#i do like her quite a bit

[scumpatrol]

You are surrounded in cupidity From purulence and lust I'm the magnet for stupidity And divine you feel my thrust

[renaerys]

Heya Renaerys. Can you tell me your thoughts on multi saku ships? 👀 I'm not a super majestic avid fan of Naruto and I'm just one of the normal ones who like the canon ships of it, but as I found out that there are fans that ship Sakura with other characters, I got curious about the nature of it. What is the appeal? How does the ship/s work? What makes you love it and enjoy it so much?

Ps. Worry not! Despite liking the canon ships, I'm open to multi shipping. So I hope these questions appear "safe" lol 😋

I am someone who does not in any way support the "canon" ships in Naruto. So I only ship things are not that lol. But I'm a fan of people liking what they like and not bothering others, so I sincerely hope you find fanworks featuring your favorite ships that you can enjoy and love!

I'm not interested very much in multi-sakura. I actively ship only two Sakura ships, which are SasoSaku and ShiSaku, and in very specific, nitpicky ways. That is just my personal preference. I'm supportive of some other Sakura ships and I enjoy experimenting with rare pairs if I get a really good idea, but they don't get my heart pumping like these two do. My main problem with multi-Sakura is that the majority of that fandom doesn't actually care about who Sakura, the canon character, is and instead they flatten her to be a cardboard, self-insert YA heroine with a vaguely stubborn streak. I don't think this is like evil or bad or anything. There's a reason this type of main female character archetype is popular and ubiquitous. But I find it excruciatingly boring, personally.

Canon Sakura is kind of a shitty person. She is extremely selfish in many of her decisions, and her brand of romantic love is obsessive and smothering and, again, selfish. She is a very insecure person. For all of part 1, she is lazy and unserious in her role as a shinobi and cares only about her crush on a boy. And she is really bad at taking no for an answer. She experiences a lot of growth in Shippuden, some of which mitigates and improves upon some of these earlier negative qualities. For example, she stops being lazy and starts actually working hard at being a shinobi and becomes pretty strong. She demonstrates more positive qualities, such as more compassion for others, a fighting spirit, and teamwork. She also just gets older, and with that comes the expected growth in maturity. A 16 year old is going to be more mature than a 12 year old.

But the negative qualities are part of her character and her growth, and I don't hold any of it against her. I think these qualities make her interesting and layered, and decidedly not the cardboard, blank slate, self-insert YA heroine type at all. Yet, so much multi-Sakura or "BAMF" Sakura content erases all of this nuance. To many of these types of fans, she's always been just a victim wronged at every turn, never did a thing wrong herself, every hot guy in the world wants to bang her for some completely mysterious and illogical reason, and she's "not like the other girls" in the laziest, most insipid ways. She becomes a chimera of the traits of many of the other female characters (she is sassy like Ino, caustic like Karin, tough like Temari). None of this is earned or even remotely close to who this character is in canon. And it makes me wonder--why are these people writing about Sakura when they really ought to be writing about any of these other female characters who actually do possess these traits and may be a better fit for a particular story or ship? Why do you have to steal these traits and give them to Sakura and make every ship about her?

I know why. You know why. I don't think I have to spell it out.

All of this being background to your question: what is the appeal of multi-Sakura? In short, multi-Sakura has become associated with self-inserting into a female character you've stripped down to bland oatmeal personality in a pretty package to make her appealing to the lowest common denominator and shipping her with any hot guy you want without thinking critically about why the pairing might make sense or work as evidenced by canon personality and/or events. Is that every multi-Sakura work in existence? Definitely not. Is it encompassing of every person who happens to have a Sakura ship? Not even close. But it is a significant and, sadly, vocal majority, and the term "multi-Sakura" itself has become shorthand for this kind of shipping preference and characterization (or, rather, lack thereof).

But just like any fandom preference, it's basically harmless. Boring and vapid, in my personal opinion, but harmless.

[uncharted-constellations]

These two have such a funny vibe, had to take Zelda out of half their games because you know she’d just be telepathically negging him the whole time. Theyre besties, theyre potentially related, she’s mentally whispering ‘Sandwich’ in his ear whenever he’s trying to focus.

