#i don't CARE what was written on the book

[iiotic]

TWO WRONGS, DONT MAKE IT RIGHT, AFTERALL

summary: your relationship with wanderer is complicated, friends? friends with benefits? partners? enemies? definitely not the last one, yet you don't know the answer to that question.

tw: modern au, female reader, swearing, suggestive, ooc wanderer?? sexual topics, wanderer is taller than you, not proff read, lowercase intended, poorly written, cringe, if you'll find more please tell me!! MDNI | wc: 1.4k

"what are we?" the question hovers your mind hundreds and thousands times already, yet none of you two are brave enough to ask about it. pheraps in wanderers case its his pride?

instead, you just keep everything.. flowing. one time, he'll be as sweet as sugar and the next day he's as cold as ice. it's not the first time you bumped into him him with another woman and its not the first time he caught you flirting with another man.

one day, you're sitting in a cafe across the street from the university. you took a deep breath, scrolling through the social media mindlessly with your head in the clouds as you were lost in your thoughts. until a tall male took a seat infront of you.

a very known tall male with his signature dark blue hair and violet eyes, wearing a black shirt with some sweatpants for today.

"hello there" he greeted you, teasingly.

you looked up at him from your phone, an unpleasant expression formed on your face as you remembered the events that accured last night. as you were coming back from the local library you found him and some random chick making out in an alley way.

you obviously didn't care, why would you? its not any of your business who he fucks. you grumbled a greeting before looking back at your phone again, hoping that he can leave as soon as possible.

he gave you a subtle smile, while scanning your face. you were so lost in your thoughts, staring at your phone, that he was able to take a good look at you without disturbance.

"what's up with that face?" he asked, leaning his back on the chair.

"what's up with you."

his stupid signature smirk formed on his lips. you know him as well as he did with you. he knows your mood. he knows the possibility of whats bugging you inside, and him seeing you frown and pout like this, clearly means something is irritating you. however he decided not to push it.

"nothing much. just thought i'd stop by here." he responded casually. "and see you."

"why don't you stop by somewhere else where your woman is."

"i dont have a woman." he almost chuckled at your sassy remarks. "though, i do have a date in 30 minutes." he answered bluntly, giving you a glance before focusing his attention on the waitress.

he didn't look like he was going on a date, more like going to dig trash to find something to eat, but then not finding anything and starving to death.

"even better, how many woman have you seen this month.." you said, it was clearly a rhetorical question. you opened your mouth to say something but a waitress cut you off.

"may i take your order?" you looked at wanderer who seemed deep in thoughts before starting ordering a bunch of things. he stopped and then the waitress turned to you, you quickly dismissed her saying that you don't want anything. she looked confused at first as she thought you guys were on a date but walked away not questioning anything anyway.

"i thought you were going on a date in 30 minutes, why are you ordering so much, hell, why are you ordering anything at all?" you questioned him, clearly irritated by his doing and his presence here.

"i am." he answered bluntly, once again. not adding anything not even looking at you anymore.

the awkward silence accured, nor you nor wanderer saying anything to break it. 15 minutes passed and the food was put on your table, that you booked for yourself tonight, that you were supposed to enjoy alone.

"say, are you jealous that im going on a date?" he said finally breaking the silence, yet at the same time offending you.

"excuse me? i feel bad for all of the hearts that you've broken, these poor woman.." you said defending yourself and feeling pity for all of the females he hooked up with then just leave them feeling worthless, you glared at him as he started laughing, clearly not taking you seriously.

"please, they all know better that im not exactly into commitment. they know im not worth breaking their hearts. they just want to enjoy the ride, one night and nothing more."

"well, have fun with your new date." you said standing up and heading to the door. you heard enough from him, you had enough of him. you didn't care about him nor his sex life, then why did your eyes watered as you waddled to the exit?

