#i don't know what is this but i had fun

[mroddmod]

they are like puppies. 2 me

[drgnflyteabox]

the lusty cabin-dweller

pairing: ghost / Simon riley x fem reader summary: your life gets wider when you find an injured man outside of your cabin. tags/warnings: Skyrim!ghost, secrets, graphic injuries, some angst, facial injuries, nursing Simon back to health one stew at a time <3, listen to this for the vibes, vaginal + anal sex, oral (f), animal attacks, blood, processing an animal for meat and fur, violence, death (non-major), mention of Skyrim racism, softdom!Simon, some backstory, please hmu if i forgot anything, one bed trope, simon backstory adapted to skyrim lol (so past abuse, murder, theft, domstic violence) but nothing graphic w.c: 5k

Honey-nut is squealing again. Some days you think she might not be worth the milk and cheese she gives you for all the trouble she causes. A high, strange bleating cuts through the chilled night air like a knife, sharp and terrifying only for a moment.

She's been at this since Frostfall. Maybe it was the weather causing Honey-nut distress - she was getting old, after all. For a goat.

In the time it takes you to trudge out of bed, pull on a wool shift and a fur, two things happen: one, Honey-nut stops bleating, and the woods surrounding your cottage becomes deathly silent.

Two, a crunch.

Just one, but it's enough. Someone is outside.

For a brief, hysterical moment, you worry for Honey-nuts safety. Have they hurt her to be quiet? No, you'd have heard that at least. Your breath comes fast, chest squeezing. Bandits? Probably not. It's a decent hike up to your wooden cottage. But it is nearing winter, and soon it will be Sun's Dusk. It's not unheard of that they'd be looking for a place to take over for the colder months.

Your hand goes to your heart, fingertips touching your throat. Be calm, you tell yourself. You aren't helpless, look. The axe, leaning by your front door. You can see in the dark well enough, and you're more familiar with your homestead than they are.

The axe feels right in your hands. Too-familiar, weighty, deadly. You touch your ear to the door, trying to reign in your fear. Nothing. Then, a wheeze, strangled and restrained like whoever it is can't afford to be heard. But you have heard it, and you push the door open.

"Show yourself!" You shout, voice surer than you feel. Your knees quake a little, but your grip on the axe is strong.

The animal pen is a mere few steps away from your front door. Past the front garden, it's wide open aside from the little shelter you built the past Mid Year. A foot sticks out, clad in armor.

"I'm armed," you add. "You're not getting anything from me!" The world is dark, the woods quiet. Adrenaline burns in you, bright enough to guide your steps.

"You gonna kill me with that, girl?"

Gruff voice, like scraping rocks. Coming into view, you see that this man poses no threat. He's half dead, slumped and pale, clutching his side.

"Who are you? What's your business here?" The axe is a deterrent, now. Just for show. You hold it above him, but nearly drop it when you see his face. It's sliced right through the middle, from his forehead to his jaw. "Oh, gods-"

"Mind yourself with that," his eyes flit to the axe. "Or put me out of my misery now."

Your shoulders dip down, lowering your weapon. Guilt crawls into your belly and settles there when you notice that yes- his feet are armored, but the rest of him is dressed in miners attire. White, coal-dusted shirt. Workman's pants, tucked into woolen calf wraps. God, he must be freezing. Maybe that's saved his life, staunched the bloodflow. It's tacky on him, not shining wet like you expected.

"What's happened to you?" You cringe at the sound of your voice. It's gone from fierce defensiveness to cloying concern, staring only at the blood staining his skin.

He breathes hard, staring at you a moment. It's hard to tell what he's thinking, what he's feeling. Outside of obvious pain. Leaves around you shiver in the breeze, a light snow beginning to fall when he finally speaks.

"Bandits," he grunts. "An ambush." Every word is a fight, a wheeze. Empathy drives away caution and you drop your weapon in favour of kneeling beside him.

"Come on, then. Let me help you," lifting him is a monumental task, even with him helping. He's as big as horse, thick as one too. Legs like tree trucks that hold him up just barely, feet sliding weakly on the uneven ground.

