#i dont write that often… anyway-

[lunar-solarsystem]

Favors For Favors - Lose Clarity AU

[ Point in time - Ruin’s been chucked into a dead dimension… again. Left with his thoughts and depleting battery power… again. Incidents with Moon Nexus have already occured. Molten had found Ruin again, his programming still unfixed. He threw Ruin back where he had been before in the same dead dimension. ] ——————————

…Silence. That’s all there was. That is, unless Ruin sung a song to himself again. Nothing to do, nothing to see, nowhere to go. Ruin was stuck. Again. In the same dead dimension for that matter…..

One of the worse parts, he knew he wouldn’t be able to tell Puzzle anything. Explaining things last time was bad enough - having to explain why he was gone for weeks and left Puzzle alone. He, of course, had told Puzzle about his plan for ‘The Collapse’ and needing to get rid of the Creator Council; and the side effect in which Solar had to die. He told Puzzle not to say anything, which they did wonderfully. Being of Ruin’s code, it was easy to understand them and easy for them to learn things. They were already a decent actor and liar when needing to be; Ruin was still the main problem for things and would be encountered with more often. Puzzle was never really in the need to act or lie, but they would if needed. They knew how to hide, too; stay hidden if unwanted guests found where they and Ruin hid. Puzzle understood the extent in which Ruin had to go for ‘The Collapse’ to happen, however they were a bit gloomy for a few days afterwards - specifically from the outcomes, feeling as if they could’ve done something that didn’t have to be so drastic; Ruin still knew there wasn’t any other option. Puzzle would come to visit Ruin every so often when he was stuck stationary in Parts & Service, careful to not be seen by anyone else aside from their father figure. As much as he loathed asking the favor, he asked Eclipse to watch over Puzzle one day just as Eclipse was about to leave, right after walking in and yelling at Ruin and whatnot. Eclipse seemed as if he didn’t care at the time, yet Ruin saw them getting closer once he came back after returning from this dead dimension the FIRST time. Eclipse still denied it, just as he does with Earth, but Ruin believed Eclipse grew a soft spot for Puzzle. Yet of course, Eclipse being Eclipse, would never and will never admit so.

All Ruin could really think about now, as his battery slowly draining, was about the time variation between this dead dimension and the other dimension - Was he gone for weeks already? Months? Hell, a year?? He had no idea. He didn’t bother to TRY and keep track of time. At this point, he only hoped Eclipse stayed again. Sure, he and Ruin hated each other; that is something that’d never change. But Ruin could only hope Eclipse would stay with and watch over the one thing Ruin couldn’t bare to lose. The one he saw as his own, the one he cared for..

Ruin didn’t notice a sound near him, nor faint footsteps. No; not until someone spoke.

-

“Hello again, Ruin.”

Ruin looked up from the ‘floor’ of the vast void, meeting Dark Sun’s gaze. 

“…Dark..Sun?.. Wait, why are you here exactly? I thought you did not need me anymore, as you said it the last time.”

Dark Sun hummed. 

“Hm… Well, it appears I do in fact need you again. My.. ‘business partner’ wants something from you. He asked me to come and get it if you were not already dead, as he finds himself.. ‘busy’, I guess would be the word.”

“And what exactly is this thing you need from me..?”

“That would be your virus. Or its code. Whichever it is.”

Ruin looked taken back for a moment.

“M-…. My virus..? Why would your partne-“

“I’d rather not explain. He didn’t exactly explain everything to me, anyway. He claimed his curiosity still revolves around your code and wanted me to do him a favor.”

Ruin scoffed a bit. 

“It won’t do you any good. It’s never worked on me.”

“I know you’re lying, Ruin. You should know I have my ways of knowing things, and that’s one thing I know is a lie. It’s been acting as a killcode like most Moon’s would have… Now hasn’t it?”

Ruin fell silent. What was he supposed to say? He knew it was true. The cure never worked properly on him - Puzzle had been constructed instead. His virus… It was still working.. since he left his dimension. He knew it too. He’d snapped a few times, at least twice in front of, or at, Eclipse; and others as well. Thankfully, he never snapped around Puzzle. Not fully, anyway. There’s been times he’s been close...

“Hm. I thought so.”

“What do you even want with it..? I’m afraid it may not, or won’t, do you any good.”

“I said my new colleague wanted it. I’m only doing him a favor.”

There was a silent moment between the two before Dark Sun sighed low, taking a small step forward and speaking once more.

“Why not this then, Ruin? A favor for a favor.”

Ruin turned his head slightly towards Dark Sun, reserved with his words as he listened to Dark Sun’s proposal.

“Now; you allow me to take your virus, and I’ll help you get back home. And perhaps get you fixed up as well.”

Ruin stayed mute for moments at a time… Long moments, actually. Looking down at his own hands, they slowly broke away. Disintegrating and disappearing gradually, in some strange way. Hell, his entire body was doing that. He thought himself lucky his important systems hadn’t started doing that yet. He thought for a moment…. he supposed this deal wouldn’t be too bad if he took it… right?

Dark Sun heard Ruin sigh, watching as he made himself stand. Grunting now and then from pain picked up by his pain receptors, Ruin turned to face Dark Sun.

“Alright… I’ll agree to this.. ‘favor’ you need me for. As long as you don’t need me again.”

He seemed irritable, which could be the virus affecting his mentality again. Dark Sun didn’t question it, opening a portal.

“Hm. Believe me Ruin, I plan to stay far away from your dimension after this. It doesn’t have much use to me, the dimension itself nor the people living in it. I can nearly guarantee this is the last time you and I meet. Come on, now.”