"dont be so cold like that, im hurt!" he yelled, chuckling. that were the last words you heard from him before leaving the building.

why did the truth hurt? why did you care? why were you crying right now? your making messed up as you waited for your taxi to your apartment. yet deep down you knew that you're just as bad as he is, just as terrible as his actions; you thought as you rode the taxi driver, desperately needing a stress reliever.

the morning after yesterdays incident of bumping into eachother, you found yourself in bed with another man. was it the taxi driver? you thought, before leading him to the front door in only his boxers. the answer was positive. you kicked him iut of the house, before seeing that there's a package in front of your front door that he almost stepped on.

quickly picking it up and closing the door behind you, ignoring the taxis driver screams. you walked into your kitchen, looking for the scissors to open it. the package was medium size, not too small yet big enough to fit a cat.

you slowly, precisely opened the package not knowing whats inside. it didn't have a label on it, it could've been a bomb but you were met with a small box with a muffin from the cafe you were at yesterday, it was your favourite in fact and an small piece of paper that had something written on it.

"read your messages"

thats it? nothing more? just read your messages? you pulled out your phone to find 8 unread messages from kuni, 7 of the first ones were deleted, the latest one saying "sorry ig"

it was so stupid. then why did you caught yourself smiling at the sight? maybe you'll forgive him or maybe you've already forgave him.

if you were so mad at him then why did you talk with him the entire evening?

© 2024 iiotic. — do not steal, translate or repost any of my content onto any other platform

this is so cringe, might delete it later

[inthemaelstrom]

So we're about six weeks out from another "most important election of my lifetime" and it's predictably making me literally sick to my stomach. When Trumpacabra got elected in 2016, I threw myself into politics in a way I never had in my lifetime and it almost wrecked me. I was one of those people who never voted for religious reasons (long, separate story) and I felt I had to make up for lost time. By the time 2020 rolled around, I was an unhealthy mess. I had stopped reading. Everything. When I wasn't watching MSNBC and political commentators obsessively, I started consuming absolute junk TV: home improvement shows, crack paranormal ghost hunter crap, etc. Things with no plot, no emotional investment, no danger. No fear.

Right before the 2020 election, old fanfic friends from my days in the Master and Apprentice Star Wars listserv found me and saved me.

They dragged me back into fandom, introduced me to Discord, and got me writing again. I updated a story I hadn't touched in 5 years. I made new friends online and in RL. I got some great fiction and fic recs from those friends and discovered a subgenre called Hopepunk—low stakes fiction with very little if any violence and fear and with happy endings. (Becky Chambers writes a lot of what I read, and Amy Crook has also become a favorite.)

One morning, I had one of those really vivid, realistic, linear plot dreams that literally dragged me out of bed to the keyboard. It was a meet-cute modern au of The Phantom Menace's characters, set in the Upper Peninsula of Michigan. I cranked out about 2000 words the first day. Then another 2000. Then another 2000. Then another 2000. And so on every damn day for the next four years until I had four novels, about 668k words, several timestamps written by three other collaborators who've come on board, some beautiful art I've been allowed to use, and now a fifth book in the works.

This is the Yooperverse.

It's not just The Fic That Saved Me, it's the place where I'm writing a vision of what the world could be like into being. A place where people with fucking obscene amounts of money don't spend it on themselves, or hoard it, or exploit other people to get more, but use it to help other people. It's a place where people who are bigoted dicks either get their comeuppance and crawl back under their rocks, or learn better and do better. It's a place where abused kids get rescued, everybody gets therapy and healthcare and is paid a living wage, people learn to value themselves and each other, and protect each other and defend each other. It's kinky and queer (although I'm neither) and above all, if not entirely safe to be both, I'm trying to write both things as just being another setting on the dryer. ¯\_(ツ)_/¯

It's not a utopia, by any means, because there are still assholes and the government is still ... the government, and capitalism is still a thing. There's some danger, especially in the first book, and there are accidents and illnesses and the vagaries of life. In the middle of the series, I had spinal surgery and was out of commission for a few months and that made me start thinking more about my main character dealing with aging and the limitations thereof. There's a LOT of mental health issues and the working through thereof, and a lot of ongoing process. Nobody's perfect. The world outside is still pretty much what it is. But in the little corners where my characters dwell, life is pretty dang good, sometimes great.

