#i don't even want EVERY person who wants me but it does seem to be a requirement.

[alchemistc]

He's drunk when he sends it. Pissed because Buck won't just let this die. Tired of seeing his name flash across his screen, texts full of anger and sadness and hurt.

I suspect you've already met your last and it's not me he sends, and then turns off his phone and reaches for the bottle of whiskey on his top shelf.

---

If he'd been sober he would have known better. It's not even like it's been a pervasive thought - just an inkling at the start of things that seemed to be completely off base once he got to know everyone better, but looking back... He can see it. The built in life. The steadfast support. The knowledge that they'd always, always have each other's back. The kid who hero worshipped him.

The thing is he's fielding texts from Eddie, too, checking in and then circling around to being so goddamn judgmental that it's like they've coordinated their attacks to give Tommy no room to breathe.

He ended it to save himself from slipping so far under the surface he wouldn't make it back.

The fact that he's lost them both to his own fear is icing on the cake for the demon on his shoulder that keeps trying to remind him that once upon a time he'd fully thought Eddie and Buck were amicable exes.

---

He has to blink to figure out who's standing on his doorstep. The mustache is gone.

"If you meant who I think you mean, you're dumber than you look," Eddie says, and shoulders past Tommy before Tommy can even muster an affronted expression.

Tommy wanders after Eddie into his own kitchen, immediately annoyed that he looks more at home there than Tommy has felt in weeks. He'd gotten used to the loft - the space, the echoes, the lights of the city. The smell of his own aftershave on Buck's pillow.

They never spent much time here. The loft was closer - to Harbor, to the 118, to all the things in the city that tempted them out for a night. And staying at the loft meant he wouldn't have the echoes of Buck in every room, around every corner. (The echoes are in him, instead, and he still feels the absence like a lanced wound.) Tommy has always been good at making other people think he's good at putting distance between himself and them.

Eddie digs in a drawer, pulls out the bottle opener shaped like a cow and pops two tops. Holds one out for Tommy and scowls when Tommy wrinkles his nose at the Corona.

"Absolutely screw you if you think I'm driving halfway across town for you just to get the ones you like, right now."

Tommy can't argue that. He takes a drag and swallows. Stares. Is everyone else experiencing whiplash seeing him without the mustache? It looks fine but it'd taken so much fucking work to get used to it and now it's just gone. Clean shaven, an acre of skin he hasn't seen in months.

Tommy blinked and the entire world was different. Tommy freaked and the world changed.

"What are you doing here?"

Eddie's eyebrows both lift, a frank Are You Fucking Serious look on his face that makes Tommy want to take him to the mats and have it out in the garage instead of over beers.

"Buck may be spinning his wheels trying to figure out what the fuck you meant but I know damn well what you were implying."

That seems unlikely. Eddie always seems to be the last person to have a single clue what was going on, with Buck scraping in just before him. It's a tight race.

He used to find it charming.

(He absolutely does not still find it charming, he tells his heart, and wonders if he could hire some tiny asshole gnome to go stomp around in an atrium or two and get it to stop doing what it's doing. Fucking traitor.)

"Do you actually believe that, or is it some dumb excuse because you're terrified of being happy?"

Oh, that's fucking rich.

Tommy opens his mouth to tell him exactly that but Eddie just steamrolls right by him. "You don't have to point out the hypocrisy, jackass. I'm well aware of my own issues. Thing is - you're like, almost right. Buck does make me happy. Next to Chris there's no one else in the world I'd rather have by my side, rain or shine, good or bad. I love him. He's my person."

Tommy rolls his jaw. It's not a vindication to hear it.

"Except I'm not gay, Tommy. And I don't want that. I never have. And neither does Buck, just in case that argument was about to hit the airwaves."

"How do you know?"

Something sparks in the back of Eddie's eyes. Understanding. Triumph.

"You want an itemized list or a demonstration?"

Which is when Tommy knows he's stepped into an absolute minefield. No markers. Just free balling his way through a conversation that could explode with even the slightest pressure.

Eddie's got his phone out.

None of this is ideal.

When he looks up, his eyes land squarely on Tommy, who would like in this moment to be able to curl so far in on himself he gets sucked clean through the other side. "First of all, Buck may have just been improvising his entire journey of sexuality but for once I was trying to get ahead of the curve so that whole starry-eyed newly not straight vision you have of Buck is bullshit. You let him pull you along by the shirt strings for months without pressing pause and then you freak out when he thinks his speed and your speed are the same speed?"

This is feeling a whole lot like an ambush, now.

"Did you ever even try to slow him down?"

Tommy has some choice words that aren't remotely appropriate to say to someone who is at least tangentially still his friend, so he takes another swig of shitty beer. God, this shit is awful.

"You wanna know how I know I'm not his one? How I know he's not mine?"

Tommy really, really doesn't. Honestly he'd like to kick him out.

"Because he went at our friendship at the same warp speed pace he took your relationship and it never fucking scared me."

Proof in the pudding, for Tommy. He's not the sort of jackass who actually thinks he can make a different judgement call on someone else's sexuality than the one they've made themselves, but come on.

"Shannon's been dead for half a decade," Eddie says, voice dropping so suddenly Tommy feels it like an icy draft. "And maybe one day I'll make my peace with that. Maybe one day I'll get out from under it. The point is I've lost them both and the loss wasn't the goddamn same."

"Buck came back," Tommy argues.

Eddie scoffs. Wrinkles his nose. "Jeez, he wasn't kidding about how weird that sounds." His phone buzzes on the countertop, and Tommy wonders what the hell that look on his face means. "Don't change the subject. I'm not here to talk you into anything. I'm just here to drink a beer with you and tell you how goddamn stupid it is to think that an uncertain future with Evan Buckley isn't worth every second of terror it causes you."

"You don't know me as well as you think you do."

Eddie tips the bottle against his lips. Swallows. God, why hadn't Tommy just pursued the self-proclaimed straight guy for a couple weeks before he scratched the itch somewhere else and kept a friend, instead?

"Maybe." Eddie tips his head. "Maybe I do, though. Maybe in the months and months you were invited to all my mopey nights in with Buck and all the crazy crap we end up involved in at the station and all the times you couldn't shut up about him when he wasn't around and all the times I got to see you falling ass over teakettle for my best friend, I learned a fucking thing or two about Tommy Kinard." He wags his head back and forth. "Maybe."

