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yandere-daydreams · 3 months ago

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Title: Worship of a Sacrificial Lamb.

Pairing: ???!Gojo Satoru x Yandere!Reader (JJK).

Word Count: 8.0k.

Commissioned by the very lovely @elsecrytt.

TW: Fem!Reader, Non/Con, Dub/Con, Nonconsensual Drug Use, Kidnapping + Prolonged Captivity, Physical + Psychological Abuse, Wildly Unhealthy Relationship Dynamics, Codependency, Suicidal Ideation, Mentions of Previous Suicide Attempts, and Blood. Gojo's Not The Yandere But He Sure As Hell Isn't Normal Either. Dead Dove: Do Not Eat.

You were sure, beyond the point of reason, that Gojo Satoru was an angel.

A guardian angel, actually. Maybe even your guardian angel, if you were going to let yourself be so sickeningly romantic. Even if you were going to hold yourself to some kind of distorted rationality, you weren’t sure how anyone could ever so much as look at him and not see an act of irrefutable divine intervention. He had the body of a marble sculpture – as if some great, ancient master of their art had taken decades aside to carve the embodiment of all things good and beautiful – and a face any model would’ve killed for. His hair was the most brilliant shade of white you’d ever seem, purer than cloud and softer than velvet, and there was a special place in your heart reserved entirely for his lips – pretty and pale and so lovely that if you ever got the chance to kiss him, you weren’t sure you’d be able to stop.

Of course, his eyes were your favorite. Not that it was easy to pick a favorite part of Satoru – no, you’d spent long hours deliberating over the perfectly straight arch of his jawline and the slightly crooked bridge of his nose, the gentle slope of his shoulders and harsh angles of his hands – but if you absolutely had to, you’d say his eyes were the part of him you spent the most time thinking about, that you adored above all else, that would’ve wanted to keep for yourself if you couldn’t have Satoru as whole. The color of the sky and twice as clear, you could still remember the way they’d seemed to glow in the dim light of the deserted street where you’d first met, the way your heart broke just a little every time he blinked or fluttered those perfect snow-white eyelashes. If you could’ve, you would’ve liked to keep a spare set in a small glass jar – something clear and sturdy that you could carry with you whenever you didn’t have access to the real thi—

“...ma’am?” And then, leaning forward, flashing a perfect smile and snapping his perfect fingers, “I think I might’ve lost you, there.”

You perked up, nodding frantically before thinking better of it and, with a sheepish smile, shaking your head. “I’m sorry, I—” You paused, clearing your throat and taking a sip of your coffee before going on. “I’m just having a little trouble concentrating. You can keep going.”

That was enough to earn a breath of a laugh from your perfect Satoru, and immediately, you fell in love with him all over again. He mirrored you, taking a sip of his own drink (some awful, adorable type of frozen hot chocolate served half-drowned in whip-cream) before responding, his melodic voice akin to birdsong and rainfall and every other delicate, beautiful thing in the world. “I know it can be a lot to take in. For someone in your situation, especially.” What that situation was, you weren’t entirely sure. Still, you nodded and smiled like he’d said the most comprehensible thing you’d ever heard. “Just try to stay with me. I promise – curses are a lot less scary when you know what they are.”

His head lulled to the side, his perfect eyes lulling into something softened and dream-like, and just like that, he’d lost you again. It was unfair, honestly. He’d been the one to invite you, scrawling down his name and phone number on a scrap of paper with the excuse that he owed you an explanation, but you’d picked out your meeting spot (a café on the edge of business district, somewhere he’d never go on his own but that suited his preference to a T), made sure you arrived half an hour early to claim a table in the most secluded corner and order a drink you knew he’d like just in time for his to be fifteen minutes late. You were lucky, really. Anyone else would’ve noticed your starry-eyed gaze and giddy smiles and figured out that there was something deeply, deeply wrong with you, but not your Satoru. He was probably used to hero-worship, even if the thought of anyone else sharing the same connection with him that you did was enough to make you grit your teeth.

Now wasn’t the time for that, though. You pulled yourself out of your thoughts as the corner of his lips quirked downward – the closest thing to a proper frown you’d ever seen him wear. Whatever he might’ve gone on to say about wizards and invisible monsters was lost entirely as he trailed off, his eyes darting to either side behind the dark lenses of his glasses. “Sorry, ma’am, I think I—” With an uncharacteristic clumsiness, he pushed himself to his feet, nearly tipping over his chair. In your peripheral, you watched for concerned samaritans and curious onlookers, but came up empty. That was good. That made sense. It was a busy coffee shop during the late-morning rush on a weekday – who’d ever think to pay attention to the couple in the far corner? Even half of that couple was a deity in the flesh. “I think I need a second.”

It was smart of him – to make such a hasty retreat. He barely waited for you to give one final, enthusiastic nod before cutting through the crowd and disappearing into a unisex bathroom.

