#i don't even know WHY. why today?
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plain-and-simple-ninja · 1 year ago
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benevolenterrancy · 2 months ago
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("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)
#svsss#bingqiu#luo binghe#shen qingqiu#lbh#sqq#i've been working through the series of unfortunate events and somehow that series has paired really nicely with svsss#the themes of cycling violence and what's justified and what isn't and what can possibly be done differently#and how trying to bring love and honour into the midst of it really changes nothing but also changes everything#it's just *chef's kiss*#i don't know how i can quite do my thoughts justice but i've spent the past few weeks quietly going between the two series (and mdzs and tg#as well if we're being honest they all hit similar questions and themes) and just reveling in the pain and ambiguity of it#everything is interconnected and it means you can never know what trauma and pain and necessity has shaped a person#each story goes too far back to ever ever EVER possibly see the full extent of it#at that level even communication itself is nearly impossible.#and because of that it's almost impossible to change anything. beat yourself apart and the outcome is the same#and yet ATTEMPTING to change things ATTEMPTING to do the kind thing the honourable thing is absolutely critical#because while you can change nothing you also have the capacity to change EVERYTHING#aaaaaaah i don't even know what i'm saying#but i read the beatrice letters today and the love letter just. killed me.#(obviously i cherrypicked some lines because it's three pages long but those ones felt right)#''i love you like a corpse loves a vulture's beak'' i just. can't get over that line.#to be completely changed. altered. destroyed. redeemed. purified. desecrated. reduced to nothing yet entirely necessary for another's life.#what a FUCKING line#anyway i was either going to blow up from thinking about it or else i had to exorcise it via art from an entirely different series#i've already done svsss and discworld why not throw a series of unfortunate events into the mix#i'll be honest folks i did not expect svsss to be the mxtx series that would fuck me up the most about the main ship#bingqiu is something else. i don't even know how to begin to approach my feelings on it. impossibility and necessity all at once#bizarre#my art
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starry-bi-sky · 2 months ago
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mmmmm danny with sensory issues both in and out of his ghost forms, but on the opposite ends of the spectrum. Ghosts can't experience sensations the same way humans can when they're in the mortal realm. They're naturally intangible, and it takes energy to be physical. When they're physical, all touch feels the same barring the texture. They feel no heat, no chill. Sunlight passes through them, and so does wind and rain.
You know when your foot falls asleep/goes completely numb, and you go to touch it with your hand and it causes a strange jumble of sensations? You can feel the skin there, your palm is pressing against an object and there's resistance, pressure, but you can't feel the heat? It's kinda something like that. Like he's feeling everything through a set of gloves.
As a ghost, when it rains, he can feel the raindrops hitting him, and he can feel his hair getting wet, but he can't feel the chill of the water and he can't feel the wetness. His suit is soaked but there's no weight like there should be. During the winter snowflakes don't melt when they land on him, and he can't feel the chill of the snow when he gets buried under it.
Sunlight passes through him, a nice breeze ruffles his hair but there's no relief in the sensation. All pressure, no sensation. It's like a strange form of sensory deprivation. And of course, the internal things. It's even worse when he's intangible, when he's not putting energy into being physical. He doesn't feel real.
As human, things become too much. Especially when he's been a ghost for hours. He can feel the weight of his ribs pressing against his ribs, he becomes hyperaware of the expanding of his lungs when he breathes, the feeling of his heart pulsing in his chest.
He curls his fingers in and out slowly and becomes fascinated by the feeling of the joints moving. He turns and grabs Tucker's hand, and soaks in the warmth of his body heat -- he can't feel it as a ghost. He runs his fingers through his hair, and he can feel the individual strands.
There's a weight when he walks. A small drag when he bends his knee and lifts his leg and takes a step, and when he's been a ghost for too long he stumbles over himself, drags his feet along the floor and stomps when he doesn't mean to because he forgot to weigh his steps. Sometimes when it rains he goes out and sits on the front steps of the house just so he can come back in shivering and soaked through to the bone. Runs his fingers obsessively over the goosebumps up along his arms and legs because he can't get them as a ghost even if he's cold.
Because there are certain things, even when he's in the ghost zone, that are exclusive to the living. The little internal things you don't notice and take for granted. Things like breathing and goosebumps and exhaustion exclusive to running that makes your heart pound against your ribcage and your chest hurt with the need for air. Sore muscles from working out and sweating. Thirst and dry mouths, chapped lips and hands, blinking and dry eye, the feeling of the sun soaking into your skin on a nice summer's day.
