#i don't know if this makes a lot of sense but i really do believe we were supposed to be played with this time

[fullflowerking]

A. dumah

B. I don't remember my wings that well, but definitely closer to a lighter shade. Perhaps bronze or sandy brown

C. I was a lower ranking angel, tasked with observing humanity. Not intervening

D. See above

E. I didn't fall, I reincarnated to earth as a human being and I still consider my species to be an angel

F. I remember being in a beautiful garden at some point. My mind felt light and airy, and I "felt" things around me with spatial awareness instead of objectively viewing it. If you asked me to describe a single plant or creature in this garden I wouldn't be able to.

G. I resonate with the element fire because I was born in December. My dad was sick with cancer when I was born, and they told him he might not live. After I was born, he got better. I always attach this to the transformative power of fire, and my angelic abilities are still attached to me in utero.

H. I'm a biblical angel, so I guess more likely the Christian god. I don't remember him though, just a faint memory of Him being present.

I. I feel I became confined to earth after observing humans for so long. I think at some point I wanted to be involved more than I was, so I decided to join.

K. The advantage of being an angel on earth really depends on your definition of an advantage. My definition is having more freedom, being able to touch, see and experience the world like a proper mammal rather than like a divine being. You miss out on a lot when you lack the 5 senses.

L. A disadvantage. There are many. When you're an angel, you don't get tired, you don't need to go to the bathroom, you don't need to eat. Suddenly all these things that make you human become an exhausting task that you have to be involved in, all the time. There are more, but I want to keep this short.

M. I was around during the holy war. The crusade before crusades. I remember a few angels starting to feel less angelic over time, and it was like a ripple effect amongst the loyal. Suddenly, the side I was on with my brother Michael felt less and less like the winning side, and more like the side you pick when there's no better option. I desired the same freedoms as the other side but I suppose I was too cowardly to take it.

N. No one around me knows my identity. I feel like it's unnecessary to tell anyone. I can never go back to what I was. The best thing I can do is live my life as heavenly as I can in my current life.

O. Funnily enough, I started suspecting i was something more at a very young age. I didn't know quite what. I remember having mental shifts in the church growing up, and having visions about winged creatures when I was around 10. I discovered angels outside of the Bible and for the first time I felt like these things were the best thing I could use to describe myself.

P. Lol. I was hoping this question would come up. O fortuna is at the top of my list. It always gives me chills. Any songs in Latin or slavic-based languages always makes me go into mental shifts.

Q. To feel angelic, I watch movies with angels in them, read books with angels in them, exercise and ride my bike to just feel the wind against my face. I go to the park with a long black coat on and listen to music, and just watch people. Sometimes I talk to them, but not often because I can be quite introverted.

R. See above. I also veil on occasion, especially when I'm around religious buildings or graveyards or when meditating. (I do not pray to the Christian god)

S. I'm not repelled by religious buildings. I'm also not attracted to them. But when I step inside a place that has been cleansed, anointed or used for worship, I can get mental shifts and my vibration raises to the point that I believe that religious figures and children can feel.

T. Good question. Unfortunately I don't know what my halo looked like. I'm assuming it was closer to light than a physical object, maybe light that my divinity gave off. Like a rainbow spectrum or pure white. 🤷‍♀️ no clue.

U. If I did, I don't remember.

V. Not prophetic dreams, but I've had vivid dreams and nightmares about snakes, naked human beings, violence, starvation and fire. I have had many dreams of what I believe to be pre-flood events on earth, where animosity & disbelief became more rampant between Him and humans.

W. Nope

X. Anywhere that has a beautiful garden. I also like fountains, aquariums, the forest and jungle

Y. Nope

X. I remember being in Europe at some point. I don't know exactly where, I just remember hearing some francophone language being spoken, and there was a lot of political unrest. Unfortunately, the details were never that important to anyone, and as I've mentioned before, I didn't see things the same way as an angel as I do now. My best guess would be middle ages or less. They seemed to be very complicated with the Catholic church back then.

I hope you enjoyed my answers as much as i enjoyed answering them

Angelic Ask Meme

I’ve been meaning to make one of these for a while…send some to my ask, and feel free to reblog!

A-what is your angelic name? B-what did your wings look like? C-what are you an angel of? D-what order or rank of angel are you? E-did you fall? If so, why? F-describe a random angelic memory G-what element/s do you align with? H-do you remember or follow any gods? I-do you know or suspect why you are earthbound? J-what other angels were you close to? K-an advantage to being an angel on earth? L-a disadvantage to being an angel on earth? M-were you around during the war? If so, what side were you on? N-does anyone irl know you’re an angel? O-how long have you known you’re Angelic? P-what is a song that reminds you of being angelic, or of an angelic memory? Q-what is something you do to feel angelic? R-have anything you wear that makes you feel like your angelic self? S-are you attracted to places of worship, or repelled by them? T-what did your halo look like? U-any angels you had a rivalry with? V-ever have any prophetic dreams, or things like that? W-are you an empath/psychic/medium/etc? X-any places on earth that remind you of home? Y-ever had irl contact with other divines in this life? Z-have any past earthbound life memories?

[raayllum]

Anyway I did my 2nd watch of the season after sleeping / with the end in mind and it totally worked for me, especially with the understanding that there is 30% of the story left (and thereby Callum and Rayla's arcs aren't Over and room for more growth/plot had to be left open) and watching with the ending in mind.

I'm not upset that this is where Arc 2 ends, in some ways because it's sort of like season 2 of Avatar where Zuko doesn't join the Gaang in their 2nd arc (book two) because from a character basis he really wasn't Ready to do that / they had more story to tell, so I don't think with what they're doing it would've made sense to rush it in TDP. Nor do I think any of the previous set up for other outcomes (i.e. possession fight, salvation, etc) were wasted. Merely that TDP likes to do layer upon layer, and also have foreshadowing come back once (so you think you're safe) and then twice. I also don't think that Arc 2 resolved all the threads (i.e. Rayllum and greater good conflict / Aaravos & Callum) and ended them, and instead nudged them forwards in interesting ways for continued future exploration. I'll probably write more about the specifics later if this post doesn't get unwieldy or condensed with them for now.

In the meantime, these were things that I found really clicked for me on my 2nd watch through for S7 and with Arc 2 in general:

1) Arc 2's overarching focus on the Archdragons / the finale resolution with it.

We had a focus every season on at least one of the archdragons, with Zubeia (S4-S7), Luna Tenebris mentions (S4-S6), Rex Igenous (S4), Domina Profundis (S5), Sol Regem (S5-S6), and Avizandum mentions (S4-S5).

With that in mind, while I'm sure Aaravos' intentions was for no one to know of his plans ahead of time (7x01)... his actions also led to Callum and co. making connections to all the other Archdragons that they could pull on to bring everyone back to Lux Aurea, and Aaravos could destroy them (with no real consequence to himself, as his spirit was now free and his body could reform), taking a massive swing at the Cosmic Council's grand order that'd been enforced by the archdragons. He said the elves and dragons would fall hard... and now the dragons have, with the Cosmic Council being next (and thinking that the real focus on the Cosmic Council would be predominantly in arc 3 was, I believe, the general fandom consensus anyway).

AARAVOS: Now this is familiar, isn't it? Hasn't this all happened before? Arrogant fools. Again and again you make the same mistakes. (7x09)

Suitably, though, the Archdragons sacrifice themselves to protect all of Xadia, making amends for past / previous actions in their own way (narratively). They upheld the Cosmic Order, and then chose to break it.

Now, Aaravos will be returning to a world where there are no archdragons, and the only thing that can destroy his mortal form again would be the Nova Blade or some dark magic spell to take his spirit (but more on that later).

This also caps off S7 being about the destruction caused by one Archdragon (Sol Regem) and then the salvation through sacrifice from the other four as the finale. It comes full circle, but without repeating the cycle.

