#i don't know if this translates well culturally

[lemurchick]

Another 'wonderful news' from Russia for your consideration! This week, the BRICS forum on traditional values took place in Moscow. And it was fucking insane.

In short, the opening meeting was BRICS countries representatives verbally jerking off on how well they oppress or plan to oppress their people especially women. The only person who bothered to contradict this narrative was Egyptian female writer Doha Mustafa Assy.

I will translate some quotes from the russian article. https://www.kommersant.ru/doc/7311174

Russia: "At some point the roles for women have begun to change towards independence and self-sufficiency. We, of course, love and respect our women very much, but we want them to pay more attention to their families, men and children. We do not want them to strive for business, politics, economics, power, or culture. <...> The main traditional value is the preservation of natural purpose, where a woman continues the family line and a man inspires her to give birth to children."

Pakistan: "Any traditional religion upholds and promotes social values and traditions. No father would want to harm his family. No mother would want to break up or disintegrate her family. This <rejection of family values> is deliberately imposed on us and promoted by some power circles”

Ethiopia: "In our country it is traditionally women who do the cooking, teaching children and other family duties. So the man's role is not as big as the woman's, and this tradition gives the man the freedom to behave like a child." (?????)

Uganda: [This country experience is “extremely important to the discussion of legislative protection of religious values,” emphasized russian politician Dmitry Kuznetsov, referring to the fact that in Uganda same-sex relations are prohibited, and in some cases violators face life imprisonment or even the death penalty.] “We did this to make sure that the country would be preserved. I would encourage countries to behave in such a way that the culture that exists in each country is not imposed on others.” btw Brazil and South Africa representatives didn't say a word here even though their countries legalized same-sex mafrriage years ago.

Brazil: "Marriage in no longer a goal for our citizens and the country has the highest divorce rate in history. Meanwhile, children are most often left with their mothers, with fathers unwilling to take part in their upbringing. As a result, many Brazilian boys are growing up without a father figure and 9% of male inmates in prisons don't even know their father's name. Shifting the balance in favor of women leads to the fact that the position of feminism is growing, and the number of people who identify as LGBT people is growing.” At the end of his speech, he marveled, “This is my first time in Russia, and I didn't know you guys were so conservative. I'm so happy, it's so impressive!” He also admitted that “the people of Brazil know nothing about Russia,” and Dmitry Kuznetsov promised: “We will come to you and tell you all about our saving conservatism.”

Egypt: As I mentioned in the beginning the only person who actively argued against this trend was Doha Mustafa Assy. She said: "We on the contrary has a struggle against patriarchy. Tradition and religion are not on women's side, they help men. A lot of women in Egypt ask for divorce only because they feel like slaves at home. He (the husband) has the right not to let her leave the house according to tradition. BRICS is India, it's China, it's Russia, it's Egypt. We are very different. And maybe what you are trying to do in Russia has already became a problem for us”.

To be honest I don't know what will come out of this forum. Maybe it's just empty posturing, maybe BRICS countries just sent people who had free time on their hand here as a formality. But I despair reading these quotes; twenty years ago we sent a singing duet posing as lesbians to Eurovision; ten years ago I was watching lesbian drama Blue Is the Warmest Colour in a full theater. Soviet Union gave women some attempt in an equal rights in fucking 1917 and we were the first country to send a woman in space. What happened? How has it turned this way? We are now friends with some of the most patriarchal countries in the world and with fucking North Korea. They are planning to remove the Taliban's terrorist status.

What the hell.

[witchofthesouls]

I'm going to follow up on the fantasy-horror thoughts to be expanded Transformers, so-

Medical/Biological Horror

I haven't really seen takes about established Cybertronian medical biology and the complications with the "humans into Cybertronians" trope.

Like we see the heavy emphasis on T-cogs across the iterations and how it's deeply connected to independence, identity, and person-hood, so how about an ex-human that lacks a T-cog?

Ironically, T-cogs have a lot of emphasis on that particular organ is similar to human hearts in terms of emotional, cultural, physical, and physical capabilities and significance. Similar to how humans are capable of donating hearts to others, Cybertronians can perform an equivalent procedure with T-cogs. (On a related side note, the phenomenon of 'cellular memory' has to be extremely appalling to the mechanical species. Not in the sense of upcycling parts, but in the sense that the organs, frame, and equipment still retain the echos of the last person to the point that it influences the new body.)

Imagine that once human inside a medbay as the medics tutted and sadly inscribe their new medical file about their new monoformer status. What a shame, they said. They could have been an excellent addition to (insert whatever frame kibble visible that correlates to a function), they said. Poor thing! With that kind of extrasensory equipment, they'll be a walking target, they said.

So that monoformer with no kibble or those visible beastformer traits without the means to completely escape... What. A. Shame.

Until a random Cybertronian sees that monoformer casually wheeling around with heelies. It's easy to wave away as a reinvention of training wheels, but then they notice those heelies disappear back into the monoformer's frame. The ex-human still has no T-cog. Sweat breaks out because said ex-human had done the fucking impossible.

They're paying closer attention now. They're seeing little micro-transformations happening. The subtle signs of a frame shifting to accommodate an area or space, the way fingertips would sharpen too easily with a file or with a raw cut as a tip is used to scrape away at something, the seams expanding and contracting, so something is happening, they just can't tell...

While this can overlap with the body/psychological horror aspect, I say we should take it more extreme. There had been takes with dysphoria, particularly with the play between mechanical parts and human organs, the differences in senses, and if 'sticky sexual interfacing' is part of it, then sexual hardware of both sets.

However, what about acceptance? The exploration of feeling truly at home in your own new skin? Even if it's high-tech and something out of a sci-fi film/video game with a platform that's incomprehensible because you don't understand the language it uses, but guess what? You can download a packet to fully comprehend a new language. You may not be fluent or comfortably at ease with speaking, but you can read and understand what's being said. A possibility of delving into human disabilities that translate into something easily curable or nonexistent or have well-established accommodations in a Cybertronian framework. Something like hormonal disorders or gastrointestinal issues due to upset gut biome would be wiped clean. Poor/limited eyesight can be compensated with a visor that can't be easily removed or taken away or the additional sensors that provide environmental data. Cybertron has a form of sign language with chirolinguistics where communication is done "by stimulating the nervecircuits in the fingers, wrist and palm of their conversational partner. It seems to be fairly common to know at least a little hand." TFWiki page And it pairs well with internal comms that double as cell phones or an unique user on platform where a Cybertronian can live chat or text another.