As a ghost, Danny faces sensory issues in the form of not enough. When he can't feel the hair behind his ears or the weight in his limbs where there should be muscle, tissue, and bone. He can't feel the sun or the wind, everything is in a permeable state of 'just fine', and its maddening. He can breathe if he wants, but there's no point to it. He has no lungs, he can't feel them expand, and there's no relief behind it. He's going through the motions without any of the reward.
On those days, the idea of going ghost again makes him feel ill. Paranoid. He can't stand the thought. He needs to feel. He needs to feel the soft texture of the rug beneath his feet and the grooves in his knuckles, he needs to feel dirt crumble beneath his fingers and get stuck under his nails, he needs to feel the heat of his sister's hand and the feeling of body warmth passing from her to him. He lays on the carpet room and stretches out, and focuses on the feeling of his heart beating and the weight of his bones and muscles and tissue pinning him to the floor.
As a human, Danny faces sensory issues of too much. When all the things he's starving for suddenly make him sick. He feels trapped in his own skin. His ribs become a cage and breathing becomes a dumbbell that he can't put down. He can feel the hair along his arms and it rashes him. He's too cold, he's too hot. He feels like a ghost puppeteering its own corpse and he needs out.
On those days, Danny dips away when he can and goes ghost, and Sam and Tucker don't see him for the rest of the day. He's gone invisible, intangible, and he does nothing but exist.
Just, him experiencing sensory issues as both ghost and human, but in opposite directions from each other. And the idea that ghosts experience the mortal realm differently, and that there are certain things that are just exclusive sensations for the living that Danny doesn't realize until he's a halfa.
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royalarchivist · 3 months ago
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Fit: Where are you, Pac? I got you, I got you, I gotchu!
Pac: I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...
Fit: No, you're not in heaven yet! You're not going to heaven, no no no–
Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...
Fit: Stay with me, stay with me! Stay with me.
Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.
Fit: You're good, you're good.
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[Full Transcript ↓ ]
Tina: Wow, the radius for that is huge.
Pac: [Steps on a mine and gets blown up] Whoa!
Fit: Oh, those are all mines, arent' they? Those are all mines, you bastard.
Aypierre: Let- let- let me fix this road... [He starts placing blocks]
Foolish: See? This is why mines need to be allowed, they're too fun.
Fit: [Laughs]
Pac: Yeah, actually.
Aypierre: Look, look– it's perfect, it's perfect.
Pac: [Steps on one of the blocks Aypierre placed, which was a mine, and immediately blows up]
Fit: Pac! No, Pac–! NOOO!!!
Pac: [Laughs and then shouts at Aypierre]
Aypierre: Where are you, Pac?
[Time skip]
Foolish: Did you get your stuff, Tina?
Tina: I will... I'll find a way... [She steps on a mine and blows up] AAAAAAAAA–
[Fit and Pac laugh]
Tina: PLEASE!
Fit: Those are all mines!
Tina: No, please! My stuff! I gotta go– [She gets lit on fire and screams again] PLEASE!
Pac: God damnnit!
Tina: Please, I just want my stuff back!
[They all laugh]
Fit: Jesus.
Tina: I'm gonna go get it! I'm gonna get it! Aghhhh–
Foolish: [Jumping in after Tina] Wait, there could be another landmine!
Tina: I want my things, Foolish!!!
Pac: [Jumps in too and steps on a landmmine, which immediately downs him] AAAAA!!!
Fit: Sht– Where are you, Pac? I got you, I got you, I gotchu!
Pac: [Overlapping with Fit] I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...
Fit: No, you're not in heaven yet! You're not going to heaven, no no no–
Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...
Fit: Stay with me, stay with me! Stay with me.
Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.
Fit: You're good, you're good.
Tina: Oh god... I'm scared, I'm scared!
Foolish: You did it!
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lazylittledragon · 7 months ago
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right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"
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feroluce · 6 months ago
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“-and that's why I ain't allowed in Pier Point no more!” Boothill throws his head back and cackles, somehow completely comfortable on the bare floor of the archives. He's the very picture of ease, his arms behind his head, his legs bent and crossed.
Dan Heng barely looks up from his notebook, not much surprises him anymore after the first few tales of lawless exploits. “So they really have that many laws and restrictions there.” 
“And prob’ly a few more now that I've been through there! Heck, ya think they named any after me? I'm hopin’ so.” There's so much smug cockiness seeping through his voice Dan Heng could bottle it.
Silence settles in, stretches out. Dan Heng doodles pensive circles in the corner of his page.