"Is there a point to this?"

Eddie tips his eyes to his phone, and it's probably too late at this point for the suspicion to begin to creep in.

"I mostly just came to confront you about your completely off base bullshit excuses, but there's actually a pretty simple solution to at least one of your multitude of issues, so. Now we're waiting."

Tommy doesn't like the sound of that at all.

"Chris is mad at you, by the way."

It's a distraction. It's fully a - "Why is he mad at me?"

"I should actually thank you, because it's the first time he's actively talked to me in months," Eddie continues, like Tommy hadn't asked a question. "He's pissed because Buck is sad and there's literally nothing in the world that gets a rise out of the Diaz boys like sad Buck."

"You can just say you're pissed at me and go, Eddie."

"Oh I'm angry. Don't think I'm not. Mostly I'm just sad for you. You had six months to get to know Buck and never thought to yourself 'hes going to love me and it's going to hurt' until he skipped too far ahead in the program."

And that's - kind of the final straw. He's let Eddie get his licks in. He deserves it, he knows he does. Honestly it's a little cathartic to hear - to know exactly what Buck has spent his time dissecting post-Tommy. "That's all I ever thought about. Do you think I didn't know going in? I tried to put a stop to it before it even started and he just doubled down! Do you think for a second I wasn't viscously aware that I was setting myself up for -."

No. He's not gonna say it. He's not giving that to Eddie when he couldn't even give it to Ev-Buck. When he couldn't give it to Buck.

Eddie looks victorious anyway.

"And for six months you thought it was worth it."

"For six months I was too much of a coward to stop thinking about it."

Eddie drains the rest of his beer. "I'm not gonna lie. You screwed up pretty bad. Like. Astronomically bad. Giving up your location in a firefight bad."

Tommy does everything he can not to wince.

"It's salvageable, though. If you want it to be. If there's anything I know about Buck it's that second chances are his bread and butter." He's been dancing around saying anything of substance about Buck's feelings, in all of this, but the hints are there. As if the bouts of angry-depressive texts from Buck weren't clue enough.

"And what if it's not what I want?"

Eddie's eyes dart to his phone one more time. "Then you can make it a clean break in about ... three and a half minutes."

Tommy nearly tosses his beer across the room.

[salemoleander]

Chaos vs. Patronage: How Life Series winners grapple with skill disparity

As the Life Series has gone on and matured into more noticeable patterns, some winners have pivoted to a mentorship/support role to their chosen 'champion'/ a favored player.

Scott spent Limited Life as a duo with Martyn, and then joined a high-skill group in Secret Life that ultimately saw him sacrifice himself trying to get Gem the win. Pearl spent Secret Life with her stated goal being one of her teammates winning, pivoting to support Scar at the end when they'd died. Now in Wild Life, she has outright stated her intent to support Impulse to get the win. (Scar supporting Jimmy in Wild Life may also fit this pattern; we'll get to that.)

In contrast, winners Grian and Martyn² are not sticking to that single-minded attempt to get a player to win, whatever it takes. They will express support for teammates winning, but generally do not take actions that would worsen their own chances of winning/surviving to help a teammate. They aren't playing "meta", which here means putting all their resources into one person.

These two categories of behavior ultimately reflect the Winners' approaches to answering the question of how to balance disparate skill levels in the series cast. (Second half of writing + footnotes under cut.)

Grian has spent game after game altering mechanics & playing with randomization to try to level the playing field without directly intervening against specific players.³ Martyn is invested enough in the narrative/story that making less-than-optimal decisions isn't hard for him or atypical (this is the player who beelines for the Nether every single season).

It seems like Scott and Pearl realized they're very strong players and are interested in nerfing themselves more actively... but they still don't want to throw the match. The compromise there is to put their effort & skill towards helping another player achieve victory.

A case could be argued that Scar is moreso the former group by nature (he's similar to Martyn in his penchant for making entertainingly bad decisions that render nerfing unecessary). However, after witnessing multiple seasons of Scott & Pearl acting as mentors, seeing them compete head-to-head in the game he ultimately won, mentorship now seems like a normalized route to take once you're a winner.⁴

¹ Unsure if BigB in LimL counts? They were a duo, but Scott fomenting Martyn's win seems to be what kicked off Pearl's dedication to support another player.

² Cleo is a winner but they do not fit this analysis for a variety of reasons I don't want to get into. So I won't, bc this is a tumblr post & not an academic paper. Ignore that there are footnotes and an academic-ass title

³ Grian seeing Scott win: "Oh no I've created an unbalanced game. Ok lets randomly assign players together to try to balance things... why has RNG betrayed me?!" RNG does not stop betraying him btw. I have another post in draft about this but it's kind of nuts how dedicated Grian is to Not Rigging The Game Even A Little.

⁴ Incidentally imo this is what will force Grian in the next few games to either end the series, create dual winners/some other atypical win structure, or bust his ass trying to get a second win & break that taboo. Based on his game design so far, he can put up with a bit of interference, but ultimately will not abide "we all do schoolyard tradesies on who gets to win until everyone gets one".

[shalotttower]

Will-o'-the-wisp

Title: Will-o'-the-wisp

Fandom: Hunter x Hunter

Characters: Chrollo Lucilfer x Reader (female)

Summary: Reader encouters fae!Chrollo and breaks some rules along the way.

Word count: 1700+

Notes: yandere!Chrollo, fae!Chrollo, abduction, manipulation, AU, modern setting with fae, Chrollo is charming af and a bit creepy as usual, Reader is doomed long before they know it and slightly depressed

You walk home the same way every day, like many people do. There's comfort in routines. Comfort and security which you crave. The familiar routes, the repetitive programs on TV and the books you've read a million times. You like to know what happens next and hate surprises.

The fourteen-year-old you wouldn't approve.

Maybe even express a little pity, because she always thought you two were destined for an adventure, like in fantasy books you used to devour one after another. Every free second was spent reading or dreaming, but life went on and adventures didn't happen. The girl grew older, a lot more careful and a lot less hopeful.