It was smart, but it would’ve been smarter to run somewhere you couldn’t follow.

Saliva pooled under your tongue, your fingers drumming erratic and involuntary rhythms into the table, but while Satoru might’ve been an angel, you had the patience of a saint. You counted down the seconds, nursing your coffee and occasionally checking your phone, until three minutes had passed, only getting up when you were sure you would’ve been seen waiting. Rather than moving towards the exit, you positioned yourself at the edge of the counter, flagging down the youngest barista – a mousey girl in her late teens, with an expression that said she’d do anything to be helpful and a shrunken quality that told you she’d do even more not to get in trouble. “I’m so, so, so sorry to bother you, but—It’s my boyfriend,” you started, wringing your hands together and keeping your eyes on the floor. There was a sick thrill that came with calling Satoru your boyfriend, even if it wasn’t true, but you were careful to keep your tone strictly apologetic. “He’s, uh—He’s got a thing about crowds, and he’s kind of having an episode. Is there any way I could get him out of here without making a scene?”

There was – an employee exit just next to the door to the storage room, one that opened up directly into a back alley that would’ve kept a comfortable distance between you and the main road. Her eyes lit up, but she made a show of looking concerned, of glancing to her smothered coworkers, before looking back to you. “Well, we’re not supposed to let customers—”

“Please?” You tried, and then, with a type of cloying desperation, “It’s kind of an emergency. He just really needs to get outside.”

It took a second, then another, but finally, she cracked with a muted sigh. “There is a backdoor – past the bathrooms and to your left. I… I have to ask my manager, but I should be able to leave it unlocked.”

You didn’t have to fake your gratitude. You bowed your head, mumbling ecstatic little ‘thank you, thank you, thank you’s as you turned on your heel and moved towards the restroom. You’d been prepared to pick the lock, but Satoru must’ve been more affected than you realized – he was already so out of it, he’d left the door open. You could only be thankful no one else had seen come in. You couldn’t imagine there was anyone in the world who could resist taking advantage of someone as wonderful as Satoru in such a vulnerable state.

Grinning to yourself, you shouldered the door open and stepped inside, shutting and locking it behind you.

Satoru didn’t make himself heard to find. He’d collapsed onto the faux-marble vanity, his feet still on the ground but his back braced against the mirror, one hand clamped around the side of the sick while the other struggled to form one of the strange, distorted symbols he’d used the night you met him. His half-lidded eyes widened when he saw you, his mouth falling open, but he didn’t move, didn’t make a sound. You couldn’t blame him. The sedative you’d used was strong enough to put a grown man under with a single dose, and you’d given Satoru enough to put a horse into a coma.

“Hey, pretty boy.” You took a tentative step forward, and when he didn’t react, another. His fingers twitched, but whatever he was trying to do was forgotten as soon as you took him by the hand, intertwining your fingers with his. “It’s not that bad, is it? You should just be a little tired.”

Again, predictably, there was no response. His perfect lips opened wider before sealing into an acute, adorable pout, and you drank in the sight like a man starved.

Cooing, you leaned in closer – placing your body in the space between his open legs and squeezing his hand before letting go entirely. Rather, you cupped his face, admiring the pink flush spread across his pale cheeks, the glossy sheen over those beautiful eyes. Suddenly, it was too much to take, and you jolting forward; your mouth crashing into his and your tongue pushing past his lips, his teeth. His taste was euphoric – caramel and cream and everything good and sweet and divine – but you didn’t give yourself long to savor it before you pulled away, dropping to your knees. You hadn’t meant to move this quickly, but you loved Satoru. You worshiped Satoru.

And no real acolyte would ever refuse to kneel in front of their sacred alter, if given the chance.

Disappointingly but unsurprisingly, he wasn’t hard. You let his jeans and boxers (the latter patterned with pure-white bunnies – cute) pool at his ankles as you wrapped a fist around his cock, pressing a kiss into the curve of his shaft. Like every other part of him, his dick was perfect – long and lean, with a slight left-leaning tilt and a few thin, ridged veins that you dragged you tongue over before taking the head into your mouth properly. Admittedly, it’d been a while since your last hook-up (and even longer since you’d cared enough about another person to put any more than a passable amount of effort in), but everything about Satoru seemed to come naturally to you. His reactions were limited to a vacant stare and the occasional, breathy noise, but soon enough, you felt him stiffen against the flat of your tongue, filling out your fist where you pumped lazily over his shaft. If it’d been anyone else, you might’ve been disappointed at just how quickly he went from soft to stiff to leaking thick beads of arousal, but not with your Satoru. Of course he was sensitive. Angels were supposed to be delicate.