A massive tradeoff for this kind of comfort? You now have a visible soul.

Think about it, your soul can be directly handled, as in someone can physically go mess with your most distilled sense of self.

Humanity had long debated the existence of it via philosophy, spiritually, scientifically as well. The heart is the most recent popular choice, but major historical contenders had been the stomach and the mind as well as arguments of the soul isn't found in one specific organ but rather the bridge between them.

People swear by souls and the afterlife. There are many myths and legends that involve souls. Even the most doubtful had been deeply raised in a cultural framework of the concept via media usage, figurative speech, religious imagery, and depictions in art.

That has to be the most mind-blowing and deeply unsettling reality a former human must accept.

I see the comparisons of sparkeaters to vampires as they both prey on the living, but the more apt description should be the product of Harry Potter with Dementors as those Dark creatures eat souls.

So this touches on another genre-

Supernatural Horror

Human adaptability combined with the Earth transformation myths/magic would deeply terrify modern Cybertronians as those new cybered beings don't fit the established medical reality they function with.

This can easily tie very well with expanding Cybertronian folklore of otherworldly beings of their version of fae, demons, spirits, or yōkai. Beautiful, terrible beings that mimick Cybertronians too well... unless to look closer: the shadow missing or not matching (can be tied to Unicron), conflicting kibble, EM fields too wild with a chaotic rhythm no one else can match, colors that change to suddenly, a strange wardrobe (made of deaf creatures) that ripples and warps without a breeze, an mechanimal with too much intelligence glittering in its optics...

I'm not even fully delving into the rampant chaos of ex-humans having a host of adaptations suited for tolerating far more ranges of environmental stress and disease-resistance due to the rapid evolution by organic life compared to Cybertronian fauna. Remember, humans are animals. Highly intelligent apex predators that specialize in endurance/persistent pursuit with strong social and communal behaviors, and the cleverness to suit the environment from aquatic to deserts to wetlands to forests to grasslands to tundra. Humanity found ways to not just survive but to thrive in those biomes.

This opens a potential storyline where cybered humans become Cybertron's extremophiles, so that can easily translate into those beings capable of manipulating their own selves to a multitude of frames and shapes.

The example above with the human to monoformer was a show in how transformation mechanisms could be different between the species. If T-cogs are an inherently modern Cybertronian biological trait, then cybered!Earth natives should be either throwbacks or have another approach to it.

And that's the more muted fuckery, but what about straight-up transformations that were deemed unthinkable? Where unnatural formations keep twisting upon themselves, collapsing just to rise higher and higher? The sudden appearance of not one or two extra limbs, but dozens, even hundreds without a sequence as they try to compute how the hell they pull all that mass from nowhere? Armor plating, sure and steady, then turning into a substance that swallows everything and anything as a solid becomes a liquid.

The repression technology may or may not even work as it targets the frame's T-cog. What can it do to a mecha that doesn't have one?

Another aspect overlooked is the animal-human relationship in domestication of wild animals or how communities form symbiotic relationships with different kinds of wild fauna. Combined humanity's collective love for highly dangerous creatures... Wouldn't it be absolutely sick as hell if cyber!human got a sparkeater as their companion? It's still a wild 'animal,' not a fully tame one like a domesticated animal, so they're trying to tedtalk on a human's approach to curating a stable relationship with a predatory species while the rest of the Cybertronians are basically dead-white from sheer fright.

Or on the opposite yet equally delightful spectrum of said exhuman caring for orphaned creatures that reminds them of human pets (like a bunny or a mouse), but those 'cute babies' usually cause massive structural damage to city-states and a known mech-killer. Something like a Scraplet (because, let's be real, deep in your heart, you know a person that would try to keep it as a pet and succeed at it), so their tedtalk about behavioral training, 'reasonable precautions,' and emotional/physical fulfillment is filled with scientists who's curiosity (slightly to completely) overtakes any sense of self-preservation.

[centrally-unplanned]

Do you know anything about Arthur C Clarke's reception in Japan and in Japanese pop culture? I just finished reading Childhood's End because I've seen it referenced in Xenogears, Gurren Lagann and Planet With, which isn't objectively a lot but more than the zero times I've seen it in American pop Scifi. Makes me curious how big he was over there.

Oh yeah, he was quite big in Japan! Essentially "all" the classic Sci Fi was, and Clarke was one of the biggest. Childhood's End specifically was one of Yukio Mishima's favourite books, for example. All of his works were pretty widely translated soon after release (Childhood's End was definitely available in Japan in the 1960's, that I know), and were very popular with both the SF crowd and the literary scene. In general, he was the right blend of "hard" sci fi with fantastical/spiritual elements that was very much in vogue at the time. And in the early history of Japan's animage community, those were all mushed together as one scene, only moving to more separate tracks in the 1980's. I remember in one of the essays I translated over the years, literary critic Nozomi Omori (in 1997) makes one of those "classic works like" comments and Clarke/Childhood's End is his go-to to illustrate the point. I think you can argue it is in the top 5 most famous works in this era.

A bunch of the specific references you are seeing are the unique lineage of some ~80's anime works like Space Runaway Ideon: Be Invoked. Yoshiyuki Tomino (gundam creator), who directed the film, was a big Clarke fan, 2001 most specifically I think, and the film has several direct nods to him. There are other works that draw from this well, Ideon is just the biggest, and the one that was the most direct inspiration for Evangelion as Anno was a big fan. From there you can see the references go out - Gurran Laagan is a Gainax work, Planet With's creator Satoshi Mizukami was a huge Gainax fan (particularly FLCL, shout out!), etc - as you get later the references become second-order like that, less people reading the classics but the ideas are in the water. Though I don't want to overstate that direct link - Xenogears lead creator Tetsuya Takahashi is just a direct fan of Clarke as well, and explicitly pulled from such works for the project (you can see a bunch in works by Square in the 90's)

Though a personal note, you will if you google around find people saying Evangelion was "referencing" Childhood's End with Instrumentality? Best I know that isn't true, instrumentality itself as a word is a nod to Instrumentality of Mankind by Cordwainer Smith, and Anno is on record saying it is a shallow reference, he just thought the word sounded cool. Anno was not a classic SF fan, he is one of those "second order" guys where he is picking up the stuff movies like Ideon are putting out, but isn't interested in their classic origins.

[thelastcetra]

I'm from northern Türkiye and after the dissolution of the Soviet Union, many Russian people immigrated to my city. We had this huge market where they sold stuff they brought that you couldn't find anywhere else. (The market is still there, but not many Russians anymore.) We had this vase my mom's aunt bought for my mom from that market as long as I can remember. It is a beautiful ceramic vase with blue decorations on it. My mom got rid of a lot of things but because she loved her late aunt she kept the vase.