When you finish work, it's usually around six. Your adult self is practical and prefers to save money on the bus, besides, every other time you take it, you end up having to stand, squeezed between people. It's not worth the frustration; a fifteen minute walk isn't that long and the crime rate in the area is low.

There's a small grove nearby that nobody has bothered to turn into a park. The residents made their own paths in time, put a few signs so the joggers wouldn't get lost, but that's it. Once or twice a month you stroll through there, picking up trash left on the side. People make you want to move to the woods altogether sometimes.

That's how the day starts or ends — with crossing a bridge which connects the grove to your neighbourhood.

And this is where you see him for the first time.

The man looks so out of place among the rustic wooden railings and rushing water below. Nobody wears this kind of clothes here. Expensive and elegant, something that blends well in a big city. They don't stare at passersby like he does either. You hate when people do that ─ block already narrow spaces by just stopping midway. Or groups who spread across the entire sidewalk.

"Excuse me," you say politely. Polite is good. Polite can be used as a shield and always makes you look better than you are. "I need to pass."

He smiles, then moves aside. "Of course."

His face is exactly what you imagine when thinking of pleasant: beautiful grey eyes with long lashes, pointed chin and a strange mix of delicate and sharp edges.

"Thank you."

The smile widens. "You're welcome."

---

It's time to accept that you've grown into an average person with a simple desire to live in comfort. Dreaming isn't your strength anymore, the last book you picked up was several years ago. Movies bore you fifteen minutes in, even if everybody else praises them; the idea of a relationship seems exhausting.

You do enjoy gardening.

Growing tomatoes is a far cry from distant fictional lands, but they taste nice with a pinch of salt.

The condo you live in doesn't have enough space and light, so you chose a small patch of ground in the grove to start a garden. A few tomato plants and some herbs like chives and basil. It might be illegal, yet nobody has come to yell at you. Most people don't pay attention to what's happening here, as long as you don't damage the trees or leave trash.

You water and prune, weed, add fertilizer if needed. There're some flowers too; mother told you that marigolds scare pests away from veggies and keep the soil healthy. They're pretty, little orange spots.

---

You find a crystal at you patch. Azure would be too bland to describe its color ─ maybe more like a mix of cerulean and moon stone. It's round in shape, polished so nicely that the outlines of your face are reflected in the surface. Did a magpie bring it? Or a kid? The thought of someone poking around your garden makes you frown. You hope they didn't step on your basil.

The stone is heavy and cool. You turn it around, entranced, before stuffing it into the pocket of your jeans. Maybe you can ask the neighbours' kids about it later.

"Would you look at that," you mutter and bend to inspect a tomato plant. Two green fruit, each no bigger than your knuckle, hang there, sprouted over the weekend. "Hello, my pretties."

---

You lie in bed, staring at the ceiling. It's past 1 AM, you should sleep; instead, you keep twisting the stone in the moonlight.

You asked kids from around here, but nobody claimed it.

Maybe it's a lucky charm, you've had a wonderful day. Got a call from your cousin in the morning, she has't contacted you in a long while and it was nice to catch up. After lunch, the resource manager praised your work, then an elderly lady from the store complimented your cardigan.

At a certain angle, the stone seems almost glowing. A summer night sky condensed into a tiny orb. Your fingers trace its smooth surface without much thought until eventually it drops onto the pillow by your side.

You don't notice when exactly you fall asleep.

It's the strangest dream you've ever seen.

Gone is the condo building with its stuffy kitchenette and old pipes that constantly rumble. Instead, you feel damp grass underneath your feet. Wind brushes through the hem of your nightdress, carrying the scents of rain and moss. So many shades of black and raven blue swirl together that you barely recognize a signpost nearby. It's the grove, but you've never seen it like this, as dark as it can be only at night.

It's uncomfortable to stand barefoot, with a chill creeping up your legs.

After a while your fingers touch the rough bark of a nearby tree to get a sense of direction, and you start walking, because there isn't anything else to do.

There's the bridge, you think. If you just get to the bridge, the rest will be simple.

You're walking there, or that's what you think when a small ball of light appears right before your nose.

Fireflies don't glow blue. It doesn't falter, doesn't flicker, coming up closer then farther like a pendulum. There's something uncanny and fragile about it. For a second you forget everything and stand mesmerized, until it starts moving.

Through the trees, past the branches, onwards.

It's more instinctual than anything ─ you don't want to be left here alone again, so you follow. Light is good, darkness isn't. The ground becomes more uneven as you go, the grass changes to moss, but you can barely register anything at this point apart from that lonely glow. It halts at times as if making sure you're keeping up.

Is that a clearing ahead? Your eyes hurt from trying to focus.

The blue dot continues to float, never speeding up, never falling behind.

Then it disappears.

No. Not disappears ─ settles on the tip of a pale finger.

There's your tomato patch, your plants, the empty box that you forgot to take back to the condo.

But it's impossible.

Your garden should be not very far from the border, yet it feels like you've walked through half of the grove by now.

Why is he here?

"It took you a while," he says, the stranger from the bridge whose eyes made you pause before you caught yourself. "I was waiting, my dear."

Maybe you shouldn't ask. Maybe the wisest thing would be to turn around and run. You step back and trip on a root which somehow snuck between the moss. He catches your hand before you fall and doesn't let go. Instead his thumb caresses your skin in leisurely strokes.

There's a faint scent of lilies coming from him, and something else. Something heavy, equally sweet that lingers on the edge of cloying and enticing.

Smells aren't supposed to be so strong in dreams.

"I need to go."

"Where?"

This simple question asked in an equally plain tone makes you falter. What does he mean 'where'?

"Home," you say softly and try to free your hand again without success. The man leans in close enough that you can see his face, illuminated by that blue light.

"And where is home?"

"I-" you swallow. "I have to go."

He releases you with surprising ease; you don't waste any time rushing towards the path. The long walk has exhausted you, and the lack of light makes it difficult to tell which turns to take. You stumble multiple times. The hem of your nightdress catches a few twigs. You sprint past the trees, past the low bushes along the familiar trail, and it's there, suddenly in front of you: the wooden bridge.

Out of breath, you grab the railing. And then open your eyes on the same side where you started.

How?

