#i don't know what they've got going on but it compels me

[fuckyeahgoodomens]

David and Michael talk about the S2 Finale 🥺

David and Michael interview with Kim Roots from TVLine, about the S2 finale. July 2023 [S2 Promo: C: I could always rely on you. You could always rely on me. We're a team, a grou p. And we spend our existence pretending that we aren't.]

KR: What happens in the finale between Crowley and Aziraphale is something that some fans have been yearning for a very long time. Was there a pressure? Did you have any conversations about what this might mean to the fandom? Talk to me a little bit about like when you found out this was going to happen and kind of your initial reactions.

Michael: Well, you know, the relationship between Aziraphale and Crowley, obviously, is something that the audience seemed to really warm to, and obviously was part of why the idea of doing Season 2, you know, seemed like it could be something that could work. Following how that relationship develops has been something that the audiences have really got into. So we've taken that very seriously, and Neil takes it incredibly seriously. So tracking that relationship and that journey between them, because obviously on the surface, they seem like they're complete opposites, and yet clearly, they're kind of compelled towards each other in all kinds of ways. And now that they've been being cut off from their respective head offices, they only have each other, so that pulls them together a lot more, doesn't it? And the stakes are always high around them, and they sort of end up going on a journey together, but it takes them to different places and where we leave things at the end..

David: Well, that's the thing. Nothing is resolved. So whatever happens and whatever you may have seen at the end of Episode 6, it's also important to note that that doesn't finish the story. In fact, that just sor of ruptures things.

Michael: It's the start of another story.

[S2 Promo: A: I forgive. C: Don't bother.]

David:I think you have to be careful if there is something delicate that has generated a lot of excitement about where will that end up. As soon as you end up there, as soon as you finish that story, it's all over, isn't it?

Michael: You don't really want to find out who killed Laura Palmer. [Twin Peaks series plot]

David: Yeah, exactly. Exactly.

KR Like you said, David, there is no resolution, which made me very happy because this feels primed for a third go-around at some point. Have you had any conversations about that with Neil about possibly keeping the story going?

David: Well, if you've seen where Series 2 ends, there's certainly the teasing of further tales to come, isn't there? Whether we will ever find out what those tales are is in the lap of... well, certainly not on our lap.

Michael: No, it's on the laps of the audience.

David: Laps of the audience, yes.

Michael: We are sitting firmly...

David: In the tops of the audience as it streaming.

Michael: Yeah, it's not in my lap. I know that. When we first started Series 1, we always knew that the story went a lot further because Neil and Terry had talked about it. They just hadn't written it down, but we knew there were ideas, and we have not yet reached the end of those ideas.

David: No.

Michael: You know, if we get a chance to tell more of this story, it does already exist.

David: Yes.

[humdrummoloch]

Here's an exercise to apply to your story: pick any scene and build up its stakes.

Most scenes should have at least a tiny bit of tension. Not every scene has to drip with artificial melodrama, but if the audience doesn't see a good reason to care about what's happening, they probably won't.

Using this 3-part exercise I just made up, just with a few quick bullet lists, you can dissect that scene's stakes and make them mean something.

PART 1: THE TELLING

Take a moment to focus on the stakes in your scene. What's the worst that could happen? List them.

Here's the rule: if a stake is obvious, don't count it.

Wrong: "If he kills me, I die."

Wrong: "If the villain fails to get the artefact, he fails."

Wrong: "If I lose this match, I lose."

Sure, yeah. But what ELSE?

Correct: "If I die, there'll be no one to protect my family."

Correct: "If I don't get this magical artefact before the hero stops me, my plans to take over the world will be sabotaged."

Correct: "If I lose this match, I'll never make it to the championships and show the world what I can do."

The stronger these stakes are, the better (within reason). "So-and-so might die" isn't a compelling (as it could be) narrative stake even in stories where people do die.

Even in low-stakes stories, the characters care about those low stakes. If it's important to them that they impress that client or get that job, tell us WHY they care. Is it their lifelong dream, or the promise they made to their dying mother, or the job that'll take them away from a horrible living situation? Will failure embarrass them in front of their crush?

PART 2: THE SHOWING

Now you know what could go bad, let the audience feel it. Just take things that matter and tweak them so that they're tangible.

"If I don't join the fight, my friend might die!" -> Show us an enemy raising a sword about to strike their friend down if the character doesn't rush in to save them NOW.

"If I drop out, I'll be a bad daughter!" -> Show us her parents bragging about their kid's academic performance and telling her they're happy they have a good kid with a bright future instead of some "no-good delinquent."

"If I don't pay by next week the bank's gonna take our house!" -> Show us the character begging for just a few more days, show their reaction to overhearing someone talking about buying the house from the bank to bulldoze the property. Show what the house means to them and how they made it their home.

PART 3: THE HAPPENING

Remember, a bullet seems a whole lot deadlier when it doesn't literally miss every time. But it would be strange if every scifi involved the whole planet blowing up, right? Or if the main characters all died? So, you have to show us you're not kidding by employing a secret third thing. Here's the trick to this: divide up the stakes into pieces and make one of the pieces happen.

If the protag's team is in actual danger, just one of them can die. Maybe even someone "essential" -- the climax will be boosted from the team overcoming this setback, the story becoming more clutch and unpredictable to the audience.

A marriage on the rocks? Show that their previously happy kid is suddenly hiding things from them and failing in school.

The city in danger? Show us buildings being knocked over.

Hell, the protag themselves in danger? They've got a leg they might not be using.

If a stake can't be split down like this, it might be better to have the bulldozers show up at the house during the climax. Maybe even let the house fall.

After this exercise, your scene should now feel a whole lot more weighty, whether it's a job application or a final battle to the death. Again, not every scene needs tension and it can go too far and become silly, but I hope this exercise helps you the way it helps me.

[sweetlady555]

Unlocking the hidden power of Mars 12H:

Hi everyone! I apologize for not having been uploading as much but I’m back and writing about Mars 12H because it's so powerful and I rarely EVER see anyone talking about it. As I’ve decided to step fully into my power starting November 2024, I’ve recently realized something powerful about my energy that completely changed my perspective, I will be using Kim Kardashian as my example as she is a Mars 12H native :$

What Is Mars in the 12H? 🤔

Mars represents drive, action and motivation. The 12H is the house of the subconscious, hidden things, spirituality, behind the scenes, hidden strengths, the spiritual realm. When these two energies combine, they create an energy that works below the surface often in ways we aren't fully conscious of. 👁️

One thing you should know is Mars 12H natives makes moves in silence they don't need outside noise or your projections! You'll see how it's done just watch, you don't know need to know how, why or when they're going to do it, but just know they've been multiple steps ahead of you. Its like this divine calling thats always in your ear telling you which move shall be next and its such a strong force that its like if you don’t take action itll make you feel so……… wrong its like a itch. Usually Mars 12H natives do take the action and it leads to blessings I like to call them. Mars 12H natives do not feel the need to force anything, when the thought and feeling comes you do that shit! Mars 12H natives are always mysteriously led to exactly where they need to be.. this is likely why they get their rep for being so mysterious & secretive! Its imporant as a Mars 12H native to listen to your gut and trust that everything will work out as planned, and this doesn’t go for just Mars 12H natives it goes for everyone!

Let's use Kim Kardashian as a famous example on how Mars 12H manifests for the natives, as a Mars in 12H native I feel like I can relate to her ambition and I can understand her doings.

Kim Kardashain always knew she was going to be a star, if you have seen her videos of her younger self she states, "and you're all going to remember me as this beautiful little girl" For both Kim and people with Mars 12th house, the confidence and determination to become a star or successful often comes from a deep subconscious belief in their destiny. Even if they don't know the "how" or the "when," they just FEEL compelled to take action towards their dreams, sometimes in ways that seem hidden or almost effortless to others. In Kim's case, she didn't just fall into success, she actively pursued it through her work, image crafting, and seizing opportunities. Even before she became widely known, she had an innate sense of how to position herself and build her brand. This is the Mars 12H signature, an internal drive that doesn't always need external validation or explanations to succeed. Many people accuse Kim of "destiny swapping" with Paris Hilton but let's be so fo real right now.. Destiny swapping doesn't exist, and I feel like people just can't believe Kim rose above Paris Hilton which seemed so effortlessly, but not enough people credit her for her hard work and perseverance. People have accused her for being a reptellian too 😭 ? because I guess its that hard to understand hard work, dedication and logic actually does pay off! Kim has a vision and she's still actively working hard for her vision behind the scenes, and if its one thing we all know its that Kim will chase her bag regardless!

My experience with Mars in the 12H :

Growing up, I always knew I was going to be something special, I knew I was gonna be influential (I have 10H placements so this might manifest differently) Last year, I had rose to fame very quickly online through my image and the amount of people who were confused af how I did it was flattering not gonna lie! I would hear people tell me things like “did you sell your soul?” or “whats the method?” or “you only got it because you had this and this” . I was always in my own bubble online posting what I feel destined to do no matter what my ego said. I thought with my soul a lot of times even if it was shocking, so honestly I could see how people would accuse me of “selling my soul” or having a certain method to my influential social media fame. There is a lot of pain & passion behind my doings and I logically plan everything out so it kind of flatters me honestly! To me this just shows how Mars 12H natives are skilled in making something out of themselves coming from being a underdog to becoming someone highly admired.

The Energy Of A 12H Mars Native :

Mars in the 12H natives can have this strong powerful magnetic effect on others without them even realizing it but others will feel this on a subconcious level. They truly have a lot of appeal! Its almost like this hidden power or secret magentism that draws people in which could attract a lot of admirers, monitoring spirits, actual spirits even! 😭 The truth is though, Mars 12H natives do really have this strong inner power within them, they tend to be very confident in themselves and this energy reflects on the outside even through the screen. They have this aura around them that can’t be ignored. Mars 12H natives will often be seen as untouchable or enigmatic, just like Kim she knew how to use this energy to use this subtle allure to captivate her audience.

People with Mars 12H have this sexual energy that is more felt, not seen! This can make their presence intoxicating as others may sense their sexual energy without knowing where it’s coming from. Its almost hypnotic! Its a deeply rooted emotional and spiritual sexual energy often rooted in the subconcious. With Kim, she knew how to use this energy in her brand being percieved as seductive, powerful and confident, but it wasnt just about her body — it was about the way she carried herself and commanded attention without saying much.

