#i do not like the person that wrote most of this but they are right

[whatifitis]

♡ Cursing The Daylight - LN 4 ♡

Summary: Lando hates knowing you never sleep well so when he believes he's figured out why, he makes it his mission to save his sleepy girlfriend from sleep deprivation.

Author's note: A little blurb thing I wrote at 2 am. I tried my best 😭

WC: 1045

CW: Lando being a bit dumb and the sweetest person ever, fluff

You were currently cursing the daylight, watching as a blue bird flew past your window.

Fucker 

It was yet another sleepless night in your apartment. You continued to stare at your alarm clock, waiting for it to go off, a little reminder that if you were capable of sleeping properly, you’d still have 5 more minutes of sleep. 

For most of your life, especially in recent years, you’ve never been able to get a full night's rest. You’d always end up tossing and turning for hours, as well as waking up about 7 times a night. Every day you would feel irritated and restless due to your lack of sleep. 

However, whenever you slept over at your boyfriend's house, you always managed to get a good night's sleep. You and your boyfriend, Lando, have been together for about 5 months. The first night you two had spent together, was the first time you’d been able to sleep well. You woke up bright and early and you felt amazing, like nothing could stop you. 

Over the course of your relationship, Lando came to be aware of your inability to sleep well most nights. Whenever you would sleep in your own apartment, Lando would receive mass amounts of texts from you, all about how you slept terribly and that you either needed a nap or many coffees. 

Lando, being the ever so lovely person he is, picked up on something. The only times you would get a good night's sleep, waking up and not needing to complain about anything and everything, was when you slept at his place. 

The mattress! The boy thought, she sleeps better at mine cause my mattress is fucking mint. 

Upon realizing this, Lando goes and orders the same exact mattress he has, and has it sent to yours. He thought it’d be a nice surprise for you so that you can get a goodnight sleep every night. Another plus would be that you guys are coming up on your 6 month anniversary, this counts as a gift right?, thinks Lando. 

The day Lando gets an email stating that the mattress was out for delivery, he books it to your place, wanting to be there to see your reaction to his gift and so that he could help you bring it in and set it up. 

Lando arrives at your apartment, greeted by you with a massive smile and sparkling eyes. He wastes no time in pulling you to him by your hips and wrapping his arms around your torso. As you wrap your arms around his neck you say, “As much as I love seeing you, what are you doing here? I thought we were going to meet up later tonight for movie night.”

As Lando pulls away to look at you, the postman has just arrived. “That’s why.” he says, smiling cheekily and pointing to the truck behind him. 

The both of you watch as the postman begins to unload the mattress from the vehicle, before Lando jumps in and helps the man drag the mattress to the door of your apartment. 

Whilst Lando and the man bring the mattress into your apartment, you stand there dumbfounded. 

What the actual fuck is going on? The only thing I’ve ordered to my apartment is a new book and I don’t think the book is that big? Wait, did I order the right thing?!

As soon as the box is in your living area, you confront Lando, “Lan, my love, my gorgeous boy… what the fuck?” you ask, pointing at the big ass box in your living area. 

Your Lan stands there next to the box, all but swaying as he stands and gives you the biggest smile he could plaster on his face. 

The cheeky fuck. 

“It’s a mattress!” he says as he poses next to it, adding a pose for effect. 

“A mattress?” you ask.

“A mattress.” 

After a moment of silence, where you contemplated whether to strangle him or take his credit card away from him, you ask “Why?”

“Cause, you’re always tired and you never sleep well unless you’re at my place. So I figured out why! It’s because you find my mattress to feel so much better and comfier. I even ordered the same bed sheets I have, but I got yours in green since it’s your favorite color. They should be here tomorrow though so for tonight you can spend the night with me or we can use your old sheets.” he proposes, smiling so wide it makes your heart melt from the sweetness that you don’t deserve. 

He gets you the same mattress he has in his home, for your home. 

“I sleep better at yours because you’re there. Not because of the mattress, you muppet!” you exclaim. 

You watch as Lando’s face immediately drops, “what?” he asks. He’s truly been stunned with this information, “What’d you mean it’s not because of the mattress? You mean to tell me I haven’t helped solve your sleeping issues?! I thought I was smarter than all the doctors you’ve seen for this issue!”

You can’t help but laugh at your boyfriend's statement. 

“Gorgeous, you thought that of all the doctors I’ve seen… that none of them have thought that I was sleeping on an uncomfortable mattress?” 

Lando just stood there silent, blankly staring at a wall, likely contemplating all his life choices. 

“Fuck. So, do you not want the mattress? Seems like a hassle to return.” he states as he scratches the back of his neck, wondering how he’s going to return the heavy ass box. “Wait, you sleep better when you’re around me?” he looks at you, somewhat shocked. 

You walk up to him, taking his hands in yours and making him look you in the eyes, “Gorgeous, in the time we’ve been together, we’ve slept on couches and several different mattresses. And I always sleep well no matter where or what we are sleeping on. I sleep better because I’m with you, I feel safe with you.”

“Oh… oh!” he giggles a bit. Red starts to lightly color his face, he’s blushing, “That’s nice.”

You don’t think you’ve met anyone more awkward than this man, but you love him because of that, not in spite of it. 

[kriimuline-blog]

Wait, I have so much to say about it that it frightens myself.

