#i don't have much in the way of story but. there are these two scenes in my head that are SO good

[interact-if]

Black History Month Author Spotlight: Lapin

To kickstart the Black History Month Author Spotlight series, I'd like to introduce everyone to our first IF author, Lapin (@harlequinoccult)!

(I had a ton of fun reading Lapin’s answers, and I’m sure you will too! Read on for a celebration of ‘weird,’ Lapin’s Black southern gothic / horror influences, and how a D&D game could lead to interactive fiction!

Lapin, thank you again for your candid, humorous responses, I am very honored to have gotten to know you better :D)

Author: Lapin

Black creole and cajun, artist and writer, and wannabe game developer

Games: Slaughter Squad (Horror, Slasher, Romance)

Synopsis: YOU HAVE A HUNGER A HUNGER THAT YOU’VE BEEN NEGLECTING For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing. Your.....”Associate” Carter “Dollface” Abernathy. Who is a murderer, and quite frankly, a sloppy one at that. And you’re the accessory to his crimes. No matter what way you’ve gotten to know the man, or how you feel about him, you’re stuck with him, and stuck with just being his little “helper” ........Or are you? Especially when you’re suddenly given a....Unique opportunity.

Games: The Valley of Luck (Fantasy, Adventure, Romance)

Synopsis: The Valley of Luck was said to be a myth. Something that grandparents would tell their grand-kids around a campfire. Even those who worshiped Lucian, The God of Luck, thought it nothing but an old wives tale. Until, one day, a man with an arm made of solid gold started telling people that he'd been there, that he'd seen the Valley. Word spread quickly, and suddenly, every continent was alight with the rumor that The Valley was real, that it could give you all the riches you could ever want, and then some. However, your quest, whether related to The Valley or not, will lead you down a much stranger path.

Quote from the interview:

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household… Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. … I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs….I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

Read on for the full interview!

Tell me more about yourself! What are some things new readers or long-time readers might not know about you?

Both parts of my family are 100% from Louisiana, New Orleans and the deep south. My moms side have been there so long, we have two streets named after us.

Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?

My main project, of course, is Slaughter Squad. I love slasher movies and horror media in general. But what I always noticed with horror/romance, at least in the visual novel scene, is that the main character is nearly always the one getting screwed over, so I thought, well, what if the bad guys actually are your peers? How would this dynamic change if they don't see you as prey? I never thought that premise would appeal so much to so many but hey, I can't complain! I adore seeing people having fun with the silly little concept I had.

Now, my secondary project, The Valley of Luck. Some may not know this, but this story is based off of a D&D campaign I DM'ed back in the day with my friends. All the ROs are NPCs that my friends had, or where going to encounter. I won't lie, I did shy away from it and changed some things when the whole debacle with Wizards of the coast (the company that "owns" D&D) Where making some...questionable decisions. But this story is my baby. My first born. This one has been in the works far longer than SLSQ and has a lot of background lore that I hope I get the opportunity to share.

I do have a few other projects bumping around, One I am particularly excited for, But that one will have to wait a little bit~

How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household. I never felt that I truly had a sense of identity until that household inevitably split up. Everyone talks about being the weird kid in middle school, but no one mentions being the "normal on the outside but wants to be the weird kid so bad its painful on the inside but can't because you were told that stuff is 'white people shit' " type of kid.

Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. I was a little shitter on the internet, I can't lie about that, as much as I want to. But I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs....I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?

Let your characters speak through you like you're being possessed by a demon.

What’s the one thing you’re really proud of that you’ve written so far? Do you have a favorite character or scene that you’ve written?

I am so serious.

is it wildly inconvenient? yes. does it help your writing a ton? also yes. Doing Roleplay with friends is a fantastic way to learn to do this. being a DM for a D&D game has basically made it so characters can simply speak from my brain at any given moment. It's also annoying because some of these people do NOT shut up. Learning how a character would react on the fly does wonders for dialogue writing and character analysis. Roleplay with your friends, or hell, strangers who are down to clown that could become friends. Be cringe. be free.

I love the opening to Slaughter Squad and if you told me to rewrite it with a gun to my head I would tell you to shoot me. I love how punchy it is and it came out exactly how I wanted it to. I don't play favorites with characters (<- lying) but my two favorites to write are the stinky little bastard cat Sterling in TVoL and.....Carter, from SLSQ. I love writing complete bastards. One being lighthearted and gets a pass for it because he's just a kitty cat and the other you want to actively beat his face in with your bare hands. It's SO funny.

If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?

Write. Write it now. Doesn't have to be good doesn't have to be polish all that matters is that you WROTE IT. All the bells and whistles can come later!!!! Stop thinking about the later and think about the now!!!! Write what you love and never give two shits about if it's cringe!!! Be excellent to each other!!!

Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?

GO LISTEN TO CHROMAKOPIA BY TYLER THE CREATOR RIGHT NOW!!!!!!!!!

This-or-that segment: (bold = Lapin’s pick)

Coffee or tea?

Early mornings or late nights?

City or countryside?

Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)  

Steady progress or frenzied binge-writing followed by periods of calm?

Summer or Winter?

First drafts or editing?

Introvert or extrovert?

Plotter or pantser?

Characters or plot first?

Lapin’s custom “this-or-that” pairing: Rain or Shine

More on Black Southern Gothic:

Black southern gothic can vary a lot, but when I think of it, I think of old semi abandoned wood shotgun houses in the swamp, all white tiny baptist churches where the white paint is peeling from the heat and humidity, riding horses down a dirt paved street while people still ride by in their old busted down 1960s chevys. Old plantation houses that have been reclaimed by the swamp. The dark, humid heat of the night on a street with no streetlights. Every house you see is absolutely haunted by something and not just ghosts. Voodoo and hoodoo is different than what people will tell you it is.

Sassafrass, Cypress and Indigo by Ntozake Shange, Sing, Unburied, Sing by Jessamin Ward, and anything by Toni Morrison 100%.