Despite being more subtle, Mars in the 12H gives the individual an almost unconcious control over their sexual energy. Theres an innate understanding of how to play on emotions and create attraction often with very little effort. This creates an energy that is simultaneously passive and powerful and you can’t deny or ignore it either. Almost like being in the background but still being the force everyone notices.

There is a lot of fantasy and imagination that takes place with Mars 12H natives and how theyre percieved, natives with this placement tend to make others fantasize about them not just by how they look but how they make people feel! Their energy creates a sense of longing, almost like a dream or a fantasy that others want to live in. Kim Kardashian has been able to tap into this fantasy energy by cultivating an image of perfect beauty and luxury, which keeps her in a fantasy world that fans want to be apart of. This fantasy element is key to her sexual appeal, as it makes her seem unreachable and unattainable.

Mars 12H natives, if they aren’t aware of their power makes them a target for insecure people and spirits in the physical and spiritual realm. People will often notice this energy before you even do and project the most they can and throw as much dirt as they can on you because they’re afraid of your power! Its highly advised you take the precautions and make sure you are being careful in who you’re telling your business to, what things you might be opening in the physical and spiritual realm, who you let into your space, who you’re doing business with all of it! Dont let them take advantage of you!

I also had read that Mars 12H often repress their emotions or their anger and although it is that in some cases, Mars 12H natives just tend to strategically move instead of acting out on anger or resentment in the moment to avoid unnecessary conflict and to stay in power and their own peace. Its a silent strength many Mars 12H natives have where you don’t have to scream or shout to prove yourself, you can strategically wait for the right moment, then act with precision. This ability to stay focused and composed on long term goals is what makes Mars 12H natives have this quiet power behind them. People might not realize that this anger comes from a calculated, startegic place, its not random but it could be percieved as out of nowhere. The 12H is often linked to subconcious energies, hidden feelings and things that are not visible to others, so when Mars 12H natives express their anger it can come off as intense, mysterious or even uncontrollable to those around you. People may not fully understand why you do the things you do or whats going on beneath the surface so this often leads to people labeling your anger more extreme.

The Spirtual Realm

Mars in the 12H natives are often deeply connected to the spiritual realm, but they experience it in a unique way. This placement can give them a natural sensitivity to invisible forces or energies like I mentioned earlier a divine force! Whether that may be intuition, sprits or subconcious currents that influence their actions. Mars in the 12H is often described as “Behind the scenes” or operating in the background, which makes these individuals especially attuned to the unseen world—the spiritual, emotional and psychological realm.

Mars, the planet of action, aggression and energy, in the 12h amplifies the natives ability to tap into intuitive and spiritual currents. This placement suggests that instead of being overly action-oriented in a physical way, Mars energy often works in more subtle and intuitive forms. For these individuals, the battle often happens internally-in the subconscious, in dreams, or in their connection to the spirit world.

Mars in the 12th house people often experience a sense of being guided by invisible forces, and they can be highly receptive to messages or signs from the spirit realm. This doesn't always mean they consciously hear or see spirits, but rather that they might feel guided by an internal voice or experience moments of divine timing that feel too precise to be mere coincidence. They may also experience heightened sensitivity to energy, such as a feeling of being watched, sudden shifts in mood or vivid dreams. Its not a common occurrence to hear ringing in your ears when you’re picking and feeling up on certain energies with these natives!

Since Mars 12H is a powerful subtle energy this makes spirits from the spiritual realm more attracted to them, Mars 12H natives are very assertive and felt by these spirits hence why certain spirits like to latch onto them. Its not common either to see spirits, see things move suddenly and even a spirit taking control over your body when you’re asleep. It sounds scary but don’t let this make you afraid, I once fell into this when I was around 8 or 9 when I was sleeping and a spirit had woken me up in the middle of the night and made me literally slam my face into my headboard that made the principal think I was getting hurt at home, i was always targeted by this spirit. I was the only one who could speak to it and make them do certain things like move toys and such. I didnt realize at the time I was connecting with aggresive spirits 😅 and not God. Its highly important for Mars 12H natives to strongly protect themselves when they are asleep because when you are asleep the veil between the spiritual realm and physical realm is very thin!

Mars 12H natives embody this spirtual warrior archetype, they can feel a calling to fight or stand up for spiritual causes or to protect others, but they do this in a way that is not outwardly visible to others. Mars 12H natives might actively avoid conflict when it comes to spiritual warfare or protecting their energy and their peace. They may also engage in energy work, spiritual practices, or rituals in private to protect themselves from unwanted spiritual influence. This is often done subtly or privately, as they don't always like to broadcast their spiritual strength. Their Mars energy in the 12th house can make them exceptionally good at clearing negative energy, transmuting it, and defending themselves from energetic or spiritual attacks, but they may prefer to do so behind the scenes, where others don't see it.

Mars in the 12th house natives may also experience periods of isolation or retreat, where they feel the need to withdraw from the physical world to connect with the unseen world. These moments of solitude allow them to recharge spiritually, process subconscious material, and connect with higher realms of consciousness. During these times, they may feel a deep connection with their higher self or with the spiritual beings guiding them.

When it comes to spiritual practices, these individuals are likely to have a natural talent for healing or working with energy, whether it's through prayer, meditation, crystals, or other metaphysical practices. Mars in the 12th house helps them channel life force energy in a quiet, powerful way, almost like a spiritual warrior operating in the background, quietly shifting energy around them.

Its important to watch out as a Mars 12H native what you are putting your energy into as these things will manifest almost immediately. When you decide to shift your attention to other IMPORTANT things you will often notice your energy was literally the foundation for whatever negative thing that was happening. So be Aware! You know how powerful your energy is.

This was a long post but as a Mars 12H native, I rarely see any accurate or in depth posts of Mars 12H individuals, I had to really dig into my experiences to understand this was Mars 12H influence all along.. In my opinion, Mars 12H natives deserve so much more respect for what they do because a lot of it goes unseen and for multiple reasons lol. I havent wrote in a while but I was getting a huge urge calling to post about this. If any mars 12h individuals relate to any of these experiences please let me know because I’d love to hear from you! and please be careful 💟 may god protect your divine energy, space and you ☮️

[highladyluck]

Do you think the show will keep Tuon? I think she's a tough pill for people to swallow because the Seanchan are *slavers* and they've made them pretty irredeemable in the show. Tbh it was hard even in the books to think that Mat will join the empire and not reform their slavery ways

I don't think they'll cut her, since a) Mat got a tragic child abuse backstory that will play interestingly with hers and b) the *Finn are still happening. I think the question is whether she'll be a love-to-hate-you villain (like our ortolan-munching Whitecloak guy or Renna) or get the hate-to-love-you antihero glow-up that so many other characters are getting.

There's a possibility she'll be Renna Redux. I hope they don't do that (or they go that direction at first and then complexify it) but the show has given so many characters, Darkfriends and Light-side antiheroes alike, major likeability/memorability upgrades. The Generic Darkfriends from Rand and Mat's roadtrip in Book 1 became personable, compelling Dana. Book!Liandrin was genuinely unsympathetic and had massive loser energy, but the show and Kate Fleetwood made her complex and engaging. Between Shohreh and the smart writing choices (emphasizing the thematic connection with Min!!!) I know that the ranks of people who appreciate Elaida's Shakespearean-ass character arc are going to grow. Seeing them handle Elaida well- like, Elaida is SUCH a character concept, a seer who misinterprets all her own prophecies and doesn't realize it, fucking incredible- gives me a lot of hope for them understanding what makes Tuon interesting/infuriating and preserving/growing that.

Tuon is similar to Elaida in many ways- thematically important, funny on a meta level, great at foiling main characters/causing problems/being a catalyst, very wrong and convinced she's right, sincere, batshit. But Elaida basically has a rise and fall, whereas Tuon has a fall and then rise, and it's much easier to do the first to an antagonist than the second.

I think they're going to have to go places that RJ feared to tread, and make Tuon fall harder than just getting kidnapped & dragged halfway across Altara. If I had to place bets, I'd put money on her getting an accidental channeling arc, but that they somehow put off broader Seanchan consequences until during or after the Last Battle. Maybe it comes out in the middle of the Last Battle and the Randland Seanchan get the same kind of breaking as the Aiel, but at the least convenient time, and only a rump end of forces led by channeler Tuon come in to save the day. I'd have the classic Seanchan just sit out the Last Battle/fuck off to mainland Seanchan rather than having them join the Shadow. Compensate for the loss of the greater part of the Seanchan army by unfucking some of the Sharans instead, the entire army of evil dark-skinned slavers always pissed me off. Two birds one stone.

Part of what makes Tuon live rent-free in my head forever is that her story is forever frozen, forever in potentia. She could do anything, go in any direction. I think her potential energy is part of why she's so polarizing and why she's so interesting. So I want them to keep her unresolved and mysterious for as long as possible- that's part of her entire deal- but I don't think they can afford to do it forever like RJ did. So I want them to drag it out, but I think they do need to develop her more, while not totally destroying the strategic usefulness of the Seanchan for the Last Battle, because that's a core thematic element too.

