#i don't have much in the way of story but. there are these two scenes in my head that are SO good

[rnadett]

I have an extremely wild theory about the ending...

So...

PLEASE DO NOT READ ANY FURTHER IF YOU DON'T WANT ME TO >>>POTENTIALLY<<< SPOIL SOMETHING FROM THE FINALE!!!!

I WARNED YOU!!!

I'm not going into too much details, since I don't have too much time because of my work. 😭

So let's start with Ekko:

We already know that the key character of Act 3 is him, whose unique ability is to turn back time. From the previous part, we also know that Jayce has tried to kill Viktor before, but every time so far, he has failed.

I think what Jayce and Ekko are trying to do in ACT 3: comes from the same root, but in very different ways – much like how their characters have always been, with parallels to each other throughout the series from the beginning. (the poster above is also telling)

We’ve also seen countless scenes from Act 3 that were quite significant hints... I haven’t pieced all the anchor points together yet, but my theory is that many characters will die in the final ARC — including Ekko, who will most likely make one last attempt to rewind time so the sisters can succeed.

We already have this screenshot from Reed. And It's from s2ep9. Behind Ekko it's some kind of machine, I believe it's a time machine, but not for rewind seconds, but for more... So much more. And they built it with Heimerdinger together.

This environment and this machine also appears in these scenes from the trailers:

Also in the recent teaser Vi says this.

I mean c'mon, It can't be more obvious than this at this point.

Also I noticed something while I rewatched this trailer:

https://youtu.be/Sl-xmZTH6GE?si=rW5vFHJUWm0ECD6p

Parallels and flashbacks were deliberately included. I think those will be the key points for the time travel.

The fate of the characters from a dramaturgical perspective... Well, I think many main character will die, What will make the stakes of the siblings' success even more important.

Yeah... Almost ALL characters except the sisters.

For example:

Caitlyn... I think Caitlyn may not die by Ambessa's hands but there is a possibility. But either way she will die. But one thing for sure: her final act will paves the way for the siblings to succeed. This makes her redemption arc finalized. Ambessa also planted this idea in Caitlyn's mind. Sacrifice . (Maybe the only thing truly worth learning from Ambessa about leadership, though not in the way Ambessa intended it to be understood.)

And for Vi... Yeah, she will watch yet another person she loves and cares about die. The Arcane writers seem to enjoy making her suffer....

Since the story revolves around the two sisters, they will finish the story, as they started.

THE LAST DROP

So the final scene probably will be about the sisters and the final sacrificing. Many say, Jinx don't need a redemption, but I think everyone deserves one in one way or another.

.

.

It has been hinted - or a fact from episode one that Jinx/powder ruins everything. She got her second name because of this. It's her character.

“Vi always used to say, I can fix anything... Before I broke everything.”

But why is it like this? What is it based on?

I think the 'last drop' will be foreshadowing of the first season, where she tried to save everyone, but nearly everyone ended up dying.

Why this would be any different?

I think what moslty form Jinx is how many people 'believe' in her.

Jinx and Powder, as appeared in a methaphore in Season 2, Episode 6, symbolize a coin with two sides. Both sides exist within her, but which side prevails depends on the events that unfold.

In Season 1, Episode 3, Vi allowed her heart to be influenced by the protective love she felt, which prevented her from trusting her sister.

That's why I believe that this will not just be Jinx's redemption, and not only will it rewrite her story, but also Vi’s. Vi, whose personality is so protective that she often doubts everyone else - (including Caitlyn), will have to learn to let go of this feeling and trust others, even if it means there's a chance her sister might die.

So what's my prediction?

So, if I wasn’t clear enough, (since English isn’t my native language and there are so many things in my head at all once that I want to express but I don't have time for more 😭)

My theory is that the siblings will eventually bring everyone back to life, but it will come at a cost, and I think Jinx will be the one to make that sacrifice.

But her death will not be a sad thing from her perspective, she will be finally free from the burden and suffering she felt, also she will be free from her demons as well.

.

.

As for the fate of the other characters I mentioned here, I can’t say for certain. Unfortunately, due to the 10-image limit, I couldn’t attach more visuals, but I believe Ambessa will die at the hands of the Black Rose. This is foreshadowed quite well in the intro: first, we see Ambessa crushing the rose, then a petal falls, but we don’t actually see her destroy it completely. Later, we see her daughter stepping in to take her place, reaching for the same rose while petals are scattered on the right-hand side, symbolizing Ambessa.

I think this story arc will continue in future *Arcane* series.

As for Sevika, it’s pretty clear that Viktor will transform her after her death and bring her back to life. That’s how she’ll end up with another cool new arm. (The new Sevika poster is literally titled “Armed and Ready,” by the way.) She’ll probably try to incite the Undercity against Piltover again, which is why we see in the trailer that Piltover is fighting Zaunite civilians.

My other theory for Sevika (Or a continuation of the above, perhaps a combination of the two. ) is that Singed will make her a new prosthetic to her... And it’s also possible that through Singed Savika will side with Ambessa.. Since Ambessa is very good at seeing what people need and how to manipulate them, she might offer Zaun's independence in exchange for her help.

From Corin Reveck’s side – He will succeed in bringing his daughter back to life (Orianna), and I think this is no longer in question... After nearly everyone in the series has suffered the consequences of his actions, directly or indirectly... One might hate this character, but he is the perfect example of someone who would do anything, sacrifice everything, and set the whole world on fire (and does) for the love of his daughter. He is fully aware that he has become a monster, but he doesn’t care.

From Viktor's perspective... I'm not sure what his story will be. Perhaps the fact that they’ve saved each other’s lives multiple times with Jayce will become a symbol that ultimately, they will end up taking each other’s lives together. At some point, there was a possible foreshadowing of this when the creators depicted a "Memento Mori" between the two characters in season 1, when they were at the place where they tried to jump separately. A "Memento Mori" is an optical illusion where the combination of various elements forms the image of a skull, symbolizing death and the transience of life.

Overall, please take all of the above writing as just a theory; many parts may not turn out this way, and in fact, nothing might happen as I’ve suggested. Have fun!

And yes, I know my post turned out quite long despite saying I don’t have time, but believe me, if I did have time, it would be about six times longer, with all the references and every thread detailed in full.

[ebonysplendor]

Bruh review the new version of TKaTB bruh because WOWIEEEEEEEEE

I've found that I don't usually do whole reviews on the updated versions of the visual novels I've already written about...but I find it dope that this implies that you lowkey want my unhinged, scatterbrained story telling. Also, big preesh for keeping me straight lol, because, once again, I've been meaning to get around to playing the update, and I just haven't, which is extremely disrespectful. But anyways! I'm yappin' way too early...

TL;DR: HE HIT IT FROM THE BACK. I REPEAT. HE HIT IT FROM THE BACK! ... technically ... we need to have a serious discussion about this thing called "consent", though...