[andrewminyardslawyer]

The Golden Raven predictions/theories/a few wishful thinking

Last time I got all of them correct so we'll see how this goes! Sorry for the length, there was a lot more detail and explanations this time around lmao I've posted some of these separately and will probably add more after my reread 🤷‍♂️

- Andrew and Neil go with Kevin to Cali. To keep up the childhood friend pretence, and Kevin can't go alone. Andrew talks to Jean about Bee, that she is trustworthy. Nothing extreme but like "talk to Bee" and nothing else but Jean understands (I actually doubt this is going to happen but I think if anyone's going to convince Jean it's okay to talk to her it would be Andrew based off of Jean's thoughts from TSC). I want Wymack there but I don't think he will be with practice already started for the year and the new foxes there. A potential Kevin and Renee combo because Jean needs support and Kevin can't go alone but Andrew and Neil need to stay with the team. Either way Kevin will have someone with him, he won't be able to travel alone

- Kevin and the Terrible, Horrible, No Good, Very Bad Day. Talks to Jeremy more about the nest and we get more information on what Riko did to Kevin

- I hope the interview is not live or recorded, it needs to be an article and I want it to be done by Renee's mom even though I have no idea what kind of reporter she is. She would be the kindest option but I don't think we're in for a kind interview. I don't think it'll be completely disastrous though. Kevin knows what he's doing, he's going all the way to Cali specifically to support Jean, the interview is to control the rumors, I don't think it will crash and burn. The Kevin Jean conversation before/after however...

- We know Jeremy's dad is (most likely) military and military often become cops when they come back. Jeremy hides from the cops (valid. ACAB)...

- someone on the team tries joking around with Jean and does something to trigger a panic attack, like splashing him with water or something

- Jean and the Coaches post

- Jean and Shane become friends. Shane is a little chaotic (he's a goalie, comes with the territory) and gets Jean to start changing how he thinks about things, he can relax a little and have fun

- Jean baby please seriously talk to Bee

- Jean crying. Please I need him to let it out!!!

- interesting to me that Jeremy's parents make him stay at the house during the week but he's free on the weekends and during the summer. Wondering if he was missing classes and he has to stay there so they make sure he goes

- mysterious potentially dead sibling is his stepfather's biologically?

- Thanksgiving break. Cat and Laila go to one of their families, leaving Jean and Jeremy alone at the house. Jeremy is required to attend Thanksgiving dinner and Jean is invited so he's not alone and Jeremy's step dad/grandfather wants to "get to know the new teammate"

- Annalise using the term investment for Jean seems like....a Choice. Pair that with Jeremy's meticulous tracking of money and his family restricting how much he gets, it seems like Jeremy has been irresponsible with money in the past

- Jeremy family event obligation. It was mentioned that if "If the Con-gressman needed a picture-perfect family for photo ops, the Knox family was duty-bound to dress up and smile bright for an exhausting number of cameras" (congressman is his step grandfather)

- "but there's bound to be a jerk or two once you pass four kids." Once you PASS for kids. Jeremy has more than Bryson, Annalise, and one mysterious probably dead other sibling. Potentially none dead and just cut contact? Maybe took sides with Jeremy's bio dad

- Jean's parents contact him some how but honestly I think if that's going to happen it will be in the third book. I feel like that part of the story won't really start rolling until then, like publicly.

- a scene with Jeremy talking to his therapist

- I feel like Jeremy's mom didn't marry his stepfather until recentlyish. Like the thing that "tore their family apart" was their parents divorcing after whatever went down Jeremy's freshman year. Or maybe they were divorced before that but still on speaking terms and the Event changed that.

- we find out what Jeremy's stepdad actually does. We know his step grandfather is a congressman but no information about his stepdad

- more of a personal wish but I don't want Jean to drink alcohol, like ever. I want him to learn how to work through things without it, I want him to avoid it because he doesn't want to become dependent on it, doesn't want to risk it

- Jean is average at pottery at first and that frustrates him that he isn't perfect at it immediately but it helps him learn that it's ok to not be good at everything or that slow progress is more sustainable

- depending on the timeline, Jean birthday. One of the team asks him when it is and they make a thing out of it on the day. Or no one knows but the coaches have it marked and one wishes him happy birthday during practice and the team, mainly the main trio/floozies, are like why didn't you tell us ☹️ and get him a few small things

- more Elodie conversations. The trio finds out

- find out what happen with Zane and Grayson but it's because Zane gets in touch with Jean after Grayson dies and they have some sort of discussion about it

- i've seen a million theories about Jeremy's backstory but none really bring his father into it and I think we need to focus on that a little bit more. Jeremy says he doesn't like people calling him by his last name, Knox, which must be his biological fathers last name because his stepdad's name is Wilshire. And he says ' "I've never been to Europe. Dad's been stationed there a couple times, but.." He shrugged and didn't bother to elaborate.' My immediate thought was military but with his mom remarrying a man whose father is a congressman makes me think Jeremy's dad might be more in that type of work than military because how else would she be in the same sphere as a congressman's son. Maybe high level military. Anyway! Jeremy doesn't want to use his father's last name either so something definitely happened with him as well. Whether it's two different things or all the same as the "scandal" Jeremy's first year. I don't really have a set theory about it but I do think he is involved in some way

[thejakeformerlyknownasprince]

Writing advice #?: When it comes to characterization, obligation > love.

What I mean by this: love is basically universal. It offers little variability. Almost everyone has a friend, sibling, etc for whom they'd do anything. Allegedly even Hitler loved his apocryphal dog, John Wilkes Booth was a good brother, yadda yadda so forth.

So if you want to have a story that makes us like your character Liv, and establishes interesting tension that will draw out who Liv is as a person... don't write about her rescuing her beloved mother. Write about what happens when someone she dislikes is in danger.

Two great examples I've read recently:

In The Drift by C.J. Tudor, Meg is trapped in a broken-down cable car with five other people and no way to call for help. She risks her life, performing a heroic physical feat that causes herself serious injury - to save a woman who accused her of murder, suggested leaving her to die, and generally treated her like dirt all week. Meg is heroic as hell.

In Dungeon Crawler Carl, the eponymous Carl ends up in the adventure because he ran outside in boxers in -10°F weather to save his ex-girlfriend's obnoxious, misanthropic cat. Carl might be a shlub, but he's a rock solid dude.

I could go on - would Shiloh saving Jeb be nearly as powerful if Jeb wasn't such an asshole? - but the point remains. Meg sacrificing so much to save her partner would be just what's expected. Carl rescuing a cat he chose to adopt is a non-event. Obligation is where the rubber hits the road. Where the ordinary people get sorted from the awesome ones. Where the character-defining moments occur. Over 99.9% of humans ever researched would sacrifice a stranger to save a loved one; a rare form of brain damage that causes people to value strangers and family the same is considered extremely aberrant.

I mention all of this because fan fiction is chock full of examples of characters dying (or killing, or walking through fire, or...) to save their best friends and their sisters and their fiancés. And if you want to write a story about Dean Winchester killing orphans or going to hell or destroying his car to save Sam Winchester, awesome. But there's not a ton of room for characterization in there.