[lakesbian]

What was he doing?  Why was he so focused on getting Bitch to admit it was over? Reputation, yet again.  He needed to salvage this situation, and the surest way to do that, to recoup his losses and come out of this looking okay, would be to get the meanest, toughest, most notorious of us to bend at the knee and concede defeat. He really didn’t know Bitch, though. She pulled her cheap plastic dog mask off and threw it to one side.  It was only a formality, really, since her face and identity were public knowledge.  Her smile, as it spread across her face, wasn’t the most attractive.  Too many teeth showing. “Lung underestimated her, too,” she told him, looking at me.

okay, continued forcing myself to spend time analyzing rachel lindt instead of letting her live in my worm blindspot for no reason. to recap: at this point in the story, she's gone on the ABB raid with rachel & had that gay little moment where rachel gave her her jacket when she was cold walking back home + got so close to taylor to inspect her injuries from lung that taylor thought she was going to kiss her. it had deep connotations of blossoming romance and taylor narrated some shit about still kind of being cold despite the jacket but the warmth in her core keeping her warm all the way back to the loft. now, although taylor is still only consciously ranking rachel at "i don't hate her" in her mind, rachel has now started doing shit like this.

one of the primary rachel/taylor theses is that taylor isn't rachel's dog, rachel is taylor's dog. it's established over the course of the worm that she trusts taylor completely implicitly. there's the part in the behemoth fight where the entire world is falling apart around them and rachel is still smug and happy about taylor having a plan. there's the part at the end that makes all of us want to smash our heads into the wall:

she trusts taylor in the same way a dog would trust their owner even on the table for euthanasia. she sees taylor as smarter than she is not in a self-deprecatory way--there are plenty of people who you might call smarter than rachel that she'll happily call morons--but because consistently, time and time again, taylor goes up against smart pieces of shit who are trying to fuck the undersiders over and figures out what to do about it. and this scene here, where she's responding to armsmaster's attempt to put her down by insisting that he's underestimating taylor, seems to be the first instance of rachel's trust in taylor shining through. in fact, this happens even before taylor considers them to be friends, before they've had any significant bonding. one of the very first positive things rachel feels about taylor--maybe even the first positive thing--is that, when people are putting her and her team down, when odds look grim, taylor can be trusted to solve it. it's actually, like, kind of bonkers compelling that rachel's first seed of positive response to taylor isn't "well, actually, i guess she seems nice" but "my teammate taylor could beat up this dickhole armsmaster."

it's worth explicitly noting, by the way, that rachel interprets smiles as like dog growls. the reason her smile is a little too wide with too many teeth is because it's not actually a proper smile. it's rachel being a growling dog, placing all of her trust in taylor. I Love You Rachel Lindt

[infinizero]

Ok so

There is this trope about ghosts not reaching maturity until they've been ghosts for several centuries

There is ALSO the trope that ghosts fight as a sort of way to communicate

With the power of these two tropes combined-- I give you this strange headcanon:

Ghosts become mature adult ghosts after 500 years.

Danny and his usual troublemakers are all in the same "daycare".

He's just the youngest + most unique ghost so they like playing around with him the most. In other words, it's the ghost version of older siblings ordering their younger siblings around

As far as ghosts go,

There are blobs, ghost animals, shades (those are ghosts as we know it) and ghosts (aka Infinite Realms Beings) etc etc

The blobs and etc are, well, blobs and etc

But ghosts need a while to fully grow up and be considered adult

And so, if these ghosts are children, they need guardians or caretakers at the daycare right?

Correct

Baby ghosts are under the care of the nearest authority (Ancient or Leader or etc etc)

Except baby ghosts usually stay near where they were born and Danny and Co just so happen to be near Pariah Dark

Pariah Dark is asleep

But Fright Knight is there!

Except Fright Knight is also sealed

And it's one thing to wake up the ultra powerful megalomaniac tyrant kinda parent figure but not really you're supposed to have and another to drag your oldest adult sibling out of their room to touch grass

In other words, the surrounding authorities just went eh the babies can contact fright Knight if anything happens

But then Danny defeats Pariah and inherits his authority

So he technically becomes the caretaker of baby ghosts in the area while being the youngest baby ghost himself

Hence the other ancients visiting and *playing* with him to see if it's ok to leave the babies with this other baby

And since they're ghosts who don't have human guidelines or morals, decide that since he's that strong it should be fine to leave it alone

Besides he has Fright Knight! Good 'ol Frighty will definitely help out this new baby kid ghost with doing everything!

Meanwhile, Fright Knight waiting for Danny to come claim the crown and ring: ...

Cue Danny's rogues coming up to him to show him shit they accomplished

Youngblood : Phantom look at this cool baking soda volcano that spews out real lava!!

Danny: It does WHAT

Youngblood: Look!

Danny: NO

Ember: Hey Babybop wanna listen to the new song I wrote? It compels humans to start cults based on my name!

Danny: Ember, no

Ember: I think you mean Ember YES

Skulker: Ghost boy I have skinned an alien and brought you a pelt turned into a coat

Danny: ...you did WHAt

Skulker: It is nearing winter time and one must always be ready for winter time

Danny, having an existential meltdown after seeing his parents and Vlad get it on together: Desiree what the actual fuck??? Did you do????

Desiree: I merely fulfilled a wish

Johnny: Hey Phantom look we got matching tattoos to celebrate our anniversary!

Kitty: Wait what did you just say?

Johnny: uh, we got tattoos for our anniversary?

Kitty: ...our anniversary is in TWO MONTHS. THAT was for my DEATHDAY.

Johnny: ...oh shit

Danny, about to soup them both: Man, get good

Lunch Lady: Phantom have you eaten your proteins today?!

Danny: uh... Yeah?

Lunch Lady, already throwing meat at him: EAT MORE

Danny:

Box ghost: WITNESS! THE GREAT BOX MECHA!

Danny: oh come on seriously

And on the other hand,

Walker, dumping ten piles of paper in Danny's room: Phantom, here are the latest forms that need revisions

Spectra: What do you MEAN you're not allowing me to open a beauty salon in order to dig into other girls' insecurities and maintain my own beauty?! That's why it's called a beauty salon!!

Cujo and Wulf who are both the best boys and favorites, with smug faces:

Fright Knight still waiting for Danny to accept the ring and crown:

Plasmius: What the heck is this weird feeling my ghost side keeps making me feel??

Plasmius: is it... Is there perhaps a ghostly way I can adopt the little badger??

[cringefailvox]

overlord husk aus are very interesting to me in part because they present such a radically different vision of the huskerdust dynamic that is very compelling to me. present-day husk and angel are exhausted. these are people genuinely at rock bottom, who have been so worn down and chipped away at by the long, dragging stalemate of their circumstances that they have nothing left to give but their bare minimum selves. which is okay, and it's enough for them; a lot of what makes their dynamic so interesting is that it's about two people at their lowest rediscovering what it feels like to not be alone down there, to even begin thinking about the possibility of climbing out of the deep dark hole they've made their peace with now that they won't be doing it by themselves.

in contrast, overlord husk aus imagine a version of husk and angel before they were losers together. they imagine versions of them that haven't been beaten down all the way just yet: husk at the height of his greed and power and reckless addictions, angel riding the high of his stardom while adamantly refusing to peel back the surface and acknowledge the rot. both of them still digging the hole and saying to themselves, "i've got a ladder, i'm not going to get stuck. i can always climb back out."

and having these two meet at this stage in their lives, i think they would really, really not make each other better. husk's consideration for the souls on his chain had to have been close to zero for him to use them as gambling chips the way he did, especially the recklessly self-destructive way he did that ended with his own soul in alastor's pocket. and i imagine that for a long time, angel lived in total willful denial about val's escalating abuse and the toll his increasingly demanding job was taking on him, because acknowledging it would be tantamount to making it real, making it something that could actually hurt him and not just be rationalized away, and so of course he'd put off doing that for as long as he could.

if husk had actually won angel's soul, it wouldn't have been any different from all the other people he traded back and forth across his table just for the illicit thrill of the game. angel probably would've had a whole sunk-cost freakout about it (what was the point of all that pain and suffering and lack of autonomy if all the consequences are coming from a stranger now and not val? when it isn't personal? and now he can't even claim a little bit of power back by saying he chose it, because he didn't.) angel knows full well what it looks like when someone is going to kill themselves with their addictions, but what obligation does he have to the guy who would just as quick give him up to somebody else if it gave him an adrenaline rush? nothing, that's what, and he has enough of his own problems anyway.

crucially, they're both INCREDIBLY self-absorbed. not even in a conceited or vain way, but just in that they're so wrapped up in their own mess that they can't see beyond it, they don't have any space for empathy, and furthermore, they have no reason to even try.

it's why the version of their dynamic we get in canon works so well—they're in the same place now, at just the right time to finally start opening up their worlds to how they affect other people (angel watching charlie interact with val at the studio; husk being forced by alastor to engage with the hotel's residents as the bartender). there's space for empathy in their lives now, because they've finally been brought so low that they can't hide anymore, can't look away, can't deny how completely and totally fucked they are. it's a kind of brutal honesty that can only really come from confronting your absolute worst-case scenario. but for them to even begin connecting with each other in any authentic sense, they needed to have the ladder taken away so they could finally bring themselves to stop digging, look up, and realize there's been someone down here with them all along.

[7waystreet]

dirty confessions | jeon jungkook

This BTS 18+ explicit series will include 7 diary entries (one from each of the bangtan boys) confessing to the dirty thoughts they have about (y/n) and the sinful sexual acts they've part taken in during their lives.

I kindly ask the reader to start with pt.1 and end with pt.7 since it's a series and will contain overlapping scenarios and characters ♡

✬ foreword pt. 1 — seokjin pt. 2 — yoongi pt. 3 — namjoon pt. 4 — hoseok pt. 5 — jimin pt. 6 — taehyung pt. 7 — jungkook

pt. 7 — jungkook

Dear diary,

I have a confession to make. I fucked Namjoon hyung's sister, Hobi hyung's ex gf, and Yoongi hyung's gf all together in our dorm while the boys were out. I'm the golden maknae after all, bitches.

Now let me write out the events of my sexcapade one by one on these pages like I dumped my cum in each of their holes.

It was late into the night when I took off my headphones after hours of playing Overwatch by myself in my bedroom, my hand mindlessly scratching my balls while I walked over to the kitchen for a quick snack. It's then when I heard a few girls whispering in the dimly lit living room of our dorm, my ears perking up at once when I recognized Namjoon hyung's sister's voice. I remember hyung saying she was going to visit so it wasn't really a big deal seeing her in the boys' apartment, but I held in my breath when I noticed Hobi hyung's ex gf and Yoongi hyung's gf both on the couch too, all of the girls talking shit about the hyung line together.

"Thanks so much for inviting us girls so we can all confront the boys tonight!"

Fuck. I knew they were up to no good, but I had the advantage of hiding and listening to their plan without their knowledge while I blended behind a curtain in the hallway. The tea was SPILLED.

I found out Namjoon hyung's sister and Jin hyung were fucking and actually ended up catching feelings for each other, but they were too terrified to come out and tell Namjoon hyung about it. No shit... hooking up with a member's sister is fucked up, but we all know Jin hyung has no morals. She wanted to confess the truth to her brother tonight... Goodluck dealing with his wrath, I thought in silence.