First: this is true. No arguing.

BUT

I have actively working to get rid of my self-sabotage habits for last 10 years. And oh, what a wonder: I got and still get accused for being selfish, full of myself, thinking too much of myself. Surprisingly none of people I have asked for help were angry or disappointed or whatever. But other people who were just bystanders - oh, they were. "So, other people must help you to live? Who even are you to expect that???"

I don't reject praise but if I seek attention for a work that is not absolutely perfect, guess what people say? Bad things. You wrote a book and want it to be reviewed? Well, from time to time book sounds like badly translated from English - for example this one phrase. Bro, it was this only phrase! I even thought about it and decided that as it was joke about publicity in USA diner, I can leave it! Why you concentrate on this one phrase that is not perfect? Because I HAVE to be perfect to be good?

No one actually says bad things about me if I say no. BUT. If I'm not active, not on the picture, if I take care of MY need to be alone and rest, no one remembers me. Isolating myself when hurt? Not exactly, I am isolated to take care of my needs, but if I seek attention and help when hurt, most people are: "Nope. To say good things when asked is not sincere, not can do." Or "I'm kinda busy right now." Or they say nothing. Just ignore me. If I want to be part of circle, I HAVE to participate in the events. Other people? Hey, they have many more circles, this one is not an important one even. But I have only two main circles. if I pass the possibility to do more there, people just ... forget about me. And that's true, not just my own imagination.

So it's not self-sabotage that person should stop and live happily ever after. It's actually trying to fit in with other people, to be what they want you to be. So that they would accept you.

Yes, most people does not help you anyway. They just criticize. You can't be liked by everyone. And maybe sometimes to be in the pack is not even worth the trouble. But to try to fit in, to be loved and liked is natural. I am extreme introvert and diagnosed autist and still I have this drive to fit in. Not just a self-sabotage. More like trying to be what others want, even if it's hurting myself.

Ok, I don't watch news. Maybe this is only self-sabotage =)

[fictionismyreality3]

Penpals with the 141

Warnings: stalkerish behaviour at the end teehee 🤭

Notes: if only I had a hot military man or men to send letters to 🤷🏻‍♀️😩

It started out as just another way to keep the boredom away. Sending care packages to military members was also a plus. You'd be staying busy and doing a good deed at the same time. You found some trustworthy-enough organization, signed up, and sent out your first letter along with a few goodies like choclates and warm socks.

The 141 had never really thought much about getting care packages from civilians. In their eyes it was just a good way to get the things they missed out on while on deployment. Most of the letters got tossed as soon as they opened the box.

That was until they got yours.

The stupid little smiley face drawn on the cardboard shouldn’t have stopped Simon in his tracks, but he found himself staring down at the doodle.

"L.T? Y'been standin' there fer a good 15 minutes." Soap remarked.

"S'that your favourite candy, right?"

Soap was swayed by the chocolate oranges, finding himself reading your letter as he scarfed down each wedge. The curly handwriting, the crossed out and rewritten words had him showing the letter to Gaz, and then Price. Soon you found yourself in an almost penpal situation. Over the exchange of more and more letters, you were able to dicern the personalities of each man who was writing to you.

There was Soap, who wrote in barely legible chicken scratch, often skipping words or even entire sentences, like he was thinking too fast for his hand to keep up. Always calling you 'bonnie' or 'lass'.

Gaz, who wrote much more formally. His hand writing was the best to read, neatly printed on the lines of the paper. You got the sense that he sat down and put his whole attention into writing back to you.

Ghost, who's name you were yet to learn, tacked on his responses at the end of the paper. It was rare to get more than a few sentances from him, and even rarer for them to be anything but small talk. Slowly, he began to open up, asking you how you were or if your boss had resolved that HR issue yet. How did he know that?

Price, who'd quickly insisted on you calling him John— makes me feel old, luv— was the one who you seemed the most interested in your life. You chalked it up to him wanting to have something to think about other than his life threatening job.

Questions about your living situation, your job, your hobbies, it all seemed like small talk. Easy enough to look over. And then came the questions about your bills. Does your job pay enough? When's the last time you've been on vacation? What does your ideal living situation look like? Are you in a relationship?

It wasn't just John who was asking. So we’re Gaz, Johnny, and even Ghost began to inquire about more personal details. Every time you got a letter, it was almost a pavlovian response for your cheeks to blush. You looked forwards to the letters from your far away military men, and they even sent you gifts!

A watch, just like the one on your pinterest, wrapped up in a pretty pink bow. They added on such a sweet note too.

"Synced up to our watches." Ghost.

"Thought you needed a little treat." Gaz

"Here you go, bonnie! Now you can know when we're awake!" Soap.

"Let me know if you need it tightened, sweetheart." John.

They didn't feel the need to tell you about the favour they called in with Laswell to get the micro-tracker added, or about the camera and microphone they planted in the watch face. You looked so pretty with it on anyways, they'd need to make sure nobody stared too long.

[thewalrusespublicist]

omg can you speak more to your latest post about the reverse happening in 1980, I’ve never about the coherence of the narrative actually :O

Yeah an alternate universe would be crazzyy because our main narrator and star witness of the Beatles would be resident shit stirrer … John Lennon.

John

Fucking

Lennon.