Both of them stepped through the portal Dark Sun made then and there, the opening disappearing behind them. Ruin, now leaving the dead dimension behind once again, hoping it’d be the last time he’d do so - and hoping it’d be the last time he’d leave unintentionally. He hoped…

yet it won’t be the last.

.

.

Later…

Dark Sun returned to his and Moon’s Nexus’s place in the pocket dimension after assisting Ruin and taking his virus code. Before Ruin departed, he thanked Dark Sun. It seemed unusual, but it was fine…. Dark Sun supposed, anyway. Yet “Dark Sun”… Heh, he still hated that little ‘nickname’.

Everything around ‘Sun’ was silent, aside from his steps while he walked towards Nexus’s laboratory. He listened as the sounds of Nexus rummaging around his lab and testing his developing newfound power on different objects became louder the more ‘Sun’ got closer. He walked in, standing in the doorway and watching Nexus. Nexus didn’t notice ‘Sun’ immediately, being distracted by his own means. It took a moment to notice.

“Tch. Stupid- Ugh, okay whatever. I’ll jus- ..! Oh, you’re back already. Hm. Did you get what I asked?.”

“Yes; I did, as a matter of fact. I don’t really know what you expect to get out of it, but whatever. Not really much of my business nor do I care too much. Here.”

‘Sun’ gave Nexus what he collected before heading back towards the door. Nexus appeared pleased.

“I’m going to tend to my own matters. Do whatever you wish, Moon. Just don’t destroy the pocket dimension, if you can manage that.”

“NEXUS.”

“…Right. Nexus…”

He left without much care for referring to Nexus by his previous incorrect name, leaving Nexus in his lab once again. Nexus smirked, turning to a small containment unit he made previously and placed the small trinket containing Ruin’s virus code inside. Scanning it, he gathered its data. He could see history on it as well. Not its literal history, however enough to understand where it’s been. Although barely used, it had… potential. Corruptive potential. Unusual, but strangely attention grabbing to Nexus. Hm… 

Studying this should be interesting.

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[lighthouseshepard]

you know. fandom is so fun when you have like. ten or so specific people to participate in it with. even if there's just the one. theres something very cool and special about creating, whether art or music or writing fics, alongside a group of people who are all insane about the same thing you are. its a strange kind of vulnerability and openness and love. id write a novel for my friends if they asked

[deoidesign]

quick traditional piece for fun ^^

[vagueandominousvibes]

read a fanfic last night that portrayed the characters exactly the way I like them, had my preferred ships, and included themes that really captured my attention and imagination. overall great experience. except now I'm mad the author hasn't written more works within the same AU. (it's me i'm the author.)

[collineato]

It's ironic, isn't it

The fate that I condemned my sister to, is now one we share.

Despite my best efforts to change its course, this would always be the outcome.

...

Enjoy the rain, little creature.

Before it swallows you whole.

[lovesickeros]

☆ words better left unsaid

{☆} characters zhongli {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings yandere {☆} word count 0.4k

He sits as still as a marble statue, a moment in time – of power, of the singing of metal against metal that fills his ears, of the smell of blood so heavy he can still vividly remember it, even now – he had long since left behind, carved into stone.

You, on the contrary, are not so still. Your hands caress his body like you are a painter creating stroke after stroke with your brush – up the curve of his horns, mindful of the sharp point, down to the scales of his cheeks and the sharp, jagged edges of his teeth that barely fit in a jaw not made for them.

And he let's you – oh how he lets you. He does not think there is anything in the world he could deny you.

He dares not breathe, fearing it will shatter this moment in such a way that he will never get it back. He is not meant to be a living being, in this moment – he is no Archon, nor even the mortal Zhongli. He is the canvas of which you paint your masterpiece with wandering hands that leave goosebumps on his skin.

And what a feeling it is. Euphoria, he thinks, is an apt description – yet at the same time nothing can truly put a word to the feeling of the Creators gaze falling upon him and him alone, to know your touch and to hear your voice.

His body cramps and aches at holding the position for so long, but it is so easy to ignore, so easily drowned out by the waves of adoration that swells in his chest. It is so very easy to ignore the way his body protests when your hands cup his face, and he feels like he must be the luckiest man in the world.

It is so very easy to forget everything when you are so close he can feel your breath against his lips – so easy to forget that he should stay still when he coils his tail around your waist, his arms encircling your back – mindful of his claws.

There is no word to describe the feeling of your lips, the warmth and softness with which you look at him in the moments before your eyes close, the feeling of your body and his entwined like you were never meant to be apart. He does not even try to put it into words – his actions will do it instead.

And perhaps you will not recognize the possessiveness with which he holds you, but that's alright.

He has all the time in the world.

And so will you.

[romatito]

if i lead

The words are stolen from Feliciano’s lips in a terrific rush of joy, his mouth dropping and tears welling up in his eyes as he comes face to face with the brother he’s spent the past four years of his life searching for. There aren’t words in any language he knows that truly express how thankful he is to see him, knowing that all of his effort wasn’t in vain because Lovino is here and he’s alive--! Lovino, however, doesn’t seem to share the sentiment.

hi so remember how i said i was writing a spamano pirate au. here's the first chapter (_/_\)

[stinkrascal]

it’s so hard being a datv lover on the internet right now, i can’t make any comments about how much im enjoying the game without some weirdo on reddit being like “yeah but dont you find the dialogue so cringe? doesnt it feel so disney+ to you?” and when i ask what they mean without fail they’re like “well have you seen taash talk about their gender” 😐

[clowningaroundmars]

Hobie1610 pt. 3

part 3 has finally arrived!!! at a faster rate than part 2 but a bit of a wait nonetheless lol

not entirely sure how long this lil story will go on for but hope y'all are enjoying this ride regardless, whether it ends on the next part or in 3 more chapters ldfjkdhf

in this installment: thrilling action, a high stakes chase, and we get to learn more abt our beloved hobie jones! yippee!