Again and again, you dash across it, yet every time there's a single step left to cross over the stream, the view shifts. Your feet land at the beginning of the bridge. On the ninth time when it's impossible to run any longer, you press your forehead to the railing. Every breath feels short and raspy.

"That's enough, dear."

"What is this?" You grip the planks with trembling hands. "I don't understand. Why can't I-"

A coat falls over your shoulders; you clutch at it mindlessly, because it's warm and you're shaking all over.

"You thanked me. Claimed my land, charmingly audacious of you. Such care and love, right under my nose."

There's no malice in his voice. Gently, finger by finger, he uncurls the tight grip of your hand. The stone is there, cerulean blue like summer sky condensed into a tiny orb.

"Took my gift and kept it close to your heart."

It takes some effort but eventually you manage to speak. "I didn't," you whisper urgently, despite the shiny proof in your palm. "I didn't know! Take it back."

"I'm afraid it's too late for that."

"I didn't know!"

He lifts you in his arms when your knees give out and you sink to the ground, still gripping that damned stone. His coat carries the same distinct scent of lilies and heavy sweetness. The sceneries you dreamed of when younger pop in your head, like old postcards covered with dust, of mystical beings hidden from human eye, fantastical places no one has seen, grand adventures where heroes defy impossible odds and come out victorious.

Those were tales for the brave and imaginative. You're neither.

"It doesn't matter. The land claims you," he says. "And so do I."

[katerinaaqu]

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[yamisnuffles]

DATV Spoiler Free Review

I beat Veilguard a couple days ago and have had some time to let it settle in my brain. So, without getting into the nitty gritty and more spoilery things, here are my overall feelings on the game.

The Great:

The world itself. The scenery. It was really gorgeous and felt fully alive in a way that none of the previous games have quite managed. Since it wasn't as open world as DAI nor as narrow in scope as DA2 (nor as old as DAO lol), it felt more vital. Definitely a place where the advances in graphics helped, I'm sure.

The Good:

The companions. I wouldn't say any of them blew me away but they all at least ranged from enjoyable to very good. I definitely had my quibbles here and there but I think they were all pretty solid. As such, though I've only done one romance, I'll suppose they're all good. A bit... sparse in my experience and from what I've been hearing, but nice enough.

Overall, I also think the story was pretty good. Like much in this game, nothing that blew me away, but solidly compelling.

Also, mechanically, the gameplay and the glamour system. It still doesn't feel like DA to me but it was enjoyable once I got used to it. It works well with how I play games. And it was nice to just set looks for myself and my companions and not worry about stats vs appearance.

Rook. I have some definite Complaints, and so this point is probably closer to the good to mid range, but they did a pretty good job with letting you pull in your faction stuff. I'm prevented from saying great because it feels like, even with what are supposed to be rougher dialogue choices, you're limited to being mildly pleasant.

The Mid:

The music. This is tragic to me because every previous game had some really standout songs and DAI especially was such a solid soundtrack. I love soundtrack music. Also because Hans Zimmer! I love Hans Zimmer. But the entire thing felt very generic epic fantasy to me. It wasn't bad but it didn't feel good. The only times I ended up moved by the music was when they lifted DAI songs.

The lack of imports. It wasn't the end of the world but did make some cameos feel really off. And for all the talk of making what few things were imported matter, that really didn't feel like the case at all (unless you were in a specific subset of players). I didn't care too much, but it was just enough to make things feel weird, especially with characters like Harding who are so attached to previous stuff.

The Bad:

The world felt so sanitized. I have no issue getting rid of real life bigotry that makes so sense in the context of the world. For example, the sexism in DAO especially made no sense. That said, there was a lot of in world nastiness that is just... gone. The game does a lot of telling us the elves have it bad but doesn't show it. No one bats an eye at a Tevinter mage running about outside of Tevinter. No one cares about a Qunari in occupied Treviso. I suppose it's not the worst thing in the world but it feels weird, especially when it's so central to Solas' motivations.

This sanitization carried on through pretty much everything. All of the factions are presented as good and heroic, even the ones that are historically pretty shady. Your companions are all pleasant and palatable. They have the occasional minor squabble but even when they almost have actual beef, it's solved super easily. You might get some disapproval for decisions but companions never seem to much care or hold it against you, even on really big things. I don't need DA2 levels of interparty drama but, boy did I want a bit more tooth sometimes.

The Awful:

I can't get into it without spoilers but it did a Thing that Bioware sometimes likes to do that I absolutely loathe. This is definitely personal but it ruined some of my desire to replay.

Overall:

I'd give the game a 7/10 or maybe 6/10, depending on how I'm feeling. It was enjoyable for the most part but it had so many things that felt like splinters. Lots of little things that stuck under my skin and bothered me. Would I recommend it? Genuinely depends on the person.

[ponyregrets]

I wanted to write about Buck and Eddie going in the ocean and I'd written most of it before I thought to check what the weather in LA is actually like right now (look, I'm in New England, I just think of it as Warm down there, okay?) and I decided to go with it anyway. as @frightfullytreeish said, get chilly, idiots

(806 coda, 1900 words, also on AO3)

"Hey, what brings you joy?"

Eddie is expecting some waffling in Buck's response. Maybe some suspicion. It's a weird thing to ask, obviously. Joy isn't a word he uses much, isn't a go-to. But even if what makes you happy is a more normal question, it's not right. He needs something deeper.

And of course there's the Tommy of it all. Buck hasn't exactly been mourning or anything, but he's obviously down. It wouldn't be unreasonable for him to say that nothing is bringing him joy at the moment. It's not a particularly joyful time.

But Buck doesn't hesitate, doesn't question. He just says, "The ocean," and doesn't even ask why Eddie wants to know.

"Really?"

"Yeah. I never saw it until I left Hershey. We never went to the beach or anything when I was a kid. The first time I saw it, I fell in love. It was the best thing I'd ever seen."

"I didn't know that."

Buck shrugs. "Doesn't come up that much. And I guess I always think I'll get used to it? But it's amazing every time. I never get tired of it."

He should have known, right? They've gone to the ocean together. Or--well, they've had calls near the water before. That guy who got struck by lightning. The shark.

The tsunami.

But they've never just gone. Buck has never tagged along with him and Chris on any of their trips, and he and Buck have no reason to just take a beach day together.