Looking back, Honey-nut watches you bring him through the doorway with a judgmental twinkle in her eye. Maybe it's time for goatherd pie.

///

Your bed is too small. His feet hang off comically, and the wood creaks under his weight. It'll have to do. Your mother would have beaten you black and blue for this - for inviting a stranger in, for settling him in your bed without so much as a what’s your name? But you know how to stitch and turning away someone in as bad a shape as he is would weigh on your conscience.

You light the sconces along the wall, and then a lantern to keep by his bedside. Warm, orange light fills the cottage, flickering every so often, inspiring calm.

"I'm no healer," you warn him. "Nor an alchemist." It’s not necessarily a lie. You had done a brief stint as a volunteer for the temple of Kynareth, lending your hands and your time to help nurse wounded soldiers. There had been supervision then, though. Guidance.

"I’m shit out of luck for choices, sweetheart,” his facial wound leaks a little when he speaks, blood running down the side of his face in thin rivulets. The wound at his side, however, is what worries you the most.

“Let me,” you murmur. Your fingers find the edge of his shirt, pulling them out of his pants, and up, up, gently. Looking him in the eye, watching his pain win over his weariness.

Another gash, swaddled in cloth wrapped sloppily around his middle. Without moving him you have to cut them off, slicing off his shirt at the same time. This one bleeds sluggishly, skin shredded, like he’d been dragged over coarse rock.

He words slur, energy leaving him. Mumbles under his breath things you can’t make out, and don’t try to. You’re busy rinsing, cleaning, and patting his ribs dry. Tensing every so often, he breathes hard through his nose to offset the pain. Mumbles some more, hands making fists.

It’s bad, but he’ll live. Exhaustion might trump over all, anyhow, what with how his eyelids have begun closing. Through the slit of them his eyes are pale, like sunlight through deep blue ice. Blonde lashes, stark against the dirt and coal smearing his skin.

You work in silence, letting him sleep through this one so he’ll hopefully be unconscious for the work you have yet to do on his face.

“Who did this?” You whisper to no one. You’re a breeze in the night, alone, hunched over this man and wiping his face with a cloth.

Clear of blood and grime, you gather a sewing needle and dip it into the lantern flame. Stitching is easy, but on his face? You falter a moment, worried, until you think of how proud men often are of their scars. Boasting battles won and creatures slain.

It’s that thought that pushes you through to the end, weaving the needle through until he's sewn and clean of blood.

///

Sweat and iron. The smell of it, sharp and salty, sea foam and earth, is the first thing you're aware of.

Then, the light of morning. Pale, almost white, invading through the windows in rays. A chill. Your eyes open with a not insignificant amount of effort, back twinging in different places as you become aware of the world again.

"Awake?" You startle, jerking up. It's the man from the night before, laying as he was, a little curled against the pain and big as an ox. "W's startin' t'think you'd sleep all day."

"It's morning, is it not?" You're not used to talking this early - or at all. "How's the- how are you feeling?"

He grunts, shuffling. His wrapped side has some blood peeking through, little spots of leakage, not enough to lose your head over. His face has swelled some overnight though, and you're awake enough now to hear the muffled quality to his voice. Part of the cut pulls his upper lip tightly. You wince.

"Just wait. I have something for the," you pause, crossing your space on stiff legs to find the bookshelf. Clay pots, glass bottles, books. Ah, here it is. "For the pain." It's some elixir. Purchased the last time you'd made the trek to Markarth from Muiri, the alchemists apprentice. It brings forth a distant memory of pain, of twisting your ankle running after Honey-nut.

Your ankle hadn't quite healed right, but this was good for when winter came and stiffness made the pain worse again.

He eyes you wearily as you approach. Suspiciously. As if you haven't been helping him out of the kindness of your heart…

"This will help," a promise.

"Don't need'it." He slurs, then cringes as it pulls his lip again.

"You'll recover faster if you're in less pain."

In the end he acquiesces, if not just to take the edge of the purpling that's beginning to show on the edges of his bandage. Broken ribs, maybe?