Using one hand to brace yourself against his thigh, you reached up with the other and found his hand, still hanging dully where you’d left it. It was a bit of an odd position – trying to hold his hand while bobbing your head and doing your best not to choke on his cock – but you made it work. It wasn’t long before those little, breathy noises built into cracked whimpers and airy whines, before you could feel him twitching against the roof of his mouth. It was hard to see, given the angle, but when you thought to look, you could make out tears forming in the corners of his eyes, something new knit into his expression. It wasn’t quite distress – or, at least, not the kind of distress you’d been expecting – but you didn’t recognize it. That didn’t really matter, though, not if you were being honest with yourself.

It was coming from your Satoru, and that was enough to make it beautiful.

You moaned around him, and a pitchy keen slipped past his numb lips, his grip going vice-like where he held your hand. You swallowed him down to the hilt as he came, determined not to waste a drop of what you’d fought so hard for, before pulling back, a string of saliva connecting your bottom lip to his cock for a lingering second, then another before that connection snapped and severed you from him completely. Suppressing the urge to mourn its loss, you pushed yourself to your feet and pulled him close – pressing a kiss into his neck, then his jaw, then the corner of his lips. “Such a good boy,” you purred, nuzzling into the crook of his neck. “My good boy. My perfect little angel.”

This time, Satoru did react – slumping against you even as his hand remained braced around yours. You took him by the shoulders, leaning back just far enough to see his eyes lull, blink, then shut entirely. He wasn’t unconscious - you could see a certain stiffness to his shoulder, a rigidity to his posture – but it was clear that you’d worn him out. You smiled, shaking your head as you raked your fingers through his hair and laughing as you found it just as soft as you’d imagined. “Think it’s time to go home, ‘toru?”

Rather than pull away from you, he seemed to melt even further. It was barely more than a whisper, but you made it out as clear as day. “…home?”

“Yes, angel,” you laughed, pressing your lips against his forehead.

“Home.”

He was asleep by the time you reached your car, and thoroughly knocked out by the time you got back to your townhouse – a modest machiya in a neighborhood that valued its privacy. Admittedly, carrying a man twice your height with triple your weight in muscle could’ve gone better, but you managed. There was a short list of things you couldn’t do for Satoru.

The sedatives had already proved less effective than you’d been promised, but still, you had plenty of time to get him into his bedroom, lock the titanium collar around his neck, and most importantly, change his clothes. You’d already picked out a new wardrobe for him – all whites and creams and soft pastels, nothing as harsh as the restrictive, black uniform he usually wore. Not that Satoru didn’t look good in black; you were sure he’d look breath-taking in anything! Even if he decided to wear, you didn’t know, an all-leather body suit, you were sure he’d—

…

You’d have to look into ordering a custom set. Preferably in white, but you’d settle for blue, if you had to.

You’d also made sure his room suited him, too. After making sure you had the bare necessities (deadbolts, bars over the windows, etc.), you might’ve gone a little overboard. You wanted Satoru to feel comfortable, so you made sure to work-in a few of the cute, soft things that reminded you of him – string lights and stuffed animals and plush blankets all the same color as his hair. You knew he was prone to migraines, but you couldn’t stand the idea of letting him put anything between you and those beautiful eyes, so you compromised with permanently low lighting and heavy curtains over his singular window. Entertainment might be an issue, since you obviously couldn’t give him anything with an internet connection, but—

You heard Satoru stir, and immediately, every logistic thought you might’ve had died and fell away. You’d planned to keep your distance while he woke up, but in an instant, you were perched on the side of his bed, your gaze fixed on his lax expression as he slowly woke up.

It was surprisingly peaceful – his slow trek back into consciousness. Long seconds passed between the first awkward stagger in the rhythmic rise and fall of his chest and the moment he actually opened his eyes, still glassy and unfocused with exhaustion. You didn’t rush him. It was all you could do to watch as he sucked in a harsh breath and pulled himself up, only to collapse against the headboard just as quickly. A hand drifted to his shirt, fisting at the alien material, then to the collar around his neck. He didn’t try to take it off, which was good. You didn’t want to have to resort to something so ugly so early on.

Finally, he seemed to perk up – glancing around his new bedroom, as if evaluating it. When he turned to you, you smiled, and Satoru remained blank.

You broke the silence. “Welcome home, ‘toru.” You swallowed back the temptation to tell him how happy you were to finally have him here, how long you’d been waiting for this moment, instead centering your attention on his needs. “Do you want something to drink? You shouldn’t eat so soon, but you were out for a while. It seemed like you could use a little rest.”

A beat passed, but eventually, Satoru shook his head – as polite as could be expected, given the circumstances. “…you’re the one who kidnapped me?”

“Mhm.”

“And you’re not a curse-user? Or working for the higher-ups?”

More made-up words. You decided to let him have his fun. “No, I’m not.”

“Why, then?”

Your smile widened. You’d been hoping he would ask. “You’re not dumb, Satoru. The day you found me—” Or, rather, the day you’d found yourself in his arms, barefoot and shaking, caught by a divinely beautiful stranger after taking a long fall off of a short building. The day you’d fallen in love with him. The most important day of your life. “I’m sure you know that no one actually pushed me.”

