#i dont feel like i have a good idea of what i want who i am like the actual me

[hoshinasblade]

you are so close to gaslighting yourself into thinking that maybe, just maybe you have already told hoshina's mom in the past what your favorite tea is.

the problem with that thought is today was the first time you met the mother of your boyfriend.

you denied it in your head - for all you know, perhaps mrs. hoshina is just really a good at guessing. that, or you are going batshit crazy.

because at that very day, people you have met for the first time - people who may be friends with hoshina soshiro but are practically strangers to you - seem to be aware of small details about you.

captain ashiro complimented you on your blue dress after shaking your hands, saying it's obvious why it is your favorite color, emphasizing how it brings out the intensity of your eyes. even okonogi, who you know works directly with the third division's vice-captain, had a specific joyful aura on her friendly face as she offered to hang out with you in the future, mentioning how she is a fan of true crime documentaries too and suggesting in the same breath that you should try the pudding sold in the headquarter's cafeteria.

you could have let all of that go if only you did not blush like a teenager after hoshina's own older brother called you by your childhood nickname during family dinner.

"i'm sorry." hoshina's hand found yours, his thumb drawing patterns on your wrist. he knows you'd been on edge since morning, and although this is entirely your idea - meeting his friends and his family in one day - he wouldn't blame you if you're overwhelmed.

"they did their research on me or something," you tried to laugh the nerves away. it didn't work.

"ah." hoshina suddenly looked guity. " that. well -" he stopped for a moment, gathering his wits, choosing the right words to say. "i mean, it makes sense that everyone who actually knows me would know about you, really."

you wanted to joke as a response; you wanted to say that he's talkative and tends to yap for hours about stuff he loves so yes, people around him would naturally know things about you. but then you caught yourself because this is yet another confirmation of what hoshina soshiro had been telling you for months now - that you are someone he loves.

you did not know being known could feel this sweet.

"huh. do you reckon i can extort them for information about you next time?" this time it was your turn to grab hoshina's hand, and with your forefinger, you traced three little words on the warm skin of his palm.

[author's note: hello guys, i know i haven't been posting a lot anymore, but i am thankful to everyone who still remembers this blog - yes i can read your asks, yes i see that you've tagged me in a fic, yes i checked my notifications in this blog every now and then. it might take me long to respond most of the time so apologies in advance but please know that i appreciate all interactions from everyone.

also i dont need to remind you but i don't tolerate copy-pasting or reposting any of my works anywhere. i read a lot from here too, and other writers can attest to this as well - we know if a line or a paragraph from any of our works is copied and/or reworded. ]

[jamiepaige]

Constant Companions Closeup #2: NOT QUITE THERE

(also on spotify!)

b-b-back once again

Round two of the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was track one, Dyad - today is track two, Not Quite There, featuring the incomparable telebasher!

This one's a bit of a dark horse relative to the rest of the album, but it may very well be my personal favorite song on the entire thing so dammit let's Yap

---

For the uninitiated, this song pulls heavily from a song off my previous album called Gummyworm, both in vibe and by very directly quoting its synth motif.

Both of these songs deal with two sides of the same emotional coin. I actually don't want to go into too much detail about it - I feel like the lyrics spell things out clearly enough - but I will say this:

When it's all you know, it's easy to believe that a love that isolates you, a love that doesn't respect you, a love that hurts is better than no love at all.

You deserve better. There are always people who genuinely want what's best for you, who want you to feel truly loved. It certainly isn't always easy - it's genuinely good if your interpersonal relationships have a little friction sometimes - but love should make your life brighter.

You deserve a love that's fair.

---

The original version of this song was actually intended to be on Bittersweet alongside Gummyworm. The original concept for that album had a whole heady concept involving duality, songs reflecting each other, the two halves basically being reprisals of each other... Ultimately, I'm glad I scrapped that idea, because it was waaaaaay too much for me to manage after a couple years of barely making music. Maybe I'll revisit it someday though?

The drums on this song are sampled from an Instagram post by Louis Cole, where he's doing this crazy one-handed hi-hat blast by holding a drumstick sideways. I'm a drummer and that shit genuinely scares me a little like i dont know how he does half the things he does its fucked BUT. I bring this up because he's one of my biggest inspirations as a musician! I'm really big on jazz in general, in case my love for spicy chords wasn't enough of an indication, but his specific brand of freaky hyperactive bullshit just does it for me.