It also seems like the Nova Blade hasn't actually ever been used, as Aaravos states in 7x07:

She could have used the blade to destroy me, but chose instead to help imprison me. To spare me.

Or if it has, it still has a massive consequence that Zubeia is familiar with (the wielderdies if it's used to kill someone?), given that she is worried when Zym (and Ez wielding the sword) appears, intending to use it:

I'll also talk a bit more about why I think Aaravos designed 7x09 to be a win-win scenario for him no matter what when I get to Callum's section, but in the meantime...

2) Rayla's arc

Listen, y'all know I wanted Rayla to save Callum, like a lot, and thought there was a good chance she would if he was possessed again. However, neither of those things happened (also circumstances were crazy) and it was built up throughout the seasons, as well as in S7:

RAYLA: We can't save everyone, Soren. There's too much at stake. (4x05) RAYLA: But I can't help you yet... because right now, the world needs me. Callum and Ezran need me. There's a great evil returning to Xadia and we have to stop it, at any cost. (5x01) RAYLA: It hurts me to know they're trapped like this. It's agonizing. But our mission comes first. The world is in danger, and you can trust me to stay focused. (5x04) RAYLA: No, Callum. I want to help my parents, but I won't let it bias me. (6x01)

The season 7 setup is most prominently seen in S7 during Rayla's trial, in which she emphasizes that the assassins' deaths were not in vain due to the subsequent impact on the world as a whole, and in how their assassin pledges were upheld in their own way:

Life is precious. life is valuable. We take it, but we do not take it lightly. All of your lives were taken. But your sacrifices, they weren't for nothing. Callisto, you pledged your breath for freedom and we freed ourselves from an awful, pointless war. Andromeda, you pledged your eyes for truth. And we found the truth, a truth that changed the world. Skor, you pledged your strength for honour, and now humans and elves have finally begun to treat each other with honour again. And... Ram. You pledged your blood for justice. But what is justice? The king died that night. A life for a life. Is that justice? How much suffering is enough to paid for the mistakes we've made? I don't have the answers. But I'll carry you with me, all of you, forever.

So it made sense for her assassin oath to come back in some manner ("My heart for Xadia"). She had to honour her team's sacrifices by being willing to make her own (killing Callum and herself by symbolic extension), partially because her and Callum's "ride or die" dynamic had become a "ride and die" dynamic": this was his plan and his choice, and the alternative was to let him succumb to a fate worse than death AND to let Aaravos destroy the world through his hands.

And I get why this feels kind of backwards, because on the one hand, it seems like Rayla made a lot of progress, even questioning the validity of her own suffering for mistakes she / choices others have made, which is Huge!

And yet she's willing to suffer, and sacrifice Callum. The paying the price motif is even brought back in Aaravos' dialogue with the archdragons ("And what will your sacrifices buy?"). So what gives?

Well, I think in a lot of ways Arc 2 was Rayla learning to accept and ask for help (S5-S6), that she wasn't alone (S4, S7), and working to come back every time she leaves (S4) but... still being prepared to leave:

and still with sharing or acknowledging her own burdens not being her instinct.

There's a reason we all went "Rayla refusing to sacrifice Callum would be Character Development" after all. I also think it's quasi-similar to Rayla leaving after S3. She had a lot of opportunities to learn that she didn't have to do everything alone in arc 1, but those lessons didn't stick; in a similar fashion, Rayla had opportunities throughout arc 2 to learn that she doesn't always have to sacrifice something, but with Callum being increasingly sacrificial... Those lessons were there, but didn't stick. The other side of her sacrifice arc is not resolved.

With that in mind, I wanna talk about our favourite dorky mage, and then maybe arc 3.

3) Aaravos' Grand Plan & Callum's Corruption

This is a little hard to parse out just because we don't know what Aaravos' next step / goal was in bringing about Eternal Night (presumably to get the attention of the Cosmic Council, but who knows). That said, a few things I'm chewing on:

Aaravos, as previously discussed, found the most effective way to rid the world of (presumably) every Archdragon other than Zym

Aaravos, for whatever reason, wanted Ezran to have the Nova Blade, which Aanya even sets up for us in 7x09

Aaravos knew all along that Callum would turn to dark magic to take him down.

AARAVOS: Very soon, your brother will embrace dark magic to save those he loves. EZRAN: I suppose you've seen that written in the stars? AARAVOS: I have seen it written in his eyes. (7x07)

Furthermore, he wanted to have Callum be corrupted again, gave him the apple in 7x01 as the first attempt. The apple corruption was lampshaded with "Is there anything I can do to help?" + identity/name motif. Aaravos was actively goading him into dark magic in 7x09, even when he knew there was an assassin ready to kill Callum (Runaan), and smiling even when Callum began the spell (once Rayla had stepped in).

As of S7, Callum has been called (and not disputed being at least partially) a dark mage, used Viren's staff and now has it in his possession (and we still don't know why it was never supposed to be used again), and has a white streak. The willingness to go that far "has always been a part of" him and is now permanently reflected in his character design.

Secondly, we know that Aaravos' game with his pawns is not over, due to the secrets of the cube being ongoing (but confirmation in 7x09 that it indeed points towards Elarion) and due to framing with Claudia.

While I did consider that maybe Callum's pawn intro imagery had come back around in the conversation in 7x06 featuring the cube so heavily (!!) and then Callum choosing to do dark magic to stop Aaravos and save everyone as his destiny ("The one I write myself")... He's still corrupted, Aaravos is still going to come back in 7 years with Callum as a vessel, and the Key to the Book (metaphorically to literally the Book of Destiny) is still unresolved.

TLDR; think about how much it'd Hurt in a Good Way for Callum and Rayla to both know she would've sacrificed him for the greater good (fulfilling her end of foreshadowing from 6x03) only to be smacked in the face that Callum refuses to sacrifice her in Arc 3 with the other side of his ("if you ever have to choose between me and the greater good...").

The fact that the Cube canonically points towards Elarion, which feature stories about "a fair exchange of beloved for beloved" after a season in which Aaravos mandates "Your beloved is an assassin who cannot kill" is just the cherry on top. It also means that both Callum and Rayla have accordingly hit the 50-75% wavelength of their arc(s), with us now having a definitive basis for her being willing to that sets up more clearly her being not willing to in the future, the circumstances we'd need for a possession fight re-established, and the cube beat still on the table because the cube itself is still waiting to be plot relevant.

Rayla always follows Callum's lead ("Say the word and I'll go back into that tower with you") and reflects him ("Who told you that?" "You did") and the lessons he teaches her about love. He'll pave the way, and she'll follow, and then their arcs will come to a close.

We just had to get here first.

Conclusion??

Anyway I hope you enjoyed, I want to do a bigger Arc 3 predictions post (the ruby project, Evrkynd, Claudia, Harrow, etc.) sometime soon, but I hope in the meantime this brought some potentially needed assurance, excitement, or another perspective to consider.

[bossuary]

Neve is painless. Rook is real.

Lucanis likes Neve because she represents what he is desperate to regain. He wants to feel normal, to work and cook and focus on the things he used to enjoy (such as they were) before the Ossuary. He wants capital R Romance, right out of a book.

Most importantly, he wants to get rid of Spite. He wants to pretend that he is the man he was...not this abomination.

Without truly knowing her, Lucanis believes Neve is a pathway to all of that. He's attracted to her, and she to him. Their flirting has an edge, but it's also friendly. She dislikes Spite, and her presence makes Spite disappear.

Neve will tell Lucanis that he's still himself, and that Spite doesn't change that. She will never be the one to reconcile Lucanis with Spite, to get them to accept each other. So, yeah, he gravitates to the charming, flirty, warm person who (through no fault of her own, really) feeds his desire to pretend he's not an abomination.

Even early on, I think he's smart enough to know that accepting Spite is his only option, but he...just... can't. With what tools? Nothing in his life has prepared him to deal with this. Rook does that. When denial tears Lucanis apart, Rook puts him back together with acceptance. Rook accepts the reality of Spite, and deals with it head-on every time.

