#i dont read them and i definitely dont write them

[ihavenohotcocoa]

Never Have I Ever: Specific Service Job AU (Flower shop/Tattoo artist/Coffee Shop/Etc.; you get the Vibes)

I have not written one of these, and if I ever do there’s like. 3 combinations that I think would be funny lol.

1. Phoenix Wright/Miles Edgeworth Coffee Shop AU but it’s one giant crackfic. A murder occurs at the coffee shop Phoenix is working at to pay his way through art school, and he has to help Edgeworth solve the murder in a single weekend because his boss entrusted him with the shop while he was out of town and he really needs this job. Despite there being a literal murder, it’s more of just a hallmark-style rom-com with as many tropes as I can cram into it because I think it’d be funny. Also Phoenix’s boss is played up as this super menacing and cruel person and then he turns up at the end and it’s just Larry

2. Life Series Scott/Jimmy Flower Shop/Soulmate AU. The Soulmate is largely there because the way I write flower husbands is as an inevitable thing that happens in every universe, other than that it’s a pretty run-of-the-mill flower shop AU where Scott runs “The Hobbit Hole”, a little hole-in-the-wall flower shop frequented by Jimmy

3. Jonathan Sims/Martin Blackwood Librarian AU. Martin is a librarian, Jon is a huge nerd who comes to the library on a regular basis, and it’s a sweet little 5+1 fic of all the times Martin saw Jon, and one time Jon saw Martin

Of all of these I’d say the Flower Husbands and Jmart ones are the most likely to actually get written, on account of being one-shots or at least relatively short fics in comparison to the Narumitsu one

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[just-null]

i have come here to personally thank you for giving me more than i asked for 🙏🏻 i am utterly grateful like IDJFKDKKFODOD 🧎‍♀️🧎‍♀️🧎‍♀️ it made me so happy the last doodle has my heart he is so cute i will eat him

also there is a DROUGHT out there for us noritoshi fans like im living on CRUMBS its insane and omg dont even talk to me abt how it feels like to be a kashimo and ino lover (altho they are getting a bit more love now) my nori is still underrated :/ sooo hence im asking ur hand in friendship and in exchange i promise to share my hcs with you abt nori my sweet lil meow meow we're in this together 💪🏻💪🏻

also since its October, do you think he likes horror movies? i feel like he can withstand gory movies but its the jumpscares that get him and he wont tell u he's scared when u watch one with jumpscares owkfkdkd imagine him hiding his face against ur shoulder or something 😭😭😭 (i used to do that with my dad when we watched horror movies and i used to be like im not scared😤😤 when he asked if i was lmfao thats where this hc stemmed from)

N. NORITOSHI HIDING IN YOUR SHOULDER OR SUPPRESSING HIS REACTIONS TO THE JUMPSCARES....... WAS IT AN INVOLUNTARY REACTION TO USE YOU TO HIDE??????? WAS IT BUILT UP TRUST????? DID HE GROW USED TO HOLDING ONTO YOU WHEN HE GETS SURPRISED BECAUSE HE WANTS TO MAKE SURE HE HAS HIS VALUABLES SAFE????????? WAS IT A MOMENT WHERE HIS MIND JUST INSTINCTIVELY GRABBED THE FIRST THING HE WANTED TO PROTECT/BE PROTECTED BY???????? OH MY FUCK.

he's probably used to gore and gritty stuff like that since he sees it often being a jujutsu sorcerer and all. not to mention his technique is literally blood. maybe he's desensitized to gore films, the most you'll get from him is a disgusted scowl.

BUT DID YOU SEE HOW QUICK HIS EYE OPENED WHEN HANAMI SHOWED UP BEHIND HIM. YOURE SO FUCKING FR ABT JUMPSCARES. Noritoshi is that guy who wouldn't scream or yelp but gasp really loudly and jump out of his skin.

i feel like they get him most in horror because of the music building up anticipation. if its one of those fake outs where the jumpscare comes a bit after, he's fucked UP. It makes him instantly miffed, as he tries to regain his composure. He swears he's not usually like this, it got him by surprise is all..!

Noritoshi is the type that'd only watch a horror movie if the story is rich and complex. He's the type of guy to like open endings that make you think.. if it's a guilty pleasure movie where all the protags make stupid decisions, he gets annoyed right off the bat.

He's groaning and complaining about how imbecile the characters are, but would still watch it with you because you personally invited him. If he's lucky you could fall asleep on his shoulder or [insert movie cliche here] how could he pass that up? But Noritoshi wouldn't be able to focus on you if he gets twice as annoyed because its a bad movie + jumpscares. it still startles him, but the movie is so terrible, he's embarrassed it got him, especially in front of you!!!

if you get involved and you tell him to quiet down, Noritoshi would shift his focus towards you. like that awkward guy who thinks he's being smooth and lowkey about how he cuddles up next to you. He wants to be the tough guy who's shoulder you can hide in, and he is!! just not.. with jumpscares.......