It's a vision of a life we all deserve. It's the thing I loved about Star Trek's universe, where people's basic needs are cared for and the obstacles to them developing their best selves removed. It's what I've loved about science fiction in general, especially Ursula LeGuin's: that opportunity to explore possibilities that are better than the present. It's modeled on the MacArthur Genius grants, but you don't have to prove your worthiness first. My main character invests in people's potential, young or old, with scholarships and grants and a steadying hand. His partner builds low or no-cost housing for people in need. There's an informal network of queer and straight kid rescuing going on under the noses of unfriendly governments and failed social service safety nets. The main characters build refuges, literal and emotional. They love each other fiercely and respectfully.

Right now, we're living in a country that is almost the antithesis of these ideas, for far too many of us. People are being manipulated by their fears, which are stoked by unscrupulous, lying shitbag politicians whose all too real evil would never make it past the pitch if you were going to try to sell it as a TV show or movie. They're consciously turning us on each other with lies about our common humanity, about the state of our country, about who and what's responsible for many of its faults, sewing suspicion and hate. And though the Yooperverse started as my personal comfort fic, I'm trying in my very small way to counteract what's happening in the world right now.

I've always believed in the power of story to change people's minds and lives, and I've experienced it myself. When I talk about story, I don't just mean fiction, though. I mean the narratives we tell ourselves and others about our own lives as a whole and day by day or moment by moment. I mean the stories we tell about each other when we're together, at the bar, at wakes, at a party. I mean the stories we invest in as fans in whatever kind of media we consume. I mean the stories we spin for ourselves and others to explain what the everloving fuck is wrong with the world.

Stories aren't separate from the world, they are the world. They tell it into being. They give it shape and purpose and meaning and a sense of possibility. Whatever stories we tell ourselves or each other about how things should be or how we should act as human beings (also called our "beliefs" or "morals" or "ethics"), they shape us, and we shape society. We are society, both together and as individuals. One person with a big voice and a story can tip a mass of people into either violence or solidarity.

I have no illusions that the Yooperverse will ever have that kind of power. It has a tiny audience on AO3 and Discord and it's mostly written for me to explore the things I feel deeply about, and wish I could do, and to teach myself to be a better person and live up to my own ideals. It's a world I'd like to manifest, to call into being, even in a small way. Even if it's just a story.

[reallychaoticwoo]

Hi, babe!!!! I just accidentally hit my head really hard and I need some comfort. So could you please write something for a non idol! Reader with some kind of injury? I’m feeling better now, but I still need something to get me going. Love you💕💕

⛓️Hello babes! So this may have been slightly self-indulgent as your girl is in SERIOUS need of some physical affection lol but i do really hope you enjoy it!⛓️

✨️Peace of mind✨️

❤️Pairing: San x reader

⚠️Warnings: cussing, some suggestiveness🖤

This is truly a fluff fest, and I am absolutely NOT sorry.

‼️This is purely for entertainment purposes and does not represent the idol in any way‼️

🖤This was not proofread, so I apologize for any typos or weird mistakes 😅 Hope you enjoy!🖤

You didn't plan on injuring yourself today, I mean, does anyone ever really plan on it? You'd been rushing to get your things together, eager to head home and get out of your uncomfortable office attire. Bending down to grab your laptop bag and purse your head collided with the corner of your desk. Your vision blacking out for a quick moment and a sharp pain shooting through your head, you let out a groan. "Fuck.." Your hand finding it's way to your forehead to apply pressure to the aching area. Sitting back in your chair hand still holding your head you heard a knock at the door. "Come in." San opened the door, leaning himself against the frame. "Hey I was just coming to see if you.... shit, are you okay?" The casual stance he had disappeared as he made his way to your desk. Pulling your hand away from your head his eyes widened. "You're bleeding y/n. What happened?" Concern written all over his face, he headed to bookshelf in the corner of your office where the first aid kit was. "I'm okay.." You started looking at your blood covered hand that had been resting on your head. "I was just trying to pack up and I hit my head on the desk when I went to grab my bags." He let out a small chuckle, internally scolding himself for laughing at your clumsiness. "Yup, that sounds like something you'd do." He sat on your desk facing you, pulling your hand into his to wipe away the blood with a small antibacterial wipe he'd gotten from your first aid kit. "So what were you coming in to ask me before you stopped to play nurse?" You asked, nuding his knee with your free hand, a cute little smirk resting on your face.