Neve will remind Lucanis that she's not going anywhere. She'll tell him to open his eyes and look at facts, but she (probably) won't be the one to push him out of his own prison. Lucanis knows this, so Spite knows this, and therefore Spite will not look to Neve for help.

It's important for Lucanis to accept that Spite has changed him. But when it's Rook who says it--for whom Lucanis has developed real feelings, not idealized ones--well, it destroys the fantasy Lucanis clings to so vehemently, the one where he isn't this.

For me, the Lucanis/Rook romance feels the way it does NOT because the writers "preferred" that Lucanis and Neve get together, but because Neve is simply easier for Lucanis to accept. She's easier to talk to, unchallenging. Easy isn't bad! Comfort isn't bad! God knows they both deserve some comfort.

Loving Rook is a profoundly complex choice. There's not a lot of cute ways to work that profundity into sexy banter. It makes sense, then, that Lucanis doesn't have as much dialogue for a romanced Rook as he does with Neve. What he can do is cook, make small gestures. He can, heartbreakingly, tell Rook, over and over, that he doesn't have the words to express how he feels. That's such an awful state, knowing that the person you care about needs to hear words you simply cannot locate. As soon as he does have the words, he shares them.

Rook is real. And real is not easy.

To Lucanis, Rook represents a difficult path to recovery, a path he has to keep choosing to follow, every day. At a time in his life where he is incapable of seeing Spite (and his own PTSD ) as anything but a 'distraction' to shove aside, Rook shows genuine interest in helping Lucanis heal. Rook takes consistent action toward that goal, particularly when it's clear that Lucanis doesn't know how.

Lucanis also has to believe that he's worth the effort, his own and his love's. Neve is great, love her, but I don't see this struggling cynic, this chronic worrier, being very helpful in the self-worth department. No, people in a relationship do not have to perform therapeutic roles. But, partners do have to respect each others' boundaries and needs.

Of course Lucanis goes all-in for Neve, romantically, even while he and Rook are dancing around each other. Accepting how much he loves and cares for Rook means looking at himself the way Rook does. That is so much harder than whatever will happen with Neve.

The fact that Lucanis isn't afraid to pursue Neve, even if Treviso is blighted, tells me that Neve is an indulgence for him. Again, that's not a value judgement. If they treat each other with respect, then the merits of the relationship don't have to fall on whether Lucanis 'heals' as a result. Sometimes not hurting all the time is enough.

BUT. Contrast the ease he feels with Neve with his feelings about Rook:

"When I was afraid to want you..."

That is a powerful admission.

What was he afraid of? The annihilation of neglect, worthlessness, and shame. The awful but knowable pillars of his existence.

Wanting Rook means that Lucanis wants to dismantle everything he knows in pursuit of something he doesn't. To love Rook is to love and accept himself, exactly as he is.

Then...then...Lucanis finds real comfort.

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

-

i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?”

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

“No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. “Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3

[matrixbearer2024]

I had an ask about this regarding my AU but I don't know what happened to it after I saw it in my inbox cuz it might be tumblr being funny but essentially it was just:

"Does West Coast Tech still exist? Why didn't Ford go to West Coast Tech?"

Short answer is, he simply didn't want to in this AU. West Coast Tech is among the Ivy Leagues in my AU and BMU still exists too, it still has the prominent reputation of being a back-up university.

In this AU ultimately Ford never really developed the mindset that he was "special" and had to make a point of it or prove that he was somebody. Because of their upbringing, there wasn't a "preference" others had towards either twin because Filbrick disliked them equally and their academic and extracurricular skills basically made them break even. There wasn't a stupid twin/smart twin between them and Caryn made damn sure about it.

Possibly the only thing that most people say about the two is that they're "smart but stupid" because of all the trouble they get wrapped up in doing whatever or being too curious for their own good.

The teachers or coaches didn't favor one twin over the other either and they were generally liked by their peers. Ford didn't end up with that sense of arrogance that you can typically see in canon where he believes he is above the rest and he has to be and Stan didn't develop that inferiority complex compared to his sibling.

In this AU, Ford had the option to go to West Coast Tech but even throughout senior high he already knew that a good university could really only get you so far. He was a sharp tool yes, but... he didn't think that edge would really push him far. He had an edge, but it wasn't much.

There's a lot of gifted people nowadays and even good credentials aren't going to guarantee a decent job or a stable career, that's if you can even get a job right away.

The science project and everything was still what gave him the opportunity and Stan even congratulated him for scoring that high but Ford wasn't really pleased? I'm not sure with the word but he wasn't exactly happy with the circumstance. They didn't fight over it considering all throughout highschool they kept talking about potential careers and whatnot.

It didn't help that Filbrick encouraged the idea of West Coast Tech because of how much money Ford could potentially make. Even so, Ford was stupidly skeptical after seeing the pamphlet and researching online. Realistically it seemed too good to be true, and he couldn't even sleep on it from how much he kept thinking.

Stan knew he would likely take longer to figure things out but he'd get there, and he was willing to let Ford just reach for the stars as he always did. They still have that dream of sailing around the world as adults but it's a lot more defined and realistic compared to how they planned it in canon. They're thinking, work hard, get rich, then retire early to sail and travel around the world. If their paths split early, they'll find a way back when they grow up. They always do.

It's something they constantly talk about because they both desperately want to move out after graduation just to get the hell away from Filbrick. It doesn't matter where they end up they just need to get away.

Even so, Ford mulled over the offer and decided to visit the university before making his decision. His gut feeling was both parts right and wrong, sure— what he thought was too good to be true was the actual reality of the school and it's pursuit of academic excellence, but he was right to be skeptical after he noticed the snobbish and arrogant nature most of the students have. It's a common thing for ivy leagues to have that mentality that they're the cream of the crop. The best there is. Not everybody is like this of course, but sometimes the loudest crowd doesn't always have to be the majority.

It does take a lot of work to get to their level and to stay at that level but Ford couldn't see himself in that school. He didn't want to allow himself into that crowd where he knew it would potentially make him worse off as a person. Also, he had the entirety of undergrad to get through, if he so much as wanted to transfer to an Ivy League to get his masters or doctorate he knew he could! So what was the rush?

University was a stepping stone and he had time, he knew he could do a lot but he didn't need to rush. So... Ford turned down the offer.

Sadly, it was pretty much as chaotic(bad) as you'd think.

Of course, that meant looking for another university instead and it was mostly Stan who did the research this time because Ford was too burnt out and sulky after everything. He knew he made the choice that would inherently grant him more happiness, but it doesn't always feel like that right away and it didn't help that the walls were paper thin. It's hard to fall asleep to your parents yelling and throwing things around in a fight because of a decision you made.

Both of them had generally pretty good track records academically and a long list of achievements to follow it so it wasn't hard for them to find universities either. That's how they ended up with Graviton University in Oregon, it's not an Ivy-league but it's not as bad as BMU either. It really is just a stepping stone in the middle, your performance practically shapes the path you walk on.

The Stan twins have a choice in this AU mostly because they could also afford it, take note- the family is financially comfortable in this AU because Filbrick is one hell of an unscrupulous businessman but very successful. They're not rich but they're comfortable, and that's a lot in the state of the economy nowadays.

Ford has choices in this AU and it's also a very big part to play in why he could turn down the offer at the time and not look back at it with regret. Stan also being on even ground beside his brother is why they don't ever fight about such topics either, he's not ever chasing after Ford— he's standing right next to him.

The subtle differences from canon can genuinely just make a world of difference in the bigger picture. But yeah, it's why I had them go to Graviton University instead. It's a middle-ground and it's also how I can essentially get them to stay in gravity falls instead of ending up elsewhere when I cranked the "weirdness" level pretty low. There's still bits and bobs of it around, but not to the degree of the canon show I would think.

I hope this generally clears up how I wrote or my thought process as to why I didn't have Ford reach for the stars despite having that option and why the Stan Twins are generally this tight knit in my AU.

