number of monkeys with an infinite number of typewriters would, if given infinite time, eventually produce the complete works of William Shakespeare. [This book], on the other hand, would probably take the average monkey just under two hours."

"I can't imagine what the author had to do to get this nadir of Western literature printed on innocent trees, but he does seem to know a LOT about being well-connected in New York."

"This book is so bad it is almost worth reading just to make you appreciate the other books you are reading."

"Reads like it was written by a brilliant author, the night before it was due."

"raises interesting questions, like: can a book be so bad as to constitute an act of terrorism"

"has this author ever spoken to a human woman"

"This acorn has fallen so far from the tree that it can’t even see the forest."

"I’m guessing they are touted as ‘beach reads’ because no one will care if they get dropped into the ocean."

"This book begins with all the energy of a hand vacuum near the end of its battery life, and the pace doesn't quicken much from there."

"At least everybody’s eyes stayed the same color this time around.”

Part 2

Part 3

[salfishermustdie]

sal fisher headcanons

i've literally never been so horrendously down bad for a character before.. so i HAD to share my head canons for sal :3

CW: NSFW AHEAD!!

fluff <3

♡ he would try to teach you guitar, even if you arent very good at it...

♡ if you have sh scars, he'd kiss them over and over and over again, no matter where they are

♡ blushes over everything you do, any little touch you give him, he gets flustered over

♡ "ummmmm... uhh- i- well.. umm"

♡ he loves giving you things. for whatever reason, he's always gifting you small trinkets to show his love for you. his favorite excuse for buying you something is "it reminded me of you!"

♡ not the kinda guy who goes for looks. no matter how 'ugly' you think you are, he'll wholeheartedly see you as the most beautiful person in the world.

♡ with that being said.. he'd definitely stop in his tracks if he saw a cutie :3

♡ (IT'S YOU, YOU'RE THE CUTIE. EVERYTHING ABOUT YOU IS HIS TYPE. GOD, HOW ARE YOU SO PERFECT FOR HIM??)

♡ if you ever mention something in a conversation (a band you like, a cool movie you just watched or a book you read, etc.) he's definitely going home and learning all he can about it.

♡ wholesome romance like those in the romcom movies

♡ "i love everybody because i love you" /ref /ly

♡ would totally let you paint his nails, do his hair, anything like that. he loves when you make him feel pretty <3

♡ doesn't want anyone to know this, but he loves wearing your clothes. like, you know the whole "wearing you bf's jacket/hoodie" thing? that's what he wants, but with your clothes.

♡ obviously he won't deny you his hoodie, but deep down he's waiting for you to give him yours

♡ LOVES giving long, deep, passionate hugs. hugs and cuddle sessions that can go on for an hour. he loves squeezing you against him, it makes him feel warm and fuzzy inside; being so close to someone he loves so much

♡ he WILL sniff you. he can't get enough of your scent. at first he was scared you would think it was weird, but now he does it freely. he's a very sensual person, and because of his disability (possibly impaired sight?), he often relies on his other senses to soak up every little piece of you.

♡ he loves wrapping you in his arms, cradling and comforting you if he knows you need it.

♡ he's excellent at reading you. he feels like he knows you best. despite being someone who can't really show his emotions through his expressions, he's amazing at reading yours.

♡ you don't even have to tell him anythings wrong. he knows when you need a hug.

nsfw :3

♡ definitely has a mommy kink. argue with the wall.

♡ it just slipped out one day.. you were riding him, making him feel good and warm, and all of a sudden he let out a small "m-mommy..!"

♡ that being said, he LOVES having you on top of him

♡ while you're straddling him, he grabs you by your hips to make sure you're not going anywhere

♡ very shy + whimpering mess

♡ the kind to not know where to put his hands

♡ that doesn't mean he sometimes doesn't have a dom side to him...

♡ he's definitely a giver. he prioritizes your pleasure before his own

♡ he's insecure about his ability to turn you on, make you cum, etc. he always tries his hardest to make you feel good, and lets just say it always works :3

♡ jerks off to the thought of you more than he would like to admit

♡ has a VERY vivid imagination.

♡ oh god the things he thinks about doing to you are almost to embarrassing for him to admit

♡ very sweet and loving the whole time. he's huge on praise, and would rather die than ever make you uncomfortable. your sessions are filled with millions of

"are you liking that?" "you're doing so good for me." "are you okay with this?" "you feel amazing (y/n)"

♡ he needs 100% confirmation on your dirty suggestions. you could make a hint, but won't act on it until he's absolutely sure you mean it (obviously you always do, but god is this boy insecure.)

