#i don't think this rant made sense

[verysadlesbian]

I finished the episode about half an hour ago. I still don't know what to say. I feel like i need to be sedated. I drank five cups of water and two glasses of wine. I need to smoke more weed. Or to kill myself. i don't know what to do. I guess i'll just have to accept that this is the best tv show i've ever watched in my whole life and that i'll never be the same again. I guess that i'll have to live with the knowledge that everything else will seem dimmer in comparison, that it raised the bar so high that i don't think it will ever be topped by anything else. And i'm angry. I'm angry that it doesn't have the acknowledgement it deserves. These actors deserve all of the fucking awards. But also, I'm glad that I got to watch it. I love the fact that I, in 2022, remembered the book that I didn't care much about because the protagonist was a slave master, but I've always loved vampires, so why not watch the show they adapted with a black main character?! I'm glad that the younger version of me thought it was going to be a good escapism. How naive of me. There's no escaping. The horrors of humanity and the beauty of the curse that we call existence will be felt, no matter what. We might as well just accept it... anyways, can't wait till season 3.

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[celtrist]

Why does Vassago already have merch, we haven't even met him yet

[magnusbae]

Never in my life did I watch something quite as ridiculous, pointless, without any coherent sense of direction or self as The Acolyte. Start to finish it created its own 'threats' and 'issues' to artificially stimulate a plot that never had a single point to be made. What on earth were they thinking? Nothing in this series follows its own internal logic. The character motivations are all over the place and often simply contradict themselves within the same episode. The intrigue and the foreshadowing all come to a null when the reveals literally are not in par with what was implied and just generally--- what on earth? You cannot say I did not come open minded. Watched all the episodes, given it grace and opportunity time and time again to prove itself but--- no, no it's actually just the worst tv show I've ever seen, and that's a serious claim as I watched quite a few bad ones I enjoyed more than I did this one. Don't even get me started on how fundamentally lacking they are in understanding what the Jedi are and who they are as an entity, there was no idea of the self or the values or even codes of the Jedi in this show. Something that could have been such a wonderful and intriguing show, with visuals we all were craving (Jedi Temple) it ended up being below mid-show, shot almost in its whole entirety on a planet that looks 100% like earth with zero intriguing visuals or anything to justify the monstrous budget they had to burn through. Wow, kudos on creating something so empty of meaning I am not even angry after watching it, only baffled that someone actually wrote it and someone actually thought it was good enough to film. Damn.

[uncanny-tranny]

I was always enraged at the way capitalism has devalued some of the most important labour in human history, but now I'm even more angry since I have started getting more into crafts.

So many people are alienated from the world to such an extent they don't realize how fucking important textiles and construction and art and culinary labour is, because its all ubiquitous under capitalism: it is all profit, and if it isn't profit, then it is worthless. People don't realize just how revolutionary all of the labour was, how important it is, and was, to our survival. And that enrages me.

[nobodysdaydreams]

Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.

[tswwwit]

What are some ideas you have floating around that you don't have any plans on writing but like to entertain as a thought?

Many of them, in fact! Though they sort of vanish from my memory if I don't make a record of them, here's a few ones I jotted down when they came to mind.

For a domestic one: Bill thought he'd hate a lot of being married! Even though he loves Dipper, he thought he'd rebel against the chains of domesticity - and in some ways he still does - but one major benefit he's found is not having to be 'on' all the time.

No need to be perfectly performing all the time! No shoving around for social influence, no intimidation, or clever tricks. No commanding attention or taking up the room. Hell, there's surprisingly little upkeep! Bill can undo his tie and pick his nose and bitch about his day to someone who isn't bending over backwards to agree with him on everything. Someone who doesn't give him a weird look and sneer if he, god forbid, actually wants to sit down, read a book, drop the grin for an hour or two.

The concept in question is Bill's very first moment of great surprise. That when he isn't being the most charming, terrifying, and exciting guy in the universe, and just chilling out for like, five minutes, Dipper comes over and snuggles up to him on the couch, or wraps his arms around his shoulders and kisses the top of his head. And when Bill asks 'what was that for?', Dipper shrugs and goes 'eh, just felt like it'. It's both baffling and extremely compelling.