Seriously, go watch his band KNOWER play their song Overtime. Absolutely insane performances across the board. also Clown Core

This whole song is really just my attempt at matching some of that hectic jazzy energy with my own style of music, so I figured it only made sense to make it another collab with another musician making delightfully frantic jazz bullshit - the legend herself, telebasher! I really am such a massive fan of her work, and I struggle to think of anyone who plays guitar quite like she does. We previously worked together on another Bittersweet track, Asemic Speech, and her guitar work is a major reason why that song is still one of my favorite I've ever released!! She's just built different like listen to this oh my god!!!!

Lastly, since this song was one of the first written for this entire project... it is admittedly a case of me shoehorning the album's leitmotif in after the fact. It's a little forced when it shows up in the backing vocals! But, the choir of vocal synths during the guitar solo served an additional purpose - my own voice doesn't show up on the album again for another four entire songs, and this would've otherwise been the only song on the entire album that didn't feature any vocal synths. Thus did I attempt to bridge the gap, as it were. Hopefully it makes the final product feel more natural!!

Either way, that's all for today's post.... i think.... which means that tomorrow.... we're gonna rot.... for clout

[azlovesem]

Who are you. How did you get out of prison in the first place im wondering?

they let me out. People like me Emma. They tend to turn a blind eye to the bad things i do.

why? Because theres not enough evidence to convict of anything. Orbthe witnesses died mysteriously. The one police officer said you know every killer in this city personally. I dont associate with that type of person in this city. Or any city. I read about you people or see you in movies or on tv. I dont sleep with you. I had no idea your problems were this big and bad.

too late there. Ha ha ha.

You think everythings funny i get that.

No i dont. I just have to laugh. And yeah i know people but fo you thnk id really be hrre if i fid yhe things people i sell drugs to do in this town? Who do you yhonk buys the drugs. Nit kids not lil girks not the people here i have the good dtudff i deal with hardened criminals. I am not one myself. I have had yo defend myself and my friends once or teice thats it.

what and someone died. And your a good drug dealer. What you just said makes it eorse. You know the difference between right and wrong yiu just font give a fuck for money. Maybe you dont sell to anyone here maybe you do from what i heard.

hardened criminals.

i feel bad for you. Worse than i do for those hardened criminals. A lot if yhrm vome from horrible backgrounds. Youre the eorse person who is organized with otber lazy spoiked rich kids out in south eindsor who youve corrupted into growing and hiding and selling stugs for you everywhere. Where do uou yhink those drugs go after you sell large smounts of them yo those poor people? To tye people im trying to help. Oh my God im do stupid. I have horrible taste in nen its yhe only real oroblem i have. I asked other people. Youre dudlected of cold blooded murder you are an expert car thief and break and enter artist. Youre violent. Youre sn armed robber. An gun smuggler with vonnections in Michigan God what else font i know?

no secmxusl charges. No reallybweird shit or eoman abuse or pimping. And im ex all these things by the way if its even true. Never been proved.

youre sn asshole.

yeah but i maje tou laugh and cum and im funny.

so what thats a two week affair. Now i see you are the reason i do this and that is not good. Get out of ky office. I dont want you comng near ne. Yiull see Jasper now concrrning your file. Hes gonna love you.

not like you do though.

i dont live you infuckn hate you.

thats ehat they all say. But ya dont. Ya hate life.

emma stone

[rxttenfish]

as wwdits rounds out its final season, i cant help but think about how the movie ended. as in, the first movie, the one that started this, before the tv show, the one that put forth the idea to have a tv show for it.

which is, if you know how wwdits the movie ends, you know it ends disappointingly. viago reunites with his lover, yes, and transforms her into a vampire, but this is also the only real closure or straightforward happiness we get. vladislav got back together with his ex in a relationship that was unrewarding and harmful to both of them, the ex-familiar immediately makes her husband her new familiar, petyr is dead for good, and what we see of the werewolves is still tense, still clearly not the best situation nor what stu wanted, who went through something traumatic without a lot of closure. its a point being made about cycles repeating, about the disappointment of eternal life and being unable to escape all the same problems that you had as a human, about vampires never changing.

and i kind of worry, because i feel like this kind of disappointing "let down" ending is the kind of thing that would also be appropriate for wwdits the show. the vampires dont change. they try, and they attempt to break the cycle that theyve been following ever since they were made vampires, but they just cant. in essence, they all feel deeply depressed in a way that they cant actually name and refuse to acknowledge, and everything weve seen suggests that vampires will do everything they can to REFUSE to acknowledge that.

