#i dont want to have to put work into reading something

[smilingcrittersthingig]

I cannot keep doing this

Chat I cannot.

rant below beware, i get very angy

I know I made that post where I say I ignore comments talking about another ship on my art and use spite as a way to continue on

But there is only SO MUCH of “Catnap x Dogday is better!” I can TAKE

Guys guys, Daynap shippers, my brethren. Yes, I am one of you. I have a fanfic with Daynap, its not daynapping rn but its in the tags.

I love Daynap just as much as you guys do. But you cannot say that is the ONLY ship for Dogday and Catnap.

I understand you okay, They’re cute. But not everyone is gonna share the same opinion, they’re gonna wanna ship Dogday with Crafty, or Catnap with Bobby, or even Dogday with Allister, AND THATS FINE, ITS FINE TO SHIP SOMETHING ELSE, THATS NOT HURTING ANYONE.

What is very hurtful is you trying to undermine other people’s ships just because its not THE ship. That’s terrible! You’re terrible! Sorry you’re not but just behave!

Go look at other Daynap posts, there’s so much of that! There’s so very little of Suncross that I only find my blog when I search for it on google and god damn Icky x Alli porn. I already know your ship is better okay!? You and everyone else made that clear!! LET ME HAVE SUNCROSS IN PEACE.

Another one, “You cant ship them, the nc are teenagers and the sc are children”

Says who? Proof where? From last I remember they were ageless.

That’s a headcanon! You’re free to think about whatever you want, they could be adults, they could be children, you can even put them in a highschool, you can do that!

But its not canon. It’s not official. Your opinion is not a subjective fact, it is an opinion.

Good god I’m sorry but I feel like this is common sense, if you dont like the ship just ignore me.

I’m not doing art for your specific entertainment, I’m doing it for me

We need to get this straight, I’m first, you guys come a close second. I’ll do whatever you guys want but it’ll be because I want to.

You’re free to like, dislike, and comment anything too, but only if you’re respectful and not yelling at me that what you like is better

I like reading different opinions, what you think about them whether it’s siblings, friends, even enemies, I’m interested either way

but don’t call me a fucking dumbass and disregard my work.

Okay I’m done I’m done. Just needed that out my chest somehow. I’m fine

[marciaillust]

hey, i hope you're doing great! i feel this may be unorthodox, but i really wanted to reach out to extend my engagement?— awe?— solidarity?— (some variant of those, anyways) with your most recent "workposting" art. i don't normally do this. I've maybe sent 3 asks in my whole life. there's no pressure to respond to this, as i mostly just wanted to cheer you on. also, I'm really sorry this is so long.

i only just recently landed my very first freelance art job, at a start-up company dedicated to making comics + DND inspired art content. I've always felt that "Its nothing to call home about", and so i really resonated with your feelings regarding your work for Brawl Stars. I felt kind of ashamed of my job, that its just a small start up— that I'm not enough and that i should be trying harder, or something like that. Specifically i resonated with your comment of "presenting brawl stars art feels like showing my anime girl oc to an art teacher" and i don't think i could have solidified any better.

Anyways. all's to say. I really found your work quite jaw-dropping. I was shocked when i read it was for Brawl Stars. I didn't know anything about it, but when i did some research i was even more amazed. they're really, really compositionally beautiful... i mean, i know its just "work" to you ultimately, but it really does feel lively, and everything about it makes it feel like you care. I think sometimes you're just able to tell when an artist genuinely cares about their work; about its end outcome. there's so many intricacies. and a lot of attention to detail. you kept the style that was necessary of you but i also can feel the warmth and the care of the artist behind it— its not corporate, or stale, it doesn't come across as "just work".

since you mentioned League, i genuinely do think it serves an equal purpose and weight to what League of Legends would produce. from a biased standpoint, i would actually value your work more. Its not even that its "more obtainable"/"more realistic" but that there's genuinely more feeling to it. Compositionally/artistically, yeah, League makes great stuff, but occasionally, the feeling or the sense of warmth and care from the creator of the art is lost along the way. I value seeing the artist within their own art a lot, which is why I've admitted to a degree of bias. either way. what you put out there is really gorgeous, and crazy impressive.