And, even if he didn’t, it couldn’t be hard to believe. There were only so many reasons a salary-worker would be on the roof of their office building in the middle the night, only so many reasons you would’ve left your heels and your coat on the same ledge you’d eventually topple off of. He’d been kind enough to get them for you, as you sat sobbing into your hands on the curb. He only pursed his lips, though, his eyes remaining perfectly lifeless. You took that as a sign to go on.

“My job is—” Terrible. Pointless. Soul-sucking. It paid well, and nothing you did was particularly hard, but the constant overtime and mindless pencil-pushing meant you had very little time for yourself and even less to show for it – besides the paycheck, of course. You couldn’t even say you hated it. You’d just been so ready for something, anything else, and it’d worked, in a way. You’d gotten Satoru. “—pretty boring. I’ve never really liked spending time with other people, and I’m not particularly good at anything aside from busy-work, so I really didn’t have a reason to stick around. But, then you saved me, and you were so kind, and so heroic, and I—”

You shut your eyes, curling your hands into fists. Not unlike a schoolgirl, too embarrassed to confess properly. “I love you, Satoru.”

There was no response, not at first. Internally, you panicked – what if he didn’t feel the same way? What if he didn’t realize that this was for the best? What if he’d rather die than—

“You…” His tone was light, airy, only the slightest traces of shock shining through. As if he didn’t believe you. “You love me?”

“More than anything.” And, just like that, you were spilling open. “I—I thought it’d be enough to keep an eye on you from a distance, for a while, but after a few days – after seeing how much you worked and how little you slept and how terribly you took care of yourself – I knew I had to do something. I couldn’t live without you, and, well,” You cut yourself off with a sudden laugh, only a little forced. “You couldn’t have gone on much longer if I hadn’t stopped in. Not like that.”

For a second, he seemed to regard you. It was strange, how hollow he seemed compared to how vibrant he’d been every time he’d spoken to you previously, but you didn’t mind. Not all gods could be cheerful ones. Even divinity had to be morose, from time to time.

Still, your racing heart beat a little faster when the corner of his mouth twitched into a slight, cocked smile. He didn’t say anything, but he shifted, reached out, tentatively resting a hand on your knee before bringing it up to your thigh, then your hip. After waiting for you to nod (which you did, eagerly), he pulled you closer – into his lap. You managed to keep your guard up for all of three seconds before he collapsed onto you entirely, burying his face in the crook of your neck. You melted against him with just as much pathetic desperation, grateful beyond words to have the distance between you finally closed. “Do you really mean that?”

“And then some. When you reached out to me, my heart almost burst with happiness. It was hard to believe you even remembered that I existed.” You nestled against him. “I meant what I said about wanting to take care of you, too. You shouldn’t have to worry about yourself ever again, not after everything you did for me.”

There was more, of course. Rules to go over, punishments to warn against, specifics to lay out, but he wasn’t fighting back, or trying to escape, and he was tucked so sweetly against you – it would’ve been a shame to move, let alone start listing off threats. Thankfully, tragically, Satoru ripped the band-aid off first. Slowly, he lifted his head, drawing back just far enough to dart back in for a clumsy, lip-bruising kiss. You’d already, technically, stolen his first, but there was a difference between kissing his limp body and feeling his lips move sloppily against yours. It was a fragile, immature connection – all scraping teeth and kneading hands and Satoru’s little, throaty moans, but you didn’t dare break it off until your lungs ached. Even then, you held him as close as you could as his hands fell to your waist, a thumb slipping under the waistband of your skirt and—

“Down boy,” you laughed, and Satoru glanced up, pouting. “It’s not that I don’t want to, but not so soon. You’re still in shock, and I don’t want to take advantage of you.”

The impulse blowjob a few hours prior felt unnecessary to mention.

Satoru seemed conflicted. He was still in that sort of blank, softened state, but he let out a whine by way of protest. It was all you could do to sigh, kissing his forehead before going on. “Later on, ‘toru. After I’m sure that you can be trusted to behave.”

It wasn’t that you didn’t want to make love (‘fuck’ felt to crude, ‘sex’ too clinical; making love wasn’t perfect, but it was what you had) to Satoru. You would’ve done anything to take care of him, anything to keep him happy, but there’d always been a gap in your mind when it came to your own pleasure – an instinct that urged against expecting your love to be requited. As far as you could guess, it would come with time – after you’d started thinking of him as less of an angel and more of something able to love you back. The delay was for the best, really. Intimacy would make you vulnerable, exploitable. You needed to show Satoru how strong, how strict you could be, first.

“That sucks.” It was almost endearingly childish, just how shamelessly he sulked. It took a few more pecks and another minute or so of coddling before he sighed. “You can keep kissing me though, right?”

