#i feel bad not tagging them either

[hideawayfairy]

Sir Pentious is not subtle with his crush on Carmilla. Every time he gets a delivery, he keeps asking his daughters questions about her.

Pentious: So....what would you say is your mother's favorite weapon?

Pentious: Does your mother need more minions? I can make minions for her to show my gratitude for all the weapons she's been supplying me with.

Pentious: Is your mother seeing anyone?

Carmilla's daughters aren't impressed and vent to her about this. Carmilla finds the crush to be really cute though.

[demonlorddante]

spock chart that came to me in a vision

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[momentomori24]

This may just be me, but I think if you ship a canonically very abusive, manipulative and toxic relationship, you don't get to judge or call anyone degenerates for their own fucked up ships, actually.

[a-star-that-burns-brightly]

DRDT takes another W for actually making me give a shit about its mascot character as apposed to other fangans that make me forget that its ever there

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[buddietommys]

"Do you think we're soulmates in every universe?"

"Are we even soulmates in this one?"

[milkbreadtoast]

doodled Stayn from living with magicians webtoon... I like him :) (just felt like drawing random webtoon characters fsr lmao)

[k1tty5]

hello :D please tell me more about your mezalian (is that how you spell it??) smalletho I will forever be indebted to you

(they are gorgeous I love them sm)

hey hi !! it would be my pleasure … (and I’ve been spelling it mezalean ??? but i have no idea LOL. there might be a canon spelling but i havent watched joels esmp1 since… probably since it ended. i will have to check sometime)

apologizing in advance because i will probably get very ramble-y!!

ummm. Oh god. How to start. Lets see. WELL. In this silly little au (i guess it has become a bit more than just me doodling designs LOL) in my head they have like this sort of zelink dynamic? obviously without all the zelda lore & stuff, just that kind of … okay forgive me I haven’t brushed up on my zelink lore for a good many years but. Like the princess and her personal knight that doesn’t really talk much sort of thing.

this made more sense in my head. But yeah. They have the vibes of zelink ? At least if i remember zelink right, I have a really bad memory :’) not exactly the same, i do think etho talks to joel (whereas if iirc link never really talks) - especially after getting to know him a bit - but just. they have the Vibes. You know?

I reckon Joel’s definitely very into sculpting in this au, maybe dabbles a little in painting - I imagine mezalea to be very heavy on art and expression in general. think you’d especially see lots of pottery and textiles all around the place. He probably also has an interest in some form of like. um. whats the word. Some sort of … fighting. lmao. Specifically thinking of fencing, i had this idea in my head that he’s watched Etho practice outside the palace at some point and is just absolutely fascinated and enamored. by both the practice and etho himself haha.

and for etho… talented swordsman? he is Not washed. i dont really have many ideas for his character in this au To be completely honest, mostly just of his personality. Although, I alsooo think he’s probably not actually from mezalea? I like to draw him with those pointy elf ears, and i think mezaleans are just humans. I cant remember if thats canon or not but um. mezaleans have human ears, so i’d imagine etho’s probably from like.. rivendelle? Is that. What it’s called. The elf guys? Are they elves??? Goodness I cant remember. Grimlands would make sense too since i THINK they’re kind of like. technical engineer guys? but i dont know what species they are um so ,,, yeah,,,,

i think joel’s probably a bit put off by etho at first, mostly just because he’s not super enthused about the idea of a personal guard, but also because the guys a bit odd, you know? but he’s also probably suuuper intrigued by him. he wants to figure this new guy out, and when they start talking a bit more, i think. They are both incredibly charmed by the other. head over heels? possibly.

most of my ideas of this au are just little scenes that are cute and silly but dont follow any main plot. I would love to write some one-shots of some of the ideas i have in the future, but as of right now im experiencing a bout of creative burnout and am busy with the holidays - spending time with family, so… not right now lol!

hopefully this is what you wanted,,,, i tend to get very ramble-y when talking about literally anything, so i do apologize for that haha, i am Not good at explaining things in simple ways, as i’ve said many a time before.

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[i3utterflyeffect]

You know like that microphone feedback sound, specifically the really high-pitched part? I think it'd be so funny if the Hollow Heads could make that sound, like a shriek or smth. I think it'd be funny if the Hollowheads could make various technological sounds in general. I think I already mentioned Alan's footsteps sounding like the clicking of a keyboard. Also- Victim [Talking to Alan]: "You cannot be trusted with creating life." *Tries to pick up SC* Alan: "Wait no don't-" SC: *Aggressively high-pitched microphone feedback sound aka angry baby sounds*

HONESTLY THAT'S AMAZING......... considering i've already mentioned the selkie au hollowheads being able to do scroll noises i think it'd make sense yeah <3 i don't think they'd typically do it unless v v upset though

and also YEAH....... i love the idea of victim trying to take SC and immediately getting their eardrums busted kldgslkgjdslkgmdsk

[reel-fear]

If you want my opinion, I think we should give Lone Wolf the benefit of the doubt, yes it does look a little bit cheap in some areas but the game does look pretty fun and both the art and characters are still on point. Alice and Sammy are also returning so that’s a plus! I think it’s best that we stay optimistic for this game and Bendy’s future.