I also found out the two other girls were cheating and hooking up with each other's bfs... What in the fucking world? And the fact that they were cuddling on the couch and saying sorry to one another?! I'll never understand the female species. This is why I stay away from chicks and stick to my video games. I don't even know how I got lucky bagging my gf, who's much more sane compared to these lot.

That's when I decided to call V hyung and update him on this gossip for some light bit of entertainment. I opened our location sharing app on my phone just to check if he was also at home just locked up in his bedroom, and that's when my heart fell out of my chest... Why was his location at my gf's apartment this late into the night? I decided to inspect and give him a call, but he never picked up.

Sorry Jungkookie. Out with friends. Will call you tmrw.

This stupid fucking bastard had the audacity to text me that big of a lie when I have his location? At least Jimin hyung answered my call even when the poor guy was half asleep. An anger unlike I've known ruptured my insides, a mixture of plunging sadness poising my mind when my gf replied back to my sweet goodnight text with "Cuddling a big bear to bed right now wishing it was you."

This bitch was definitely fucking V hyung behind my back. That's it, I lost my cool.

"ALL YOU GIRLS ARE DISGUSTING!"

Overwhelmed with emotions, I stomped into the living room and revealed myself to the noonas, my upset state of mind compelling me into lashing out at them, who realistically didn't deserve to endure my sudden outburst at all. It wasn't really them who I was upset at, it was just girls who cheat in general. But never did I think the night would end up the way it did based off of that aching awkward silence followed my grand entrance.

"Kook... Please don't tell the boys anything you heard. Please. You can't. They've to hear it from us otherwise it'll ruin the entire friend group. It could ruin Bangtan" Namjoon hyung's sister pleaded with puppy eyes.

Hah. Manipulation at it's finest. You're the one who's gonna screw up and then put it all on me? You think I'm a dumbass not able to see the way you're trying to coax me? Baby, please don't embarrass yourself.

"What do I get in return for keeping quiet?" I was willing to play their dirty little tricks, not giving them any satisfaction whatsoever.

"How about we... come to an agreement between the four of us?"

I didn't understand what she meant by her words until she got up and slowly walked towards me, wrapping her arms around my shoulders before suddenly pulling me in for a kiss on the lips. My mind immediately yelled S T O P but my dick felt a tingle when her tits pushed into mine, the taste of her cherry chapstick and the scent of her floral perfume numbing out my brain for the brief couple of seconds we kept kissing.

"If you girls love fucking people who you shouldn't be fucking, then show me a good time. I'll only keep quiet this way" my pulsing cock spoke for itself without my permission...

The smirk on the girls' faces mimicked the one devising on mine when I dropped on the couch and manspread, waiting for the big show to get started. The thrill of it was like no other I've experienced, even topping the high I feel everytime I get a new tattoo. The hyungs were all out at the club tonight and could walk into the living room any given moment, but I didn't give a fuck. I'm lowkey the wildest — no cap.

All three noonas got naked within the blink of an eye, the vibes immaculate with the dim mood lighting, the way they helped me out of my sweats one by one giving me goosebumps while an unbearable heat began running through my blood. It was like I was in a porno getting pleasured by a bunch of chicks, Hobi hyung's ex gf and Yoongi hyung's gf both opting to suck my dick in turns on their knees while Namjoon hyung's sister stayed up on the couch and made out with me. Shit, no wonder the members were fucking these three girls in turns, their mouths like pros gagging on my cock and coughing up spit, getting me even more aroused as they panted and jerked me off with their hands to breathe in some air in between.

The two girls kept playing with my dick, their spits mixing and slobbering all over my boner as they deep throated it in turns, a set of lips lightly sucking on my balls at times to get me moaning from the pleasure. Namjoon hyung's sister and I shared more of a bond since we've been family friends for a while, and I'd be lying if I said I didn't have a crush on her when I first moved to Seoul and met her, but here I was now with my tongue down her throat, the way she slid down and sucked on my neck prickling a shiver to run down my spine.

I couldn't take it any longer and busted a nut for the first time that night, my money cum shot spurting all over the girls' pretty faces. They shyly giggled as they looked me in the eyes, my chest panting from reaching my high, although my lip curling in a smile when I said "Eat it off of each other." The two baddies did as I told them without hesitation, their tongues licking off my cum from one another's faces, eventually leading them into making out and moaning while naked right in front of me. Holy fuck, I felt myself getting hard again. Both me and noona just watched the two girls getting down with each other for a long time, the way they squeezed each other's tits and kissed one another a total turn on, noona then slowly whispering in my ear "Please fuck me, Jungkook."

Happily.

As I got on top of her on the couch, I couldn't help but think Jin hyung fucks her hard just like this too, but what kind of a maknae would I be if I didn't take anything and everything of Jin hyung's? I live to make him suffer. In fact, it's my birth right.

My attention was mostly on Namjoon hyung's sister as I stuck my cock roughly inside of her without notice, stretching out her walls with my girth, watching her eyes shut close as she adjusted to my length, but the loud moaning of one of the girls eating the other one out on the carpet right next to us was peaking my arousal at a finest. Watching two chicks hook up like that while my cock was pounding such a sweet pussy was an experience I'll never forget. My chest felt a burn that rose up to my throat when I heard the front door's handle rattle, but it was a false alarm as some drunk neighbors were coming home from a bar and stumbled to the wrong apartment... Hah. That didn't stop me from ruining noona's pussy though. I just kept slamming her throughout the incident, half hoping the hyungs walked in during this fuck fest. Fear is not a word in my dictionary.

The screams of all three of the bitches made the walls shake to say the least, my grunts barely audible as I lifted noona's legs up to angle myself even deeper into her pussy, smashing into her g-spot while she clenched tighter and tighter, making it such a gripping fit that I was ready to cum another time. Her face was turning pale as she contracted her muscles and held her breath in, her moans freezing up when she came around my cock allowing me to slid in an out better as she let go, my orgasm following shortly and my cum creaming her up and dripping onto the couch in a slop when I pulled out.

I happened to look down and caught Yoongi hyung's gf cumming into Hobi hyung's ex gf's mouth from a mind blowing eating out job, the wild chick appearing quite talented with her tongue. It was her who needed a reward for the hard work now, so I got on the floor and pinned her down while the other girl was catching her breath post orgasm.

I just stuck my fingers into her wet pussy which was just throbbing and waiting to be filled, pumping in and out with varying speeds and angles to get her whimpering in no time, not breaking our smoldering eye contact whatsoever. It took just a couple of minutes to get her cumming, the way she was already so aroused from tasting pussy a turn on for me too as I gave her what she needed, which was a hot fingering session that'd change her life.

That's when the hyung line walked in on all four of us butt ass naked on the floor in the dorm living room, their feet freezing up in their steps and faces turning ghost pale at the crazy sight.

"Oh, right hyungs... We're all fucking each other's girls if y'all hadn't caught on already. Bangtan for life, am I right?" 

a/n ♡

i imagined jungkook being a key player to tie up all loose ends in this series, the way he disapproves of the hyungs dirty behavior but ends up doing the same exact thing an ode to his bratty maknae side and how he's "allowed" to get away with things being the youngest

— using gen z words: "no cap", "baddie", "tea spilt" reflects his age as he throws in more slang than others

— his fearlessness: jungkook is as brave as it gets in bts, none of the other members being on this level despite their dirty confessions

— feelings towards members: even in his diary he's quarreling with seokjin like irl (calling him out for "no morals", saying he lives to make jin suffer). meanwhile, he seems to view namjoon as an authoritative figure like irl, and his closeness with tae and jimin shows when he decides to call them to gossip about the drama

[badgerhuan]

two weeks ago i made this post after i finished playing gs1 and then got informed that one of my favorite scenes in Yomigaeru Gyakuten (Rise from the Ashes) had been altered. i'm sorry that i didn't respond to anyone on that post, but now i'm here to present the full scene, with screenshots.

this scene is triggered when you go to Mitsurugi's office for the first time, and you choose to inspect the bookcase. (i fucked up my timing for the first screenshot rip. sorry Akane-chan)

Akane: Uwa...are all of these case files!? Akane: They're slotted tightly all the way to the ceiling! There's even a ladder here. Naruhodou: ...that's weird. Since that guy is supposed to have a fear of earthquakes... Naruhodou: I really can't imagine him using such a dangerous bookcase like this one. Akane: It's no problem! Akane: There are really gigantic bolts fixing it firmly to the wall! Akane: What great power. I wonder if Mitsurugi-kenji-san did that? The screen flashes to Itonokogiri's laughing sprite for an instant. Naruhodou: (...for some reason. Itonoko-keiji's face came to mind...)

when i got to this scene playing the game, it meant everything to me. on top of checking up on Mitsurugi after earthquakes, Itonokogiri also took measures into his own hands to make sure his office would be a safe place for him in case of earthquakes...it made their relationship even more compelling to me.

it's also very important to me that it's Naruhodou picking up on this. playing through the game i always got the vibe that he noticed how close Mitsurugi and Itonokogiri are. this is just one more piece of evidence for that.

it had been made known to me, that in the English localization, they, for some reason, decided to erase Mitsurugi's known fear of earthquakes (which Naruhodou only knows bc he learned it from Itonokogiri!) and swap it for a...fear of heights? that has never existed in the original version of the games? and also the only time it was brought up in the English version at all??

i really don't understand why they did that. what was wrong with the original?? why invent a new fear out of thin air instead of using what's established?? what was the goal here???

there are numerous slight changes that the English localization has made that, when compiled together, really alters the vibe of the characters and how they interact with each other. but this is by far the most egregious change they've made that i've encountered (i've only played from gs1 and gs2, and i wasn't really paying attention to possible changes when playing through gs1).

maybe one day i'll make another post about the small changes they made (that are almost all at the expense of Itonokogiri...), but for now, here is the change that left me the most baffled.

[billpottsismygf]

March Madness was a pretty underwhelming episode (I don't know enough about sports to know or care about the demon thing, since it wasn't doing enough on its own apart from yet another blinder of a performance from Matt Berry), but it brought home to me just how much the show has completely dropped Guillermo's fighting prowess. It bothered me in episode one when Jerry got him by the throat, but it's even worse here where it's Colin beating him up. Did we just forget that Guillermo is capable of slaughtering an entire theatre full of vampires and can beat Nandor in single combat? Maybe he doesn't want to alert the office to his almost supernatural slaying abilities, but he should at least have been able to hold Colin off.