I was this week years old when we collectively realized it wasn't a vase, but was a cremation urn when a friend who never visited our place before visited and asked "Why do you have an urn?" (Turkish people are buried, not cremated. We don't even have places for cremation.) The realization hit my mom and I in waves and we were cackling on the ground by the end of it. We both knew what a cremation urn was and saw it on movies, but she never thought this could be one and thought it was a vase and I grew up thinking it was a vase and we never made the connection.

Anyway, long story short, we have been displaying a cremation urn on our living room for the past 30+ years and until this week, not one person blinked an eye.

[izzyspussy]

my sister is telling my dad the story of last night and they are hard core both sidesing it. "well, you know, she doesn't take apologies well..." 1. that's her fucking problem not mine. 2. that doesn't have any fucking bearing on the two and a half hours straight of transphobic talk. 3. not taking an apology well is one thing, telling someone they're "lucky" you're not assaulting them when they say they're sorry for being a bit rude is actually a totally different thing LOL!

[trucksquared]

"Watching Shakespeare's work in the original words is the most authentic" I feel like I'm watching a fansub

[bishonenspit]

international eroica fans are some of the most ungrateful fans of anything i have ever encountered i stg

[fragmentedblade]

"Maybe, when I witness the fall of the Abundance, you and Yingxing will find true release".

.

"— We have no choice but to continue the pursuit. This is the price the two of us must pay

— Neither of us can end the other's life. Just give up / I will see it through".

I was thinking this quest seemed to me to word things in a way that painted Blade as Dan Heng's past haunting him, but also the other way round, Dan Heng as the past Blade can't leave behind as a form of selfhaunting (very similar to Jingliu's own way of dealing); both things were already established before, but now it's almost explicit.

I was wondering if killing Yaoshi would render the possibility of Blade's death real at last. Jingliu seems to state a similar idea here. And Blade's death would result in Dan Heng's release

[hzrnvm]

🎧 :)

[homiro]

#all weebs should be legally required to read about japanese imperialism both inside and outside the country that is now labeled as “japan”

Couldn't have put it better if I tried, prev.

The Ainu have not intentionally forgotten their culture and their language. It is the modern Japanese state that, from the Meiji era on, usurped our land, destroyed our culture, and deprived us of our language under the euphemism of assimilation. In the space of a mere 100 years, they nearly decimated the Ainu culture and language that had taken tens of thousands of years to come into being on this earth. ~Kayano Shigeru (1926-2006) Our Land Was a Forest: An Ainu Memoir

[seelestia]

✧ i'll show you (if you'll let me).

⎯ there is a certain touch of beauty to witnessing a side of theirs revealed to you so naturally. it becomes as easy as breathing if you just let it happen... so, will you? ( or in other words, a way you enable them to be themselves. )

#STARRING. aventurine, dr. ratio, sunday, dan heng ft. gn!reader. { 4.2k words }

#TAGS. fluff, established relationship. more: minor spoilers for aven's backstory (described mostly abstractly), ratio is referred to by his first name, i called sunday a nerd (sorry), dr. ratio & dan heng are certified workaholics.

#P/S. i think i may have yapped a little considering the word count but i hope it ends up being a good kind of yapping. tysm for reading! ♡

© seelestia on tumblr, may 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.

★ 〜 masterlist.

will you let aventurine hold you close when he sleeps? . . . whether it's an arm slung over your hips or his nose buried in your shoulder or fingers tracing shapes onto your skin. he doesn't ask for too much; only that you grant him the permission to cradle you in his arms, somewhere within his reach. it's a habit, he hopes you don't mind.

you have to wonder, though. considering the plenitude of pillows on the bed, why do his hands still seek you out? with all the credits he spent on those cotton-stuffed angels, you thought aventurine would relish them a bit more. but ah-ah, see? that is where you're wrong. sure, the pillows are extremely comfy but he always has a preference for things with much, much more value.

and the truth — well, his truth — is that even the softest cushions from oti mall couldn't compare to the privilege of laying his head on your chest, he'd say. especially when you brush his hair with your fingers - oh, one of the easiest ways to paradise. truly, the best value there is! can you blame a man for being honest and a little lovesick?

(“sappy,” you accuse. he pouts, offended.)

but aventurine has a flair for theatrics, you know that. his witty quips are as feather-light in weight as light-hearted they are in intent. but his touch - in the forms of kind caresses or rhythmic taps to a tune from his forgotten culture - lingers on your skin, with a yearning so heavy. you question whether it could be nostalgia or instead, silent awe at a reality he never imagined could ever be his.

(kakavasha remembers. clinging onto you for warmth like he once did to his sister, falling asleep with her prayers to mama fenge in his ears. the avgins believed gaiathra triclops to be the symbol of humility; so naturally, their prayers to her should also be humble, not too quiet but not too loud. all in moderation. for a frail child like him, those gentle prayers alone were enough to let him drift into a dreamless slumber and to ignore the shackles of reality if not for the briefest moments.

time passed. came a time where the melody he associated with slumber was no longer a soft voice lulling him but pure static, a noise to distract his mind from the chains around his wrists. they burned themselves onto his skin, searing, but he was already too familiar with the sensation to care. the mark on his neck was unwelcome, laughing at him, but he too laughed at his own pitiful reflection so what's the difference, anyway?

time passed again, the call of slumber then turned into clattering noises of chips doused in gold and dice thrown onto a surface. he thought it'd stay that way forever but before long, it morphed into up-and-down waves he couldn't decipher initially. they're gentle, faint like a human's breathing: your breathing as you allowed him to lie beside you for the first time, he realized back then. although he deems himself unworthy, an ugly grime on your pristine existence that still insists on cradling him — but despite it all, he finds this last melody to be his favorite so far.)

✧ a moment among the stars:

ticklish.

the sensation, minor yet still impactful enough, causes you to stir out of sleep. the light of noon greets your eyes and you become vaguely cognizant that the root of it all is the tufts of blond hair brushing against your neck.

there is a solid weight on your torso and a pair of slender arms loosely wrapped around your waist - but they're nothing you haven't grown used to. you comb your fingers through the messy locks licking at your skin, instinctively, and the fragrant scent of what you register as penacony's limited edition perfume kisses your nose.