If you want us to learn something about who this person Liv really is, show her forced to choose between rescuing a dog who just bit her and making it to a job interview on time. Let her see her loud neighbor with the bass-boosted music about to get a ticket for an expired meter. Give her a choice between saving 10 strangers or saving her wife. Have her walk by her sexist coworker and realize the guy is quietly sobbing. Literally anything she does next will be interesting, and say a lot about her as a person. If she's just choosing between her wife's life and her own, or her wife's life and the sexist coworker, then the scene might be poignant or sad - but it won't be surprising or tense or revelatory about Liv as a person. The big moments of heroism aren't driven by love, but by obligation.

[a-man-in-the-crowd]

A Little Breakdown of the Will Misogyny Scene bc I Keep Laughing About It & Need an Outlet

this scene lives in my head rent-free like holy shit it had me in fucking hysterics 😭 AND LIKE I KNEW IT WAS COMING BC I WAS SCROLLING THROUGH TUMBLR BEFORE I GOT TO IT BUT IT DIDN'T MAKE IT ANY LESS HILARIOUS???

like genuinely there's so much i wanna talk about, it's both a really funny scene and also just like a super interesting scene that gives you a bit of insight into the dynamics of the characters, if that makes sense??

so here i am, going through this scene and 1) just fucking laughing my ass off bc i can never read this scene with a straight face and 2) trying to kinddaaa link it back to some sort of semi-meaningful analysis (though mostly this is just my excuse to ramble about a dumb scene that i am obsessed with for some dumb reason)

warning: non-sensical yapping about a short scene ahead

first of all the set-up to this scene

here, you can see a gay man decide, once and for all, he hates women!

okay but fr the way i see this moment is sorta re-establishing the competitive nature of ada and will's dynamic (at least in this section of the story where ada and monty are dating). obviously, this became apparent in the staircase scene where we see them constantly bickering, but i'd say this is the first we're seeing them genuinely compete for monty's attention/affection.

ada at first gets the 'upper hand' (in reality, neither can really, monty's too out of it to even pretend to give a shit about either of them) by doting on him like a loving girlfriend, tucking him in and everything, and will is just. idk. disgusted by straight people (same, will, same /j). he definitely sees this as ada trying her hand at stealing monty away — and he's kinda right. whether or not she actually is doesn't matter, because this isn't really about monty, except it is?? i'll probably talk more about this some other time, but both ada and will care more about the love that monty is dangling over their heads more than him.

at least, that's my take so far.

anyways, basically this is a game, and ada's just had her turn and she has the advantage of monty being awake. it's will's turn now and he decides to win monty's favour by...

that.

so outside of the very obvious comedy of will very awkwardly and randomly going "women ☕️" (like genuinely i don't think he knows what the fuck he's talking about), something that gets me about this is how CONFUSED monty is. there's a pretty high chance he's confused because of the painkillers in his system, but i'm of the belief that the funnier interpretation is always the better one so...

i like to imagine he's confused for the same reason the audience probably is — that being, will, what the fuck? monty's reaction definitely does have a similar vibe to when will told him he was praying, so i don't think it's a stretch. it'd also confirm that this is a really out of the blue rant for will to go on, something that can be inferred from how awkward and ada-specific his rant is. if he has beliefs that are even slightly similar to what he's saying, he's definitely never expressed them before judging by how nervous he is about it.

though, you know what is in character for will? spewing absolute bullshit, hence why monty's only response is 'sure, will' before going to sleep (that, and the fact he's really tired and barely has any blood in him, seriously it's a surprise he didn't die 😭)

speaking of which. notice how, despite being loopy from the painkillers and blood loss, monty still manages to remember will's name. i can't tell if it's because he's known will longer and therefore is more used to his presence, he cares a bit more for will than he does ada (and there is evidence he gives a tiny bit of a shit about will. though he might for ada as well, we haven't seen much of those two), or that will is a man and therefore worthy of a bit more respect in monty's eyes (something i am NOT ruling out when considering the differences between ada/monty and will/monty). i think it's an interesting detail, though i'm not sure how much it'll get elaborated on.

ada might have the advantage of being monty's most recent fancy (albeit, for reasons definitely related to ada's spectre) but will has the advantage offff... whatever the hell got monty to remember his name of all things

okay so i've already listed my reasons for believing will is spewing bullshit to suck up to monty but i just wanted to pipe in my own personal experience with this sorta behaviour.

i'm trans, right? specifically transmasc and hooolyyy shit did this rant unlock some EMBARRASSING memories of me trying to mimick how i thought men saw women ☠️ he's just like me in the WORST way possible and i can't help but laugh at it he is SUCH a loser

i don't think will is trans, that's not a headcanon i have of him (though i do have that hc for pluto bc well... look at him), but i DO think he's gay (one of the preview images for the locked episodes has him blushing behind monty and i am VERY confident in my idea of what he's blushing for) and at the very least tried to excuse his disinterest in women with shit like this. this is the exact kind of behaviour from a guy who is desperately trying to hide his queerness by being an asshole to women (newsflash, you don't have to hate women to seem more masculine, but will is likely from an older time, i get 1800s vibes though i think 1930s makes a lot of sense too, so i suppose that was never a thought that could've occured to anyone)

i don't think that is specifically the motivator behind this specific rant, in this case he is for sure doing it for monty, but i get the feeling he's pulling this shit from stuff he's maybe said in the past to hide his sexuality

another thing: i touched on this earlier but... most of the stuff will is saying is DEFINITELY directed at ada. i wouldn't be surprised if he's doing this on purpose, using this awkward forced misogyny as cover to insult ada (which isn't out of character, i wanna make a separate post about this but i find that will's 'real' method of meanness is less. outward? then, say, monty's. it's muttered, or condescending, or veiled behind something like what we see in this scene). judging ny ada's expression though, she DEFINITELY catches on.