I guess I don't mind the show moving on from slaying being his main focus (though it was my favourite Guillermo plotline), but I don't see why they seem to be retconning him to be just some guy again.

Guillermo is still my favourite character, but it really feels like they don't know what to do with him anymore (or any of them tbh). His desire to become a vampire that clashed with his slaying heritage was really compelling, especially when paired with his complicated relationship with Nandor. Now they've resolved the wanting to be a vampire thing and forgotten about the slaying thing, and he barely even speaks to Nandor. Whether their relationship is going anywhere I don't know, but removing their dynamic to the extent that they have really hampers their individual characters and the show itself.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 킹덤/Kingdom.

Kingdom is a 2019-2020 Netflix series set in Joseon-era Korea, following the collaborative adventures of an exiled prince, a country doctor, and a scrappy mercenary who's pretty much the only one in this entire zombie outbreak who has a damn gun.

I have very complicated feelings about zombie media. See, in case you hadn't noticed, horror movies are never actually about what they're about. And a whole lot of modern zombie stories wind up being a) metaphors for fears of immigration by mindless subhuman hordes hell-bent on infecting the good, pure people, b) white male fantasies about how the downfall of civilization will put them back on top again and then all you DEI people will be sorry! and/or c) ways to let your protagonists just kill the shit out of a whole lot of humans but it's okay because they're not really human. Soooo yeah. A lot of zombie-flavored things I like, I have to like them despite all that.

But Korean zombie media tends to avoid a lot of these issues. (Maybe because Korea's experience with invasion is less Fox News Lies About Scary Brown Migrant Caravan Again and more [long list of actual historical incidents]? Who can say!) Kingdom is no exception. It's smart zombie fiction, where the zombies are mostly here to make the already-complicated mundane geopolitical situation just that much more of a fucking nightmare.

This is a bloody, violent, grimy, often downright gross drama, so if you're squeamish, you may want to pass on this. If you're into horror, though, and into zombie horror especially, go on and sink your teeth right into these five reasons I think you should watch it.

1. No one here has ever seen a zombie movie

You know how one of the frustrating things about watching a zombie property is seeing a bunch of otherwise competent, regular people act like they had all their cultural awareness of zombies surgically removed, down to making up cute words that aren't "zombie" to keep from saying the word "zombie"?

Everybody in this show has the excuse that they are living several centuries before even the possibility of zombie movies.

This story starts out pretty standard for a historical drama: a sick king, a pregnant queen, a crown prince in a precarious position, questions of succession, accusations of treason, wealth and class dynamics oppressing the poor, shady backroom politics -- you know, the usual stuff. And it never stops being about all that! It just also has zombies. Evil bastards don't stop being evil just because decomposing hordes are breaking down the door. In fact, that just makes them worse! And our heroes are at ends because they have no natural immunity to the genre they've walked into.

Sure, there are some moments of comic relief, but for the most part, Kingdom plays its premise absolutely straight-faced. How would 17th-century Koreans deal with a bunch of walking corpses? With period-appropriate tools, tactics, and mindsets!

In your standard modern zombie setup, everybody has guns, and then some special badass rolls in with a katana and everyone oohs and ahhs. In Kingdom, the wealthy have swords, the common folk maybe have farm implements, and there's one measly matchlock rifle in the party. For a few lucky headshots, you've got archers. For everyone else, things are about to get real up close and personal.

The characters also have period-appropriate worldviews that both inform their reactions to the problem and are frankly bizarre by modern standards. What if you had to deal with zombies in a place with cultural taboos against dismembering or burning dead bodies? What if people felt compelled to treat the corpses of peasants differently from corpses of nobles? What if the scholars won't act in their own defense because it's insulting to ask them to wield weapons? What if you can't ask certain important people certain questions because it's literally treason to do so?

The real moral of Kingdom is that there's not a situation so bad that devotion to Confucian principles can't make it worse.

2. That scrappy bastard

I'm not going to play favorites here-- Wait, what am I saying, of course I am. It's Yeongshin.

You know how, in any given zombie movie, your hapless protagonists survive because early on they find a party member who's about ten levels higher than they are? That's Yeongshin. He's cagey as hell about his shady past -- to the point where we don't even learn his actual name -- but he's going to come in real handy here, because he is also the aforementioned only guy with a gun, and he fucking knows how to use it.

And okay, I'm exaggerating about the gun shortage, but not by much. Firearms are rare, you need training to be able to operate them, and no matter how good you are, they still take time to reload after each shot -- if they even fire at all. (Also, ignore the part where everyone's aim is far better than shitty matchlock rifling should allow.) Guns are not the go-to weapon in this zombie situation. You can't just shove a bunch of pistols in everybody's hands and count on at least a few lucky shots. You could amass all the period-appropriate firepower you wanted, but without specialists, it'd be useless.

Yeongshin is fueled by some very reasonable guilt, since, uh, a nonzero amount of the shit that goes down is kiiiiiinda his fault. But I love that instead of giving him a death wish, it makes him even more determined to survive and do what he can to mitigate the fallout of his unintentionally terrible decisions. He knows he's far more useful alive, so to hell with taking the easy way out. Whether his opponents are living or undead, he's going to make them wish they hadn't messed with him.

This is a good place to note that the whole cast is great, from the thunder-voiced head of the evil family to the prince's wife-guy manservant to the doll-faced bitch queen. And obviously Ju Jihoon and Bae Doona are captivating every second they're on the screen, because they are absolute acting powerhouses and I love to watch them work. His Prince Lee Chang and her physician Seobi are compelling, memorable main characters who perform the important zombie-movie function of being the people you care about when they get put into dangerous situations.

But I walked away from this unable to stop thinking about Yeongshin. Bare-headed in a world of very meaningful (and often very silly) hats, he's feral and bitey and completely unfit for polite society. So of course he's going to wind up side-by-side with the second most you-need-to-be-respectful-to-him guy in the land.

More than anything, I love watching him work. He's a very physical character, but all his stats are in speed and agility, so he will just literally throw himself full-body against doors or into fights and let his momentum do the work. His actor, the handsomely exhausted-looking Kim Sungkyu, brings such a great physicality to the role. Yeongshin may be the Gun Guy, but he's not sniping from the back row. He's right there on the front lines, pulling off stunts none of the other characters would dream of trying. I cannot stress enough what a delight his action sequences are. It's such a good visual counterpart to the zombies, who also have no sense of bodily self-preservation.

And speaking of the zombies...

3. Zombie rules

I find that Korean zombie properties are the best in particular at zombie physics. Their directors seem very interested in pondering exactly what the weight of that many bodies would do. The answer is usually pretty gruesome and visually fascinating!

Kingdom's main use of zombies is by volume. While there are a few (memorable!) one-on-one scenes, the show delights in seeing just how many zombies it can fit in the frame. The danger is always from the sheer number of hostile bodies. You can use those numbers against them, if you're clever, but wait too long and you run the risk of being completely overwhelmed.

I've seen some people criticize the zombie extras by accusing them of not moving like zombies, which is the kind of nonsense you say when your only exposure to zombies is Slow Zombies. Kingdom's zombies are Fast Zombies -- they don't shamble, they swarm. They all just plow on full speed ahead until something stops them, and they definitely don't watch where they're going. Those extras do some incredible work flinging their bodies over obstacles and into solid objects. I sure hope one of the benefits of all that voluminous period-appropriate costuming is how much good padding you can probably stuff under there.

Continuing the thought exercise about what a 17th-century zombie outbreak would look like, Kingdom does some clever things with putting humans and zombies alike in situations you wouldn't find in the modern world, ones made possible only by the time period. I really like that it never forgets that part of the fun of this whole enterprise is making the best of the social and technological concepts that would have been present then. It doesn't feel like a modern zombie movie with incidental hanbok -- it actually makes the most of what a rural medieval setting both gives and takes away.

The rules Kingdom makes for its zombies are also an interesting take. You, the modern viewer, know how zombies work in general, but you don't know all the quirks of these zombies in particular, so you're learning at the same time the characters are. And sometimes you learn wrong! Sometimes you have to rewrite your whole strategy because you realize at a critical moment that both you and the characters misunderstood something very badly.

...And yeah, okay, it plays a little fast and loose with those rules sometimes, but so what? You know how this works! You know that the lead actors will dodge more and get bitten less than the random extras will. You know that named characters will last longer than their NPC counterparts. If you're going to hold that against it, maybe horror movies aren't the thing for you. Go do a Rubik's Cube or something.

4. The parts without zombies

Plenty, plenty of people have made the Game of Thrones comparison, which ... yeah, sure, I can see it. It wouldn't have been my first thought, but I get where people are coming from. And you know what, if you're a Game of Thrones enjoyer, you'll probably like this too. It hits a lot of the same beats and has a lot of the same vibes. It's kind of like if you shrunk Game of Thrones in the wash, until there were only two warring families and not a conlang in sight.

This show isn't historically accurate to the letter -- think of it more as AU Joseon-Era Korea, where specific people are fictional but the larger context is more or less the way things would have been. You never get given a specific year, but from technology and various context clues, you can kinda narrow it down to the 1600s. It never commits to a single year, though, which dodges a lot of nitpicks. Its fictional aspects are nice, too, because that means you don't have to know any real history at all. The show will give you all the information you need to understand the campaign setting, just in case your knowledge of medieval Korean dynasties is not up to snuff.

The conceit of the series is that some very specific devious political backstabbing and corruption has been happening since before the show began, making everything vulnerable to catastrophe. Unsurprisingly, the sudden appearance of zombies does not magically mend those rifts and make everyone come together! In fact, the reason the zombies are happening at all is related to these treasonous power plays, and while we never learn the full story (see my later note on the drama's ending), we get a whole lot of it. And it's a good, complicated reason! Here we return to the idea that zombie movies are always metaphors for something else. Set against the backdrop of multiple Japanese invasions during this period, Kingdom sure does have some things to say about the dangers of considering certain lives disposable in the service of the greater good.