[hadesisqueer]

I’m here to be different from the trolls and actually ask you something interesting. Do you agree or disagree with Miguel and the canon events?

Oh boy. Alright.

I sympathize with Miguel, and I find him a very complex and interesting character who, even though he knows his methods are far from exactly right, genuinely thinks he's doing the right thing and everything for the greater good. But no, I don't exactly agree with him when it comes to the whole canon events thing.

I do think canon events are real to some degree, in the sense that they are things that the Spideys in different universes tend to experience. However, I do not think that they all have to happen and if they don't and things go differently then everything is broken and that dimension collapses. Mainly because the logic behind that is flawed.

Miguel explains that when he took over his dead counterpart's place, he broke canon. But what canon events did he even disrupt? He doesn't explain it. Unless his daughter was Spider-Woman there and his death was supposed to be her Uncle Ben moment, it doesn't seem like he actually broke any canon events at all. But his daughter was a little girl and she likely hadn't even been bitten yet, so it seems unlikely because it like the whole canon things happen after you're bitten. It doesn't make a lot of sense.

You can argue that Pavitr's dimension started unravelling after Miles breaking his canon event, but it doesn't make full sense, either. It seems like it took a while for his daughter's dimension to get destroyed after Miguel allegedly broke the canon, and Pavitr's starts immediately after? Right after the stunt the Spot, a multiversal threat with dimensional powers, pulled? Miles was right, it makes more sense to think that that was the Spot's fault than his.

Also, if according to Miguel, Miles should have never been Spider-Man and his whole existence goes against canon, how come his dimension hasn't been destroyed? How come Prowler Miles' dimension is still there if he wasn't bitten like he was 'supposed' to be? Absolutely no canon events have happened in Earth 42, and-- it's fine, no black holes? And why does Miles even have to experience canon events if according to Miguel he's an anomaly? Plus if we're being technical Peter Parker's Spider-Man already experienced those canon events, all that already happened to one of the Spider-Men in 1610, so why do they have to happen twice, now to the kid who again wasn't even supposed to be Spider-Man according to Miguel?

Even in Gwen's case. That's the most subtle yet clearest example of the fact that nothing really happens if canon is 'broken'. He quits and stops being captain. Which means that a canon event isn't going to happen now, because the police captain that was supposed to die was her father. And now he's not captain anymore. Did something happen? Did a horrible black hole open up and started swallowing everything the moment he said those words? No. Nothing happens. And Gwen realizes that, too. And that's when she fully confirms that the whole 'everyone has to experience these canon events by force or everything will go to shit' is actually a bunch of bullshit. Because canon was just technically changed, and everything was still fine.

Again, I think Miguel truly believes he's doing the right thing. But his logic is flawed and he's too blinded by his own grief and guilt to see that.

[the-boy-meets-evil]

where you belong | kmg

(where the holidays bring you back to the person and place you need to be.)

pairing: mingyu x fem!reader genre: exes to lovers (lite) | fluff & smut rating: explicit, minors DNI word count: ~1.2k warnings: kissing, smut, oral sex (f receiving), fingering, unprotected sex (don't do this, they're in love), that's really it

note: SURPRISE EM! 💕🫶🏻 this is for my baby @gyuswhore for the secret santa event hosted by @camandemstudios. i was so happy to get you and i hope you're surprised that it was me. this was a lot of fun!

tag list: @tinyelfperson, @dokyeomkyeom, @miriamxsworld, @hongrizon, @klecksstorys, @gyuminusone, @aaniag, @straykidswhoo789, @kimseokgen, @beomesbabe, @haolistic, @vanishingboots, @babybae-shisui, @harrythepottypus, @okiedokrie, @nuttywastelandmentality, @writingbarnes, @tomodachiii, @gyuhao365, @jjin-kun, @divinityyyy, @dibidibidismynameisleeknow, @tinkerbell460, @aidanjoon, @cookiearmy, @tusswrites, @kaepjjangiya

There’s something about the holidays that always has you reflecting on the last year. It’s kind of a way for you to figure out what works and what doesn’t before starting fresh in the new year. The past year has been a blur of keeping busy and projects for work. It feels incredibly fulfilling in so many ways. All things considered, it’s been a really good year for you. 

Yet, you can’t keep your mind off the start of the year when you and your boyfriend broke things off. It isn’t some sad story of heartbreak or someone doing something horrible. You both just realized, as you spent New Year’s Eve apart because of work, that maybe it was a sign to give yourselves a chance at something different. Both of you agreed that it made the most sense. Life was pulling you in different directions and it felt like the time to really push forward in your separate work lives. 

If it’s meant to be, it’ll always find a way. You genuinely believe that. So, when your ex walks into the tiny little coffee shop two days before Christmas, you take it as something of a sign. You shouldn’t even still be in the city and this isn’t a coffee shop you’ve ever been to before. But, your travel plans got delayed and you’ve been meaning to try this place for months. His eyes land on you from his position by the counter and he doesn’t seem surprised either. Your heart constricts a little at that shy smile and the way his shaggy hair bounces as he shakes his head. 

“I can’t believe my luck,” Mingyu says when he approaches. “I figured you’d be gone.” 

“I had something come up last minute. I was supposed to leave last night,” you say and he smiles. 

“I’m not sure I want to leave at all now,” he admits. “I’ve been thinking a lot about you.”

“Yeah, same,” you admit. 

“I just moved and I actually live around the corner. Do you want to catch up?” he asks.

“Let me just get my coat.” 

Catching up goes from filling each other in on the last year to Mingyu cooking the best meal you’ve had in ages to lounging on the couch and laughing over silly shows. It’s easy to fall back into such a sense of comfort with him. Every part of you still seems to know every part of him. Some things you would have to explain to anyone else just instantly make sense to him. But, it feels different too. It feels like the last year has allowed you both to realize what’s actually important. Maybe it taught you how to better prioritize your time. 

Something else is easy, too. You fall back into bed with him without a second thought. This is different now, too. Sex wasn’t ever an issue, but he wants you to show him exactly what you want now. Wants it to be perfect for you. The kind of thing that you can’t ever get over. You’re not really sure you ever got over him the first time and you want to tell him you don’t plan to let go of him this time.

“I’ll teach you whatever you want to know,” you tell him. 

“Teach me how to be good for you,” he answers, breathless. 

And you do. Mingyu is a giver, always has been. This is more than that, though. This Mingyu wants to map your reactions to every little thing he does. He wants to watch the way you squirm when his tongue flicks against your clit just right. Wants to memorize the way your thighs squeeze his head when he licks into you. Even if it’s always been good, it’s never been like this. It’s never felt like he’s worshipping your body in quite this way. 

With a moan, your back arches against this bed and your hands scramble to find purchase on something. Anything. You try to keep up a stream of instructions like you said you would, but Mingyu’s also a very fast learner. It doesn’t take him long until his mouth is moving in the perfect way between your legs. Only take one comment for him to add a finger. Doesn’t need to be told how to hit you just right with those fingers. You’re a writhing mess and you’re not even sure that you can think straight anymore. He’s got you seeing stars as you come hard on his tongue and his fingers. 

“I’m not sure you need me to teach you anything,” you say after catching your breath for a second. 

Mingyu’s got a bit of a smirk on his mouth, still glistening a little. “Maybe I just like hearing you talk me through things when you’re coming undone.”

“Oh, it’s like that?” you joke back. 

“We can see if you need to teach me anything else,” he says with that sparkle still in his eyes. 

“You’re not done with me?” you ask and try not to sound too hopeful.

“No,” he says and kisses you before you can respond in any way. 

It always seemed crazy to you to think that someone could kiss you stupid. Until Mingyu kisses you like that after nearly a year apart. Until you remember all the kisses for every different occasion. Now it just seems crazy to think there’s anyone out there for you other than him. He keeps kissing you as he settles his body between your legs, hovering his body just over yours so that he doesn’t put too much weight on you. Keeps kissing you as he uses a hand to line himself up at your entrance. Keeps kissing you as he slowly presses into you. The pace is slower than you want, filled with all the things you’re feeling. All the affection and reverence that he’s always shown you. 