“...ugh, what system time is it?” you let out a grunt, shifting around slightly to let your limbs breathe. you don't get an answer to your question, instead, aventurine's arms reestablish their hold on you. hooking you closer to him as if to wring out whatever proximity is left, if there is even any. his simple proclamation of “who cares?”, in a sense.

there it is again, that ticklish feeling. you feel soft lips grazing feather-like kisses against your collarbone. oh, he definitely isn't letting go just yet. truly merciless, a dozy morning thought accompanied by your tired sigh. the noise still comes out fond, however, so your feigned act of annoyance is fooling no one.

“it's warm, you know,” you grumble. but the yawn escaping your mouth right after betrays whatever stern image you're trying to adopt. not like you can ever be too stern with him. aventurine knows this, yes, and he gives you an A+ for effort each time.

“mhm,” he finally speaks, snuggling into your chest with no care about anything in the world, “g'morning to you too, lovely.”

his favorite mornings aren't his favorite if not thanks to your innocuous complaints and delightful attempts at pushing his pretty face away, no? a lazy grin graces the stoneheart's lips and eyes like exquisite gems, although sleepy, flutter open to gaze at you languidly. he takes the sight of you in then lets out a sigh - a fond noise just like yours earlier; the both of you really are two peas of a pod.

you must look a terrible mess right now and yet, the sight of you has aventurine smiling dazedly. “ah, what a spectacular sight. i really am the luckiest man in the galaxy,” he hums in approval. you want to roll your eyes but stops as he leans up to pepper (ah, one necessary correction: smother) kisses all over your face, arms dragging you closer to his chest like a cage. your eyes widen comically. what a nefarious trap, he has the advantage!

every remnant of sleepiness clinging to your mind evaporates. you squeal with laughter, shoving at his shoulder using the strength of a baby deer because no, you don't really want him to stop. he knows that too, of course.

“mwah, mwah, mwah—”

“pfft...! kakavasha, i can't breathe!”

(he has half a mind to pinch his skin, as if to remind himself that this is real. he can feel your giggles tickling his skin as if to tell him in return: yes, you are.)

will you let veritas pour his heart out after a long day? . . . well, that could count as too much of an overstatement. others say, “that man is like a brick wall!” some more dare to whisper, “doesn't his temper already exhaust whatever emotional quota he has?!” needless to say, everyone knows that dr. ratio is a man ruled by the mind, not by the heart. alright, that's quite true - but does that imply he has discarded the latter altogether? if so, then you beg to differ.

(not in the literal sense, of course! the heart is a vital organ of the body. saying otherwise would be akin to spitting on his shiny phd in biology... or his seven other phd's at that.)

the pedestal which the public places veritas ratio on reaches still great heights, even if it may not rival an ivory tower a member of the genius society resides in. it is so high up that mundane troubles of those below can't reach a genius like him, surely? well, as tall as he stands - somehow, the universe grants you a front row seat for a particular sight that proves otherwise.

if only they knew the doctor has a habit of mumbling these incomprehensible (more like barely intelligible) grumbles under his breath, striking a resemblance similar to a grumpy old cat. if you strain your ears hard enough, you might catch a “...this has to be it...” or “...i dare not think so...” from time to time as he roams around the room with materials in his hands.

(absurd, people would say. but you think it's extremely cute.)

veritas doesn't say it out loud - but you can tell by the hunch in his stiff shoulders, by the one or two sighs he huffs every six minutes - that he is itching to tell somebody of all the tomfooleries he has encountered today. of course, the topics he laments about vary; it's only when you hear him exhaling the loudest sigh that you get to find out.

mostly though, it's about his students and remarks on how they can further improve their performance — sure, he could phrase it a little gentler — but you still find it sweet that he cares. if not that, then it'd be about indolent colleagues, complicated formulae and more. on some days, he'll even let out an exasperated “truly mind-boggling! could you believe that?” to which you'd reply with an “uh-huh, go on.”

at the end of a ranting session, veritas takes careful note to leave a kiss on your person afterward. no matter where it is - on the lips, the cheek or your hand. no matter where you are - sitting on the couch beside him, behind the kitchen counter or across the room. the warmth that stays on your skin when he pulls away is somewhat tingly. appreciative, you think, especially when he looks at you with such loving eyes that his colleagues would be sure to retch in shock if they were a witness.

looks like you are right on the money; he has never discarded his heart, after all. so yes, to rephrase - will you lend veritas a listening ear when he needs it?

✧ a moment among the stars:

“...yet another headache.”

as unsubtle as ever, the doctor's complaint is barely hidden behind the guise of a mumble. those neatly styled violet bangs of his aren't doing an excellent job at concealing that frown strewn across his forehead either. veritas's posture is tense, a dead giveaway, as he goes over the piles of documents on his desk.

you cock an eyebrow upon seeing the stamp belonging to the intelligentsia guild on one of the papers. definitely work. it has been two system hours since he took a seat at the work desk, you concur, or lifted a finger to do something besides flipping through drafts. a mere glance at the stack of documents is enough to convince you that those researchers at the guild must really value veritas's input.

a perk of being a genius, maybe? the phantom of a weight lands alight on your shoulders. with a mug of black coffee in hand, you make your way to him. your footsteps are without a sound, only the noise of porcelain being placed down onto woodenware is enough to announce your arrival. “rough day at work?” you ask, peering down at his progress.

(a doctor's handwriting really is something. you resist the urge to squint.)

veritas doesn't seem to mind. if the way he smiles at the sight of you, albeit tiredly, is any indication. “hah,” he rests a hand on his temple and scoffs wryly, “so much grievances like you wouldn't believe.”

oh, he is teetering on the precipice of a tangent but stops himself. “...fret not, i'm fine. this is hardly something beyond my expertise,” he shakes his head, the motion causing his reading glasses to slide down a smidgen down the bridge of his nose.

you're too familiar with the self-assured bravado he puts on. you're quite endeared, actually. “okay, mr. i-require-no-rest,” you take the glasses off his face and he breaks into a frown. at the childish tone you're using or for having his reading glasses taken away, you don't know.

“why don't you take a little break?” you suggest. veritas sighs, “need i remind you that dilly-dallying is for fools who wish to waste their time?” and crosses his arms defiantly. he knows your strategy, he has come face-to-face with it several times.

“do you think a break with me is a waste of time?” you present him with a rhetorical question, quite the difficult adversary.

(and he keeps losing to it every single time.)

“well, that's—” the doctor nearly splutters, taken aback. “that's different if you insist on inserting yourself as a variable,” he infers, putting emphasis on the last part accompanied by an incredulous look.