i firmly believe ada wouldn't have been as aggressive had will not been insulting ada personally

oh yeah, a final little note on this section: anyone else feel like this has the same energy as when you're reading an old book and randomly get flashbanged with misogyny?? like lowkey idk if that was the vibe the creators were going for, but it definitely was giving those vibes. i got immediate flashbacks to when i was reading dracula and at least lime once a chapter they'd mention how mina was too ✨️ womanly ✨️ and ✨️ innocent ✨️ to be involved in the whole vampire situation. except worse bc will is just actively being malicious (which honestly makes this whole scene better, hate the misogyny but love me some will being mean bc it's hilarious every time)

and, how could i forget, the ABSOLUTE HYPOCRISY OF THIS STATEMENT I'M ACTUALLY IN HYSTERICS RN HOLY SHIT WILL 😭 big words coming from a guy whose main job is to copy other people like damn bro projecting much

i didn't mention it earlier bc it was cropped out, but further evidence of will purposely taking this as an opportunity to trash on ada is him looking DIRECTLY AT ADA I'M CACKLING THIS IS GOLD.

but this isn't where the goldmine ends because it all gets topped off by WILL REALIZING MONTY ISN'T AWAKE TO SAVE HIS DUMBASS AND THEN PROSPERO JUST NOPING OUT OF THIS WHOLE DISASTER

will, i love you, i am your number one apologist but... nah bro you did this to yourself you're on your own LMAO

i sincerely hope ada rocked his shit bc that was a hilariously pathetic display and will needs to learn the consequences of his actions (though, i was hoping getting beat by a crowbar would be enough to get it through his skull 😭)

anyways that's all i have to say about this scene for now, i feel like it's pretty easy to tell who my favourite character is. i swear i like the other characters, it's just that will had me in a chokehold the moment he appeared and the fact he has very little lore behind him makes me incredibly desperate for any crumbs i can get ☠️ i have wayyy more to say on will, but like i'd need to organize and gather myself if i actually wanna say anything meaningful

[monbons]

Stitches and Sentences Sunday

Thanks for the tags @confused-bi-queer and @roomwithanopenfire. I am excited about all of your projects!

STITCHES Now that y'all know Beautiful Things is a collab, I can share that all my stitches have been going towards making TWO sets of smutty Baz and Simon. The second is a gift for @rimeswithpurple to thank her for all the effort she's put into the beautiful art for the fic. (Y'all are truly not ready for how amazing it is!) Since this is a new body design, the second set is all about perfecting mistakes from the first.

As you can see, the first Simon had very skinny calves. I used the Baz pattern as a base and fattened only a little, which was truly dumb of me, I know. For the second Simon (and the one I am gifting Arianna), I redid the entire pattern--both width and length--and the leg looks SO MUCH BETTER.

I suppose there is a lesson in there somewhere about taking shortcuts or constant improvement. Either way, I am excited for how much nicer this second set is turning out, even if Arianna has nowhere to display them since she has Little Purples in the house! 😆

SENTENCES So, in the spirit of sharing an actual WIP, I don't think I will preview more of my EGF. The fic is so short that I don't want to give too much away, but I do have a WIP I've been trying to workshop the last couple weeks.

After my Cheer AU for COC, I couldn't get cheer Simon out of my brain. So, I decided to try to tackle it as my next long fic. It is still very much in the planning phase, so literally everything could still change. With that said, here is a snip of a scene I've partially drafted trying to get a sense of the story and narrative style I'd like to adopt.

I cackle maniacally and shove my finger against Baz’s lips. The corners droop in distaste. “Lick it, Baz,” I insist. “You know you want to.” Baz closes his eyes and shakes his head, smearing orange dust all over his mouth like some kind of psychedelic lip gloss. He looks ridiculous. His face is all frowny and his arms are curled against his chest like the fetal position can save him from being soiled with fluorescent Cheeto crumbs. Like this doesn’t make him an even better target for the ill-considered antics of his favorite person in the whole world.  (I’m his favorite. He’s told me so.)

Happy Sunday to all. May no one smear you in cheese dust. Unless you want it, I suppose. @alexalexinii, @argumentativeantitheticalg, @aristocratic-otter, @arthurkko, @artsyunderstudy

@best--dress, @blackberrysummerblog, @brilla-brilla-estrellita, @bookish-bogwitch, @bookishbroadwayandblind,

@confused-bi-queer, @cutestkilla, @drowninginships, @emeryhall, @harrie-leithillustration

@hushed-chorus, @iamamythologicalcreature, @ic3que3n, @ileadacharmedlife, @katatsumuli

@larkral, @letraspal, @martsonmars, @messofthejess, @mooncello,

@orange-peony, @prettygoododds, @raenestee, @rbkzz, @rimeswithpurple

@roomwithanopenfire, @run-for-chamo-miles, @shrekgogurt, @skeedelvee, @stitchyqueer

@supercutedinosaurs, @talentpiper11, @technetiumai, @twinkle-twinkle-up-above, @theimpossibledemon

@thewholelemon, @valeffelees, @whatevertheweather, @you-remind-me-of-the-babe, @youarenevertooold

[postcardsfromheapside]

So I finished my DA2 replay, and I had wondered if I would feel differently after taking my time with it, and with the perspective of Veilguard. And yes, in small ways I do, but about the series and about Anders, I don't. That is to say: I think Veilguard is a fucking fantastic capper to the series (I mean, pray there is more, "hope for the best, expect the worst" as the Mel Brooks song goes), and Anders is relatably angry, even if the "betrayal" is frustrating and heart-breaking.

Also, there's just too much Dragon Age just the same way there's too much Tolkien, it's just that I can relisten to Tolkien via audiobook while I work and don't have time to constantly replay Dragon Age to absorb every little detail that my broken brain forgets (and I'm pretty good with lore) and I wish parts of this fandom were more curious than scathing about things they've obviously forgotten. Or skipped through, according to some of them, because I guess the context of dialogue and a cut scene isn't necessary for some of them to weigh in on things.

Word vomit of notes below the break:

First of all.

Can these two just fuck already. Watching Cassandra go from throwing him around to absolutely ENTHRALLED by Varric's complete bullshit is just going to make it so much better when I hit the "Guilty Pleasures" quest again in DA:I. This woman is SEDUCED by his story-telling, and you *cannot* convince me he wasn't gagging on his power trip.

Second.

I never played Mark of the Assassin before, and had completely forgotten Felicia Day was in DA2, and laughed like hell. I really enjoyed it. I haven't really used a stealth option in a game since leaving Skyrim for other stuff (do we ever really leave Skyrim?) and it was really fun, but I think the wyvern at the end of the DLC was actually the best fight in the entire game, even more than Corypheus. It hinted at the dragon battles to come in Veilguard. Also, I loved how Anders' dialogue got more relaxed outside of Kirkwall, like shedding the city let him loosen up. The back and forth with Hawke about his fantasy for being rescued was completely unhinged - after I accused Hawke of being feral and lacking social graces, I've decided the two of them match each other's freak and they're fine.