The thing with Paul is that he’s kept to a pretty consistent narrative for the past 40 years or so: John broke up the Beatles cause he wanted to move on, army buddies, they loved each other etc. You can criticise it (I certainly do), but it’s coherent. It’s also one that has allowed John grace and promoted love and community as a core message, something that the other last surviving Beatle Ringo is more than happy to support. It works, we get it, it's a good message in many ways.

Whereas John … wooo boy. The only idea we have of what John would have been like is the 70s where he couldn’t even make a narratively coherent sentence.

If you take his comments and put them together, the Beatles break up was because the guys were blokes he got bored of but also the temple he loved too much but also a marriage that had to end but also a mistake in many ways. Simple, right?

And who was Paul again? Oh, well he was his closest friend ever but also someone he was never very close to and a genius but also artistically dead and yeah, he talks to him often but hasn’t spoken to him in a decade and could talk about him for days but also never thinks about him and is his dear one but also a straight and his ex-coworker who he didnt really work with much … wait no fiance/brother that he would do anything for. Whatever emotion John felt at that moment was his new forever truth/cope and that was the shit he was sticking to on record for those five minutes.

 And that’s John in normal factory mode. Now imagine the nuke that would be losing Paul, his Paul. Imagine every extreme feeling and every defense mechanism under the sun all going off at once and right in the interviewer's face like a deranged grief firework show. Then the added mess of Paul being seen as a saint and Paul the person not being there to reality check John’s view of him … chaos. On top of all that, if Yoko is right and John did contemplate an affair with Paul, you think he wouldn’t have spouted that at some point AMONGST OTHER THINGS WE DON’T KNOW ABOUT? 

Trying to work out the whole Beatles saga would be like trying to find Bigfoot but the compass is pointing in every direction and through several detours through an inexplicable amount of orgies, scandals and psychosexual drama.

 Who were the Beatles? God knows, apparently only the best band ever of bffs/coworkers who were so overrated and boring that John couldn’t wait to leave/never wanted to quit. Who the fuck was Paul McCartney? Duh, the most beautiful perfect wonderful genius man who had ever lived, one of the great loves of John’s life whose memory will stalk his dreams and waking hours until his dying day and has seances for on the reg. Oh he's also a sheep fucking devil who was hated and who intentionally and maliciously slept with half of London and wrote 'nogoodsongsshutup' in an evil plot to trick John to make music with him until Yoko freed him from his spell. What was their relationship? ????????? (okay maybe not everything would have changed lol but we would have so many more details on John’s side). There’d be no message from the Beatles tale, no story, no cohesion. Just a free-for-all pile of disparate tales of love, hate, treepanning and heartache to sift through.

In any case, I would love to see the madness that would be their version of Beatles tumblr.

[novvabee]

The Boys in the Band

AN: I got carried away with this one, but here is the second part to the band au

word count: 2.8k

cw: language? there is nothing really bad about this one.

Since your first show, you had been quite busy. You had opened for a couple bands at The Common Room, you booked a few nights at the popular club, The Hog’s Head, and managed to snag a spot in another festival. You had become popular very quickly amongst the girls, gays, theys, and young people in the city. Each gig you noted more and more fans, crowds growing, singing so loud and dancing so hard. 

This is what you always dreamed of, performing and making people happy. You lived for the drama and theatrics of it all, dressing up on stage and singing your heart out. The girls felt the same electricity, the same passion as you. That made your bond as a group that much stronger.

Not to mention, you were all good friends. Lily had mentioned to you that she and Mary had been messing around and found out they actually sounded really good together. Then they asked Marlene if she would play drums, which she said yes to in a heartbeat. And then Lily realized they needed a front woman, someone who could sing and bring the most energy. She thought of you, your bold and fierce attitude, your flirty and fun personality. And that is how you started.

The four of you wrote all the music you performed; the fun and girly songs by Mary, the campy over-the-top songs about women by Marlene, the sad and slow ballads by yourself, and the thought provoking and experimental ones by Lily.

Mary had the upbeat, girly, pop songs down. Her personality just flowed with inspiration for them, so those were the types of songs that you mostly sang and performed. You weren’t complaining, her songs were half the fun.

Marlene was full of something you all liked to tease her about; lesbian angst. But all that angst made for great songs to perform and were usually the crowd favorites.

Lily was slightly different, she was full of thoughts and ideas about the world, and her medium to get them out of her brain and into the world, was through music and lyrics. She wrote a lot of songs for women, for rights for all and for political change. If you had to pick, you would say hers were by far your favorites. She didn’t write often, but when she did, she had a message, something to say. You loved that about her.

Your songs were all ballads and sad. The girls teased you about that too, saying you shouldn’t let a man make you cry. It wasn’t exactly your fault, you had just gotten out of a long term relationship, and were drawing inspiration from all the confusing, mixed feelings that came with that. 

You had been dating this boy, Matthew, for about a year and a half, but everything seemed to take a turn for the worse a couple months ago. Your once sweet and charming boyfriend had turned into this cold, vacant man right in front of you. You two argued all the time, about small things as well as very important, serious things. He started accusing you of sneaking around, hiding things from him, cheating on him. None of it was true, and you tried to tell him that, but he wouldn’t listen to reason.