Game Link: https://fantasia-kittcat.itch.io/the-kid-at-the-back-demo

Notable Features: Yandere LI, Custom Pronouns, Self-Insert (first and last name), Two LIs, 1+ Hour Long Demo Spiciness: 2/5 or 8/5 -- Again, it depends on which version you get. If you get the regular degular free version, it'll be more innocent with some flirtiness here and there. If you pay for the NSFW version -- HIGHLY SUGGESTED by the way! -- it'll be way more sinful and the way that the Gods intended it to be. LI Red Flags: 4/5 or 7/5-- Breaking-and-entering, possessive, drugged us, lack of consent, but that "lack of consent" goes even farther in the NSFW version (yes, even farther than in the previous demo) ... but I still can fix him, ya know? Like, that's bae

Wanna know more? If you are not 18+, ABSOLUTELY NOT. You will NOT put this fantastic game in jeopardy, because you're some curious 14-year-old. I honestly don't even want you on my page...but let's be real, are you actually going to listen to me? I hope that you do...ANYWAYS. My 18+ crew, let's get into it!

Almost an entire month with no visual novel review? Nah, we absolutely cannot let that happen.

You know what else we can't let happen? My constant disrespect towards this visual novel. Once AGAIN, the dev(s) ate and left absolutely no crumbs. Like, damn, can you at least leave the plate? Like-- Okay, wait, no, stop. I don't want to get too far into that, because the yap sesh will get kicked off way too early, and I won't have anything for the actual review portion.

That being said, I have done a review of TKATB before, but I'm doing an update of...well, the update. That also being said, because I'm trying to avoid parroting myself too much, the review is going to flow differently. ALSO! Once again, thanks to the bestie, I was able to see the degeneracy LIVE AND IN 4K and biiiiiiiiiiiiiiiiiiiiiiiiiiitch~! Let me tell-- Wait, no, no, no, stop. Not yet. Later. We'll talk about that later...at least sorta.

Anyways, like always, I'll def try to make this as spoiler friendly as possible, especially since it's lowkey a different game at this point. Like, the dev(s) have added in extra SCENES. We have new CGs! Like...we've got CONTENT in this update, y'all!

Okay, for realsies now. Enough yappin'. Let's get into it, and y'all...there's a lot to get into.

So, effin' BOOM.

...Actually. Let's do this another way, because we already lowkey know the story. Again, if you don't, I made a review of it a few months back that will get you somewhat caught up. This time around, though, let's just talk and vibe. Enjoy some snacks or whatever, ya know?

Go ahead and pick; there's plenty. I've got me, like, three capri suns and some donut holes. Like, I'm really tryna get into this game convo with y'all because we're squad, ya know? So, let's get comfy while gettin' into it.

All right, so -- *big siiiiiiiiiiip* -- my husband Solivan Brugmansia, right? Let's discuss. Not about him being my husband or not, the game. Respectfully, check yourself. Anyways.

My Gods. that is bae right there. Like, gah damn...

For starters -- even though, I can totally fix him, and I want to make that very clear! My baby ain't do nothing entirely wrong! Like just- just give him to me. He is just a lil' traumatized and misunderstood; he is very capable of change. Like, I can fix him! I can! -- it's only fair to remind you that he is, uh, kind've batshit crazy. Now, the wild part is that I for realsies forgot that he is not entirely sane. Like, not even kidding about that.

This experience has been a sort of "Let me seep you into the madness" versus a "Let's make him insane off rip", and because it was like that, when he started doing typical yandere shit, there were -- specifically -- two different times that I experienced genuine shock. It was literally like, "Oh yeeeeeeah. This is a visual novel with a yandere love interest. Solivan's the yandere. He's not wrapped too tight. Ah, yes, I forgot about that factoid", ya know? The shit genuinely caught me off guard.

Anyways, still can't trust the orange juice, 10 is the magic number, and don't kiss Crowe...like ever lmao. You can dismiss the fuck out of that man, but he's lowkey a simp like Sol is, so as soon as you kiss him lmao...

Just remember that it's implied that Sol is, and has always been, keeping a close eye on you. Actually, let me back up a little. Let's talk more abo-- Oh, wait, do you need a refill? Okay, hold on for a second. Wait, are you good on snackies? You know what? I'll just grab everything, just in case.

...

Okay, now, let's talk more about the orange juice.

Never --

-- and I mean NEVER, trust the orange juice.

There was a moment that we got with Sol, and it was like, "...Aw :)", and then, he was like, "I made orange juice~!", and it was like, "...Aw :(". Like, lmaooooo, I thought we were past that, ya know? Like, I obviously like you! I have you at a 10! Why are you resorting to nonphysical violence? I mean, he got physical in other ways, but it wasn't violent, ya know what I'm sayin'~?

Now, the "10" thing that I keep bringing up.

This competition between them is more intense than I thought, bro, and Sol does not cope with failure well. You know how people will be like, "a win is a win"? Well, with Sol --

-- a loss is a loss, even if it's just by one point.

Remember that whole "Don't kiss Crowe" thing? I genuinely mean that. As tempting as it may be -- and believe me, it's tempting especially because...Crowe can really make a girl feel really, really... wanted, ya know?🫦... ANYWAYS -- DO NOT kiss that man, because that's the game point. Now, who's the actual winner in that scenario.... 👀🧃*dramatic siiiiiiiiiip*. I ain't gon' say it...but I'm just sayin' lmao.

Even though, I really ain't shit because...I willingly cheated on Sol with Crowe. WAIT. LET ME EXPLAIN WHY THOUGH.

This man, dear Gods, this man. I must stay focused... This man is the one that you SHOULD be dating. This is the one that all of your friends and your family really like and approve of. This is the healthy choice, but you don't choose him, because the one that you want is "dark and hot and tall and mysterious" and you're like, "but daddy, I love him!". Meanwhile, your friends are desperately trying to tell you about all the red flags with the other guy and are like "What is with you and toxic men?!". Then, when you defend your toxic crush, they shade you because they "should've saw it coming" when you had picked Sesshomaru and Sasuke over Inuyasha and Naruto.

...But, anyways, when I say that Crowe is Prince damned Charming? Babes... And then he let that hair loose????

Baaaaaaaaaaaaaaaaabes~!

As a side note, lol I wasn't pulling those descriptions (completely) out of my ass; that was the literal intention.

See? "Dark and mysterious" vs "Princely".

Anyways, Crowe's rizz game is...surprisingly strong? Like, I honestly don't know why I was so shocked, but I was shocked. Like, a girl was genuinely flustered, because what do you mean that "you knew that we were going stargazing but you didn't know the brightest start was going to be right in front of you" and "anything for me"? Not to mention that this man was putting flowers in our hair and carRYING US TO OUR APARTMENT IN THE RAIN? BARELY GRUNTING WHILE DOING SO??? Like, sir, please, don't do this. I have a husband...but it's like, shit, I won't tell if you won't at this point.

That's pretty much all the new stuff -- well, that I was willing to partially spoil for you. There's other stuff, but you definitely gotta see that live and in 4K, and trust me, you're gonna want to.

Once again...THE FATTEST EFFING SHOUTOUT TO WHOEVER SENT THAT ANON MESSAGE AS THEY HAVE PUSHED ME TO STAND ON BUSINESS ONCE MORE.

It is even more beautiful than I remember, and thanks to the bestie, I was able to see my husband in all of his glory LIVE and in 4K. Okay, but I was degenerate throughout this whole post, so let's just put a pause on that and actually review the game properly.