Joy doesn't need a reason, right? He can just do it.

"Cool," says Eddie. "Let's go."

"Now?"

"What else are we doing?"

It hasn't been a problem, exactly, their lack of things to do. It's just kind of new, the way they're hanging out in the last week. Usually they have Chris, or girlfriends, or boyfriends. They have some reason to stop being together, and now they just…don't. And Buck just keeps on coming over, hanging out on Eddie's couch, in his space, like he can't bear to be in his loft now that Tommy isn't there.

Or something.

"You got some trunks I can borrow?" Buck asks.

"Are we swimming?"

"You want to go to the beach and not swim?"

Most of the time, that's what he does. When Chris was younger he'd get in the water, but the last few years it's been Eddie supervising while Chris does his own thing far enough away that it doesn't look like he's being supervised.

But Chris is in Texas. And, yeah, it's November, but Buck doesn't seem to care.

"I'll see what I've got," he says and finds he has two pairs of trunks in good enough shape that he's not embarrassed about anyone wearing them. Small miracles.

He throws the bigger pair to Buck and then goes to change in his bedroom. Buck will be doing the same thing in the bathroom, not for the first time, but he's never been changing into Eddie's trunks before. Did Ana ever wear anything of his? Marisol didn't. Buck might be the first person since Shannon.

As long as they fit, it's fine. Not a big deal at all.

They take Buck's car, the podcast he's listening to about the issues with the keto diet resuming as soon as he turns it on. Hen has gotten tired of explaining why his diets might be a problem herself and is outsourcing, which Eddie can't blame her for, but he doesn't find the resources nearly as interesting as Buck does. He already knows he doesn't want to do keto.

"You don't need to cheer me up, you know," Buck says, about halfway to the beach, without bothering to pause the keto thing. "I'm doing okay."

"I know."

It's mostly true. Buck has seemed fine with the breakup. Not happy, but not heartbroken either. He's been a little quiet about it, more so than Eddie was expecting. All he'll say is that Tommy initiated it, but he understands why.

"I'm trying to be happier," he tells Buck. "For me."

"Is that a thing you can try? Like, aren't you just happy or not?"

"If that was true, the ocean wouldn't bring you joy, right?" He lets out a breath, his stomach tied in inconvenient knots. "Someone pointed out that when I had the choice between something that would make me happy and something that wouldn't, I picked the one that wouldn't."

Buck mulls this over for a long moment. "I always figured that's because you're more mature than I am." It's only half a joke.

"Yeah, that's one way of looking at it." His breath shudders more this time. "Anyway. I'm not doing that anymore. I'm looking for things that bring me joy. So I figure if the ocean does that for you, maybe it'll do it for me, too."

"I hope so."

They set up like Eddie would with Chris, towels and belongings planted in the sand, the only difference that they left their phones in the car since no one is staying behind. He keeps his back turned as they shed the layers of clothing they have on, but when Buck hands him a tube of sunscreen, he has no choice but to stare at the expanse of bare back. The motions are familiar, nothing he hasn't done a thousand times for Chris, but…

Well, he's never done it for Buck.

Buck makes him turn around so he can return the favor, a much less familiar process. These days, he usually leaves his shirt on.

But he knows Buck's hands. They're familiar, all heat and callus. Careful, incongruously so. Buck looks like he's built clumsy, someone who can't do delicate work, and maybe he knows that too. Like happiness to Eddie, precision doesn't come naturally to Buck. He has to put the effort in, and he does. Eddie's skin lights up with every stroke of Buck's hands, so he's sure that Buck gets every inch.

And then he keeps going a little longer. Just to make sure.

"Okay," says Buck at last. "We're good to go."

Eddie is expecting Buck to run into the ocean like an overgrown puppy, all bright enthusiasm despite the chill, but he's cautious. He dips a toe in, then his foot, then the other. He walks in slowly enough that Eddie overtakes him, even though he's not running. He's just eager.

"The first time I went into the ocean, I was in Virginia Beach," Buck explains without making Eddie ask. "It was May, and I thought it would be warm enough, it was a hot May. But I ran in and it was so cold. I ran right back out."

"Goes to show," says Eddie.

"What, exactly? I know how the water's going to be today. It's cold."

The water is probably around the same temperature as it was in Virginia Beach in May. Eddie shivers, but doesn't stop, not until he's up past his knees. He smiles at Buck, who's still just letting the waves lap his toes. "Yeah, it's nice anyway. It's hot out."

"Not hot enough."

"It's fine."

He's in up to his ankles now. "You're not getting the joy, though."

"I am."

"Eddie."

"I'm getting used to it."

"You're not supposed to get used to it. You're supposed to be be making choices that make you happy right away, right?"

"I am happy," he says again, and it doesn't feel like a lie. "It's nice, there's no one else here. And it's not cold enough for us to get hypothermia."

"Are you sure this isn't just for me?" Eddie cocks his head, and Buck clarifies, "For my benefit."

"Should it be?"

Buck kicks at a wave. "He said I wasn't ready. Tommy. That's why he broke up with me. I asked him to move in with me, and he broke it off instead."

"So he's an idiot," Eddie says. "Always knew there was a chance, but I was hoping I was wrong."

"Is he, though? Was he wrong? I didn't really want him to move in. I just wanted…" He huffs. "I want to be done with this, you know? I'm ready to be with someone. And I think it could have been him."

It's not like getting shot, or even like getting punched. It's like a bullet or a fist going past him, close enough to graze the skin. Close enough that he's thinking about how much it could have hurt.

"But that's shitty, right? Like, how long could I have kepg going just because I didn't have a reason to break up with him? He was…fun. I liked him. I liked feeling like I'd figured it out. Like that was the last piece. I like guys too."

"Maybe it was," Eddie says. The water is lapping against his legs, the surf gentle. He's used to the temperature where he's submerged, but it's only halfway up his thighs. Every time the droplets splash higher, there's this shock of sharp little pinpricks.

He's so fucking happy.

"Maybe that was the last piece, but that doesn't mean Tommy is it. Maybe you're ready, but you're not ready for him."

"I'm just tired," says Buck. "I'm tired of waiting for someone to want me enough, you know? I'm ready to settle."

"You shouldn't," says Eddie. "You shouldn't be with someone just to be with anyone."