So you had enough. You told him that if you two couldn’t work things out, you didn’t know if you could continue on. He said nothing, just agreed with you. He didn’t try to mend the broken relationship, didn't try to fight either for you or with you. You would’ve taken either, but he just walked away.

As much as you tell yourself you’re doing so much better, that you have moved on and don’t care about him anymore, that isn’t exactly true.

You leaned into the band to distract yourself, putting everything you had in it so that you wouldn’t be left with those feelings. You’re just glad you had your friends, your girls who not only could help you through it, but also help you see this band through. They ignited you.

You felt that way even just sitting on the floor of Mary’s apartment. The space was cute and cozy. You girls were sprawled out over fluffy rugs, a plush couch, and two oversized bean bags. 

Mary was nodding her head along to a beat that only she could hear, writing down what you could only guess were new lyrics. Lily was strumming a tune she had been working on for over a week. You and Marlene were talking about what to wear for your upcoming show. 

“I think you'd look good in that pink leotard with the matching cowgirl boots.” Marlene recommended.

“The pink tassels or the pink heart?” you asked.

She thought for a moment, then her eyes lit up. “The tassels, that way you can wear the boots and maybe a cowboy hat,” she paused looking at the other two, “maybe we can try out Pink Pony?”

Excited, you clapped your hands together. You had been dying to perform this new song in front of a crowd and this was the perfect opportunity. You were playing at The Common Room again, but this time it was only you. Unlike every other performance you had, this time there were no openers, and no one else after you. You got a whole set for yourselves and the whole night to perform and party with fans.

The night was going to be nothing short of magical.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

James followed Remus and Sirius into the stage door of The Common Room.

All three boys wanted to come and see the performance that The Pixies were giving tonight. They had gained a lot of traction recently, seemingly overnight.

James didn’t feel at all jealous or threatened, they were doing just as well themselves, and they made entirely different music. He was more curious as to the fact that this band came out of nowhere.

The Marauders were used to competition revolving around the music world. They had been doing this for a while now, they understood the fight to fill spots and book sets. This band was just another contender now.

James was more frequently used to The Snakes stealing their gigs or spots in festivals, but now even they were pushed aside for this new band. The Snakes was led by Sirius’s little brother Regulus, another person on the list James hadn’t spoken to in a while. James knew that Regulus was a grudge holder, hell, he was related to Sirius, so he shouldn’t be surprised that Regulus cut all contact.

He fucked up, he knew he did. But he still wasn’t ready to think about it.

Slipping through the crowd and continuing to follow as best he could, all three boys ended up in the back of the already packed room. 

“Holy shit,” Sirius began, “there are so many people. How much were tickets?” He asked Remus.

Remus answered with a head shake. “Don’t know, Lily told me to come in through the back door so we wouldn’t have to pay.”

James’s stomach sunk, maybe he shouldn’t have come. Lily didn’t even invite him, he just tagged along with Remus. But, she had to have known that would happen, right? The boys didn’t do anything or go anywhere without each other.

“Oh my god! Hi,” came a voice from a girl to his right. “You’re The Marauders right? I love you guys. I’ve been to, like, a bunch of shows.” James recognized this girl. She was always front row or close enough, always giving Sirius a look that showed she wanted to fuck him, or at least become a groupie. “Could I get a pic?” she asked.

Sirius smirked. “Course you can sweetheart.” he said while she handed her phone to someone she was with. She stood between Remus and Sirius for the photo, then thanked the boys, obviously wanting the interaction to continue. 

James did not. He would look like such an asshole taking pictures with fans at Lily’s show.

The thought was cut short when the house lights dimmed and the stage turned a hazy pink color. James lost every thought in his head when you came out on stage.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

Walking out onto the stage, you were met by a wall of sound, cheers and screams. Your nerves and butterflies instantly fluttered away. This is where you were meant to be, up here on this stage, in front of a crowd, making music. You had dreamed of this since you were a little girl.

You pranced yourself out in a cowboy hat and high heel boots, a matching sparkly and intricately tasseled leotard to top it all off. Your ass may be out, but that was the fun of it, the aesthetic. Especially for the new song you had prepared for the night. 

“Hello my friends.” you said, the cheers and screams somehow getting even louder. “We are The Pixies,” you introduced, “and we are here to give you the night of your life.”

You looked around the crowd to see so many faces enhanced with intricate and beautiful makeup looks, so many fans copying looks from your previous performances, so many bodies in bright colors. So many people who felt confident in what they were wearing and how they looked. 

“We’re gonna start off with a new one if that’s ok with you.” You announced you got an astounding amount of cheers, noting many phones launch into the air to record this new one. “This song is a fun one but more importantly,” you paused, the whole crowd hanging on your breath, “it is about what my mother thinks I am doing with my life. Here is Pink Pony Club!”

The girls started playing the intro and you walked to the front of the stage, sitting down, legs dangling off.

I know you wanted me to stay

But I can't ignore the crazy visions of me in LA

And I heard that there's a special place

Where boys and girls can all be queens every single day

You stood, walking back to center stage.

I'm having wicked dreams of leaving Tennessee

Hear Santa Monica, I swear it's calling me

Won't make my mama proud, it's gonna cause a scene

She sees her baby girl, I know she's gonna scream

You whipped around to the audience

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

You started dancing and jumping around stage, Lily and Mary joining you, smiles plastered on their faces

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

The audience had settled into the performance, had gotten into the groove of the song, and joined in the dancing and the fun.