He shouldn't ask. It's a private matter. It's none of his business. He of all people should know-
Something pokes his shoe, and when he looks up, Boothill has stretched one arm up to tap metallic fingertips against his foot. “Ain't like ya to hesitate.” With his head tipped back on the tiles and gazing at him upside down, Boothill's hair is out of his face and spooling out all over the floor, offering a rare view of his right side. His right eye is sealed over with a pitch-black patch, stark against his skin. Dan Heng wonders what he looks like behind it. “C'mon, then, out with it. Spill the beans, brother, just say it.”
“What does ‘Boothill’ mean?”
The man blinks at him, the crosshair in his cybernetic left eye flickering. Dan Heng shifts, smooths out his long coat. “I tried to look it up once. It's not in any database as a name...other than your wanted posters.” There's a thread beginning to fray near the hem, he should sew it up. “I couldn't find it anywhere.” 
He nearly takes it back, but- “Heh, ya that curious about me, darlin’?”
Dan Heng quickly levels his face into the most impassive, nonplussed expression he can muster, but Boothill has already turned away, head pillowed on his arms and face once again turned to the ceiling.
“But nah, ya wouldn't. Hah, like they'd allow any record of the language, fudgeheads.” One arm sweeps around blindly until it finds the edge of Boothill's hat, sets it back where it belongs on his head. Dan Heng shuffles around, scoots a little closer, but the brim is pulled too low to see his eyes anymore.
“It's ‘cause it's not a name. It's a noun.” All that's visible of his face is a sharp grin, pulled too tight at the edges.
“It's my people's word for a grave.”
Dan Heng's pencil stops.
“It's the kinda grave fer someone who died with their boots on. If ya catch my drift there.” Boothill's foot starts to bounce. “There was a war, and it got reeeeeal intense, yup. Folks started droppin’ like flies, ‘n’ there was bodies faster'n what we could bury ‘em.” A cooling fan kicks on somewhere. Dan Heng is pretty sure it's not any of the Express equipment.
“We lost some real good people there, real good. Mighty shame.” His hidden Vidyadhara ears detect a quiet metallic click, a whir, pressurized gas. Boothill's next words waft steam from his angry circuits into the air. “When I left, I decided to leave my name there, too. Didn't feel right otherwise. The life I lead now is a whole ‘nother existence.” And then Boothill turns his head, raises his hat, and Dan Heng suddenly feels pinned dead center, caught in that crosshair.
“Ya know what I mean, don'tcha?”
Dan Heng swallows.
Does Boothill know? Who he is and who came before him? There had been that moment in the Penacony Grand Theater, after he activated the Jade Abacus… Dan Heng had tried to shoo him out, keep him from seeing anything, but Boothill has the astounding ability to turn up exactly wherever people are trying to keep him away from.
If he did see, does he actually understand it? Does he know what a High Elder is? Does he know about the sedition of Imbibitor Lunae, the transmutation arcanum, everything Dan Feng had done and Dan Heng was punished for?
He doesn't want to explain it all. Not now. Possibly not ever, truth be told.
And it's not the same as Boothill leaving behind his old identity when whatever event happened that caused him to leave home. Not really. But…
But so far, Boothill has slid so easily into Dan Heng’s routine. His presence never feels like an intrusion. He's already figured out what he can push and when to back down. And even Dan Heng finds himself able to roll with whatever punches Boothill throws with baffling ease. They share too much in their methods and ideologies, and sometimes Dan Heng knows what Boothill will do seemingly before even Boothill himself knows.
“...Tell me about Talia and the Nailscrap Town.” Boothill must know he's avoiding the topic. He must. But the man just throws his head back and cackles, melting easily back into what they had been doing before, as he speaks fondly of a planet that Dan Heng has never visited.
Not today. But.
Dan Heng inches just a little closer, just enough to nudge his foot against a metal leg. Boothill doesn't pull away.
Maybe someday.