This is still a work of the Gods, and I honestly love the tweaks and additions that were made. From Brittany's personality being tweaked so it reads more as "I swear, I'm not mean; I'm just really bad at talking to people" to Crowe's scenario being way more in depth to getting some more CGs of my husband Sol. The art style is still damned IMMACULATE to look at, and the plot is STILL plotting. Also...he's cute, but I lowkey don't trust Crowe, because why are you so perfect? The dev(s) is/are writing the EFF out of these characters. Like, honestly? Continue to pop off.

I definitely plan to buy my own copy, and I HIGHLY suggest that you do the same. It's honestly just the spicy scenes, so it's not like "Ooh, extra lore!" or anything, but they are honestly so deserving of that monetary support. Not to mention, the NSFW version is what the Gods would have wanted.

Even though, I'm wondering if we'll ever explicitly know Sol's (and definitely Crowe's and Hyugo's[/Geo's]) background. Now, admittedly and as far as I know, this is really the only piece of "lore" that you'll miss if you don't get the NSFW version, because I'm certain that I'm not the only one that's noticed it, but just in case you haven't (and I'm cutting the heck out of this CG because it's very spicy, but I need you guys to see what I'm talking about).

What's up with these bruises? Like, you see that right? But it's not in the other picture, so it's like...? What the eff happened? Like, the reason why I say that is because the second picture happened BEFORE the first picture, so something happened to him, but what? I know that it's implied by some of the things that Sol says and how he responds to stuff and some of his mannerisms that he came from a pretty shitty background, but what exactly and is it ongoing?

But, then again, it's like duh it's ongoing, because he said that "it's the usual" that he deals with...uh...certain situations. Check this out though; in that same breath, he was like "every bruise is worth it". Like...what? That's not-- That's not a normal or healthy thought let alone something you'd actual verbalize. Like, I'm telling you, the dev(s) is/are murdering this visual novel thing. No wonder it's so easy to forget that Sol is a literal walking red flag. I'm more focused on the plot than whether or not he's gonna drug my food.

Also, also, also, I just want to yap really briefly about my favorite CG... screen... UI thingy...that I can't show you. Not because it's a spicy one but because, even though you can probably read between the lines, it'd be, what I feel is, a major spoiler. Just as a slight "pro" tip. That little green heart at the top right of your screen that turns blue when you hover over it?

It leads to that screen with the scale that shows your affinity level for Sol and Crowe. Just...check in on that thing a lot; you may see something interesting. When you do see that interesting thing...please, think of me ಥ‿ಥ Because next to the way that the affinity level is shown altogether, it was my absolute favorite thing about the update. That was done so beautifully. ...Damn, I want to show you all so badly ._.

Anyways, I think my yap session should end here. I've already said it a handful on times, but what's one more time? I highly, highly, HIGHLY recommend this game. It's so good, the art is amazing, the plot is plotting, and so much work and love has gone into this game, and it's STILL only in its demo phase. I suggest donating $5 to have (permanent) access to the NSFW version and/or telling the dev(s), "Hey! Really love your game! I was just wondering if you take human sacrifices? Would that expedite the full release? Anyways! You're doing great, sweetie! <3"; aggressively supportive validation is really the only way to go, because they really are doing more than a damned good job. You should honestly see it for yourself. Here, I'll put the direct link for ya.

I'm yapping again. I'm ending it for realsies now. The biggest preesh for hanging out with me today and getting this far. PLEASE, remember to drink water, don't be dumb, and hope to see you around~!

The Kid at the Back (DEMO)

[casino-lights]

so. the thing about Illario and Lucanis.

I don't have the screenshots but somewhere in Lucanis' mind, you hear Illario's voice saying "If I was in charge, you wouldn't have to do this anymore." as far as I can tell, all the other lines in his memories are from the game, but this one is from The Wigmaker Job. the story that took place over a year (probably more) prior to the events of the game. it's referring to a scene where Lucanis comes back from their contract, injured, and Illario, worried about his cousin, says that Lucanis wouldn't have to do Caterina's bidding anymore if Illario was First Talon. so now we know Lucanis still thinks about that conversation, even though it happened so long ago.

two other things about The Wigmaker Job: 1) Illario is a lot different in it and in some ways he seems more competent than the Illario we get in veilguard; and 2) we see Zara Renata at the end, and she already has Lucanis in her sights. depending on how much time passed between that contract and Lucanis' kidnapping, she could've been setting this up for months to years.

in the concept art/storyboard frames that were recently released, Zara is hardcore giving siren in the first image and it almost looks like she's straight up controlling Illario via blood magic in the second (imo)

now imagine if Zara was looking into Lucanis, started with the people closest to him, found Illario, and said all the right things. imagine she said he should be First Talon, Caterina never loved him, Lucanis doesn't believe in him and is secretly just tolerating him, he can save Antiva from the Antaam (or whoever else), he can lead the Crows to their long-awaited unification and make them even stronger, he's the smartest prettiest most super special boy in the whole wide world, etc. (if you give this man an ounce of praise and he actually believes it, he will crumble, I know it.)

now imagine Zara, having successfully sunk her claws into Illario - Lucanis Dellamorte's cousin, the only person closer to the Demon of Vyrantium than the First Talon herself - manages to convince him to let her kill Lucanis. he doesn't have to do it himself so there's less guilt. there's no way Caterina would make him First Talon if Lucanis was alive. and then Illario would be in a position to protect his beloved Antiva because if there's one thing the Antivan Crows are, it's patriots. I think Zara played Illario like a fucking fiddle and the game was just really bad at showing us that. I think when her spirit says "he fooled us both," she means he fooled her by being less of a coward than she thought and straight up killing her.

and maybe this is the Illario apologist in me, but I also think he realized the whole thing was a doomed plan after he was defeated. I mean, he shows up to the final battle to help, at risk of his own life. maybe he's trying to atone, maybe not, but still - he is there, and he sounds more like the Illario we see in The Wigmaker Job than whatever we got through the rest of the game. with his quippy little "was that suitably self-important?" line, he's closer to himself than he was this whole time, and that makes me wonder if maybe he wasn't fully Illario. maybe that was grief and guilt and a shaky sense of self and Zara's manipulation and the feeling of losing his grip on the power he never quite had to begin with, all bundled up into a new, bitter, resentful man. I think he was used like a pawn in Zara's chess game, and that doesn't take away from his agency in this situation or lessen the blow of his betrayal, but it does make it easier for me to swallow the fact that the Obvious Traitor Illario I was immediately skeptical of in-game is not the Illario I immediately loved after one scene in Tevinter Nights where he shaves a single hair because it was uneven with the rest of his five o clock shadow.

I think ultimately, Illario realized Lucanis would forgive him anyway. I think it's because he realized he would forgive Lucanis too.

[xxgothchatonxx]

Here's my non-spoiler thoughts on Wicked Part One.

This was a grand, epic musical fantasy spectacle in all the right ways. As a standalone film, it was an absolute marvel to witness in cinemas and reminded me why I love musical films in the first place. And as an adaptation of one of my favourite musicals of all time... you fucking did it, Jon. You brought Wicked to the big-screen and you absolutely nailed it.