///

Chores need to be done whether or not there's an obstinate patient in your bed. Honey-nut needs to be milked, and she fights you every step of the way. You discover her pen open from last night and sigh with relief that she's still there.

The chickens have laid eggs for you, and you collect them diligently in your apron. Then, the garden. And finally a sweep of your traps in the woods.

Just one rabbit, but it's enough. You hope the man likes stew, and that his swelling goes down enough for him to tell you his name.

///

He tells you his name is Ghost. Strange, but you've heard stranger. Maybe he's a follower of Namira, you wonder not without an inkling of apprehension. Ghost is quiet, even as he heals. After you'd made yourself a straw bed on the other side of the cabin, you'd wake to him sitting up and stretching. Testing himself. Always silent.

The exhaustion was the worst of it. One nearly empty bottle of elixir later, the swelling on his face has gone down significantly. His ribs sore but on the mend. It was sleep that he needed, and lots of it.

Days passed like this. Switching bandages, wiping and cleaning, cooking enough stew for two. Nearly a week until he was up and about insisting to help around the cottage.

"No need," you tried to gently push him back into the warmth of the open door. He was too big, and having none of it. "You'll be better in no time."

He was just so tall. Were he to stand still at your doorway, half his face would be covered by the top of it. Despite his condition, you could tell that your initial comparison to a horse was completely on the nose. Stocky as a boar, arms thick as mammoth tusks. Hairy like blonde wheat shining in the sun. You'd noticed as much, watching him rest, watching his eyelashes flutter on his cheeks as he dreamt.

///

Ghost works like you're paying him in gold. He sweats, arms swinging down over and over again above the chopping block. There's enough wood to last three winters now - maybe four. Every job he takes is finished to excess. Your roof has never looked better, re-thatched in rotting places and swept clear of mildew. The old wood fence in your garden? Replaced.

Honey-nut finds her new favourite person when he dismantles what he calls shoddy work, and rebuilds her a shelter twice as big. The chickens are still weary, but enjoy receiving the kitchen scraps he tosses.

"There's really no need for all this," you insist again, because he's come back this afternoon with an elk on his back.

"Didn't need to fix me up, either, did'ya?"

You break it down together. Ghost does the harder part, while you take cuts of meat to dry for jerky. The rest will go into a venison casserole, with juniper berries.

"Hey- Ghost?" You call. He's skinning the rest of it for furs. "I'm off to gather some berries for dinner."

A nod, and you're off.

Your basket is old, woven, carried once by your mother and now you. Silly, but special all the same. It's stained with many years of berry collecting, many years of winter nights spent tucking into fruity crostatas or summers full of juniper mead.

The hills are rife with the low, rough trees. They grow like weeds here in the Reach, mountain pocked with patches of light green and little blue berries. Once, as a child, you'd made the mistake of eating one straight off the branch. Bitter as burnt coffee, it was lesson you'd learned through tears of laughter with your mother. A happy memory.

Does Ghost have a family? You wonder again about him, about why a man like that is wasting his time mining. He could've climbed the ranks as an imperial and been a General or - divines forbid - a stormcloak. You prayed he wasn't so craven as to follow Ulfric and his band of Nord supremacists.

It's this distraction that leads you right into the waiting jaws of a sabre cat. Quick and silent, it reminds you of your patient for an absurd moment before you're tripping backwards, basket full of berries scattered and forgotten. Your hip makes contact with the ground hard, pain lancing through your joint like a spear.

Fuck, how could you be so stupid? This was a mountain, leagues away from the nearest town. Sabres, bears, wolves. You'd always, always used awareness as a first precaution. Sight, sounds, keeping your ears tuned to the slightest crack in a twig. If not, there was the bow and arrow stowed away under your bed.

Now, you were caught unawares. Muscles under it's fur rippled, a low growl in it's barrel chest, creeping toward you. Adrenaline burned through you like a fever, hot and electric all at once, freezing you in place by the weight of your heart in your stomach.