The two of you had a bit of a back and forth going at the office. Passing flirty winks back and forth in the hallways, randomly showing up at each other's offices with any and every excuse in the book as to why. Neither of you had actually made a move to further things, though. Part of you wondered why, but another part of you figured it was because the both of you knew dating in the workplace, you get really messy really quick. Either way, you always caught yourself wishing things could be more.

"Well, I was going to see if you had plans tonight. But considering you just tried to put yourself into a coma, I don't think now would be the best time for a date." As if it was the most casual sentence in the world, he leaned forward to wipe the blood from your forehead and face, with nothing but a concentrated look painting his own. "I wouldn't say no if you asked." You looked up at him, a glimer of relief and excitement passing through your wide eyes. He chuckled knowingly. "Oh, I know. Don't think I haven't been wanting to ask you out for a while now. I just didn't want things to get weird if I did, but I think it's pretty obvious we'd both like to see where this could go." You giggled at the truth he just admitted so bluntly. There was no arguing that you were dying to see what things would be like if you both just allowed yourselves to be honest with your emotions towards each other.

"So, how about instead of going out like I was originally planning, we stay in and you let me take care of you and that injured little head of yours?" Playfully nudging your chin with his thumb, he looked at you with warmth in his eyes and a shinning smile spreading across his lower face. You couldn't help but return the cheesy grin up in his direction. "That sounds even better, honestly. No loud noises or bright lights. And most importantly, no feeling the need to wear uncomfortable clothes to look pretty." He tsked, a fake pout spread across his features. "You wouldn't want to dress up and go on a nice date with me??" He crossed him, arms feigning disappointment. "Right now? No. I want nothing more than some comfy sweats and to get out of these harsh lights." Your head really was throbbing. As much as his banter improved your mood, your eyes had been squinted the whole time, and you were ready to go anywhere that was quite and dimly lit. His muffled laughter catching your attention, he offered you his hand to help you up. He made sure to grab your bags so you wouldn't have to bend down again and risk another blow to your already aching head. "Okay, okay, princess, my place work for you? I've got plenty of comfy sweats, you can pick whichever ones you want." Walking out of your office, your face resembled that of a high school girl getting a text from her crush. You were smiling, blushing, internally screaming, and giggling. I mean, who wouldn't feel that way when the hottest man to ever grace this planet was taking you home to comfort you and make sure you still got a little date out of it. Honestly, the fact you knew without a doubt he'd have no expectations from you made you weak in the knees. Just a genuinely caring man who wants to make sure you are feeling okay because you hit your head. You weren't sure the exact moment the gods started blessing you, but you were mentally thanking them the entire walk to his car.

The car ride was rather nice. His hand resting on your thigh, the two of you talking about everything and nothing. When you finally reached his house, he quickly opened your door, offering you his hand to help you to your feet. Outside his house was simple but beautiful. He had a wrap around porch with a black metal bench swing, stringed light bulbs lining the edge of the covering, and a sitting area with two large wicker chairs and a small table. His yard was well maintained with beautiful flowers and greenery placed perfectly throughout. You were admiring the simplicity and homey feel as he ushered you up the front steps and through his front door. The inside of his home was equally as inviting, sleek, and modern, with carefully placed decor, highlighting the various spacious rooms. Gesturing you to follow him, the two of you moved to his living room. "Make yourself at home. I'm gonna go grab you some headache meds and water really quick. I'll be right back." You smiled in his direction, nodding at him in a silent thank you. Sitting on the couch, you took a look around the living room. A large marble fireplace in front of you with a large TV mounted to the wall above it. The mantle was decorated with a few vining plants and pictures of who you assumed were his brothers or really close friends. You smiled to yourself at how many goofy and well taken photos he'd proudly displayed. He quickly made his way back to the living room with meds and water in hand. "Here, take these. I'm going to go change really quick, and then you can pick out your pj's for the night." With a warm smile and a gentle kiss to the forehead, he made his way down the hall and to his room.