“the answer is up for debate then,” you shrug with a cheeky smile. your hand then deftly lifts the mug you previously set down to your lips, veritas's eyes dilate in bewilderment. “so,” you hum at the rich taste of your handiwork, “wanna tell me about your day? haven't heard about the council in a while.”

“you—” he gasps in defeat, “i thought that was supposed to be my mug of coffee.”

(he has a slight pout on his face, but you dare not point it out lest it disappears in the blink of an eye.)

“our mug of coffee,” you take a few more sips with an innocent decadence. “all is fair in love and war, doctor.”

“i can never win with you,” he buries his face in his palm with a groan. you laugh heartily, a sound that chimes like quaint little bells in his ears - it elicits a reaction from his lips, for them to quirk up at the corners in the smallest of ways.

“regardless. . .” veritas relents and reaches for your free hand. you let him. “it seems a break wouldn't be so amiss, after all,” he then presses a kiss on the side of your wrist, affectionate.

(your heart skips a beat.)

will you let sunday regale you with facts you've never heard of before? . . . a man of eloquent words, no less a man of educated mind. you have no doubt that the books in the dewlight pavilion really aren't just there for show - not that you're allowed to browse through them at your own desire. a servant's voice would stop you in your tracks should your fingers ever brush against something in the family's secret bookshelf.

how mysterious.

but sunday makes it known to the staff that you, in particular, are allowed more access to the shelves - perhaps, not too much - but more than even mr. mccoy, at least. with the way you have to crane your neck far up to pinpoint the tallest height that the shelves reach, you wonder: has sunday gone through everything here personally?

your immediate answer is most likely. you know sunday fairly well; to have something that he hasn't scrutinized from the inside out in his possession will surely gnaw away at his psyche incessantly. not being in the know at all times is a looming fear for him. but of course, you have other ways to confirm the answer for yourself.

pick out a book from a shelf there, either intentional or purely arbitrary, and watch as sunday carefully traces his steps towards you. his curiosity is piqued, which topic has caught your interest this time? but he tucks it under proper cordiality. with a hand behind his back, he'd utter your name in the softest tone and ask the familiar question of “would you like to know more?” — asking for your permission to ramble, essentially — you find this tendency of his to be charming, so you nod each time.

(and he smiles when you do. a smile less refined at the edges, kinder and relaxed.)

the best place to start from is always the beginning. you think sunday agrees because he often starts by telling you the history and its origins before moving on to its impact on the galaxy, then his personal stance on the topic. it's a pattern, you notice, his ramblings have a pattern. and it's consistent every time, you might've believed he was reading off a script. and what's more? sunday is blissfully oblivious of it.

fascinating. you ponder: what kind of things you can do with this information? decisions, decisions, decisions. . . but ultimately, you opt for keeping it a secret like a treasure only you're allowed to see.

(that might be true in a way. you don't doubt that robin, his dear sister, is familiar with this side of him. does that mean he treasures you like he does her? your chest starts to feel a bit lighter.)

if you were to point it out, you fear you might never witness it again - goodness, to know that he has been displaying such foolishness or rather, what he viewed as an embarrassing freudian slip in front of you? his wings might as well resort to covering his face for good until the end of time.

as you listen to him talk (with such elegance at that), you can't help whatever tender look you have on your face. really, who would've thought the head of the oak family could be such. . . a nerd?

(you hope in secret that sunday will be more willing to show sides like these to you in the future. and that they're not a weakness at all, not when they're shared with you.)

✧ a moment among the stars:

“it looks like you're fascinated by the dreamscape nursery rhyme this time.”

sunday spares the article in your hold no further inspection. one glance at the cover and walls of memorized information rush to the front of his mind. he looks familiar with it; could it be a part of his childhood too? but then again, everything found here is within his knowledge.

“i am,” you say with intrigue, “it got me ruminating for a while.”

you meet his gaze, stumbling upon yellow irises that glimmer akin to gold under penaconian chandeliers. you think you see a hint of affection in them, swimming around your reflection like a school of fish in a pond. it makes you smile.

he smiles back, oblivious to your thoughts but returns your gesture. he asks, “how so?” and you reply without delay, “i read through it and the morbid undertone took me by surpri—”

or at least, it's supposed to be without delay until you realize sunday has stepped closer in order to peer down at the page you're holding open. and suddenly, you're extremely aware of every minute detail like how his breath brushes against the side of your cheek and how his chest rumbles as he hums in acknowledgement.

(you flush in the neck and he perceives this reaction of yours with mirth.)

“my apologies,” sunday chuckles and pulls away, “i've simply forgotten the rhyme and wished to refresh my memory.”

“somehow, i feel that isn't the case...” you mumble accusingly. that seems to amplify whatever little amusement he gets from flustering you. “oh, my dove. i can assure you that it is,” he caresses your head, a little placatingly.

most times, sunday isn't so laidback about giving affection in public — since he has an image to maintain — so you assume the fact that the servants are out and about, leaving only you and him here, plays a role in his unusual boldness. you accept the gesture with a bashful pout.

“now, where were we?” sunday clears his throat, “ah, yes. some people have noted on the nursery rhyme's strange quality but still, it retains its popularity in penacony. it is also widely assumed that the hound resembles the bloodhound family while—”

you hold back an amused sigh, but it's more out of fondness than anything. he'll start from the history then the effect on the general public, as per usual, but you're not the only predictable one here. you'd listen to him anytime too, won't you?

(you do adore when the head of the oak family would put off his public figure mask around you. if only for just a while.)

will you let dan heng rest his head on your lap when it's just you two? . . . the sense of comfort it provides isn't something he can explain with words. as if he has ever been good with words in the first place. saying a sentence bereft of logical reasoning or witty remarks doesn't come easily to the express’ guard. neither does intimacy. . . but you know that already, don't you?

after all, it isn't a secret that dan heng prefers speaking with his actions. if to show one's intentions is the end goal, then actions are the fastest route to choose. words, although able to sweeten the trip like how a beautiful scenery can, will eventually lead to actions regardless so why take the extra step?

but you're different from him; you articulate what you think and what you mean. you're honest in ways that keep catching dan heng off guard without fail — just like the first time you offered your empty lap to him when his head was swirling in pain — but he supposes that is one of your charms. “words can be useful. we're not all born mind readers,” you told him once and he hummed, accepting of your perspective.

(“look at you two! opposites attract!” march chirped. he recalled shooting her a look of indignation and she rubbed the back of her head sheepishly in response.)

dan heng has learnt to grow used to your propensities - but by far, your shameless invitations are still one matter that can't be comprehended even with time. he cannot understand; how you smile as you sit on his futon in the archives (he doesn't mind), how you link gazes with him so effortlessly, how you pat your lap knowingly and say, “why don't you rest your head here?”