The cast was pitch-perfect across the board. I have so much to say about our beautiful leading ladies but I'll just say for now that Cynthia and Ariana took such good care of Elphaba and Galinda.

And the music! Oh sweet Oz, it was BEAUTIFUL! Trust me, the singing sounds so much better in the film than it does in the trailers. And the choreography was amazing- that ensemble cast was putting in 110%, it was fantastic.

I cried three times - at the start, at the Ozdust scene (EXCUSE YOU, MR. SCHWARTZ! YOU KNOW WHAT YOU DID, SIR!), and just near the end. Which, well, I'm an emotional gal, but for a story like Wicked, I really wanted to have this reaction. And I got it.

I am so excited to see Part Two next year. Speaking of which, while I had a lot of worries about it being split into two films, I am so glad they decided to do that. Cos I can't imagine the whole story being crammed into one film. It works on stage, but this is film. The pacing is slower but it works. There's more room to breathe in the film. Again, not knocking the pace of the stage version but I don't think that would work here.

Look, I had a wonderful time, and I can't wait to see it again.

I give it 5 out of 5 hair toss-tosses.

[localplaguenurse]

Falling Head over Heels (Pantalone x Male Reader) pt 8

WE ARE FUCKING BACK! (I immediately started hacking my lungs after typing this, I'm sick :P)

To make a long story short, for the past few months I've either been really busy, really depressed, and usually both. Also for some reason chapter 8 was already hard to write and I don't know why.

ALSO before we get into the fic, @your-local-furby drew some absolutely lovely fanart of MC apologizing and seeing the library from the previous two chapters. I think it finally kicked my brain back into gear lmao.

Without further ado, please enjoy!

@thedeimoshimself @eli-chris

It feels like the ground beneath me is sucking me in.

I feel myself sinking,

I wish the ground would swallow me whole.

Embarrassment washes over me and swallows me whole. I feel the air leave my chest I want to break free but I feel like I’m drowning. 

You take the page you’re scribbling your notes on and crumple it into a ball. You’ve reread your rough draft and decided the arranged wedding scene you had planned wasn’t tragic enough. The blind musician is tasked with performing for the prince’s wedding, but his heartbreak causes him to mess up his performance, which causes everyone to notice he’s crying, including the prince. You’re trying to convey the feeling of knowing every single person in the room is watching you during the lowest point in your life, but it’s just not coming together in a way you like. You’ll run it by Alik later.

Technically, Alik is no longer your editor as a result of your deal with the Yae Publishing House. Still, they’re one of your few friends, and their workload has lightened since your previous publisher terminated all of those other book deals. Now they’re acting as your beta reader before you send off the next draft to the editor at the Yae Publishing House. It’s actually making progress go a lot faster, so much so you might only need one final draft of the whole story before it’s finally published, as opposed to multiple drafts. 

I do not need sight to know everyone in the room is looking at me. I feel it in my broken notes that trail into nothingness. I feel it in the resulting silence. I feel it in the quiet murmur spreading through the room.

I feel tears in my eyes as I drop my head down, praying no one sees me crying. If I could, I would sprint out of the room, out of the palace, so no one is witness to my heartbroken embarrassment. I’d run so fast, the prince would have no time to chase after me. It would be for the best anyways. He deserves his perfect and beautiful bride, and I am no bride, I cannot verify if I am beautiful, and in this moment, I could not feel anymore flawed as a person and human. 

A knock on your door breaks your concentration. You’re dreading whatever is on the other side, but know it’s better to get this over with. 

“Yes?”

The door opens, and your mother pokes her head in through the gap. She offers a smile. “We have company. Come say hi, please.”

“I’m… kind of in the middle of something,” you reply, “and I’ve told you that I’m going to see Alik when I’m done writing.”

“How is she, by the way?”

“They’re fine.”

“And Maria? How’s she?”

“She’s alright, I think. I haven’t seen her in a while.”

“Well, tell them both I say hello. Anyways, if you have a minute, I would like you to come downstairs. There’s someone I’d like you to talk to.”

It takes you a moment to recognize what this is, mostly because it’s been a while since she tried pulling this off. When you realize what’s happening, you just shake your head and look at your mother. “Which family friend is this?”

She gives you a very unconvincing look of confusion. “My dear, what do you mean?”

“Mother, please.”

“... Ana. Anastasia.”

Anastasia is your younger sister Adéla’s friend. Much like your sister, she’s only a year younger than you, but unlike your sister, she actually likes you. Adéla and you have butted heads throughout your lives, as siblings tend to do and especially with such a small age gap, but Adéla has taken it a step further saying that it’s your fault her childhood was so “miserable” as she puts it. She claims that your diagnosis made you the centre of your parents’ attention until your youngest sister was born, and then they focused more on her than Adéla. Conveniently, she’s never had any sisterly drama with her, only you. You feel for her, but there was only so much you could do at the time, seeing as you were eight years old.

“Absolutely not,” you tell your mother.

“But you two got along so well when she would visit,” your mother insists, “and she’s become a fine young lady since the two of you last spoke! Don’t you remember reading together when you two were little?”

“I’m sure she’s beautiful,” you say, “but Adéla will throw a fit if she finds out you set me up with one of her friends.”

“You don’t know that.”

“And I don’t want to find out,” you tell her, “and I told you I don’t like being set up on dates.”

Your mother lets out an exasperated sigh. “I’m just worried about you, okay? I want to make sure my son is happy, healthy, and I want him to find someone he can settle down with. Your brother was already married at your age, and Adéla’s going to be having another baby soon.”

“Yes, but I’m not Pavel or Adéla,” you say, “the dating scene is different for me, and playing matchmaker isn’t going to make me feel any better or help me.”

Your mother just looks at you. That sad, pitiful look you know all too well. It stopped pulling on your heartstrings long ago, but sometimes it’s just easier to indulge her than it is to fight her on it. Besides, she means well, you think, it just can’t be helped that she doesn’t know her son has no interest in women.

You sigh, and stand up, much to your mother’s delight. “I’ll say hi, and that’s it.”

She grins, and she motions for you to follow her.

----

“... and she just happens to be single, too.”

Alik sets their glass down. “Interesting. So when’s the wedding?”

“It’s not happening,” you reply, “thank the Tsaritsa for that.”

“I’m honestly surprised your parents haven’t put you in an arranged marriage yet,” Alik comments.

“How many viable marriage candidates do you think there are that would be thrilled to marry someone who’s not only going blind, but could pass it on to their children as well?”

“Depends on how much the family is getting paid.”

“And it would not be much.”

The tavern is surprisingly quiet tonight. You chalk it up to it being the middle of the work week, not as many patrons willing to get drunk if they have work early in the morning. Currently, you and Alik are sitting at a table in the corner of the room while a few older patrons mill about, chattering on about their own lives at the bar. It’s actually rather nice, you think.

“What would they try to sell your bride to be on?” Alik asks.