♡ doesn't seem like it, but will fuck you like a rabbit. it's always the quiet, sweet boys who are the dirtiest behind closed doors :3

♡ likes being bitten. idk. idc. IDGAF.

[xinganhao]

🃏 svt detective x thief au.

@purple-eustoma → "imagine ot13 detective! member x thief! reader or thief! member x detective! reader (however you like) being in a secret relationship and having to pretend to not catch each other."

⌗ ┆HELLO. this prompt??? SO GOOD. my jaw dropped to the floor. just to make things easier: hyung line are detective!svt x thief!reader and maknae line are thief!svt x detective!reader

‧₊˚✩彡 includes: detective/thief!svt, detective/thief!reader, established/secret relationship, angst -ish (mingyu), pet names, cussing, tw for mentions of criminal activities (theft/arson/murder), suggestive jokes, headcanons + playlist (!) under the cut.

🃏 headcanons .ᐟ

↺ |◁ II ▷ feeling good, michael buble ⋆ bang bang (my baby shot me down), nancy sinatra ⋆ no time to die, billie eilish ⋆ dark red, steve lacy ⋆ sweet dreams (are made of this), eurythmics, annie lennox, dave stewart ⋆ you don't own me, lesley gore ⋆ cherry bomb, the runaways ⋆ paper planes, m.i.a.

— said i stole your heart, you called me a thief ✩ detective!hyung line x thief!reader.

"detective choi?" seungcheol looks up at the mention of his name, that easy smile on his face still in place. he'll never admit it, but this is one of his guilty pleasures— the way you dance around each other. within reach but out of sight. both of you should be more careful, but he knows you're skilled in the art of evasion, and he's just a good enough actor to make things discreet. he enjoys the slight thrill that comes with the prospect of being caught. this is a game and he likes to know he's winning. seungcheol flashes the rest of his team his usual grin. "no sign of them here," he says. "let's call it a day, gentlemen."

really, detective yoon knows he should have had it coming. you don't like being taunted. more than that, you don't like your date nights being derailed by pesky partners. jeonghan keeps a critical eye as he pads in to his apartment, though he immediately spots what you've left for him. the corner of a polaroid is sticking out from one of his coffee table books. he saunters over and casually snatches it up, managing to keep a blank expression at the faceless, provocative photo staring up at him. he tucks it in to his back pocket and goes to get his unsuspecting guest a beer. it didn't matter if jeonghan teased you; you would always do it right back.

detective hong's message is a warning. the new shoes are a precaution for your future escapades because, this time around, he's getting closer and closer to a positive id. joshua lets out a low tsk of disapproval. "think we can get them with this?" one of the rookie detectives dares to ask, and joshua only gives a half-hearted shrug. "we can only hope," he says blankly, even though he's going to be the one making sure it won't be so. he'll buy you the new shoes you want and an extra one to boot, and whatever else you need to keep the team off your trail. as much as he wants to deny it, the truth is plain as day: you have joshua wrapped around your finger.

the camera flashes from the media would blind detective wen if he wasn't so used to these press conferences. it's becoming a more recurring thing, especially as your heists get bolder. junhui has half the mind to beg you to just be a petty thief so he doesn't have to keep turning some other criminals in to scapegoats. as it stands, though, he can only face the press as they grill him. when will you find this thief, detective? "we're doing everything that we can to locate them," he says through his teeth. (junhui knows exactly where you are— in his bed, back at home— but he's not about to say that.) "the arm of justice is long and they will be held accountable for their crimes."

an 'accessory' is being generous. detective kwon is practically your partner in crime at this point. soonyoung maintains an air of plausible deniability, but you both see it for what it is. "i can't believe they got away again!" his partner cries as they review the cctv footage. there's no sign of you at all. no indication of you sneaking in and out to bag the highly coveted jewels. "they're good," his partner grumbles, and soonyoung almost scoffs. you're more than good. you're the goddamn best and he helped you get there.

detective jeon knows he should feel some guilt about this. some days, wonwoo thinks he's betraying all his years at the police academy— getting tied up with the very type of person he's supposed to be apprehending. as he buttons up his polo for yet another sting operation, he can only hope for three things. 1) that you have enough sense to stay out of his way, 2) that you know him well enough to know that it's him, whatever setting it may be, and 3) that people believe him when he says he might not have spotted you. wonwoo will blame his bad eyesight as long as you play your cards right.

everyone in the precinct knows detective lee is meticulous and careful. jihoon leaves no room for mistakes and his coordinated (literally) bread crumbs are proof of that. as he all but drags you in to a deserted alleyway, he resists the urge to smirk. the flash of nervousness on your expression doesn't go amiss to him. "what? you don't trust me?" he goads, one eyebrow arched upward. he's done his research. he's pulled all the stops. he knows no one is about to spot either of you here. jihoon makes it clear that if anyone's ever going to catch you for real, it will only ever be him.