>pt. 1 here<

>pt. 2 here<

♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧

By some miracle, Hobie did not mention the suit to Miles once they started texting semi-regularly.

Unfortunately, they also couldn't really make their lunch date (date? God, get it together, Morales. It is not a date…) as soon as Miles would have liked, due to a million different things getting in the way of them setting a solid day aside to chill together.

Just his luck, of course.

But in the hallways, Hobie actually deigned to give Miles a passing smile every now and then. They didn’t ever get to hang out like they did for those precious few moments on the first day of school, but Miles didn’t feel the crushing weight of guilt every time he saw Hobie in his same classroom anymore. What a relief!

So Miles was mostly okay with how things were going anyhow, even if the hangout ended up falling through and they both decided not to go in the end. He was able to patrol and do his homework in blissful peace for the first time in months.

… Kind of.

That look on Hobie’s handsome face as he looked down past Miles’ coat collar though…

That still ate away at an anxious part of Miles’ brain whenever he had the time to sit down and really let his worries manifest.

No time to think about that now, though. Miles was suited up again on a school night, hoping to get at least an hour’s worth of patrolling in before security at Visions noticed he was absent from his dorm room. He hoped Ganke would be able to cover for him like he always did.

It was yet another cold evening out in New York City, and Miles was steadily covering the edges of Brooklyn, heading towards Manhattan to do a quick sweep through Central Park like he did on occasion. There was always something going on in Manhattan, especially during the evening.

Miles decided it wouldn’t hurt to take a quick peek before calling it a night and heading back to Visions.

So away he went-- now fully in his Spiderman element-- vaulting and soaring over buildings, showing off every now and then by doing silly flips and tricks mid-air for the opportunistic New Yorkers looking to snap their Spiderman Sighting of the day. A little social media promo never hurt anyone, after all…

Spiderman finally swung down onto a tree branch on the western side of the park from a street lamp and was just about to lower himself down as inconspicuously as he could, before immediately feeling the tingling electricity of his Spider Senses race up and down his spine, giving him the usual headache along with it.

He crouched down quietly on a branch and watched as a familiar lanky figure streaked across the path underneath him onto the grass and beyond.

Whoever this runner was, he was fast. And hot on his trail was a gang of burly bumbling assholes cursing up a blue streak as they gave chase.

Spiderman’s eyes stayed glued to the fast runner like they were a lifeline. His senses honed in on the person and he erupted out of the leaves of the tree with one mighty leap, sailing through the air to shoot a web out and swing his way on over to the excitement.

Several joggers, people walking dogs after work, and mothers with baby carriages exclaimed and shouted as they were barreled into by the gang of men trying to keep up with their moving target. The runner didn’t seem to be giving up, though, as their long legs sent them flying over bushes and rocks and lounging people as gracefully as a ribbon in the air.

It was indeed getting dark soon again, but the darkness didn’t really affect Spiderman’s senses at all. His mask helped him fine-tune his powerful vision and anticipate the runner’s next moves.

It looked as though they were trying to make their way up towards the Great Lawn from Cedar Hill, but whether the person was planning to make a break for the now-empty Delacorte Theatre or the Metropolitan Museum Of Art… or beyond? That was the million dollar question.

Spiderman didn’t want to lose the person in case they happened to just be a petty thief, since that would be a quick and easy problem to fix. But as he silently chased down the runner alongside (and unbeknownst) to the gang, his suspicions gave way to some other... ideas.

Namely, that the runner seemed young, a bit too young for someone to be pissing off this many fully-grown gang members.

He pushed through his confusion and made a break for the theatre the second he guessed that the runner was pivoting in that direction.

The trees were getting thicker the closer they got to the Belvedere Castle and Spiderman eventually resorted himself to hoofing it, mindful of sticking to the shadows of the foliage that surrounded them on all sides.

He was super grateful now more than ever that his suit happened to be his signature sleek black and red, rather than the tacky and hyper-visible reds and blues of many of his Spider counterparts (sorry Peter!)

Once he confirmed that the suspicious target was indeed planning on hiding in the bleachers of the massive amphitheatre, he shot up a web to hoist himself into the infrastructure from the tall stadium lights. From there, he positioned himself a bit closer to the fray, hearing the loud and heavy boots of the gang following the runner, not far behind.

Then, he squinted into the dusk as he watched one of the entrances from his perch up high... and almost choked on his own saliva!

In comes none other than Hobie Motherfucking Jones, streaking down several steps like a shooting star, clutching onto… something tucked under one of his arms. He was breathless, panting loudly, and heading straight for the Belvedere Lake.

Upon hearing the heavy bootfalls get ever closer with every passing second, it seemed that Hobie got the idea to attempt a last-minute juke by throwing himself underneath the stairs that faced the lake, tucking himself as tightly as he could under the massive stage at the center.

Spiderman watched all of this happening with wide eyes, holding his own breath in. He prayed that the ugly thugs didn’t see Hobie’s sneaky last-second move, but climbed up high onto the stadium lights and prepared to swing down anyhow, just in case.

What was Hobie even doing here, out at this hour? And what the hell did he manage to steal that was so important to these men anyways? It was quite a chase they were caught up in, running nearly two entire miles all the way up to the amphitheatre just to catch him, and that was only from what he could see when he swung into action.

The group split up and pulled out flashlights, determinedly searching the bleachers and corners as best they could while the sky rapidly darkened above them.

From right below the webbed crime-fighter, Hobie poked his head out from the shadows and took a peek.

No, no, duck back down! Spiderman wanted to shout, but he couldn’t.