A short where Reincarnated Dip is Definitely Sure he's Not Gay!!! Especially not for this Hot Demon Man who is getting so close and touchy with him with his big smile and horrible wiles. Yep. Just keeping an eye on him to make sure he's not up to something Nefarious ™.

A discussion between Dipper and Bill where Dipper insists that Bill should understand this, or not do that, because, like. Y'know, Bill's a guy! There are guy things! Making Bill stare at Dipper like he's an idiot. He proceeds to informs Dipper how that's stupid for multiple reasons! First, that Bill's Not Human to begin with, his gender can't be put into a little box! And frankly, he never filled out the paperwork for his original one, come to think of it. Sure, he/him's fine, but c'mon, sapling, thinking of the whole shebang like a binary is dumb as hell. Now Dipper has to do some mental readjustment re: his own issues with masculinity/gender.

[blueskittlesart]

I know you're not fond of Twilight Princess, but what would you think if they brought back worldbuilding elements from it (the Twilight world and Midna, mainly) to a newer game? I'm not familiar enough with the series to know a whole lot, but that stuff at least seems really neat to me from my secondhand knowledge, but if Twilight Princess was as bad as you say... I would love to see them revisit it somehow with the BotW/TotK continuity.

i have this. thing about twilight princess. we know this. but genuinely even looking at the lore from an objective standpoint i think trying to pull any of it into other games is a bad decision at best and actively detrimental to the new game in question at worst. there are two main reasons for this:

the first is that mainline, non-sequel zelda games have a general rule about standing alone. in order for the games to remain accessible to players of all ages and backgrounds, every original (non-sequel) zelda title has to be able to function as an introduction to the franchise, meaning any lore required to understand the story must be exposited WITHIN the story of that game. the few lore-points that HAVE been adapted from other games (sacred realm, oot ganondorf, talking sword) are generic enough that they can be explained briefly within the story without taking too much time away from the player's journey. while those of us who ARE versed in the lore might have a deeper understanding of the overarching implications of these elements, NOT understanding the history behind them isn't going to impede your understanding or enjoyment of the game. for example, this is likely the practical reason why fi was never named or appeared in botw beyond her generic sound effect and the glowing of the sword, because even players who don't KNOW fi are able to tell from context that the sword is magical and is speaking. not knowing who fi is doesn't impede your ability to understand how and why the sword is speaking, given the rest of the context of botw's story. the two elements of tp that you mentioned, the twilight realm and midna, are VERY difficult from a writer's standpoint to work into a game without requiring the player to understand the plot of twilight princess. neither element easily fits into a new cycle's story without requiring a ton of expositional explanation which will inevitably take players out of the story, and relying on convoluted lore that new players won't even be familiar with to drive your story just sets you up for failure.

the second reason is that, from a writer's standpoint, neither midna nor the twilight realm were well-written enough in TP to be compelling. lmao. If you're going to adapt world-altering lore like the twilight realm into consistent canon, you need to have a firm grasp on the implications of adapting it. even the writers of TP had no fucking clue what the twilight realm was or where it came from or how it tied into the existing world of hyrule at all. literally the first sentence on the zelda wiki for twilight realm history is "The Twilight Realm's full history is incomplete." adding something like a new dimension to your consistent canon is world-altering. when you do something like that, it HAS to be thought-out and for good reason, or you're just confusing your audience unnecessarily. IF the twilight realm was to be brought back, it would HAVE to be with explicit knowledge of of how it effects the narrative and theming of the story its being written into, something that wasn't even present in the game where it was introduced. the same goes for midna; if you bring her back, she needs a reason to be there. she needs narrative weight and thematic consistency with the entire rest of the game, things that were barely present in her original story. ripping these elements out of their own game and tossing them into another only makes them more likely to feel out-of-place and confusing to players. And to be completely honest, almost anything that writers wanted to accomplish with the twilight realm could be done just as easily utilizing the sacred realm, an element which is already in consistent canon and is much easier to write into a given story than something as mysterious and confusing as the twilight realm. with midna, almost anything that she would accomplish could be accomplished by a game-specific guide character, which is already staple of loz anyway. using a game-specific guide character would also remove any potential confusion for new players who lack the context of midna's past appearances. the only reason you might NEED midna as a character is if you ALSO have the twilight realm and specifically require a twili guide character to explain it, but. for all the reasons stated above. you shouldn't have the twilight realm. lol