— well, i hope i was your favorite crime ✩ detective!reader x thief!maknae line.

when mingyu finds you at your covert meetup spot, his legs nearly give out underneath him. the sheer relief is enough to almost bowl him over. "i'm sorry, i'm sorry," he breathes as he takes you in his arms. you're upset— of course you are, your apartment is up in flames!— but he's just glad he got to warn you in time. there's only so much he can protect you against. mingyu's not about to tell you to stop being a detective, so he promises you the next best thing. "i'll get them," he mumbles in to your hair as he holds you close. "i'll make them pay, baby."

seokmin could be a perfectly normal guy, the world's most ideal boyfriend, if it weren't for his little hobby. at least that's what he calls his robin hood escapades of stealing from the corporate elite and distributing it to the impoverished. he'll come home tired after his little 'trips', but when you cautiously ask him how it went, he lights up like a christmas tree. "helped so many people today, love," seokmin tells you as he presses kiss after kiss all over your faces. "and it's all 'cause the world's best detective gave me hella luck!"

it's one of minghao's simple joys— your reactions to the spoils in your flat. he never leaves you his loot for extended periods of time. just long enough for you to get antsy, for him to tease you about the monet in your bedroom or the matisse by the entry way. "why don't you keep this one, hm?" he hums as he hugs you from behind. you're staring disapprovingly at the amorsolo he recently nabbed, and minghao resists the urge to take a photo of your face. all of the art he steals pales in comparison to the piece of art in his arms, honestly.

there's a petulant pout on seungkwan's face as he tugs his baseball cap a little more snugly atop his head. this was getting ridiculous! he had needed to change your designated date spot at least thrice in the past month. "wish your team would stop doing their job so well," he grumbles as he plays with his paper straw. a part of him knows you're right. maybe he's getting sloppy. maybe he's better off giving up his thievery and living a regular civilian life. but, unfortunately, there's two things seungkwan can't quite quit— the urge to have more, and you.

the cat and dog chase is vernon's favorite part. he likes to pretend that there are stakes. he revels in throwing you off, in having you think. at least it makes your supposed inability to 'find' him a little more convincing. he's right about one thing, though. at the end of it all, he's going to be sitting cross-legged on your arm chair when you last expect it. or maybe you had expected it, because you were smart that way. "took you long enough," he'll say with a lazy sort of grin. all of the clues and diversions in the world don't change the fact that every single one of vernon's roads lead to you.

chan doesn't like his integrity being questioned. even if it is not a lot of integrity to begin with, he likes to think you know him a lot more than that. he thieves out of necessity, after all, and he has his rule of 'do no harm'. as you grovel for his forgiveness, he feels his pride chipping at the edges. despite his annoyance, he reaches out to hold your hand. he's uncharacteristically quiet for only a moment more before he finds his voice. "i need you to still think i'm a good person," he eventually manages to choke out. chan may live in a life of vices— but you're his one virtue.

[carriesthewind]

Ok. I am maybe kind of losing my mind just a little bit.

A few days ago, I mentioned in a post that the IA only cares about information being digitized, not about actual digital access. And I mentioned that access includes patrons being able to actually find what they are looking for, and suggested IA did not prioritize that critical aspect of access. But I didn't really go into any more detail.

So someone over on bluesky linked to this write-up of a talk Brewster Kahle gave about using so-called AI. And one of his reported statements made my mouth drop open in shock.

...and then I read further in the article and realized it was incorrectly reporting basic facts around Hachette, so I had to go and listen to the whole speech myself.* (And I want to say, briefly - he raises some legitimate potential uses for LLMs! He's kind of a dick about some of it ("it's up to us to go and keep [Balinese] culture alive"), but some of the things he's talking about actually seem useful.)