"You can build it," he argues, like Chris angling for a later bedtime or more video games before homework. "Love. Like you and Shannon did."

Nausea roils his stomach. "We didn't. It wasn't like that."

"I know it wasn't perfect, but you two were working on it. You were going to--"

"She wanted a divorce. Before she died. That was one of the last things she told me. We weren't going to have another kid, we weren't going to get married again, we weren't going to be together." He's not crying, but in that way where he is very aware that he's not crying. Where Not Crying is currently defining his existence. "I think we could have been friends," he says. "And maybe we could have figured it out. Been together again, made it good. That's what I told myself. And that's…easy."

"Easy?" Buck asks, in a small voice. Like Eddie is telling him a fairy tale he wishes could be true.

Which Eddie is, actually.

"If she was the love of my life and I lost her, then that was it. No one else would ever measure up. Nothing else could ever be as good. It was never going to work."

"But she wasn't?"

"Maybe she was. Or maybe--" He's Not Crying. "Maybe I don't just get one love, or even just one life. Maybe it doesn't have to be about finding her again. It can be about finding someone new. Someone who…"

He chokes then, the words dying in his throat. Buck is dazzling in the sunlight, his eyes as blue as the sea, his expression open, waiting. His whole existence focused on Eddie.

Eddie would marry him today. Eddie would marry him tomorrow, Eddie would marry him yesterday. Eddie would tie himself to Buck in any way Buck could think of, in every way, with wills, with contracts, with mortgages, with handcuffs, with string.

"Someone who brings me joy," he finishes.

"Joy," says Buck. He looks over the horizon, smiles, shakes his head.

Eddie's chest is too small and too big. He's never had so much in him.

"I've never had that," he muses. "Someone who makes me feel like the ocean."

"Like the ocean," Eddie says. "Yeah."

[camila-tyrell]

Same! I never voiced my support of Narcissus because I only have a shallow knowledge of Greek mythology and might be missing details/themes common in Greek mythology that more knowledgeable people understand. But I also never understood why he was considered a bad/unloving person for not wanting to be in a romantic relationship with others? Like he had friends, & family so he was obviously still building relationships with others. If anything I always found Echo creepy and stalkerish (doesn't help that pretty much every painting is her rubbing up on him or creepily staring at him from afar). Why is he not allowed to live his life the way he wants it? Like op said, he might be rude but it didn't seem like he was a bad person at all (also he might have gotten harrassed by people so often, similarly to women nowadays, that his first defense might have been rudeness to get them to leave him alone faster, and I don't see a problem with that at all.) I always felt sorry for Narcissus. I understand the story is supposed to be a warning against being selfish, prideful, conceited, and not caring about others etc. and that him falling in love with himself and wasting away is divine punishment for that. But I can't help feeling that it feels like it's written by some ancient incel who wanted to shame others into giving the "good guy/girl" a chance. I know I shouldn't be using very modern morals to judge an ancient text, and I'll say it again I have very shallow knowledge of Greek mythology so I might be totally wrong, but I can't help but wonder why he would be punished for the crime of not wanting to be with someone? Didn't his own feelings, wishes, and desires matter in the choice of deciding whether he wanted to be with someone or not? He was punished for not forcing himself to have feelings for/be attracted to randoms who became obsessed with him & his beauty? Why? That wasn't his fault. He didn't owe them a chance, and the randoms didn't even love him either, they hardly knew him they just thought he was beautiful. Also the ending doesn't make him look bad either, because while he dies from staring at his reflection until he wastes away, this is understood to be a divine punishment/curse (depending on which versions of the story you read). So it's not even something that he does to himself, or that is part of his character, but rather that other forces at play do this TO him, as punishment/curse. So rather than looking like a shallow man that died because he couldn't stop staring at himself, he seems like a tragic victim who died from other's need to possess him, no matter his own feelings or thoughts on the matter, and from other's need to punish him for not returning suitors feelings. Idk, I need a more knowledgeable Greek mythology reader to explain to me why it's Narcissus that is punished and the punishment seems to be deemed right by others, because I just don't get what he did wrong. I do think it's a Greek tragedy, but I see it as Narcissus being the victim in that tragedy, not Echo.

Is it just me or like… Narcissus didn’t do anything wrong? He’s a prideful asshole but he never hurt anyone, when he was hugged by Echo he was rightfully scared and disgusted bc he doesn’t know this woman and she low key tricked him into thinking he’s called out to his hunting partners, when he told Ameinias to fuck off he was unnecessarily cruel about it but he has every right to do so, besides who’s to say that Ameinias wasn’t being a creep to him to the point that Narcissus hoped that sending a sword would force him to take a hint? it’s not his fault that Ameinias decided to curse him then kill himself in front of his doorstep.

Sure ig he could be less “rude” when rejecting ppl but it’s so weird reading about him and seeing how him rejecting countless suitors was portrayed as a bad thing, even tho he’s fully in his right to do so. Kinda ironic seeing a male character’s consent being disregarded as much as female characters.

[liquidorcard]

Lily Orchard is very politically opportunistic and her posts on Palestine show how blatant this is. She presents herself as militantly anti-fascist and anti-hate, she claims to hate centrists who try to give fascists a space to speak (instead implying she'd be willing to use violence to stop them). But like, as soon as it comes to electoral topics, she aggressively, AGGRESSIGELY insists that the liberal centrist parties are the only viable option. Like, the guys she pretends to hate. To the point where she's victim blaming activists for Democrats losing the election and telling people not to listen to activists when they call for a boycott against the liberal centrists who are upholding the right for fascists to speak and politically act. She pretends to be a leftist, but it's blatantly performative, the reality is that she is centre right and she seems to hate herself for it. Kind of sad, honestly.

I've said something before here that Lily and I grew up in similar environments? Well, I honestly think that has something to do with it.

I grew up in a very right-wing household in a very right-wing community that like, I knew I knew from a very young age I wasn't ever going to be accepted in. Assigned Reject at Birth. You know, it's one of the many ways religious and right-wing spaces just tare apart interpersonal connections important to the human psyche. That makes a wound in people. I won't go into detail, but my home life was bad to begin with. Being queer just made it that much worse.