I'm up and jaws are on the floor

Lovers in the bathroom and a line outside the door

Blacklights and a mirrored disco ball

Every night's another reason why I left it all

I thank my wicked dreams a year from Tennessee

Oh, Santa Monica, you've been too good to me

Won't make my mama proud, it's gonna cause a scene

She sees her baby girl, I know she's gonna scream

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

The crowd was going crazy, right along with you, until you slowed down and the girls played quieter for the bridge.

Don't think I've left you all behind

Still love you and Tennessee

You're always on my mind

And mama, every Saturday

I can hear your southern drawl a thousand miles away, saying

God, what have you done?

You're a pink pony girl

And you dance at the club

Oh mama, I'm just having fun

On the stage in my heels

It's where I belong down at the

You jumped up and danced like crazy, the crowd joining in, loving this new song. Some picked up on the lyrics and were singing them back to you, the feeling indescribable.

Pink Pony Club

I'm gonna keep on dancing at the

Pink Pony Club

I'm gonna keep on dancing down in

West Hollywood

I'm gonna keep on dancing at the

Pink Pony Club, Pink Pony Club

I'm gonna keep on dancing

I'm gonna keep on dancing

You kept dancing as Lily and Mary played the outro, out of breath and so happy. Once the song was finished, the whole building was filled with cheering. You looked to Mary, then over to Lily, they looked just as ecstatic, you could imagine Marlene felt the same. 

“Thank you, thank you!” you said into the mic. “Well, if you like that Common Room, we’re just getting started.”

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

James had never seen a concert, a band like yours. There was no way to describe it, you were just, stars already. 

The rest of the concert was filled with just as much fun, joy as the first song. The dancing and singing and laughing was indescribable. 

The boys waited after the concert, waited until the last of the fans trickled out, then they made their way backstage. Walking down the halls and to the dressing room that had a piece of paper with the word “Pixies” in bold letters, Remus knocked on the door. 

The giggling and sounds of excitement were radiating from the room, loudly even with the door shut.

They waited for a moment before the door pulled open, revealing Mary. The smile dropped from her face for a moment before she put another one in its place, this one though, was more of an uncomfortable grimace more than anything. “Hey! I didn’t know you guys were here.” Mary said, opening the door to let the boys slide through. She hugged each of them on their way in.

James made eye contact with Lily who was on the couch with Marlene. She didn’t break away. He quickly looked over to Marlene and smiled. “We wanted to come and say great show!” he said, directed at them all, but not being able to look away from Marlene, who just smirked, knowing the situation and that James was incredibly uncomfortable right now.

“Thanks.” Marlene replied smoothly. 

Sirius noted the tension and decided to break it. “Where is she?” he asked.

All eyes went to him as Mary asked “Y/N?”

He looked at her and rolled his eyes, “No, the queen.” he said sarcastically.

“Are you going to try to sleep with her?” Mary asked, not holding back.

“What, no!” Sirius denied as if it wasn’t exactly something Sirius would do. “I just want to meet her. ‘Know thy enemy’ and all that.”

Lily scoffed. “She’ll be out in a minute, I think she's taking off her makeup.”

And as if right on que, you waltzed right out of the connected bathroom and into the dressing room. Smiling, you looked at the boys standing across from the couch. 

“Here she is!” Mary ushered you over, chipper and still energized from the performance. “This is Y/N, Y/N these are the boys in The Marauders.”

Your smile grew. “The Marauders? You guys were amazing at the festival.”

Sirius smiled back at you, charming as ever. “‘I'm Sirius.” you looked to the next boy, who was glancing at a fuming Lily.

“Uh, I’m James.” He smiled, seeming to come back to reality and out of whatever thought he was lost in. 

You looked at the final boy, tall and leaning against the wall. “And you’re Remus, right?” you asked.

He nodded. “Yeah we met a while back, lovely to see you again.”

“Lovely to see you! And it is lovely to finally meet you two.” you said to the newly acquainted Sirius and James, they nodded and smiled politely. There was a noticeable tension between everyone in the room, was there really that much of a rivalry?

“I think the boys were just heading out,” Mary said to the three boys standing in front of her. “Isn't that right?”

Sirius huffed and led the other two out throwing a “See you all soon.” over his shoulder as Mary escorted and followed them out into the hallway, shutting the door beyond her.

“That was… strange.” you said to Lily and Marlene. They just looked at each other and laughed, rolling their eyes. You didn’t understand.

“They're idiots.” Marlene supplied.

“They're boys.” Lily corrected.

Taglist 💌:  @adharalikethestar @mayuwolfstar @ieatboysalive @maraudereestauderelb @bugg06 @slytherinambitious (yell at me if I forgot anyone)

[outmakingmoonshine]

I wrote this in response to this post about Adam Shapiro but I didn't wanna hijack OP's post as I was replying to @freedelusionshere comment anyway so i'll put it here instead.

I agree the way Shapiro's character has been presented seems suspicious. Like a lot of things on this show it's portrayed subtly and indirectly but purposefully.

It's interesting to me that Syd had no idea who he was even after she stopped to look at him, until he said his name and she recognized it as a chef from Ever. But he knew who she was and seemed to know enough details about her role at The Bear to ask her to do an almost identical job for him the next time they met. How did he know she was capable of all that?