[carbonbasedmatter]

I just think it would be funny if we called troy x britta/tritta or whatever they're called michael jackson² 😞

[hermitsdump]

I wish all jujutsu kaisen fans a very media literacy and manga reread

[phantastragoria]

do you have a favourite portrayal of a character in the gotg game!! who is it and why <3

Oh I think they're all great honestly!!! Part of why I love the game so much is that genuinely, the whole team + supporting characters are written with such obvious love of the source material and equal attention between them all. When I see comments of people saying who their favorite character was from the game and the answer always being different from each person I'm like!! That's how it SHOULD be!!! They're the Guardians of the Galaxy (plural) the focus shouldn't all fall on a singular character like most other GotG media usually ends up as 😭

The two (sorry I can't pick just one) whom I think benefit the most from the game though are Drax and Gamora because they're almost always sidelined both in-and-out of universe by most of the various writers (especially as of late) and in turn the viewers/readers. I've been told plenty of times that they're the most boring members of the "main" team, BUT IT DOESN'T HAVE TO BE THAT WAY! The amount of love the game versions get (by the few who've played it at least) proves that 🥺

I've never really liked 616 Drax shifting to being a complete clown during the 90s and such (and even less so when the MCU followed along 💀) So I appreciate the game taking a bit of his seriousness from the DnA run and just making him struggle with nuance and context clues in a less exaggerated way (autistic Drax I still believe in u) and I feel the focus put on him and how losing his original family + the aftermath deeply affected him hits pretty hard here because it's treated very seriously and shown in depth, especially with how his family (wife) gets actual focus. I cannot tell you anything about Yvette in comparison to Hovat, who actually seemed to have had a personality lol (AND she was on their village's council like omg imagine having more to you than just being The Housewife) Though I will say I flip and flop on my thoughts about Heather being disconnected from Drax's life in this universe... The TLDR is that I think his arc here specifically works stronger when he has to come to terms with losing his entire family and accepting the life he currently has with the Guardians. BUT!!! I very much appreciate that Heather is still confirmed to exist within this universe, even if that means her dad issues would have to be dealt with in a different context if we ever get to see her.

Also? Shoutout to the writers actually bringing up the intense paranoia that always kneecapped 616 Drax but having that be a turning point in his backstory here, with that conversation he has with Peter where he talks about how he was becoming so paranoid of everyone being a chitauri/Thanos conspirator to the point of literally turning into an obsessed maniac like Thanos, and realizing that he desperately needed to turn his life around, it's so ough.

Out of the already many great conversations throughout the game, I think the ones with him are the most poignant. My favorite scene in the whole game is Drax and Pete's little moment on Knowhere... makes me go wahhh

(l also love that out of everyone on the team, it's his headspace that we quite literally get to go into. You KNOW that if this was any other media it'd be going into Rocket or Groot's head and likely treated as a joke.)

And oh my god, Gamora...

I find it so extremely refreshing that her role in the plot doesn't revolve purely around the men in her life, and instead, it's nearly exclusively her connection with other women. Or in the most direct obstacle she has to deal with, being how she starts projecting to the millionth degree on Nikki's situation for reminding her of what happened to her and Nebula. I find that infinitely more fascinating as a reading of her character rather than just dating drama or her arc getting completely overtaken by a man's instead.

