#i didn't want to mention it in the main post since it didn't seem as important

[mistresscitrusslice]

Why does the intro end with Jayce and not the sisters?

Pardon my shitty screenshots. I know I already made a post about the weird things in the intro, but there's even more that I didn't include in that post, and most of it is weird as HELL stuff with Jayce. This whole intro sequence has been weird as hell and I love it.

(I'll put it here since I'm not going to mention it later, but Ekko's first scene in the intro has his shadow as a clock ticking counterclockwise and I love it, but I won't talk about it again since we all pretty much know what that means.)

Last season's intro ended with our two lead women at each other's throats. That's no surprise. The whole show is about them. This one, though, ends with Jayce, a supporting member of the main cast. Matter of fact, he shows up a lot in this intro.

In my other post, I mentioned how his scene in the intro is eerily reminiscent of the moment he met Mel (other than the Council trial) when she shined a flashlight in his and Viktor's eyes in the hallway.

Could this be an indicator that he is once again meeting someone new who will change his life forever? Or could it be a reintroduction to someone he already knows? It could easily be Mel again, maybe after she's discovered and learned to control her magic? It seems like she wasn't aware of her powers until now. Considering how much the animators love to compare Mel with Viktor, it could just as easily be Viktor after he's gone full Machine Herald. They've already met again in the commune, but maybe they'll meet again when Viktor is more mechanical and Jayce is more... how do I put it politely... sane.

The light in front of Jayce's hand appears twice more, but something tells me it's a different light. Has the light evolved or is it a different light altogether?

This comes right after Mel on the lounge chair looking at the black rose and right before Viktor putting on the mask (we'll get to that). It is SO much brighter than before, less like a flashlight and more like a spotlight. Jayce's arm is more outstretched, too. It's less reminiscent of the hallway and more reminiscent of the moment he stepped onstage for the Progress Day speech. Bright, burning spotlights that he flinched at. Arm outstretched not only to block the light, but to wave at an audience.

The light and pose when he ends the intro also has these qualities.

I know it's a reach, but nothing is ever fucking reaching with this goddamned show.

So what does this mean?? Is it symbolic of the presence of magic in his life? Once a light in the dark, the path to success -- now burning, all-consuming? Is this another hubris metaphor??? I'm so tired of hubris metaphors. Let Man become God!

Seriously, what do you guys make of this? Because I have no clue. I have negative clues. Everything I see only opens new questions.

Okay, on to the Jayvik amalgam. :D

Who. The fuck. Is this.

Two pics since the camera rotates a bit and idk if the slightly different angle helps at all.

If you look at it from far away, the eyebrow ridge and nose resemble Jayce. If you peer closer, the eyebrow ridge looks more like Viktor's, but the nose still seems like Jayce. This person also looks to be at a healthy weight and has thick thighs, also qualities that Viktor unfortunately does possess. I want to say the hand also looks like Jayce's, but it's hard to tell. The lighting also makes it hard to determine their skin color. All in all, everything about this scene would suggest that the figure is Viktor except for the figure itself.

My gut instinct had me thinking it was Jayce the very first time I saw this intro, but then Viktor showed up with his blanket and mask later in the song and has been in said blanket for most of the show. The lack of purple limbs doesn't mean anything since the sisters also lost their tattoos, Mel lost her gold, and Ekko lost his face paint too.

And then we have this shot. Whose hand is that? NOT FUCKING VIKTOR'S.

That's Jayce's hand putting Viktor's mask on him. The hand looks like it fits naturally on Viktor's arm.

This could mean that Viktor will be wearing his mask because of Jayce. Partly in a "you see me as a villain, so a villain I will be" kind of way, but maybe also in a self-fulfilling time loops sort of way.

It's obvious that we're not supposed to be able to tell Viktor and Jayce apart in this intro. I even saw someone suggest that the animators made a whole new 3D model that was a mix of them both to be able to get the effect across. They might have also made one for Viktor with Jayce's hand.

This is basically saying that Jayce and Viktor are so deeply intertwined that they can't even be told apart. That's really ironic considering how different and divided they are right now. Could this imply that they'll end up back on the same side by the end?

[g0ldgauntlet]

Webtoon Readers Are Very Harsh on Black and Brown Female Leads.

I've had this thought for a while, and I'm likely not the first to voice it, but I do want to talk about it. It's certainly not a coincidence to me after seeing it happen multiple times. For you to understand my frustrations, I'm going to focus on comparing the female leads from 3 comics: Let's Play, Late Bloomer, and Brimstone and Roses.

(Quick Warning: Let's Play did not originally market itself as an 18+ comic at the start of its publishing, but it very much turns into one after Season 1. Please read at your own discretion.)

(Image description is in the alt text)

Here are the 3 leads of each Webtoon:

Let's Play stars Sam Young, a 22-year-old White woman.

Late Bloomer stars Mai Rose, a 26-year-old Black woman. (Mai is pronounced as "May")

Brimstone and Roses stars Beatrice "Bea" Rosario, a 24-year-old Mexican-American woman. (According to the author, Bea can be pronounced as "Bee" or "Bay-uh")

Let's start with Let's Play.

As a former reader of Let's Play (I read through all 3 seasons), I did observe how this story was perceived by others. The White main character was constantly coddled by readers in the comments section. I would argue that Sam has stunted mental and emotional growth because of her upbringing, and this stays relatively consistent throughout the comic. Her dynamic with Charles wasn't healthy, nor did it actually lead to any significant growth for Sam's character, and it took 3 seasons for people to even realize that. Sam is heavily dependent on Charles, who is way too possessive over someone who isn't even his girlfriend. Sam even acknowledges that he's too pushy for her liking.

There's also this:

Which is just a visualized way of saying "I can fix him." It's set up like she thinks that she alone can help unpack all of his problems if she just gives him some of her own love and care.

The author wants her audience to believe that Sam is manipulating Charles during some points of the story, as Charles makes that point twice (Although, one of those moments is honestly just the author speaking through him), but Sam is portrayed similarly to that of a naive child who Charles takes care of at the same time:

(Context: She drank Irish Coffee sometime before this scene. She did not ask the waitress to elaborate on what it was, and for some reason the waitress herself didn't even tell her that either when she asked for coffee, not alcohol. Charles was left taking care of an intoxicated Sam from that point forward, and the question of whether he'd accept her offer to sleep with her was Season 2's cliffhanger.)

Sam is 22 and Charles is 26-30 (Confirmed in "Questions and Answers II"). They're both adults, obviously, but the way they act led me to believe that their mental and emotional maturity gap is significantly large (Meaning that I can more realistically buy Charles being 30 instead of 26). Sam is frustratingly naive, but someone who's been portrayed as having less power and awareness in the dynamic is a person who I have a harder time believing as being manipulative, compared to Charles, who is much more experienced than her and knows better. He admitted earlier in the story that their relationship was unprofessional and questionable, yet continued it anyway when he could have firmly said no.

Sam also is shown to leave her apartment door unlocked twice, despite knowing that a stranger could walk in. The first time Sam did it, she did it because Charles was coming over and she was going to take a shower, so she told him to let himself in once he got there. The second time was also because she expected Charles to show up, and she was relaxing in her bed while she was waiting for him.

Aside from Sam's character consistently being this glorified portrayal of innocence (seen through the lamb symbolism she has and how much Charles fawns over her because of it), she also isn't really relatable, something that the author tried to portray her as (given that she wanted a relatable and realistic story). Sam's dad is the founder and CEO of a software development company called Young Technologies, and her mom is a world-renowned model and actress. Sam herself is supposed to be a struggling game developer, but she also works at her dad's company as Charles's assistant. From a design standpoint, Sam is conventionally attractive just like her two friends, Angela and Vikki, with all three of them (and most of the women in this comic, honestly) having hourglass figures.

I'm not saying that pretty people can't be insecure or have problems, but every trait added together showcases that Sam, in comparison to most of her friends (Especially Dee, for example. Dee is a dark-skinned, plus-sized Black lesbian, and she works at a coffee shop), is insanely privileged. Given that she comes from a rich family that also has a high social status, with a dad who doesn't even take much convincing to do something when asked by his wife or daughter, Sam has no shortage of money to fund her game and can easily find help with marketing it as well (I'm aware that part of the story's conflict is that Sam doesn't want to take over her dad's business and wants to pursue a career in game development instead, but her dad's backbone is so non-existent that I doubt it would be that hard for her or her mom to get him to contribute towards Sam's games).

Next is Late Bloomer.

I read this comic before Let's Play was first published, so seeing the feedback between that comic and this one was like constantly being given whiplash. Mai works at a place called Galivoyage Travel Services. As the comic goes on, readers referred to her as lazy, spoiled, whiny, unsympathetic, desperate, inconsiderate, and horrible at her job (She is actually bad at her job, but I'll get back to that later). She was called shallow in Episode 8 for turning down Zander, a guy who admitted that he got himself arrested for attempted robbery at a pet store because of his fish obsession (she was also accused of hypocrisy for being put off by Zander's habits, since she has a trait that causes a rose bud to grow on her stomach).

Before this, Mai dated a blind guy in episodes 5 and 6. Because of what happened in Episode 6, readers later accused her of having a judgemental streak for turning down both Zander and this blind guy, claiming that she rejected the latter just because he was blind.

That was not the reason why Mai declined on taking the relationship further. The date was a bust, as neither parties were being fully honest with one another (Mai didn't even know that the guy was blind because he kept that information from her). The blind guy took her to a candlelit dinner that was pitch black, and he had his friend coaching him the whole time. Mai picked up on how sketchy he was acting, and things started to escalate. Her outfit caught on fire because the blind guy accidentally knocked over a candle, and Mai was drenched in water that was thrown at her via a bucket to put it out. Mai did not blame the guy for anything and even acknowledged that her friend, Flora, lied about things on Mai's dating profile while creating it. Mai simply wanted to forget that the night happened and hoped all parties would put it all behind them, but as she's leaving, the blind dude reveals his true colors: He's an asshole. He gets mad at her for leaving and insults her appearance, then proceeds to victimize himself by blaming her rejection on his blindness.

Readers were asking for Mai's character development by Episode 10. At the time of when I read this story (2017), I remembered readers also threatening to drop the comic if development didn't happen after this point in the story. Those comments may have been removed by now, but there are still others who say that they find it hard to like the comic with such a frustrating main character.

Onto Brimstone and Roses.

I'll admit that I'm a new reader for this comic. I'd heard that it featured a bisexual woman of color as a main lead, and the story deals with her personal struggles alongside a demon that she summoned. Bea is a very flawed character, and I appreciate that about her. She has flaws that revolve around the career she wanted to pursue, her complicated family life, and her romantic relationships - Aside from her having a demon, there was nothing really out of the ordinary all things considered.

What shocked me was that it only took 8 episodes for the readers to completely turn on Bea (though negative reception already had quickly built up to that point) and call her all types of names. The readers deemed her unlikeable, selfish, petty, stupid, childish, and a pathological liar. One person stated that they were now only reading the comic for Lazareth, the demon that Bea summoned. Others stressed that they wanted to see character development from Bea as soon as possible.

We are 8 episodes into the Webtoon. That was all it took.

Are you seeing the problem yet?

I need to stress that I'm not saying that Mai and Bea are above criticism just because the former is Black and the latter is a brown Hispanic woman. Far from it, actually.

Mai's work ethic is, like I mentioned earlier, not great. She prioritizes dating over her job, and consistently gets bad reviews from her clients. She and Flora are called out on this multiple times, and are both implied to be dragging the rest of their team down.

Bea, on the other hand, is desperate, selfish, and jealous of her ex-girlfriend despite pretending that it's the opposite. Lazareth calls her out on her behavior, and she comes to accept very early on that he is right. Now she has to deal with the consequences of summoning a demon for petty reasons.

These two leads being called out for their actions isn't the issue. The problem is that Sam constantly gets passes from readers despite having glaring flaws and little to no actual character growth, yet she is praised for having an "empowering" and "relatable" story. There is nothing relatable about a daughter of a CEO and model who has three conventionally attractive male love interests, and whose initial story about becoming a game developer is sidelined after Season 1 in favor of her pursuing her horny, BDSM-loving boss (No shade to anyone who likes BDSM, it's not inherently a bad thing. Charles is just very unprofessional and his unhealthy sex habits are part of the reason as to why). Sam's "empowerment" comes from her changing herself to please a man. Everything that Charles tells her, from how she should act to how she should dress (Wearing revealing or skintight clothing does not automatically make you a more confident person), is based on what he personally likes. Sam even bases some of her own choices on what she thinks Charles would like as well, rather than what she likes.

Sam does not learn much of value from Charles despite her initially claiming that he is the only one who's helped her improve. Her development is mostly stagnant until Monica and Marshall are around, as they're the only ones in the comic who give Sam actually decent advice (I'd count Olivia as well, but she hasn't been relevant in so long that I forgot she even existed). Sam's flaws are usually glossed over, and when she is called out, it's not for the right reasons (i.e. victim blaming, as she is somehow the real manipulator and not Charles).

Mai and Bea are much more heavily scrutinized in comparison, and in Mai's case, not all of it is for the right reasons either. As stated before, Mai did not leave her blind date because he was blind, and the guy's friend even calls out his behavior. The friend states that, because of him, Mai nearly received burn injuries and had her entire appearance ruined when the fire was put out. All she wanted was to go home, and she was within her right to do so. Again, Mai also acknowledged that she and her date weren't completely honest with one another about their identities. However, even though what happened was an accident, the blind guy's lies and planning caused more harm towards Mai compared to vice versa.

Mai was also within her right to turn down Zander. There's nothing wrong with him dressing up as a fish if that's an interest of his, but robbery and crimes are a dealbreaker for multiple people in the dating scene. It's not her job to help him through what's clearly a deep-rooted problem - as readers had claimed she should - since they'd only been on the second date thus far. None of this makes her shallow or picky, and it baffles me that the author of Late Bloomer was shamed by readers for writing this.

Sam's arc and initial plot can remain mostly static and many readers won't complain, but they turned on Mai and Bea because their character arcs weren't moving fast enough for them. Why is Sam's character allowed to move so slowly for multiple seasons, while Mai and Bea have a time limit of about 8 to 10 episodes to receive character growth before readers get bored or angry? If their arcs had moved that fast or been completed in that amount of time, their stories would be rushed.

It's explained later on in Late Bloomer that the reason why Mai is bad at her job is because she never received proper training, and Joune (Pronounced as "June"), a manager at a different branch in the company, shows her what's she's supposed to be doing. The audience is also shown that Flora is one of the main reasons why Mai continues to be distracted from her work. Flora is the one who came up with most of the dating plans for Mai, and constantly has her running around with her to go places. Mai obviously can say no to her, but Flora is characterized as being pushy and dragging multiple people into her antics. Readers knew that Flora was a bad influence and still put most of the blame on Mai anyway.