Third.

All the people who were losing their minds about the line "A crow never abandons a contract" and acting like the devs forgot Zevran.

He literally addresses it in the game. I keep having these moments where shit that people bitched about regarding Veilguard is addressed right *there.*

"The crows do like saying that, but I am living proof it's a lie."

No one actually forgot, but I'm sure the Dellamorte's wish to the Maker a motherfucker could.

When people complain the writing in Veilguard is too modern, I'm going to remember Hawke complaining exactly like this. She sounds like I do when I'm side-eyeing my friends in the year of our Maker 2025.

Fourth.

I had planned on romancing Blackwall this DA:I run, finally, because I'm a little obsessed with this Warden throughline from Anders to Blackwall to Davrin. From a cage, to hope/redemption, to a more meaningful path of positive change and impact.

They both haunt Veilguard's narrative and dialogue.

And then of course:

hrm.

Fifth.

I do hope we get another DA. Or supplementary material. Because I want to know what the fuck is going on with this story I had forgotten the details of, especially with the decision regarding the Nadas Dirthalen.

These two fucking idiots. I can't believe in different lives I've schtupped them both. (I can absolutely believe it)

Sixth.

The worst part of Meredith is she sounds like conservative family members of mine. 'Better to punish the innocent than risk even one guilty person go free', rather than the opposite. To them it sounds so reasonable. To us, it's abhorrent to punish everyone else for other people's crimes.

I couldn't bring myself to feel betrayed by Anders, even though I tried to play my Hawke as I think she would have felt: betrayed by the secret-keeping, if nothing else. The shock and hurt at the innocent lives. But it's hard not to feel an understanding when I sit here in a political situation with - maybe not less fraught, but at least less fantastical - implications and certainly still feel like violence is inevitable and we are way past the point of compromise and words.

Anyway.

This dwarf.

[tackytigerfic]

Writer interview game

Thank you to my pals @arminaa8, @citrusses, @garagepaperback, @houndsinhades, @sorrybutblog, @sweet-s0rr0w, @wholahoop for tagging me - as always i'm deeply late to the party, due to an anxious few weeks/horridly busy work month! so love being tagged in these things though, i appreciate you all and loved reading yours.

how many works do you have on ao3? 69 😏 under tacky and 2 under BrassTacks (the account I set up when I was going to migrate all my fics over to a new name for some reason)

what's your total ao3 word count? 679,422 (nervous laughter) (also this is just the tacky account)

your top 5 stories by kudos? (a clear indication that kudos count means fuck all imo, three of the five of these are very much not my best imo - but which three?!)

If It Takes All Night (E, 11k)

A Lick and a Promise (E, 55k)

Modern Love (E, 62k)

And One To Play (E, 22k)

Through the Window, Clear Skies (M, 1.4k)

do you respond to comments? I used to reply to all, then i fell hugely behind with Modern Love, and then life got exceptionally busy and for ages it was either reply to comments or write new fics. i am currently working my way through comments on my new long fic though - really trying to catch up, albeit slowly.

what's the fic you've written with the angstiest ending? People might say my MCD fic Last Offices. I would say The Quiver of a Heartstring.

what's the fic you've written with the happiest ending? First Watch, imo - i think they really had to work for their happy ending, and also it's a double Drarry happy ending

do you write crossovers? I have a rough idea for an F1 crossover based on the Grosjean fiery crash/coming back wrong trope

have you ever received hate on a fic? a few times, that stuff doesn't really bother me though. personal unpleasantnesses are much harder to deal with but luckily don't happen often.

do you write smut? yes i do! it's something i've been actively working on improving, in fact. my most recent fic Standing in the Way is probably my best (though the sex scene at the end of First Watch was the one I found most satisfying in terms of the resolution of the fic)

have you ever had a fic stolen? yes, had a few put on that AI voice-recorded site recently.

have you ever had a fic translated? yes, a few - always a great honour as i see translation as an art in itself

have you ever co-written a fic before? yes! and it was very fun. Body Electric with @shealwaysreads and the Dreaming Skies Dronarry fics with @sweet-s0rr0w

what's your all-time favorite ship? look i've been reading drarry since around 2002 so...

what's a wip that you want to finish but don't think you ever will? Dudley with a magical baby/forced marriage/drarry on the run after Muggles find out about magic. MoD Harry who keeps dying but not for good having to go retrieve Draco from death. Draco going through the Veil to get Sirius back. Vicar Harry that I started years ago and would probably need a full rewrite. Caravan park worker Draco in a holiday camp in France. Seer Ron. I have lots. Though I do hope to finish them at some point!

what are your writing strengths? probably immediacy of emotions/ a strong visual style?

what are your writing weaknesses? sloppiness, sameiness, trying to be concise but just making it dull. getting discouraged at never being as good as the writers i really admire.

what are your thoughts on writing dialogue in other languages in a fic? i... don't really have many? if someone in the story speaks a foreign language and doesn't speak english then I'd find a native speaker to help me translate their dialogue. I would never write an accent/dialect phonetically a la JKR though (RIP Fleur and Hagrid, you deserved better)

what's a fandom/ship you haven't written for yet but want to? F1!! I have two WIPs, a Maxiel non-racing AU where Daniel owns an organic farm shop and Max is a finance bro who makes friends with him and joins his 11-a-side amateur footie team and they hook up on a stag do while dressed as mariokart characters, and a Galex fic with Vicar!George.

what's your favorite fic you've ever written? First Watch! I think it's a really good fic (relative to my writing i mean), it does exactly what i hoped it would, and the people who like it seem to really genuinely love it, which is the best feeling. Also I do love the Voldemort-Wins trope and we don't have a huge amount in Drarry so I'm happy I wrote one.

Since I'm so late I'm not sure who's done this already (will try a few F1 pals too in case this hasn't reached you yet) @beloved-child-of-the-house @boxboxlewis @disarmd @elskanellis @epitomereally @faiell @kendra-vendetta @maesterchill @magicalrocketships @powerful-owl @saxamophone @skeptiquewrites

[epickiya722]

I'm gonna be frank, I don't think I'll be understood here on my stance (especially since I'm just not good with my words) and I know some of you isn't going to agree with me. That's fine. I'm okay with different perspectives.

I'll be honest, 431 isn't the most well written epilogue and yes, I don't particularly like it.

But it wasn't the only thing that made me irritated. It was just the tipping point of "You know what, I kind of had it".