“Mingyu, please, I need more,” you finally moan out. 

And it happens like that again. He lets you teach him just the pace that you want. He lets you set the rhythm alternating between slow, languid strokes and hard, fast snaps of his hips. Everything else around you disappears. All you see is the love in his eyes as he takes you in. Everything about this moment is perfect. The absolute best way that you can imagine to end the year. Almost as good as him pushing you to a second orgasm just before he follows right after you.

It seems too early to be awake if the light coming in through the cracks in Mingyu’s curtains is any indication, but the smell of coffee wafts tantalizingly into the bedroom. You’re incredibly thankful that you changed all of your holiday plans to stay with Mingyu. It clearly isn’t just the post-sex haze that has you wanting to stay. Your heart is full to bursting with warmth. He’s always been it for you and you’re thankful that you get to spend another holiday with him. 

So, you pull on a baggy shirt Mingyu has lying by the side of the bed and slide out of bed. You walk over to the window to see what’s making it seem a little brighter outside. Amazingly, snow falls gently in beautiful, swirling patterns. The whole world is quiet and you know you’re exactly where you’re supposed to be. 

I hope you enjoyed it ❤️

[grumpchump]

Adding the full yap because a few people asked for it !

(no fast pass spoilers, I'm not caught up yet anyway!)

I feel like this theme applies to almost every character in the main cast.

First of all, we all know that one of Chase's biggest aspirations is to be a famous singer, even though nobody in his life really thinks he can do it. He seems perfectly aware of this. He knows that everyone thinks his dream is impossible, and maybe part of him thinks the same thing, but he just doesn't care. He's still extremely determined to realize his goals despite what everyone thinks of him.

Buddy especially doesn't think very highly of him (at first!)- throughout a good portion of the season, he constantly assumes Chase is going to give up the stories as soon as they get hard. But as Chase says in Sick Day, it's not his style to give up. He is so much more than what a lot of people expect him to turn out to be and he's so cool and I love him so bad

This applies to Buddy pretty obviously too. He's meant to be a cold and ruthless villain, and he certainly does try to be that. He's tough and more than a little mean at times, but we can see pretty consistently that he isn't as heartless as he might want people (Chase) to think. Even from the beginning when he's determined to antagonize Chase and get his key, he drops hints and helps him to finish the stories.

I always thought the scene in the Cinderfella arc where he tells Chase that he can eat the storybook food was really interesting. Like, he has no incentive to do that. He has no reason not to sit by and watch Chase suffer wanting to eat the desserts. But instead he does this small act that is, whether intentionally or not, actually kinda nice of him. It's just another small moment that shows that the villain persona people expect of him isn't really all that he is.

(This is a smaller thing, but I think with his exterior and how he acts in the books, we kind of expect him to be cunning and hard-working. I believe Punko said in a Q&A that in his free time he's actually an extremely lazy person, contrary to how we usually see him. I'm just mentioning that because I think it's funny and I love him a lot.)

Deacon is an extremely complex character with so many layers that I honestly am still grappling with, this guy's really cool.

A lot of his struggles are with the expectations placed on him. We know his whole life and career have been planned out for him by his parents. There's constantly a lot of pressure on him to work hard at this path that has been chosen for him, but in reality, he doesn't want any of it. My man just wants to read his shitty fantasy novels and chill with horses, give him a break !!

He's also constantly trying to defy his role as the helper key (specifically in Sick Day and The Book of Deacon). I think it's really interesting how he struggles to accept his role. Chase and Buddy don't actively try not to be the hero and the villain, they just naturally are more morally grey with it. Deacon, on the other hand, is almost a little desperate to go beyond being a helper and fall into another alignment, acting carelessly and causing trouble because of it. And the thing is, it makes perfect sense why he'd do it.

Books are very much a source of escapism for him. Actually getting to LIVE OUT the books is extremely exciting. Inside the books, he has a chance to escape his parents' expectations- being the helper, though, he just feels like he has a new set of expectations placed on him. Once he actually gets to be the hero in The Book of Deacon, he learns that this role is just as tough- again, he's trading one set of expectations for another. There's really no winning for this man lol. but im getting a little off topic here.

What Deacon needs is to reject the expectations his parents have placed on him and do what will make him truly happy. We can see how Buddy and Chase sort of naturally deviate from their expectations just through being themselves, but Deacon is still struggling in this process. Deacon is struggling to be himself in the way Buddy and Chase do.

There is still that level of acceptance he needs to have for his current situation though, specially in his helper role. He's still struggling to grasp all that being a helper means and how it's still just as important a role to take on as the hero or villain. He needs to find a way to balance his responsibilities and his happiness.

In Prunella's case, it's a bit harder to say- as of Friends and Family, we haven't gotten to spend as much time with her as the boys, so we're still learning more about her. I think the irony of this little girl getting to play the role of the big strong hero is sort of a subversion of expectations in itself lol.

We've also seen her upbringing. We've seen her mom. We've seen her house. It's a big awesome fairytale mess, and she doesn't really fit into it at all- being more into wilderness survival, she's not really what most people would assume her to be when they see her home life. Nothing wrong with that of course, just worth mentioning. We also learn in Friends and Family that she's very advanced for her age- she's extremely smart and probably a lot more understanding and level-headed about all the key business than I think a lot of other kids would be. I'd say she deviates from what a lot of people would expect of a child her age.

I'd love to hear if anyone has any other thoughts about her character !! I like her a lot and I'm excited to get to know more of her in the story :)

I wanna touch on the Keys last, specifically Silver. This part will be more speculation, so take it with a grain of salt.

In line with the theory about Silver possibly betraying Chase, this theme would apply perfectly. The way we've gotten to know Silver, she's extremely sweet and caring. She acts very selflessly for her family and friends and is eager to lend Chase a helping hand in saving his mom.

What we need to remember is that her first priority is to take care of her family. Helping Chase with his thing is definitely a means to reunite everyone (since he'll need all 12 keys to make his wish anyway), but it may not feel like she's doing enough. Helping her family and taking care of the Keys is her ultimate goal. If she's the heroine of her story, it makes perfect sense that she would take whatever actions necessary to do this.

The problem is, Cinderella Boy follows CHASE as the protagonist. We're rooting for Chase to evade Ex Libris, collect the keys, and save his mom. From this perspective, Silver betraying Chase, going behind his back, etc. would technically be an antagonistic action.

Am I saying that makes her a villainess? No, I really don't think so. But we've come to know Silver as a kind, supporting force for Chase. All I'm saying is, if she really were going behind Chase's back in some way (referring specifically to the letter she writes to Violet at the end of Friends and Family), it would absolutely subvert ours and Chase's expectations of her. It would line up with the theme of defying these expectations.

This theme is another of the many reasons why the Beach Boys arc is so important.

Circling back to Chase and Buddy, the core relationship at the center of the story- up until this point, Chase and Buddy have not cooperated with each other. Just a few episodes ago was the Toffee Break arc, where Buddy was an absolute menace and Chase straight got him thrown off a boat, lol.

But then Chase sees Buddy struggling to light a fire, and he does something unexpected. Even though he and Buddy have spent pretty much every moment together as rivals, he offers Buddy a tip on how to start the fire. He completely subverts what we've come to expect of their relationship. And then Buddy does something even more unexpected by returning the gesture and sharing his fish.

They're meant to be the hero and the villain- complete antagonists to one another. But in this moment they both choose to defy their expected roles and share a small, nice moment.

Later, Chase offers to help Buddy get out of the dangerous situation he's living in, and Buddy assumes he's lying. He doesn't expect Chase to be genuine about it. But like he says in Beach Boys (VI), Chase gets mad at him for doing the same thing, and he realizes he's been wrong about Chase maybe the whole time. Chase is not at all like Buddy expected him to be.