Eprille (Pronounced as "April"), Mai's boss, is one of two characters who chew Mai out for her unprofessionalism and bad work ethic, but he's shown to be a hypocrite throughout the story since he's just as unprofessional as Mai is, if not more. Eprille is insanely petty, using work as a means of getting back at his ex, Marche (Pronounced as "March"). Both Joune and Cloud (Joune and Eprille's friend) call Eprille out on this, and he's also playing favorites with Mai at work. It's later revealed that the reason why he was so interested in Mai, and the only reason why she didn't get fired from her job sooner, is because he's been fetishizing her rose bud. That bud is part of a process that Late Bloomer calls "Botanical Development." Mai's family line on her mother's side has a symbiotic relationship with a plant in their body, which grows more when it detects their destined partner. If the person chooses to sleep with that partner, the fully grown plant will fall off. Eprille knew about people with this trait, and he had been pursuing Mai solely so that he could have sex with her to see if her plant would detach (assuming that he's her chosen partner). By this point in time, Mai had also found out that Eprille had hooked back up with Marche, but Eprille didn't tell her as he had been pursuing her. He then proceeds to blame her for flirting with him despite him leading her on the whole time.

It was also Eprille's responsibility to train his employees, but he never did. The irony of him chastising Mai for not being a good worker is that her being that way is his own fault, because she improves significantly after Joune shows her the ropes.

Eprille is later demoted from his position by his grandmother (the founder of Galivoyage) for his consistently bad management, and Marche is also fired for being irresponsible at work and causing drops in sales.

As for Bea, I've heard plenty about how her character gets better and even more interesting as the story goes on. Although I haven't read much myself, I consider the author to be very talented for being able to get me hooked after 6 episodes while setting up the trajectory of Bea's journey towards healing as a person. That leaves plenty of time to carefully unpack her baggage and tackle her emotional instability instead of rushing through it just to get to an ending.

I focused on just 3 comics for examples, but I could have mentioned more, such as Haxor and Lookism. Some readers of Let's Play have actually referred to Haxor in the comments as a series where you can find "sjws,"-

oh man if you guys wanna find the Tumblr sjws just read big jo or haxor. the comments on the 1st ep of the latter is YIKES

-which I suspect is because of Iso, the comic's Black female lead. The "yikes" comments being referenced were part of a conversation that happened because non-black readers didn't understand why some people were genuinely ecstatic about seeing a Black girl as a main character in a comic. As a result, Black women ended up having to explain to White people why this was personally important to them, and the author himself was glad that Black women were enjoying his comic.

I didn't get very far with Haxor, but from what I did read, the audience would point out that Iso has a huge ego, and that she needed to be humbled. While being too confident is certainly a character flaw that is acknowledged during the story, as I was reading, I couldn't help but wonder if some readers would be this critical if Iso was White, since many White characters who have her traits are praised for being who they are unapologetically. Iso canonically is a young prodigy in the story, and several people depend on her for support. Obviously she isn't perfect, but it's easy to understand where her overconfidence comes from.

Lookism was a completely different case, featuring Park Hyung-Seok - known as "Daniel Park" in English - the comic's light-skinned Korean male lead. Daniel, for all intents and purposes, is a pathetic and unlikeable (though somewhat sympathetic) character when he is introduced to the audience. He disrespected his mom in the very first episode, as well as Episode 2, because he couldn't bring himself to admit to her that he was getting bullied and also prioritized how he was being perceived by his female classmates (who he repeatedly objectifies). Daniel did this while knowing that his mom was working hard at her job to provide for him, and also knowing that she was trying to defend him against his bullies. Despite this, Lookism is one of the most popular Webtoon comics, as many people kept reading and got the chance to see Daniel grow as a person. Daniel is referred to by readers as having a "great personality" (which I agree with, his character development is great).

If these readers have White and light-skinned characters with similar flaws and circumstances to that of some Black and brown characters as their favorites, but they react more negatively to the Black and brown ones, then they need to ask themselves why.

Why did they dismiss Late Bloomer's Black female lead as just lazy without knowing the full story? Why did they shame the comic's Black female author for not having her character settle for the first two men that she went on dates with?

Why is Brimstone and Roses's author not allowed to let Bea take her time to grow? People with her issues don't change in a day, or even a few. Why are readers less patient with her in comparison to White or lighter-skinned Webtoon leads who are just as flawed?

I am asking Webtoon readers to please give these characters the same grace and patience that you would your favorite White and light-skinned characters. If the story or characters aren't for you, that's ok. I've dropped plenty of media that I wasn't interested in after watching a few episodes of a show, or reading a few chapters of a book. However, when it's the very beginning of someone's story, you very well could be missing out on something great if you're disproportionately judging these women of color far too quickly, especially when many of you will sit through Webtoons that contain hundreds of episodes in them (As for the Let's Play fans, many of you guys sat there seeing nothing wrong with what was going on with Sam and Charles's entire dynamic until the second to last episode in Season 3, when Charles searches through her phone when he thinks Sam is asleep).

I'm not even saying that these stories are perfect, either! I had plenty of criticisms surrounding Late Bloomer as I was reading it, but I still love it despite its flaws. I'm saying that if you can enjoy flawed stories with heavily flawed White and light-skinned leads, you can do the same for flawed Black and brown female leads as well.

[heycoyotegirl]

love how the message of season 4 was that you have to have extremely good grades and have gone to parties to be able to successfully adjust to university

[neganium]

Was wondering why the internet was bugging out when I remembered that preloading videos via this site's Mp4upload link makes everything else run like complete shit. Beginning to second guess my capricious idea of watching the original Pretty Cure at nearly two in the morning.

[underwhelmingalchemist]

So apparently the version of the "Isn't It Bromantic" interview that gets passed around isn't the full thing

So after seeing a tumblr post I can't find, about two and half hours of intensive internet digging, and one purchase from a sketchy second-hand site later (full story under the cut, I promise it's interesting, but also long), I got the physical magazine and scanned it

So here you go: the full "Isn't It Bromantic?" TV guide interview with Robert Sean Leonard and Hugh Laurie

Feel free to repost wherever you want- I want people to be able to find the full thing

SO, as for how I found it:

I saw this tumblr post forever ago that I can't find anymore because tumblr is just Like That with a cropped screenshot of an interview with Hugh Laurie and Robert Sean Leonard. In the interview, they're asked about the "bromance" between their two characters. Leonard makes an annoyed comment about how "everyone [is] obsessed with homosexuality", followed by the interview apologizing and Laurie immediately jumping in with, "No, no, let's talk about it. Wilson and House have an unusual relationship so you have to explore…" and the screenshot cuts off there. Cue funny comment from the OP about the interaction, roll credits.

Except, as these things tend to do, it ended up becoming a bit of a brain worm, and I wanted to find it again. But I couldn't find the tumblr post. I looked absolutely everywhere, and in the process of looking everywhere, I found what I thought was the original interview- a blog post with the full quote from the actor. I didn't think too much about it, I figured it was just a short quote given to a popular blog in 2008. There's a magazine cover above it, but I don't think too much about it, because I'm focusing on the quotes in the article instead of the rest of it.

So I send screenshots to a couple friends to make jokes, and it probably should have died there.

However, late at night I end up thinking about that interview again, because of course I did. I start to think about how it's weirdly formatted for, what I assumed at first reading, was just an entertainment news blog reaching out for comment and getting a response. So I pull up the screenshots of the article (because weirdly enough, the old-ass blog only loads on mobile) and look at it again.

This is when I realize that this isn't an original piece from a blog interviewing these two after reaching out for comment. This is a blog post quoting and commenting on a full interview from a magazine, which I had originally thought had just been the inspiration for the piece.

So naturally, I go looking for the magazine.

Luckily, the name of the magazine is displayed on the cover, and so is the title of its main piece. This should be easy to find, right?

Wrong.

This is an interview in a physical magazine. From 2008. October 13th, 2008, to be exact.

I know this exact date because searching the article title and magazine name leads me to an archive on the TV Guide website.

Of covers.

And nothing but covers.

I spend like forty-five minutes searching everywhere I can think of on the web. Internet Archive, the TV Guide website, any search result that comes up when I search any combination of the words "House" "Interview" "Bromantic" "Bromance" "TV Guide" "Archive" etc. Over and over, all that's coming up are that original blog post and the cover from the official gallery.

The only things I could find online were:

The cover and date of the issue on the TV Guide website

The original blog post that was screenshotted in the original tumblr post

Another blog post that had a much shorter version of the quote, references something Leonard says from later in the article, and makes a comment on the nature of his reaction to the term "bromance"

An entry on Leonard's IMDB page's "interview" list mentioning it in title only

And:

5. A single listing for the issue on what seemed to be a second-hand site that looked like it hadn't had its UI updated since the mid 2000's, with a listing with no date or additional information besides what issue it is.

This is the only listing anywhere. I checked every other second-hand site I could think of, and then some that only came up through google searches. There's not a single listing for that issue on any of them. There were plenty of listings of TV guide magazines, including one that seemed promising because it included issues from that year, but it was missing all of October.

It seemed like the only listing for this issue on the entire internet was this one copy on this one obscure website. For all I know, this was listed in 2008 and abandoned, and just never got marked inactive. It could also be a complete scam.

A few quick google searches show that that website seemed to be legit, albeit a bit loose on quality control (which makes sense, this website seemed like the kind of thing you'd have to use the Way Back Machine to access). It also had an option to pay via PayPal, which meant I could file a chargeback if need be.

It was $11.50 when you include shipping.

So at about half past midnight, I bought the listing.

Naturally, about an hour later, I manage to actually find a scan of the interview. I had to follow a link in the comments of a post on FanPop, taking me to an old wordpress blog, and I'm sitting in front of the damn interview at last.

But something doesn't make sense. Why would their cover story only be two pages of text that aren't even full pages, and why would it cut off so strangely? There was no concluding sentence or paragraph, even though it started with a fairly long lead-in. It also led right up to the edge of the page, which felt like there should be more to it. There were more images in the interview than text, and the fact that there are so many of them and they clearly did a whole photoshoot indicated that they had them on hand for a while. The silly string one, for instance, I imagine probably had to require a couple takes, which means cleaning off Wilson's hair and face, adjusting makeup, etc. for it. Meanwhile, the conversation itself seems like it could have taken ten minutes total. I could have been totally wrong and that was where the article ended, but I couldn't shake the feeling that there might be more.

So I hold tight. A couple days pass with no update, and then the PayPal purchase gets updated with a tracking number. Promising, but it could still be a scam. Whether or not I get the actual magazine becomes a source of anxiety for the next week.

Until today, when I get told it was delivered. And when I opened the envelope it was sent in: there it was.

When I tell you I was happy stimming in my bedroom just holding the damn issue in my own hands... And then opening it and finding out that I was right, there was a missing page... I was elated. I still am, just typing this.

So I spent half an hour getting my scanner to work, and I give you the above issues.

Like I said above, feel free to repost however and wherever you want. I want all this to mean something.

In the meantime, I have two more House-themed TV Guide magazines coming to try and get articles from.

[ldrfanatic]

two worlds collided

theodore nott x fem!malfoy!ravenclaw!reader

a.n. this is quickly becoming a theo obsession blog BUT I am open to requests for others

love theo in this piece.

to be added to my theo nott taglist just comment on one of my theo nott posts :)

synopsis - you're draco's sister but you're a ravenclaw. your father shunned you because he thought that voldemort wouldn't want you but when Nott sr is trying to find theodore a bride your father takes this as the perfect opportunity. over time you grow to genuinely care for one another.

warning - cursing, lucius malfoy is a prick, hitting, borderline verbal abuse, arranged marriage

accompanying song - never tear us apart (bishop briggs)

works slytherin boys

"Father is asking for you."

Shock washed over you and you wondered if you submerged yourself into your cloud-like bed if Lucius would just forget about it. After carefully weighing your options, it seemed rather unlikely. You threw your navy covers to the side and shuffled awkwardly to the main dining hall where your mother, father, and older brother Draco were waiting.

Your eyes fell onto a rather scary looking man and another handsome figure who you recognized as Theodore Nott, one of Draco's friends.

"Daughter." The warm velvet tones of Narcissa Malfoy filled the air. After you'd been sorted into Ravenclaw, Draco and Lucius had shunned you. Narcissa had been the only person in the entire family still kind to you. Well, she and your estranged aunt Andromeda who you'd been secretly exchanging letters since third year.

"Now that the Dark Lord has gained strength, it is imperative that we maintain close connections within the Sacred 28." Lucius approached you, looking rather unhinged, and placed a large hand on your shoulder. There was a malicious look in his eyes that made the entire interaction all the more unnerving. "Once the Dark Lord begins his plans, he'll need people he can trust to continue the most important of magical bloodlines."

Your father took you by the shoulders and moved you to stand in front of Theodore and the mystery man at his side.

"This is Theodore Nott Sr. and his son, who I presume you know from school."

Nott Sr. glanced to the side at Theodore who snapped out of a sort of trance. He brought your hand up to his lips and placed a gentle kiss on it.

"Y/n."

You smiled but didn't say anything, waiting in silence for your father to elaborate. He and Nott Sr. had clearly formed some sort of plan. "You and his son are to be married."

"What?!" Your body whipped around of its own accord and you felt rage explode over your body. "You haven't spoken to me in years and suddenly you expect me to marry this man without even asking me if I wish to be married to him or anyone for that matter?!"

Lucius' hand came down suddenly. A loud 'whack' resounded in the room as the back of his palm made contact with your cheek. "You ungrateful little brat." He straightened his cloak and took what you supposed was meant to be a calming breath. "Draco noticed the way that you stared at the Nott boy in school. You ought to be more appreciative that I didn't choose that awful Pucey boy although he was more than willing."

Though you couldn't see, Theodore's nose turned up in disgust at the mention of Adrian Pucey. He'd taken a liking to you, completely undeterred by the elder Malfoy's numerous threats to stay away from his younger sister. Draco might've been appalled that you'd been sorted into Ravenclaw, but that didn't mean that he was gonna let that slimey tosser terrorize you.

Your gaze stayed on the floor for a few moments before you turned back around, muttering a small apology to Theodore and his father. Overall, Theo was quite handsome and you had stared at him more than a few times. He really was quite handsome.

Nott Sr. studied you for a few moments then turned to Theodore expectantly. "Why don't the two of you take a stroll and become acquainted while Lucius and I finish up the particulars." It was phrased like a question, but in truth he wasn't asking. The air was silent as you walked out of the room the brunette boy following diligently.