*Incidentally, while Kahle doesn't lie about the ALA brief in the speech, he absolutely misleads about the nature and facts of the case and deliberately omit the part of the story where the IA decided to suspend the one-to-one owned-to-loan ratio thing, despite repeatedly emphasizing that one-to-one was what the IA was doing with their lending program.

And oh my god. He really said what the article reports. (This portion starts around 20:10.)

He says that the IA has scanned over 18,000 periodicals. And that they used to have professional librarians manually create descriptions of the periodicals in order to catalog them. (Sidenote: there are existing directories, but he describes their licensing terms as "ridiculous." This is not a field I know much about, but I spoke to one person who agreed, though for different reasons. His reason is that you can only license, not purchase, the directory descriptions. The person I spoke to was instead focused on the prices demanded for the licenses. Regardless, the idea of creating an open, free directory seems both like an incredible amount of work and an amazing resource...if it was accurate.)

But according to Kahle, it took 45 minutes to an hour to create a description and catalog each periodical.

And so now, instead, they're using AI to make the descriptions and so it only takes 7-10 minutes!

"And yes it hallucinates, and it has some problems, and whatever — but it’s a lot faster than having to write it yourself!"

Oh. My god.

Just.

YOU ARE KNOWINGLY INTRODUCING AI HALLUCINATIONS INTO YOUR CATALOG?!

(And yes, he says that they are "confirmed by a librarian" but it can't really be, not if it's only taking 7-10 minutes! Maybe the librarian can do a quick check for super obvious errors, but actually checking a AI's summary work requires actually going back to the source and reviewing it yourself!)

I just....

I need to emphasize for those of you for who aren't familiar - if a book or article is miscataloged, it is effectively lost. Because it doesn't mater if a library or an archive owes it - if someone can't find it when they are looking for it, it is not only inaccessible, the only way to find it again is through chance. Imagine if you went into a library, but instead of organized shelves (where if even if you can't find what you're looking for, the librarians know where to look), every single book was just piled in a heap.

If a book is miscateloged, it still exists, but it is lost, not truly accessible. And they know that this is happening, "but whatever." Because Brewster Kahle doesn't actually care about real, practical, digital access. (Much less non-digital access.)

(And then to top it off, he goes on to criticize the Library of Congress for not being "access oriented.")

I just. 18,000 periodicals. And they've knowing, recklessly lost who knows how many of them. I feel like crying.

18,000 periodicals.

[kunaigirl]

Happy Disability Pride and awareness month! Let's talk about Epilepsy!

Hi there! I got tired of seeing my condition (that impacts my literal every day life) being left out or forgotten about during discussions about disabilities, so I made my own post about it! Let's go!

First Off! What the heck is epilepsy? Epilepsy is the fourth most common neurological disorder in the world, and it's a chronic medical condition. Epilepsy is a brain disorder that causes recurring, frequent, triggered, and unprovoked seizures to occur.

The official Epilepsy Foundation describes seizures as follows: "Seizures are sudden surges of abnormal and excessive electrical activity in your brain, and can affect how you appear or act. Where and how the seizure presents itself can have profound effects...Seizures involve sudden, temporary, bursts of electrical activity in the brain that change or disrupt the way messages are sent between brain cells. These electrical bursts can cause involuntary changes in body movement or function, sensation, behavior or awareness." (Source link)

Sounds like a lot of fun right? This is our life. Even with medication, we can be VERY limited to what can be safe for us. Seizure medications are NOT a cure, they only exist (at least as of now) as a tool to help have your seizures less often, or be triggered less intensely. Even on medication, seizures can still happen.

If you have epilepsy as a child like I did, it impacts your entire growing and developing experience. I spent MANY times as a child in and out of hospitals, neurologist and specialist offices, an getting so many EEG tests done. The pain of scrubbing the glue out of your hair for DAYS is horrible.

At a young age my seizures were so frequent and serious, it impacted my brain's ability to retain information. I had to re-learn the names of things at age 8 and 9. I had to re-learn HOW TO READ at age 10. I had to be home schooled because the public school system of my state at the time refused to work with me. I have VERY distinct and vivid memories of crying over my little baby ABC's book that I needed as a 4th and 5th grader. I knew I should've known this by this age. I knew that at one point I already did, and it was TAKEN FROM ME.

As an adult, I'M NOT ALLOWED TO DRIVE A CAR. And I can NEVER go to see a movie in theaters or go to see concerts or live music. There are entire TV shows I don't get to see. I can't go to clubs, arcades, dances, or raves. I miss out on A LOT of fun things. I always do, and I'm WELL AWARE of the fun I'm missing out on. The social, casual, and fun life experiences I'll never get to have. That WE'LL never get to have. And oh yeah! Seizures can KILL SOME OF US. Yep.