“Um…” You look into your half drunk glass, trying to think of something funny. You clear your throat, straighten your posture, and put on your best business smile. “Here’s a fine young man who has no real work skills, and it’s not like they would do him any good since he’s considered legally blind and has between thirteen and fifteen years before he is fully blind. His only profitable skill is writing, though he doesn’t make enough to support a household. His blindness is also genetic!”

“By the Archons, at least say one nice thing about yourself,” Alik teases, though there’s a subtle sincerity to their words.

“I think I’m decent,” you say, “I think I might even make an okay husband, but I don’t think I’d be the kind of husband Pavel or my father are.”

“That’s not a bad thing,” Alik replies, “there are plenty of families and couples where the husband isn’t always a provider. Besides, you’re not really a ladies man to begin with.”

You shake your head. “It’s not even that, it’s just… you know I try not to make a big deal of me going blind, but it’d be naïve of me to pretend that it’s not, and especially if I was in a relationship. Whether I like it or not, whoever I marry is going to inevitably become my caretaker. There will come a day where I’m going to need help, and I’ll rarely be able to return that favour.”

“That’s why it’s in sickness and in health,” Alik comments. They reach across the table and take your hand, giving it a reassuring squeeze. “For what it’s worth, I think you’d make a good house husband, before and after you start seeing the world how Maria does.”

Maria is Alik’s cousin, and one of your few very close friends. She has been a big help to you in writing your book as her blindness is similar to the main character’s. While he was born blind, she actually had vision when she was born. Unfortunately, she suffered a very severe head injury when she was very young. She has little to no memory of her life before she lost her sight as a result, as well as having some developmental problems growing up. These days she’s doing much better, though her eyesight is still gone. At most, she can detect if there’s light, but that’s the extent of it. 

“Do you have permission to make jokes about her being blind?” you ask.

“I not only have permission, but that’s not even the worst joke I’ve gotten away with.”

“I don’t want to know.”

“For the best.”

Your table goes quiet as you and Alik take a moment to drink. You try not to cringe at the taste of whatever the hell Alik recommended you try. It’s a beer, and you can taste that, but it’s a lot more bitter than you like. Still, they bought it for you, it would be rude to spit it out.

“You don’t have to drink that, you know.”

“It’s an acquired taste, I’ll get used to it.”

You see a smile twitch onto Alik’s lips, and even if they try to hide it, you can see a shit eating grin from miles away. 

“Okay,” you say, “out with it.”

“What do you mean?”

“You thought of something terrible, I want to hear it.”

Alik glances around the room, assessing how audible their comment would be. You take a sip of your drink, and they grin.

They lean in. “I’m sure Pantalone would be happy to hear that.”

You immediately sputter, spraying Alik in the face. They yell, swiping at their face as if they were sprayed with acid. You cough as what was left in your mouth goes down the wrong pipe. “Fuck, w-why’d I take a drink–”

“Did you have to spit that in my face?” Alik asks.

“Shut up,” you wheeze out. You give one more hearty cough, your throat and chest burning, and you can breathe again. You sit up, rubbing your chest through your shirt while Alik wipes their face and the table with napkins. You look around, and see the few patrons staring at your table. You painfully chuckle, and turn back to your friend. “S-Sorry, I should know better by now.”

Alik shrugs. “I’m not wrong, am I?”

“I told you that in confidence,” you whisper.

“You actually told me before the tea party,” Alik tells you. “I don’t know if you’ve noticed, but it’s starting to show in your book.”

You feel your face flush, and you narrow your eyes. “I think I would know if I was writing about him, thank you.”

“The prince was a lot more arrogant in your first drafts,” Alik explains, “but in more recent iterations, it’s been toned down a lot. He’s also a lot more understanding of the musician’s blindness.”

You’re confused. “Well, yes. My first drafts are years old, so I’ve had to make some adjustments to better fit my writing style now. Besides, I’ve read too many stories about asshole love interests that don’t really learn anything, they just get tragic backstories that authors think justify their shitty behaviour. I’m not adding my characters to that pile.”

“No, I agree on that,” Alik says, “but even then, he was still a solid character, arrogance aside. He was just a spoiled prince who had to actually think about other people for the first time in his life. Like he’s never had to deal with someone with a disability, and doesn’t know how else to feel other than annoyed. In the more recent drafts, he still doesn’t know how to deal with it, but he’s a lot more willing to make up for the disrespect, where the old version did it, but complained the whole time. It just so happens that this change happened right when you met him for the first time.”

“That’s… hm.” You take a sip and don’t spit it in Alik’s face. “You’re on the right track, but I don’t think I was writing all of that because of a crush.” You feel your face flush warmer again. “He was a bit of an ass at the party, but since then he’s become one of…” You take a moment to count names on your finger. “... six or seven people that aren’t patronizing about me going blind. I’d just been putting up with most of my family either coddling me or being inconvenienced by me, but he’s a rare instance of someone making accommodations, but not making a big show of it. That’s why the book was like that until I met Pantalone.”

You stare into your glass. “And… a-and it’s why I enjoy his company so much…”

Alik doesn’t say anything. You look up, and you see their expression has softened a little bit. They lift their drink up to you, and you smile and lift yours up.

“Cheers.”

You both take a swig, and somehow the disgusting drink tastes sweeter going down. Your face feels warm, and you wonder why you’re still blushing when you see you’re already halfway through your drink. Alik has a similar glow in their cheeks. 

“That’s really sweet and cute,” Alik says, “but I do have to ask you something.”

You feel whatever warm feelings you’re feeling lessen when Alik’s softened expression gains a hint of concern. Their smile looks awkward by comparison, before they sigh and lose it altogether. You’re already dreading what they’re about to say.

They hesitate for a moment, and when they speak, it’s in a whisper. “Do you like him, or do you like what he’s done for you?”

“W-What?”

“I wouldn’t ask that if we were talking about anyone else,” Alik clarifies, “but I have to ask when it’s him. I don’t want to rain on your parade, I’m happy you like someone, but… he’s a harbinger. One of the more likeable ones, but not without flaws.”

“I know…”

Alik sighs. “Look, if it were some other handsome rich man, I’d say go for it. The fact it’s a harbinger specifically makes me a little worried, I won’t lie.”

You sound like my mother. “It’s a crush, not an engagement,” you tell them. “We enjoy each other’s company while he works with my father and sister. I just enjoy it differently than he does.”

“Still, even as friends, I’d be cautious. If not for what he’d have planned, then for what others might have in store for him.”

You take a swig. “You want to know what’s funny? You’re the first person to bring up his enemies as a point for why I shouldn’t get near him.”

“I am not.”

“No, seriously. My mother doesn’t want me near him because he’ll probably, I don’t know, kill me or sell me or steal my ideas, depends on the day. My father thinks I’ll ruin everything those two have built together, which I still don’t know why Pantalone is working with him.”

“Maybe your dad’s indebted to him or something.”

“...”

Alik notices your silence. They say your name in a soft voice, seeming worried by your expression. Your father’s not in debt, is he? The business isn’t as prosperous as it was when you were little, but job markets change all the time, and the economy is ever fluctuating. It’s purely the result of what happens when a business runs for as long as it does. Sometimes an empire doesn’t crumble, but rather dies slowly.

“Hey, are you okay?”