but its also the ending that i think people will hate. i think people want them to be happy and they want nandermo to be happy and a couple, they want everything to work out, but i dont think it will. and i dont think the show is any worse if it doesnt work out, if it doesnt end happily, if it continues the cycle of dissatisfaction, if it feels like theyre all just treading the same water. it doesnt make it any less impactful queer media, it doesnt undo the pride parade episode, it doesnt make what its done go away, it doesnt take away anything it already has.

i dont know. i worry a lot about people feeling like they are owed happy endings in media thats fundamentally disinterested in there being a happy ending.

[mikeellee]

I always feel like Izuku deserved better during that whole forest camp training arc and the following kamino ward arc. He saved a child from a supervillain all by himself and received no acknowledgement (yeah kota started to respect him) followed by aizawa just crapping on him again. Izuku was the one who made up the plan to rescue bakugou and again received no acknowledgement for it except all might who punched him first.

Bakugo sort of acknowledges only kirishima and it's completely treated like he's the only one who rescued him, screw everyone else.

And let's not forget Iida punching his face right after he got out of the hospital.

Hi @izubun-33

Thanks for the ask, I love receiving ask and how we do have different opinions on certain characters.

I was mulling this ask for a bit (my fav word: mulling) so let me ask this back, if Izu was kidnapped you think anyone would try gaslight anyone to save Izu? Bc what Kiri did was gaslighting and emotional manipulation even if it wasn't intentional...Izu was in the hospital bed, fucked up after facing Muscular and help A1 ...what he gets? "Help save kaachan" and he doesn't look like the typical "my friend is in trouble"

Bk is treated as the main character (to this day, shocked kaachako didn't happen as hori HATES Izu but then again, no one is good enough for BK) and Izu is the gag character.

Its insane how disrespect this character is and how unfunny and unfair this is!

Momo makes a good analyses? She is so smart

Izu makes a good analyses? He is a loser.

Am got inspire by Izu....BC HE WANTED TO SAVE A POS and after that....never again. Saving his abuser impressed am to the point he had to make a heir ....(No, am didn't know bk is his long life abuser which PAINTS AM IN A BAD LIGHT. I THINK HE IS AN IDIOT) But think of the scene: Izu risk his life to save a PoS and is "reward" with ofa which is a shitty quirk ...and then...AM does nothing else for Izu nor says anything positive about him.

@bibibbon mentioned this before how it is more "forgiven" for Iida to punch Izu(I don't but I can see the logic) as he is a teen and bla bla, I get it. He was worried and lash out. I DONT FORGIVE Iida for that but I can understand the idea and if the text wasn't so anti Izu...they could have talk and Iida could have apologize. AM punching Izu? NO! and makes an seem a hypocrite.

"Gran trained me so ruthless, I'm scared of him" and then punches Izu without hesitation.

Mha is a very frustrating manga. That breed very insufferable people who mock Izu or think LoV is their happy go lucky Robin Hood and if you disagree you don't read the manga or think BK has the best redemption arc ever...which is a fucking joke. Bk didn't change, the world did.

A1 never was friends with Izu. Never.

Izu ends this shitty story friendless

He has a shitty mom. A shitty mentor, fake friends and a awful quirk. (Awful in the sense, it gives him pain, pain and pain and no one cares)

[sevs-corner]

Back to more ideas on Tf 141: Mafia AU!

(Im world building rn + epilogue/ extra scene to the 1st Chapter)

Link to prev part:

So I was thinking how, the relationship would build between the 5 (Tf 141 and reader) naturally, ‘cause I want the story to build off of like small interactions and one shots but sometimes have like, coherent chapters in between to stabilize the “plot” per se.

(Im rusty with my writing skills and I kinda dont edit, ‘cause this is just practice for me but still lmao)

And I want it to be something gradual (just call it slow burn, they say) and I know I write interactions in a slow kinda way where it bounces back and forth from person to person, showing the reader’s perspective then subtly shifting to the character’s perspective— but I think I want to experiment into that, focusing more on dialogue and conversational exchanges that shows how close their relationship has gotten.

