#i do not own any explainations

[nsfhetalia]

Why is NorIce on your Nordic ships post? Isn’t that straight incest

Anon, are you asking if characters that are not humans, and do not share ADN (like as if they had the same mother or father or both)... if it is incest?

By my definition and common sense, it is not.

It isn't one of my ships, but I wouldn't go out of my way to shame anyone for it.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[ouaw-facts-i-just-made-up]

Kremy is asexual. With all the other shit he has going on, he thought it was just one more cherry on top of the really fucked up sundae that is him.

It's actually a main reason why he currently thinks him and Gideon are just plain incompatible.

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[julijbee]

don't you recognize me? don't you see yourself in my face?

[ganondoodle]

another thing i feel has deepend my hatred for totk is... how quickly people jump to defending it, as soon as there is any criticism at all, no matter how little or legit, anyone that expresses disappointment, even in the most tamest way possible, the comments are filled with excuses for it like nintendo can do no wrong

(saw someone express disappointment about a concept art in the totk book that they would have liked more than what we got, and the comments were filled with people making excuses for it-)

often the process of cool concepts getting less cool over the development cycle, especially in this modern gaming industry, isnt bc it just wasnt 'possible' or not the best choice, but bc it gets filtered through many layers of corporate "mass appeal" ideals for greater profit, "mass appeal" i think is always going to give you something more generic, losing its edge, its spark, you cant make soemthing that literally appeals to everyone, thats not how it works, but they certainly try anyway bc it promises greater profit in theory

of course, that doesnt mean that has to be the reason for whatever they decide to go for in the end, but they can do wrong, very questionable, and very much bad things, they have done that and ARE doing that, and you should be able to express disappointment about that without getting swarmed by a weird nintendo defense squad, in fact, it SHOULD be criticised, sometimes that can even be fun, sometimes mroe frustrating, but it should be done regardless, does it sound fun to jsut fully accept everything they throw in front of you without question??? does that sound like you will only get better things???

i just realyl hate that weird cult following (exaggeration) the game has amassed where you either worship it or must unreasonably hate it, that you cant express any sort personal feelign towards it that isnt praise without being hit by the squad tm

its not just annoying, its weird, what are you defending them for?? why??? i had this problem a while too, but its died down sicne then, probably bc people realized im not the 'average' fandom guy but a very specific kind of fandom guy- whenever i view outside my little bubble though i see it still happen ... even for the most miniscule of criticism

(dont get me started on how i have MASSIVE gameplay and design frustrations about totk and dont really understand how so many people can say the gameplay is stellar and jsut the writing sucks .... bc its not ..)

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[randomnameless]

Why do we still have in 2024 stupid takes like Rhea created and enforces the crest system?

Bcs Rhea BaD anon.

More seriously,

FE Fodlan is one of one of the most divorced FE verses from its fantasy elements (see : Nabateans being as important as Ignatz's leather shoes) : Tellius has the Laguz existing, Archanea/Ylisse has manaketes hanging around and being a core point in FE Archanea, Elibe has its entire history involving dragons and the best ending finally be about acceptance between the two races, Magvel has zombies, Valentia has terrors and in SoV we have dragons and magic dragon blood, Fates has dragons (and laguz-like!) and even Jugdral have people with magic dragon blood.

(i ranted and ranted and ranted under the cut, so it's a bit long)

Unlike Fodlan, Jugdral's "people with magic dragon blood" are a key element to the story told at large, and it bleeds through the mechanics used to tell that story. FE4 wise, toddler!Seliph has a S rank in swords when Beowulf, even if he trains his entire life, will never achieve A rank in swords. Base!Julia with her holy weapon can smack Loptyr, when max!invested (at least lore wise) Forseti!Ced will never be able to kill him.

It's unfair for Beo and Ced, but that is how the verse works because, in that verse, some people are mc guffins or "the only ones" who are able to do something, or even, straight out, stronger/have more talent than others.