That's fair and I respect your opinion, I think my thing is I'm worried people are too optimistic about Bendy's future games being better than the ones they've already created because the team behind Bendy is very anti-listening to feedback. Which means it's likely these games won't improve unless fans make a bigger push to be more critical of them and show the devs they won't spend their money unless the team can prove they care about this franchise and aren't gonna let the polish drain just because it makes more money.

I criticize Bendy not because I want it to die or be bad, I only do it because I hope one day either 1. A competitor rises up and gives the fans essentially a better version of Bendy that they deserve and they can use my feedback and others to see where it can be improved. or 2. The bendy team listens to my feedback and the general fandom's to make future games better. Plus generally get their act together.

As it stands the trailer is rushed and cheap, which is bad because a trailer for a game should be the most polished part of the affair. I mean this is what is supposed to convince people to buy the game when it comes out! I had the same problems with The Cage and I'm unhappy to see this becoming a pattern. [I mean that's a game I'm even more confident is going to horribly crash and burn cause I honestly don't know why'd they make a midquel to a game which everyone hated the ending of-]

Look. I understand some people feel a sort of loyalty to the Bendy devs, it's hard not to feel like you're in some sort of friendship when it comes to such a small indie team. But at the end of the day you have to remember defending them when they mess up only gives them more reasons to ignore feedback and most of all you don't know Mike or Meatly as people outside of what they Choose to show in their public image. So when the public image they've crafted is one that's bad and leaves people worried about how the games they're making are gonna turn out. Nobody can be blamed but them. And if you really care about them and/or Bendy it's better to boost feedback even if it's negative.

Like sure Sammy and Malice are returning but look at the treatment they got in Dark Revival! Meatly and Mike have never addressed how poorly done the original characters were in that game and I think it's cause far as they're concerned it was perfectly fine and people are complaining about nothing. [That or enough people didn't seem to care for it to matter to them whether that point was valid or not] Despite the fact Sammy was shot down for a gag after finally speaking up [and was in a ton of Dark Revival marketing material] and Malice was nothing more than a rip off of her chapter 3 self with no interesting changes, we never got to hear her thoughts on how the world is doing, on how she feels now hearing her enemy, the ink demon, was supposedly killed, or on Wilson, the keepers, etc. I mean it was a huge waste and with the promise Sammy will be 'restored to his Chapter 2 glory' I want to call this poor writing out now rather than wait for the cage to come out and pretend I never saw it coming.

Criticism is a good thing for Bendy, we should embrace it rather than shunning or discouraging it. I hope most of us can agree on that. Even if I seem harsh, I would rather lean towards that, than risk going too easy with my words and being ignored by the devs.

[narugen]

i seriously need more narumi and mina moments because just imagine the relief mina felt when narumi joined, similar age to her and was also considered a prodigy in the force.

to have someone to share the burden of the defence force’s future with must’ve felt so freeing. because before he joined it was just her, age 18, being told that she was going to change kaiju extermination with her exceptional synergy with firearms. and she was so, so scared.

narumi doesn’t have the kind of skills or talent for long range combat like she does, but he’s also a top candidate (despite his behavioural issues- which aren’t much of a hinderance anyway) and mina doesn’t have to carry the burden of the future alone anymore

(although she’d never admit, given she probably views narumi as someone completely shocking i just think it’s so funny how she stood there like O_O when she first saw him)

like i LOVE seeing the contrast. mina who was sent onto the battlefield for the first time and was deathly afraid vs narumi who was sent out and immediately took action because that’s how he always lived (fighting)

and now they’re the top two strongest captains in the force and they will be the ones to lead the new generation..

[ladynicte]

Just thinking about how heartbroken Reyna must have truly been when Jason came back to Camp Jupiter and barely remembered her.

Because she met Percy, she does know that even when Juno takes your memories away, if you truly truly love and care and need another person you will be able to remember her, even if not entirely perfectly, but the memory will be there with you the whole way. Like the memory of Annabeth was with Percy.

And then Reyna sees Jason arrive with Piper, and it's okay really, it doesn't even hurt that much, she's Praetor, she has got a job to do, she cannot be getting distracted with silly little sentimental things like that.

And, okay, sure, Reyna can say, maybe Jason and her weren't that close in that sense, it's okay, but they were still good friends, co-leaders of a grand city, he still mattered a lot to her.

And same thing right, Percy did remember Nico, not that vividly or anything, but he did immediately know Nico and him knew each other from somewhere before, because The Ambassador was important to him, in a different way but still, important to Percy.

And then, Jason tells her that he didn't remember her at all, no name, no blurry face, no dreams, no voice, no vague sense that he was missing somebody from somewhere.

That he only started sorta remembering her days after he had already finished his quest, for his new patron goddess, and his new friends, at his new camp, in his new life, with his new girlfriend.

But it's fine, really, Reyna is mature, she doesn't let little things bring her down. She's roman, truly roman, daughter of a fully only Roman Goddess. She's Praetor, she's strong, she will welcome these strange Greek people into her city and throw a feast in their honour, she won't even be salty or rude about it. Really, Reyna is fine, it doesn't even hurt.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.