Before moving away for college, I very much believed I was the most left-wing any human being on this earth could possibly be. I thought I was going to be met with open arms and the unconditional human acceptance I had always wanted, even though I wasn't fully cognitively aware of that.

I wasn't. And I feel people were even less forgiving of my lack of leftist literacy because I was a queer AFAB and concluded there was no excuse for me to be as ignorant as I was.

Now, I know the discussion of the social policing and virtue grandstanding gets flattened of any nuance online so the right can use it against the left, so I want to make sure I'm clear with what I'm about to say. No, the left should not be tolerant of bigotry. No, not every right-wing nut job can be deradicalized by hand-holding them through their own come to Jesus moment. Nor is anyone owed that emotional energy from you. But when you were raised right-wing, even if you grew to resent it, a person needs time to be deprogrammed. And, I know this might upset people to hear, but you won't understand how much of a privilege it is to be raised in a more liberal household unless you weren't. People who were can sometimes be, what I feel is unreasonably hostile to those of us who don't know any better because we haven't had the chance to learn.

It also just so happens I started college in 2015, right when gamergate went down. And it was an art school. Really, it was a uniquely not very ideal environment to rid myself of right-wing brain worms. And in a very real way, it retraumatized me getting rejected for not having the sociopolitical context to understand everything I was expected to. I'm not blaming anyone in particular for that-- that is more an unfortunate symptom of the anti-social rot the right causes, but it wasn't a good time. I think some people could have been kinder, and to this day I do my best to be charitable with meeting people where they're at myself. And I do think there is a problem in the left, especially online, failing to read between the lines and respond appropriately-- especially when it comes to vocabulary choice. You know, sometimes people use dogwhistles without the proper context to understand they are dogwhistling, sometimes people are just genuinely misinformed and lack the language to ask the questions they have, and vocabulary does shape perception. Right-wing ideology only can survive on the basis of rigid, strict, conceptually or literally divine hierarchy. Right-wing language is shaped on the premise of that hierarchy. The reason why a lot of social progress doesn't make sense to right-wingers and is almost impossible to communicate properly in right-wing language is because it disregards the premise of that hierarchy. Right-wingers don't literally live in a separate reality, but they kind of functionally do. Mentally. For people who are more on the right, but open minded enough to genuinely learn and want to, it's better to use as their language as much as possible to explain to them things that can ease them out of the premise of that mental trap of explicit social hierarchy in a gentler fashion.

With all that said, the root cause was still that right-wing upbringing.

I feel I have more than enough reason to very confidently say Lily went through a very similar experience to me. A shitty childhood for a lot of reasons, but one of them for sure being a queer person in an extremely right-wing household. She has a hypersensitivity to feeling shame and will go to extreme measures to avoid it, she feels isolated and desperate for acceptance in an extremely unhealthy way. In one regard she was knee-capped significantly in her ability to function socially that I wasn't, in that her parents decided she was a simpleton when she was very young, basically wrote her off and conditioned her to never take accountability. Though being overly critical of children is equally harmful (though in different ways), dismissing a child of all agency because you think they're too stupid to handle it can result in a lot more damage to everyone around them aswell as themselves and is a form of emotional neglect.

Online I think she searched out for a community that would accept her, and when that did not work out for her, when she experienced that retraumatization again of rejection . . . She took some very interesting lessons away from that. The wrong ones.

And, glass houses, it took me a whole journey aswell to get where I am. But I was conditioned to internalize social rejection, for better or worse. Lily was not. She is aggressively, profoundly, depressingly incapable of self-reflection, in healthy or in unhealthy amounts-- and even though that's not wholly her fault, she's a big girl now, and she's the only one left to accept responsibility for that. As someone myself who feels deeply angry at the ways I was psychologically damaged, I'm speaking as someone who has accepted that dwelling on how unfair it is that I have to be held accountable for that isn't going to improve my situation.

Believe it or not, I don't think Lily is inherently stupid. I think she was treated like she was stupid since she was young, and has put a lot of energy into pantomiming intellectualism instead of actually learning stuff. Again, glass houses, I also learned how to pretend I am smarter than I actually am out of an extreme aversion to shame-- but I can tell I have more actual knowledge, interest and curiosity to learn than Lily does.

I don't think Lily has any interest in learning about left-wing politics, and I don't think she has actually deprogrammed herself from the right-wing environment she was raised in. She has no motivation to care, and likely still is deeply bitter about the social rejection she's experienced in left-wing spaces. However, she has a lot of social capital to gain by PRETENDING she is.

And pretending is enough for the people she courts in her audience.

[princess-of-purple-prose]

Fish, 7 (For your prompts! ❤️)

Hi, anon!! Thank you for the prompt, you were the very first one to send one in! 7 was, again, the wildcard, so I randomly generated a different number to land on Yue Qingyuan (from Scum Villain)! I have no choice but to dedicate this to @bytedykes, because I told her about this prompt and she said “yqy pet fish mental health speedrun” and we went, uh, a little insane about it. Enjoy some yuefang, folks!!!!

“Mu-xiong,” Yue Qingyuan says. “I’m sorry to bother you. Are you available?”

“Yue-xiong is never a bother,” Mu Qingfang says warmly. “And I am, actually, yes. Is everything okay, Yue-xiong?”

“I think I need help.” A bit dramatic, perhaps, and Yue Qingyuan hates to trouble Mu Qingfang on a rare day off, but Yue Qingyuan and impulse have never been the best combination, and he would appreciate a second opinion.

Mu Qingfang’s voice turns hard. “Where are you? I'll come right away.”

“What—?” Yue Qingyuan stares at his phone like the blank call screen will tell him why Mu Qingfang suddenly sounds so serious. “I'm at home, but—”

“I'll be right there,” Mu Qingfang says, and hangs up.

Yue Qingyuan stares at his phone for another second, then lifts his gaze to his sparkling new aquarium. His new betta, white and black and resplendent of fin, stares back. Was his crisis of faith about his viability as a fish owner really so deserving of such urgency…?

—

“So,” Mu Qingfang says. “This was your emergency?” He looks about as unimpressed by the betta as it does by the two of them.

Yue Qingyuan feels obscurely like he’s being scolded. Mu Qingfang is one of the nicest men he knows, but that just means that his censure takes the form of a blunt instrument of mass disappointment.