And especially in her friendship with Mantis, who, despite having all these futures she's constantly seeing and having to navigate, still makes time to do her best to help her 🥺 From saving her life and being the one who put her on the path to healing on Lamentis, to getting her to join the Guardians and still checking in on her when she's able 😭 Friendship between women can be so powerful... u love to see it (🏳️‍🌈)

I also find it nice that there's this emphasis on her recovering mentally, and the comparison between Thanos essentially teaching her to just Deal with the shit in her life through very simplistic meditation versus the priests of Pama actually teaching her something to help soothe the mind :^( and that she still has moments of relapsing essentially. I find that to be a realistic take on recovery because that's just part of the journey since healing is not linear... and I think it's very sweet that she finds comfort in collecting something ---girly--- like dolls. Love to see a person reclaim a part of their childhood that they weren't allowed to experience. And how she's allowed to make BAD JOKES?? Imagine a woman being written to have multiple dimensions, crazy and absolutely unthinkable, I know.

There's this extremely specific theme in relation to Gamora across media that's been rattling around in my brain since first playing the game. When near the end during the revisit to Knowhere, she's about to completely lose it when Peter tries talking -for- her on what she's so upset about before immediately shooting him down, and she explains what happened between her and Nebula and she starts crying. It really struck me right then that she's never given a moment to cry elsewhere (or in the 616's case, the quite literal inability to.) aside from her shedding a Single Manly Tear (Original Sin) or a single moment out of legit fear (MCU 💀) because she's a hashtag Strong Independant Woman who can't be vulnerable etc etc. But for her to cry in front of the people she's come to care about, It gives her a moment of true vulnerability that I don't think she's allowed ever in most other media.

That and all of the above hits hard and is what makes me genuinely believe that the writers cared about her in the narrative and tried to do right by her when every other bit of media really hasn't nor cared to the majority of the time since the 90s :'^/ Brings a tear to my eye that she's allowed to just... exist in the narrative on her own merits and not on what she can provide to someone else's story.

[tommyssupercoolblog]

hey how much is sapnap and matpat in the new tommyinnit video, i want to watch but i don't really want to see them

Matpat isn't in it. Sapnap is but it's just Tommy seeing him coming out of a store, asking if he's fucked up mentally, sapnap says no and Tommy is like "nice seeing you" very dryly and sarcasticly, and leaves. A lot of people say Tommy was being a bitch to him on purpose but he has autism and I ALSO have autism so....idfk

[gynaiko]

ㅤㅤㅤSTELLA   IS   NOT   A   GOOD   MOTHER,   AT   ALL;   QUITE   NEGLECTFUL,   ACTUALLY.   THE   KIND   TO   SAY   ‘THAT’S   NICE,   DEAR’   WHILE   NOT   EVEN   LOOKING   AT   VIA.   HOWEVER,   I   DON’T   SUBSCRIBE   TO   FANON’S   GENERAL   INTERPRETATION   WHERE   SHE’S   APPARENTLY   WILLING   TO   KILL   HER   JUST   TO   SPITE   STOLAS.   WE   STILL   HAVEN’T   SEEN   HER   INTERACT   WITH   OCTAVIA   BUT   IF   SHE   TRULY   HATED   HER,   SHE   WOULD   HAVE   THROWN   A   FIT   WHEN   ANDRE   POINTED   OUT   VIA   WOULD   GET   EVERYTHING,

ㅤㅤㅤ&   WHEN   SHE   WAS   SCREECHING   AT   STOLAS,   ASKING   IF   HE   WAS   ‘TURNING   HER   ( VIA )   AGAINST   HER   ( STELLA )’   —   CLEARLY,   SHE   CARES   FOR   VIA.   AGAIN,   SHE’S   NOT   A   GOOD   MOTHER,   PERHAPS   NOT   CODDLING   OR   ‘MOTHERLY’   BUT   ENOUGH   THAT   VIA   HAS   GOOD   MEMORIES   OF   HER   ( PER   THE   LOO   LOO   LAND   EPISODE ),

ㅤㅤㅤREAD   THE   TAGS   FOR   MY   TINFOIL   HAT   RAMBLINGS ,

[eggsistential-basket]

how it feels getting trapped in a sleep paralysis/false awakening loop for 40 minutes while trying to take a nap right before having to make a phone call