I know a stranger with a dumb, fandom-oriented art blog cant solve the self-indited art elitism (you and me both, man💀) and that you've already received plenty of love/reblogs saying similar things, but i wanted to extend my feelings anyways. Its really heart-warming, i guess. It brings me hopefulness, and deep adoration for the craft. I'm not very good with words. Anyways. don't undersell yourself. seeing your work meant more to me than you can imagine. I'm obviously nowhere near your skill level, but it meant more to me as an aspiration. i think that regardless of who you work for, your work is really valuable and downright incredible. because you bring that sense of warmth, care, time, and patience regardless of the media it portrays. and you're able to do that while being objectively talented— utilizing great compositions, colour pallets, shading, characterization, mood, etc. That is more valuable. That is much much cooler than working for Riot. imo.

Initially, i also wanted to ask you some questions about how you assembled your portfolio, if you went to school, (if so) what it did/didn't provide for you going into the art field, and just how you landed the job in general. But i respect you and your time, and wouldnt want to be a burden or anything. If you ever have time for it, i would love to ask them, among others, and we can chat in DM if you'd prefer. Absolutely no pressure. Im happy just watching from the sidelines. I dont anticipate anything from you to begin with! I just hope youll know how influential your post was to read & see, to someone like me!

Oh man. I. How. Where do I even start except

This is one of the most uplifting, touching and encouraging messages I received in my life. I read it thrice. And I still can't believe how full of love it is. This is such high praise, I want you to know I will cherish it and carry it with me for a long long time. It's not often that an artist gets to learn how their art is perceived, not to mention in such a positive light. It really means a lot to me.

It makes me so happy to hear that my work illustrations retain a piece of me that is visible to others. I myself can't see it, but I imagine my closeness to the matter at hand heavily impacts my ability to see objectively at all. There was a time where I was worried that work was overriding the me that makes my art mine, that I was becoming a corporate rendering machine and that what I did at work (the shape language and style) was bleeding into my personal art. There is a part of me that is now breathing easier after reading your message. I would love to answer any questions you have, it's the least I can do to repay you! Feel free to send an ask or even an email, I'll try to be as thorough as I can be with my answers. I wish you happy holidays! Take care! And again thank you so much for taking the time to write this message!

[isekyaaa]

With the amount I want to give writing advice sometimes one would think that I am an amazing writer lmao.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[ghostespresso]

staff logging on to tumblr dot com today

[dan-whoell]

i keep thinking about a phandom book club, but i have no idea how to go about organizing it or if anyone would be interested or even where to host it

alternatively is there already a phandom book club i could join? because i would love that

[icewindandboringhorror]

I've referenced before how I have a big google document to keep track of every media I've ever seen in my entire life (just for reference because I like to track everything possible lol… I am the Data Collector), but recently as I was updating it, I thought of actually evaluating them to find out random percentages (like for example, out of Total Shows Watched, what percentage did I finish vs. stop watching, what percentage did I like or dislike, etc.)...

Evaluating these things is made easier by the fact that I already place everything on each subsection of the list into 6 broad ranking categories, so I don't have to go back and guess to figure out how I feel about them or anything. The categories are: Ranking 5 - overall best* (despite some criticisms of course because I'm too much of an Analyzer to ever find anything Perfect lol) Ranking 4 - more positive than neutral, but not good enough to be 5 Ranking 3 - either the good + bad negate each other, OR it's just not memorable/interesting in any way enough to be ranked higher or lower (this is the Default category ALL things are placed in if no other rank applies) Ranking 2 - maybe a few redeemable elements but largely more negatives than positives Ranking 1 - So bad that it circles around to being fascinating to observe in some way (not necessarily Funny, or Good, but just interesting somehow) Ranking 0 - Bad in a genuinely frustrating or obnoxious manner

*("best" primarily defined here as most interesting, rather than most good in a technical sense, or some other measure. I tend to value more highly whether there's something novel or thoughtful about the worldbuilding, tone, writing, base premise, etc - than about whether it's actually executed perfectly.)

And here's the amount of shows that have so far been placed into each category -

TV shows ~ Rank 5 (highest) - 20 shows ~ Rank 4 (mid-high) - 28 shows ~ Rank 3 (neutral/default/meh) - 114 shows ~ Rank 2 (mid low) -33 shows ~ Rank 1 (low low but intriguingly so) - 14 shows ~ Rank 0 (iredeemably low) - 2 shows

This would make for a total of 211 TV shows overall. However, there are 57 shows within these list marked as "didn't finish" (typically meaning I quit on the very first or second episode - but log them still to keep a record that I at least had a brief view of them).

So my total of genuinely fully watched shows would be more 154. 211 Total, but a More Accurate Total of 154.