“Of course,” you said, automatically. It was a dangerous promise to make, with plenty of chances for unwanted escalation, but you never would’ve been able to say ‘no’ to Satoru – not so directly, at least. Not when he was looking at you with those beautiful, pitiful eyes.

“Anything for you.”

“So when are you going to use the collar?”

The question was posed casually, unprompted and unrushed. Still, you paused, humming as you glanced over to Satoru. He’d gotten more talkative in the two or three weeks since you brought him home, but he still seemed caught in that quiet, liquid haze of tranquility – all easy smiles and half-lidded eyes and slow, sloppy kisses from the moment you came home to the second you had to leave. He seemed to be enjoying himself, spending his time basking in your affection and letting you take care of him, and that made you happy. All you’d ever wanted was for him to be safe and looked after, and he was. You could make sure of that, now.

(Admittedly, there was a small, negligible part of that had expected there to be some resistance – a hissy fit, a muted protest, something aggressive and combative that wouldn’t be calmed with a few kind words and a gentle touch – and mourned the fact that Satoru was taking this all so well. It wasn’t that you wanted him to hate you, but you’d always struggled to trust what came to you easily. If you had to work for Satoru’s love, you could be sure that you’d earned it. If you had to smother him into submission, you wouldn’t have to wonder if he was only lulling you into a false sense of security before stealing away all the tools you used to keep him safe. You tried not to be so pessimistic – outwardly, at least.)

“I won’t have to, preferably.” Pulling a towel off of the nearest rack, you bent down to his height and started to ruffle his hair dry. He shut his eyes, but didn’t try to stop you. Currently, he was sitting on the wall of your bathtub, only partially dressed in a pair of tan sweatpants while you finished drying his hair. You could shower alone before work in the morning, but Satoru needed more care. He needed to be treated like something precious, and he’d already proved that you couldn’t trust him with such an important responsibility. “It’s kind of a last resort. It should only go off if you try to leave.” And then, as you burrowed your nails into the towel., “Is that… Is that something you’re going to do, ‘toru?”

“Never. You keep me too good n’ spoiled.” He flashed you a lazy grin, and just like that, you were looking away, biting down on your tongue, trying to coax your heart back into beating at a steady rhythm. You pretended to be busy rummaging through the nearest drawer for a brush, but Satoru only laughed. His next question was just as probing. “It came with a remote, though, right?”

“…like I said, it’s a last resort,” you repeated, too flustered to lie. “I don’t want to hurt you. Unless you tried to escape or attacked me, I really can’t see myself doing anything so—” Blasphemous. Unforgivable. Sinful. “—harsh.”

“I wouldn’t mind.” Like always, he was a little too quick, a little too willing. You bit back a scowl. “I just think it could be romantic, y’know? I’d get to see how much you’re willing to do for me, or something like that.”

You forced a bark of a laugh. “There’s nothing romantic about me hurting you, baby. ‘specially not if I’m only doing it because you acted out.”

“I promise, I’m tougher than I look.” Another smile, even more dazzling than the first. Again, you felt your head start to speed up, only to stop beating entirely the second he went on. “I used to have this friend – Suguru – and he’d—”

Your hand was in your pocket before you had time to stop yourself, the plastic remote clenched in your fist before you had time to think. You’d never read the manual, never thought you’d have to use it, but that didn’t matter. There was only one button, and it only did one thing.

Satoru’s voice cut out as the current picked-up, pumping the maximum voltage into his throat. Satoru didn’t scream, didn’t thrash, but he reacted – going rigid as his beautiful eyes went painfully wide. The whole thing was silent save for a low, almost inaudible buzzing-type sound, and you kept your thumb pressed into the singular button for a second, then another, before forcing yourself to let go. Even that was more difficult than it should’ve been. You couldn’t stand the idea of hurting him, but…

Fuck. You would’ve done anything not to hear Satoru say his name ever again.

To his credit, Satoru didn’t collapse. When it was over, he only buckled forward – catching himself on his thighs as he dragged in a jolting, ragged breath. You were on your knees in front of him in a second, his face in your hands and your mouth on his cheek, his forehead, his neck, as if you could kiss away the pain. “I’m sorry I’m sorry I’m sorry,” you chanted, each word less coherent than the last. “It’s just—I’ve read about him in your diaries, and I should’ve known you’d bring him up, and—”

“I love you.”

You went quiet.

You tried to pull away from him, but his arms lashed out; wrapping around your midriff and pulling you closer – burying his face in the dip of your shoulder, the crook of your neck. Again, he repeated, “I love you.”

For a second, you thought about pulling away, about sending him back to his room while you pulled yourself together. For a second, you considered reaching for your remote, again.

Then, you settled against him, shutting your eyes and resting your head against his chest.

“I love you too, Satoru.”