(he has to restrain himself from bursting into flames like a heliobus.)

sometimes, he'll accept reluctantly or he'll decline with an underlying tone of longing he doesn't want you to notice. because as much of a good hold dan heng has on nonchalance, he cannot deny that this particular gesture of yours has left a mark on him.

(it remains persistently.)

when he rests his head on your lap, he can't help but take a deep inhale - your fragrance fills his senses and he discards the selfish desire to keep it all to himself. your fingers are soothing as they thread through his hair gently. the feeling that washes over him is serene, almost comparable to submerging himself in the pure waters of scalegorge waterscape.

when overcome by such a tranquil state of mind, dan heng wonders what expression he might be making at that moment? he always keeps his eyes closed, so it's a shame he may never know. but you do, and you don't think you've ever seen him look so at peace before like he does now.

(perhaps, that's why you keep offering him this in the first place.)

✧ a moment among the stars:

“someone looks tired,” you state with a pointed stare. the archives isn't a room too spacious and the only ones here are you and him. the target of your sentence is obvious.

but dan heng doesn't take the bait, barely looks away from the entry he is currently authoring. still, he spares you a glance and hums glibly, “are you projecting? if so, feel free to use my bed in the meantime.”

you let out a noise, something gibberish that conveys disappointment but it is effectively drowned out by the typing noises. “you haven't even touched the food i bought you,” your voice becomes mellow, “why don't you rest for a while?”

he isn't convinced, you think, since his fingers are still hard at work. the new info the team brought back must've been a lot if he's that focused.

“dan heng?” you try again, hopeful for the last time. you don't take him for a fool, of course, he'll know when he reaches his limit and have proper rest then. but would that really be ideal? a second passes and that hope flickers like a dimming light. but just an inch before the edge of giving up, the typing slows to a stop.

“. . .alright,” he murmurs. finally, after a good hour spent drawing patterns on his backside with your eyes, dan heng turns around to face you. he look tense, you note with abject concern.

“here,” you usher him to your lap, empty and conveniently so. dan heng shoots you a blank look - this isn't the first time you offered and this isn't the first time he reacted like that. you try to suppress a laugh, failing gloriously at it. “just for a little bit,” you utter through a stifled fit of chuckles.

dan heng shakes his head, not in rejection but in defeat. his eyes slip close, second nature, as he leans to situate his head on your lap. you welcome him with a hum and let your fingers card through his hair. a calm sigh falls from his lips like a water droplet in springtime.

“this. . . is nice,” he admits, sudden and unprompted. you nearly doubt your ears for a moment there. did he— “i don't hate it is, uhm, what i mean to say,” dan heng adds and it dawns on you that your ears are still working. his eyes are still closed, not that you'd expect anything else, he prefers to treat it as a shield from being face-to-face with embarrassment.

(or to avoid your ecstatic gaze. he can feel warmth rushing to his cheeks already.)

“i know,” you smile, brushing away a few messy strands from his forehead. he isn't an open book but you think you've read the pages enough to remember all the little details. “but thanks for telling me. i'm no mind reader but i think i can read yours pretty well.”

“i shall provide no further comment,” he holds back an incredulous exhale, yet his lips still curl slightly at the corner. you feel the teeniest desire to trace the curve of his lips with your fingertip but settle for silently admiring them instead.

“it's fine. i know the answer already,” you say, words dripping with affection. such a shame dan heng never looks up at you during a time like this. because if he did, he wouldn't have missed seeing the sheer fondness in your gaze that rains down on him in light showers. a true shame.

(one day, he'll gather the courage. maybe.)

— thank you for reading! reblogs with comments are most appreciated. ♡

[kumzorg]

All the arguments online about Vivian's trans identity used old japanese version as a reference point, so I wanted to see what japanese community has to say about it, and was suprised to see that it's in fact the game's original text that was rewritten.

Original japanese text:

" "Three Shadow Sisters"? Where did you get that!? You're not even a girl!"

"I'm sorry, sister..."

Rewritten japanese text:

"It's not "Three Shadow Sisters", its "Three Shadows Crew"! I'm always telling you that, damnit!"

"I'm sorry... it's just, in my heart I'm your sister as well..."

And checking the currect remake translation i t is very much exactly the same text, it makes it less as direct hatred for her identity and more like dismissal of her as a part of the family. Compare to Gamecube english version, where she is instead mocked for her looks, but not gender identity. This is so interesting to me, because in modern political scene the most annoying opinion is how "localizers are erasing culture and trying to push their own narative", when in this same game the older english translation erased character's whole identity, opting to instead make it less obvious and in a way going againts the original intent. And seeing that the modern remake is even more progressive even without english intervention makes me so happy, although I do admit it's not AS clear about it as original text. It's not bad of course, later on she directly says that "Even if my body is male, my heart is of a pretty girl." I don't know if you can be any more clear about it than that.

If anything, japanese people are at the worst neutral, and at the best are just as excited that a character that they love gets proper recognition from game's text.

What 90% of comments were more focused on is when naked invisible Peach walks on the ground and you can hear her bare feet slapping sounds, they have different priorities.

[centrally-unplanned]

We (somewhat rightly) mock the 2000's era fansub translation notes for their otaku fixations and privileging of trivia over the media, but they should be understood as serving their purpose for a bit of a different era in the anime fandom. Take this classic:

Like, its so obvious, right? Just say "pervert", you don't need the note! Which is true, for like a 'normie' audience member who just wants to watch A TV Show - but no one watching, uh *quick google* "Kamikaze Kaitou Jeanne" in 1999 is that person. The audience is weebs, and for them the fact that show is Japanese is a huge selling point. They want it to feel as 'anime' as possible; and in the west language was one of the core signifiers of anime-ness. 2004 con-goers calling their friends "-kun" and throwing in "nani?" into conversations was the way this was done, and alongside that a lexicon of western anime fandom terminology was born. Seeing "ecchi" on the screen is, to this person, a better viewing experience - it enhances their connection to otaku identity the show is providing, and reinforces their shared cultural lexicon (Ecchi is now a term one 'expects' anime fans to know - a truth that translator notes like this simultaneously created and reflected).