[newspecies]

"the vast majority of legal persecution against early queers was focused on men" ARE YOU INSANE

[rick-ety]

Hi hi !!!!,, I asked this to velli as well, but I wanna know what Narrator stereotype you've personally heard the most as well ??? If that's okay :)

I saw velli’s post so I’ll try to give a different answer, and I’m not afraid to say that *I* frequently fall under this stereotype at times. I’d say making the narrator cute innocent and clueless. No offense to anyone who does this of course, I love seeing that stuff! But I would say it seems a little bit OOC. He’s selfish, and at times sadistic. This guy would OBLITERATE Stanley at any moment just for funsies because he know it has no consequences. As much as I draw it, I don’t think he would be completely lovey dovey towards Stanley. Sure they need each other and everything, but people are forgetting to add that tension. The constant back and forth, like a strained marriage. I want nothing more than for them to be cute together and all but it would take a LOT for them to get there. And going along the lines of “they’re in a time loop forever” they might fall in and out of that kind of relationship. I miss seeing more character in the narrator besides “silly little tsundere who doesn’t know what romance is.” I’ve been thinking about tweaking my narrator design to characterize him more as well, but that’s a whole other rant lol. Probably weren’t expecting this from the cute narrator guy huh /silly

[icewindandboringhorror]

boy in silly sitting positions compilation

[hearts401]

thinking abt my universe's school system and deciding to draw them working on an essay

[themyscirah]

Ok game time which 3 series would you just DIE to get a run on ? I'm talking full creative control, can be as a writer or an artist + plotter if that suits your vibe best

My 3 are

Suicide Squad

Wonder Woman

Green Lantern Corps/Green Lanterns

(in that order)

[velaraffricate]

so I've been working on my latest conlang, irkan osla (or just osla for short), for a bit now and would like to showcase its writing system in this post! osla has a syllabic alphabet, not too dissimilar to korean hangul, where letters are stacked according to certain rules to make syllable blocks.

osla's syllable structure is (C)(C)V(V)(C), here's how the stacks work for each type of syllable:

all letters have small, wide, and tall forms depending on their position in the syllable. here are all the letters with their IPA value and romanization:

and here's an example text! i translated parts of the minecraft end poem into osla. maybe i'll make another post just focusing on the grammar when it's more developed. the poem says in english:

What did this player dream? This player dreamed of sunlight and trees. Of fire and water. It dreamed it created. And it dreamed it destroyed. It dreamed it hunted, and was hunted. It dreamed of shelter.

Does it know that we love it? That the universe is kind? Sometimes, through the noise of its thoughts, it hears the universe, yes.

this post is getting long, so under the cut you'll find a "sans-serif" version as well as the poem in osla and its gloss if you're also a linguistics nerd and wanna know what's going on under the hood (the roman numerals stand for the 3 noun classes)! thanks for reading!

The way regular people would write something quickly on a piece of paper with a regular pen is an aspect of creating neographies that I feel is often overlooked, so I developed this sans-serif version that people would probably be more likely to use when writing their shopping lists or diary entries:

And, finally, here's the poem translation:

pak oṇḍul phan wimbakis?

DET.I.SG.PROX play-AGN what dream-PST.3SG.I?

pak oṇḍul lümaṇiuṣerothi han buloni an wimbakis. kaṣkhaothi han nilothi an. wimbakis, run sëmamkis. wimbakis, run xokthakis, han bumxokthakis. zöga an wimbakis.

DET.I.SG.PROX play-AGN sunlight-II.SG.DAT and tree-II.PL.DAT of dream-PST.3SG.I. Fire-II.SG.DAT and water-II.SG.DAT of. dream-PST.3SG.I, that create-PST.3SG.I. dream-PST.3SG.I, that hunt-PST.3SG.I, and PASS-hunt-PST.3SG.I. shelter of dream-PST.3SG.I.

ṭauraka, run kaak samare? run glutsüna flia?

know-NP.3SG.I, that 3SG.I.ABS love-NP.1PL? that universe kind?

imba ethamo, khaṣiŋli an ka’am hu’aŋni pitë, glutsüna ṣaraka, ti.

some time-NOM.III.PL, noise-ACC.II.SG of 3SG.I.GEN thought-NOM.III.PL through, universe hear-NP.3SG.I, yes.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[orcelito]

Like OK so I've been reading a fic with trans wolfwood in it that is so. HONEST. About how it affected him and still affects him. In a way that's very much not an average cis writer portrayal of a trans character.

Like. Either this writer is trans or did plenty of research, but it just feels REAL to me. And it has me thinking about my own way of writing trans Wolfwood.

I'm not there yet. But I've been thinking about it. The ways that what the EOM did fucked him up... but it also acted as HRT that affirmed his gender. So what do you do when you're in a body you don't recognize, but looks much more like a man than ever before? There's some gender euphoria in a way, but dysphoria at the same time bc you didn't grow into this. You didn't watch yourself transition. Suddenly you just Were this, and it's not you, but also it's nice to finally be seen as a man, but it also feels wrong to feel grateful for any part of what they did to you...

On and on and on

You see? This is what I want to think about with him. This is why trans Wolfwood is so compelling to me. It's just so Complicated, he'd have such Complicated feelings about his body and the way he lives with it. He learns this new body, it starts to feel more like his, but he also mourns the fact that he didn't get to watch it grow into this like he should've.

That kind of thing.

[jadzio-writing-prowess]

sooo i decided to give it a try at countryhumans/humanization of pp countries

(I hope i did that right) (definitly somewhat inspired by kajenus (i am not immune to propaganda hjhgjjh))

also some silly sketches and a lil explanation for em:

so arstotzka kinda can fly, its just never in a way he wants/expects

when he gets angry, he gets more similar to a bird (maybe not that cartoonish, more similar to an actual bird he's based on)

(this kinda connects to my bigger idea for them, but for now im not so conviced/have any strong ideas for these 2 with it)

kolechia used to have a braid, but doesnt now for reasons. the cut isn't clean

also some altrenative outfits/just wanted to draw them again

tw for blood

[chiiyuuvv]

Hey bnd stans, if you're ever reading boynextdoor fanfiction and come across @wonsungno please run away. They've stolen lots of works from another actual author yet they don't see the problem with it?? Idek man this person is veryyyyy delusional.

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[rearranging-deck-chairs]

obsessed with their different reactions to being called starcrossed lovers

[rafyki]

Rereading Percy Jackson and I'm sorry I have definitely not changed from ten years ago, Percico is still THE ship for me