Stendarr's mercy, dying from an animal attack after living years on the craggy peaks of the mountains, avoiding ambushes and robberies. Living on goats cheese and chicken eggs, nothing yet achieved. What a waste. Miserable, hopeless tears prick at your eyes. Your breath leaves you in quick, desperate puffs. Running wasn't an option - it would only encourage the sabre. Sovngarde, here you come-

"Aaarghgh aaaaa!" A roar. Loud, ringing in your ears, as fierce as a cave bear. It's Ghost, jumping through the brush towards you with his arms above his head. "Bugger off!" He's screaming loud, voice cracking a little, the stitches at his lip tearing just enough for droplets of blood to fall.

"I'll put you down!" It's nonsense, but it's loud, and he's massive. Taller than the sabre even if it stood on two legs. When he reaches you, he steps in front of you. Shields you.

The face-off is likely less than a few minutes, but it feels like time moves as slow as honey. Ghost faces of the sabre, screaming like a madman, beating his chest and waving his arms. It creeps backward, hissing and fighting, but is cowed by his stance and size.

When it's disappeared through the maze of juniper trees, he turns to you. Extends a palm rough like bark.

"How long have you lived here, again?" His voice grates as usual, made worse by his shouting.

Your face heats in embarrassment. "A few years. I'm not usually so distracted," you dust your dress, patting yourself. Twigs and dirt fall from the wool. "I swear. I got lost picking berries."

He snorts, like you're stupid. You feel stupid.

The basket is half empty when you call it quits, tired from fear. Ghost is hunched beside you, holding his ribs again, rubbing his lip almost compulsively.

"Stop that, you'll get a thicker scar," you reach for his elbow.

"Don't care much about that, love," he shrugs your hand away.

Dinner is made in silence. It's a miracle you have the energy, but while you're physically drained your mind is running in circles. You watch with concern as he sits gingerly back on the bed. The pain in your hip pulses with sympathy, pulsing heat travelling down your leg and up your back.

"Need me to take a look at anything?" Besides his obvious discomfort, you'll have to fix his face back up. You'd prefer for him to be in a welcoming mood.

"I can handle it," Mr Stoic over here. "Did'ya take a fall?"

You drop dried frost mirriam into chopped, boiled potatoes. Then a pad of butter.

"Yes, but I'm alright," the cream sauce comes together, ladled over the venison. You're out of eidar cheese, but Honey-nuts goat cheese crumbled over everything is perfectly fine. Ghost eats like a furnace taking coal, anyhow.

"Let me see," he's up close. Again, you've been taken unawares. A sharp inhale like a gasp, heart beat picking up, breathing in the smell of him. It's gone from bloody to pine, to earth, to fresh wood. His hands find your hip and you hiss, trying to jerk away. In doing so you press your side into his chest, curled close, warm not just from the fire. "It's alright, sweet girl." He murmurs into the top of your head.

This tenderness is new. His fingers are as gentle as you've seen them in the last few weeks, pulling up the thick skirts of your dress and assessing the tender skin. It's a little hot to the touch, painful. The rough pad of his thumb brushes against you softly, making you whine.

His lips brush your hair, not quite kissing you, but affectionate nonetheless. You're close enough to see his throat bob when he swallows.

"Just a bump, huh, sweet girl?" He takes over, mashing the potatoes, setting out plates at your little wooden table, guiding you by your lower back.

You eat in relative silence, thighs brushing, a tension bubbling to the surface like stew on the fire. He spares you a few glances between bites, still wincing whenever he has to bend down.

"I'll take a look at that again before bed," you speak through a mouthful of creamy venison.

Sure enough, he's reopened some of his stitches. Not worst case scenario, but you spend a few minutes hunched over and bandaging him up again. He stares at you intently, eyes so clear and focused you wish he wouldn't. It makes your hand shake.

Moving to get up and back to your straw bed, his arm shoots out as quick as an arrow and takes your wrist in his hand. His stare is the same, squinting at you like he's waiting for you to confess something. Like he's waiting for you to give in.