All the articles we've seen about in the show don't mention Syd, they don't credit her with helping to build the restaurant or even mention that Carmy is partnered with another chef. As far as we know her work isn't being publicly acknowledged and nobody outside of the staff and Emmanuel (and possibly Claire) know how much Syd's done there, so how does Shapiro seem to be aware of details you don't just pick up eating at a restaurant "under the radar" one time?

Richie worked at Ever for a week in S2 but he wasn't exactly Syd's biggest fan then so if he did talk about her I doubt he made her role at The Bear sound like a good thing or said positive things about the changes she'd made to make Shapiro want to poach her.

Shapiro said he ate at The Bear with friends, maybe one of them told him. But again, how do they know? The show makes it seem like Syd's full role at The Bear isn't public knowledge. Especially not the kind of details Shapiro seemed aware of.

Syd told a couple of chefs Carmy's her partner in S2 and judging by the lack of Syd mentions in the articles, I'd imagine they're probably thinking "I told you so" right now...but this does seem like the most plausible way he could know. It's still a flimsy connection imo bc the show has given us no other outside acknowledgement for Syd's work at The Bear. No other chef mentioned it or congratulated her in 3x10, even Chef Terry who congratulated Carmy then partied with Syd at her apartment didn't mention it to her. I assumed Luca would have an idea through Marcus or Carmy but he didn't say anything about it either and there was plenty of opportunity in their conversation. Shapiro is the only other chef who's congratulated her or mentioned it.

Knowing this doesn't necessarily make him a bad person, maybe he just noticed the negative environment of The Bear and decided to offer Syd an opportunity but it does make you wonder how he knows so much and no one else seems to. Maybe the show just does a bad job at portraying that it's public knowledge but judging by their usual level of attention to detail in storytelling, I don't think that's the case.

I guess Shapiro could know other chefs Syd's worked with in the past but getting info from them then approaching Syd the way he did without mentioning that is also just weird. And how would he know she can single handedly build a restaurant from scratch to the point of giving her complete creative control?

If it was sudden for Carmy to offer Syd such a big role in building his dream restaurant after months of working together in S1, it's very strange for Shapiro to offer Syd an almost identical offer but even better, after only meeting her twice.

Plus he says he doesn't want it to be "a gross poaching" but what else do you call asking someone who's already trying to build a restaurant with a chef he personally knows to basically abandon that project to come build his business full time instead? A decent person with good intentions would've spoken to Carmy and Syd together or at least gave Carmy a heads up that he planned to offer his CDC an opportunity to work for him instead. And Shapiro made that offer hard to refuse, even Syd knew it seemed too good to be true. That in itself is such a shady thing to do.

The definition of poaching in business: "Poaching is when an employer actively approaches, or 'head hunts', someone who is already employed by, or working at, another organisation, as opposed to advertising a vacancy and going through a usual recruitment process." [Source]

Shapiro can dress it up all he wants, poaching is the literal definition of what he's doing and the way he's gone about it is "gross" bc it's not like Carmy is a stranger to him, Syd was a stranger though.

His character has been subtly presented as someone who shouldn't be trusted imo. Kinda like Claire in S2. There seems to be no reason to dislike them on the surface but if you look beneath the surface there are plenty of reasons, too many to be a coincidence. Maybe Shapiro's not a good guy or maybe it's deliberate misdirection, either way I think he's been presented as a slightly suspicious character on purpose.

[starified-lizzy]

To an extent I agree with this. But if someone made an OC just to ship them with one of MY original characters, *personally* I would be uncomfortable with that because I am AroAce and tend to extend that trait to the rest of MY OCs. I do not like the shipping being done with MY characters (whether it be “what ifs” with canon characters or self-inserts), because of personal icky yucky feelings towards it and because most of them are AroAce. (Au characters I could give a fuck less about because they aren’t mine to begin with, I just wrote a story for them that I wanted to write. The only exception to this are C, Soul, and Sebastian because their human forms have become my characters.)

I don’t think it’s cringe overall (i mean I’ve probably done it myself when I was younger and wasn’t Aro, so I’d be a hypocrite if I said it was lol), but it’s also a case by case basis. If someone doesn’t want people to ship their OCs/self-inserts with THEIR characters, that’s their boundary they don’t want crossed and it should be respected (and those who defend that already set boundary are in the right imo). If someone doesn’t give a fuck, then go wild. For you self-insert shipper haters; don’t try to make a boundary FOR that person. They’re okay with it, so stop crying about it because it literally does not affect you as the viewer. (Here’s a hint; if you don’t like self-insert shipping, *don’t read it/look for it!*)

All of this is my view on it. You can agree/disagree with it I really don’t give a shit. But the general rule of thumb for shit like this is; if the author is okay with it and has SAID they are okay with it, then shit the fuck up with your complaining. If the author isn’t okay with it and has SAID they aren’t okay with it, then defend them.