#honkai star rail#henghill#boothill#dan heng#hsr#bootheng#hsr boothill#hsr dan heng#BEHOLD. my brainrot#Aeragan-Epharshel and The Sedition of Imbibitor Lunae not as things they feel they have to tell each other#(bc what is most important is who they both are TODAY and what they are like NOW)#like they aren't maliciously hiding anything from each other and neither thinks so of the other#their pasts are just something they CAN share to deepen the bond and know each other better#things like Boothill better understanding why Dan Heng sleeps in a room lit 24/7 by electronics if he knows he grew up in a dark prison cell#or Dan Heng better understanding Boothill’s motivations & what kinda life he might want post-revenge if he knows how Aeragan-Epharshel was#I think it's only thanks to the Express Crew that Dan Heng can even begin to think about telling someone All Of That#he has people who love him and it has made such a huge huge difference for him ♡#meanwhile in in-game texts Boothill tends to gloss over the loss of his home. I don't think he's super keen to talk about it much either.#I let him say a little more about it here since he and Dan Heng had a lot more time together to get comfortable with each other in canon.#the thing with his eye is based off a voiceline of his but isn't canon from Hoyo or anything#but it's canon to ME#same with things like him having to literally let off steam when he gets pissed haha#I need to just make a post about all my weird robot body Boothill hcs I love cyborgs woohoo#that and him & Anger I have a lot of feelings about that too ♡#also. wireplay NZMZMXMMDDM
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dumvixerum · 10 months ago
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smol latina gf eheh
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lesbianwyllravengard · 9 months ago
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Wyll breaking up with the player character if Ulder dies so Wyll must become the Duke makes me wanna throw up sobbing because he actually thinks that just because his father's first duty being to Baldur's Gate made him a Bad Father that Wyll himself will inevitably be a Bad Lover because surely no one could match love with duty if his father couldn't, unknowing he has more love in one hand than his father had in his entire body. fuck
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cisthoughtcrime · 2 months ago
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#ok but fr marking undergrad essays is such a rollercoaster#i gave two very high marks today and was genuinely impressed and then the next three i marked were practically incoherent#one just copy and pasted their intro instead of writing a conclusion. like it's verbatim the same paragraph#i dont mark down for minor grammar and syntax errors because there's a high rate of ESL students...#... but some of the papers from native english speakers have me more concerned about functional illiteracy than I've ever been#these are 19-20yos in a humanities field at a top university! even the highest scoring essay had basic basic grammar errors and vocab misuse#at least i could tell what the student was trying to say there but some of the others...#if your punctuation and spelling and syntax are all so bad that i literally cant tell what you're trying to say there is a serious problem#even setting aside how many errors like these there were there's the flip side of the issue: actually writing an essay#the last one i marked yesterday had no structure or thesis or secondary sources#everything between the intro and conclusion was the same claim phrased in different ways with some irrelevant non sequitur quotes thrown in#no analysis other than the words 'analysis of this shows' which is *gasp* not a substitute for analysis#OH AND OMG#one made a direct claim about a figure's political stance and attached a footnote. i went to see what the student's source was.#the footnote literally said something like 'i know i should have a source here but it's only context and i don't want to waste my word count#like what???? do you think claims about relevant context don't need evidence??? and the audacity to not give a citation...#... and claim it's because it would take too many words away from your main argument??#just providing the actual citation for the claim would have been 3-5 words max but the footnote about not having room was 30 words#kid do you think i can't tell that you dont have that citation? do you think anyone's buying that you didn't include it to save space?#it's the very first footnote and most of the others are full-length bibliography entries jammed into the footnotes (which we don't require)#so either you were 'worried about space' at the first footnote then changed your mind as you wasted 250 words on unnecessary formatting#or you were over the word limit and were like 'gotta cut something!' and the only footnote you 'simplified for space' was a short basic one#^assuming i believed you. which i dont. because why would you think that would fool anyone.#i still have half the essays left. im tired and so disappointed in how little we're told we should expect from them
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spookythesillyfella · 13 days ago
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WHAATT ??? SPOOKY MAKING ACTUAL ART AGAIN ??? thiz iz insane
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★ song : "Goodbye to This Meaningless Everyday" – Dobu no Awa
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rileys-battlecats · 23 days ago
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was trying to figure out why I feel so Wrong rn and I think it's because I didn't follow my usual daily routine like At All and now my brain is freaking out. woke up at a vastly different time, had entirely different tasks throughout the day, took a nap at a weird time (to make up for the fact I had about 3 hours of sleep last night), zero human contact for the past 15 hours, and ate different food from usual (various leftovers from social events/thanksgiving, instead of cooking for myself like normal). and before I really realized that these were all things that were Bad For My Brain I was just wandering around my house like "why do I feel like garbage?? I've literally been outside so much today my brain should be happy"