Edit: Added funny page in celebration of me not having to rework these designs for the new game

[heybaetae]

maknae line + gestures of love 🫰🏼💋🫶🏼🌹🤟🏼 happy birthday @jkvjimin! ♡

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.

[dollypopup]

I guess what I find most funny about the 'She should call off the wedding because of Colin's entrapement line!' crowd is like. . .y'all really don't get Penelope at all, do you?

She has loved this man for YEARS. She's loved him through his engagement to someone else, she's loved him through him saying he wouldn't court her, she's loved him through multiple countries, through her family mocking their closeness, through a potential marriage to a Lord. She loved him so much she couldn't even DENY having feelings for him to save what she thought was her only chance of getting married. Do you know how easy it would have been for her to go 'No, we're just friends, I don't like him like that, you're proposing to me and that's what matters'? She couldn't denounce her feelings for him even THEN. Even when she doesn't think he reciprocates them and she's made peace with a life with Debling and is expecting his proposal. Colin was *always* first in her heart, through all those hurdles.

Because Colin has been kind in a cruel world, and he's made her laugh, and he encourages her confidence and he's warm and he's gorgeous and he centers her and he values her and he listens and makes her feel desired and beautiful. He's a good man, and her love for him makes her feel good, she treasures it. Even in the books she says it feels good to love a good person, whether he loved her back or not. And now she knows that he does and you think one line that Colin says in obvious hurt after finding out she's been hiding a secret persona for him is enough to shake that love? She spent what? Half a decade looking out her window pining for him and now on the eve of getting to live a life with him as husband and wife, she's going to chuck that away because of one sentence? How lowly do you think of her? How *stupid* do you think she is? To throw away the love of her life over what? Her pride? This fandom's OOC Fanon Pen is a disservice to Penelope's actual character.

Her love for Colin is steadfast. It's made of tougher stuff than all that. It has survived everything that has been thrown at it. Distance, other people, Portia. And y'all really, truly believe that a singular statement will make her go 'Naw, I don't want it anymore!' PUHLEASE. Even when she offers him that annulment, you KNOW she knows it's not on the table.

Stop playing. OF COURSE she didn't call off the wedding. Of COURSE she chose to understand where he was coming from and went 'I didn't mean to trap you, Colin, I love you'. Of course she asks what the marriage will be and is comforted by the fact that he still wants to go through with it.

Penelope Featherington has loved Colin most of her life. It has been one of the few constants in her existence. He has been good to her in said existence, consistently. He's listened, he's cared, he's apologized to her, he's taken ownership of his actions, he's invited her to be more open, he's joked with her, he's supported her, he saw her when she was invisible. She. Loves. Him. And for good reason.

It's not going away because of one line. Or two. Or three. Come back next time when you actually understand her.

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[turtleblogatlast]

Leo being put into a situation where there is absolutely no fighting, just verbal manipulation and perception games, would be amazing to witness. We see a lot in the series how good he is at subterfuge and how he uses his perception to manipulate to great effect, so it’d be so cool to really see it put to the test even more.

Manipulation is one of the most effective tactical strategies of all time, so just imagine Leo putting this skillset of his to the full test. Imagine the boys slowly get up to busting bigger and more powerful criminals, including those with networks of crime under their belt, and a simple fight isn’t enough to take them down. For criminals like this, Leo’s skills in subterfuge would be deadly.

[marzipanandminutiae]

so help me god if I tanked the chance for a well-paid job with full medical benefits, sick leave, paid vacation time, etc. because I hardly ever do machine seam-finishing

I'm going to be. really really really upset

[myokk]

✨MASTERLIST✨

(fanart, longfics, oneshots)

Welcome to my blog!!! Here is my masterlist of ALL of my little sketches, artwork, writing, and general brainrot related to Hogwarts Legacy💘

🌿 - Madeleine / Maddy / myokk

🌱 - AO3

🌿 - likes and follows come from my main blog, @oerflink, because this is a sideblog (🥲)

🌱 - Eloise Babbit, my MC and basically the whole reason for this blog🫶 I don’t necessarily view her as the game’s MC, as my fic is quite canon-divergent and she is sweeter than the evil gremlin I played in-game😆💓 [link to her character sheet]

🌿 - my art tag🫶🫶🫶 here you can see basically every drawing I've done since joining the fandom!