In traditional fantasy settings we have the "same" sort of rules, you have elves who do X and Y, humans won't can't, dwarves who can't either but they can do W, orc who can do J, etc etc.

Even for all of the "deconstruction of the genre!" gimmick ASOIAF has, according to some people, Dany is fire-proof and Jon most likely survives after being assassinated because he is a Stark and can use his doggo as a back up save, both things Edmure Tully will never be able to achieve.

Tolkien has Numenoreans being straight up blessed by the Valar/stronger/longer lived/etc etc than middle-earth humans, on top of also having elves, dwarves and ents.

Ergo : power inbalance is baked in the fantasy genre.

And yet, the writers often manage to tell some version of "the ones who have less power are no less important", like with Tolkien, it's a bunch of hobbits who manage to take down the greatest "evil" of their era, or some message like "having more power/being more important means you are bound to help the ones who have none" thingie.

In Fodlan, the "beings who have more power" than humans are the Nabateans (+ Sothis herself!). Sothis can create life, her daughter - through unknown means - can create artifical beings, one her children can control weather (the one who was turned in a milkshake for Charon!), one of them has monstruous strength (the one turned in a milkshake for Blaiddyd), one of them could communicate with animals (Timotheos iirc - if we assume he was a Nabatean or got his powers from his crest), her granddaughter can set up an AOE to heal what would otherwise be fatal wounds (it's heavily implied this is what Flayn did when she overused her power and went comatose) etc etc.

This is the original power inbalance in Fodlan.

Then some humans "stole" this power from Nabateans, and got a share of it themselves, which is what is later called "crest" : aka, some humans got a part of the super/magic powers that Nabateans originally had and thus, because, for all intents and purposes, "super-humans".

Now, Fodlan discourse started with FE16 being released in 2019, not that long after GoT's ending - which was trash - and in an era where fandom turned from "harmless fun" to "something that looks like activism and earns you point if you manage to use it to express your real life opinions".

In 2019, after Dumb and Dumber tanked GoT and removed most of ASOIAF fantasy parts to deliver "sex that sells" with a moldy plot, some part of the fandom started to conflate and harass people over what they like, and how it, apparently, reflected on their real life opinions ("if you hate this female character it means you hate women!"/"if you think X becoming king is a good ending, you don't value democracy!").

So, we have this fantasy setting with its inherent power inbalance... that quickly became something that is/was unacceptable, because IRL, power inbalance is based on bullshit and something everyone decries - so if your beloved media reflects on what you like IRL, you can't like a setting with an objective power inbalance, even if is justified by magic which doesn't exist irl like shooting eyebeams or some people being more "special than others" who can live up to 1500 years old.

Fodlan's power inbalance, for some parts of the fandom 2019, cannot be justified by traditional fantasy settings so, those settings/fantasy elements are straight out ignored.

Thus the "crests"' magic effects/powers are ignored, and dumbed down to, roughly, what a middle school student would think "nobility" is/was in the Middle Ages/Renaissance.

Jean-François Marie Pierre de Bourbon isn't inherently better at smashing things with a sword than Bob, or at healing than Roger, any "advantage" Jean-François Marie Pierre de Bourbon has over them is, maybe, that he started training earlier.

In Fodlan?

If Jean-François Marie Pierre de Charon has a major Charon crest, he can dance and clap in his hands to summon rain. Bob and Roger, no matter how hard they train, will never be able to do that. Jean-François Marie Pierre de Charon will thus be seen as having higher "value" or being straight up "better" than Bob or Roger, because as long as he is here, your crops will never suffer from drought.

But... we can't have that, because if you confuse fandom and real life opinions and aspirations, you cannot admit that some people in Fodlan are inherently "better" at something, only because of their blood, otherwise, what would it translate to IRL?

This is why, imo, part of the fandom (and the game sure doesn't help! Fodlan is no Jugdral and its gameplay lacks coherence regarding the in-game lore! Remember how Raphael can use a relic and only loses 10HP, when Miklan, plot wise, was turned in a demonic beast?) that loves this take, arguably, reduces crests to a title and family name.