“In my defense,” he points out meekly, “I didn’t say there was an emergency. Mu-xiong just assumed.”

“That’ll teach me,” Mu Qingfang huffs, but at least he looks amused. “Yue-xiong should get used to asking for help more so this gege doesn’t have to panic every time he does ask.”

Yue Qingyuan’s mouth almost drops open. He can only hope his cheeks aren’t as red as they feel. “Er—well, I asked this time, didn’t I?”

“You did,” Mu Qingfang allows, looking something horribly close to fond. Yue Qingyuan swallows and tries to hurry on.

“So—not an emergency, but I do want your opinion,” he coughs out. “I’m having… doubts. About the fish.” Mu Qingfang’s eyebrows contract. Yue Qingyuan rushes it out. “Do you think I should keep it?”

“Yue-xiong…” Mu Qingfang looks politely incredulous. “Why does my opinion matter? The fish is already yours, isn’t it? If you don’t think maintaining its upkeep will be feasible, that’s one thing, but… Surely Yue-xiong did the research before getting it?”

He doesn’t sound judgemental, but Yue Qingyuan feels his cheeks warm. “I did, but I wasn’t planning on getting a fish; I was only admiring the tanks. There was a salesperson who was… very insistent.”

Mu Qingfang regards him doubtfully, which is fair. Yue Qingyuan towers over most people he meets, and his bulk only further adds to the impression of immovability. It’s only when he opens his mouth that it becomes clear how spineless he actually is.

Yue Qingyuan falters. “I had thought… I thought it might be nice.” The bettas had seemed so majestic in their tanks, iridescent monarchs of false grass and plastic coves, and Yue Qingyuan had thought, wildly, that one might be rewarding to keep, might breathe a touch of life into his immaculately sleek living room. The whole affair hadn’t even been expensive by his shiny new standards, forget difficult to physically arrange. It was only when installation and set-up for his new aquarium had finished and he was left to watch that jewel-bright being swim disaffectedly through its new home that doubt had seized him, all-consuming and black. He had, admittedly, panicked a little after that.

(Yue Qingyuan’s apartment is very large, and very clean, and very empty. It holds the barest amount of decoration and muss to qualify as lived-in rather than a snapshot from a magazine ad. The fish may, in fact, be the only thing in the entire place which really qualifies as his. No wonder Yue Qingyuan wanted to jettison it from his life as soon as he got it.)

Mu Qingfang’s expression hovers between concern and simple confusion. “I’m sure Yue-xiong will be a more than adequate caretaker,” he says, more gently than Yue Qingyuan and all his neuroses probably deserve. “What’s this really about, Yue-xiong?”

Ah. There it is. Being the mildest person of Yue Qingyuan’s admittedly sharp-tongued social circle doesn’t preclude Mu Qingfang’s wit from being as keen as the scalpels he works with.

“I don’t…” Yue Qingyuan falters. How to express to Mu Qingfang how manifestly unfit Yue Qingyuan is to care for any living creature at all? He changes tack. “I think he hates me,” he admits dolefully.

Mu Qingfang stares at him for a long time, long enough to imply that he’s reevaluating certain opinions about Yue Qingyuan’s intelligence. “Yue-xiong, with all due respect to your new pet—it’s a fish.”

“Fish have emotions!” Yue Qingyuan argues. He flushes at the volume at which it comes out, and at the way Mu Qingfang’s eyes go wide-eyed in startlement. But the salesperson had been very insistent about that, as well. “Bettas are intelligent animals. They dislike certain colors, apparently, and they’re very sensitive—ah, to environmental disruptions, that is. And—”

Mu Qingfang’s eyebrows are still high, but his face has relaxed into a smile. “It sounds to me like you like it quite a bit already. Isn’t that reason enough to keep it?” His tone curls with sudden mischief. “Have heart, Yue-xiong—you’ve hardly known each other for a day! Give it time to adjust to you, and I’m sure you’ll win it over as surely as you do everyone else.” And he grins, sure and easy in his trust that Yue Qingyuan won’t fumble and shatter something so small and monumental as a life that he could cup in his palms.

While Yue Qingyuan is still dazed by that, Mu Qingfang’s eyes alight with interest. “Ah, Yue-xiong—what have you named it?”

“...”

Mu Qingfang’s face falls as devastatingly as it had lit up. “Yue-xiong…”

“Mu-xiong is aware that I was unsure of whether or not I’d keep him!” Yue Qingyuan is terribly aware that his ears are now heating up to match his cheeks. Mu Qingfang’s ensuing laughter does not help with that matter.

Yue Qingyuan is not very good at holding onto things. More often than not, he makes a mess of whatever he’s set his clumsy hands to, lets it fall right through his scarred fingers. But Mu Qingfang’s words ring through his head: Isn’t that reason enough to keep it? And, well, isn’t it? Surely Yue Qingyuan is adult enough to follow through on this. Maybe happiness can be look like his new betta swimming up to the tank to observe the new colorful form moving in front of it, can come as easy as Mu Qingfang quipping that his knowledge about fish is clearly lacking and vowing casually to read up on bettas to be a better fish uncle.

Yue Qingyuan buries a smile and walks over to let Mu Qingfang know that bettas can be trained to follow fingers around. The betta’s clear preference for Mu Qingfang over Yue Qingyuan is as good a marker of intelligence as any fun fact the pet shop worker could have given him. Yes, Yue Qingyuan thinks with a smile—he thinks he’ll be keeping this after all.

[sskk-manifesto]

Ep 5!!!

[coquelicoq]

wow. they weren't lying that 19 portland mayoral candidates sure can underwhelming

[onrainynights]

I'm about to be so annoying btw

[seenthisepisode]

~~~

[daz4i]

i only want people who want me first and i don't think it's bc of attraction i think it's just bc I'm obsessed with being wanted and subconsciously latch onto every chance to get more of it

[dimiclaudeblaigan]

Sometimes I want to read my friends' fics bc like... friends! Their fics! But then like... my brain reminds me the only fic I read is dmcl.

[pega-chan]

past relationship trauma makes me unintentionally feel wary and uneasy about conventionally attractive people (specifically women) even though i myself am a conventionally attractive afab person