The cool air nipped at your exposed skin as the heavy oak door slammed shut behind you. It was always cold and dark in the area surrounding Malfoy Manor.

"I'm sorry Theodore."

"Theo."

You stared at Theodore like a fish out of water waiting for words of any intelligence to come to you. Finally, you stuttered out an ignorant 'Huh?'.

"Call me Theo."

Your heart beat loudly in you ears for a few moments. "Oh-kay," Theo began to mosey into the Manor gardens with you hot on his heels. He was quite tall and due to the length of his legs, every one step he took was nearly three of yours. "So Theo. I am sorry you got dragged into this."

"That's alright fiancée." Theo teased you with a smile that could make any girl weak in the knees. For a moment you felt as though you could almost forget that the both of you were being forced into this.

"Still. I know your reputation. I only ask that you keep your conquests separate from our entanglement."

An indescribable akin to hurt flashed in the eyes of the boy before you. As well as something you didn't quite recognize.

"My reputation?" You spluttered at him for a few moments once again making a fool of yourself in front of Theodore Nott.

"Theo I didn't mean to--"

"Whatever." He turned away from you and stalked angrily back towards the Manor, calling over his shoulder. "And it's Theodore."

The rest of the break passed by pretty miserably, as expected. You and Theodore had gone on a few dates, as demanded by both your father and Nott Sr. since the pair of you were courting now, but they were long and excruciating with little to no conversation.

Despite a summer that seemed as though it would never end, September finally arrived.

You were boarding the train with Theodore and Draco as your parents watched on. They'd been keeping an extra close eye on the pair of you. In all honesty, you and Theodore hadn't grown any closer in your courtship than you'd been as distant acquaintances the year prior. If anything, the walk in the garden at the start of your relationship had forced you further apart.

And though you'd pretended you didn't care, seeing Theodore with other girls was never something you'd enjoyed. Now, knowing that he'd be your husband sooner rather than later, the thought of Theo running around with some daft blonde Slytherin made your heart sink to your stomach.

Yet, as the year progressed, you and the rest of Hogwarts were unexpectedly surprised by Theo. Before you knew it, the first snowfall graced Hogwarts in November, and Theodore hadn't had any flings with any girls. He was even turning down girls that had been brave enough to approach him and make the first move.

Without your parents to keep the two of you tightly bound, you and Theodore hadn't spoken since the train in.

Through all of this, you hadn't expected to become close friends with Pansy Parkinson, a Slytherin girl in Theo and Draco's year. But she'd walked up to you during breakfast one morning and the two of you really hit it off.

Hence why currently, you were sat on Pansy's bed while she worked on her charms homework. And she was putting her absolute all into trying to convince you to ask Theo to Hogsmeade.

"C'mon Y/n! It might be fun."

"If by fun you mean he'll humiliate me in front of the entire student body." You mumbled under your breath. You tried to tune her out so as to focus on the book you were currently attempting to read, but she was determined.

"According to Blaise Theo's been talking about you when Draco isn't around to glare at him for it."

"Look Pans, I know you're in love with the bloke but have you considered that Blaise may be confused? Or simply taking the mickey?" Pansy shot you an unimpressed look. "Theo and I haven't spoken since September. In any case, if he's turning down long legged red heads who are all but stripping in front of him, what makes you think he'd want to go out with me?"

"Because he's already agreed to speak with you in the Slytherin Common Room tonight."

"What?!"

Pansy ignored your protests and damn near dragged you down to the common room with an iron grip on your wrist. When you got there, Theo was spread out on one of the expensive leather couches with a cigarette in between his lips. Yet as he noticed you approaching, he immediately dropped it and put it out with a stomp on the stone floors.

"Y/n."

The sonorous tones of Theo's voice bounced off each wall of the common room and seemed to warm you from the inside out. His voice was so inviting that you almost believed you could actually do this.

There is, however, one thing to know about Theodore Nott. No matter how inviting or pleasant Theo's aura is, you'd made a promise to yourself not to look him in the eyes. You knew that if you made the unfortunate mistake to look Theodore Nott in his malachite eyes, you'd lose all ability to think, speak, even breathe properly.

It wasn't until you saw his shoes enter your line of sight that you knew that he'd approached you at all. Worse, when his large hand found purchase under your chin and lifted your gaze to meet his, you knew that you were well and truly fucked.

In that most regrettable moment, you realized how much you'd fallen in love with Theodore. During shared hushed dates and the rare moments of laughter. Theodore Nott had completely enraptured you. And you realized much too late to do anything about it.

So now here you stood. Lost in the beautiful blues and greens of your fiancée's eyes. You were completely, 100% at Theodore Nott's mercy. And likely not for the last time in your life, you felt the urge to give into him. He was a sin that you'd willingly drown in.

"Bellisima," Theo's voice thickened as he spoke. You couldn't understand what he was saying nor could you place the language. But in all honesty, you hadn't known that he even spoke any other languages. His tongue wrapped effortlessly around each syllable and his voice deepened even more than usual, if possible. "I asked you a question."

"Huh?"

"You've been avoiding me." He stepped closer and your heartbeat spiked. "Why?"

Why had you been ignoring Theo again? How could you, or anyone for that matter, ever dream of not giving this devastatingly handsome man everything he desired and more? Oh yeah. Your wretched father.

"You've already been roped into entrapment with me and then forced to hang out with me all summer. I didn't want to cause anymore turmoil to your peace than I already have."

Theo's lips pursed and his eyes narrowed. Once again you'd gone and offended the poor boy.

Immediately, you opened your mouth to apologize, but he cut you off.

"D'you know for a Ravenclaw, you really can be rather thick sometimes?"

You felt your jaw drop in shock. The small grin he currently sported on his face let you know that he'd obviously been teasing. And for the umpteenth time since knowing him, Theo stole your breath with his stupid mesmerizing smile.

Yet, through all of that, he was right. You genuinely had no idea what he was talking about. After what seemed like an eternity of silence, Theo finally seemed to get the hint that he was going to have to spell this out for you.

"I know you probably don't know this about me, but I never do anything that I don't want to. No matter who's asking."

You continued to stare at him blankly. Had he hit his head during the last quidditch match?

Theo ran a hand stressfully through his hair. He grabbed your wrist and led you back to the couches where you settled comfortably in the seat next to him, careful to maintain a respectful distance. "Merlin, Y/n. Turns out you Malfoy's are all slow."

"No offense." He added on quickly when he saw the look on your face. "That's not the point. Y/n I never would have agreed to this engagement with you if I didn't actually want to. I know that you did not get a say in the matter so if you truly wish to live our lives separately, I will respect your choice." Theo gently pulled your hand until it was safely tucked in between both of his larger ones.

"But whatever your decision, know that I am yours. I have wanted nothing more in the past few months than to be by your side. And every moment I spend without you is inexplicable torture for my soul."

"Theo."

He shook his head and cradled you face between his palms.

"No. My mother had a saying. Lascia che la vita accada. It means 'let life happen'. She believed that the only way to truly know if something is meant for you is to let life make it happen on its own. So take a few days. I'll meet you Saturday morning in the Great Hall. But know that if you agree to be mine, Tesoro, you'll be mine for eternity."

To say that staying away from Theo in the days following was easy would be a complete and total lie. When you told Pansy about the conversation the pair of you had (or lack thereof really) she'd all but exploded.

Finally, Saturday morning rolled around. You'd genuinely thought about all your options and you'd come to a decision. The only issue with Theo's plan is that Saturday was the infamous Gryffindor v Slytherin Quidditch match. The Great Hall was bustling in seas of only red or green. You were sporting a dark green jumper, a show of obvious support for the Slytherin team.

Those of your house that favored Gryffindor looked on at you with disdain as you stood from your bench and began making your way to the Slytherin table in search of Theo. He was one of Slytherin's chasers so trying to find him during such a hectic morning proved difficult.

As you walked up and down the table, a familiar figure appeared in front of you.

"Ahh Malfoy. I've been looking for you. I was wonderin' if you'd wear my jersey."

Before you had time to respond or even acknowledge the situation at all, Adrian Pucey had shoved his green and silver practice jersey into your arms. It was an incredibly common practice for girlfriends and boyfriends of Quidditch players to wear their partner's jerseys to their games for good luck.

The hall fell silent as the sound of glass breaking reverberated through the air. You looked to the source of the noise. Theo had stood so abruptly from his seat next to Blaise and Lorenzo that his entire breakfast went flying and ended up on the floor.

He was staring at you with clear ache in his eyes. Suddenly, he swung himself over the bench and stormed out of the room.

You threw Adrian's awful smelling jersey back at his face and ran frantically after Theo.

"Theo!" He ignored you and continued walking briskly even as you approached quickly on his heels. "Theodore please. Just let me explain."

"You don't owe me an explanation, dolcezza ragazza. You've made your choice."

"You've got it all wrong. That's not my decision. I don't want that." You cried out as tears brimmed your eyes. The thought of losing Theo because of Adrian Pucey was mournful.

"Hey, hey. Calma tesoro. Breathe." Theo's hands one again found their way to your face. He gently thumbed the tears from your face. "Don't get yourself all worked up. I'll always listen to you."

"Adrian he just sort of threw his disgusting jumper at me. I don't want him. I only want you. I'm yours, Theodore Nott, completely and without hesitation."

The grin on Theo's face was nothing short of heart-stopping.

"Does that mean you'll wear my jersey at the game today?"

wc 2.6k oops

4.17.24

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Haul

Part One MDNI

Master list | on ao3

slasher!trucker!141 x reader

series cw: dark fic. major character deaths, rape/noncon

chapter cw: alcohol/drugs mentioned, though reader doesn't partake. up to you if that's for sobriety purposes or not, though most of this chapter takes place in a bar. public nudity. brief, non descriptive mention of animal harm. Let me know if I missed anything!

Like most terrible things in your life, it starts off with a dare. You're on the I-40 somewhere around Seligmen when Ash's fingers drum on the steering wheel of her busted old beater and you know she's got an evil little scheme brewing by the erratic, staccato beat. She turns to you and grins, hair whipping about her in the wind tunnel created by the open windows. "I dare you," she drawls in the same conversational tone she'd used a few states back to initiate a game of I Spy, back when there were colors other than tan and brown, and the occasional smudge of green shrubbery, to spy. "To flash this trucker when we pass him."

Like most terrible things in your life, it starts off with a dare.

You're on the I-40 somewhere around Seligmen when Ash's fingers drum on the steering wheel of her busted old beater and you know she's got an evil little scheme brewing by the erratic, staccato beat. She turns to you and grins, hair whipping about her in the wind tunnel created by the open windows. "I dare you," she drawls in the same conversational tone she'd used a few states back to initiate a game of I Spy, back when there were colors other than tan and brown, and the occasional smudge of green shrubbery, to spy. "To flash this trucker when we pass him."

Bored off your ass after days in the car with not much to do other than reconnect with your old friend and listen to the same band over and over (Ash was… over excited to be on the way to see them), you briefly consider it before taking in the tacky mud flaps - sexy lady silhouette that's been a staple of trashy truckers since before you were born, here X-rayed so you could see her sexy little skeleton as well. 

"No way," you scoff.

"Oh, c'mon," she nods at the same decals you'd already noticed. "Bet he'd enjoy the show."

"Yeah, bet he'd enjoy turning me into a skeleton, too."

"Well, he'd have to catch you first, and I'm an excellent, speedy little driver."

She was, that being the only reason you'd agreed to her hairbrained idea to drive half across the US. When she'd asked if you'd wanted to join her in seeing your favorite band from high school play their farewell tour out in California, you'd envisioned long nights, heart to hearts, deep conversation under starry desert skies, and a great pay off at the end in the form of one last, cathartic hurrah before a quiet, tired drive home. But you hadn't calculated on Ash still being in her party girl phase.

Perhaps you should have known. One of the main reasons you'd fallen off with her post-graduation was because the crowd she'd been migrating towards was only escalating. You were by no means a square, but between landing a nine-to-five and having bills to pay, your rough edges had slowly been whittling away over the years while, it seemed, Ash had remained the exact same Ash she'd always been. You didn't begrudge her that, but neither did you relish pit stops at dive bars every night, nor juvenile dares in broad daylight. Mind, when you were supposed to be sleeping because you'd driven all night after a stop in west Texas had left Ash incapacitated no less. 

Still, the boredom of not having much to talk about with your only companion, and the monotony of the same albums you've been listening to since middle school being played over and over was wearing on you, and despite your exhaustion, a sense of restlessness had crept in somewhere around Flagstaff and wasn't leaving you be. 

"Fine, but you're buying me a drink tonight."

"Are you drinking!?" she hoots, somewhere between excited you're no longer being 'a stick in the mud,' and apprehensive that she wouldn't have a driver lined up at closing time.

"No, but when I inevitably offer to buy someone else one, you're covering it."

Ash scoffs loudly enough to be heard over both the music and the wind, an impressive feat. "Deal, but once he gets a load of them titties, I'm fairly sure Mr. Kenworth here is gonna be dominating your time tonight."

"That's why you're driving quick enough he can't catch us, remember?" you laugh, already reaching up under your shirt to remove your bra.

The car accelerates, the long black trailer stretching past your passenger window as Ash pulls up alongside it. She whoops happily when you unbuckle your belt, blaring the music and hollering along to get your nerves up. There's a pit in your belly, the kind that forms right at the top of a rollercoaster. Your nerves alight, as if in preparation for a fight, skin drawing tight and pebbling into goosebumps. You spare a thought for how hard your nipples are gonna be and laugh perhaps a bit maniacally. Ash turns your nerves to excitement with a rousing set of slaps to your thick thighs. You take a deep breath, release it with a high, distressed whine. Still, you get a leg under you and contort yourself half out the port, Ash's excited shrieking following you out, though soon ripped away by the rushing of the wind around you. Your shirt whips up. Instinctively, you try to shove it down and then nearly roll your eyes at yourself when you realize what you're about to do. The white nose of the truck looms closer, side view mirror reflecting nothing back at you but a darkened cab. It strikes you as odd, what with the sun beating down on you both, hot and undisturbed by cloud nor foliage. It's blazing on your skin despite the wind, scent of the baked tarmac below heavy in your sinuses. Sand pecks against your flesh, abrasive. You hope a big beetle doesn't come smashing into your teeth before all this is done.

You don't have much time to think about it. Ash swats you on your ass and you pull your shirt up, screaming all the while as the tension in your body boils over like a tea kettle. Eyes squeezed shut, you don't notice at first how the truck carries on straight as an arrow. Unaffected. You expect an air horn or something, get none. When you peek, the tint of the truck's window glares apathetically back at you, a dark shroud through which you have no ability to gauge the driver's reaction.