The writing definitely didn't do Midoriya justice, neither for Uraraka and Toga. But let's not act like Bakugou had great writing there either because for me, him asking Midoriya to work at his agency didn't feel like Bakugou to me.

Over the story, we see that Bakugou had grown to be more open towards Midoriya. So why did he go about skirting around to ask Midoriya about the agency, let alone ask him at all? And in front of Kirishima who had to act like a translator? So you're telling me Katsuki Bakugou who has freely been straight forward, after learning to be because sometimes Midoriya does need people to be blunt, before couldn't have a conversation with Midoriya about working at the agency?

You're telling me Bakugou couldn't have a discussion with Midoriya like "hey, can I talk to you" and they go from there to having coming to an agreement of sorts?

All that development of their relationship getting better that they could confine in each other that Bakugou and Midoriya couldn't have a scene where they sat down at a restaurant or somewhere, just them and discuss the agency?

No, that had to be sprung up and hinted at Midoriya in a car with Kirishima present? Before they met with their friends?

Maybe it's just me, totally just me, but I don't think Bakugou would have went about it like that. I would have figured that Bakugou would have asked Midoriya to meet with him and together they would have a proper discussion. Like by then, those two would have learned better communication.

Even before Kirishima had to say anything, Midoriya voiced that he enjoyed being a teacher and still thankful that he has a hero suit thanks to everyone.

Actual Bakugou, at least not my Bakugou. wouldn't be framed totally butthurt by Midoriya wanting to still be a teacher. Not when they know can still be heroes and rivals and whatever else together. Bakugou wouldn't let Midoriya being a teacher and not working at his agency keep him awake at night like "can't believe he rejected me, can't believe he rejected me".

Heck, I doubt he would have even brought up an agency in the first place because what mattered to him was that he and Midoriya were heroes together.

If their teachers were able to do it, them why Bakugou would even question Midoriya about still teaching?

So Midoriya isn't the only one at fault here and he's not the only character done dirty. Bakugou didn't have perfect writing here either to me.

But I feel like some people are stuck on "Midoriya betrayed Bakugou" that maybe that's the part not being caught on. That frustration towards Midoriya is blocking from seeing Bakugou was not written well in this chapter.

I wouldn't even say either are at fault here, the chapter just wasn't that good. We had some highlights but it just wasn't the best epilogue and as much as I know a lot of people want to blame Horikoshi since it is his manga, let's not forget who he works for. I don't know the man, but we all have seen what any kind of entertainment industry will do when it comes to any kind of media.

And again, it's not just the writing of the chapter that rubbed me the wrong way. Sure, some bits I could try to make sense of it, even if I don't like it (frankly, something I think should be learned).

But again, as I have said it multiple times before, it was indeed the fandom's reaction to Midoriya and just Midoriya that irked me to the point.

And here's the thing... IT ALWAYS BEEN LIKE THIS EVEN BEFORE THE EPILOGUE.

Like, no, epilogue sucks or whatever, but now I feel like it's just being used as an excuse to further hate on Midoriya more.

Every other character had gotten some kind of "Oh, they got done dirty" by the fandom, but no, not Midoriya. I saw quite a few people framing him as the bad guy when he is also a victim of flawed writing, too!

Even if admitting he too had flawed writing, he still gets hate for it while other characters are felt sorry for.

But even, again, before that the fandom had shown me how much they don't care about him at all. I would say it's always been evident from the start.

Haters, supposed fans... it doesn't matter.

No, I don't expect everyone to like him or see him the same way.

What frustrates me is that some people act like they don't do Midoriya dirty, too, whether you like or not and it's not always the fault of the narrative. The narrative could be flawless and some of you would still hate him for whatever reason or twist him to fit how you want to see him.

[wonboni]

☁︎꙳ FALLING FOR YOU┆N.RIKI

『•˙synopsis: Ni-ki, the popular boy, forms an unexpected bond with you, the quiet girl. As they grow closer, they face the challenges of high school and their different worlds.

『•˙pairing: Nishimura Riki x female reader

『•˙genre: Romance, High School Drama, Fluff, Slow Burn

『•˙warnings: Mild language, bullying, high school drama

『•˙word count: 1.3k

『•˙note: Ni-ki would def be one of those popular kids

Ni-ki had always been the one everyone noticed. The boy who seemed to glide through school without a care in the world. His effortless charm and the way people gravitated toward him made him a fixture in the school’s social scene. He was always surrounded by friends, admired by peers, and never alone. But for all the attention he received, Ni-ki still felt like something was missing—something that couldn’t be found in the glitz and glam of popularity.

And then there was you.

You weren’t the type to stand out. Quiet, reserved, and incredibly focused on your studies, you were the girl who lived in the background, surrounded by books rather than friends. You were comfortable in your little corner of the school, hidden away from the chaos of cliques and high school drama. It was safer that way.

At first, you never gave Ni-ki much thought. He was just another popular boy, someone who seemed so out of reach from your world. You didn’t even think he knew you existed. That was until one day, during lunch in the school library.

You were sitting at your usual table, flipping through a book that had long since become your escape. Your lunch remained untouched beside you as you became engrossed in the story. It was peaceful, calm—just the way you liked it. That is, until the sound of footsteps interrupted your reading.

"Hey," a voice called out, breaking your focus. "Is this seat taken?"

You looked up, blinking in surprise. Standing in front of you was none other than Ni-ki. His familiar, confident smile made your heart skip a beat. You quickly glanced around, but the library was unusually empty, and no one seemed to be watching.

"No, I don't mind," you stammered, unsure of why he was speaking to you.

He pulled out the chair across from you and sat down, his eyes casually glancing over the book in your hands. "What are you reading?" he asked, a slight tilt to his head.

You hesitated, not sure what to say. "Just... a fantasy novel," you replied, feeling awkward.

He nodded, seemingly intrigued. "Sounds interesting."

For a moment, there was an awkward silence between you two. You were waiting for him to leave—he probably just needed somewhere to sit—but then, to your surprise, he spoke again.

“I always see you here during lunch. Do you ever go to the cafeteria?”

You chuckled lightly, feeling the heat rise to your face. "Not really. I like the quiet."

“That’s cool. I’ve never really been into the cafeteria crowd either. Too loud,” Ni-ki said, his voice more relaxed now, like he had let his guard down just a little. "So, what’s the book about?"

This time, the conversation flowed more naturally. You began talking about your favorite books, and to your astonishment, Ni-ki seemed genuinely interested in what you were saying. You weren’t sure if he was just being polite, but there was something in the way he listened, the way his eyes never strayed from your face, that made you feel like he actually cared.