It was only a few minutes before San was back by your side. "Alright, gorgeous, let's get you into some comfier clothes." He bent down, picking you up bridal style and carrying you to his bedroom before sitting you gently on his bed. Opening his closet, he motioned his hand to the large selection of sweats as if to say 'take your pick'. Your eyes lit up at the grandiose selection, a delighted smile on your face. Picking out a plain black set, he brought the clothing to the bed and laid it down next to you neatly. "You can change in here. I'll wait in the living room. You have any movie requests? I can order some pizza, if that sounds good to you." You chuckled at how considerate he was. If you were being honest you'd expected him to be a total fuck boy. The flirting at the office and his perfectly styled appearance just screamed 'I'll take your chick and fuck her in front of you'. Yet, even if there was some truth to that, he was actually turning out to be a real gentleman. "You pick the movie, I can never make a decision and my head hurts too much to even try right now. And pizza sounds great, thank you." With a quick nod, he was leaving the room to let you change. Alone in his room, sitting on his bed, you felt a sense of home. His bed was plush and comfortable. You had to fight yourself to get up and change, deciding it'd probably be off putting if he found you curled up under his sheets fast asleep when you never came back.

Walking back you to the living room, you stopped at the entryway, smiling to yourself at the sight before you. San had set up the perfect at home date night. A makeshift pallet full of blankets on the floor, several pillows leaning against the couch, candles flickering on the mantle and end tables. Pizza was sitting on the coffee table, which was pushed off to the side, sitting next to one of the end tables. He'd turned the lights off to make sure the brightness wouldn't cause your headache to worsen and had a movie already pulled up and ready. Thanking the gods for the nth time today, you walked into the living room, taking your place beside San. Handing you your plate, he pressed play on the movie before grabbing his own plate. Both eating now, you looked to the screen, a familiar movie playing. A movie you'd watched many times, usually when you were alone and sad, sobbing into your pillow at the when you heard the line "if you're a bird, I'm a bird." You should've guessed by this point he'd be the type of guy to enjoy romantic movies. What you didn't guess was that he picked this movie so he could see how you reacted. He wanted to see what made you laugh, what made you cry, and what made your eyes shine with want. He wanted to get to know you better and more than just small talk and casual flirting.

Finishing your food, he took your plates and set them on the coffee table. He put his arm around your shoulder, pulling you closer to him, placing an attentive kiss to the top of your head. Leaning into his touch, resting your head on his shoulder, a content smile grew across your face. Although your headache seemed to be dissipating, the events of the day seemed to be catching up with you. Your eyelids growing heavier by the second. Noticing how your body seemed to grow more relaxed, San wrapped his arms around you and carefully moved the two of into a laying position. In the half awake/ half asleep haze, you softly muttered, "This is perfect. Thank you, Sannie." Your eyes never opening, you nuzzled further into him, your head now rest on his chest, your leg laid across his thighs. The soft touch of his fingers running through your hair and the steady beating of his heart lulling you into the most traquil night of sleep you've had in years. A soft kiss to your forehead and then to the top of your head, San allowed himself to succumb to his own tiredness, truly at ease with you in his arms.

[uselessgay10101]

Just had a thought that I think is hilarious

TRR MC starts an appreciation account of their love intest

Obviously I thought of this with Hana in mind

They make a normal mistake and they're so embarrassed but Mc tweets "Look at my beautiful spouse's adorable mistake. Aren't they so cute?" And everyone just agrees

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[iwritenarrativesandstuff]

Trigun Thoughts Vol. 1 Pt. 2

So now that I've finished with volume 1, I just wanted to write down a couple thoughts I've had and neat things to point out so far

When I was watching Stampede, I took note of a few kind of textbook avoidant behaviours Vash engages in, and lo and behold, here he is in the manga displaying even more of them. I'll list out a few here.