No one knew he had followed them and he was safe high above the action where he balanced himself on the metal bars that housed the bulbs. His muscles tensed as the bright beam of light from one guy’s flashlight swept a little too close to Hobie’s head. Damnit.

Spiderman couldn’t just sit there all day! He had a friend to save, stolen item be damned!

He rechecked his web shooters furtively and took aim.

He set his sights on another stadium light pole across from the stage, figuring that if he was quick and agile enough, he could time his swing well enough to scoop Hobie up from where he was hidden and avoid any detection. Hopefully.

Seemed like a solid enough plan though, until Hobie just. Shot out from his hiding place all of a sudden, the heels of his boots rapping loudly against the cement and echoing all around the stage as he made a beeline for the lakefront.

Shit!!!

Miles wanted to kill him. Those guys didn’t even suspect he was hiding where we was in the first place!

... Okay, plan B!

Spiderman’s brain whirred at breakneck speeds as he watched the thugs exclaim loudly and give chase yet again, this time much closer to Hobie than they ever were before.

Without thinking, he swung down from his perch and bowled over a couple of men in his haste to simply just… grab Hobie like a damsel in distress and fireman-carry him back around the gang to get a good line of web onto a nearby pole.

The men all cursed and shouted in surprise of course, flashlight beams waving around everywhere.

One of them even yelled, “what the hell was that?!” like a character in one of his dad’s favorite cheesy slasher movies.

Spiderman was too fast for them, a black blur simply whizzing by as he grabbed Hobie and hoisted the both of them up into the air with a mighty leap. Hobie yelped in surprise, grunting from the effort, and seemed to let whatever he stole slip out of his hands which then clattered loudly onto the ground below.

The thugs rejoiced then, shaking fists at Hobie and his rescuer as they flew up to the top of a tree and detached themselves so they could fall onto the stadium light opposite from Spiderman’s initial hiding spot.

Spiderman didn’t stop until he attached another web up to the lights and dangled there for a bit. Adrenaline still coursed through his veins as he shifted Hobie off of his shoulders and let him slide slowly onto his side, his friend’s wiry arms clutching him tightly.

They both watched with rapt attention at the goings-on several feet below them.

The thugs congregated around the fallen item, picking it up and turning it this way and that. It looked like a briefcase, though with the low lighting it really could’ve been anything. It was only when one of them-- the biggest and burliest of them all-- shouted out another colorful swear word that Hobie then seemed to come back to himself again.

He squeezed Spiderman’s shoulders with his arms and kicked at him. They swung a bit from the wiggling.

“Ouch!” Spiderman hissed, as quietly as he could. He was hoping the dark dusk would conceal their position now as long as they made No Noises, but even that wasn’t guaranteed.

“Go, go, go, go, man! Let’s get out of here!!” Hobie hissed right back into his ear, his face mere centimeters away from Spiderman’s mask.

Spiderman stubbornly ignored the heat radiating out from his face at that realization and jerked this way and that, looking for an easy escape from their conundrum.

Flashlight beams danced around the ground before finally swinging up to the trees and catching sight of a pair of shoes dangling in the sky.

The biggest and meanest one of the bunch pulled something out of his pocket and took aim.

Bullet! Spiderman’s senses screamed into his cerebellum.

“Goddamn,” he huffed ruefully as the shots rang out. Hobie panicked. “Bullets for us? That’s a little harsh, isn’t it?”

Hobie clung onto his hero for dear life. “Brother, if you do not get a move on from here, we are both gonna get turned into fish filets!” He shouted into Spiderman’s ear.

“Ow. Okay,” Spiderman grumbled, sticking himself to the side of the pole they dangled from and readjusting Hobie so that he clung onto his back instead.

He took a deep breath and narrowly dodged a bullet that whizzed unnervingly close to their heads. Hobie yelled again.

“Okay, okay, okay,” Spiderman began, speaking quickly. “Hold on, okay? Hold on tight. Just hold on and do not let me go for even a second!”

“On it!” Hobie shouted back, legs kicking a bit before wrapping themselves tightly around Spiderman’s torso.

They both took a breath and then Spiderman jumped, gaining some air before twin webs erupted from his web shooters-- aimed directly towards the seating area entrance.

Together, he and Hobie rocketed from their airborne position towards their escape route once the fluids connected to solid architecture. To his credit, Hobie only whimpered a little bit through the ride.

The thugs had no chance! They stumbled on tired, aching legs towards the very door the two teens had left out of, complaining and cursing some more as they searched through the steps and made their way out onto the theatre’s general admission and concessions area.

They searched and searched through the bushes and trees, going so far as to even check the sculptures near the structure.

After several tense moments of gruff shouting back-and-forth, the search eventually died down until only a couple of the men were left sweeping the area once more. The others had already given up their fruitless endeavor and called it a night.

“Fucking kids, man. What the hell,” Spiderman heard one of them grumble before kicking at the Romeo and Juliet statue angrily and following the rest of his cohorts down the path towards the Great Lawn again.

Hobie and Spiderman let out matching sighs of relief then, happy to have given the men the slip by managing to hide behind the giant 3D Delacorte Theatre sign right above the box offices. Lucky for them, most people don’t think to search behind lit-up signs, so they went completely undetected.

“… Wanna let me know what you were doing here this whole time? You could’ve gotten killed!” Spiderman breathed. He wanted his tone to be sharper, more authoritative… but he was just so glad to see his new friend still in one piece instead of riddled with more holes than a chunk of swiss cheese!

Hobie scoffed, tucking a loc behind his ear and sitting back. Thanks to the lighting of the sign and the other park lights in the area, Spiderman could see him digging around in his coat pocket and fishing out-- a USB drive?

Hobie held it up triumphantly, sleepy down-turned eyes glistening with pride.