It's Ash who honks first, the tired sounding beeps jolting you back to reality. You feel let down, disappointed. Self-conscious, stupidly. You shrink back on yourself a bit, shirt hiding the bottom half of your face as you slump back toward your seat. Your chest is still exposed, something you only register when - finally - the airhorn knocks you fully on your ass, hand scrambling to cover yourself in front of your friend. 

Completely ignorant of your emotional turmoil, Ash slaps the steering wheel animatedly, cackling and whooping like she's driving a getaway car after a successful heist. The airhorn sounds again and you glance up at the blank window, embarrassment and shame creeping up your throat. You've no clue why it's worse that you can't see the driver; even less of an idea as to why you were kind of hoping for their approval. Especially considering you have it, you think, another short blast of the horn attesting to the driver's pleasure. You force a grin, give a stupid little wave that you instantly regret. You roll up the window despite Ash's old beater having no AC, desperate for some kind of space between you and the truck. 

Brain skipping, trying to keep busy so you don't have to assess the weird pit of disappointment you'd felt, you reach into the footwell in search of your bra, but stop short when you see it dangling from a strap off Ash's finger. "Thanks," you mumble, and then glare daggers at her when she yanks it away quicker than you can grab. She's got that face on again, the mischief making one.

"Don't you dare," you hiss, but she just cackles and sends it flying out the open sunroof. "Ash!" you cry, twisting in your seat so see the lacy little number get caught up in the slipstream of the semi behind you, skirting up over the hood and plastering itself to the window where, quick as a flash, a thick, tattooed arm reaches out the driver's side window to slap the wiper down over it, snaring it against the glass.

The stone in your stomach hardens, sinks lower. Where before you'd felt oddly bereft without the driver's approval, this feels far too intimate, and you urge Ash quicker, turning back forward to watch the miles of open road pass, checking at each mile marker to see how the space between your car and his has grown. His grill glints chrome under the blaring sun, visible for miles. Combined with the tinted windshield, they turn the white cab into a skull, teeth bared and all.

***

The bar Ash chooses sits back from the road down a small slope, as if nestled by the dusty landscape - a hidden chest of glittering incandescent and neon bulbs, oil slick from the assembled nearby trucks painting what remains of the crumbling tarmac aurora. They line the lot on either side, backed up until their trailers overhang the paved lot itself, carving footprints into the hard earth. Between the two lines, the valley of the lot funnels you toward the boisterous building, music and laughter spilling out its seams. 

You'd rolled up the windows when the sun set so you're not quite prepared for the chill that greets you as you step out of the car. Still braless, you check to be sure the dark material of your shirt covers your nipples, but hug your flannel closer to yourself anyway, making a slow turn as you assess the assembled cars. You've been to enough dive bars to know the real warning signs; the get-the-fuck-out-of-dodge-before-you-decide-to-tryand-fight-a-blooded-Nazi kind of signs. Thankfully you don't see much here beyond the standard watch-your-drink-and-don't-let-your-bare-ass-touch-the-toilet-seat kind of vibes so you resign yourself to a night of babysitting, coming around the nose of the car as you bring a cigarette to your lips. 

Ash is giddy with excitement, dragging you along with her hands tucked through your elbow as she whispers excitedly about all the possibilities a dive bar off a forgotten county road in nowhere Arizona might offer. She'd said just a few drinks when she'd suggested going out again tonight, but you already know how that's going to shake out.

"Yeah? You gonna do some blow off the shuffleboard table by the end of the night?" You joke.

"And get sand in my nose? Please," Ash scoffs. "I'll do it off the sink like a normal person." 

You grin, holding the door open for her. "Go ahead and find us a spot, I'm gonna do my dirty deed," you wag the cigarette at her illustratively. 

"Yeah, yeah. Don't take too long or else all the lonely rednecks'll think I'm looking for company." 

You don't remind her she doesn't need to be here if she doesn't want to be. "If you ask pretty they'll take you to the bathroom," you wink instead, flicking your nose. Ash just laughs as she steps through the door. You let it drop behind her, fishing your lighter from your pocket as you step toward the edge of the porch. There's a loud group on your left, smoking more than just tobacco by the smell of it. You don't mind, but neither do you want to partake, so you stay a good distance away, listening in as the loudest of the group tells an animated story about the time he hit a deer and it ran off with his headlight cover. He's not a great story teller, but the assembled group laughs loud enough to drown him out half the time so maybe your perception is skewed.

Beyond them, inside, you can hear the clatter of billiards, and the general din of loosened lips, but outside, it is a cool and still night. You've never been to this part of the country, and you can't help but reflect on how nice it is in these quiet moments without Ash's chatter, or her constant performative nature. It's not that you dislike her, but days of such close proximity after years of barely any contact had certainly been a decision, and you're really started to regret it. Still, it's good to travel, and it's been so long since you've bothered with a bar that you nearly forget how to react when a man sidles up beside you and asks for a light. 

Stocky, handsome, you stammer over some words and extend your lighter, cursing when you realize you should have held the open flame out for him to light his cigarette over. He gives you a grin like he knows what you're thinking, and then exhales his smoke right into your face, destroying any attraction you'd felt for him before he'd even said a word.

You spare him a tight grin and hold your hand out for your lighter back. He holds it out, but gives it a playful little tug when you try to take it from him. "Alright," you gripe at the same moment he relinquishes his grasp, sending your hand dropping aggressively down with the slight force you'd been using. You nod while he just keeps grinning at you and snub out what remains of your cigarette. "Have a good one," you mumble, sliding past him and into the bar.

Ash perches at a small two-top, long neck dangling from her fingers prettily. You slide in across from her and she offers you the second bottle she'd snagged, though accepts easily enough when you shake your head. She's angled toward the room, that demure, but still inviting pose she'd perfected long ago on full display. As predicted, a string of men approach her, though she shoots them all down, giving you commentary on what she's thought of them all when she sends them packing. 

"Too scrawny."

"Smelled like Funyuns."

"I've seen more hair in my shower drain."

You giggle, content to watch her pick on sleazy men all night. Unfortunately her tune changes when return from the restroom a while later to find her flirting with a tall, broad man in a gaiter. She notices you as you draw close and beams at you, waving you closer in a way that suggests 'check this one out'. 

"Who's your friend?" you ask hesitantly, eyeing the big guy all over. He's dressed nice enough for a place like this, work boots and well-fitting jeans that hug his hammies sinfully. He's got on a canvas jacket over a tight thermal, some ink on his left hand you can't quite catch the shape of. The gaiter rubs you wrong, despite its innocuous dark material. Just this side of too sketchy in a place already bordering on it, you imagine there's no good reason a man would hide the bottom half of his face when he's presumably there to imbibe alcohol with his mouth all night. 

"Simon," the man rumbles, voice dark and accented. He extends his right hand to you and you take it, fingers engulfed by his broad, rough palm. In his left he holds a brown bottle, label obscured by his wide grip.

"Simon, this is my friend, Betty," Ash introduces you before you even have a chance. You shoot her a look, obvious enough that even the newcomer catches it.

"Betty?" he asks, eyes darting between the two of you.

"Not my name," you assert, but Ash speaks over you.

"Because she's so delightfully pretty, but so devastatingly boring," she pouts at you. To Simon she says, "Go on, ask her if she wants a drink."

"Can I get you a -?"

"No."

"See? Boring."

You roll your eyes, but don't offer any sort of retaliation besides. You're used to this, and generally unbothered by it. That doesn't mean it's not a pleasant surprise when Simon comes to your defense. "Nothing wrong with being responsible." His eyes are heavy on you, trailing in a way you're not necessarily comfortable with. That doesn't stop you from thanking him.

"Responsible," Ash scoffs. "One beer is still totally legal to drive."

"Quit complaining. Just means you get to have all the fun," you remind her.

"Mm, true," Ash sings. She tilts her bottle against Simon's, but you can't help noticing he gets distracted before the bottle makes it to his lips.

"You guys from around here?"

"Is anyone from here?" you quip, eyeing the assembled lot. They match their trucks outside: heavy, built for long hauls and quick stops at watering holes. 

"Suppose not," Simon admits, his own accent played up for effect. "Where you lot headed, then?"

"L.A.," Ash gushes.

When she doesn't elaborate, you tack on, "Ash's got a modeling gig."

"Really?" Ash smacks Simon playfully on the arm over his offended tone. 

"No," she laughs, "seeing a show. You ever been to L.A.?"

"Been everywhere," Simon shrugs, cryptic.

"You a trucker too, I take it?"

"Don't I look like one?" His accent thickens with every word until even your unlearned ear believes you could pinpoint his exact birthplace - distinctly un-American.

"You ever consider a mullet?" Ash giggles.

Simon looks about to snark something back when the lighter-less man from outside stumbles into his space.

"Hi," he tells the group in general, eyes unfocused before they slide to you. "Wanted to apologize. Think we got off on the wrong foot out there."

You can practically feel Ash brimming with excitement, the fact that both of you are now talking to men not going unnoticed by either of you. Not wanting to find yourself in some cheap motel Fargo sex with her, you make your lack of attraction obvious immediately, voice stern. "All good, man."

"Right," he balks. "Can I buy you a drink to make up for it?"

"Nope."

"Oh. Uh… you driving tonight or something?"

"Just not thirsty."

Across from you, Ash mouths the word 'Betty' at a stone faced Simon.

"Then why are you in a bar?" Lighter-less demands, belligerent. 

"Good question," you turn on Ash, but before she can answer, Simon speaks up.

"Piss off, mate."

"Fuck you," the guy snaps, turning to face the other man. You realize he must not have gotten a good look at him before approaching the group because you see his eyes go wide when he takes in Simon's sheer size.

"Nah, fuck you actually. Piss off."

He doesn't need telling a third time. Lighter-less gives you and Ash a nod and scurries off while Ash rounds on you. 

"And what was wrong with him?"

"Fuckin' rude."

"Are we ever gonna get you laid?"

You've only been on the road with her for two days and have not been actively looking, but you don't bother telling her that. "Only when you finally give in, baby," you croon instead and Ash snorts, already moving on.

"Simon, you any good at darts?"

"No."

"Great! Go bully us into a board using that broad frame of yours and let me win, would ya?"

Something dark passes over Simon's eyes, so quickly you think you might have imagined it when he immediately changes gears, giving Ash a brief nod before skulking away.

"Isn't he fuckin' cute?" Ash hisses at you after he's gone.

"Wouldn't know," you deadpan, covering the bottom half of your face with your hand.

She swats at you. "Oh, come off it. I'm gonna climb him like a tree by the end of the night." You curse to yourself when she sways her hips after him because the worst part is, you don't doubt her.

Simon's at least considerate enough to scrounge up a table by the boards for you, so you have front row seats to the flirt fest the other two partake in. True to his word, Simon lets Ash win three games in a row, each time being rewarded with a slightly more intoxicated girl hanging from his neck. Ash gets touchier the more she drinks, and Simon doesn't seem to mind. Though you find it odd how he rarely reciprocates, content just to let her feel up his considerable pecs and grin down at her like she's being silly. You briefly wonder if he's even into her, until you catch him giving her a congratulatory smack on the ass a little too enthusiastically after her fourth win. He says he's going out for a smoke after that and you leap at the opportunity, grabbing your jacket from the booth and following him out.

"Guess I'll keep our booth occupied," Ash pouts.

"Better, had to scare off a racoon for that thing," you hear Simon rumbling as you lead the way back out onto the porch.

The night's only gotten colder since you've been inside and you're reminded yet again that you're not wearing a bra when you feel the cotton of your shirt chafe against your tight skin. You duck your head in embarrassment as you pull your flannel tighter around yourself, too distracted to notice Simon offering you a cigarette from his pack as you try to remember if you'd been egregiously nipple flaunting back inside. 

"You okay?" Simon grunts as he lights his own smoke and you jolt back to reality, find him with his mask lowered.

"Huh? Oh, uh, yeah. Just chillier than I expected." 

When he pockets his lighter, Simon keeps his cigarette tucked between his lips. Hands freed, he pulls his jacket off and offers it to you before you can get a protest out. His voice is gravelly when he insists you take it and you do, reveling in the body heat still trapped within. It smells vaguely musty, almost like a garage, but you figure that tracks and it's not unpleasant. 

You eye him over as you light your cigarette, not bothering to be all that subtle when you find him watching you just as closely. He's handsome, though you wonder if he keeps his face covered because of the cleft lip or the thick scar that crosses the bridge of his nose, a missing notch giving the slope of it a double ridge. Beneath his coat, he's just as muscled as you'd imagined, heavy texture of his thermal falling into the valley of his pecs nicely. His sleeves are rolled up, revealing more of the ink you'd spotted on his hand - a detailed skull crowned in heavy black swirls which follow the musculature of his forearm nicely. 

"None too pretty, eh?"

You let your eyes slide back up to his face, willfully overlook the ruin of his nose. "Wouldn't say that."

He narrows his eyes at you, as if searching for a lie. You know he won't find one, though, and weather it unflinchingly. Eventually he grunts in acceptance, or maybe approval. He doesn't say much after that, though you're content to enjoy the relative silence. The rowdy group from earlier have moved along, and the only other company you have out here is a couple quietly bickering down in the parking lot. Combined with the volume of the bar, it's level of noise you would have found annoying even just two days ago, but after so many hours stuck in the car with Ash's constant chatter, you revel in the lack of conversation, enjoy the minute twinge you get when you stretch your knees damn near hyperextension.

"Your friend's a bit more talkative than you," Simon eventually observes, voice neutral as to whether or not he likes that about you.

"My friend is quite social," you hedge, and laugh when Simon looks like he has something to say about that.

"Your friend has an agenda."

"That obvious?"

"Less obvious: is it a good idea?"

"Well why would you ask me that, when I have a vested interest in keeping the two of you apart tonight so I don't have to stand around awkwardly while the cab is a'rocking, you know what I mean?"

Simon smiles, first time all night. It does nothing to reduce his severity. "Well, you're welcome to join instead."

You can't help but scoff at him, though your laugh turns more nervous when he gives no indication of joking. "About the only thing worse than listening to Ash scream like a banshee from outside the truck, would be listening to her scream like a banshee from inside the truck. Thanks though."

He returns your grin, but it seems a bit tight. You squint at him, trying to get a feel for how insulted he actually is, but he's unflinching, unbothered. Simon's silence unnerves you, and you work to fill the void despite your earlier easiness within it. "Which, uh… Which one's yours?" You nod at the line of trucks on your left and his dark eyes follow the movement. 