ANYWAY here's to me not remembering I have issues with unstructured living because my days have been so similar for the past 4ish years that I straight up Forgot that things being too different too fast makes me crazy ✌️
#rye.txt#I'll be fine lol#the sudden shift in my daily schedule and my generally unhealthy eating today were the big things that made me feel Bad#so now that I am actually cognizant of this I can take steps to mitigate it tomorrow#god. what the hell did I even eat#leftover soup. that was breakfast (very out of my ordinary). uhh. a lot of pie (grandma made a ton for thanksgiving).#a tangerine that miiight have been on the edge of going bad#(thought I should eat a fruit. fruit did not improve status)#reheated ​popcorn chicken? that was not a good decision I felt so gross after eating that#hrm. ok my issue is that I feel like I Need To Eat These Leftovers So They Don't Go Bad#otherwise i'll be Wasting Perfectly Good Food#BUT. I don't want to eat it and eating it makes me feel generally unfulfilled and kinda blehg#ough. why can't I be normallllll#I'm also not dealing with the whole 'zero human contact' very well tbh. which is weird because I'm a deeply introverted person#and usually spend my days avoiding people like the plague#but idk. it's been literal years since I've spent and extended period of time completely alone#I don't knowwww i don't know#I'm gonna invite some friends over tomorrow and get them to help me eat these dang pies#ALSO. ITS BEEN REALLY COLD TODAY. AND I HAD TO BREAK INTO MY NEIGHBORS' HOUSE#(was not breaking in; I was trying to take care of their dogs since they're out of town)#(but their door code AND their garage door code weren't working#and I didn't have a physical key to use#so I had to push my way in through a back door that'd been blocked by a pile of boxes taller than my head#and squirm into their garage in order to get inside and take care of the dogs)#(was a very stressful way to spend my early waking hours)#i ALSO had to drive to the AIRPORT this morning which SUCKED. had to drop off family#which like I'm happy to help but also airports suck so much ass I hate them#anyway. today was sort of shitty#but mostly I only have myself to blame#did not structure my day well enough
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venomouslilith · 28 days ago
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zouisexo · 1 month ago
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royalarchivist · 11 months ago
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Pac: In a- in a far far away tower, there used to live a prince called Fit, waiting for someone to climb over the top and save him!
Fit: [Laughs]
Pac: Kinda like Shrek, you know? [Laughs]
Fit: That's right. I've been waiting!
[Context: They were talking about how Fit's "house" looked like a tower / water tower.]
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dog-violet · 4 months ago
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listen I’m not gonna pretend like dead apple isn't a confusing story that probably needs a rewatch/read to fully grasp, but I swear ppl will say the plot was incomprehensible (or somehow claim there was no plot at all) and then only talk about the dazai and chuuya scenes. well maybe if you paid any attention to the literal main character you would understand dead apple
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rmbunnie · 5 months ago
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I am alone on this barren earth (Jason Todd liker and Mia Dearden liker who honestly thinks issues 69-72 of the 2001 Green Arrow run are fun and good and would really like to talk about them beyond "Jason Todd was ooc and irredeemable there because he was trauma-dumping on Mia but also everything he said was fake and made up and he was manipulating her to become his sidekick and he blew up her school in retaliation because she didn't so really we should ignore the whole comic as bad writing /or agree he should just be read as an sadistic sidekick killer" (None of which is true and over half of which is directly stated to be false in the comic's text) but all people ever have to say about the comic is weird wrong takes about the three pages in which the gym fight happens ripped out of the very interesting and fun surrounding context)
#i truly do wonder why we're always going the least interesting route interpretation-wise even when it directly contradicts canon#why have complex characters making complex points through off methods when we can have boring ones clearly labeled as good and evil#maybe if i wanted to talk about this i should have been alive in 2001 but like. we still talk about it today we just don't say anything fun#maybe. just maybe. there's a reason the panels go directly from jason letting go of mia and stepping back#to mia escaping and going “i escaped”#“unless ofc he let me go”#that is not jason making an attempt on her life (because this didn't happen we see him let go)#mia wasn't even his secondary goal he just took her to make a completely unrelated point and decided to have a convo while he was at it#jason having the capability to end it but letting mia go vs joker pretending to give jason an out and taking it away (locked door)#except in both jason ends up staying in the building#i know we don't like n52 rhato but the roy jason discussion in the Bruce-Ollie convo make me think they could have been done well#but that's not my point#i just feel like some of you guys are too quick to take an interesting comic and toss it out because one thing happens that you dont like#kinda throwing the baby out with the bathwater#i wish we saw more of mia dealing with the repercussions of their convo i want to know more of what she was thinking#green arrow 2001#jason todd#this isn't mainly about mia's character so i'm not gonna block her tag up with this
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