OCs based off of people’s worlds are cool, but be careful when shipping them with canon characters!

i still hate y’all bitches who say oc x canon shit is cringe like bitch you have ANY idea how flattered i would be if someone made an oc for my fantasy world? how utterly PSYCHED my ass would be they loved a character so much they fleshed out one themselves just 2 be with one of mine? fuck y’all haters

[school-of-sharks]

originally was going to be part of a reblog but i ranted more than i thought so this is its own post now

i have observed my headmates relationships with other people a lot and i have some thoughts on things. this is mostly talking about communication and me rambling about shit

we WANT to know things that are bothering our friends. did it happen 30 minutes ago? 10 years ago? is it something directly related to us? is it something that literally could not have less to do with us? is it something you consider small and stupid? is it something super fucking intense? it doesnt matter. we're willing to listen to our friends and support them in any way that we can, no matter what they are going through. do give a heads up if you want to talk about something potentially triggering and make sure that the person is in a good enough mental state to listen. as the conversation goes on, we will say if something is too much or if we want to take a break from the conversation. that is, assuming we are talking to someone we trust enough to have more open communication with (coughtheratscough). it is also very important to say HOW we can help. this includes if you just want someone to listen to you, if you want advice, comfort, anything.

one issue we are trying to fight is hesitating to respond to the person talking about whatever issue it is. we do very much recognize that we are not required to give thoughts or advice or comfort and that it may not even be wanted. but for the times it is wanted it is difficult to come up with words and phasing. it does very much have to do with past relationships with other people just straight up ignoring us trying to help or support them. we do genuinely try our best.

talking about our own problems is complicated. sometimes we will literally just say shit without thinking and then afterwards realize "ah wait fuck was that acceptable? i have no idea" and then other times not say anything at all because we have no idea its relevance or importance. its super difficult for some of us to say things that are bothering us without being directly asked about it, which is mostly an ocd thing and something we are actively trying to fight.

being very direct is very important when it comes to us. we are NOT going to realize shit unless it is explicitly told to us. going with that, we are trying to be more direct about things (without sounding like a jackass). we dont want to let things linger and build up, even the small things since those can lead to bigger worse things which are harder to deal with. we want to have good, direct communication and we are desperately trying to figure that shit out since we have not had good communication with literally fucking anyone ever.

we want nothing more than to be a safe, healthy place to turn to when we're needed

[jojo-schmo]

Hello ms bubble wizard mage maam', I was just wondering what are your thoughts on magolor regarding how he's apparently **highly aware** of all characters to ever exist in the kirbyverse

Also its become a trend where god is replaced with NOVA in the expressions... Do they know?

Ello ello!

I like Magolor a lot, but he is omniscient? That's news to me. Is there a source for that? :O Unless you're talking about that Magoverse trend I saw floating around a while back- I didn't see much but what I did encounter reminded me of all the different Sans Undertale AUs out there. Hehehe Magolor is quite versatile! What fun.

And I know people use Nova as an expletive when writing Kirby characters! It's cool!

I use profanity in real life but I personally try to not associate Kirby characters with it in the works I make. I want to diversify the vernacular of the citizens of Popstar so I made a small list of expletives I thought of, lol. They should have a variety of things to yell out when they stub their feet or an apple falls on their head! So I get randomly inspired out in the world and I make sure to write them down!

I remember seeing someone have the characters use expletives based on food, like for example, "For the love of shortcake!" or things like that. That idea's fun!! (If you are the person who had this headcanon and are reading this please tell me so I can credit you for it!)

Does anyone else have expletives/exclamations they write for Kirby characters? Please share them if you do heehee. It makes the world building feel more fleshed out and creative >:3

[faksyan]

thought about mgs characters for two seconds

[fionnemrys]

This is such a beautiful gif set. A mutual just wrote about not being able to read low-contrast text on gifs like these, so I thought I’d try my hand at writing an ID for the set.  Each image is shown in gold tones with text overlayed in white and gold. In most of them, the text is a mix of white all caps non-serif font and a larger loose cursive style font in gold. For the overlayed text description, I’ll type the cursive cursive words in all caps and the rest in proper case.

 Gif 1 ID: Image of Kara Danvers in a cardigan handling a telescope and holding a mug. Her hair is loose and hanging over her shoulders. Overlayed text reads: “PLEASE, LET HER BE SOFT.”

Gif 2 ID: Image of Supergirl looking into the camera looking serious and heroic. Overlayed text reads, “I know you made her with GUNMETAL BONES and WOLF'S TEETH. I know you made her to be a WARRIOR, a SOLDIER, a HERO.” Gif 3 ID: Close-up image of Kara Danvers with her hair in a ponytail. She is wearing a crewneck sweater and has a sad, concerned expression on her face. Overlayed text reads, “But even GUNMETAL can warp and even WOLF'S TEETH can dull and I don’t want to see her BREAK the way old and worn and OVERUSED things do.” Gif 4 ID: Image of Supergirl being thrown into water by Superman during a fight. Overlayed text reads, “I do not want to see her go up in FLAMES the way all heroes end up MARTYRS.” Gif 5 ID: Image of Supergirl looking pensive, possibly regretful. Overlayed text reads, “I know that you will tell me that the world needs her. The world needs her HEART and her FAITH and her COURAGE and her STRENGTH and her BONES and her TEETH and her BLOOD and her VOICE and her–  The world needs anything she will give them." Gif 6 ID: Image of Lena Luthor looking up at the person speaking to her. She is in black and white, her hair is up in a bun, and the background is in tones of yellow. Overlayed text reads, “DAMN the world. And DAMN you too. DAMN anyone that ever asked anything of her, DAMN anyone that ever took anything from her, DAMN anyone that ever prayed to her name.”