Shaking his head, Simon steps into your space and angles you toward the other side of the lot. Leaning across your back, his big hand floats into your peripheral where he points at a bland, gleaming shape parked within the shadow of the building. It takes your eyes a moment to adjust to the low lot light in the corner, more a single porch light than anything. For a moment, it looks like any other of the million big white cabs you've seen crawling all over god's green earth, but then Simon clicks his fob behind you, and the lights flash, the dome light within turning on just long enough for you to catch a lacey little number hanging from his rear-view through the dark tinted glass, and then you notice the distinctly teeth-shaped grill you'd memorized in your passenger mirror earlier today. Your blood runs cold despite the heat of Simon behind you, you're tense, ready to flee even without your friend in tow. Your muscles don't listen, however, locked in place like a spring trap with no quarry. And then the crack of a breakshot from within the bar racks your nerves, has you spinning around to find Simon staring back down at you intensely, eyes dark enough to rival his truck's.

"You want that back? Kinda cold out here." His eyes dart down to your chest, as if he can see through the layers you've covered yourself with.

Part of you wants to yell at him, demand answers. A younger, squirrelier version of you probably would've slapped him. Instead, you slip past him wordlessly and make a beeline for your friend. "Ash," you hiss when you spot her, still at the booth where you left her. "Ash, we have to go -."

"Is that Simon's jacket?" She looks offended. You would roll your eyes at her if you had time to argue.

"Yes. Not important. Look," you take the jacket in question off, spare a brief thought for the base instinct telling you to rifle through his pockets. "Simon is the trucker I flashed. I think he followed us here."

"Oh, Jesus, Betty. That guy's probably already forgotten about you. You know how many people flash truckers every day?"

"In what world -? Is this National Lampoon's?" You huff, calm yourself. "Ash, I saw his truck, it's him, and I wanna go."

"You saw a white truck with a black cab, you mean? Spooky," she deadpans.

"He had my fucking bra hanging from his rearview -."

"You went in his cab?"

"No, fucking -."

"Did she go in your cab?"

You still, drawing yourself back to your full height from where you'd wound up leaning over your friend. Behind you, Simon steps close enough you can feel his heat again, smell that stale garage scent. "No," he shrugs and Ash eyes you both suspiciously.

"Here." You shove Simon's coat back into his chest, disappointed when you don't manage to move him an inch. Turning back to your friend, you dangle Ash's keys in her face. "I'm leaving. I encourage you to join."

"I can't even finish my beer?"

You don't bother to answer, storming back toward the door with enough confidence to have her scrambling after you.

"Jesus, what is your problem?" She hisses once the bar door slams shut after her. 

You point at Simon's truck, distinct chrome grill giving Ash pause for all of two seconds. "Could be anyone's."

"He asked me if I wanted my bra back, Ash."

Behind her, the bar door opens again. Simon's wide frame fills it for a moment, before stepping out onto the porch, casual as can be. He lights up another cigarette, eyes heavy on you all the while. He doesn't seem to notice when Ash waves at him. This time when you walk away, the crunching of gravel under foot is the only indication you get that your friend is following. She's silent for once as she climbs into the passenger's seat. You don't bother adjusting anything, tearing out of the driveway with a spray of dirt and debris that would probably ruin some paint jobs. Behind you, a truck follows you out of the lot, but the twenty foot shipping container it has loaded reassures you that it isn't Simon on your tail.

Ash remains silent for a long while, though you can tell she hasn't fallen asleep yet by the quality of her breathing. When she does speak, her voice is thin and reedy. "I didn't think he'd follow us."

"I know." For your part, you wish you could muster much beyond a general grumble of annoyance. She was just being silly when she made her little dare; it's not her fault the guy had been a creep. Thankfully, it seems he'd been content to just scare you a bit, the rearview faithfully returning only one set of headlights in your wake every time you check. 

"Go to bed, Ash. If he keeps following I'll wake you."

To your immense relief, she listens, her soft breaths relaxing the tension in your shoulders. After another glance in the side view to reassure yourself you're still safe, you take some soothing breaths of your own and run through what remains of your trip's itinerary, taking comfort in how little actually remained. Nearly half way over, and after tonight you don't think it'll be too hard to talk Ash out of any more unplanned stops at local dives just to check out the native wildlife. You're pretty sure you've both seen enough, the dejected way she'd looked after Simon's ulterior motive had been revealed playing again in your mind. Poor Ash, honestly, but you suppose it works out in your favor if it means getting home sooner and with fewer scrapes.

Feeling better, you turn the radio on, low enough it won't disturb your passenger. It takes some scanning through static to find anything, and when you do you're a bit annoyed that it's country gold of all things, but you can't deny how well it fits the landscape through which you drive, the low horizon backlit by the sunset's distant memory. It's nice, for a time. Nice enough you aren't really paying attention when DJ starts spouting local headlines, the news of a young woman's body being found recently only about an hour's ride north of here going in one ear and right out the other.

next>>

[marlenesluv]

Lessons (LN) - Part 1

Summary: Madelyn makes her big move to Monaco, hoping to get a fresh start in her career, and her love life.

Pairing: Madelyn Fewtrell x Lando Norris

Warnings for this part: Language and mentions of losing virginity. (Not spell checked)

Click here to go back to my masterlist for this series.

Click here to go to my main masterlist.

Note: This series is new, so if there are errors in timeline with F1, excuse it lol! If you would like to be tagged, please comment on this post and I'll add you to the tag list for only this series!

Madelyn loved her home. 'Home' was a difficult word, though. Her brother, Max, use to be a race car driver. During this time, their family moved quite a bit in order to help Max's career.

Madelyn moved to Malaysia and Singapore, both places extremely beautiful and welcoming of her and her family. Malaysia was more like home, making her learn the culture, religion, and the people.

When she turned 15, Max retired. His mental health wasn't doing well, and he was tired. Everyone supported his decision, knowing it wasn't an easy one to make. Some "fans" and interviewers were harsh on him, but he did his best to disappear for a bit and enjoy his family and friends.

And two years ago, in 2022, Max met Pietra Pilao, his girlfriend of now two years. She loved Pietra. She was funny, sweet, and always there for you to talk and hangout with. But it made Madelyn sad, sad that she didn't have a person like Max did.

His sister envied how he could tell her anything, how often they hung out, how she was there for him, and he was there for her. Max loved Pietra, and Pietra loved Max. Anyone could see how in love they were.

Madelyn, however, seemed to be in a life long dry spell. Never had a boyfriend, only sad excuses for dates. She'd never had sex, never experienced what seemed like every other teenager had.

She needed a reset, and a major one.

.・。.・゜✭・.・✫・゜・。.

"You have everything packed?" Max asked his younger sister, watching as she rolled her eyes and unplugged her phone from his charger in his car.

"Yes, dad, I have everything."

Max scoffed, annoyed with her attitude. She was impatient to get to Monaco. Of course he was happy for her, but he'd miss her.

Max adored his amazing relationship with his sister, not many siblings had a good bond. He would miss the lunches, random walks, and family dinners.

Pietra would miss her too. Quickly, the two became the best of friends. They clicked as soon as Max introduced them after five months of dating and nagging from Pietra about wanting to meet Max's "adorable younger sister." Her words.

"I'm just making sure. And you're sure that Lando confirmed that all your things arrived at his house?" Madelyn nodded, ready to hop on her flight.

And yeah, Lando....

She'd known Lando since she was little. He was Max's childhood best friend, the one person in the world, minus Pietra and Madelyn, that Max would take a bullet for.

After she had graduated from college with her Journalism degree four months ago, she decided that she needed to move.

A reset is what she had been telling everyone. But in her mind, this reset was permanent. The girl didn't want to ever move back to the UK. Not because she hated it, she just wanted something different.

And when Max had mentioned this to Lando, he quickly offered for the sister of his best friend to move in. Lando explained how he had a spare room, and that he was gone for races anyway. He wanted someone to house sit, and he trusted her.

After two weeks of non-stop planning and packing, she was here: ready to jump out of her brother's car and run to her terminal.

"Okay, Max, I need to go. I love you." Madelyn said, unbuckling and getting out as Max laughed, "I love you too. Text me when you-" He was cut off by his door slamming and the sight of his sister running through the crowd and into the airport.

"-land. Whatever, fuck me then. Enjoy Monaco you little menace." Max muttered to himself as he put the car in drive and began his drive back home.

Madelyn, on the other hand, was sprinting. She only had herself, a backpack, and her ticket and passport. All her things were already at Lando's- well... her's now, too.

After she got through security and chugged an iced coffee, her flight began to board, and the only thing on her mind was the beautiful view in Monaco, her new Journalism job, and moving in.

.・。.・゜✭・.・✫・゜・。.

There she stood, staring at the door of Lando's apartment. She was nervous, but not sure why. She had seen Lando a thousand times over, always her brother's annoying best friend.

But this felt different. She hadn't seen him for four years. Once she started college, she began a new part of her life. One where she went to Yale and lived in the States with friends all whilst getting a degree.

He had to have changed, maybe a little. But in her mind, he would always be Lando Norris, the boy who would break her Barbie's- holy shit.

"Were you planning on knocking, or just staring at the door?" Lando asked, leaning on the doorframe as Madelyn's eyebrows raised.

Lando had changed, he had changed a lot. His hair grew in curlier after he buzzed it, the curls bouncing and gleaming. His skin even tanner if that was possible. Lando's muscles were now triple the size, his biceps flexed on the frame as he smirked.

"U-um, no, just thinking." Madelyn said, cringing at her short and shitty response.

"Thinking about?" He questioned, tilting his head as he watched her bit her lip and take a deep breath. "Nothing, none of your business. Can I come in?" She rushed out, releasing a shaky breath.

Lando stepped to the side, allowing her to walk through the door frame as he shut the door behind her.

Madelyn sighed, setting her backpack down as a confused look passed through her face.

"What?" Lando asked.

"Where's my stuff?"

Lando nodded, "Follow me, Mads." Mads. That name had her flashing back. Usually, she preferred to be called Madelyn, her name. But her friends and family would call her Maddy. Mads was reserved for Lando, and Lando alone.

Madelyn followed Lando to a room, both of them pausing in front of the door as he began to speak, "This is your room, I took it upon myself to put some of your things up. Everything is moveable if you hate it." He announced, then opening the bedroom door, allowing her to take it in.

The room itself was simple. The walls were a green color, with wood floors and a white ceiling. A beautiful gold chandelier hung, the bed freshly made with new sheets. She took notice to her plushies and blankets on the bed. The bookcase in her room empty, and next to it were her boxes of books.

Lando noticed her looking at the books, "Oh, I didn't want to put the books up. I know how particular you are about them." He stuck his tongue in his cheek, a little nervous for his reaction.

"Lando, I- I love this room. Thank you, you have no idea how much this means to me." Madelyn smiled at Lando, making him blush a bit.

"No problem. Why don't you get settled in, hm? Maybe get dressed because tonight, I'm going to show you how Formula 1 drivers have fun." Lando winked, leaving her room and shutting the door behind himself.

Madelyn, stood there, confused and excited. This was exactly what she needed. And who knows? Maybe she'd find a guy to take her virginity. This was Monaco, after all. The options had to be good.

.・。.・゜✭・.・✫・゜・。.

This was a short first part, I’m aware, lol. I wanted a little introductory. Please comment if you want to be tagged in future parts!

(reposts, comments, and likes are appreciated!^-^)

[periwinkla]

Final NRMT poster with all panels! Print here <3 Did anyone notice... anything about the bottom right panel? It's not too obvious but I wanted it to at least be noticeable within the poster itself that something is... 'off' if you compared it with the other panels. And there's a reason. Honestly it's just about a silly headcanon of mine, and it is also a silly way for me to include it but... I'm silly myself. Under the cut, the hanakotoba notes for the flower panel... and other stuff. The other stuff isn't important really but it was funny for me.

Already talked about this in the flower panel post - but these are the main things I took into consideration when choosing the flowers:

3 sunflowers specifically mean 'I love you' - so I also added 3 chrysanthemums to complement them. By the by, among other things, sunflowers mean 'passion', 'love', 'adoration', 'I only have eyes for you' - while white chrysanthemums mean 'truth'. Red chrysanthemums signify 'love' but I opted against them in favor of the following flowers.

The small blue flowers are forget-me-nots, which, other than the obvious, mean 'true love' in hanakotoba. 

The pink flowers are Japanese primroses ('sakurasou' - they get their name because of their resemblance to cherry blossoms), which mean 'first love', 'longing', 'purity', 'youthful love', 'the beginning of youth and sadness'...

Also, here the nmweek24 tag on the blog to see the posts for the individual panels with additional info/behind the scenes: https://periwinkla.tumblr.com/tagged/nmweek24 note: there are a few minor adjustments I made for the final poster compared to the individual panels (you probably won't even be able to see them honestly) ---Sentimental story time--- The reason I wanted to do something special for nrmt week was because tomorrow (the 8th) will mark the day I first started playing AA1. And I'm so happy I got into it! Funny story: my first exposure to AA was the anime (almost 10 years ago!) I got to the end of the first 12ish episodes, obviously was very confused because it's not meant to be consumed by someone who didn't play the games, and promptly abandoned ship and forgot all about it. Completely. I even forgot I had watched it! until I got to Turnabout Goodbyes because I had a vague recollection of having seen the boat photo. But other than that, complete oblivion (my memory is quite terrible in general). Basically, last year I had finished Detective Pikachu 1 and wanted something similar because I usually play classic jrpgs and needed a change of pace... AA1 was my choice. As I mentioned, I remembered absolutely nothing from the anime (I had no idea Mia died, so, imagine the shock). I went completely blind till I finished with AJ and AAI1-2. Honestly, it's a beautiful experience when you play games without knowing anything about them. It feels like the good old days. I absolutely don't believe that study that says spoilers don't spoil the experience. Also I find it nice that I got into nrmt without outside prompt, because I find it funny that my brain needed to play through 6 games in order to see it. I seem to have prosciutto on my eyes (Italian idiom). In my defense I usually don't look for romance in stories and ship stuff unless it's very obvious. Nrmt comes too close to it to ignore. Ok, end of nostalgic sentimentality. ...And here's the 'other stuff': This print was the thing I said I had hidden 'in plain sight'. It has been on the print shop since... Thursday. 'It was there all along'-well more like half-along really <3

[fawnforevergone]

The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

[suguwife]

Executive Tensions. (one)

tags: exbf!Gojo Satoru x f!reader, CEO x secretary, porn with plot, 18+ explicit sexual content, mdni, masturbating, slow burn, mentions of cheating, forced proximity, mini series

- 9.7k wc

a/n: this is the backstory to reader x gojo - angry heated one shot for this is in part two !!