Over the next few days, Ni-ki started to sit with you in the library more often. At first, you thought it was just a fluke, that maybe he was bored and needed a quiet place to get away from the crowds. But soon enough, it became a regular routine. Every lunch, Ni-ki would show up, sit across from you, and ask about your books, your day, and even your thoughts on different topics. It was strange to have someone like him—someone so out of your league—care about your opinions.

One afternoon, he surprised you when he asked if you’d like to study together for the upcoming math test. “I’ve heard you’re good at this stuff,” he said with a playful smirk, “and I could use some help.”

You blinked at him in disbelief. “Wait, you want me to tutor you?”

“Yeah, well, I’m not exactly a math genius,” he admitted. “But I’ll buy you coffee afterward, so it’s a win-win.” He raised an eyebrow, as if daring you to turn him down.

With a soft laugh, you agreed. "Fine, I’ll help you."

That study session became the first of many. Ni-ki showed up to your table in the library day after day, determined to improve his grades. But as the sessions progressed, you both started to realize that it wasn’t just about studying anymore.

There were moments when he’d glance over at you, his eyes soft and focused, as you explained a tricky concept. Or when he’d look at you with that mischievous smile, teasing you about your ability to solve problems faster than he could. You found yourself looking forward to those moments, to the way he would make you laugh or the way his presence seemed to bring warmth to your otherwise quiet world.

One day, Ni-ki showed up late to their usual study session, looking a little out of breath. "Sorry I’m late," he said with a sheepish grin. “Had some… stuff to do.”

You smiled but noticed the slight tension in his shoulders. “Is everything okay?”

He hesitated for a moment before nodding, though there was something in his eyes that hinted at something more. "Yeah, everything’s fine. Just a lot of drama with the guys. You know how it is."

You didn’t fully understand, but you didn’t press him. Instead, you let the conversation shift back to math. As the session continued, however, you couldn’t help but wonder what had been on his mind.

Weeks passed, and the connection between you and Ni-ki only deepened. It wasn’t just about schoolwork anymore. You started to talk about everything—family, hopes for the future, fears, and dreams. There was an ease to being around him, a comfort you hadn’t expected.

One afternoon, as you were walking out of the library together, Ni-ki suddenly stopped. You turned, puzzled, only to see him staring at the ground for a moment before he looked up at you, his expression softer than usual.

“Hey,” he began, his voice quieter than usual. “I just wanted to say… thanks. For all the study sessions, the talks, and for just being... well, you.”

You blinked, unsure of how to respond, but the sincerity in his eyes made your heart flutter. “Of course. I’m happy to help.”

Ni-ki’s gaze held yours for a few moments, and for the first time, you saw a glimpse of something more than the confident, charming guy everyone else saw. There was vulnerability there, something you hadn’t expected.

“You know,” he said, breaking the silence with a smirk, “I think I might actually be starting to look forward to these study sessions. Not just for the math, but because… well, I like spending time with you.”

You felt your cheeks warm at his words, and for a moment, the world seemed to pause. Ni-ki—of all people—was saying this. He was looking at you like you meant something to him.

“You do?” you asked, your voice barely a whisper.

He nodded, his playful grin returning. “Yeah, I do.”

From that moment, things between you and Ni-ki started to change. It wasn’t just about studying anymore. The more time you spent together, the more obvious it became that there was something deeper between you two. But even as you grew closer, there were still challenges. Ni-ki’s popularity came with its own set of pressures, and you couldn’t ignore the whispers in the halls whenever people saw you together.

But no matter what anyone said, Ni-ki made it clear: he wanted to be with you. And for the first time, you felt like you didn’t have to hide who you were.

It wasn’t going to be easy, but it was worth it. Together, you and Ni-ki would face whatever high school threw your way, learning that sometimes, the most unexpected connections were the ones that changed you forever.

©️ WONBONI

[lola-theshowgrl]

"Star-Crossed Blades" - Writing Update #2

Month: January Stage: First draft Word Count: 7785 Currently Listening To: Ep 3 of "Monty Don's British Gardens" Beverage: Chai latte Mood: Anxious

It's going well! In the past week I've written the prologue, chapter one, and about half of chapter two. I've got almost the whole novel plotted out, which is very strange for me (I'm usually much more of a "pantser" than this!) and I even have the two main characters' voices very strongly in my mind. I've been bombarding close friends with all my little thoughts and ideas, and, at the risk of sounding immodest, I really think I have something here. I really do.

There are two problems I'm facing right now. The first is that with such a clear story in my head, practically screaming in my ear to get out into the world, I simply can't write quickly enough. I'm not a very fast writer in general, truth be told. I enjoy writing - I'm not one of these people who complains about the act unless I'm burnt out or dealing with an awkward scene. Generally speaking, I love doing this and actually writing is just as much fun as sharing the finished result. Still, I wish I could be quicker this time around, or at least I wish I didn't need a day job so I could spend the bulk of my energy on SCB instead of data entry and wearing a bra.

The second problem I'm dealing with, is that I'm coming fresh from the fandom space. I'm used to posting chapters as I finish them, and having people to talk to about characters and plot developments. That sense of community is very difficult to do without, especially when I'm practically boiling over to talk about what I'm doing.

I'm part of a few servers on Discord, and I'm trying to spread my excitement across them so I'm not being a huge bore by talking constantly about my WIP. It's difficult, though! I'm so torn between wanting to sit on it, to keep it all secret so I can get people's reactions when the whole thing is finished, or to just blurt it all out like a fog horn to anyone who will listen.

I've been going backwards and forwards about finding a platform I can post it chapter by chapter, as I have no plans to traditionally publish or go via KDP, but with the rise of plagiarism and pirating and AI scraping, I just don't think that's the best idea right now. There's Patreon, but I don't know how I feel about that, either.

It's a shame, really. If nothing else, all I ever want for my writing is for it to be read. At the moment I have a lovely, small but dedicated little group of people who are interested in my scribbles, and I worry that they'll have lost interest before I'm ready to share the whole, finished thing.

I'm in the unusual position of having a good idea how long this story will be, and it's going to take me a while to finish, I imagine. I can't see it'll be ready this year, and right now I'm aiming for September 2026 - that's a very long way off!

For now, I suppose I can only keep chugging along, and reminding myself how much I love this part of the journey. The rest I'll figure out as it comes!