I think the point Chase makes in this episode about their roles as the hero and the villain is extremely important to the story as a whole. Buddy is meant to be the villain, so he's supposed to be a horrible person. Chase is meant to be the hero, so he's supposed to be patient and forgiving. But Chase says it himself- he doesn't care about that. He isn't the perfect protagonist we might expect him to be. He's an extremely kind and good person, yes, but he also has no trouble standing his ground and acting the way HE wants to, despite what everyone thinks of him. And Buddy, while harsh and standoffish, has plenty of moments that showcase how he's actually quite a caring person when he starts to let down his guard around someone.

Hell, even the entire concept of Cinderella Boy as a whole is kind of a subversion of expectations in itself!!!! A boy finds a magical artifact that lets him enter and play out any story he uses it on, but, ironically, he always has to be the princess?? it's amazing i love it

Cinderella Boy shows us consistently that nobody is stuck playing the role everyone expects them to. Nobody is bound to the perceptions that other people have of them, and everyone is free to defy these expectations and be the person they want to be. Chase says it best in Beach Boys (IV): "Nobody should have to accept being the villain if they're trying their best not to be."

To rap up my yap session, Cinderella Boy is a narrative about defying expectations and other people's perceptions of you and being a person of your choosing and everyone should go reread it one billion more times !!!!!!

shout-out to Cinderella Boy and its ongoing theme of defying the expectations everyone has for you and being more than your roots and upbringing, gotta be one of my favorite genders fr

[isuggestforcefem]

hello! I have 2 friends in which I think estrogen could save them, one of them is really not enjoying their life I'd say, he drinks a lot, smokes a lot (I know those things are good in a sense but he does it in the depressive father style), and overall he HIMSELF regularly makes jokes and mentions of "what if I was a girl" but I think he alone will never get to it, the other friend is a bit better I'd say? he already asked me for some months to call them by she/her pronouns and a new name even but due to their parents phone monitoring and his other friends not accepting he stopped..

I really don't know how to suggest it to them without being forceful/weird about it, I regularly send them those simple memes like "girl life better" and cute fanarts of girls that remind me of them and I say like "that's you in the future lol", any more suggestions?

If you do believe they would be happier as girls, ultimately, it would be important to create an accepting space, for them to explore this girlhood. If they can notice how much they want it, how important it is, and how nice life could be, this will get the ball rolling, so to say.

For the first of your friends, especially, it seems he needs to learn he can be allowed to be a girl. That there is nothing wrong with that, and that a transition is not the ugly thing that cis people would have you believe, but a process of becoming beautiful and happy beyond reckoning.

Good luck, dear.

[dawsonscreekwasalwaysbad]

one thing about cultural christianity that i don't see talked about enough is that i think it's something a lot of jews can also fall victim to. especially if you live in an area where there aren't a lot of other jews and so you don't have easy access to resources like hebrew school and synagogue and jewish centers. but also even if you do. i'm jewish, i grew up jewish, both my parents are jewish and so are their parents and so were their parents, plus i grew up and still live in a highly jewish area, where schools took off for the high holidays. most of my peers went to hebrew school, and seventh grade was universally considered bar mitzvah season. and i took those things for granted. as a kid i chose not to go to hebrew school, not to get bat mitzvahed, and so much of what i know now about judaism—about jewish culture, jewish traditions, jewish holidays, jewish values, jewish beliefs—i only learned from being on tumblr.

when i was younger, like five or six, i asked my mom what happens after you die, and she said that your soul goes to heaven. and so for years i thought heaven and hell were universal beliefs. i didn't learn that jews don't believe in heaven or hell until my late teens. and in hindsight i can see why my mom told me that—you don't really want to scare a little kid by telling them that when you die you're just dead. but still.

and i grew up celebrating christmas. not in the sense that my family would go to chinese restaurants and see a movie in theaters, but in the sense that we put up a tree and raced downstairs first thing in the morning to open presents under the tree and gather with our extended family and eat christmas ham. still, there are a lot of christmas traditions we don't partake in, like stockings and caroling and elf on the shelf. the other day i had a friend come over and i showed her how many jewish ornaments were on my christmas tree—we have a star of david, a rabbi bear, and our tree topper is a dreidel—and she said something about it being a nice intersection of cultures. and it felt weird to hear her say that. i don't blame her for it, i know she meant well, but it would make more sense for someone to say that about someone with one jewish parent and one christian parent. and like i said, both my parents are jews. christianity doesn't intersect with my jewish culture, it invades it. maybe it was sort of a wake up call for me: you can decorate a christmas tree as jewishly as you like, but at the end of the day it's still a christmas tree. and so whenever i explain to people that i didn't have a bat mitzvah or that i celebrate christmas, it makes me feel like a bad jew.

i don't mean to imply that celebrating christmas makes you less jewish, or that you should be ashamed of yourself if you do. i just feel that way about myself. it's sort of that mentality of "everyone's valid except me," how there are things you say about yourself that you would never ever say about a friend. personally i would love to stop celebrating christmas, but i don't think i'll ever be able to, because even if/when i move out, my family will keep inviting me home for the holidays. and they have every right to. my family loves christmas, they love celebrating it, and i can't force them to stop. that's their choice. this holiday sparks joy for them, but for me it just sparks frustration and fatigue. and i don't want to ruin it for them, but i do want them to understand why i'm tired of celebrating an extremely hegemonic holiday.

idk if i'm articulating this well. i'm not really involved in the "discourse" around cultural christianity to begin with, but whenever i see it talked about it's usually in reference to atheists who used to be christian. but it's a lot more pervasive than that and i don't see that acknowledged very often.

[jess-the-vampire]

Quick question one fan to another. Do you think Phillip knew he was related to Eda & Lilith? And would have knowing about his family made any difference or was he just too far gone?

genuinely? hard to tell

i mean dana claims "Some people do know"

and philip COULD of been one of them, and you could say that's a factor in why eda and lilith are targeted the way they were

but on another hand, you can also kinda sum that up as a result of remembering lilith from his past and therefore disliking her from that, and eda herself being the prime example of rebellion against his authority

there's nothing in the show that concretely proves he knew

especially since a lot of it relies on knowing about what happened with caleb and evelyn, which once again, is left with a lot of wiggle room

like we don't even know if philip actually knew evelyn's last name at all, or if he knew of her or about her long enough for that

when that stuff is all pretty vauge it's just yeahhhhh

if we are to assume Philip knew evelyn was pregnant he would have to be AWARE caleb has witch decedents probably, but he wasn't in power till 50 years ago, so i don't also see how he could keep an eye on caleb's entire family line either for 400 years

also also, maybe philip went after evelyn and said kid, maybe he just...gave up after caleb died and moved onto other things (It's still not even clear how evelyn got his door after all, if we are to assume it's evelyn's doing, because the door appears to be post caleb death)

(Look, i've been over this a few times, this timeline kinda doesn't really make sense, i'm kinda not convinced the crew planned out a proper timeline of events for the wittebanes because there are things that currently kinda don't make sense)

yeah idk, it's kinda left more up to your interpretation, like if you see belos as knowing nothing really proves you wrong

but yeah, nothing proves it right either, philip had plenty of other established reasons to single out lilith and eda outside of that concept.

i don't think it would of made any difference nonetheless, like maybe if philip saw his niece/nephew as more human then witch there could of been a dynamic of him thinking he could "Fix" them, but on another hand philip is shown to not trust anything and anyone who isn't a human like him.