(part two)

You had just posted a story on your Instagram, a picture of flowers that your new boyfriend gave you. Baby pink peonies, a big bouquet of them in the shape of a heart.

Only a few minutes after posting the photo, your phone vibrated, and your heart skipped a beat seeing your ex boyfriend’s name appear on your screen, Satoru. The message was simple and yet it made your heart beat faster. You shouldn’t be feeling like this, you hate him.

“He doesn't know that you prefer actual luxury gifts?” Was the first message he sent you in months, four months since the breakup. Why is he viewing your story?

You respond after a couple minutes with “I like flowers now.” Its an obvious lie. You knew he’d know. You had always been materialistic, you found gifts and money more efficient over flowers that would die anyway.

“You're lying.” He replied within seconds, obsessed much.

He had to admit, after stalking your socials for a little while, your new boyfriend seemed to make you happy, or at least that's the image you projected.

It was annoying, it made him feel sick to think that someone else could make you smile like that, or even more.

You reply after a couple minutes again, “Well I like flowers now. Stop texting me I already removed you as a follower.”

His jaw clenched and his grip on his phone tightened, seeing your reply, he wasn't expecting you to be so cold with him. But of course you would be, in a way he deserved that. “You didn't remove me, stop lying.”

“I just did.”

“Why? did your new boyfriend tell you to do that?”

He double texts another message, “Is he that insecure? Does he not want you interacting with your ex ‘cause he’s scared?”

You scoff a laugh in disbelief at his accusations, ironic coming from him. He seems to be the insecure one here. “No, I decided to remove you. Stop being so irritating.”

He doesn’t respond to that, he just re-reads over the conversation on his phone a couple times like an obsessive freak before throwing his phone on the bed and running his hand through his hair, “Fuck..”

Laying on his bed, he stared up at the ceiling and clenching his jaw as the image of you with your new boyfriend danced in his head.

The next day, Satoru sat in a black seat behind a long desk, a few of his assistants on either side. In front of him, the candidates for the new position that had just been opened in his company were standing before him, one after the other. The interviews had already been going on for quite some time, he was just beginning to get bored, until you walked in.

Honestly, you had no idea that Satoru would be here, until you saw him sitting on the main seat. The seat for the CEO of the building. You knew he was a CEO, but he had worked in a different building whilst you were dating. Despite the sudden shock running through, you remain calm and composed.

Your parents were bugging you to do something with your life and that you can’t live in their luxury for the rest of your days without working towards anything so, here you are. Applying for a boring office job, just so your parents would see you as a hard working woman. A useless thing, you believe. You’re fine as you are, perfectly financially stable.

His heart skipped a beat when he saw you, you were even more beautiful than the last time. He had only seen you off your socials since the breakup, but in real life your beauty glistened the entire room from boring and dull to bright and refreshing. He blinked a few times to recover from his surprise, before straightening up in his seat and looking at the papers in front of him.

Trying to ignore the hammering in his heart as he focused on the papers, he couldn't deny it now. He hadn't forgotten you, not at all. He never could. No amount of hookups would get his mind off you. In fact, during all those times he’d have sex with other women after the breakup, he’d only see your face despite how bratty and argumentative you became with him.

Little did he know that the only reason you became so hostile towards him was because he had cheated on you with a prostitute. He doesn't know you know. You didn’t bother to explain, wanted him to realise himself. But he clearly didn’t.

He was just about to say something when one of his assistants spoke up. "Excuse me sir, this is the last candidate to be interviewed, y/n l/n.”

Nodding in acknowledgment, he eyed you up and down. He tried to control his emotions and remain stoic, but in reality, it took all his self-control to stay that way.

He gestured for you to sit in the chair in front of him, his expression bored.

You keep your poker face plastered on as you take your seat, questioning yourself. When did he start working here? This building is #1 in Tokyo, he had been working a little lower before. Unless he owned this building too and just never told you?

God, this is so embarrassing, interviewing to be a low class assistant for your ex boyfriend just to please your parents.

You furrow your brows ever so slightly but regain your composure again, you needed this job. You needed to show your parents that you can do anything, you just choose not to. And it’s true, you can do anything, because now everyone beside him is smiling and whispering with amused expressions as they tick all the boxes near your name. Only Satoru had been staring into your eyes, like a staring contest between the two of you.

He cleared his throat before finally speaking up, his tone neutral. “Alright then, you may leave for now.”

After politely saying your goodbyes you make your exit, his pupils stalked you until you left the room and the door closed behind you. Letting out a slow sigh once you were gone, he felt his heart rate calm down to a normal pace once more.

“I think she did pretty well, sir.”

“One of the best from today, sir.”

He nods at his assistants, trying to play it off like he was unfazed by your presence. But deep down, seeing you again after so long in real time was like an electric shock to his heart. A reminder that he never got over you at all. Ugh, what was he thinking? You became a bitch, you broke up, the decision was mutual.

The assistant's voice pierced his thoughts. “So, what do you think sir? Should we hire her?”

He hesitates for a moment, his mind torn between his emotions and his rationality. He wanted to say no, to reject your application, but he couldn't seem to do that either, he knew you were qualified.

After some deliberation, he finally spoke up in a firm tone. “...Hire her for my secretary position. She has the necessary qualifications.”

As he spoke, a few of the people around him looked at him and each other with surprise visible on their face, but they immediately tried to mask it. They all knew that his position as CEO required a secretary, but they had been under the impression that he would never agree to hire someone for that position. Every time a candidate came in for the role, he’d always deny them. Clearly, you always got what you wanted and Satoru was willing to give you that, despite the fact you only interviewed for a low assistant role.

He could sense their surprise and knew that they had expected him to reject the idea of a secretary once again, but he didn't care. This time, he had a very selfish reason. He wanted you to be his secretary, so he could see you every day. Even if it was just for work.

He continued to look at the papers in front of him, pretending not to care about their reactions, his heart still pounding from the idea of you being his secretary.

Would you even accept the job? And if you did, what would happen between you two?

He didn't know and he wasn't sure he wanted to find out either.

“I expect one of you to alert her for her position and the expectations for it too.” He says coldly, standing up from his seat and fixing himself to head back to his main office. “Have her start her shift from tomorrow morning.”

He nodded to his assistants, indicating that he was done for today and didn't want to be disturbed, before leaving the room and walking down the long corridors to his main office. The thought of you working for him now excited him as much as it worried him. He would see you every day, but would he be able to control himself and remain professional...?

He arrived at his main office and closed the door behind him, heading to his desk and sitting down on the big leather chair. He placed his elbows on the desk and let his face rest in his hands, sighing deeply as he stared at the desk in front of him. This wasn't going to be easy at all.

Well, you knew you always got what you wanted, but you didn’t expect to be given the secretary role. You never even applied for that? Were the people around him just overly pleased by you so they convinced him or was he doing it out of the fact you're his ex?

Whatever the reason, you took it. You didn’t want to bother with anymore of those fuckass interviews. But you can’t believe he’s making you start the next morning, what a dick, as always.

Your black heels click as you enter his office dressed in dark tights, a dark grey pencil skirt and a sleeved white button up shirt, hair up in a French twist, just normal business attire. Oh but to him, oh fuck. As he sat on his seat, his dick sprung up to the sight of you, all dressed up like a hard working woman.

He mentally cursed himself, placing his hand casually as possible on his boner trying to hide the evidence even though you weren’t able to see anyway from his desk blocking your view.

He swallowed hard and quickly tried to compose himself, not wanting to let his surprise show.

Clearing his throat, he spoke up in a professional tone, “You're early, good. Have a seat in front of my desk.”

You want to mentally roll your eyes at him, of course you were going to take a seat. Did he just expect you to stand there until he told you what to do?

You keep your expression neutral as you take your seat and stare at him.

He couldn't help but study your features, the way your eyes landed on his, your hands folded on your knees as you crossed them over. Everything about you was exactly like he remembered.

He took a deep breath to recompose himself before speaking “You may be wondering why I hired you as my personal secretary.”

He leaned back, resting his arms on the armrests of his chair as he continued speaking. “I was going to pass on hiring one, but stocks have been rising lately so it’s been getting busy. And after the interview, I felt you were more than qualified for the job.”

His tone was professional, as if he were speaking to any other employee, but his dick was pulsing with its own heartbeat, faster than ever. It was painful, but he managed to remain stoic. He couldn't tear his eyes away from your face despite how hard it was making him. Would it be so bad if he wanked off to your pictures once you left? Maybe he shouldn’t do that. He carries on speaking. “But I'd better warn you, working as my secretary isn't easy. I have high expectations and demands-“

You cut him off, your tone blank and your expression still neutral. “I'm sure.”

God, he was infuriating to look at. You wanted to grit your teeth and roll your eyes or kick him but you remained professional and calm.

He was slightly amused by your response, your short, simple answer somehow satisfying him.

Leaning forward a bit in his chair, his eyes remained on you as he continued. “I have no doubt you can handle it.”

He paused for a moment before adding, “I hope you're up for the challenge.”

Tch, what challenge? The only challenge will have to be serving him for the next couple of months before you choose to quit.

His eyes lingered on your face for a few more moments, his heart still racing and the beat in his dick pulsing despite his calm demeanour. He tried to push the thoughts of your past relationship to the back of his mind, but being so close to you now was making it difficult. He wanted to reach out and touch you, but he knew he wasn't allowed to. He was your boss now, and he had to maintain a professional relationship with you.

“What do I have to do?” You question.

He sat back in his chair and picked up a folder on his desk, opening it and looking through the contents. You can’t deny how handsome he looks in his suit and his professional manner, it made you throb even though you despised him.

“Your primary job is to take and pass on my instructions, organise my schedule, arrange my meetings, prepare and take notes during business meetings, prepare reports, among other things.”

He glances up at you as he continues listing the duties of the position. “You will be in charge of handling my business calls and emails as well. Which means being available to me at all times.”

His eyes roam over your face, pausing for a moment on your lips before quickly looking back at the folder in front of him.

He closed the folder and placed it back on his desk, his eyes still on you. “Do you think you can handle this job? It can be demanding and time-consuming, not everyone is cut out for it...”

You inhale, exhale, and speak. “It's not that hard, just a lot of simple tasks to complete.” Really, it sounds like I’d be doing all his work for his lazy ass.

A small smirk tugged at the corner of his lips, seemingly entertained by your confident response. “You seem pretty confident in your abilities...” His arms across his chest, his voice suddenly more firm and serious. “But let me warn you, l have no patience for mistakes or incompetence. I expect everything to be done in a timely, accurate and professional manner. I'm not an easy boss to please, I demand the best of the best.”

“Yeah. I'm aware.” I state, a hint of irritating sarcasm in my tone. During our relationship, he'd always be toxic and impatient. Never understood the true meaning.. or even tried to understand the true meaning as to why you had become such a bitch towards him. Never came to the realisation that you were aware of his cheating.

He cleared his throat and sat up a bit straighter in his chair, trying to push those memories from his mind...

He kept his cool demeanour and spoke in a calm but strict tone.

“Good. As long as we're clear on that.” He paused for a moment, observing you closely as if trying to read your thoughts. He leaned forward a bit in his chair, his hands folded neatly in front of him on his desk.

“You start your first day of work today. I know that I’ve got a few meetings that need preparation and I need you to take on some duties today as well.”

He studied your face closely, taking in your reaction. He was still trying to figure you out, trying to figure out if you were hiding anything behind your neutral expression, but it was too hard. He always found it hard to understand you behind that expression.

“Okay. Do I get a written list or anything on what I need to do for each day?”

“Yeah, I have a list of assignments for you ready. But I'm also expecting you to keep up with daily tasks and schedules.”

He gestures to the laptop on the desk in front of you.

“There's a new file there. It's for all of the assignments and tasks you need to do, it's constantly updated and you'll find everything in it that you need to do for today and the future.”

You slide the laptop in front of you as you speak, breaking eye contact, “Okay.”

“Any questions?”

“Hm.. I’ll ask you when they come.”

“Can I ask a question?”

“Go ahead.”

“Why are you applying for jobs? You don’t even need to work.”

You sigh, of course he’d ask that. You didn’t want to let him in on too much. “Why do you care?”

“Don’t get that tone with me, I’m just wandering.” He glared at you with a firm and cold expression.

You roll your eyes at him, finally. Your eyes were begging to do that from the moment you entered this room. “My parents wanted me to do something.”

“Ah.. They doing okay?” He questions, a little smile on his face.

You don’t respond, just stare at him with a bored expression because, why the fuck is he asking how your family is?

He nodded with a small smirk playing on his lips, the fuck is he smiling for now? God you just wanted to get up and kick his dick, make sure he’s unable to fuck any other woman.

“Alright then. I have a meeting in about an hour. Get started on those tasks. And do a good job. I'll be watching you.” He cuts off your intrusive thoughts as he speaks.

You grab your laptop and say your goodbyes, you can’t help but be irritated with the way he’s speaking to you. No please, no thank you?

“She's still as cold as ever...” He mumbled to himself, his brain replaying the look on your face, the sound of your voice. He knew you were intentionally hiding your emotions, putting up a professional front, but he couldn't deny that he was enjoying the game of trying to figure you out.

He leaned back in his chair, sighing deeply as he tried to clear his mind. But he couldn't focus on his work, his thoughts still lingering on you.

You make your way to a smaller office designed for the secretary, small yet simple and spacious. You browse through your laptop which had a detailed list of assignments and tasks, some assigned to you that day and some that you would be handling in the days to come. “Jesus. I'm basically doing his work for him. Tch.” You whisper to yourself as you prepare the meetings and documents for today.

Meanwhile, in his office, his dick was still hard. Punching through his pants aching for release, he had to place his sweating forehead on his desk to control his breathing. But it was futile. He contemplated whether it would be harassment to touch himself to you but fuck, he needed to.

He stood up, walked heavily with ragged breathing and locked his office door then made his way back to his seat, immediately unbuckling his belt and pulling his pants and boxers down so he’d have access.

His mind ran back to the times he’d pound into you, the wet, filthy noises that would escape from your entrance and your tongue. His hands glided up and down at the thought. The words you’d say to him as he fucked you raw in his bed.

“Just like that toru.. mh…”

“Yeah? Like this?” And he’d slam into you balls deep, making you scream his name as he panted like a dog in heat “That feel good, princess?”

“So.. so g-goo- oh!” You were so drunk off his dick you were never able to form full words. He loved the way your soaked walls would clench him even though you’d whine, “T-too much.. no more!!” But no amount of your whining would make him stop, your pussy begged for him despite your words.