"You're not sleeping on the floor," he says, sure, chest puffed. "Not with your hip. Come on now, come lay down." Gently, he tugs you down. Protests make it to the tip of your tongue and nowhere else, not with the promise of a mattress on your sore muscles and screaming hip.

It's too small though, much too small. Already he was hanging off, shoulders taking up the entire width. You curl forward, on your good side, facing away from him and into the dark. The cabin is still warm from cooking dinner.

His breath puffs on the back of your neck, hand finding your arm and stroking up and down. Soothing you. He curls around you, following the natural bend of your body.

"Simon," he whispers.

Your brow almost touches your hairline. "That's not my name."

"No," his reply is half spoken, half physical. He wraps an arm around your shoulders, bicep under you, cradling you, his big bear paw hugging your shoulder. A stray pinky ventures dangerously close to your nipple, fingers spread. "It's mine."

The world widens. "Yours?" You breathe in, out. It's trust, is what it is. He's giving you a piece of himself, this stranger, for you to hold. "Simon," you taste it in your mouth. "Simon."

He laughs against your hair. "Was watching you," he confesses. "After we got- after the ambush. Walked for days, till I found you."

"How long did you watch?" You're curious, if not a little suspicious. "You weren't casing it, were you?"

"No, nothing like that. Couldn't keep walking," he sighs loud like a dog. "Hadn't eaten, hadn't drank. Needed to know if you were somewhere I could stay."

"That's why Honey-nut was losing her mind," the realization is half funny, half scary. By the eight, you really hadn't noticed someone living so close-by for so long?

"Honey-nut?"

"You've met her, Simon. She's the goat."

"Ah," he snorts. "I've been calling her Molag-Bal, for how she's got us in the palm of her hand."

"Simon!" You shriek with laughter, shaking until he squeezes you from behind. So close his heartbeat taps against your back.

///

A week goes by, and each night is the same. You wake together, sleep together, eat together. Simon regains his strength and his wounds turn into scars. His face is deeply marked, but you've never known him another way. Truthfully, it adds to his handsomeness. There's a ruggedness there that one can only develop living in the rough.

The air gets colder, frigid in the mornings and nights. Light snows have begun falling, and Honey-nut begins her bleating until you put up the winter wall of her shelter, boxing her in. The chickens slowly cease laying eggs, bundling together, clucking at Simon when he checks for the seasons last bounty.

The time to make a trek to Markarth is creeping. You need dried goods, grain, seeds for spring, dried meats, elixirs - everything. It'll be your last trip before you're stuck in the freezing mountains with nobody but Honey-nut to talk to.

Books are your salvation during the cold months.

"I have to get supplies soon," you break the news to Simon early in the morning, when the light just barely creeps over the craggy peaks of the mountains. "In Markarth."

There. It's over with - telling him. You know you're being a coward by not asking directly, but you need to know. What is he going to do now that he's healed? Spend a few more months with you? You're still mostly strangers, practicing domesticity together, but strangers nonetheless.

"Can't go to Markarth," he says.

"Why's that?"

Simon looks at you then, eyes hard and tender at the same time. He grimaces a little, scar twisting wit his expression.

"Used to work there," A pause. "Used to… mine there."

"What?" Cidhna mine is for prisoners. You take a small step back, shaking your head. "What?" You repeat. Cidhna mine? Is that how- oh. His injuries, his waiting to see who you were before approaching. By the gods, you've been tricked!

"You tricked me-" you start, upset. Was he a killer, a robber? Images dredged from the recesses of your mind float to the surface. Men, fire, your mother cut down before you.

"No, no," he interrupts. He's shaking his head, not quite stepping forward but leaning toward you. Eyebrows drawn up, palms facing you in supplication. "Sweet girl, I," he looks around then, as if the words will appear written in smoke from the hearthfire. "Listen to me please," he pleads.

"Tell me what you did!" It's a near-shout, but you're upset. He's been cozying up to you while running from the law. Not that you're a total stickler for rules, but the men at Cidhna mine aren't there without reason.

The most secure prison in Skyrim.