“I got it! Suckers! Screw them by the way, I’m not the thief, if that’s what you’re wondering,”

Well. He was sneaky, alright. Spiderman had to hand that to him, at the very least.

He sat back on his heels as well and exhaled. “Fine. I believe you. What’s on that drive?”

Hobie squinted at him then, really giving him a good once-over now that the excitement had officially died down. “…Damn. You’re Spiderman,”

“Yeah, yeah. Hey, hi, nice to meet you, I’m your friendly neighborhood Sp-- ugh, seriously man, just tell me what all of that was back there or else I’m webbing you up and calling the cops.”

“Hey!” Hobie objected. “Like I said already, I’m the good guy here. I snagged this from those guys because I caught them snoopin’ around the museum over that way. I followed them and found out they were stealing this!”

Spiderman bobbed his head. “Okay? And what’s on it?”

Hobie turned the drive over a bit in his hands, admiring it. “Most likely? Security codes, schedules, maps. I’ve been uh… investigating those dudes for a while after watching them sniff around the museum for a few days now. It looks like they were just art thieves plannin' a heist, so I jumped on the opportunity to deliver justice myself.”

Hobie’s mischievous grin was met by Spiderman’s disapproving stare.

“And why didn’t you just call security and let them know? Like I said, super dangerous thing you did back there! If I wasn’t there to save you, you could’ve died, man.”

Hobie pocketed his USB drive again and rolled his eyes. “Y’know, for a vigilante hero with cool superpowers, you sure are a square.”

Spiderman sat up and placed a hand on his chest, feigning hurt. “Oof, ow. That’s mean,”

“Yeah, it is, but you know I’m right. If a kid like me walked up to some cops and tried to warn them of a possible art heist, you just know those pricks’ll laugh in my face and do literally nothing about it. I had to take matters into my own hands!” Hobie jutted his chin out defiantly.

Well. Couldn't really argue with that, especially considering PDNY’s less-than-stellar track record of taking preventative measures most times. All that they would most likely do is nod along to whatever Hobie was telling them and chuckle, shaking their heads as they walk away. Not their problem.

Spiderman rubbed his chin. “Point taken," he conceded. "So what’s your plan now?”

Hobie glanced around, as if he was checking for any eavesdroppers. “I’m gonna submit some photos to a journalist I met online before turning this in back to the museum. The journalist’ll help get those guys behind bars once a story's published and some actual adults talk to the cops. I am going to go collect my reward,”

Spiderman blinked. He had a bunch of questions swimming in his head, but the first question out of his mouth was, “what reward?”

“The reward for turning in precious security info, genius!” Hobie tapped at his forehead with a finger and grinned. “If I get to negotiate with them, I can get some money to save up and-- uh. Nevermind. Listen, are you gonna rat me out or not?”

Miles’ brow creased behind his mask. “… I don’t think I will. Sounds like you’re doing the right thing… mostly.”

Hobie cheered silently. “Yes! Okay, I take it back, Spidey. You are cool!”

Spiderman sighed. “But first, I need to know you’re gonna be safe. Like, actually, and that you’re not gonna get followed home.”

Hobie shrugged nonchalantly and pushed more locs out of his face again. “Yeah, you can walk me home if you want,”

“No, that’s not what I mean. I mean, that’s not the only thing I mean. I need you to promise me that you’re not gonna get into stupid stunts like this again. That was so dangerous and you really could’ve gotten hurt!”

Hobie exhaled as well. He stared intensely into the mask’s giant white lenses for a beat, making Spiderman shift uncomfortably.

Then, he held up his pinkie. “… Fine. I won’t do stupid shit like this again. I promise.”

Spiderman blinked a few more times and hooked his pinkie onto Hobie’s. “Uh. Okay, cool! Cool, that’s what I wanna hear, considering keeping New Yorkers safe is my job! I just wanna see you safe, that’s all. No more art heists, you gotta leave that to the professionals to handle,”

“What, professionals like you? You might’ve not even gotten to them in time before they snuck off with like millions of dollars worth of art, bro.”

“Anyone ever tell you you are just so mean? Dontcha have a little faith in me? The ‘vigilante hero with cool superpowers’?” Spiderman shot back.

They both laughed.

“Seriously, though. I do appreciate the fact that you saved my ass back there,” Hobie admitted, eyes cast downwards for a second. “I was actually gonna throw this thing into the lake and hope this drive got eaten by like… a fish or something.”

“And what about you?” Spiderman smiled despite himself.

“Well,” Hobie shrugged. “If I died, I died. I guess,”

It was Spiderman’s turn to scoff now. “You have a family, man. Don’t be ridiculous. You have friends and family that would miss you!”

Hobie’s expression turned dark, his entire face shadowing for a second before being replaced by cool detached nonchalance. A slight hint of annoyance stayed put underneath.

“… My family’s barely my family. I don’t have any friends, either. Don't worry about me.” Hobie admitted in a clipped tone. He stood up abruptly and started doing some casual stretches.

Spiderman stood up as well, knowing fully well how this song and dance was going to go.

He would never admit it out loud, but he’d seen his fair share of self-destructive citizens throwing themselves into the middle of danger in the short time he’d been doing this whole vigilante thing. He had talked many a melancholy or manic person from tossing themselves off of multiple different buildings, different bridges, stopped them from “falling” onto train tracks.

And as loath as he is to admit it, this Hobie’s particular brand of cool detachment was entirely too familiar to him as well.

A flash of his uncle Aaron’s face lit up a part of his brain that he hadn’t really allowed himself to acknowledge since that fateful day. He quickly stamped that out.

He cleared his throat and rubbed at his neck. “… Well. That sounds pretty depressing, man.”

He didn’t notice Hobie’s shoulders hitch at that phrase.