Counting them all and using the Total Number Of The List (211) -- that means roughly 9.5% of all total shows I have ever watched (or at least attempted to watch) have been Mostly Good, 13% have been Moderately Okay, 54% have been either entirely Forgettable or some mix of good + bad that lands them right in the Neutral Middle, 15.6% have been Mostly Bad, 6.6% have been Bad (but in an interesting way), and 0.9% have been Terribly Bad.

Additionally, I didn't even get past the first two episodes of about 27% of the total.

Sooo, discounting ones I didn't finish, my total TV shows ever watched in my life would be about 154 (maybe give or take a few, assuming I might have forgotten some from very long ago).

But instead of entire life, let's just say this is the total for 'About 20 Years' (so, not counting very early childhood when I likely wouldn't remember things I saw/have no detailed recollection of them (like for example, I'm sure at some point when I was like 4yrs old I must have seen an episode of Spongebob or something, but I have zero distinct memories of it, can't quote anything of it, and barely recall the premise - so I don't count it on the list, etc.)).

In that case, 154 divided by 20 would be roughly 7.7 shows a year.

Which is actually surprisingly low considering that I often have stuff on in the background for hours whilst I make sculptures and do costumes and stuff (maybe I should have also marked some distinction between 'things I fully paid attention to' and 'things I kind of half listened to whilst sculpting', but that would further split the categories too much probably lol), but I guess a lot of that is youtube videos or random documentaries, so .. eh.. maybe I get it being lower.

Now, doing the same thing for movies-

Movies ~ Rank 5 (highest) - 4 movies (3.4% of total) ~ Rank 4 (mid-high) - 12 movies (10.3% of total) ~ Rank 3 (neutral/default/meh) - 91 movies (78.4% of total) ~ Rank 2 (mid low) - 8 movies (6.8% of total) ~ Rank 1 (low but interesting) - 1 movie (0.8% of total) ~ Rank 0 (irredeemably low) - none in this category (0%)

That makes 116 for a Total (Actually Remembered) Movies Watched In Lifetime (Or At Least In 20 Years).

116 divided by 20 is roughly 5 or 6 movies a year (I feel this has probably been skewed though by adding everything since like elementary school onwards, as I remember a lot more movies from child/teen years.. Whereas, the past 3 years I feel like I've barely seen maybe even 5 movies?? lol). I also have "Didn't Finish" marked on 18 of them. Which means I quit halfway through about 15% of the total movies.

So, a for broader summary stuff..

I seem to be less forgiving to movies than tv shows, by far. Which makes sense to me, I guess, because I love elaboration and details, so "short form" things that only last an hour or two are often lost on me a bit. My biggest complaint with movies is indeed usually walking away just wishing there had been more exposition, more scenes where characters are doing nothing, more "mindless bantering" conversations, more Quiet Downtime and Lore Elaboration and so on lol, so... of course most 1-2hr films end up feeling a bit Not Enough To Draw My Interest/Nothingy to me.

If you count 5 and 4 as "like" and rankings 2 to 0 as "dislike", then for TV shows I at least somewhat liked 48 of them, and at least somewhat disliked 47 of them.. So it's almost exactly the same lol. I'm just about equally as likely to find something bad as I am to find something redeeming about it. But overall, the largest chance is that I just won't really care much for it at all and it will be tossed into the 'neutral' pile, forgotten forever. Movies have a bit better of a balance, "liking" 16 of them, and "disliking" only 9 of them. So I'm slightly more likely to enjoy a movie than to find it annoying - though still VASTLY more likely to just not find it anything in particular, possibly not even finishing it.

ANYWAY.. this is vague and literally pointless, but like I said, I just really find information fun. Like my document where I've rated every apple flavor I've ever tried (like 40 of them now?), or reviewed every oreo flavor (32?), or ranking data from my entire 10 years of Trying To Make Friends process (out of 100 people, roughly 8% chance of a moderate compatibility, 3% chance of high), or etc. etc.. I love to have random pointless things to analyze I suppose lol.

I doubt anyone tracks things in their life in this same exact way, but I'd be interested in hearing any at least somewhat similar data !!! (like, how many TV shows you watch a year on average, and what percentage of those you like vs. dislike (if you keep track of that sort of thing), etc.)). I guess it might be easier with movies, since I think some people use those websites where you curate a list of movies you've seen and you can rate them or something, so maybe the numbers are already available on those places. :0

[godsfavoritescientist]

Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

-

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

-

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

[ratatatastic]

do you write fic on ao3?

unfortunately for everyone involved i do!