You snap out of it. “I’m, uh, I’m fine.” You push your seat back and stand. “I’m just, um, I’m going to go to the washroom for a second.”

“... Okay? Just watch yourself.”

“I’ll be fine,” you call out over your shoulder before immediately bumping into someone. Unlike with Pantalone, you actually manage to catch yourself before you fall. You know that Alik is holding their head in their hands, possibly stifling laughter too for a little extra salt in the wound.

“Archons, sorry,” you immediately blurt out, “I didn’t see you there.”

The ginger haired man laughs. “Oh, no worries comrade! Just be more careful next time!”

You stare at the man, eyes widening. His smile grows, almost reaching the dull blue of his eyes.

“Why the surprised face?” he asks jovially.

You sigh and shake your head. “I have got to stop meeting harbingers like this.”

[rocksibblingsau]

The TBT got me thinking about the movie's writing again, so here's some thoughts. Clay being the only one to get an on-screen apologize doesn't make any sense narrative wise.

When you look exclusively at what's implicitly canon (so no 'he was at the tree that whole time' headcanons, even if they make some sense), Clay is the least in need of apologizing compared to the other three. Bruce is slightly more in need of apologizing than him because he was the second eldest and second to leave, but this point is not about him, it's about how it should have been either JD or Floyd (ideally it would be all of them apologizing actually, but again, not about that rn)

John Dory is practically the main force behind the movie's plot and emotional conflict, so we're talking about him first. John Dory in the movies, well, he kinda sucks a lot of ass. During the Brozone days, he was very bossy, overbearing, lowkey emotional/verbally abusive and the first to leave them all while being the oldest and implied to be their only caretaker outside of their elderly grandma. And even though some people give Clay and Bruce shit for how they behaved towards JD during the Rhonda fight scene, they were RIGHT, he was being bossy and a dick during that scene, and while all the bros were at fault about how they treated Branch during it, he was also the worst of them (like he was the only one who not only denied they would stay together after saving Floyd, but also actually made fun of Branch for even thinking so). And that is without mentioning how he got the the three of them trapped later in the film in the stupidest way possible.

This is NOT to say that he is some kinda of unredeemable abusive monster, no, even if its not said out loud in the movie, its left pretty implicit that he had his reasons for acting the way he did and that he was under a lot of stress himself running the band and caring for his 4 younger brothers while likely being a kid himself during the Brozone days. BUT, after all that, it feels so strange to have the time for one singular apologize apparently and to not give it to HIM of all people. He giving Branch the lead during the Family Harmony is the only thing he does that implies he changed his way after ALL of that, even Venner gets more redeemable qualities than that!

It just makes his storyline feel incomplete honestly, like the movie only bothers to drop slight hints that this man doesn't completely suck and then turns around and both doesn't build up further on those hints AND doesn't make him do anything to redeem himself with Branch and any of his other brothers.

And if for whatever reason it wasn't going to be John, why not Floyd??? I don't even care that much that we don't get a reason for why Floyd never went back, its kinda even implied that he never intended to come back and was just trying to comfort Branch by lying, but again, if you're going to set aside time for one-on-one apologizes after everything is set and done, why not use it for tying up one of the main story points set in the begging of the movie.

Is like they even forgot that they set up Floyd promising to come back and never doing so, because as far as I remember (could be wrong tho), after the introduction, Branch only refers to Floyd as "the only one who said goodbye". With for Branch's character makes sense really, but for the narrative feels plain unsatisfactory. It sets time aside to set up out loud that something was supposed to happen and it never did (crucially affecting the trajectory of the main character's life) and it just... never brought up again. No excuse, no Im sorry for that actually, no anything. Instead we get Clay, which in the movie, has no special relationship or plotline with Branch compared to the rest whatsoever, being the one that gets to have on-screen closure. Why?????

In conclusion, the movie could have an 100% better script and tighter emotional conclusion if they had just let the writers have two even ONE extra rewrites. But not, instead we get two plotlines that likely will never get resolved because got forbid this franchise actually has a proper continuity between films yippeeeeee

(Im truly sorry for this ramble, I just have too many thoughts and too little friends that even know what Trolls are, and by too little I do mean actual zero. Hope you enjoyed it at least, if not, Im sorry again)

I agree that Clay was the one Troll who had a good reason he never got to go back and visit or anything. It was definitely weird that he was the only one who apologized for never getting to see Branch grow up, but I think it says a lot about his character that he did.

[miscellaneousramblings]

Yes, I absolutely loved the flashbacks in season 1 and after thinking about why most of the MVs in s2 don't work nearly as well for me, I think it's due to two things: placement and the way the art and the music basically fight it out for the viewer's attention.

Placement: so far only episode 6 has not opened with a montage, and subsequently I think the montages in that episode are by far the best because they're inserted more organically in the story: it makes sense for Vander's flashbacks to feel soft and distant like watercolour, or for Isha to remember her time with Jinx vividly, as a kid would. On the other hand the episode starts with a great "normal" sequence that shows us what's going on with Viktor, and it takes the time to establish this cosmos realm. The episode feels balanced. As far as the others go, I think it's off-putting to have music videos so close to the opening song. It does feel a lot like exposition is just directly thrown in our faces instead of slowly building up the themes of the episodes like the flashbacks did. "Here is what happened. Now let's go on.": Cocktail Molotov, Paint the Town Blue, Hellfire and Sucker are all like that (although Sucker works for me personally).

Art and Music: imho the art changes usually carry enough weight and they tend to fight with the music for attention. And since the music is... generally not great this season, with lyrics that are way too explicit, it ends feeling like we're bombarded with too much information. For example the charcoal MV about Caitlyn is just... so much. I get that everything around her feels dissolute and blurry because she's grieving, and the black and white effects are effective. Do I *need* to get a Sad Song™ about grief on top of that? No. That scene would have been way more effective and less intrusive with a beautiful instrumental from the score.

In season 1, art style changes were very limited and the music carried more weight. S1E7 worked because it was the exception and not the rule (also Dynasties and Dystopia *actually* slaps).

Also I dislike how much hard rock there is this season.

Anyway. I think that so far they have been unable to match the highs of season 1 (the bridge fight, the end of episode 3) but I'm holding up hope. It's still very entertaining and has a lot of great moments.

Arcane's Music Videos and Storytelling

Many have complained about Arcane Season 2 overusing "music videos" compared to Season 1 and I agree. Two in particular - "Sucker" in episode 2 and "Hellfire" in episode 3 - are particularly bothersome because instead of being supplementary to the storytelling, they replace the storytelling. Entire plotlines are told through these music videos and barely expanded upon further through writing. Despite both depicting very major events that are incredibly impactful for both Zaun and the characters involved.

First, the Chembarons' gang war. Shown entirely through the "Sucker" sequence, dialogueless. Later, there are only a few brief written scenes related to it (Smeech heading to Margot and the meeting table discussion, neither of which actually depict the war). Smeech is later killed and the gang war story is abandoned by episode 3. This would have been such a major event for Zaunites. Not just for major characters, but for everyone who has the misfortune to live in that city. If they had actually written this subplot out, the worldbuilding could have been expanded upon and given much more depth, these Chembarons with excellent designs could have been fleshed out and not felt like a waste of characters, and we would have gotten more insight into the lives of the average joes in Zaun. It would have been a natural continuation of the Chembarons' introduction in Season 1 too. This subplot could have easily taken up the entirety of Act 1, but because of too many competing subplots, it had to be cut short and summarized by the song.