For ex, I was thinking how Soap was still wary of reader in the first chap- not as affectionate as he is with his mates right off the bat, he’s wary and it comes naturally in his line off work. You’re an oddity sure, but its not like he’ll put down his walls for you (yet). His speech is rough and clipped, not wanting to reveal much but letting you be privy to the information he can provide- in the mean time anyways.

Yet , at the same time, I want to show his attraction—

He’s enamored and has (maybe) a little crush, but who wouldn’t when you’re so pretty? Sitting there in the room where they grew up, blanket lazily draped across your form as your barely awake self tries to wake up on his bed, hair poking out in all sorts of places, drool dried at the side of your mouth but damn did he think you were a fresh sight to see in this city.

Maybe you were seducing him? Or was it the allure of the domesticity that was lacking in their relationship? He puts those thoughts to the back of his head ‘till he waits for the news of that meeting he was left out of last night- he feels its important when checking out who you really are.

They can’t afford to be careless, but on the other hand- you kinda were, when you first met them unfortunately, that is. Absent-minded and clumsy, that was what he thought of you as he stared at your tripped up self, sadly sitting in a puddle in pain. You were pale, shivering, and simply a mess.

Honestly, the more that he thought about it, the more it didn’t make sense to treat you like a threat. Well, at least not an active one at that. You could have been having an off day as a spy or an assassin, but if it were him— he wouldn’t be caught slacking like that in public, whether people knew him or of his occupation either way.

He could even see how you lowered your guard! Jeez, you should be more careful- especially with people like him and his mates- if you’re new to the place. He thinks you might be a lil’ looney for going to this place, especially that part of the city when all of its occupants know that it was mostly a dangerous area to get in to and stay at.

As the neutral hub for all of the mafioso around the cities, it is the one place for regular folks not to get involved in. (Unless you want to meet them of course, but he doubts that was your intention… or, shit- it could have been, considering how Price found something on you.)

Now he thinks of you as a potential client, which makes him feel worse of how off-handedly he treated you.

He knew he was gettin’ an ass kickin’ from Ghost if you were, surely.

Alas, what done has been done- at least you still treated him normally as he left, so he thinks he left a good impression.

Though, that wasn’t at the forefront of your mind right now.

Quite literally, you were being worked to the bone for information from the old Italian couple that helped you stay at their lodgings at the 2nd floor of their bakery.

“‘It’ll help un-fuck my week,’ they said but all gave me was a hope that my minimum wage self has to fight for as they get free labor in return!”

But you don’t dare say that, knowing you were speaking out of turn and out of misplaced anger so you keep your mouth shut- cleaning up the bakery for the opening in the morning.

The couple was sweet, but they were also strict, telling you that “you should move your arse so you can sweat off the sick!” Which… you didn’t want to make sense off so you just nodded, asking if that was the compensation for the information of finding your place, and they agreed. On the stipulation that you work and do all the chores on the list they handed you, making you gape and about to ask for a little consideration— but they quickly disappear, out of sight and out of mind, they say.

And you think that was better before you started mouthing off, not get anything, and then end up lost once more— which you wanted to avoid at all costs so you did sweat off the sick.

Albeit, you looked worse for wear.

Which Ghost bluntly points out as you waited their table.

…let’s just say that it was an overtime work-shift that you didn’t get money for and old italian people were slave drivers.

(yes, i made the love-hate relationship start with nonna and nonno)

[bgbrry]

On My Chemical Romance, dictatorships and comfort.

So my very initial reaction to the Black Parade tour announcement was, while not entirely negative, definitely frustrated. For the past several hours I have also been trying to understand why. I knew they were doing something based off TBP, but something about that made me inherently uncomfortable in an odd way.

Rationalising it to myself, it made perfect sense. This tour is almost a bigger scale version of one of my favourite stunts they ever pulled - WWWY2022. We have a parody of their old self, performing as a rotted corpse of the band they used to be for an audience that will cheer regardless, as long as they hear the songs they recognise, that dont put them outside their comfort zone. And then we have the very idea of MCR parodied as a dictator the very next day. It served not only as incredible satire of cash grab tours and nostalgia festival, but a critique of the way the band is perceived by the fans.

So if its not discomfort with the theme, what could it be? Maybe it is the subversion of the "secretary" character, who I have analysed in a completely different manner since the day i first saw that leg of the tour? Perhaps, in a way, it is odd to feel as though a concept you have been enthralled in for so long is snatched away from you and turned on its head. But isnt that what always made me like this band? The unconventional storytelling, the twists and turns they pulled?