"I will, I'll tell you. Just sit down please, sit with me." He pats a chair, sitting in the one beside it. Beseeching you. "Cm'ere, sweet girl. M'sorry."

///

You sit quietly while he tells you, choking a little on the rising tide of emotions. The biggest question is should you believe him? This story of his past, his father, a childhood spent learning to steal and bully to survive. Elixirs for a brother hooked on skooma, food for a mother grown sickly from her husbands abuse. Eventually getting rid of his father altogether, and wining up in Cidhna.

"If what you say is true," your voice wavers, throat tight with emotion. "Why not tell me?"

He shrugs his shoulders, looking up for a moment as if asking the divines for guidance.

"You never asked."

For a moment, you want to be indignant. You laid with him, cooked for him, wiped blood and sweat off his brow.

But he's right. You never asked, never thought to - just wondered, minded your business, content to help someone in need of it. The feeling of betrayal loosens in your chest, releasing it's vice grip on your heart, a calmer acceptance taking place.

The position it leaves you in is awkward, even if you're content to believe him. You've been too yielding since you met him. Accepted him into your home, accepted his story. Ambushed by bandits? A silly lie, now that you think of it. Vague, believable. Easier than explaining that guards had slashed him as he escaped imprisonment. That he couldn't go back because he was so recognizable.

You don't speak as you get ready. It's not an angry silence, but one brought by embarrassment. How stupid he must think you are, cozying up up to him like that.

The question of where he'll go burns still in your mind, in your gut. You're nervous, fingers shaking a little as you wrap long strips of warm wool on your calves, forearms, and between your fingers. Your dress is double-layered, boots sturdy.

It's a trip and half, lugging everything. You're on foot until you reach the nearest inn, and from there you rent a horse and cargo carriage. Easier from there, with Jazbay the white mare to pull you along.

"I know someone in Cidhna," Simon interrupts your thoughts. He's always tall, imposing, a little intimidating. Now he looks as sheepish as a man like him can look. "Could you…" He extends his hand, a letter clasped in it.

You grimace, but nod curtly.

"Thank you, honey," he breathes a sigh of relief. Honey. That ones new. It fills you with warmth.

"You're welcome to stay with me," you blurt. Impulsive, stupid. Brought on by the familiarity of his affection. "For the winter, I mean."

He's across the cabin in two steps. He presses his front to yours, hands cupping your cheeks, thumbs gently rubbing your cheekbones.

He kisses you, then, and everything slides into place. Your stomach tightens, hands coming up to grasp his shoulders, gasping into his mouth. It's wet, lips smacking noisily, the only sound in the near-frozen forest. Acceptance, sweet and buttery. This is a man whose never had a home.

"I can't stall any longer-" you try. He interrupts you with his mouth again, long kisses like it's reviving him, revitalizing him. "I gotta-"

"Shh, sweetheart," he hums lowly. Gods, you've never been this wet. It soaks into your cotton underwear, clit pulsing in time with your heart. "Let me take care of you, yeah?"

///

He's so solid, firm muscle and hard cock. It leaks between his legs, bobbing with his abdomen where he's kneeled on the floor, face in your cunt.

"Simon!" You're shouting, unabashed. Years have passed since anyone's touched you last, and you're sensitive as a maid, gripping his too-long hair almost meanly. Simon licks you like a starving man, slurping, letting you drip and then sucking it off your skin. His fingers find the entrance of your pussy, fitting himself in two at a time.

Once you've begun, you can't stop. He fucks you on the bed, letting it creak dangerously. Bends you over the table, cock dragging in and out of you deliciously. You shake and shiver in his arms, wrung out and insatiable all at once.

"Can I have you here, sweet girl?" He thumbs at your other hole, dipping in, kissing your inner thighs.

"Yes, gods yes, Simon," you drag his name out. Si-i-mon. It sounds good that way, breathy, not spoken but moaned and screamed. It's late evening, dark, colder now that you haven't lit the fire.

No need, when his cock is as hot as coals and slides between your arsecheeks like a divining rod. Your pussy is aching and hot, too-sensitive. You're belly down on the bed again, hands gripped in the sheets.