Why should the Bourbon family rule over us, when they're no better than Roger or Bob? Isn't it unfair the Bourbons are still valued nowadays when the only thing to their fame is their name, and not what they are actually doing?

The game plays coy about crests - we know each of them has a specific power - but it never reveals what are those powers (lore wise!) save for 2 of them. So are crests superpowers, or just a family name with a particle, or both? Is the "system" (a friend made a post debunking any idea of "systemic" application of this notion in the three countries) based on bullshit, or on, objective superpowers?

Dimitri tries to tackle the issue, but only around relic usage : the Gautiers are valued if they have a crest because they can use their superweapon to protect the border. But what about valuing House Charon's ability to bring rain and guarantee good harvests? What is the other superpower tied to the crest of Gautier that isn't "use a femur and wreck havoc with it"?

If Marianne's ability to talk to animals is tied to her crest, why isn't it more developed? Instead of having useless shit like talking and befriending horses like a Disney princess, we could have Maurice-blooded people be masters of counter-intelligence, imagine if they can talk to birds/rodents and ask them to scout various areas or spy/ask them what they saw ! Hell, we could have had a situation where in a fog of war map, where Marianne, if, idk, through Billy fed enough animals in the monastery, would have a better field of vision than anyone else, with some blurb/one-line about her relying on the animals around to know and see what is going on! Alas, it wasn't meant to be.

FE16 eludes the question, because the character who "questions" a world centered around "crests" is the marketable asset of the game, and cannot be challenged in any meaningful capacity v- she feels it's unfair that her crest seemingly dictate her life, and only in the gacha game with ery serious writing like the Heavy Plate Corps or Sniddies, does she get a modicum of self-reflection - or at least someone challenging her - where she is told that she could use the superpowers she has to help people instead of blaming the world for getting one.

In a traditional FE setting, where some Lords question why they were born with power/or are in powerful positions, the answer is always that no matter what they were born with (or without in Leif's case!) what is more important is what they decide to do with that power. Elincia never wanted to become Queen? She will still fight and protect Crimea and its people. Marth is the last hope of Altea, even if it means leaving Elice behind. Seliph doesn't want to fight in Thracia anymore or feels like he's a fraud? He can turn tail and return home, while the world around him falls apart. Leif also feels like a fraud because he doesn't have superpowers like his cousin? Does that mean he should turn his thumbs and watch as his people are being caught/enslaved/sacrificed?

In Fodlan you have no reflection like this : Linhardt is, imo, the best example.

Dude hates blood and has a crest (aka magic powers) geared towards healing, you could make a case that for someone who has hematophobia, being a healer is difficult and this would be the reason why he refuses to heal/use his powers to help people around him... but no. Lin's laziness is played for laughs, and his refusal to do anything not related to his topic of interest is never questioned/analysed under the angle of, say, a head nurse who has no crest and laments that she couldn't save everyone who was hurt during an assault, who snaps at him for having the "gift" he has and not using it for the sake of people around him.

"What Lin decides to do with his power?" : Well, nothing.

Instead we have a reflection on his bright mind going to waste if he lazes all day long, culminating in his Supreme support where an Imperial facility is created specifically to cater to his tastes, that will enable him to research crests as much as he wants...

But still, nothing about his innate "healing" power!

In the end, it's no surprise that part of the fandom latched on that "crest = nobility title" because the Fodlan verse refuses to develop anything about its fantasy elements (hell, iirc Nopes swaps "crests" for "blood" and "titles" in its Supreme route ?).

"Sure, but where does Rhea fit in this nonsense?"

Rhea is, in this vision, the ultimate target !

For all of the "I ignore fantasy elements", Rhea is always (in FE16 at least!) turning into a dragon : no matter how hard you want to ignore fantasy, she's here to remind you tht, in this verse, dragons exist.