Next, Caitlyn's squad releasing The Grey into Zaun. Shown entirely through the "Hellfire" sequence, also dialogueless. The impact of this action is only briefly mentioned later through dialogue, when really this would have had a huge effect on many people living in Zaun. If they had written this entire sequence out regularly, we could have had character building for the three new enforcers as they interact with Vi and Cait while moving through Zaun. We need this, as two of them don't even have names yet. One doesn't have any dialogue yet. We could have seen in detail the impact of their actions on Zaun, rather than only being told. We could have had much needed characterization for Vi. What was her reaction to this plan when it was first conceived? Did she oppose it initially and have to be convinced?

I want to experience these events as a story, not as an AMV. It's admirable how artistic and beautifully made these sequences are, but they are the epitome of "style over substance." In my opinion, rather than being at the beginning of the episodes, these sequences could have worked as end credits. They are summaries of subplots after all. The episodes themselves could have these storylines written out regularly, and then the end credits have beautiful imagery summarizing what happened.

They could have taken a page out of Chainsaw Man's book. Each episode of Chainsaw Man had a highly stylized end credits sequence, all with different animation styles, with imagery of that particular episode's plot. The episodes themselves have normal written storytelling. This way you can flex your artistry as much as you want, without sacrificing the writing. Arcane's end credits are just a black screen with text. If anything could have been replaced with stylized visuals and have nothing of value lost, it was that.

[ri-writes-if]

I just finished reading the new chapter and damn! It was such a rollercoaster of emotions!

And I can't even begin to describe just how much I hate Selene! Not saying it in a bad way though, just to be clear! She's just the kind of character I can't stand, even if she's delightfully written. Az suggested to my MC to be cordial with her for the time being, and the plan is sound, but damn, it'll be hard. She's that kind of character I find interesting because I think her circumstances are awful and tragic, but at the same time I can't bring myself to feel bad for her because it doesn't justify the way she currently acts (as explaining someone's behavior is not the same as justifying it). With that being said, I thank you so SO much for allowing us to tell the siblings (well, the siblings in my case since I'm on Az's route) about Selene already. I was genuinely scared it would be one of these situations where the MC just clams up and doesn't tell anyone about what's happening for who knows how many chapters, which is a trope I really tend to dislike. It was such a pleasant surprise to avoid it altogether!

Now, onto more "positive feelings", I'm so in love with Az. They are such a wonderful character on all accounts. The clothing and ring shopping was just so perfect, and damn that hug! Though I'm really insanely curious about what is the underlying issue they have in relation with the MC. I sort of "felt" it already before in the way they acted, but now thanks to the PoV change I had their actual thoughts on it, but I'm no closer to knowing what's going on, though at least I had confirmation of what I felt about it (so I guess it's still something!). It still fascinates me how Az isn't even "my type" of RO normally, and in any other story I would have probably picked one of the two royals, but I don't know, something about them immediately captured me entirely. I'm also pretty curious about what's the relationship between the siblings, because the more I think about them, the more I realize I don't know much about their dynamics. With the two royals, we at least know more of their dynamics thanks to some asks on the blog and what not, but the two siblings... I don't recall you saying much. And well, in that infirmary scene, it was a bit hard to read it considering they were both preoccupied with the MC and their injury and the Selene stuff and so on.

That aside, after re-reading from scratch (I changed computers and don't have my saves anymore), I had a theory that sprung in my mind. I think there is indeed an oracle blocking MC's visions of their own future that is NOT Selene. And that oracle would be MC's mother. She may be a powerful enough oracle to see pretty far in the future, and it's possible she saw something in her child's future that had her deciding to not only abandon them, but prevent them from seeing their future. Or rather, the future she saw. Meaning as long as MC was on a path or time frame where what she saw wouldn't appear to them, then they could see their future normally. But once they found themself on said path - probably related to the apocalyptic vision at the start of the game - it triggered the "block" as now we enter the territory of what MC's mother saw and thus knows well enough to block. Of course, I may be wildly overthinking it or just be plain wrong haha!

Oh and finally, a small bit of (I assume?) stray code:

I don't think the "cordial" is meant to be there?

Okay, that's it. Yeah, it's a VERY long ask that... isn't even an "ask" since I'm not asking anything! But I had so many feelings about this chapter! It was probably the best so far!

! Spoilers for Chapter 5

I hoped some would like Selene and some would not, so I’m pleased to see people have different feelings about her! I personally really love her because she’s a tragic character and tragic characters are my thing 😂 though I agree that her past doesn’t justify her current actions.

Yeahh. I was thinking of allowing to hide the incident with Selene, but the Oracle has their priorities straight, so it wouldn’t make sense for their character to sacrifice their own standing for Selene. They went to Vez to get their freedom back, and they’re not giving it away so easily. So I had to throw out that branch.

I’m happy you enjoyed Az’s route, especially considering they’re not your type! You’ll learn what their deal is with the Oracle in the future 😉 The next couple of chapters should have more Az + Ash combo, so I’ll have time to show their dynamic. But they’re pretty uh normal siblings? Az is a troublemaker, and Ash’s perpetually but fondly tired of their antics.

Your theory was very interesting to read. Thank you for sharing it! It’s wild and cool that people actually have theories about my story 🥺 Obviously I can’t confirm or deny it, but you’ll get the answer eventually.

Thanks for pointing that out, I’ll remove that code leftover.

I appreciate you taking the time to share your thoughts about the chapter. Reading these messages brings me joy every time! 💛

[kuzure-collapse]

These two asks were pretty similar so I'll answer them together. You can read about the LI's ideal dates in this post and find the last love levels post here.

I don't really know how to quantify their love levels. I mentioned the Love Meter Boost in the story but I never actually drafted how it would work or if MC would buy it. I guess I can try to describe how the LIs are feeling about MC so far?

As of ch. 30:

Tomohiro:

i'm trying to write more scenes for him since it's been very yanagi and kotose heavy so far

off-screen, mc has been going to school with him and tomoe every morning and telling them about his day and interactions with the other characters

he usually has lunch with his friends, sometimes invites mc to the rooftop alone, sometimes joins his sister

during the lunches alone with mc, they continue to talk about topics of love

although he likes mc, he never reveals hints of his love no matter how much mc begs to know. he decided he wants to make mc fall for him first before he reveals anything

certainly taking a more flirtatious approach now that mc is interacting with all these other people. he's feeling more possessive and jealous now, might show more of his ugly side

Kotose:

currently coming to terms with his feelings and starting to acknowledge it as something more than a desire for friendship (best friends?)

unfortunately for him, mc has been giving a lot of mixed signals. is it friendly teasing or flirting? he has trouble understanding because he's never really had friends before

he wants to spend more time with mc and learn more about him, intrigued. he wants to impress mc with his knowledge and skills, too.