“Tell me how it feels.” He’d say through panting gasps as his fingers would rub over your clit rapidly whilst his dick hit your G-spot then pulled back out, then back in again, making sure to hit you well. He wanted to know how you felt as his dick would speed into you, wanted to raise his ego.

Then he’d push down on your abdomen, just where he’d bulge through your sweaty skin, “You feel that? You take me so well, baby..”

And the way you’d cry out in pleasure, weakly trying to push his hand away from pushing down but he’d just chuckle, pushing down harder as the sound of squelching wetness filled the room.

He can’t help it, mid-wank he picks up his phone from his desk, scrolls through his hidden images in his gallery and rewatches the clips he’d take of you moaning and whimpering his name as he played with your clit. He never deleted anything of you.

He panted heavily once he reached his climax, his hands filthy. Shit. He headed to the bathroom connected to his office and cleaned himself up. Was it harassment to touch himself to you.. without permission? I mean it’s not like you knew.. Shit, maybe he fucked up. Nobody will know anyway.

Time ticked by as you worked on the tasks for the rest of the week, diligently typing away on the keys of the laptop and sipping on the frappe you had bought. Whilst Satoru attended his meetings and completed his work in his office. Although, every time he’d walk around the building, he’d always steal glances of you in your office working. And god, you always looked as beautiful as ever to him.

His father, the former CEO, strolls into the building, his presence immediately commanding respect from all the employees as he walks by. He was a tall and dignified man, his presence alone enough to make everyone take notice. Every employee, including you bowed to him, paying respects.

Shit, this must have been the building he would talk about to you in the past. He’d always complain to you how his father wanted him to overtake his business, but he never told you the name of the building. Well, to be fair, you never asked. And now here you are, working as a corporate slave for your ex boyfriend of a dick.

“It's nice to see you again, y/n.” He says to you, standing before your desk, probably confused.

“Ah... you too sir.”

“I wasn't expecting to see you working here, it's been a while.” His tone was gentle, but there was an undertone of curiosity and concern in his voice.

You nod and offer an awkward smile, “Yeah... I didn't know Satoru was the CEO of this building.”

“Yes, he took over as CEO two months after you both... ended.” He pauses for a moment before speaking again, his tone slightly wary. “And you're working as his secretary now...?” He questioned, looking around the office.

Oh fuck, embarrassing. It sounds as if you’re desperate to be seen by Satoru. “Yes. I am.”

He nods again, his expression still neutral as he continues to observe you, “I see...”

Awkward as fuck. Not because he’s Satoru’s father, you and his family had a good relationship when you were dating. It’s more awkward that your specifically working for his son now.

“How are things between you and Satoru? You two are on... good terms?”

“...I guess.” You fiddle with your hands slightly, wanting to let out a long, deep sigh.

“You guess...?” He lets out a small sigh and continues, his tone slightly gentler this time. “Are you getting along with Satoru fine? No... issues, or arguments?”

“No, not at all sir. We’re okay now.” True, you aren’t. It’s more boring talk. But maybe it’s because you haven’t lashed out on him yet.

He studies your face as you speak, trying to read your expression. He can tell you're not being completely honest, but your words are spoken in a polite and professional tone. “I see..”

“So are you... enjoying working here? You're not feeling uncomfortable or anything?”

“No not at all, it's good working here. The building is amazing.”

“I'm glad to hear that. The building is quite impressive, isn't it? And I hope Satoru isn't... giving you too much work to do?”

You chuckle in response,”Well, I am working on tasks for next week so..”

“Ah, I see. So he’s already making you work ahead of time..”

As his father leaves your office, he makes his way to Satoru’s office, his eyes narrowing slightly as he sees him lazing around in his chair.

“Satoru...” His voice is a low, almost a disapproving grumble as he enters the room, closing the door behind him.

Satoru, hearing his father's voice, looks up with a slight expression of annoyance on his face. “Ugh... what is it?”

He lazily spins around in his chair, his body language oozing nonchalance and boredom.

His father doesn't look amused as he walks up to his son’s desk, a stern expression on his face. “We need to talk.” He crosses his arms over his chest, his gaze fixed on Satoru as he continues. “I was just in your secretary's office, and you know who I saw?”

He raises an eyebrow at his father's words, a mixture of annoyance in his eyes. “Y/n?” He says in a bored tone, as if he's already expecting some sort of lecture from his father.

“Yes, why?”

“Oh, yeah. I hired her.” He responds casually, as if it’s normal to have your ex girlfriend work for you.

His father lets out a sigh, his expression becoming more agitated. “Anyway, you need to get married soon. You're already 28.”

Satoru groans and rolls his eyes at his father's words. He's heard this lecture from his father numerous times, and it always irritates him. “You're still on about that?”

His father remains stern and insistent, his arms crossed over his chest. “Yes, I am. You're at the age where you should be looking for a suitable partner. You can't just keep playing around forever and hooking up with random whores. It's time for you to settle down.”

Satoru lets out an exasperated sigh, running a hand through his hair in frustration. “Ugh, can we not have this conversation right now? I'm busy.”

His father's expression hardens even more at his dismissive attitude. “No, we're having this conversation now. And you're not going to use the ‘I'm busy' excuse this time. You've been putting this off for far too long, Satoru. It's embarrassing to have a son who has sex with prostitutes. You need a wife to put you in your place. You need to have kids so you remain a good man.”

Satoru's eyes narrow at his father's words. He knew it was pointless to argue at this point, but he couldn't help but feel a sense of irritation at being lectured like a child.

“And who do you expect me to marry? Do you have someone in mind?”

“Well, if you're asking for my opinion, yes I do have someone in mind. But knowing how stubborn you are, you're probably not going to like it.”

He raises an eyebrow again at his father's words, curious. He lets out a sigh, resigned to having this conversation. “Fine, spit it out. Who is it?”

His father takes a deep breath, bracing himself for Satoru's reaction. He knows what he's about to say will probably not go over well with him.

“Even though she’s your ex now.. y/n. She's a good girl and she comes from a respectable background and we liked her. You two were together for a while. Who better knows you? She'd be able to keep you in line. You're still hung up on her anyway, just stop fucking around and treat her well, then she'll be happy with you.”

His face immediately darkens at his father's words, his eyes narrowing in disbelief. “You can't be serious. You actually want me to marry y/n?”

His father lets out a small chuckle at Satoru's protest, not taking his words seriously at all. He's clearly amused by his son's denial. “Oh please, I know you're still into her. And she doesn't hate you, she's just mad at you because you messed up. And her boyfriend? Pfft, I saw him, he's a pathetic waste of space. She deserves someone better, someone like you. Just stop being a coward and admit you still like her.”

He lets out a scoff at his father's words. He can't believe his father is talking about y/n like this, as if he knows better than him. It's pissing him off, even though he’s right.

“You're seriously overstepping your boundaries, old man. I'm not a damn teenager who can't make decisions for themselves. I'm the CEO of this company, and I have a private life. No, I'm not marrying y/n. It's not happening.”

“You're acting like a child, Satoru. And don't give me that CEO bullshit, it won't work on me. You're still my son and I'm still your father, and I'm telling you to marry her. End of story. I'll arrange the marriage even if I have to force it, I'll get y/n to agree.”

Satoru's jaw clenches, his patience reaching its limit. He can feel anger coursing through him, and he has to force himself to stay calm. “You'll what? Arrange a marriage?! Dad, you're out of your damn mind. You know damn well y/n and I didn't end on good terms. We were constantly at each other's throats, it was a disaster. And forcing her to marry me? That's insane.”

His father scoffs, “Who else would you marry?”

“Anyone but y/n. Literally anyone. I’ll marry a stranger, I don't care. Just don’t push y/n onto me.” Satoru's voice is firm and unrelenting, but there's a hint of desperation in his eyes as he stares at his father.

His father lets out a frustrated sigh, seeing that his son is in no mood to listen to reason. He takes a deep breath and tries a different approach. “Alright then. I'll have a few respectable women, or girls your mother and I know come over to the family estate. They'll talk to you and you talk to them. Then come to me and tell me which one you prefer. Deal?”

Satoru’s expression softens slightly, his anger slowly subsiding. He doesn't like the idea of being set up with women he's never met, but it's better than being forced to marry his ex. “... Fine. But I'm not promising anything.”

His father smiles slightly, glad that he's finally getting through to Satoru. If he doesn’t prefer any of them, then he’ll definitely arrange you both. But he won’t mention that yet.

“Good. I'll arrange it then. And I better see you talking properly to these girls, got it? No snide comments or sarcasm. Just behave well. Don't embarrass me son.”

He rolls his eyes but nods reluctantly. “Yeah, yeah I'll be on my best behaviour. Don't worry.” He mutters, still not thrilled about the entire situation of marriage.

“Today, tomorrow, next week? When?”

“Next week. This coming Saturday. I'll have them head to your study room in the estate, not your apartment, so make sure you come over in the morning. Be ready.”

Satoru nods again, resigned to his fate. He knows his father is not backing down. “Alright, I'll be there.. Whatever.”

The next day, Satoru is bored in his office, idly scrolling through his social media feeds when he receives an email from you. He opens it up and reads through his schedule for the day, letting out a small sigh.

It's then that he suddenly remembers the conversation between him and his father, and the arrangement to bring the women over to their estate next week. He groans inwardly, not looking forward to it at all.

He could just do as his father's says and marry you instead. but you're his ex and you hate him because he's apparently toxic. and he doesn't even like you anymore since you became so bratty. At least, that what he tells himself.

As his thoughts swirl through his head, an idea starts to form. He glances at the door to his office, considering it for a moment. then he calls out to you through the phone speaker. “Hey, come in here for a moment.”

You hear his voice over the alert system in your office room and head over, once inside you speak, “Is something the matter?”

He motions for you to close the door behind you and sit down. “No, everything's fine. Just sit down.”

He waits for you to sit down on the chair opposite him, his eyes studying your face as you do so. He's not sure how you're going to react to what he's about to say.

“I need to ask you something. And I want you to be completely honest with me.”

Okay, you can do that.

He leans forward slightly, his hands resting on the desk in front of him as he looks you in the eye. “Can I ask you a personal question?”

You respond immediately, “No.” Did he expect you to be open considering our history? What an idiot.

He chuckles as he looks down, “Damn, you're still as bratty as ever.”

He leans back in his chair and looks at you again. “You still hate me, huh?”

You stare back at him, a bored expression on your face, “Obviously.” You hated his guts and he knows that.

“Yeah, I figured. We did end on bad terms after all, didn't we?” He speaks with a hint of arrogant irritation in his voice.

You sigh before you speak, “What do you want?”

He leans forward again, resting his elbows on the desk and entwining his fingers in front of him. His gaze is steady and intense as he looks at you. “I need you to listen closely to what I'm about to say and try to keep an open mind. Can you do that?”

“What?”

Inhaling deeply, he prepares himself for your reaction. He knows this is going to be a difficult conversation. But he should at least ask before closing off the option.

“I'm going to ask you something... a little... hm. I don't know what's the word but, don't get all mad at me. It's just an offer from my father. it's not that I want to but I'm just letting you know.”

You groan in irritation at him, “Okay, so what is it?” He’s taking too long and you’re becoming impatient.

He almost chuckles at the frustration on your face. But he knows better than to make any dumb comments if he wants to even have a chance to explain himself.

“Alright, alright. I'll get to the point.” He clears his throat, preparing himself for your reaction. “My father wants me to get married. He gave me the first option to marry you but I denied it because, well I thought you'd say no anyway. So instead he arranged some women for me to meet next week at our estate.”

“Okay? What do you want me to do about that?”

He sighs, “You're really making it difficult for me to talk to you." He rubs his temple with his fingers, getting annoyed with your stubbornness. “Alright, I'm just gonna say it then.”

He takes a deep breath and looks at you straight in the eye. “I'm gonna ask you again. Do you still hate me, yes or no?”

“Yes. I hate you.”

“You really are damn stubborn, you know that?” He sits back in his chair, studying your face for any signs of weakness or doubt. But your expression remains icy and impenetrable, just like it always was before you broke up with him..

He leans forward again, his gaze never leaving your face. “Fine, you hate me. But that's not the question I'm asking.”

But that was the question he just asked?

“My father was going to arrange our marriage forcibly, but I told him not to because I thought you'd disagree. If you could, would you agree to the marriage?”

You contemplate for a moment, would you? You hate him, you can’t trust him anymore. Not when he cheated with some random prostitute. “It depends.”

He quirked an eyebrow at your answer, intrigued and slightly amused that you're actually considering the possibility. “Depends on what?”

“Money.” You say blankly. Hypothetically, at least. You weren’t being serious but if it were to happen you’d marry him for money. Because only money could make you get back with a cheating ex like Satoru.

He scoff at your response. It's so typical of you to think of the financial aspect first. But he doesn't seem too surprised. “Oh, you're such a greedy little gold digger. I'd be paying you to be married to me, huh?”

“What's the problem with that? I have money and come from wealth too, it’s only obvious I’d still want more. If I married you I’d want to be paid weekly.”

You watch him shake his head and chuckle, both amused and annoyed at your audacity. He never expected you to actually admit to being a gold digger so shamelessly. “Damn. You really have no shame, do you?”

He looks at you as he considers your proposition for a moment, “Weekly payments, huh? How much are you thinking?”

“Hm. To get married to you and leave my boyfriend... £100k to get married to you, then £2k weekly sent to my bank. I'm only saying that because it's not gonna happen.” You say the last sentence firmly, standing your ground as you glare at him from your seat.

He grins at the ridiculously bold request, “£100k to marry me? And £2k weekly? You're really trying to milk me for everything I've got, huh? You're fuckin’ expensive.”

“Those are reasonable offers if your rich. You have the money to give that.”

He can't deny that you're right. Though he finds your demands amusing and frustrating at the same time. "You really have no shame to ask for that much money, don't you?” He mutters under his breath.

“And why do you want £2k weekly? wouldn't I be providing you with everything as your husband?”

Ugh, he’s asking as if I’d ever accept him as my husband.

“What do you plan to do with the £2k weekly payments?”

“For myself, obviously. You’re questioning me as if it'd actually happen. I'm not marrying you.” You chuckle as you speak. “Was just answering your question from before.”

“I know you're not gonna marry me, it's just a damn hypothetical question.” he mutters, his voice edged with frustration. “But I'm asking why you'd want that much money for yourself?”

“Why wouldn't I? Plus If I had left over money, l'd pass it down to my children for inheritance.”

“Of course you're thinking about inheritance for your children,” he says in a sarcastic tone. “You know, most people get married for love, not just for money.”

“Yeah, but I wouldn't be marrying you for love, it'd be forced if ur father went through with it for real. Anyway, good luck to the women you're meeting next week. I have work to do and this conversation is annoying. I'll be taking my leave.”