“But,” Spiderman continued, “You got people out here who care about you, even if you don’t know it. You’re still so young, you could be ending your life before you even meet, like, your favoritest person in the whole world, right? So just do me a quick favor, take care of yourself. For me. Live long enough to meet your favorite person, alright?”

Spiderman put on his best comforting expression that he could despite the mask most likely getting in the way of Hobie fully seeing it. He hoped his words were enough to convince him not to dive off the deep end, at least not anytime soon.

It seemed to work at least a little bit, because Hobie looked back at him with a much warmer-- albeit hesitant-- expression.

“Can I ask you something?” Hobie finally said after a few moments of silence.

“Uh, sure.” Spiderman replied.

“Do you know about a kid named Miles Morales at all?”

The air was sucked out of Spiderman’s lungs right then as he floundered like a fish for a minute, brain working into overdrive to make his answer sound both intelligent and convincing.

“U-uh, maaaybeee? I dunno, I meet a lot of New Yorkers everyday and I don’t get many names, yanno? S-sounds familiar, but sorr--”

“I knew it,” Hobie exhaled a laugh and surged forward to embrace Spiderman with both arms.

Spiderman stood frozen in his place, arms held in mid-air as he worked to process this.

“Uh. What--”

Spiderman felt Hobie’s chin dig into the side of his cheek a little as he turned his lips to his ear. “Your secret’s safe with me, by the way. I’m not telling anyone,”

Miles felt his whole world turn on its axis before shattering completely.

Oh no, no, no, no, no! Goddamnit!

Miles pushed Hobie off and stepped back, holding his hands up. “Oh hey, whoa, whoa, whoa. I dunno what you’re thinking or who you think I am, but--!”

Hobie sighed loudly. “Miles, I saw your suit.”

The world screeched to a halt.

Hobie picked his gaze back up off of his feet and even seemed apologetic, almost. “I, uhm. Like, back on the roof. At Visions. I wasn’t… a hundred percent sure I saw it, since it could’ve been any logo at all, but. Well, you’re a pretty bad liar too, y’know that, right?”

Miles sucked in a slightly shaky breath, gulping loudly. “Uh. W-well,”

Hobie smiled shyly. “You, uh… you’re like around the same height as Miles Morales, anyways. And you sure sound a lot like him, too.”

Damn. Damn it all.

Miles spun this way and that, placing his hands atop his head as he panicked slightly. “H-Hobie, you cannot tell anyone else about this, whatsoever. Do you understand? No one. At all. Or we’re both dead!”

Hobie held his hands up, lines creasing in his face. “Look bro, you’ve got secrets of mine too. We pinkie promised, remember? I don’t break promises.”

Miles didn’t point out that the promise was so that Hobie would stop getting himself into stupidly dangerous situations, but he accepted it anyways, albeit reluctantly.

“D-do… do you actually, like actually promise me you’ll never breathe a word about this to anyone? Ever? At all?”

Hobie held up his right hand into the air, as if taking an oath. “I, MJ, solemnly swear to never breathe a single word to anyone about your super secret identity, so help me god.”

Miles planted his fists on his hip and shook his head. “Oh my god,” he exhales on a shaky laugh.

“Don’t you believe me? What would I have to gain by selling you out? Oh,” Hobie stops suddenly, perking up. “We could even work together! I got me my sweet camera and my extensive connects, man. Think about it!”

“No, no. Hobie. Stop that, man. I’m not putting you into any danger after I just saved your skinny butt. Spiderman doesn’t do sidekicks anyways,”

Hobie looked a bit put out, but shrugged anyways. “Well, I mean… think about it sometime. We could seriously take down criminal activity around here, if you’re down! And, uh. You do have my number,”

Miles looked up and took a deep breath. “Mmnyes, I do. I do have your number. That’s… I mean you’re not wrong about that. Listen, I think it’s getting pretty late and we should both be heading back home now, though.”

The corners of Hobie’s mouth curled up mischievously. “True, true. It is a school night, after all.”

Miles couldn’t stop grinning despite the heavy anvil that threatened to burst out of his chest. “Yep, yes it is! Okay, time to get you home now. C’mon, let’s go.”

Miles moved to step into Hobie’s space and carry him on his back again so he could lower the both of them down from the lip of the theatre roof.

But before that happened, he felt Hobie place a cold but strong hand on his shoulder, stopping him.

Miles looked up inquisitively and felt his breath catch in his throat as he felt those same hands slowly slide up the smooth spandex of his suit, up his shoulders, and then they stopped at his neck, at the seam of where his suit and mask met.

The entire thing probably only took a few seconds to do, but to Miles it felt like eons passed as he felt every single muscle twitch and the pulse beating underneath Hobie’s skin while he ran those fingers up his arms.

He was standing so close to him! Oh god!

The entire ordeal was unbearably intimate, and Miles could barely stop the shudder that wracked his body suddenly.

Hobie’s soft lips were slightly parted, the lighting of the sign next to them caught in the dark brown portals that were his eyes.

“U-uhm. Sorry, this is weird...” he mumbled quietly. But his hands didn't move.

All around them, crickets started their soothing chorus.

Here they were, right behind the giant lettering of the Delacorte Theatre, intertwined in each other’s arms on a cold night-- and Miles’ core body temperature has never felt hotter before. He felt like he could melt steel, the way this night was going. He didn’t know when his hands raised to grasp onto Hobie’s arms, but they must’ve done it of their own accord because Miles then felt himself squeezing softly onto Hobie’s biceps.

Slowly, painstakingly, and carefully… Hobie made his move.

Every centimeter of the mask being pushed up was accompanied by a soft look that asked-- no, it begged-- for permission to continue. His hands seemed to move on their own eventually, as he slid the mask up over the back of Miles' head and then eased it up off of his nose.