I will be the first to say that IT TURNED OUT MAN WAS THE REAL MONSTER ALL ALONG storylines are tedious, so I'm glad Kingdom didn't decide it needed to beat that drum. The truth is, nobody's surprised when the bastards who have treated other people like shit all their lives continue being bastards in a crisis situation. It's the Joseon Dynasty. Everybody's locked into a rigid neo-Confucianist hierarchy. They don't need an apocalypse to reveal how much the people at the top would sell them all for a single corn chip. They've been clear on that one for a long time.

What this means is, if you're not traditionally someone who goes in for zombie horror, but you like a good political thriller and can roll with some supernatural elements, you might consider giving this one a shot anyway! It's not some hugely complicated and sophisticated plot, but it's still plenty to chew on. (See what I did there?)

5. Time to spend that Netflix money!

This show is gorgeous. It looks beautiful and it sounds beautiful. It's shot beautifully against beautiful sets and even more beautiful landscapes. Everyone's wearing beautiful costumes. What little CG there is is even beautiful. It's just visually a treat.

Light is such an important part of the show that I can't not comment on Kingdom's use of it, production-wise. The show is often shadowy as hell, but in a high-contrast way, as opposed to the awkward near-blackness of so much prestige TV. Even when it's dark enough that faces and details are obscured, there are still light sources that provide visual interest. Besides, I'll cut it some slack because it is a horror property. You should be watching it in a dark room anyway! And sure, there's some awkward day-for-night stuff, and transitions around sunset can be downright goofy, but if that's the worst of the jank we have to suffer through, it's fine.

As beautiful as it is, it's also very ugly. The story takes place over a period of time so short that barely anyone has time to change their clothes, much less take a bath. The grime just accumulates: sweat, dust, mud, sewage, smoke, spit, and all kinds of blood and viscera. By the time the story's done, everyone looks realistically beat to shit. (Bless those poor makeup artists, having to keep such close track of all the damage characters have suffered.)

I feel as though I should note for context that while I'm a horror movie fan, I'm still pretty squeamish when it comes to gore. I made it through Kingdom okay, but there were definitely parts I had to watch through my fingers. It hits the realism middle ground that gives me the wiggins, where it's neither absurdly chaste about bloodletting nor dumping comedic buckets of corn syrup on the actors. It suits the tone of the show perfectly! Just, you know, if you're a little tender (like I am), be ready to look away from the screen sometimes.

Korean historical dramas sure do have a real advantage on the wig front, in that most everyone is wearing some kind of historically appropriate hat or headband that covers the places their wig joins. And then you have Yeongshin, who looks so good all shaggy because that's clearly at least mostly Kim Sungkyu's real hair.

I've seen a lot of shitty low-budget horror in my day, sure -- but I've also seen a lot of shitty high-budget horror, where a production has a lot of money and spends it all on exactly the wrong things. Kingdom uses its funds wisely. It's not extravagant (except for the queen's amazing outfits). There are practical effects aplenty and some beautifully framed shots. It gets a little gimmicky with the camera work in season 2, but you know what? It's fun! The gimmicks are action-movie fun, and I will not criticize something for having fun in the midst of some otherwise grisly subject material.

It's also got great rewatch value. There are just enough secrets running throughout that going back for a second viewing makes a lot of things make more sense -- in, of course, a horrible way! But that's just the way we like it.

caveat: Beware of cliffhangers

The show is two seasons long, and it's clearly set up in expectation of a third season ... which never happened. What did happen was a separate, largely unsatisfying movie that tells the backstory of the cool character you meet in the last ten seconds of the last episode.

But that's it. There was also a prince-focused prequel planned, but that got scrapped before production even began, and that was four years ago. I'm not holding out much hope that we'll ever get anything more from the Kingdom universe.

I am not super-bothered by this, though, and here's why: The two seasons are enough to wrap up the main political plot. Most of what's left is zombie lore, and I am so bored by zombie lore. Still, would I have watched these characters roll around in that zombie lore for another six episodes? Without question! Are there loose ends I wish had gotten resolved? You better believe it! Do I want to know what the super-duper secret behind the zombies is? I sure do!

But I also don't feel like I got cheated out of an ending. Those two seasons hang on a story that's 90% the political succession crisis and 10% figuring out where on earth this whole zombie thing came from. That means what you get feels like 90% of an ending, which is pretty damn good by my standards.

Still, it's enough of a bummer that I feel I should give a little heads-up about it -- working, as I always do, on the principle that something can't disappoint you if you know it's coming. If you go in with the right mindset, you can be happy with what you get while not being sad about what you don't. And what you get in Kingdom is, in my little horror-loving opinion, worth it.

(Also, am I giving it extra credit points for how it did not sink my ship? Buddy, you better fucking believe I am.)

Ready to watch?

Netflix money means Netflix. It's got two seasons, and then you can make the decision about how much you care about the movie. I found it mostly disappointing with a few really cool moments, so it's your call if that's enough to justify your watching it.

The series itself is a pretty quick watch, too -- twelve episodes total, all 30-50 minutes long once you skip the opening and closing credits. You can blow through the whole thing easily in a single weekend, which is not something you can say about your standard Korean television season of sixteen hour-long episodes.

And then pretty please come back and do fan stuff for it! I couldn't find exactly what I wanted so I had to write my own. One Quiet Night remains one of my comfort fics that I self-soothe by rereading, which may be a weird thing to say about a smutty gay fanfic about a violent zombie drama, but hey, we all make our own fun.

Also, I know I usually end these with a cute behind-the-scenes photo, but this promo video is too adorable to leave out, so we're going with it instead. It's slightly spoilery for season 1, but not in a way that makes sense out of context. And if you didn't have a crush on Kim Sungkyu already, well, you will after this!

[tokiro07]

Toki Reads Shonen Jump 2025, Issue #15: Cuck Week

One Piece: The God's Knights use some kind of nightmare power to kidnap the children of Elbaph; Loki slams Ragnir, his hammer, into the World Tree, summoning lightning to strike the trunk and start a fire. Got some neat powers this week, though I'm curious if this means that Killingham ISN'T a Kirin Zoan and is actually some kind of dragon-man with a dream Devil Fruit OR if the dream power is a demonic ability like what the Elders seem to use

Roboco: A royal friend of Motsuo's visits from overseas, and despite Motsuo's failures to protect him from harm, he manages to have a great time and gifts Motsuo his old house back. I don't know how property tax works in Japan, but having a mansion definitely doesn't make him rich again, so I don't know the point to that bit

Sakamoto: The team escapes from the prison, only to be confronted by The Order, who reveal that they've allied themselves with Slur and have left JAA chairman Asaki undefended for Uzuki to kill; Uzuki publicly declares that he's establishing a new JAA. I'm so unclear on whether or not the general populace has even heard of the JAA, but I assume that either way this is going to have dramatic ramifications for the setting

EluSam: Morofuyu sees how far Tokiyuki's abilities have improved and asks what sort of training he did; Tokiyuki cannot bring himself to admit that he's been getting raucously slammed by three baddies for the last couple years and needed to bulk up just to survive, and tells him he's been training with animals instead. Matsui couldn't get permission to serialize F-Ken, so he had to find a way to incorporate fetishism into his power system SOMEHOW

Witch Watch: Wolf asks Nemu to bear his children, as he's afraid he'll one day fade away when Keigo no longer needs him, and wants to leave something tangible behind; Nemu admits that she loves both Wolf and Keigo, but refuses his confession because she doesn't want to be unfaithful to either of them; using a magic mirror, Keigo confronts Wolf, who challenges him to be more active with Nemu lest he take her first; Keigo resolves to confess to Nemu himself, though it seems he still doesn't quite have the courage just yet. Boo! BOO!!! You better just be cooking, Shinohara, cus if you're seriously going to say polyamory is unfaithful after Tozuka and Matsui went out of their way to make it a major positive plotpoint, I'm never going to forgive you! However, Wolf's motivations are extremely compelling; this is basically The Victor Problem from Undead Unluck, and being a magical setting, it can easily be solved without killing off Wolf

Blue Box: The ransom note turns out to be a ploy by Nagisa, who just wanted to talk to Taiki in private about Chinatsu, thanking him for being there for her and helping her stay in Japan. Very cute chapter, no notes

Akane: After her three years of training abroad, Akane returns to Issho, who asks what she's learned; when she answers that she's come to understand the value of what she has, Issho calls it a mundane, yet valuable enough lesson to acknowledge Akane as being ready to learn about Shiguma's Art. Again, I'm not sure I had the takeaway Suenaga wanted me to have, but I like that interaction; Issho having such an unusually soft reaction, and allowing Akane to come to her own conclusion rather than having a specific lesson in mind, demonstrates an interesting amount of depth to his character and teaching style that I hope will be greater informed in the coming chapters

Kill Blue: Looking back at her adventures and interactions with Juzo, Noren comes to a shocking discovery - although she'd once dismissed the possibility, she is in fact in love with Juzo. ...Okay, so she's definitely an adult that got Conan'd, right? Like there's no way Fujimaki is going to have these two get together otherwise, right? But if that's the case...who is her dad, really...? Are they actually ex's and he's just playing a role? But then why would he stage this whole thing about her getting engaged...The implications of this series are truly mindboggling...

Nue: As Squad 6 attempts to escape from Gashadokuro, Nue helps Gakuro to unlock one more upgrade - his Soul Armor; Gashadokuro is so impressed with Gakuro's growth that he becomes jealous that Nue got him first. WOW that's the dumbest crossguard I've ever seen on a fantasy weapon! It's unique, but it's so impractical!!! You can even see how awkwardly Gakuro's wrist has to bend to hold that stupid thing!!! Anyway, wasn't the current goal to get Gakuro to force a contract with Gashadokuro? It seems like he'd be pretty down for it, why not take advantage of the fact that he's asking for Gakuro to join him?

Kagurabachi: As her memories return, Iori flashes back to her former relationship with her father, and the death of her mother; at the point where they started to get along, the Hishaku appeared with a proposal for Samura. Hakazono's really good at establishing compelling dynamics within one chapter, and Samura's contact with the Hishaku being part of his motivation for erasing Iori's memories adds an interesting layer to his decision to form a contract with them

Chojo: Finally back from overseas, Inukai is confronted with a shocking rumor - that Keinain is dating Ippongi! Traumatized by losing Chojo to her, Inukai panics and accidentally gets himself Me-Too'd; Inukai's fears of losing Keinain are assuaged when he hears Keinain defending him from petty coworkers. It somehow only just sunk in how many ships there are in this series, I wonder if there are any plans to make good on any of them?