But most importantly, as Fodlan must be analysed through an IRL lens otherwise modern fandom cannot engage with it, Rhea, by virtue of being the lady in charge of a religious organisation called "Church", is also seen through a lens : Rhea BaD bcs Religion BaD and Catholic Church BaD.

FWIW, thanks to the five years of discourse we had, I learnt more about cultural values and differences existings between, here and the rest of the world - especially a place that is overepresented on fandom spaces - on organised religions especially the catholic church. Of course this bled on fandom takes and analysis, which projected some users' irl bias against the Catholic Church on the fandom organisation and entity that is the Church of Seiros. Combine this with secularism being now weaponised and used to ridicule people in spaces like r/atheism and you have a perfect recipe for "Religion BaD = Catholic Church BaD = fictional organised religion with a catholic flair BaD".

Granted, given how a certain loLcalisation team also originates from this place, it's no surprise that some "creative liberties" they took tried to hammer even more, let it be in the script or the fucking "what is this game about?" page on their website, how this fictional organisation is basically a squenix trope of "evil cult manipulating everything in the shadows and sekritly controlling the world".

Besides, the main heroine of the game (even if that comes with a twist!) opposes this faction (CoS and especially its leader!) and, by the way those games are built, as seen earlier, they cannot disavow her too much, else the entire gut-punch the devs were gunning for (you are betrayed by your beloved character! But unlike what happens in Baten Kaitos, you only are attached to her because she is your avatar's simp) will fall apart. So she must be, somehow, right and not motivated by more personal and heinous reasons, like not accepting "non-humans" to have powers over humans, or thinking the world is not a place for them (this was carefully scrubbed out in Nopes, btw!).

If Supreme Leader, who we are supposed to root for and whom the game ultimately rewards because "reforms" happen in the endings, says that the CoS is the reason why humans value superpowers, she must be right, or at least, not completely wrong???

Which raises the final point on this topic : FE16 came in 2019, which was election year in the US, and we all know that election time in the US means the rest of the world is also affected, even if the rest of the world, well, isn't the US. As I mentionned, the US is over-represented in fandom spaces, and fandom is far from being a safehaven from all the mayhem and passion that always boil during election time and its immediate following.

Coupled with the "my fandom faves define my real life opinions" thingie I already wrote about, and we had an explosive cocktail for bad takes, needless aggressivity, ridiculing people with dissident opinions because they are seen as "wrong", etc etc. And let it be something trendy or not, especially when (young?) people are arguing about "politics" in online spaces, but it always boils down to gross simplification of various complex issues and/or using catchphrases or "shock-value" words to win over whoever is reading/listening.

(et je ne dis pas ça parce que certains de nos politiques font des "immigrés clandestins ou pas" la source de tous les maux, ou le fait que nos députés font la même chose en ce moment, Jonluk et Marine main dans la main, pour paralyser l'Etat afin de pousser Manu à la démission et éviter la case prison pour Marine)

I always thought the "CEO of racism" was a meme, but through Fodlan discourse, I started to wonder if it was something started seriously by someone who really thought that "racism" is caused by one person.

And we finally get to the point : somehow, somewhat, Rhea is supposed to be responsible for people/humans valuing superpowers.

Forget that the same "quest to obtain those superpowers" led to the extermination of her kin, or how the devs themselves explained that people - at least in their setting - always want more power :

As a result, what would happen to humans who gained power... they would want even more power, and find a dragon much stronger to beat in order to collect materials forcefully, in order to make even more powerful weapons... and so that was the cycle that was born. And that was the birth of Fodlan's Ten Elites

Wait, kill that, those superpowers don't exist since the game and the characters (bar Catherine, but I agree with @9thwither here, Cat is one of the most overlooked characters in this fandom!) never talk about them, so they don't exist...

Rhea is thus the reason why people value bloodlines - especially since those bloodlines don't come out with superpowers.