And the list goes on, and every person with epilepsy experiences it differently. There are multiple different types of seizures you can have, they're NOT always convulsing on the floor. For example, I have complex-partial-myoclonic-seizures. Meaning my muscles DO twitch when I have seizures, but I'm not always completely unconscious and sometimes I'm even able to stay sitting up. However, I'm still very "off" and can't focus or remember much for a good while after the fact. I can't talk or communicate during one, even with my slight bit of consciousness.

My experiences are not universal, I just wanted to talk about it and bring it up. It helps to talk about it even a little bit. Here's more about different kinds of seizures. Here's more about common seizure triggers. Here's more about CORRECT seizure first aid. And here's more general information/resources.

Please stop leaving us out of disability awareness. Please stop ignoring us or saying we're "not really disabled" or anything else like that. Please. Why does it always feel like the only people who care about epilepsy, are people WITH epilepsy? We're so tired of being ignored by others who don't have our condition.

If you're an epileptic person reading this, I see you. I love you. You're so strong, we all are. I believe in you, I believe in us. We're so much stronger than we get credit for, and it's going to be ok. Your anger and frustration are valid. Your emotions and struggles are real. You're valid, and I see you. Hang in there, we got this.

[justporo]

okay but can we talk about this: when halsin tells tav he wants her (and Astarion) but you're in a relationship with Astarion so when you go talk to him about it he asks "But answer me one thing, this isn't because haven't.... you know... in a while" because oh boy my heart, just the thought of what must be going through his mind

See, this is also what I was thinking about and I would have loved there to be an option to just listen to Halsin's proposition (because he's a national treasure and just so damn pure) but then be like "listen, you honour me, so thank you, but no thank you. I'm with Astarion and I fear there's no more space in my heart." And then go to Astarion and talk about it with him and reassure him that there is only him for you. And because I would have liked that, I'm gonna write it out in a drabble: Astarion / GN!Tav (You)

"First in my heart!"

"You wouldn't believe the talk I just had with Halsin..." You say as you saunter over to Astarion, awkwardly crossing your arms over your chest. What Halsin had just proposed had majorly thrown you off your game - who would have thought the archdruid had it in himself to be so... forthcoming?

Astarion looks up from his book with raised eyebrows but catches your meaning in a heartbeat. He throws his head back and starts laughing. "No way, I was waiting for that to happen actually", he says and puts the book down, then crosses his arms over his chest as well, mimicking you.

Your brows furrow: "How did you..." Astarion lowers his head a little and stares at you. "You must've been blind to not notice the stares he's thrown you since he joined our jolly party. The man's basically a dog barking and salivating at the dinner table that is you - waiting to devour whatever he gets." You blush hard, too stuned to speak and your mouth just falls open - no way this had been actually a thing others had noticed before tonight. But also - can you just hear the slightest strain in Astarion's voice?

"And on top of that", Astarion scoffs "the guy can't stay quiet about 'enjoying the freedom of nature's gifts'. I bet he'd outlaw clothing if he could." The impression Astarion makes of Halsin is incredibly on point, he laughs, seemingly waving the druid's adavnces off but... you see that the laugh doesn't reach the vampire's eyes fully.

Still you are dumbfounded by the developments of the evening, your mouth basically only closing and opening as if you'd been turned into a fish.

"Astarion, I wouldn't...", you finally get out but get immediately interrupted again by the spawn who starts to ramble on about how he doesn't mind, how he'd actually be interested to know how it goes down - and also if Halsin would shapeshift in the bedroom...

And what had been your suspicion from the moment you had started to tell Astarion was now clear for you: no matter how much Astarion would actually be open for you to share the bed with someone else even though the two of you are in a commited relationship - it wouldn't actually be fine for him. Maybe not exactly out of jealousy, but because he is actually insecure albeit he'd never openly admit it. Because he actually does care very much about his relationship to you and is so deeply scared to do anything that will break the spell. So scared actually, he'd rather let you share the bed with someone else despite not being fine with it.

And that makes your heart break because no one should feel forced to do that, right? But luckily for the vampire, you're decision had already been made. More so, there hadn't been a decision to begin with.