Writing:

Before It Felt Like A Sin (AO3 / tumblr - ongoing)

Sebastian Sallow x F!MC, canon divergent, longfic, wip, dual pov Eloise/Sebastian

Summary: Eloise never wanted to be different.

And yet, her differences are what have defined her life up until this point: growing up as a squib in one of the most prominent wizarding families, being exiled to muggle society, and then attending Hogwarts at the age of sixteen.

She finds herself thrust into the life she should have been prepared for from birth but was denied. As she navigates this new life and her new precarious position in her family, she must come to terms with the fact that maybe what she dreamed of her whole life isn't turning out how she ever expected it would.

Tags: slow burn, angst, magical theory, mythology references, pureblood culture, occlumency, legilimency, hurt/comfort, family dynamics, eventual romance, eventual smut, sacrificial magic, blood magic, dark magic rituals, implied/referenced child abuse

[coming soon] - an excerpt from the Ominis longfic I’m working on💘

Oneshots:

clumsy (AO3 / tumblr)

pairing: Sebastian Sallow x f!MC

word count: 9,1k

rating: E

summary: sebastian is clumsy.

or: two stubborn brats make things more difficult than they have to be.

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving), no y/n

legilimency (AO3 / tumblr)

pairing: Ominis Gaunt x F!MC

word count: 1,7k

rating: m (language)

summary: (His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

or: The Gryffindor student has caught on that Ominis can read her thoughts and decides to get her revenge.

tags: ominis is a natural legilimens, he is entirely too introspective, fluff, no y/n

remembering the snow (AO3 / tumblr)

pairing: Imelda Reyes x Poppy Sweeting

word count: 3,3k

rating: G

summary: Imelda remembers the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

or: a character study on Imelda and how she grew up because I love her & she doesn't get enough appreciation :)

tags: character study, fluff, romance, first kiss, emotional hurt/comfort, I just wanted to write a sweet story & explore Imelda as a character

Illustrated scenes:

(aka where I illustrate little scenes from my longfic and oneshots💓)

🌿 - the summer before Sebastian and Anne’s first year at Hogwarts🥺💓

🌱 - Sebastian hates Eloise’s guts😳

🌿 - Eloise is really, really bad at chess😔 (this scene always makes me laugh SO MUCH)

🌱 - right after the pensieve scene🫶🫶🫶

🌿 - Eloise and Sebastian’s first kiss😇😇😇

🌱 - some angst after their first kiss😇😇😇

🌿 - sebastian overthinks things a lot😔

🌱 - an excerpt from my oneshot, clumsy💘

🌿 - another scene from my clumsy 🫶 I really love writing Sebastian’s pov & this was just so much fun to paint and write😫💓

🌱 - Eloise and her mother😔

🌿 - Eloise is NOT flustered by Sebastian😤

[murdermeadow]

love how she says this then goes on to support the installment of martial law two episodes later

[vickyvicarious]

I—I cannot go on—words—and—v-voice—f-fail m-me!

Mina listens to him sobbing again, she must in order to eventually transcribe this too, right? But this time, he's crying for her.

That must hit really hard to hear. The intimacy of her listening to his audio diary really hits home once again...

[witchspeka]

I love my girl Miwa but as soon as I read that this image immediately popped up in my head:

[spitinsideme]

I would like to imagine Demon!Pomni would climb all over Nun!Ragatha, like how pet rats like to climb over their humans.

I'd also like to imagine she at least tried to hang off of Ragatha's arm like a possum.

I just love how much of a creature Demon!Pomni is. Cold-blooded rodent.

AMAISNG IMAGIANTION !!! she does climb onto nun ragatha ans she just stays there ... demon pomni puts herself in the msot awkward positions and nun ragatha just has to adjust to it

[daily-odile]

Odile patting Molly Epithet Erased on the head, you know why

have two bc i care them

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2