In my initial post complaining about a hypothetical TBP continuation I proclaimed that any material that isnt entirely original would be a disappointment and underwhelming considering the themes of Return tour. But why do I think that? Isnt it hypocritical, for someone who values Return as a masterpiece to put this baseless boundary in place without knowing what I am talking about just yet? At what point does the idea of "Reimagining your own legacy through a corrupting force that forever alters it" become worse because it is more explicit? How am I not at that point complacent in being the very force that puts My Chem in a box of expectations i built up for them.

And that is pretty much what I came to for now. It is one am and I cannot get it out of my head. My own expectations for what "The New MCR project" were going to be, are held up by my own unconscious desires and understandings of what "good art" is, based on the very world that oppresses people like me and those with their head under the boot of this system. The idea that a new album has more inherent value than performance art, the idea that a tour is motivated by monetary reasons exclusively, the idea that the concepts and characters that bring people comfort and nostalgia are too precious to be tarnished by something new. The tour has not even begun and I already got caught in its trap of complicity to the system that can bring me comfort.

When I was recording a voice message about this announcement, I had to go past two cops, and I couldn't say the word "dictator" as I did not want to get in trouble with them.

I do not want to be this complicit. I wanna hear them out. Especially if it makes me uncomfortable

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[ganondoodle]

the company i work for decided that its switching from the german formal "You"(Sie) to the informal "you" (Du) in all of our websites so now we have to scour the entire database to change it and i quite frankly hate that, not just bc the unecessary extra work but especially bc its such a weird and unecessary change

i bet its bc everything here is getting englishfied (both literally and culturally it feels like, when my new boss talks its half in english bc every second german word is just replaced by an english one despite there being perfectly fine words for it in german too, its so annoying) and bc they want to sound more personal in hopes of getting more clients bc 'company is your fwiend uwu!!', i know this here is the amercian tm site so you wouldnt understand really but i do not want to be greeted with 'du' by companies, no, thats too personal, you dont know me and im not giving you my data, stay away!!

i guess thats how i would describe it .. the formal you is like a polite distance, like someone you dont know staying outside your personal space, but when its the informal 'you' it feels invasive unless i told you you can call me that, and that goes double for companies

maybe its a small thing that doesnt seem important but i cant stand it, im just a little part time worker doing data work so i got no say in it but the companies founder also announced hes giving his post to his kids some time ago so ...... since then theres been alot of changes and new projects that solely aim to imitate whats popular and whats done by other companies, despite ours being one that is, or used to be, intentionally different, like, that was the POINT, but i guess chasing trends is just too appealing for CEOs

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[lemongogo]

more

[crescentfool]

having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!

[perilegs]

my sweet little baby man is no longer with us

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[cent-scratchnsniff]

i was rereading the story dialog for the sephirah while ago (upper layer so far considering i have a doc to contain all of my ramblings and thoughts once looking it over and getting actual lines to be able to know exactly what was said to base my feelings off of rather than the pure unfiltered pain or i suppose somewhat shock at first and those garbled memories of what happened) and after reading tiphereth's and then going to netzach's again it's just.

imagine you have to see what is deemed your other half, the person keeping you sane, your only companion you actually love and like, your literal ‘twin’ have to get crushed but some bum that never does his job and can easily be seen as 'not meeting standards' does get the same treatment at all when your own brother had been destroyed for less like spiraling into some dangerous stains of thoughts (thought be fair he did end up not as respondent and at that point already had what i'll inadequately describe as 'memory leakage' . But from the general idea of the side of tiphereth). he'll be more better than that drug addict ever will be in her eyes, someone who can't even do a report on time and even then is half assed to where at that point they'd just do it themself in the first place. he'll be way better, someone who is quite literally her family. yet why is her brother the only one that needs to suffer through that constant degradation of the soul? the constant wiping of the self? the memories made and lost? why the hell is someone that should deserve it in her eyes, someone so unmotivated and lazy, someone who she deems as a person not able to do a single thing right, not having that happen to them? why is it the person she loves so dearly, so close to her that she wishes would've stayed instead of some now hollow husk and imitation of imprinted memories when that hasn't happened to Any One Else? why does she have to go through all of that, having to see someone that she used to know and adore turn into a hollow husk and imitation of what once was - having to feel as if shes already looking at a walking corpse with memories shoved inside - just for someone like Netzach to not end up crushed to pieces.

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.