Admittedly, Satoru’s apartment was the closest thing you had to a guilty pleasure. The first time you’d broken in, you were still on the fence about just how much he needed your help, but by the third, or the fourth, or the fifth, you’d already made up your mind about bringing him home. You’d only visited a handful of times since, but it was nice to stop in every now-and-then, to remind yourself there were two distinct eras of Satoru’s life – prior to the day he’d met you, and post. Getting to spend a few minutes tucked into a space so essentially Satoru wasn’t something you were opposed to, either.

You made your way slowly through his former home – stepping over heaps of abandoned clothes and stopping to straighten forgotten piles of cluttered paperwork he would never be forced to re-visit. Satoru didn’t have any close friends or family who’d stop by uninvited, which meant every little detail was exactly how Satoru would’ve left it. The fridge was still empty, the freezer stocked with frozen, pre-packaged desserts; the walls were still empty and drab, utterly devoid of life; and best of all, his bed still smelled exactly like him. It was a silly thing to be so excited about, especially when you had the source waiting for you at home, but you collapsed onto the mattress without hesitation, shutting your eyes and basking in the evidence of just how hopeless he’d been, before you had a chance to—

Clipped footsteps, followed shortly by the sound of the bedroom door being pushed open. You bolted upward, your pocket knife (because self-defense was important when you treated breaking-and-entering like a hobby) in your hand in a fraction of a second, but the intruder didn’t seem quite so concerned.

It was a woman – deathly pale and worryingly gaunt, just a little too short to be considered average. She regarded you with a cold stare before nodding by way of greeting. “I’m guessing you’re Satoru’s girlfriend?”

The irritation that came with hearing someone else use his given name was immediately overshadowed by pure, euphoric delight. Smiling like an idiot, you asked, “He calls me his girlfriend?”

“Oh, I’m not going to repeat what he calls you.” Her gaze dropped to your knife, now little more than an afterthought. “You can drop the weapon,” she said, holding up a manila envelope stuffed to the point of bursting. “Just here to pick up his lesson plans. It’s been a pain in the ass – having to cover for him since you two started playing house.”

She sounded agitated, but only mildly so. A small, rational part of your mind urged you to linger on the mild irritation in her voice, the odd casualness in the way she spoke to you. She couldn’t have talked to Satoru recently, not the months he’d spent with you, but if she was concerned for his safety, she wasn’t concerned enough to bring up the issue now.

The vast, easily distracted majority could only chant girlfriend, girlfriend, girlfriend.

You opened your mouth, ready to ask if Satoru had talked about you often, if he’d ever mentioned your name, if she remembered word-for-word what he’d said about you, but she was already gone – muttering a curt goodbye and slamming the bedroom door behind her. By the time you could force yourself off of his bed, she’d disappeared entirely.

That day, you picked up roses as white as his hair and forget-me-nots as blue as his eyes on your way home. Just to remind Satoru how much you really loved him.

Satoru greeted you as soon as you got home, like he’d done every day since you gave him permission to roam freely. You didn’t call out, didn’t ring the bell, and yet, as soon as the door was closed and locked behind you, he was there; his arms wrapped around your waist and your body hauled against his. He held you in that bone-crushing embrace for a second, then another before lowering you back onto your feet. You clung to him for just a little longer before letting go.

He always seemed to be smiling, but tonight, he was beaming. He pulled you into an eager kiss, only to jerk back just as abruptly, too excited not to start talking while his lips were still pressed against yours. “Happy six-month anniversary,” he managed, quickly enough for the words to blend together. “I, uh—It’s not much, but I got you something. I thought it’d be cute to leave it in your office, but that might’ve been— I mean, I can bring it to you if—”

“Remember to breathe, ‘toru,” you cut in, laughing. He let his head lull to the side sheepishly, and you went on. “You got me something?”

“It’s not a lot,” he reiterated, still shy. “I’m sorry, I’m not really used to this. I wanted to have dinner ready when you came home, too, but I think it needs a few more minutes.”

It was hard to believe, sometimes – just how lucky you’d gotten. There were only so many human beings who could say they’d met an angel, and you got to come home to one every night.

“You’re perfect.” Satoru blushed, and you pulled him close, pecking the bridge of his nose just underneath the bar of his glasses. “Finish up. I’ll meet you back in the kitchen to tell you how much I love my gift.”

Reluctantly, you detached from Satoru, and made your way to the home office you’d all-but abandoned after bringing Satoru home. His present sat on the edge of your desk: a small mason jar, just the right size to sit in the palm of your hand, filled with water and finished off with a jet-black ribbon tied around the lid. Two spherical objects floated near the bottom. Even from a distance, you recognized them immediately.

Satoru’s eyes.