But of course your audiences have different levels of otaku-dom, and so you can't just say 'ecchi' and call it a day - so for those who are only Level 2 on their anime journey, you give them a translation note. Most of the translation notes of the era are like this - terms the fansubber thought the audience might know well enough that they would understand it and want that pure Japanese cultural experience, but that not all of them would know, so you have to hedge. The Lucky Star one I posted is a great example of that:

Its Lucky Star, the otaku-crown of anime! You desperately want the core text to preserve as much anime vocab as possible, to give off that feeling, but you can't assume everyone knows what a GALGE is - doing both is the only way to solve that dilemma.

This is often a good guideline when looking at old memetically bad fansubs by the way:

This isn't real, no fansub had this - it was a meme that was posted on a wiki forum in 2007. Which makes sense, right? "Plan" isn't a Japanese cultural or otaku term, so there is no reason not to translate it, it doesn't deepen the ~otaku connection~.

Which, I know, I'm explaining the joke right now, but over time I think many have grown to believe that this (and others like it) is a real fansub, and that these sort of arbitrary untranslations just peppered fansub works of the time? It happened, sure, but they would be equally mocked back then as missteps - or were jokes themselves. Some groups even had a reputation for inserting jokes into their works, imo Commie Subs was most notable for this; part of the competitive & casual environment of the time. But they weren't serious, they are not examples of "bad fansubs" in the same way.

This all faded for a bunch of reasons - primarily that the market for anime expanded dramatically. First, that lead to professionally released translations by centralized agencies that had universal standards for their subs and accountability to the original creators of the show. Second, the far larger audience is far less invested in anime-as-identity; they like it, but its not special the way its special when you are a bullied internet recluse in 2004. They just want to watch the show, and would find "caring" about translation nuances to be cringe. And since these centralized agencies release their product infinitely faster and more accessibly than fansubs ever did, their copies now dominate the space (including being the versions ripped to all illegal streaming sites), so fansubs died.

Though not totally - a lot of those fansub groups are still around! Commie Subs is still kicking for example. They either do the weird nuance stuff, or fansub unreleased-in-the-west old or niche anime, or even have pivoted to non-anime Japanese content that never gets international release. But they used to be the taste-makers of the community; now they are the fringe devotees in a culture that has moved beyond them. So fansubs remain something of a joke of the 90's and 2000's in the eyes of the anime culture of today, in a way that maybe they don't deserve.

[ecrivainsolitaire]

Humans have the capability of perceiving when they're being stared at, even if they can't see it.

Dr. T'Chem was staring at Lieutenant /θkɡɾɑːˈŋæ/ (or as his current fling affectionately nicknamed her, "Tucker-Annie"), whose dorsal spikes were still rattling after the incident at the holodeck. It was his first time at the witness stand, and he didn't want to ruin a young star sailor's life.

Lieutenant Tucker-Annie was the combat specialist in charge of the training dojo of Federation Vessel TSN457, named after the Terra-Saturn-Ceres coalition where Dr. T'Chem currently served as the xenoanthropologist charged with facilitating human integration to the local Federation of Fraternal Planets and Satellites. The FFPS had the goal of finding planets with intelligent life to trade resources and technology, and due to their recent incorporation, local research vessels were fitted with diverse crews to acclimate everyone to each other's cultures and biological needs. Dr. T'Chem was the human expert in the ship, and was tasked with helping smooth over interpersonal relations among the crew.

The relations were, at that moment, as bumpy as Lt. Tucker-Annie's dorsal spike line.

An incident had occurred during a training exercise. The squad consisted of a Venusian, two Saturnians, three Ceresians, two monks from the Transcorporeal Temple of Robotic Ascension, and five Terrans (two humans, two dogs and a cybernetically enhanced cat). The exercise consisted of getting through a generic jungle scenario and, unbeknownst to the squad, avoiding a team of ninjas lead by Lt. Tucker-Annie trying to take them out one by one. It was supposed to test the way they would react to a surprise attack.

It was not supposed to reveal that humans could sense when they were being stalked.

Of course, any trained sailor would have an ingrained knowledge of potential threats and how to spot them. Look for the shadows that are too dark, listen for the spot air isn't blowing from, things like that. Basic things most people don't think about but that can be identified if you think about them.

This was not that.

"Something's watching us," said Crew Johnson, in that sloppy way only creatures with lips spoke.

"What do you mean? There's cameras everywhere, of course they're watching us," responded Crew Hessikh, slithering over the vines on a tree branch to cross a river. She grabbed the axe in Crew Johnson's belt with her telekinesis and took down a small tree to serve as a bridge.

"Crew Flufflepaws, could you please take a look?" Asked Crew Johnson, nervously looking around. Crew Flufflepaws got on the tree as well and scanned the terrain from above.

"I can't see anything, or smell anything. And my hearing isn't what it used to be. I'll stay on the lookout for—" a horrendous hiss interrupted the automatic translator's feed. Crew Flufflepaws' comm line cut off.

Hessikh and Johnson looked at each other. That was the strongest fighter of their team, gone. They knew it was a simulation, but it still gave them chills.

The rest of their crew mates were split into two different teams further along the path. Crew Fanning's voice came from the comm line.

"Johnson, Hessikh, are you okay? What happened to Flufflepaws?"

"We don't know, Johnson said something was watching us and it went to check, then we lost comms."

"I felt it too. I know this isn't that kind of exercise but I think— AAAHHH!"

Two blaster shots were heard, then a thud.

Lieutenant Tucker-Annie, who was watching Hessikh and Johnson from the mud pit behind the latter, had her tranquilizer dart ready. She got ready to shoot down Hessikh, but then heard a voice over the comm line.

"Code Lithium, we have a Code Lithium, we have to end the simulation, I just took down- I can't-" the breathing was sounding heavier and faster, too fast for a human.

"Fanning, calm down, remember your sutras. We need you focused, what happened?"

"I felt like I was being watched, so I turned around and saw this thing and it scared me and I jumped and I thought it was on stun mode and-"

"It's alright, we're calling it off. Captain, we have a Code Lithium! End the simulation now or- fuck, there it is again. Hessikh, do you see any heat sources?"

"Nothing out of the ordinary- why haven't they shot it down alre-"

The next thing Lieutenant Tucker-Annie remembered was the sound of a heel turn over the mud, followed by darkness.

Lt. Tucker-Annie woke up in the hospital bay, getting her tail regenerated by a robot nurse. She looked over and found her underling on the next bed, with a huge bandage on the side of his neck and a wing in a cast. Thankfully, he would be alright as soon as the stem cell bank was reprogrammed after her treatment.

The disciplinary board was called, an investigation was open, and both Crew Fanning and their captain were put on paid leave while the investigation was ongoing. Dr. T'Chem was called in as an expert after a review of the holodeck footage revealed there was no way Crew Fanning could have heard, seen or smelled the hidden sailor.