[tvrningout]

tbh i understand that character deaths have to happen occasionally, but sometimes a creator will go and kill a character prior to using them to their full potential?? and it won't even hit hard bc it's not a purposeful decision. it's not " it's so tragic that gary died before his time and this arc/story examines that tragedy and how it could have been avoided. " it's " it's so tragic gary died. woulda been more tragic if i put in more work. " like i'm not gonna be sad that you killed gary if you don't do the groundwork before/after. i'm gonna be mad bc you killed a character, and it was a wasted death bc nothing interesting or meaningful happened as a result, or it didn't even need to happen.

i dunno?? maybe people will disagree with me, but i feel like so many series and movies will fall into killing characters for shock value -- or maybe there's a reason, but they poorly execute it by rushing the story or failing to ever tell the story beyond " oh these two mean a lot to each other " without much detail. and that's so frustrating when you get attached to those characters and i'm sorry to rant all of a sudden asdfg i'm just feeling salty as heck over this rn (｡•́︿•̀｡)

[animecreator3000]

Every time I rewatch some episode of Boueibu HK I wonder again how the staff even planned this season. Like. Almost nothing meaningful happens with the characters

TLDR the characters with the most developement in HK are the monsters

Kyoutarou is there as a complete contrast to Yumoto while keeping the battle speeches so his characterization doesn't make much sense. Nanao is mere fujoshi bait. Taiju and Taishi have random bits of dialogue that hint at possible arcs for s2 but not enough to tell us what it really is. Maasa has an unfinished arc in his episode, where supposedly he's putting fatty butter in his cookies to make everyone else overweight because he resents Ichiro not defending him when they were little, but then his friends tell him it's fine and then he can move on??? This would work with Ichiro's theme of not wanting to be immature or dense anymore, except they only ever used this theme as a gag (misunderstanding the meaning of whatever the others have said) or to straight up humilliate him (ep4) and continue treating him like a stupid baby. At the end of the season Maasa and him have made peace somehow and that's it. Ata gets in my opinion the closest thing to a complete arc, even if it's just staring angrily at Kyoutarou for ten episodes, then explaining his problem while fighting him and finally getting his apology and reconcilliation. At least it's something. And poor Ryouma is just there to be the butt of a few jokes about how he lets Nanao and Kyoutarou use him, be in a couple of cute shippy scenes, and also for Ata to completely dismiss him from the flashbacks to the point where if they had first met in high school nothing would've changed.

The relationships barely have developement either. Love had anime episodes and manga chapters dedicated to the different close friendships solving their conflicts and becoming closer. There were also many instances of seeing how close the Hakone brothers-defense club and Beppu brothers' relationships were, and even though they didn't have any conflict between themselves, they made them strong sides for the final fight. Yumoto didn't get a character arc but through the entire anime he was revealed to be strong, considerate, forgiving and mature, willing to kindly befriend the Beppu twins for his brother but not let them walk all over him; contrary to how he was presented in the first episodes, like a stereotypical magical girl protagonist. Anyway in HK there's no meaningful conflict between any of them besides Kyoutarou and Ata. Taishi and Ichiro argue constantly but don't show to genuinely like each other after all like IoRyuu or EnAtsu did. Ichiro and Maasa never make any progress to be together again, Maasa hints once at liking Taishi and nothing comes from it, and Nanao and Taiju have the most artificial friendship in the cast that I just do not understand. They just ran an ice cream shop once with again unexplained success and make sassy remarks at each other ever since. And I guess Karurusu and Furanui had a bit of developement thanks to Kyou and Ata in ep12. Idk about the aliens, this time it's like they didn't do it completely well but also not as bad as with the rest of the cast. Maybe bc they didn't appear as much as the humans in most of the episodes

I'm realizing now that a few of these complaints are related to Nanao acting weird

Idk where to put this but I'd like to point out Kinshiro's principles of halting the fight with the Battle Lovers as soon as he finds out that the s1 conflict was set up for a reality show and actively defending them from an attack because they're Binan students, despite still not having received his apology from Atsushi. Ata might've done the same if the HK finale's events had gone in the same order (travelling to Honyalaland to fight Wao, then Kyoutarou apologizing to Ata), but he doesn't feel as a character as deep as Kinshiro in that sense bc they didn't really show him to be in other ways.

Love feels more like an actual group of people while HK feels like they were filling in friendship group roles or something