"But let me ask one thing", Astarion finally says, his eyes wide now, face open and vulnerable "it's not because... you know... we haven't... in a while?" His eyes almost seem to widen more while desperately waiting for your answer. Even though he doesn't move you can see the fear and nervousness in his posture that is just too tense for his usual nonchalant manner.

Your heart breaks into a thousand pieces: "Oh, Astarion, I'm not... asking for your permission to get nasty with Halsin."

The vampire's face drops completely, his arms fall down limply at his side. You see how shock and hurt start clouding his face. He helplessly opens his mouth: "Oh..." His gaze lowers from yours, flitting around everywhere but your face

Your eyes widen - that is not at all what you meant. "No, no, no, Astarion" - you rush to him and grab him by the shoulders. "No, you didn't catch my meaning. What I'm saying is, I'm not asking permission because there is nothing to ask for. I would never consider being with someone else." His gaze snaps back to yours - his eyes not yet free of worry and hurt.

You lick your lips, desperatly trying to show him what you feel for him. To show him that the reason you hadn't noticed Halsin's interest in you was because you only had eyes for him. And to make sure he knows there will be no one else: "Astarion, you are first in my heart. No, more even, you are the only one in my heart like this - there's no space to share." And because you feel that your feelings might completely overwhelm you, you wrap your arms around the vampire, holding him tightly.

"Oh", Astarion makes again - but this time in a much different tone. He hugs you back, burying his face in your hair.

After a while you lean back and look into his eyes before pressing a kiss to his lips that makes him sigh dreamily. "I'm sorry I doubted you", he whispers, his face still vulnerable. "I'm sorry I made you doubt me", you reply and give him a warm smile.

"Also", you say and grin at him "I think I already had a date with a bottle of wine, a book and a vampire for tonight." Astarion grins back at you and unwraps one of his arms to motion towards the pillows in front of his tent: "Let's not make the bottle wait any longer then."

[llamagoddessofficial]

Has anyone requested Fae Dust’s datemate HCs yet? If not, can we have some?

I also saw @owl-bones' Dust art, anon. And I very much agree its sexy

Don't think I need to tell you that he's hard to read

Get used to having no clue how he really feels.

Some wonder why he doesn't speak, when tricksy words are what the fae are known for. But in a world where every word is a trap, there's great power in not speaking at all.

... Also means it feels like there's never any pressure with Dust. You can relax around him. Blurt whatever you like, because he says barely anything in return.

When he likes you, you won't know how you know, but you'll just... know. You'll get a feeling you're being quietly appreciated. You'll get a feeling you're the only person in the room he can stand. He keeps looking at you like you and him are in on a joke no one else understands.

He'll be silent for hours, only to stun everyone in the room by chuckling at something you said.

He frequently looks your way, even if you can't see his eyelights you can tell you're being watched, and when you can see his eyelights they get visibly wider and softer.

Normally, during the rare occasions when Nightmare hosts balls or parties, Dust immediately finds some way to escape. But if you're present, he'll stay. Might even ask you to dance.

(By 'ask', I mean just gently take your hand and wordlessly lead you into it, the other skeletons too gobsmacked at his boldness to intervene)

There's a few clearer signs he likes you. He'll perform random acts of politeness for you, like holding doors and passing you things you can't reach, a big fucking deal considering you didn't ask first. He'll sit by your side, he'll stand close to you even if you're not facing one another. If you're having a conversation with another fae he looms nearby... you might mistake it for jealousy, but really, he's making it 100% clear to whoever you're talking to that if they trick you or take something of yours he's going to ensure it's returned.

..... A little jealousy too, though.

He disappears for several days at a time, seemingly out of nowhere. No one's sure what he does - rumours swirl that he goes out to do Nightmare's dirty work. The first thing he always does when he comes back is give you a small affectionate touch.

He spends a lot of time in Nightmare's library. You might find him there, if you wander that way. You can tell he appreciates the company because he doesn't leave when you show up.

You find him smoking outside, you ask for a puff of his cigarette. He takes a slow drag, then leans in and kisses you.

He'll take his hood down around you.

When he does eventually speak, you'll find that the whole time he's known you, he's been quietly making a dedicated effort to learn about the things important to you. He's very perceptive. He'll learn all about your interests, your hobbies, the things you could talk about forever... if you know another language he'll familiarise himself with the basics, if you like art he'll pick up a pencil, if you like history his satchel will be heavy with scrolls and books he's snatched from Nightmare's library for you.

It's funny how so few words can make you feel so appreciated.

He's quite the charmer, when he wants to be.