Astro Royale: Terasu's next opponent tries to assassinate him behind the scenes, but Shikaba interferes and knocks them both out of the tournament, making Hibaru the winner by default and allowing him to jump straight to fighting Shikaba. Man, it's almost like there was no point to Terasu being in the tournament in the first place

Kiyoshi: After Bakku's defeat, Jack Joe pleads to spare him as his old friend; as Bakku bids goodbye through tears of joy, he is suddenly killed, seemingly by another Demon Lord; meanwhile, Hydrako lures out Kiyoshi with seemingly yandere intentions. BAKKUUU!!! Wait, is his name Bakku Yoraku or Yoraku Bakku? Weird to suddenly change it like that, I wonder which way was the error...I am legit upset about this development, but I'm also unclear on what it takes to kill a demon considering what Yamada survived in chapter 1

Hima-Ten: The group goes to a beach house, and the girls all fish for compliments on their swimsuits, though only Himari doesn't get one; while she tries to get over her jealousy, Himari gets hit by a wave and loses her contact lenses, only to be saved by Tenichi. I truly don't understand why Tenichi would need to quit working for Himari if he starts dating, that's dumb

Ichi: Gokuraku sees through Uroro's empty promise and flies off the handle, reminded of his nemesis - the local deified Magik, Bakugami, a Human Hater disguised as a benevolent god, plotting to sacrifice his followers as a tribute to the World Hater. ...I guess that makes more sense than Gokuraku fighting Ichi, huh? I wonder if defeating Bakugami will allow Gokuraku to become a Witch, or if he'll accept that he can't become one once his goal is fulfilled?

Shinobi: Kawasemi overpowers Yodaka and reveals that Public Safety are the ones responsible for the death of Aoi's parents; he offers to ensure Aoi's safety if Yodaka joins the Fugitive Ninja, but Yodaka refuses to give her to someone who will make her life miserable. It seems that's the theme of the arc, as Yodaka also refused to give Aoi to Suzume because of her view on relationships

Syd Craft: Misery returns and tricks Syd and co. into entering a haunted house...which, due to safety concerns, has been modified into a fun thriller attraction rather than the death trap it was meant to be. A+. 10 outta 10. Perfect chapter. Misery should be the main character and all the girls should be lusting after her

Embers: Takami manages to receive the ball from Haitani, but cracks under the pressures put on him by everyone's expectations of him to be an ace scorer, especially from his father; one failed goal nearly breaks Takami's spirit, but Haitani's refusal to allow a single failure to define someone resonates with him and gives him the motivation to try again and successfully score a goal. Haitani's entire dynamic with soccer is a string of failures that slowly stacked into success, so he's the ideal person to refute Takami's perfectionism; the theme of second chances is really resonating with me, I wonder how it will be applied to someone like Inanaki who seems so irredeemably nasty

Beethoven: Claude is distressed to learn that Yaso is back to playing piano and trying to transfer into Reiro Academy, as doing so threatens to tarnish the memory of his victory over him two years ago; because the students are set to be the judges for Yaso's audition, Claude preemptively decides that he won't allow Yaso to pass no matter what; with two weeks to practice, Beethoven plans to teach Yaso how to play Apassionata so well that no one can deny his skill no matter how much they want to. Claude's insult game is insane; he's already a great antagonist just from representing the antithesis of Yaso's master's philosophy, but his loony personality and animated movements make him shockingly endearing for someone so downright reprehensible

As if in response to me calling last week's issue Polybait Week, Jump went out of their way to crush my hopes with spite, jealousy and near explicit cuckoldry!

Nemu explicitly denying the possibility of polyamory and Wolf threatening to cuck Keigo, Himari putting herself on the backburner for Tenichi but still acting jealous, Inukai mistaking Ippongi for an outright homewrecker...okay, that last one wasn't based on last week, but still!

I would argue that Nue's Exorcist also played with the idea, as not only was this a Nue-heavy chapter, but Gashadokuro was kinda getting cucked by Gakuro taking away Shiroha AND by Nue having Gakuro as her vessel

At least EluSam keeps leading the pack by continuing to show us the true Power of Love...making...

Top 3 of the Week:

Ichi the Witch for delving into Gokuraku's motivations

Star of Beethoven for our new special little freak boy

Syd Craft for Miseryyy~~~

Embers' dynamic between its leads was super interesting, Shinobi Undercover continues to endear me to Yodaka and Aoi's relationship, and of course Elusive Samurai had one of the funniest gags I've ever seen from Jump, but these three weirdos have all dug themselves into my brain and I need to acknowledge that

[batneko]

it occurred to me that bowuigi would make for really good sentinel-and-guide AUs

(for those who don't know, The Sentinel was a 90's show about a guy with heightened senses and protective instincts, which make him a natural defender of humanity but can also be overwhelming. His nerdy partner who provided most of the exposition was eventually revealed to be a "guide" who has the power to soothe and support him. It had an extremely dedicated fandom and robust shipping community, which led to Sentinel AUs being super popular until A/B/O AUs eventually eclipsed them.

The basics are: Character A has super-senses and tends to be protective and territorial, but they have panic attacks/migraines/whatever because of their powers. Character B is a calming presence and often feels compelled to help Character A despite any personal differences they might have. It's important to note that the connection between sentinels and guides is not inherently sexual, though there's a lot of touching involved so if there's any attraction at all between the characters it can get awkward. Usually in the AU sentinel and guide powers are Known Abilities with support systems and sometimes even a matchmaking service in place, despite it being rare and unknown in the show.)

So for the obvious version we've got Sentinel Bowser and Guide Luigi. Bowser is an extremely powerful sentinel which means very few people can challenge him, but his instincts have driven him to conquer more and more territory over the years and he's starting to feel stretched thin. He's had guide partners before but his personality problems drive them away before too long, so he keeps a few in rotation and tries not to get attached.

He "fell in love" with Peach because her guide abilities are so strong he feels comfortable around her without either of them even trying. And since he only tends to see Luigi when Peach is also there (either kidnapped or at a group event) he doesn't notice that Luigi is a guide at all for a long time.

Until one day he has an attack in public, and since he's likely to lash out in that condition everyone keeps their distance - except Luigi. Who rushes to his side and holds his hand and rubs his brow until Bowser is able to come back to himself.

Bowser is stunned that someone he thought of as an enemy would help him so easily, as if it's the obvious thing to do. But he's also embarrassed that Mario's brother of all people had to take care of him in such a vulnerable position. He gets it into his head that the only way to save face here is if he acts like it's not embarrassing at all and that now he wants Luigi to be his full time guide partner.

This is definitely going to go great!

And then the reverse, Sentinel Luigi and Guide Bowser. Mario and Luigi are both sentinels, but they're so used to relying on and covering for each other that neither of them has ever needed a guide... Or at least they've convinced themselves they don't need one, until they're both falling at Princess Peach's feet as all the tension they've built up over the years drains away all at once.

Pretty soon it becomes clear that Peach and Mario have a connection that Peach and Luigi don't, and Luigi makes excuses to leave the two of them alone as often as he can. Which leaves him both without a guide and without his partner, putting up with all the stress and sensory stimulation on his own. He handled it before, right? He can handle it now.

Then he (literally) runs into Bowser and, just like with Peach, collapses to his knees at the sudden rush of relief. Bowser is like "not that I don't enjoy this kind of thing, but what the hell?" before he senses Luigi's distress and realizes he's a sentinel. It makes sense given how strong the brothers are, but he'd never really thought about how that kind of thing works for humans.

And, though he tells himself he shouldn't care if Luigi is struggling or not, he's not entirely heartless. Bowser scoops Luigi off the floor and lets him spend the rest of the day with him, eventually saying he's doing it because it'll be funny to have Luigi owe him a favor.

Luigi says okay. Bowser is baffled by how quickly he agreed. Either he was really really suffering, or he's so nice of a guy that he doesn't even fathom how easily Bowser can take advantage of him.

Well, it's not like it costs Bowser anything to keep him around. And it does actually feel good to be a guide instead of a king for once. Bowser decides to keep racking up "favors" until he thinks of the best way to use them, probably against Mario, or maybe to get into the Mushroom Kingdom.

Sure, once he gets that payoff Luigi will probably never forgive him and never want to see him again, but it'll be worth it... right?

[dorkydegeneracy]

So. . .

If Don't Drink the Water does indeed cover Eddie's realization, in whatever form that takes, wouldn't there have to be something to spark that realization. . ..

Walk with me.

Eddie will be coming back for Bobby's funeral. I would imagine that returning for the death of what may be considered a father figure to Eddie would certainly make him evaluate his decision to stay in El Paso. He is missing time with people who he considers his family. So now we have enough reason to convince Eddie to move back to LA, but stretching that to him realizing that he has strong feelings for Buck seems to be a bit much imo. Don't get me wrong, it will certainly get Eddie to think about what would happen if Buck got hurt and he wasn't there, but I think that would be a bit too much heavy lifting for one moment. Add this to the fact that Eddie also will be grieving the loss of Bobby and blaming himself for not being there. . .. There are sooo many emotions Eddie will be going through when he comes back to LA, and realizing he is in love with Buck seems to be one too many points to deal with.

HOWEVER, I also think that Eddie will not only be going through his own grief, but will also be there to help Buck cope once he finally stops being the crutch for everyone else to lean on. In fact, Bobby told Buck shortly before he passed that everybody needed him, and I think Buck will take that to heart and fulfill that role because it was Bobby's final request of him. But I think the episode culminates in Buck breaking down with all of the weight he has been carrying for the rest of the Fire Fam. Eddie is the only person that will be able to see through Buck's mask (and Eddie and Buck will be roomies, so Eddie will see Buck when he is alone with nothing but his own thoughts).

The real question is: How will Buck's "breakdown" manifest?

Admittedly, I assumed it would just be Buck sobbing in Eddie's arms. BUT, what if it's more than that? What if Buck kisses Eddie in a moment of weakness?