awkward attempts but at least he's now making more of an effort

off-screen, they've been having amicable study sessions. kotoha isn't around as much because she's spending more time at choir

i want to write more twin interactions and their development, but haven't been able to work it in :/

Satsuma:

at first it was just your typical setter-hitter teammate relationship

he's taken more of a liking to mc ever since learning about mc's insecure past and talking about bullying

for now, there isn't much of a romantic feeling. more like wanting to take care of an underclassman that he can see himself in

he knows mc is a little intimidated by him. feels kinda dejected by that because he's only had good intentions so far.

yet he also finds it endearing, thinks mc's attempts to please him amusing

he wants to help mc and be the mentor he wished he had when he was younger

not aware of any romantic feeling he might have, just feels the need to take care of mc. he's not sure why tomohiro gives him such a bad feeling

still a bit shy and reclusive, but is opening up and growing more easygoing around mc.

i wish i wrote more scenes of him and satsuka 😔

Yumeki:

admires mc a lot, especially because mc is the only one on the team who goes out of his way to spend time with him (satsuma doesn't really talk to anyone, and the other members keep to their own groups)

no other guy has been this nice to yumeki before and he's desperate for male friendship because he's always surrounded by girls (not that it's bad, he just wants to hang with fellow guys sometimes)

he feels guilty for embarrassing mc at certain moments, really just wants to help mc, searches for ways to provide his servitude

often looks longingly at mc's intimate interactions with other characters, doesn't know why

currently unaware of any feelings towards mc, but he's starting to realize things about himself

i also hope to write more of him >.<

Yanagi:

acknowledges mc's use as an ally in a world where they are the only real people

he's surprised that the wimp he encountered their first day in the game was actually pretty capable

although he feels camaraderie because of their shared niche interests, he pushes that away and tries to only view mc as a tool for his missions

he's just using mc as an extra pair of hands and because of his system, that's all, nothing more to it

wont admit that he's starting to think of mc as a friend though, sometimes laughs to himself when he recalls their interactions

[roguemonsterfucker]

I read the "I was disappointed in this book" post and I kinda see their points.

They said the main character wasn't very "active" in what all was going on. I disagree like... 60% because I felt like she was. I'll agree that she didn't have a whole bunch of personality but that's par for the course with these books honestly.

They also said the sex scenes felt clinical. Yeah, I can see that. Definitely not the *best* sex scenes I've heard in recent audiobooks. Though far from the worst.

The thing about me, though, is that I don't really read these books for... Well. I don't know how to word it. But basically, i read books to spark my own imagination. So my enjoyment of books *generally* comes down to two things.

How painful was it to read? How much did it get my own creative juices flowing?

This book wasn't painful to read at all. It was pretty well written and I very rarely cringed at events or writing style.

It got my creative juices flowing enough that I finally was able to make a monster character I've had in the back of my head for a year.

So overall, very good experience with this book for the way I consume books.

Plus, I did think the actual story was pretty interesting. It wasn't super in depth but it was only a ten hour audiobook and had like six sex scenes so I wasn't exactly expecting a heavy plot. You gotta have realistic expectations for these things lol.

I’m listening to An Inheritance of Monsters and I’m about three hours in. So far so good. Narrators are fine. Nothing spectacular but way better than the last book I listened to.

Story is fine so far. I will say I didn’t realize it was a “reverse harem” going into it so I was confused as to why so many monsters were sexually interested in our main character and wondered which would be getting the girl. Turns out it’s all of them and I’m not complaining lol.

I tried to search to see if there’s any art of the monsters because I’m having trouble picturing them and I saw a post on Reddit titled something like “I’m disappointed in An Inheritance of Monsters” so that’s interesting. I’ll have to find that again and read it when I’m done with the book.

I’m liking it fine so far. No real complaints.

I’d complain that it has the stereotypical mean girl but all characters regardless of gender except like three are assholes so I’ll let it slide for now.

[forgettable-au]

Hi !! I was wondering if there was any song that you associate with Forgettable AU ? Hope you'll have a good day!!

EHEHE YEAH

Okay so, I was trying to choose ONE but I can't cause there's like sooo many, I have a whole playlist (THAT IS A MESS, SO I'M PROBABLY NOT GOING TO SHARE THAT)

But, uhh, lately I've been super obsessed with "Slipping through my fingers" by ABBA and it reminds me SO much of this AU, specifically of Sans, and it makes me sad

I am going to make an animatic with that song one day!! I promise!! Cause it was one of the songs that inspired me to make the AU on the first place... the angst........

[articskele]

Thinking about....... Sun Onceler.........

[bonebabbles]

wait im sorry. ive never read past the first book of dotc and all my knowledge of it really just comes from your blogs. wh. why did the erins decide to include sexual violence in warriors? like. that seems a little. too much? like all im hearing of dotc is just. terrible shit. i like reading more angst/serious stuff (i wanna say darker but not in the way "dark media" usually means on this site) but this feels like WAYYY to much for a book series meant for kids....... what were they thinking??

I legitimately do not understand what people like about DOTC. You can go back to where I started this re-read, and you can visibly watch my charitability drain as the project goes on.

It feels like literally everything that people say they like about this arc is not there, while they've completely forgotten or misremembered SERIOUSLY awful shit

And now, listen. I'm a huge fan of xenofiction, which is a genre that is full of kid's and teen's media, but I do love more adult fiction. I love nuanced themes, dark subjects, and complicated plots.

DOTC's message is just plain odious. None of what it sets out to say is worth saying, and it's borderline incompetent at even saying it to begin with.

What they want to say with Clear Sky and Slash is that Clear Sky isn't "evil." He's a "fundamentally good person," and all of his intentions were good, so he learned a valuable lesson from all the abuse and murder. To say this, they CONTRAST him to Slash, a REAL evil person, who just loves hurting kids and harassing women. Clear Sky is good because he is not "real evil" like this fake, cartoon caricature we just made up.

There was absolutely zero need for them to write Slash the way they did. They really want you to be distressed for Clear Sky as his wife is assaulted in front of him and hauled off while kicking and screaming, and they decided the best way to do that was pregnant woman pinning face licking. Sexual violence is an easy way to disgust and anger an audience, simple as that.

As a kid you may not realize how messed up it is (though the asks I get on this blog are a testament to how many kids did, but didn't have the words to express their discomfort) but as an adult with your critical thinking on? It hits different.

[inklings-sprint]

I just had a thought about something that could be interesting and/or fun. Not something necessarily for this year, but it's still early enough that you could still do such.

But now that we all have our teams, it would be neat if there was a story that had multiple parts that were contributed by people on the same team. I know it's not a team challenge like that, but it would be kind of interesting to see.

[scribblingface]

I went into bg3 fully ready to have a good time and have done so despite many ways in which the game is not good and have not worried too much over various dramas about patch changes but my chill streak has finally ended and I am wailing gnashing my teeth etc. about patch 7 (the supposedly final one with story/content changes) not adding companion reactivity for any of the durge content in act 2

[jasontoddstherapist]

PSA |

Yes this is a Jason Peter Todd centric blog, but it's also 100% supportive of Talia al Ghul. There will be no slander here. No perpetuating of the racist, misogynistic bullshit that drove the narrative divebomb of her character.