In order, we have:

Casually asking for a time limit on the interaction (ie. "How long do I have to keep this up before I can leave?")

Attempting to lose people in a crowd

Leaving without saying anything (and as a bonus, dreading being recognized in public)

Over-indulging or over-involving oneself in social events to create a viable excuse to leave suddenly (in this case, he uses alcohol as a reason to "pass out")

Sleeping to avoid unwanted conversation

Escaping to the bathroom to get away for a bit (and also to grumble about it haha)

Playing off sincere reactions by deliberately allowing them to be misinterpreted to avoid personal questions

It's really obvious, even this early in the manga, that Vash is intentionally avoiding prolonged interaction with people, and only involving himself in situations by necessity. He doesn't like attention on himself - the only reason he intentionally draws it is to divert it away from others.

The reason for this is a bit muddy though. It does seem that Vash doesn't particularly enjoy being caught up in drama, and it is also very likely he wishes to get in and out of places as quickly as possible to avoid them getting caught up in his drama too. It may even be that he finds prolonged socializing kind of tiring; that he needs a certain amount of time to himself.

But then there's also this bit, shortly after the celebration, where he pretends to pass out.

This brings in a bit of a guilt aspect to it. It likely has to do with July, or maybe it's due to something else (at this point, we can't say), but I think it's notable that Vash cuts things off shortly before they become intimate. He can play along to make others happy and to share in their joy for a bit, but the second things get too personal or focused on him, he will quietly slip away. Now this is specifically an instance of physical intimacy, but I think it'd probably hold for emotional intimacy as well, given the continuous avoidance and misdirection he does to prevent too many questions.

I made some commentary on Stampede Vash's self-punishing behaviours - specifically, the way he denies himself food. I don't want to get too into it because I don't know if everyone reading this has seen Stampede, but food is framed as something to be shared in the show - so, denying himself food is denying himself the right to share with others, which is denying himself belonging, which is denying himself any semblance of intimacy. (It means other things too, as food-sharing is associated with Rem, but I don't want to get too into it here.)

Vash in the manga doesn't seem to have the same issues with eating, but this is a similar premise - he's denying himself intimacy out of a sense of not being deserving of it.

So, then, there are probably many interwoven reasons for Vash's avoidance - he's sick of the chaos that follows him around, he doesn't want others getting hurt, he gets tired from having to "play it up" all the time, and he seems to also feel that he doesn't deserve that closeness. I'm intrigued to see how Vash's avoidance will be tackled going forward (I'm assuming it will?), and I suspect, more than there being one right reason for it, that all these reasons are actually true to an extent.

On a completely different note, this panel here is the biggest mood. I feel it in my bones.

[fromtheseventhhell]

Arya stans don't want Arya to serve Sansa? Dany stans don't want Dany to be villainess to Sansa Disney princess? That means they are evil mean Sansa haters

Literally 🙄. If we discuss Arya or Dany as their own characters without adding a fifteen-paragraph disclaimer about how that will affect Sansa, her fans run with it and call it "hate". We're being so mean and misogynistic because we *check notes* don't think the entire story revolves around her

[camzverse]

i could probably like or even love william afton if he made any fucking sense to me as a character

[b-blushes]

also i am going to the dr tomorrow so please can you send some spare good vibes my way if you have them thank you

[thatonecrookedsmile]

More progress being made. I finished re-reading The Illusion of Living this past Friday. It's a nice book. 👍 This was the last of the Bendy books in this "marathon" that I'm doing which I had already read previously and now I'm rereading, meaning that I'm kind of up to date when it comes to rereading all the books that were released until December 2021. But the race is not over yet. Soon I'll start Fade To Black, and (technically) I'll finally be up to date.