[ghostly-cabbage]

I have officially edited and updated my DP fic recommendation document

I've so far only used it for friends but now I'm wondering if any of you guys would be interested...

[volivolition]

suggestion do you have... any wants? like obviously you do but like? suggestion my guy my ourple boy. both the easiest and hardest to write. you need a skill to say something to move conversation along but it doesn't fit any skill in particular? about 80% of the time you can have suggestion say it and it will make sense. but like actually characterizing him... how do i define you dude... what makes your character tick... urgh. i dont get you yet. im trying to understand but you are difficult.

[volfoss]

actually yeah im making a quick poll on this. for anyone who has been around long enough to remember when i made my massive clamp readathon situation (in which i read every single one of the works they put out) be everyones problem. hi. im doing it again but much worse now. reading about 400 volumes (and more if i can find more) of tezuka osamu's work. i am just curious on the general consensus of if i should upload thoughts as i read each one (ie: one post being like i finished kimba/jungle kingdom, heres my thoughts) or just have a MASSIVE post of hey. read them all heres my thoughts (as i did with clamp. which is when i found out tumblr had a max text limit)

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[starswallowingsea]

okay i just finished sleep tight by jh markert and christ alive what the fuck was that. i gave it 1.75/5 on storygraph and 2 stars on goodreads bc like. girl.

so the first thing is like. the most minor thing i'm going to complain about but it definitely needed one last line by line edit. how did they fuck up the daughter's name at the end and call her julie instead of julia when julie hadn't been an established nickname for her. there were a bunch of other lines that just felt like they were repeating what we already knew or didn't need to be there like we didnt need a line saying "that tess already knew because noah had told them in the car" <- not exact idc enough to go back and look but we know. we were THERE you do not have to remind us that they know this information okay.

now onto the rest of the book. so the concept is that after serial killer posing as a priest to lure victims in is executed by the state, a cult that formed around him decides they're going to get revenge on the people who locked him up and ultimately revealed that they're going to revive him with the help of the real mastermind. which i thought the serial killer priest would have been cooler than it was but whatevs thats on me. howeverrrrrrrr one of the early chapters was from the pov of a gravedigger/grave security guy and he talks about the group he just joined but explicitly called it a cult which was so. the word cult is very loaded and high control groups do not like to use it for themselves because of that and they'll use something else like group or religion for their cult even if people on the outside are calling it a cult. have you ever met an mlm girly like come on.

the mystery itself was laid out decently enough with the eyes and not so subtle hints that were dropped but the worst part of this was the fucking weird ass attempt at portraying DID. I am going to give markert the benefit of the doubt that he was trying his best and anyone reading this review who has DID is free to comment on this but i am not under the impression that most people know when a new alter fronts and that voices don't really change especially around strangers. also other than oskar and ruth, all of noah's alters were real people and 5 of them were people who he watched die and he just took on their personalities in his head and they don't age because the people they were based on stopped aging (ie died). they talked about it like he just absorbed their souls into his headspace??? and yes they could tell when someone switched to front because of his voice and like. the fact that two of them wear glasses and will put them on to front. i might be wrong and again correct me if i am but this does not seem like how it works when systems meet strangers for the first time especially ones that get violent and upset when they cant get the alter they want to front to front.

sticking with the theme of weird insensitivities about trauma, why was fuckhead justin so insistent that tess needed to forceably relive her trauma (which was revealed at the end of the book and ngl kinda anticlimactic) to try and fill in gaps in her memory from when she was 13 because it made him upset? like dude she probably shouldn't be doing that if she doesn't want to its buried for a reason leave her alone!! and the fact that their relationship went back to business as usual after everything was so!!!!! i think they should have gotten divorced anyway there is no way this is going to work out long term sorry.

and finally i get that american police just shoot indiscriminately but killing benjamin in front of 11 young children seemed kinda unnecessary. especially when they were crowded around him and could easily have been caught in the crossfire but magically weren't and the bullets only hit ben. sorry but at least one of those kids should have had some sort of gun related injury from that if not more if you were going to kill ben.

[skitskatdacat63]

I will read the most inane and useless stuff for hours just for my own interest/enjoyment, but reading academic papers is like pulling a tooth 😭😭 like I genuinely think I'd find the info interesting but the fact that ik it's in pursuit of doing an assignment somehow manages to kills my motivation 100%

[spikeyjo]

also uh im kind of not thinking about it much because its insane. but if everything goes right (and i mean a considerable amount of things that probably wont go as planned) but if they DO... i will have a major surgery in like two weeks