If you’d been holding the jar, you would’ve dropped it. They had to be fake, but they couldn’t be – replicas wouldn’t have been so bright, so organic, so perfect. He’d been wearing glasses, but you’d been able to see his eyes, and— and even if you couldn’t, it wasn’t like he’d be able to carve his own eyes out in the nine hours you spent away from him. Had there been blood on his clothes? You couldn’t remember, now. Was he hurt? Had you ever seen him hurt himself? He couldn’t have left, but—

You felt a pair of strong arms wrap around your midriff, drawing you against a broad chest. The metal of his collar pressed into the back of your head as he slotted himself against you. “You mentioned how much you like my eyes, once,” Satoru explained, the eagerness in his melodic voice now painful to listen to. “I… I thought you might want a couple spares. For when we can’t be together. And, after dinner, I thought we could finally…”

He trailed off, embarrassed. Still, what he wanted was clear.

For a long moment, you didn’t say anything.

Then, with a heavy exhale, you forced yourself to glance over your shoulder, facing Satoru with a smile. “Not tonight, ‘toru.” You’d never been thankful not to be able to see the clear blue of his eyes, before.

“But soon. I promise.”

You couldn’t find Satoru.

It was hard to believe, even as you hunched against the wall of his bedroom, your knees pulled into your chest and tears streaming uncontrollably from your eyes. You’d looked everywhere – torn apart every room in your house, overturned furniture, called his name until your throat ached – but he just—he wasn’t there. You’d checked the locks (still in-tact) and all the windows (decisively unbroken), but the only sign of him you’d managed to find was his collar – cold and abandoned, undone and left carefully on the foot of his bed. It would’ve been impossible for him to take off without the remote still sitting safely in your purse, the mechanism was strong enough to endure getting hit with a car, and yet, it was here, and he wasn’t.

God. You were so fucked.

The open collar sat on the floor next to you, your pocket knife immediately next to it. Satoru was gone. He’d left you, or been taken – it didn’t matter. Your life was over. He’d go to the police, and you’d be arrested, and you’d never get to see Satoru again. Even if he didn’t go to the police, he was never coming back. Either way, it was a death sentence.

You were never going to see Satoru again.

Half-consciously, your hand found your knife, fingers curling around the handle. For the first time in months, you remembered what your life was like prior to meeting Satoru. You remembered what you’d tried to do - what you would’ve done, if he hadn’t been there to save you.

You drew in a shaky breath, tightening your hold on your knife and raising it – first to your chest, and then thinking better of it, your throat. You weren’t very strong, but you weren’t very durable, either. If you were lucky, it’d only take a minute or so before—

“Baby?”

You stiffened, blotting out. For a moment, your mind went perfectly, euphorically blank.

When you came to, you weren’t pressed against the wall, but on your knees – straddling Satoru’s waist. The knife was still in your hand, but you couldn’t see the blade. It was buried in Satoru’s stomach to the hilt.

To his credit, he didn’t scream. His reaction was uncannily alike his response to the shock collar – wide eyes and parted lips, pain and shock only visible in the absence of his smile. Warm blood soaked through the fabric of his uniform jacket, washing over your hand, but you didn’t care. Only half-voluntary, you pulled the knife back and brought it down. You did it again, and again, and again, each motion repetitive and mechanical. You’d never killed anyone, before. It was unfair that the first had to be Satoru.

It was only when the blade of your knife met loose pulp rather than solid flesh that you paused, dropping your weapon entirely. Rather, your hands found his shoulders, your nails digging into his skin through tattered fabric and tearing. You let out a miserable sob as you clawed at his chest, trying aimlessly to dig to his heart. “You left,” you whined, like that would explain anything. “You were gone, and I couldn’t find you, and I thought I’d never see you again, and—” You cut yourself, gasping. “And you’re dying. Oh my god, Satoru, I’m so sorry, I didn’t mean to—”

It never occurred to you to call an ambulance. Your body seemed to move on its own, clambering down just far enough to tear at the waistband of his pants, to free his cock. “’m just fine, princess,” he muttered, but you weren’t in a state to listen. With a frantic sort of desperation, you pumped your fist over his length, his blood serving as good-enough lubrication. Satoru let out a low groan – the noise impossible to read as pain or relief. “Even better, with such a pretty view.”

“Shut up, shut up, shut up.” Your fist wasn’t working. Too frantic to be graceful, you forced his cock past your lip and fucked the tip into the hollow of your cheek, doing your best to ignore how his natural bitter mixed with the near-overwhelming iron-tinge. That, at least, got you a reaction – another rough groan, his hand in your hair as his tip started to leak arousal and you felt his shaft stiffen against your hand. You almost choked on your own relief, but Satoru soothed you, his blunt nails scrapping over your scalp as he cooed. “Been waiting so long to see you like this…” He trailed off, laughed. You felt another jolt of fresh blood leak from the tattered flesh of his stomach. There was enough to pool on the floor below him, now. “’m sorry – did I say that already? Thought I could step out for a second before you got home, deal with a last-minute mission, but—” His voice hitched as you let out another sob around him. “—clearly, my pretty girl can’t be left alone for so long.”