The guy is very much been brainwashed by how he grew up to believe everything he doesn't understand is trying to manipulate him and hurt him, and i don't think any family he may have in the clawthornes would make him see witches differently

honestly i wouldn't be shocked if in his mind, evelyn and caleb having a kid to him is like a demon stealing someone he held dear to use for offspring because of how deluded he is about this stuff

granted, that also depends heavily on how you think philip assumes about the situation, him believing caleb was under a spell and him believing Caleb did everything of his own will have DRASTICLY different implications about why he did what he did.

so yeah, if you're to ask me this is all more of the same "This is kinda supported by canon but is also kinda not" stuff that is kinda all over the wittebane backstory in general

if we ever get that wittebane backstory, they have a lot of clear up here because there's a lot left to interpretation and it's kinda why people have very drastically different opinions on how aspects of this character were handled.

guy should of been destroyed at the end no matter what of course, but

people seeing him as a more tragic unredeemable villian doomed from the beginning due to growing up in extremism as a child and no guidance to pull him out of it so he just got worse and worse, and people who see him as just an asshole who never cared about his brother and was perfectly capable of getting out of his brainwashing is very much a result of leaving a lot of this stuff kinda up to interpretation

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[stillwithmeisonlyyou]

Hey so i saw a tiktok the other day and inspired me to write a little sort of microfic

So here it goes

(also in my mind reg is a cat animagus, that is how this prompt in my idea makes sense, also that's how he managed to hide from sirius)

Black brother estrangement angst fanfic idea

(I know it is a stupid name, but like i don't have a title)

Remus: "Why don't you just tell him? I mean I get it, but you can't hide this forever."

Regulus averted his eyes and sighed: "Maybe not forever but I'll put it off as long as I need to."

Remus: "That's consistent of you but you have to admit this is absurd. Surely you have missed him? Can't you put your resentment aside?"

Regulus: "It isn't my resentment I'm afraid of. He'll be angry with me I know it."

Remus: "Ok maybe he will be later and you'll talk about it, but i think it would make him an asshole if he started a fight right away with his long lost brother who he believed to be dead for years. I'm just saying it might not be as bad as you fear."

Regulus seemed lost in thought and for a moment Remus thought he wouldn't answer. To the untrained eye, his hesitence could seem like a consideration of what he had just been told, but Remus knew better: "No it will be. Sirius is nothing if not dramatic. And our problems aside I knew he cared. I think he'd expect me to come to him for help despite everything we had going on at the time. I know he'd help me. Or at least... I want to believe that he would. It must have hurt him that I didn't and then I allegedly died and now, I hate that I went about it this way but at the time... I was spiteful. I resented him for leaving me alone there... And I know that its selfish and I know that it was sadistic to expect him to take the abuse, and he knew it too. We fought a lot back then, I hated it. When he looked at me like, like- I was them and I was just as cruel and evil as our parents I just... I could see that he resented me and he was angry and maybe he even hated me I... I could never say the right thing. I always said I hated him right back and pushed him away when all I really wanted was him and now... I think its too late. He's better off without all this emotional baggage bullshit. Maybe I deserve this.

Remus could see through Regulus' avoidant bullshit a mile away but he was pretty sure Regulus could see it too. That means he must have truly believed it. So he decided to leave the topic and approach it later, he knew that Regulus felt trapped under what he interpreted as interrogation of any kind. So he turned back to leave the kitchen to leave Regulus alone with his thoughts when he saw him- this absolutely stunning man that was Regulus' brother. He had such beautiful eyes, a deeper shade than Reg's and the way he carried himself and dressed was absolutely divine. Remus was lost in thought and fully staring now and a small part of him was worried that he was gonna be caught but the object of his desires seemed to be rather occupied at the moment. He was just about to think what could he be looking at this dumbstruck when he realized, wait, Regulus' BROTHER?!

Remus: Uhm hey Reg, I think you have put it off as long as you could; this is it.

This is like the first cohesive thing I have ever written and English isn't my first language (don't get ur hopes up hehe) so pls be kind

Anyway yea this is it. Should i go on with it?Also here is an extra little dialogue although i don't know if id incorprate it in here somewhere:

S: I don't want to lose you again

R: I don't want to lose you at all

S: Yea no I don't reccomend it.

...

S: Just... if you go and don't come back... I will never be able to forgive you and I will miss you... I'll just be miserable. Please don't do that to me. Don't evade me. Not this time.

R: Ok

[amber-in-the-rough]

why would Aaravos want a mortal vessel?

alright, so

I've watched the new season. I've already screamed and cried and rolled under the table and I have one final question left.

Why would Aaravos want a mortal vessel? Especially now, when the Archdragons are gone. He is supposed to be infinitely stronger than any other being on Xadia. Supposed to, yeah. Did you see the so called 'master of all six primal sources' show off his mastery more than once? Because I didn't. And it pisses me off beyond measure because it really seems like bad writing to me. He just fucking didn't do anything, just stood there, waiting for his enemies to charge at him. He was easily overcome by fucking human chains and ballistas- and one archdragon- when we were said that in the past he could easily hold off against all of them! Damn. Imo, Aaravos was seriously downplayed this season.

I know, perhaps this was his plan- to get himself killed and take all of the archdragons with him. Even so, he should've put up more of a fight. NOT JUST STAND THERE WAITING TO BE SMACKED!

And still why? Why want Callum as a mortal vessel? It doesn't make any sense. Maybe the Star Council or what's they're called- maybe they have a restriction prohibiting them to hurt mortals? Which sounds rather stupid but it's the only explanation I can think of.

The creators tried to do the build-up for arc 3 and in doing so they rushed and blurred the arc 2 finale. Putting together the archdragon drama, killing Aaravos drama and Rayllum drama was a mistake. Neither got fully developed. And were they seriously trying to tell us that the main cast would have survived the nuclear burst explosion of a star while being protected only by Domina's wings??? What are the wicked things even made of?? Oceanic mithril???

The final showdown felt like a series of Chekhov's guns which never fired. They just made a lot of drama around them, then showed them to us and- that's it. I suppose, Aaravos's plan was to get stabbed by the Nova blade, then take over Callum's body (for whatever reason) as his giant form was being destroyed. But then- we return to the question of why move to another body when there's nothing stopping Ezran from stabbing Aaravos in Callum's body (aside from their brotherly bond but that's no big deal, he just needs to ask Soren or whatever-).

As a result, we got Ezran with a Nova blade which never got to be used- Callum with his coin spell which was interrupted halfway because Aaravos got charged at by a dragon and Callum's gunsight was broken??? ??? That's- I'll be honest, this is so dumb. No Nova, no dark magic. Why even bring that at all?

And finally, what did Aaravos even die from? He did not sustain any lethal damage. When Zubeia and Avizandum were lifting him up (and yes, why didn't he stop them? did he forget all of his spells and telekinesis as well??), what were they thinking?.. What were they gonna do? It looked like they were about to drop him but- this is also so dumb. I don't think that would have worked because if Aaravos is so easy to kill- Why the fuck didn't they kill him 300 years ago??? "Didn't want to?". God damn.

I won't believe that Aaravos didn't have the power to take down the archdragons and that's why he simply decided it would be easier to go boom and set off the rebirth cycle. I refuse to believe that he is so weak. After all, one, he already killed two archdragons and that went fine. And two, even humans managed to kill one! They even survived!

Overall, I am absolutely in love with the first half of the season. I loved all the conflict everywhere, the part in Silvergrove was wonderful, felt like a real holiday- The adventures of Claudia and Co were also very exciting to watch!

But after that... It got rushed, blurred and very, very odd.

At least we got a white streak Callum. And a whole lot of 1 (one) interaction between Aaravos and Callum. That's an achievement, yeah. I love when the main protagonist and the main antagonist only have two interactions throughout all of the seasons (no, I don't, I fucking hate it).

That would be all. This is entirely my humble and angry opinion so- you are welcome to disagree. But I will stand my ground. This went very oddly and some parts I unfortunately didn't like. But I am all in for arc 3. Even angry and a little disappointed, I still fucking love this show and would be more than excited to see how it all goes from here. We still have so much to learn and see. The cube, Claudia, Rayllum, Elarion, grown up and talking Zym (it was such a twist!), Harrow in a bird... Please let us see this! Please, Netflix! Aaravos is not defeated, he merely retreated, please let us see how they'll deal with him in seven years!