Hobie wore a soft look of determination then, that fully came into view again once Miles felt his mask slide right up off of his eyes. Hobie’s soft hands eventually fell away, mask in one hand, no sounds in the air except for the wildlife of the park starting to wake now that the night has officially fallen.

Miles wasn’t sure why he did, but he held his breath.

After a few seconds of appraising gazes from each other, pupils meeting pupils, exchanging a million words a second with just a few looks… Hobie grinned beautifully.

“Damn. There you are,”

Miles felt a plume of heat erupt from his gut and rush up to his face. “Uh. Hm, y-yep. Here I am,” he blinked back at Hobie with his big brown eyes.

Hobie had a look of pure joy on his face before it started to melt away suddenly. “You know… I should backstab you for abandoning me out of nowhere that one time, though… I really should...”

The moment collapsed like an undone web, a delicate thing now completely destroyed as Miles leaped up in indignation.

“Hobie!”

Hobie stepped back and laughed loudly. “Re-lax! I’m not gonna actually do it. But. Y’know.”

“And if you do, I’ll leave you webbed up to that billboard near Visions,” Miles threatened, mostly light-heartedly.

“Psshh, and then get my mom’s two million lawyers on your ass? Good luck,”

“As if they could ever catch me! I’m Spiderman!”

Just as easily as they had stepped out of being just kids for a moment, they stepped right back into it, bickering like they'd been friends since forever.

Miles lowered the both of them from the sign and they headed towards the eastern side of the park, making their way over to Hunter’s Gate. They bickered and bantered back and forth the entire way there, and it was only once they made it to the outer gates of the park that Miles stopped them both.

With his mask back on and other New Yorkers now milling nearby, Miles made it a point to lower his voice as he turned to Hobie and puffed his chest out heroically.

“So, random citizen. Where are we off to today? I told you I’d take you back home safely, and that’s what I’m gonna do.”

“’Cause you promised, right?” Hobie smirked, tucking his hands into his coat pockets.

“Uhm. Yeah, yeah. I did. So, lead the way!” Spiderman made a grand ushering gesture, and Hobie chuckled good-naturedly as he stepped aside and exited Central Park.

“You gonna walk me home, Spiderman?” Hobie threw him a side-long glance.

“Yyyeah…? Why? You’d rather swing home?”

“I liked swinging, actually. Yeah,” Hobie stopped where he was on the sidewalk and nodded with an air of finality. “Yeah… let’s swing!”

Spiderman felt his heart do a few somersaults in his chest before he gestured towards his shoulders. Hobie quickly assumed the position, long lanky arms wrapping around him and leaning his body weight against Spiderman’s side.

Spiderman shot up a web to a nearby street lamp and gave his friend one more glance.

“You sure?” He asked again, really making sure that Hobie was okay with this. Not many people really liked swinging, which was understandable. Even Miles wasn't the biggest fan of it at times.

Hobie chuckled and ignored the onlookers as they slowly ambled past the two, throwing the teens questioning glances as they made their way past them.

“Yeah, I am! Let’s go,”

.

.

.

.

.

.

.

.

.

.

Miles: Do you actually actually really like on your LIFE promise that you’re not ginna tell a soul about… well…

Miles: gonna*

MJ: Yes, Miles. I PROMISE [eyeroll emoji]

Miles: I KNOW WHERE YOU LIVE

MJ: Do you actually, though? ;)

Miles: No. But I can find out… I got connects

MJ: Uh huh. I’ll tell your “connects” that if you don’t take me out on that promised lunch date, our friendly neighborhood Spiderman just might be the next trending topic on ALL social media apps again very soon……..

Miles: Oh my god. You are Evil. I can’t believe this. My next arch nemesis… damn

Miles: What a killer plot twist. The greatest foe I have yet to face happens to be none other than one of my very own classmates

Miles: It be ya own people

From his family’s Lower Manhattan penthouse, Hobie laughs out loud as he reads the text messages, ignoring all of the curious glances thrown his way by various members of his team.

From Miles’ own humble dorm room at Visions, he laughs aloud as well.

[crystallizsch]

a thunderstorm woke me up and now my veins are running on pure caffeine and (unfortunately) i have jamil on the mind.

so now i'm thinking about what if yuu has an extreme fear of thunder

imagine there's a thunderstorm in the middle of the night.

you've just been weirdly anxious, and when jamil inquired, you begrudgingly admit that you're afraid of thunder.

it's embarrassing. why would you be scared of thunder, they're just loud sounds. it’ll pass.

jamil had to stop himself from making a judgmental remark. even if jokingly.

he’s deathly afraid of bugs, he literally has no place to make fun of you for it.

at least with bugs you can get rid of them, but you can’t just fight the weather unless you’re a powerful mage.

so the least jamil can do is to comfort you.

maybe listening to music sharing headphones.

or make you focus on his voice instead so you don’t pay attention to the loud noises. either by chatting or reading a book together.

of course, maybe he could also use snake whisper on you so your mind would effortlessly cease those fears.

jamil would if you asked. but he’s not going to offer it himself.

(besides, it’s a bit weird if he’s using his unique magic on you again, considering whatever your relationship is at this point.)

and it’s not like that idea would even cross your mind when all you could think about was the agonizing dread of oncoming thunder.

plus it kinda sounds crazy knowingly asking someone to put you under mind control.

every time thunder boomed you found yourself clinging to jamil's clothes. burying your face in his chest. as if you were holding onto him for dear life.

he'd laugh if he knew you weren't deathly afraid of it. so he'd make soothing gestures instead.

the thunder was still unbearable, but eventually you found comfort in jamil’s warmth.

it really helped to drown it out. at least mostly.

this seemed to be a better outcome anyway than forcing you to just forget about it.

and it would’ve been easier, sure. but how many times could you get the chance to cozy up to jamil

and on the other hand, jamil kinda wanted this moment to last. how many times could he have an excuse for "relaxing" with you.

as much as it makes you suffer, him wanting this moment to last longer meant wishing for the thunderstorm to last longer as well.

jamil hopes you can forgive him for being selfish in that regard.