You couldn’t understand why he was still talking. Every word hurt more than the last – like he was trying to make it that much harder for you to do the only thing you could. When you pulled away from him, it was only to let out a fractured cry, to bury your face in his thigh, muffling your voice until it was only a whisper above nothing. “You can’t leave me. If I don’t have—If you’re not here, then I can’t—”

“Hey, hey, don’t talk like that. I’m not going anywhere.” You felt the hand in your hair dip lower, cupping your cheek. Another caught you by the chin, tilting your head back, until you were staring at Satoru – blood-drenched and glorious, sitting up and smiling down at you. He shouldn’t have been moving, you shouldn’t have let him move, and yet, it was all you could to do jolt upward and throw yourself against his chest, your mouth latching instinctually onto his neck. You’d always been so careful not to bite, not to bruise, not to do anything that’d leave a mark and mar his perfection, but suddenly, your love felt less like an act of pure-hearted preservation and more like the desperate throes of a forsaken acolyte clinging to the blessings of a dying god. It was hard to worship divinity as something everlasting when your hands were stained in its blood.

So you didn’t try to. You dug your teeth into the side of his throat without reservation, cautious only not to visit the same patch of skin twice. Satoru felt any pain, if he could feel anything after losing so much blood, his only reaction was an airy laugh and a shallow kiss to your temple as his hand found your hips, then your sides. You felt yourself leaving the ground long seconds before your processed that Satoru was lifting you up, and even then, your awareness was burdened by a numbing sort of confusion. You wanted to tell him not to move, not to breathe, to let you help. You wanted to find your knife.

In the end, though, you only strung your arms around his neck and let him lay you on his bed, the mattress dipping where he kneeled in the space between your open legs.

In a daze, you felt your skirt being slid up to your waist, your panties shoved aside and replaced by the soft warmth of Satoru’s mouth. Like always, he was adorably clumsy – the bridge of his nose grinding against your clit as his tongue lapped and traced over your pussy. His fingertips dug too harshly into your thighs, his tongue thrusting into you too erratically, his little whines and occasional whimper too pitchy to allow for any real reverberation, but your poor nerves were so fried and your heart was still beating so fast and it would’ve taken a miracle for you not to cum – moaning pathetically as you bucked into his mouth. You’d imagined this scenario before, pictured yourself showering him with praise as you taught him exactly how to make you cum on his pretty tongue, but this was too quick, too abrupt, too out of your control. You weren’t in a state to teach. If he learned something from this, you doubted it would be the right lesson.

You reached for him as he straightened his back, but Satoru caught your wrist, guiding your hand to his stomach. Rather than mangled flesh and exposed viscera, your palm pressed against perfect in-tact, perfectly seamless skin. Like he’d never been injured. Like he hadn’t been on the verge of death only a few minutes ago.

Like you’d never even touched him.

“See, baby? I already told you – I’m not going anywhere.” His smile was soft, his voice soothing, but he was distracted. With a fist curled around his shaft, he aligned the head of his cock with your entrance, heavy beads of his arousal drooling onto your cunt and down your slit. “You had me worried for a while, there.” This time, his eyes flickered up to meet yours. “I know what I’m good for. Thought you might get sick of me before I ever got a chance to prove it.”

It would’ve been impossible to tell if Satoru was still in pain, or if he was capable of feeling something so human at all. The hurt that sliced through your chest, though, was agonizing. “I would never do that, ‘toru.”

“I know. And I’m sorry, too – it’s unfair to keep comparing you to him.” He bowed his head, dipping low enough for the heat of his breath to ghost over the shell of your ear, when he went on. “You’re not getting away from me that easily.”

There was a shuddering inhale, a sudden pressure against your slit. He pushed into you slowly, less concerned with your comfort than he was savoring the feeling of your walls clenching around him, of your body inviting him deeper, closer. You held your breath, doing your best to memorize every curve and vein, to accommodate him even as his length threatened to split you open. It wasn’t painful, but even if had been, you wouldn’t have complained. This was what you were supposed to want. This was what you were supposed to do for Satoru.

You could only wonder, then, why it felt so cold.

It was only when hips pressed into yours and he was fully hilted inside of you that he picked himself up – a hand planted on either side of your head, a broad, careless smile plastered across his lips. You registered that his lips were moving a full moment before you recognized the sound of his voice, as angelic as it was unbearable.

“I love you.”

For the first time, you didn’t bother trying to say anything at all.

#yandere #yandere x reader #yandere imagines #yandere jujutsu kaisen #jujutsu kaisen #jujutsu kaisen x reader #jjk x reader #jjk imagines #jujutsu kaisen imagines #yandere gojo satoru #gojo satoru x reader

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vidavalor · 1 year ago

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The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks?#aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

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