It was the first time in a while he hadn't helped himself to a glass of Venusian whiskey for breakfast. He really didn't want to mess this up.

"And would you care to explain how this is possible, Doctor?" Asked the prosecution, staring him down with an unnerving amount of eyes.

"I am as astounded as this court; our firm has been looking into Terran medical literature and we're still trying to figure out how it works; they don't even know, but they know it does happen, it's been documented for thousands of years. I have a hypothesis, but I don't know if it's even testable."

There was a murmur in the court. The judge asked him to elaborate.

"The way eyesight works is the light bounces off of opaque bodies and in its way it collides with the lenses in our corneas, which send it to the brain as electrical signals to be interpreted. The light that doesn't go into our eyes just bounces off our bodies and other opaque objects as well, the photons go everywhere and anywhere. This is the same for most species in this constellation, including humans. But even other Terran species don't have these abilities, as Crew Flufflepaws has testified."

A begrudging meow was heard from the audience.

"Order in the court, please. Dr. T'Chem, what do you suggest is the origin of this mysterious sense?"

The camera drones all hoovered around him. Dr. T'Chem straightened his fins and got close to the microphone.

"I believe it's possible that humans have a sense of touch so sensitive that they can feel the photons that don't bounce back. The ones that go into an eye instead of an opaque body. I think humans can actually feel in their skin when they are being watched."

There was an uproar in the crowd. His paramour, a dark skinned young human from the human settlement known as "Colombia", grabbed the religious symbol on her necklace and made a gesture with it he hadn't quite figured out yet.

The trial had to go on recess.

The implications were incalculable. Three dozen biologists from six different planets, including Terra, had emailed him before the end of the day to ask him to justify himself. Multiple human religious leaders took the chance to link it to demonic possession or moral evils. By the end of the week, four different labs were trying to figure out a way to double blind test shooting a photon cannon on a human's back and trying to get them to sense it.

But most importantly, the news made it outside of the Federation. The rumours about this new species that couldn't be stalked got so far, it ended up affecting the outcome of a border conflict with the Betelgeuse Libertarian Army on the Federation's favour.

Humans were terrifying.

If this is what they evolved to be, what was their planet like?

[wordsmithic]

unpopular opinion but with the new tide of Greek mythology stories and retellings, Greek Cultural Sensitivity Readings are absolutely necessary. We are in 2024, with thousands of fics and retellings out there!! How is this not a thing yet?? There's vast improvement one can achieve by working professionally on their text with a Greek. I've seen it so many times!!

Also, duh, I'm offering the service BUT I want you to know that the situation with the inaccuracies of SERIOUS works is so dire that initially I didn't even do it for money. As a writer I just wanted to... fix things, to set a new standard for writers and the industry that sells us the most heavily Americanized pop-culture material and passes it as "authentic vibes of Greek mythology". (And of course there were writers who wanted to do right by their story and they had reached out to me. So kudos to them as well!)

Okay, but why does Cultural Sensitivity Reading make a vast difference and it's not just smoke and mirrors?

As a Greek, I am tired of well-meaning writers and authors butchering very basic elements of my culture. It's not their fault exactly, since they were raised in another culture with a different perspective. And nobody clued them in on how different Greek culture is from theirs, so writers sometimes assume that their culture is the default and they project that into ancient Greece. (Even published professionals like Madeline Miller have written "UK or US in antiquity" (with a very colonialist flavor) instead of writing "Ancient Greece". (Looking at you, Circe!)

Even writers who researched a lot before coming to me still had a lot of misinformation or wrong information in their text, easily verifiable by the average Greek. Again, not their fault. They can only access certain information, which does not include Greek scholarly work and scientific articles that DO offer valuable context.

Translation, accuracy, and meaning: If you ever wondered what a word means or how to pronounce it, here's your chance! There are Greeks like me who are knowledgeable and have a keen interest in antiquity and they will be able to read and compare ancient texts, and dive deeper into the work of Greek scholars regarding those texts.

If you want to create new words, you can do that as well! (It doesn't always work, but we can try. Greek is a really rich language and has a word about everything) If you use existing words, I can help you separate reality from fantasy in the context of your story.

(Do not assume we Greeks are ignorant of our heritage, or that we don't know how to research! Our archaeology sector is huge and archaeological museums are closer to most of us than your local Target is to you)

I guarantee there are things you never thought about Greece and the Mediterranean - from the ancient to the modern era. Sprinkling elements like phrases, types of interactions, customs, songs, instruments, dances, etc , into your text will make your text absolutely rich in culture.

Names matter!!! The genders of the names matter, diminutives matter (If I see one more "Perse" for Persephone I will claw my eyes out along with a few thousand Greeks), naming traditions matter!!! In many cases you should not even use a diminutive!!

You will be able to write about a foreign culture easily! Because of the continuity of Greek culture, you can even write a few more recent Greek elements to fill in the gaps. I can make sure they are not mismatched, and they will complement your ancient setting. I have observed a few things I didn't know we had since antiquity, but they make sense because our land has certain characteristics.

Non-Greek writers often miss the whole context of Greek culture! Do you know how Greek respect towards deities and parents looks like? What tones we use when we talk to our elders? When to use honorific plural - if your setting is more modernized?

Oh, and please let's avoid caricatures when describing Greeks?? (even fantasy Greeks) There can be heavy exotisation and odd descriptions of Greeks, as if we are another species. Even in published works. For many western writers it's difficult to catch, unfortunately.

The whole process is actually way easier than you think. You send me a text, I make notes and then we have some discussion on your vision.

It's always okay to seek guidance from the locals! You are not "guilty" when you admit you don't know! How can you know if you don't ask?? You can't imagine what relief and "πάλι καλά!!!" I read/see from other Greeks when I tell them another foreigner is using me for cultural sensitivity? Greeks want you to seek help and will NOT shame you for it!

(On the contrary, you have no idea how many eye-rolls Greeks do when they see a blatantly wrong thing in a story... Which has happened pretty often for many years now. Can we do better as an industry?? Please???)

You can send me a personal message to share your story, or ask what this whole cultural sensitivity thing is all about, or ask about what I have done so far and how I can help. But for the love of all that's good, don't let your story be another "generic greek myth retelling"! And don't let others sell you their generic greek myth retellings!!

[astrxealis]

i need to get drk to 80 asap. the drk questline is literally my favorite thing ever (YEAH I KNOW i have a lot of favorite things ever. Shut Up)