[yellowocaballero]

Omg hi Ms. Yellow Caballero big fan of your work <3 For real though, I'm really excited that your sharing the Weekenders, it was a joy to read and I'm bongocat-ing now that others also get the privilege to read it as well.

Referencing your tags, would you please elaborate of ableism in fandom and, like you said, how fandom treats characters with unpalatable disabilities?

Hi Ms. Bud Lite I'm a big fan of you <3

TL;DR A fear of writing characters of highly marginalized identities shields you from criticism and discomfort, but it's actively stigmatizing to people of these identities and as a writer you really need to get over yourself and write The Icky People.

I guess I'll come out swinging on this one and say that fandom doesn't like severe mental illness. (As a note, when I say severe mental illness (SMI) I mean illnesses such as psychotic disorders, bipolar disorder, substance use disorders, personality disorders, etc)

Obviously, nobody likes people w/SMI. It's just insanely egregious in fandom to me, since fanfic writers absolutely love writing characters or HC characters with depression, anxiety, or a specific variety of PTSD That Isn't Scary. People actively reject any character HCs for a SMI. When people write a character with SMI, they nicely downplay it, ignore it, substitute it for a disorder they like better, or rewrite it. It's completely untolerated, in both headcanons and in fanfiction, and every time I bring it up I always get the most interesting reasons why somebody couldn't possibly acknowledge a character's SMI in their writing. I've heard all of these:

"I don't know enough about the disorder to write it accurately." Do research.

"I'm not X, so I can't really depict it." You probably aren't a cis white man, but you depict those guys just fine.

"It feels insulting to the character." There is no shame in having a SMI.

"I can't understand what it's like, so it's better to be cautious and avoid giving characters stigmatized identities." There are LOTS of experiences that you'll never understand because you've never had them - you just don't want to write anything you're uncomfortable with. People with SMI make you uncomfortable, and you don't want to write anything that makes you feel uncomfortable, or think of a comfort character in an uncomfortable way. SMIs are marginalized differently than solely depression/anxiety/The Nice PTSD, and by refusing to write them you're actively contributing to the stigma.

I think (?) I've spoken in the past about how I believe that the rigorous external and internal policing of writing people of marginalized identities is actively harmful towards efforts to increase diversity of experience and background in fiction. A lot of fanfiction writers are just terrified to write people who they can't directly relate with, because they're worried 'they'll get it wrong' and be Big Cancelled. I think this is negative enough when it prevents people from going outside of their comfort zone, but on a macro level I think this results in people refusing to write characters of marginalized identities as all. It's an insidious thought process, and it's reflected in people's unwillingness to diversity their writing or acknowledge canon diversity.

'Well, I don't understand what it's like to be Black, so I don't want to write Black people'. 'I want to project on this character, so I only want to write them with mental illnesses and identities I have'. 'If I write a marginalized character incorrectly people will yell at me, so I won't write a marginalized character who's marginalized differently than me at all'. Can you imagine writing a lesbian character with a boyfriend because 'you feel uncomfortable writing lesbian experiences'? It's blatantly homophobic. But people do that with disability and race/ethnicity ALL THE TIME.

People with SMI notice that you feel uncomfortable with them. It's obvious. They notice when a character has a SMI + anxiety, and you only write their anxiety. They notice when a character displays symptoms of a SMI in canon, but you write it out. And POC notice when the characters of color are written out. I know we all like to project on the blorbos and relate to them, and in the joys of your own head do whatever, but as a writer if you only stick to identities you're comfortable with you are actively being a worse writer. Which to me is the REAL sin lmfao.

[angelpuns]

Sometimes when I reread Kid Leo - like EARLY Kid Leo it's so bad and I have the very far away feeling that it was written by someone else, cause in my head I'm like ' I can write way better than that!' but I'm sure I will also feel this way when I reread the current Kid Leo pages :/

[sad-leon]

I wrote a character study on Leo :D

someone remind me to do a doodle for this tomorrow cuz im gonna sleeb now <3

[carnivalcarriondiscarded]

excuse me i need to Muse on something for a moment

so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.

but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?

so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.

(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)

and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?

i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.

Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)

one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?

or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.

and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???

there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally

[szaryherbatnik]

2 days since i finished once upon a witchlight. 2 days since i last saw kremy. Kremy withdrawal is starting, and it hurts. Like a kremy hangover (which no is not connected with my actual hangover). Kremy means so much to me. In fact kremy means SO much to me i have a deep desire to get like a badge or a diploma for being a part of kremy nation. I would like to be perceived above all else- as a kremy girlie. WITNESS ME AS I TALK ABOUT KREMY LECROUX. contact me if you want to talk about kremy lecroux, i need to verify the info. When i die and my brain gets cut in half, all the wrinkles are shaped like kremy. And if one sunny day, running late somewhere, with a single slice of toast in my mouth, i bump into richie god damn gilder i will with no hesitation fall on the ground and thank him for creating kremy. And he will think wow shes so cool and normal, from his backpack he will produce a purple book. I gasp. Oh my god what is that. He says szare you are so cool you should have this its a book that contains every single fact about kremy ive been writing it for years. I will say thank you how can i ever show my gratitude. And he will say dw abt it bestie.

Every wednesday kremy nation shall gather as i will read a page from the kremy book.