[voraciouspangolin]

That is an absurd amount of admin+zepheniah dust to be following her around- I think she kneeled in the dust, catatonic, eyes unblinking, staring at what she thought her life would have been

I like that engie had a glass of water ready for her. I also like that he knows the administrator is gone, her entire scheme is over- I mean, it makes sense. He was there when the admin cracked that last vial of australium and took it all.

I think the whole death of the admin, I think this implies that the admin spent almost an hour straight in that cave of hers, talking to zepheniah. Going over her past, over his past, the way she inserted herself into his future.

I'm mildly upset that he doesn't have his gunslinger- but that's compliant to the way he was drawn in the comics previously, I suppose

Engie sitting down across from her and talking. He doesn't even ask what happened- he knows his employer is dust on the floor. Instead, he openly talks about his perspective of it. This gives me the vibe that pauling and engie are pretty close as work acquaintances, if not friends. Engie seems disapproving of the admin's endeavours, but not in the sense that he saw her as evil. Sure, he probably has his reservations with the admin's choices, but his moral grayness and choice to look past the evilness of it all, it really solidifies that he's a mercenary. He's even casually entertaining that pauling could fill the role of the admin, or create a new role to fulfill what pauling thought she would devote her life to, saying she could become whatever she wants, with the tone of voice of coworkers talking shop.

I like how dejected miss pauling looks. Hunched over, hair messy, outfit full of dust. Glass of water half drunk. She looks shell shocked, almost. I also like how engie is acting as a rock in this situation- he's grounding her, tying her down to reality. Talking her through whatever she's stuck on in her brain. Whether that's because he's intuitive enough to know to do this, and polite enough to want to do it to help her, or because he wants her to lucidly understand that he is washing his hands of involvement, I don't know.

The intensity of engie's suggestion says a lot, imo. "Make sure you get it all." His disdain that he's come to feel for australium is palpable here. Even after working with it for so many years, even after being privileged enough to fabricate things and tinker with australium to refine the admin's hand doohikey- it's like he's come to some conclusion that australium is a sentence imposed on whomever uses it, regardless of good intentions, that will always lead to bad things happening.

And there's that nickname again. Other names that start with Flo.... Flower? Florina? Flossy? Florris? Who knows. I'm inclined to believe that Flo isn't her full name, much like how she refers to the engineer as Engie, it would make sense for him to refer to her with a shortened version of her name.

I love how the glow of the australium shines in her eyes. Like a promise.

"You won't never be free of it." He's seen firsthand what this shit does to someone

Augh.... Her hair is so messy now. That second pannel, that's an expression we've never seen on her face before. She's utterly lost. But engie is there. He looks genuinely relieved that pauling took his advice to heart.

He's so jolly. I love him

Soldier did nobody ever teach you not to smear your grubby fingerprints all over pictures. Convenient as hell to block that figure in the picture that was never revealed... The only thing we can gather from this, though, is that the figure is perhaps extremely short.

Is it bad of me to say that this looks like Kim

he's SO done with this. I really like how the tattoos he got in prison are completely removed from his skin. I don't know if that's intentional or not, but it's an interesting concept if it's intentional

I don't know if being merasmus' familiar is what's causing this but I love that soldier can canonically see ghosts. That's awesome

lol his expression looks like his soul left his body

I love that we got so much more of soldier in this comic... He's so silly

Aw. For all his complaining, merasmus can't bear to look at his friend getting tortured so he looks away. Or maybe he understandibly just doesnt want to see someone getting tortured.

Awh hell yeah, creature.... perhaps of the Pilosa order... This swap to a different plot kinda confused me with its placement and the context it provided.... but ah well, I'll take it

Awww, when did bidwell learn to backtalk

love the delivery with this one. This typa humour is so good

Average australian attitude towards drinking. I wonder if she has an australian accent now... Idk. But I like her design

Wait I think that that's Uluru,,,, or Ayer's Rock, as Saxton calls it. There's no question now, Uluru is significant to Saxton's life... otherwise why would its frame be hung next to the other Hale? I'd have to look back through the other comic where scout and heavy go to the rock to investigate it to make any more inferences

dawwww

PAHAHA ... BEAR POLISH??? Reddy, you dog

Alright back to business. Big fan of Heavy's beard... could use more shaping though. I like that he uses Sasha has a bludgeon though. That's awesome

he just does not Stop YAPPING !!! Good for him tbh... The fact that only soldier can see merasmus... He looks insane to everyone else around him that's crazy

lol, I like how merasmus' ghost form also comes with a ghost version of the chair and binds he died with. There's actually only two chairs instead of three

ugh, girl, tidy that thing uppp

wjatever.... Big fan of people still calling merasmus an old woman. So true

this is the first time soldier's smile has faltered, and its right after heavy says he doesnt care that merasmus got tortured to death...

he's so wordly.... he knows currency rates off the top of his bald dome

girl that body of yours is absurd

Thread of my second read through The Days Have Worn Away

his stupid smile . I want to put him through a food processor

ok one of them came out wearing an eyepatch i think soldier got cheated on and zhanna had a kid with demo

he proposed with a grenade. and. and he pulled the pin and put the ring on zhanna's finger. and threw the grendade

tbh I fear for the person who becomes the centre of her devotion next

she is willing and ready to use her powers for evil

new sniper lore dropped too. He can fly bush planes

hes so real for this

i think these are the team classic characters... There's a plaque missing on the stone statue at the bottom, I wonder what was on it.

I like how everyone at… Administrator HQ is wearing purple

So earlier we got miss pauling's first name initial, f. Pauling.... so this is a confirmation that her name starts with F, and she's on first name basis with engie. Flo- like, Florence? Florida?

This might be a stretch but I think that these paintings on the wall, I think they're like, the BEST of the best mercernaries of their respective class. Pyro is looking at a hard to make out person surrounded by flames, and demo is looking at a high tech looking demoman

look at all these stupid idiots. i love them

she's SO done dude. SO DONE

also this whole thing. Love the detail that spy is checking his watch pompously . and how everyone else is lined up waiting for them to continue walkign

And this one... god, that smile she gives scout. The way scout beams

The art in this comic has improved so so much, its absolutely gorgeous. The way its layed out, the emotion it conveys without needing dialogue.... magnificent. I like how Miss P's undone hair shows itself as more messy. She's at her wits end- she's past the point of anxiety, past the point of tightening and adjusting her hair so that no strand sticks out.

I think this is the most creature like I've seen pyro and I'm so here for it. E's got eyebrows over the mask lol. Also medic's stupid ass tippy toeing to see over heavy

I love the placement of this context we're getting for how Helen became involved with the Manns. It immediately makes you think to the place where The Naked and The Dead ended, with Helen fully perked up on the final bits of australium she had. Yet its a look into the past

big fan of this painting. Three rifles... and these book titles. So silly i love it

New competitor for Most eyebrows, Zepheniah has two eyebrow spikes, beating medics mere one spike

A whole graveyard of Manns.... I like the one thats just a giant M. Really hammering in the notion that the Mann last name is an identity of immense value, that takes over your whole life. oh, and that panel before the final one, its so full of tension... so good

And here's the actual moment we get to see her in all her insanity. What a woman. I like that the screens all face him, constantly displaying the products of redmond's and blutarch's failure to follow the family line of succession. His eyelids constantly forcefully open, unable to speak, yet his brain still processes the information his body is percieving. He's like if Mr House (fonv) had a dominatrix

me too, scout. me too

big fan of how heavy's eyes are the only ones that are dots

her and miss pauling both, they share the Devotion, the ability to pour their entire beings and lives into one single thing

I bet that thing felt like jerky. who said that

Absolute cinema. Amazing. Magnificent. Wonderful. No notes

[lucaanis]

I made a similar post before a long ass time ago for the other three da protags but now it's time for rook, this time in poll format <3

as always feel free to ramble about your ocs in the tags!! 👀