[miraculouslbcnreactions]

Heck, the writers wouldn't have even needed to make it about identity shenanigans, even though that would've been preferable. There were two perfectly good Adrienette scenes they could've used: the cheek kiss in Mayura, and the second umbrella scene in Mr. Pigeon 72.

The problem here isn't so much Adrien and Marinette not having many good romantic moments to use as it is the writers not recognizing that there's a time and place for gags, and this isn't one of them. The show is just. Really bad with its management of tone. This is also where takes like "Marinette is a stalker" come from—the writers are trying to both derive humor from characters acting in absurd over-the-top ways and have moments of drama and angst that demand you empathize with those exact same characters. Those two things just don't mesh.

(Post that spawned this ask)

While I will maintain my stance that the Glaciator 2 confession scene is the best choice, I agree that there were other moments that made for quality choices. Mr. Pigeon 72's umbrella scene is a little too far from the crush flip for me to call it a great choice, but it's still a lovely parallel to when Marinette fell in love. If they'd gone with that, I'd have technical nitpicks, but no major complaints.

If I had to pick an Adrienette moment, I'd probably go for the start of Risk where Marinette saw that Adrien was upset when no one else did. That's close enough to the flip to make it feel like a solid choice and it fits a similar niche to Glaciator 2 with Marinette doing something that makes Adrien feel seen. Obviously he didn't know Marinette was talking about him in Glaciator 2, but her confessions was heartfelt enough that you could make him wish that it was about him. Wanting a confession to be for him is really all you need to make something as massive as a crush flip feel justified.

I also fully agree that the show struggles to balance comedy and drama/angst. A story can have both of those elements, but you need to be really careful about how you mix them. Miraculous is way too slapdash in its approach. Nothing is sacred, everything can be a joke, and that leads to a lot of viewers getting upset with characters like Marinette when she's used for a joke when it's completely inappropriate to tell one.

To go with the example from the post that spawned this ask, I would never have Adrien fall in love with Marinette during a moment like the statue scene. While this is him falling in love with her at her most quirky and I can see the appeal from that point of view, it's also making the moment he fell in love a memory that she hates! Generally speaking, that's a terrible call unless you're doing a meet ugly. (The way my partner met me was mortifying, btw, but it would technically work for a story because it was how we met. It's the start of the story. Picking a hated moment mid-relationship is just weird.)

If we compare the statue scene to Glaciator 2, we see that Marinette was at her most quirky in both episodes, but she wasn't embarrassed by it in Glaciator 2. She chose to show Chat Noir her fan girl side. That's part of why I like Glaciator 2 for the crush flip. It's a lovely balance of humor and romance. We see Adrien accepting Marinette at her most fan girl, but the moment where he starts to fall in love is the moment when she's her most sincere. Then you can bring the humor back in by having him be unable to confess that this is the moment when he fell in love, so he picks something ridiculous to tell Marinette while the audience gets to know that it was actually a far sweeter moment.

Of course, if I went this route, I'd have it lead to a reveal where Marinette got to learn the truth, too. That's the ultimate payoff for Adrien having to lie! I think the joke works even without the payoff so long as you play it lighthearted, but it works best when it's paired with an identity reveal in the not too distant future. That's the evergreen problem with identity shenanigans. A lot of them require a reveal to shine but I will be shocked if we get a reveal before the final season. They are dragging that sucker to the ground because of the rule that Marinette and Adrien must always have a secret between them. The identities is the setup the show is using to maintain the secrets and cause drama.

[forgettable-au]

Hi !! I was wondering if there was any song that you associate with Forgettable AU ? Hope you'll have a good day!!

EHEHE YEAH

Okay so, I was trying to choose ONE but I can't cause there's like sooo many, I have a whole playlist (THAT IS A MESS, SO I'M PROBABLY NOT GOING TO SHARE THAT)

But, uhh, lately I've been super obsessed with "Slipping through my fingers" by ABBA and it reminds me SO much of this AU, specifically of Sans, and it makes me sad

I am going to make an animatic with that song one day!! I promise!! Cause it was one of the songs that inspired me to make the AU on the first place... the angst........

[articskele]

Thinking about....... Sun Onceler.........

[bonebabbles]

wait im sorry. ive never read past the first book of dotc and all my knowledge of it really just comes from your blogs. wh. why did the erins decide to include sexual violence in warriors? like. that seems a little. too much? like all im hearing of dotc is just. terrible shit. i like reading more angst/serious stuff (i wanna say darker but not in the way "dark media" usually means on this site) but this feels like WAYYY to much for a book series meant for kids....... what were they thinking??

I legitimately do not understand what people like about DOTC. You can go back to where I started this re-read, and you can visibly watch my charitability drain as the project goes on.

It feels like literally everything that people say they like about this arc is not there, while they've completely forgotten or misremembered SERIOUSLY awful shit

And now, listen. I'm a huge fan of xenofiction, which is a genre that is full of kid's and teen's media, but I do love more adult fiction. I love nuanced themes, dark subjects, and complicated plots.

DOTC's message is just plain odious. None of what it sets out to say is worth saying, and it's borderline incompetent at even saying it to begin with.

What they want to say with Clear Sky and Slash is that Clear Sky isn't "evil." He's a "fundamentally good person," and all of his intentions were good, so he learned a valuable lesson from all the abuse and murder. To say this, they CONTRAST him to Slash, a REAL evil person, who just loves hurting kids and harassing women. Clear Sky is good because he is not "real evil" like this fake, cartoon caricature we just made up.

There was absolutely zero need for them to write Slash the way they did. They really want you to be distressed for Clear Sky as his wife is assaulted in front of him and hauled off while kicking and screaming, and they decided the best way to do that was pregnant woman pinning face licking. Sexual violence is an easy way to disgust and anger an audience, simple as that.

As a kid you may not realize how messed up it is (though the asks I get on this blog are a testament to how many kids did, but didn't have the words to express their discomfort) but as an adult with your critical thinking on? It hits different.

[jasontoddstherapist]

PSA |

Yes this is a Jason Peter Todd centric blog, but it's also 100% supportive of Talia al Ghul. There will be no slander here. No perpetuating of the racist, misogynistic bullshit that drove the narrative divebomb of her character.

[inklings-sprint]

I just had a thought about something that could be interesting and/or fun. Not something necessarily for this year, but it's still early enough that you could still do such.

But now that we all have our teams, it would be neat if there was a story that had multiple parts that were contributed by people on the same team. I know it's not a team challenge like that, but it would be kind of interesting to see.