Gif 7 ID: Two images of Supergirl overlayed. In one, she is on her hands and knees. In the other, she is rising to her feet. Overlayed text reads, “You know that she will give them everything until there is nothing left of her but the imprint of dust WHERE HER FEET ONCE TROD. You know that she will bear the world like Atlas until her shoulders collapse and her knees buckle AND SHE IS CRUSHED BY ALL SHE USED TO CARRY.” Gif 8 ID: Image of a group of DC heros in black and white, including Batwoman, Green Arrow, Superman, Flash, and Supergirl. Overlayed text reads, “DEAR GOD,  you have already made an ATLAS. You have already made an ACHILLES and an ICARUS and a HERCULES. You have already made so many heroes, and you can make another again. You can have your pick of heroes.” Gif 9 ID: Image of Lena Luthor with tears in her eyes. She is wearing a black shirt and her hair hangs over one shoulder in a braid. Overlayed text reads, “So please, I beg you–  SHE IS ALL THAT I HAVE, and you have so many heroes, and the world has so many more.”

Gif 10 ID: Split frame of two images. The left side is Kara Danvers relaxed and laughing with a glass of wine in her hand. She is wearing a grey cardigan and her hair is in a loose, messy bun. The right side is Lena Luthor relaxed and laughing with a glass of wine in her hand. She is wearing a red top and her hair is loose and falling over her shoulders. Overlayed text reads, “Let her be SOFT, and let her be MINE.”

Original poem by @pencap. Text can be found here.

cc: @thatonebirdwrites

@usergif’s back to cool event ღ CHALLENGE #5: GROWTH Please, let her be happy. (original.)

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[allbycharles]

Hello @silmarillisms ! Those are valid points so I will try to respond. Thank you for your response. Let me add more details to explain why I said what I said.

Tolkien did highly probably have ptsd after going through traumatic experiences of the war. We cannot know of course. That it was traumatizing is sure.

What Tolkien and nobody else knew in his times was how to heal PTSD which is what I meant by Tolkien did not know how trauma works.

Having it and getting rid of it is two different things. To get rid of my ptsd i had to use the first available manuals of the usa army that came out ten years ago. Before that there was no solution even though of course the doctors were trying a lot of things.

Your point of elves mental health is of course valid just as me not having any rights to tell how to write. I am not saying people have to write correctly ptsd treatment. Neither that elves work same as people.

Why was it important to state how mental health works and to have elves work same as humans from my perspective which you can happily ignore of course....and why in first place i wrote my first post:

People use art as help and I hear it daily from everyone around that: they think ptsd works like this and that, anxiety works like this and that, depression is cured by this and that.........and all of that circulates through chats, tv, social media and art and all of it is wrong. And gets people hurt very much and deeply. Because they did not get the right info.

And most of population works on examples they see around and big part of it is art.

I had no goal of criticizing anyones writting....I can see I tagged my post wrong so it sounded like "stop this and do what I just said or else I send a balrog" I am really sorry about that, I am going to change it to more informative.

What I meant was if you want to write correctly a person with ptsd then here have a very simplified version of how a ptsd usually works.

And hopefully many people who are victims of abuse or anything else will be on correct path to healing. Does the artist have a job to do this? Not at all. I wrote the post as information for writers not as rules. And I hoped more fanfiction with helpful info might appear.

I dunno who you met and what kind of traumatic experiences they had. And I of course dont talk about everybody. Thats why I tagged it as very simplified version. What I wrote is the usual way it goes for soldiers in dangerous situations which what was the first ops topic.....feeling of safety after years of war.

The manual I used on myself made by the usa army describes ptsd of soldiers going like this and is used on all ptsd soldiers victims which is why I wrote it as highly pissible for Elrond to have it the same.

Lastly mellon....I am really writting all of this to help people and I am sorry it trigered you. I understand when one simplifies things too much they sound like bullshit. Yes each person is different, each trauma is different and I am not a doctor. Thank you for writting your post and pointing out what I fucked up. I am sure I missed like half of it again so please if you feel like it do respond again. I hope sooner or later we all get both therapy and kind words we need to be happy and healthy just like Elrond. Honestly good for him.

I wonder, after the Third Kinslaying, when was the first time Elrond felt truly, actually safe again

I just mean. like. no matter how kindly Maglor treated the twins, ultimately. no matter that there was love, later. from that day on, it's just, Elrond would know, all the way to his core, that he is small and defenseless and people who are bigger and stronger than him can come and tear his life apart and change it at their whim and he can do nothing but go along with it. and then by the time he is old enough to maybe have a shot at fending for himself... by then there's an ongoing war of apocalyptic proportions, that might wipe out even the strongest who still stand if the fortunes change even a bit. and he'd know it. there's nowhere that's really safe and no matter how strong and brave and skilled someone is they can only affect their own happiness and survival a little bit

by the time war of wrath ends it's decades since he last knew true safety, he's known practically all his life that the world is not safe and his life could be shattered to pieces at any moment with very little warning... even when the peace comes you don't just easily shake a lifetime of knowing that all the way to your core

[itspileofgoodthings]

.