It sounds better and closer to what you could "hear" irl, from someone who's discoursing on the internet to explain "why" some people are more valued than other, it's because of religion and the Pope! It cannot be because of, well, human greed or just the need to have more power (for good or wrong reasons), no.

"But random, the Church most likely promotes a "divine right to rule" doctrine and let the 10 Elites' families rule over their clans in Faerghus thus gain nobility!"

Sure, but everything is moot if you consider this : to make this take viable, we ignore the game and consider that crests are just bloodlines, and not, objective sources of superpowers.

So why are we, discussing about this hypothesis/theory, even arguing about what the game says and/or does?

Bob Blaiddyd can kill a giant lion/wolf with his fists at base level, is it because of a supposed doctrine that people rally and want to be in Bob's graces, or because Bob has the power to protect them all? Karen Charon can summon rain, are people siding with her because Rhea told them to, or because Karen can make crops grow?

In conclusion : why people are still, in 2024, sprouting those takes?

1- Because they refuse to engage with the game and realise that it is a fantasy game belonging to a very specific genre

2- Because fandom opinions reflect on your real life opinions and likes : so they must find a reason to oppose what their perceive as an unacceptable power inbalance otherwise it means that they support the various inequalities that exist IRL

3- Because Religion BaD and bar the "projected takes from transposing feelings about an IRL church on a fantasy one" more and more people tend to prefer an "easy to proceed" solution than think about multi-causal issues and find solutions that might not.

Of course, I can already guess that some people might argue that they don't "refuse to engage with the game" since this take is more a less a condensed version of the Supreme spiel, and as developed above, the game does - willingly - a shit job at demonstrating that her spiel is nonsense (they had to add the "greed" part in an interview released after the game and its only and final DLC!), just like her sockpuppet who supposedly learns how misguided he was in certain routes... only to end with the same ice cream, albeit with a different topping.

However, Dimitri and Sylvain mention how crestless children are disowned in Faerghus... when Dimitri's own uncle is ruling over a domain himself, Ingrid's brothers exist in the background and Gustave is still Baron Dominic's brother, on top of having been the royal master at arms for at least, depending on the route, 3 generations of Faerghan kings.

In a game where Dorothea can blame the Goddess for fighting in a war her bestie started - without anyone pointing this out - it's obvious this verse has unreliable narrators, but after 5 years and having played all routes in both games + a DLC + a dev interview explaining how and why some humans acquired crests...

Tl;Dr :

Reason 1- is most likely the most prevalent why this take exists anon, "because some people refuse to engage with the game" with the added topping of "save for what Supreme Leader and her sockpuppet say that I can use to demonise the characters I don't like".

[oifaaa]

"what did Alfred do???"

Be British, next question

Like fr is there any other reason I need as a irish woman

[spaciebabie]

if you are someone like me who has trouble processing life events/mental health stuff create an oc. like. make a guy who's entire story is yours, who knows every inch of your suffering b/c they are you but maybe all their troubles stem from being in an intergalactic war with goob noobs or something. hurt them in terrible ways so that you dont hurt yourself.

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[nabaath-areng]

Ieeha: it is pointless to try and reconnect with my mother and brother. What they mourn is their daughter, not a grown man who is broken beyond repair pretending to be the child they lost. It is better if I stay away, lest they find their grief fueled further by what they will undoubtedly perceive as a stranger beyond their recognition.

Ieeha, then and now:

[qcomicsy]

THERES NO WAY BERNARD GAVE TIM A NECKLACE WITH HIS INITIAL IN IT

[deoidesign]

how did u learn to paint?? like i just cant wrap my head around it

<3 I love answering asks like this!

You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.

The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)

"Master" in this sense means anyone who you want to learn something from.

One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.

I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.

(photo credit mountain men of alaska )

I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!

(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)

And then, in my work that's not a study at all, I'm informed by all of these!

What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.

And of course... most importantly... I paint.

a lot.

I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!

So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!

(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)

[the---hermit]

Not me adding annotations to a book to make it more accessible for my mom when she will read it