When you deliberately relax your muscles, he fits his fingers in your ass using come as lubricant. Spits down onto you, watches you start to rub yourself into the bedding desperately.

"None of that," he pants, pulling you up by your hips. A whine builds in your throat, which he shushes by pushing his other two fingers in your cunt. You yelp, moving toward him and away from him. He keeps you still, firmly holding your hips.

You come, tears beginning to leak into your sheets, when he presses his cock against the notch of your hole and pushes in.

A long, deep groan from the pit of his stomach starts and doesn't stop until he's sheathed. You're frozen, stuck in a gasp that doesn't end, filled to the brim.

Simon begins to rock, shallowly, stealing your breath and breathing it back into you with every thrust. It's then that you begin to make sound, crying out and fisting the sheets, rocking your hips with him. He reaches around, leaning down to kiss your shoulders and play with your clit at the same time.

"Not gonna last," he says into your skin. "Gonna come inside you again."

You're easy - so sensitive that if he breathed on you long enough you're sure you'd peak. His fingers twisting and pinching your clit is pure madness, and you tighten like a vice around him as you yowl your last orgasm of the night.

His hips snap into yours roughly, abandoning your clit for the flesh of your hips, pounding, dragging, grunting into you as he finds his own release.

Half-asleep, you fell him roll over onto his side and turn your head to face him. He's smiling lazily, stroking your skin, still sweating from exertion.

"I'll come with you tomorrow," he whispers.

"I thought you couldn't come to Markarth?" Confusion prickles at you, brows coming together. He finds the furrow with his thumb and smooths it away.

"I can't, honey. But I can come down and wait for you."

"You will?" Hope rises in you, in tandem with affection.

"Always," his voice is a soft murmur.

"Tomorrow, then."

"Tomorrow. Goodnight, sweet girl."

<3

[floccinaucinihilipilificationa]

[beatriceportinari]

Brook trout - Origami, one sheet of paper

[letmetellyouaboutmyfeels]

I'm gonna be honest at this point we deserve for them to make Buddie friends-to-fiancés like yeah we missed out on canon with the shooting and season five and who even knows what the fuck was going on in season six we're like three seasons behind now chop chop just skip it all and have Eddie desperately propose in the rain. I need it. It would cure me. More importantly it would be the most in-character way you could possibly get these codependent desperately abnormal idiots together.

[somegrumpynerd]

(They did not stop shredding the curtains)

[caffichai]

Utage!

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[zivazivc]

the morning (afternoon?) after this messy stunt. Floyd got off too easy in my opinion, but it's hard for Les to stay mad at him when he makes those sad pouting faces... 🤦

If you think Floyd's being really dumb at the start of this comic before getting a reality check, you have to take into account that he's madly lovesick and was feeling very smug atm; he's also a 15yo pop troll who thinks making out with someone means they're together now; and he assumed Les's sour mood was entirely the result of a nasty hangover...

P.S. They forgot about Hed lol (I almost forgot about him too, drew him just before posting lmao)

[welcometogrouchland]

I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)

[lulu-draws-stuff]

Don't fraggle me I'm rock. er.. fraggle scared. umm....

[necrotic-nephilim]

i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.

that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.

the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.

i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.

and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.

so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.

[starryluminary]

I would like to thank Sierra for 1: giving me the opportunity to draw Noah in a wedding dress and 2: not making me draw Cody's bangs for once in these edits. For that and that alone, thank you

Masterlist | Bonus (TBP)

DeaKids watermark, original screenshots and test sketches!

[wolfram-but-art]

Hey, if you’re looking for non-Sniper drawing requests, how about Demo and/or Soldier?

i did both :3

[shimmershy]

Chara Week Day 5: Ghost

Every time I see that machine in the True Lab, I wonder if it could possibly be Chara's soul in there? Probably unlikely, but not impossible... It's interesting to think about what the implications of that would be.

A version with no text and then a version with just the machine, because I think it looks pretty cool and ominous alone as well.....