I know I said that I didn't want Buddie to happen because of Bobby's death, however I do think that the whole reason Tim chose to go this route is because he could not find a way to (1) get Eddie home and (2) find a way to shift the dynamics between all of the characters to progress the story into season 9. (I'm not saying that he had to kill Bobby for this to happen. Quite the opposite actually. It really was the easiest option for him to choose. Otherwise he would have had to think about a compelling series of events for more time than he probably had. 🙄 At least Bobby's death was handled gracefully, aside from x).

I also don't think that a Buddie kiss implies that they will be together because of Bobby's death. Honestly, I highly doubt Buddie will be together together by the end of the season. But, all of the mega hints they've dropped this far in S8 have to culminate in something. I think this would be the perfect something.

That way, we can go into Don't Drink the Water with a reason for Eddie to contemplate what (who) would make him happy, and force him to ponder his own romantic past and sexuality. I don't think Eddie should have all of the answers by the end of 8x17, but the ball has to start rolling.

Oliver also said that his favorite episode of the ones we have left is 8x16, and we know Oliver's other favorite episodes have revolved around his romantic developments. I would not put it past him to drop another hint to us. Although, I admit that Buck's role as the person who attempts to hold the Fire Fam together is also a completely valid reason for it to be his favorite as well. So there is some wishful thinking on my part.

All in all, I'm just spitballing here.

PS: I also wonder what the emergency that Tim is planning to function as the season finale will be. Some sort of poisoned water table situation would match well with the title and I don't hate the idea. The show hasn't done anything quite like it. But that also seems too on the nose for me. So IDK. 🤷🏾‍♀️

[klaineharmony]

Why We Ship: Neo/Trinity (The Matrix)

I have not felt compelled to write one of these posts for a long time, but I watched The Matrix: Resurrections again while I was working this afternoon, and Goddess, I have so many feelings about these two.

I think it's hard to convey how utterly capitating the original Matrix was, back in 1999. And I could not have said, then, everything I can say about it now, because I didn't have the knowledge of myself, or the vocabulary, or simply the experience to be able to articulate why Neo and Trinity (and Trinity especially, but that's a separate post) felt like everything. Even apart from the incredible worldbuilding and commentary on society that was The Matrix itself, they were something special.

A lot of people got really salty and irritated with Resurrections because they felt like it was "less about the Matrix" and "more just about Neo and Trinity." And god damn, if that doesn't say everything about two different audiences who watched the original trilogy. If you didn't see that the whole trilogy was about Neo and Trinity's love from the beginning, then we were not watching the same films. Neo is The One because Trinity loves him; that is established in the first movie. He cannot be The One without her; he cannot believe in himself as The One without her and her love. "The Oracle told me that I would fall in love, and that the man I loved would be The One. So you see, Neo, you can't be dead. You can't be . . . because I love you." She literally brings him back from the dead with her love; she makes him The One because she loves him. She is the driving force behind all of it. And it's not a coincidence that Neo does the same for her in Reloaded; he catches her in midair, he pulls a bullet out of her body and keeps her from dying because she is everything to him.

And here I am, still writing a post that is more about Trinity than about Neo and Trinity together. But this is what still strikes me about them after all of these years: their love is complete and beautiful and all-consuming, but it is also grounded very firmly in the grim reality they are living. They are not blind about the fact that they could die; they know that every minute of every day, and every minute the spend in The Matrix, could be the last one. They do everything they can to keep that from happening, and they train with everything they have to try and prevent it, but they know, all the time, that one of them could lose the other. They cherish every moment they have, because they are living in this terrible world where another day is never a certainty. But even with all of that, and all that they feel, they are willing to fight, to do whatever needs to be done to try and bring down the machines and the Matrix. They do not shy away from what they see as their mission and their duty to others, even while they are so anchored in each other.

And it's part of what makes Revolutions so tortorous (I hated that movie when it came out; it broke my heart). They know. They've known it's coming; they've been waiting for it, and they go to die together. They still hope that somehow, they will make it, but if they don't, their entire intent is to die together. Because they love each other, they have literally saved each other's lives and brought each other back from the dead, and they have spent their entire time together trying to dismantle the Matrix. If they have to give up their lives to do it, then they will. And I think the thing that hurt so much, when I watched Revolutions as a much younger person (and who am I kidding, it still hurts) is that they still died apart. Trinity died first, and then Neo, and while Neo was with Trinity when she died, he had already been blinded and couldn't see her, and he died alone. And it felt like a betrayal of everything they were in the most gut-wrenching, soul-destroying way. Their love not only changed the world, it saved the world and destroyed the Matrix and altered the relationship between the machines and humans - and they still died apart.

I remember being emotionally devastated by that last film, so much so that I couldn't watch the trilogy again for years. I was so shattered by the ending, it hurt so much, that I couldn't bear to revisit it. And again, I don't know that I could have said that at the time, but I felt it.

When the trailer for Resurrections came out, I was so emotional the first time I watched it that I felt a little blindsided. I had packed away everything Neo and Trinity meant, because their ending hurt so much - and then there they were, on my screen again, getting another chance. Getting the second chance and the ending they should have had - defying the odds with their love one more time, and in an even more epic way. Neither of them is living, in the Matrix. As Thomas and Tiffany, they're existing. They're brainwashed. They barely remember who they used to be - Thomas is convinced it's all in his head, and Tiff is only Trinity when she's working on and riding her bikes. It's only when they find each other that they start to find themselves again. And even when Neo escapes and he's back in the real world, the hope of Trinity and his love for her is the only thing that keeps him strong enough to keep fighting, the only thing that allows him to access his former powers as The One.

They help each other survive. And it's complicated and difficult and not always pretty, and it's always in the midst of a world that is against them and trying to destroy them - but they survive because their love survives. They love together and fight together and survive together, always.

[midnight1nk]

After watching the movie it got me thinking,

What's Puzzles modivation?

Why does he want Wpnz for???

He has no interest in fame or perfection anymore.. He has his own "friend" Leggy 2.0, but I have a little theory..

Experience every single possibilites

He said in WOTFI 24 that he and Leggy shall experience every possibilites in life. And maybe... Revenge is one of them.

Smg4 and crew took almost everything away from him. He's fame, his dreams, his first ever friend, etc.

I saw an AU of Puzzles who is hellbent on getting revenge on the Smg4 crew and going insane, losing his mind and sanity chasing that feeling of vengance.

But that begs the question, what does he need Wpnz for?

I have a theory that to accomplish his revenge, he needs someone to break him out, someone like Wpnz.

But this is all speculation! Just wanted to ask what you think of this theory, and maybe sharing your reasons as to what Puzzles is after?

What his new modivations are, what is he after now?

Thanks for reading! ^^

I think you've got a good point! Let's refresh ourselves on what he said months ago, for the people who need it:

"I was so foolish... All this time, I was chasing 5-star ratings and fame. Fame is but a fleeting shadow. What I really needed was a friend. Friends are eternal. Isn't that right, Leggy 2.0? And now we're free to chase NEW dreams, you and I! Perhaps we could express ourselves in painting! Or maybe we'll adopt an adorable little puppy! OR we could assassinate our enemies and anyone who's ever double-crossed us! The world is full of possibilities! We shall experience them all!"

I always found Mr. Puzzles to be a compelling and tragic character. How he ended up in the present day, it makes sense. Plus, it is something we can relate to: the pursuit of perfection, our dreams, people in our lives shutting us down every time we try. Especially for television, those are very high standards to set yourself in. And I would know, as someone who works in the production occupation field.

Without support, like friends, it's an uphill battle. At the end of the day, Puzzles' actions stem from him being lonely for years. And I think that's why he would have a small connection to WPNZ. Think about it: How did he know what happened to WPNZ? Who he is? Or the "Cat got your tongue" line", despite being something Puzzles would say?

While solitary confinement definitely did not help any of his problems, Puzzles IS still in there. But it's exactly what I theorized before; it's not going to stop her from contacting the outside world. Now with double the grudge he has for the Crew. More so on 4, with another reason added to the list: for putting him in jail. So, just as it was shown at the end of WOTFI 2023, Puzzles was watching. I mean, what else do you do when you're strapped to a cot?

Now look, as much as I love to hate on WPNZ, he's also a compelling and tragic character. Assuming that his limbs were bc of his genes (y'know bc of the kids), then he was practically born and forced to be a weapon. It would be no wonder why Hitman Inc. would take an interest in him, and for taking the job such as having a partner grown to trust in, it's a lonely upbringing. Even the movie shows that if you look at it closely.

There's definitely one thing yall should note: not all obsession or manipulation is bad, it's part of being human. We all have it and done it. The difference is that it reaches to be unhealthy and even dangerous. For example, someone doing puppy eyes is a form of manipulation but it's practically harmless when it's like giving a cookie to a kid. And just as we lightheartedly get obsessed with a character, it's an expression that we love them. In characters like Puzzles and WPNZ, what they've done is stemed from loneliness and even if we don't condone it, we get it.

Redemption is possible for these two. Like I said before, change is there for those who have the courage to seek it. There's a difference between "I need to change" and "I want to change", even if nothing is given in return. If the time comes, Puzzles and WPNZ can be redeemed, it doesn't mean everything is going to be forgiven, but based on the end of the movie, they decide on revenge. This is what they think is going to help solve all their problems, to destroy the people who they blame for: the Crew. If they're able to connect from this one thing, then surely they're going to gather up people who are just like them, like Marty.

Marty, throughout the whole time we've known him, was underappreciated and underestimated by his cardboard cutout appearance. And sure, we treat it like a bit, but we've also seen how incredibly capable he truly is. He's smart, cunning, physically strong, and just like our 2 villains, he lost his only friend and creator Mario by betrayal.

This revenge plan is an unhealthy way to go about it but when they have nothing left to lose, we get it. At least, we should recognize that it's the case. That is what I hope for the Team to go along with moving forward, character exploration of loneliness and drive. Perfection and authenticity. They have a common goal but they individually have certain skills that the others don't. Just like the Crew, the more skills they have, the more complete each other into a whole.

Plus, if they can easily go against the government, WPNZ and Marty could get Puzzles out of jail. And concept Ink would totally have her coming out of the wreckage in such a dramatic way, rise from the ashes dirt :)

thanks for the ask!