Just to continue my chain of posting about the books I finished (at least, the main ones that I really wanted to read) here it is…something I did at the beginning of March, on the night when shit went down. (I hope you know what I'm talking about). I saw the tweets first hand, I was there! Right at the damn moment. And it was..something reading those tweets alright. If the image above doesn't show it, my mood that night and the next 1-2 days wasn't so… great. You might read this and think I'm exaggerating, but that night especially I, uuhhh, I didn't feel good! And this image (and maybe 2 more posts I made that night) are the results of that. (And to think that a week before this happened, I had finished rereading DCTL after a long time. Talk about better/worse timing than this)

At least, if you want the bright side of this, it's that even after that day, I decided to continue with my book marathon, and I don't regret it. I was down that day, but I wasn't out yet damn it!! and I'm still not. (I don't know if this sentence makes a lot of sense, but you get my point)

As a bonus, here's something I did the night I got to the part where Henry is first mentioned in the book (you can consider this as a representation of my reaction when he's first mentioned, both for when I read TIOL for the first time in 2021, as now in this rereading)

Feat. canon Henry design and my fanon design for him (I wanted to include him here + I still read this book with my fan-designs in mind)

[thatscarletflycatcher]

I'm trying to articulate a thought: while a moral reading of a text is necessary and I'd say unavoidable, a judgement of a text cannot begin and end in its value as a didactic piece for teaching morality to the reader (or reinforcing their sense of moral selves).

This doesn't mean people should read books that make apology of things the person finds morally or psychologically repulsive, just because there's some artistic value in them anyways.

But I have seen people for whom reading (and engaging with media in general) becomes a moral race in which their enjoyment of literature must be thoroughly justified by the -often only superficially ascertained- moral value of the themes and lessons of the text, and for whom the things they read are a letter of presentation of the moral principles they spouse.

In other words, instead of the moral principles of the person delineating the framework through which they approach the text, it is a checklist of things the text must explicitly contain in order to be seen as having any worth at all.

Which is a rather sad and superficial way to engage with things.

[flootzavut]

if Henry was that keen on book accuracy for Geralt then I have to wonder why he chose to make Geralt monosyllabic in s1 which absolutely was his choice as confirmed by Joey in a post S1 video interview and by Henry himself in a print interview; the most likely scenario is that he thought he was gonna earn a shit ton of money doing Superman (and honestly I don't even blame him for that, you can't do big pretty boy action roles forever, at some point Hollywood is gonna stop calling or you're gonna injure yourself), but making out that he sacrificed himself on the altar of book accuracy is just silly.

[hopefulqueer]

I'm starting to think the reason I'm not as good of a writer as I want to be is because I like writing more than I like reading.

[pricechecktranslations]

Hi, I’m an editor from the Evillious Chronicles wiki! I wanted to ask your opinion of the wiki, what you do/don’t like about it, and any improvements you would like to see made?

Oh geeze. To be honest, I don't really have anything to say. I stopped really caring about the wiki a long time ago.

I had complaints in the early days when I first joined, for sure. I didn't like how translations were handled, the article writing quality was absolutely terrible, there were too many assumptions being made with too little information, etc. But over time most of those issues have been resolved, and I've lost the need to argue or debate on there. I'm close friends with one of the former admins, and so when she finally left the wiki I lost any actual imperative to pay attention to it.

I've also never felt hugely invested in being in the fandom itself--for me, the point of the wiki was just that it was the only place you could go to get or share information on the series, period. But part of the reason I translated all the novels was so that you wouldn't have to. That English speaking fans could enjoy Evillious while bypassing the fandom entirely, if they so chose. I'm sure there's still people who see it as a place to get together and talk about Evillious, but for me the wiki is just a helpful supplementary resource rather than a main source of information and discussion.

Doesn't help that "Fandom" as a whole has restructured their wikia system so that it's harder for me to navigate it easily. I used to still pay attention to what people were saying in the forums for a while, but that was when forum activity was quick and easy to follow. I can't be bothered to figure it out again.

[wantyoudied]

Keeping this one image near and dear to my heart

[justalittlebluetiefling]

.