He eyes you as you stand up and head toward the door, slightly annoyed and amused at the same time by your bluntness. “Right, right," he mutters, leaning back in his chair again. “Run off to do your work. Maybe you'll find another guy to milk for money while you’re at it.”

You roll your eyes and scoff as you exit the room, shutting the door behind you.

He lets out a long, heavy sigh and runs a hand through his hair, shaking his head at the crazy idea that he even considered discussing the possibility of marriage with you. “Damn it...” he mutters to himself, “What the hell am I thinking... Tch. annoying bitch.”

Saturday finally rolls around, and Satoru finds himself sitting in his family's grand estate, waiting for the women his father had invited. He's sitting in his study room, tapping his fingers on the armrest of the couch with growing irritation. He still dreads the idea of having to meet all these women, especially after the conversation he had with you a few days before.

Hours passed by, but to no surprise, all the women were either bratty, annoying, clingy, boring or ugly. He heads to his fathers study room, his frustration growing with each step.

He had hoped at least one of the women would pique his interest, but they were all lacking in one way or another. Finally, he reaches his father's study room and knocks on the door. He waits a moment before hearing his father call out from inside, “Come in.” A small smirk playing on his father face.

He steps into the room seeing his father sat smoking a cigarette, his expression a mix of irritation and disappointment. As if he knew that you wouldn’t like any the women. He closes the door behind him and stands in front of his father's desk, his hands stuffed in his pockets.

“Judging by your face, I'm guessing the meetings didn't go well?”

Satoru lets out a heavy sigh “You could say that. None of the women you picked out were my type. Honestly, they were all damn awful to be honest.”

His father lets out a small chuckle at Satoru's blunt assessment. He leans back in his chair and looks at his son “I see. Well, I guess that's expected, given your picky taste in women. So marry y/n. I'll arrange it.”

His eyes widened at his father's words. He hadn't expected him to bring up your name again so casually.

“What? Wait, hang on I told you we shouldn’t-“

Cutting him off, his father waves his hand dismissively. “I know what you said, but you didn't find anyone suitable so there’s no other option.. You're not that old, but you should start thinking about your future. I'm tired of you always spending your time with prostitutes. Y/n’s a good girl, and she's from a good family that I know well. It's the perfect match.”

“That's bullshit, I don't care if she’s a 'good girl' we don’t like each other anymore, and you know that.”

“You can't just rely on picking women based on your taste. You have to consider the bigger picture, Satoru. Y/n is from a wealthy family, and a good partner for the future. You can't just dismiss her because you don’t like her. You have to think about how this will benefit you and your future. And don't lie to me, you loved her until you both started arguing constantly because of your behaviour. Fix yourself up. I'll speak to her and arrange the marriage, I'm good at persuading.”

Satoru clenches his fists, trying to keep his cool “Damn it...I can't just agree to marry her because it's convenient. What about my own feelings and preferences? I don't care if she's from a wealthy family or a 'good partner for the future.' I'm not some damn chess piece in your grand plan. Why the hell can't you just leave me alone about this? I don't want to be stuck down to one women I like my fucking prostitutes and why does that even bother you?! The public don't even know.”

His father slams his hand on the desk, his patience wearing thin at Satoru’s vulgar and immature words.

“Enough nonsense, Satoru! I'm tired of your selfish attitude. You're not a child anymore, you're 28 years old, it's time you start acting like an adult. Marriage is not just about your feelings, it's about responsibility, legacy and power. Y/n’s family status and background will bring stability benefits that will outweigh your damn personal preferences. I don't care how many damn prostitutes you sleep with, you're marrying y/n.”

“I've already spoken to her, I gave her a hypothetical question, and you want to know what she said?”

His father looks slightly surprised at his words, but he quickly regains his composure “And what did she say?”

“She said, if she did marry me it would be for money.”

His voice is laced with frustration and anger as he crosses his arms, his glare fixed on his father.

“She was only interested in the damn money. Nothing else. Told me if you forced her to marry me, she'd only go ahead with it if she was pre-paid £100k and then paid a further £2k by me weekly. then she said she's only saying that because it'd never happen and she won't marry me.”

His father's expression remains neutral, “What's so bad about that? We have wealth and so does she. it's only normal for her to want more, especially if your her ex. I don’t blame her.”

His anger reaches a boiling point at his father's nonchalant response. He leans forward, his eyes blazing with frustration, “You're goddamn right she's my ex. And that should be enough reason for you not to try to force me to marry her against my will.”

He runs a hand through his hair, trying to calm himself down, but his frustration is evident in his every movement.

His father leans back in his chair, his expression still calm, “Listen, I understand that you have your reasons for not wanting to marry her. But you have to understand that I'm only thinking about what's best for you. She comes from a wealthy family, and she shares similar values to ours. She'd be a valuable addition to our family, and I'm sure you'd be able to find happiness with her if you stopped your toxic behaviour.”

Satoru's jaw clenches as he listens to his father's words. He can't believe that his father is still pushing this idea, despite his objections. “You just don't get it, do you? It's not just about your stupid values and wealth. I have my own life, my own preferences, my own damn desires.”

He shakes his head, feeling a mixture of anger and frustration. “You can't force me to marry someone, my ex, just because it's convenient for you or our family reputation.”

“Satoru, stop being so goddamn egotistical. This isn't just about pleasing me or our ideals. It's about doing what's right for your future. And let's be honest, your current lifestyle isn't exactly sustainable in the long run. You need a partner who understands and respects you, whom you can share your life with. And someone who can keep you in check. Leave my room. I'll arrange you and y/n. That's the end of it.”

“Ugh, fine! but don't expect me to treat her like a goddess wife.” He was tired of these lectures, tired of his futile defensive arguments.

“Trust me, after spending a few days with her as your wife, you'll come to appreciate her, she was always a good daughter figure when she’d visit whilst you dated.”

He leans back in his chair, folding his hands “And I expect you to be on your best behaviour. No more womanising or hookups, got it?”

He rolls his eyes, feeling frustrated but also resigned to the situation “Yeah, yeah, I got it. No more women, no more hookups. You want me to be a damn saint, I'll be a saint.”

A day later, his father calls me, telling me to visit their estate and that he has something important to discuss with me. I head over and enter the family estate, a butler leading me to his fathers study room. Am I going to get fired already? No.. if I were to be getting fired I’d be called to Satoru’s office.

Satoru sits in his father's room, staring out the window as his father sits beside him. His thoughts still swirl with anger and frustration but he knows he has no choice to argue with his father.

Suddenly, his father's butler knocks on the door and enters the room. “Excuse me. Miss l/n is here saying that you called for her?” He steps aside, revealing you standing in the doorway.

“Hello..”

His father stands up and smiles at you warmly

“Ah, y/n, please come in. Thank you for coming on such short notice.”

I enter the room, closing the door behind me and glance at satoru confused, his expression neutral, only with slightly furrowed brows. Then I returned my gaze back onto his father.

His father gestures for you to take a seat across from him and Satoru. “Please, have a seat. There's something important we need to discuss with you.”

After taking your seat, His father leans forward, his tone serious “Y/n, I've called you here because Satoru and I have had a chat recently. And we both agreed that it would be beneficial for all of us if you and Satoru were to get married.”

Oh god, he can’t be serious. “Mr. Go-“

His father continues, ignoring your reaction

“I understand that this might come as a surprise, but hear me out. Satoru needs a partner who can help him grow and mature. And I believe that you are the perfect candidate for that. You come from a good family and have a strong sense of responsibility. You can provide the stability and guidance that Satoru desperately needs.”

“I... thank you for the offer but I-“

His father holds up a hand, stopping you from protesting further “You'll be given the money you want. £100k beforehand and £2k weekly by this idiot here, right?”

You part your lips slightly and your breath catches in your dry throat. You weren’t being serious with that amount, simply stating it because you didn't expect it to happen. You wave your hands in protest as you smile awkwardly “No, No I-“

His father raises an eyebrow, clearly sceptical of your protest, “You were the one who suggested the money. Don't try to back out of it now. I’m offering a significant amount of financial security. Not to mention, being married to Satoru would mean a life of luxury and comfort.”

Satoru, who had been silent until now, finally speaks up. He leans back in his chair, a mix of irritation and resignation in his voice. “Just take the damn deal, y/n.”

“Tch, don't tell me what to do.”

“Why are you being so difficult? we're offering you a once in a lifetime opportunity here. You'd be a fool to reject it.”

You roll your eyes, looking away and sighing. He's right, but it would be hell for you. Get back with the ex who cheated on you with a prostitute..? It’s crazy.

His father clasps his hands together, sensing that you're starting to give in, “If that's not enough, £200k beforehand, £3k weekly.”

“You're serious...? About this?”

“Absolutely. I've already spoken to your parents and they agreed, but do you?”

Satoru watches you intently, waiting for your answer. He's starting to feel a sense of annoyance at your hesitancy, but he tries to hide it.

His father leans forward, “Y/n, you won't have to work another day.”

"You'll have access to the best of everything, a life of luxury, and you'll be a part of a high-profile family. Think about it, you'll never have to worry about money or anything again."

“I mean I already don't... have to worry…” You’re starting to give in. Oh god this can’t be good.

“Yes, but the offer is still there. You'd have more. You know our family is #1 wealthiest in Japan, your family is #50 wealthy. Think about it.”

Satoru can't contain himself anymore, he leans forward, his irritation evident in his voice “Damn it, you're being stubborn for no reason. Just take the deal already.”

You scowl at his words and tone, giving a dirt as you furrow your brows.

Sator glares right back, his irritation at your defiant attitude growing.

“Just take the fucking deal you love money anyway!”

“Fine!” I yell back with a frustrated groan.

His father lets out a satisfied exhale, a small smile on his face.

“Excellent. I'm glad you came to your senses.”

Satoru leans back, a mix of frustration and resignation on his face. “Finally, you gave in.”

His father’s tone became more serious as he speaks, “Now that that's settled, there are a few conditions that we need to discuss.”

He pauses, looking at Satoru, “First, Satoru. You will not contact any of your former lovers or hookups. The public and our family would look down on that. You must maintain a clean image as a couple.”

You scoff a laugh. “Tch. Of course you had prostitutes right after I left you.” He really was a damn sex freak. You can’t believe he didn’t catch on to the fact you knew he cheated on you. What a dickhead.

He rolls his eyes, feeling a mixture of annoyance and embarrassment at being called out on his behavior.

“Yeah, I did. So what? I had em before you and had em after.”

The audacity for him to blatantly admit such a disgusting thing makes you stare at him in both disbelief and disgust. You hid it well, but it did hurt you. It was like as if he poured acid onto your heart.

His father shakes his head, his disapproval evident

“Satoru that's exactly the type of behaviour that needs to change, immediately. You are a part of a powerful family, and your actions reflect on us all. No more of that immature behaviour.”

He rolls his eyes as he leans back on his seat, looking away, “Yeah, I know.”

“Second, y/n, you will be expected to support Sator in every way possible. This means attending family events and public appearances with him, offering him emotional support, and generally acting as a supportive partner.”

“Of course that's basic stuff, I can do that.” You respond softly, and maturely.

“Good, I'm glad you understand.” He clears his throat,“Onto the third condition. This is the most important one.

His voice takes a firm, serious tone “It involves the matter of heirs. You'll be expected to have children within the next 2 years of the marriage. Ideally, a son and a daughter.”

You should have expected that as a condition too.

“This is non-negotiable. We want to ensure the continuing of our family line, and we expect you two to fulfil your duty.”

I smirk slightly as I look down at my lap, “Do I get paid for pregnancy too?” I ask sarcastically.

"Actually, yes. You'll receive an extra £80k for each pregnancy, and £150k for giving birth.”

Your breath hitches once more, he can’t be serious.. “What?” That amount is far too ridiculously huge, even for you.

His father smiles slightly, seeing your surprise. "That's correct. We understand that pregnancy can be a difficult and exhausting experience, both physically and mentally. That's why we're willing to offer additional compensation as a token of our appreciation for your efforts in continuing our bloodline."

“Wait I was just joking-“

His father chuckles slightly, dismissing your protest.“Oh, I know you were joking, but we take this seriously. The compensation is non-negotiable. We want to ensure that you and Satoru have all the support and resources you need to start a family.”

“But that’s not necessary I promis-“

“It is necessary. He’s our only child, it’s only right that we gift his wife and mother of his children. And you’ll be keeping him in check from his…. Behaviours.”

To think you’re actually agreeing to this is mental. If you were to speak to yourself a week ago you’d be laughing hysterically.

“Right.. right. Next two years..”

“Yes, within the next 2 years. We want to ensure that the family line is continued in a timely manner.”

Satoru remains mostly silent in his seat, a hint of irritation in his expression at the conversation's direction.

His father continues, a stern tone in his voice, “It's not solely your responsibility dear, of course. Satoru will also be expected to play an active role in the child-rearing process, but you will be the main caregiver and nurturer.”

I mean, it’s not so bad. But it’s Gojo Satoru who will be your husband and father of your children. What if he just cheated again? How does his father expect you to keep him in line?

He looks back and forth between you and Satoru

"You both will work together to raise your children, providing them with the love, care, and stability that a family should have. It won't be easy, but we believe that you're both capable of it."

Satoru bristles visibly at his father's words. The thought of having children so soon with his bitch of an ex, is far from appealing to him. Yes, he still has a few feelings for you, but not enough to want to be forced with you. Not like this. But he bites back any protest, knowing it's fruitless to argue with his father.

"Also, if you hate each other behind closed doors, expect you both to appear as a loving couple for the public.”

“Yes.. we will.”

"And Satoru, you better stay behaved. We don't want any more scandals that might embarrass the family's name.

You're lucky they haven't seen you with those whores you've met."

He grits his teeth at his father's comment, feeling a mixture of anger and embarrassment at his indiscretions being brought up time and time again. "I already told you, I'll stop those hookups. There's no need to constantly bring it up."

"I'll believe it when I see it. Just remember, your actions reflect on this family.”

His gaze shifts back to you.

"And y/n, I know you’ll keep Satoru in line. Make sure he doesn't do anything stupid."

“I will.”

"Good. I have faith in you to keep Satoru in check."

His expression suddenly turns serious again.

“One more thing, both of you. Absolutely no infidelity after marriage. I expect absolute loyalty from both of you.”

“Say that to him not me” I mutter, rolling my eyes towards Satoru’s direction.

Satoru clicks his tongue at your words.

His father sighs, directing his gaze at Satoru. “Satoru, I expect complete loyalty from now on. No more flings or hookups with anyone else. Your marriage is solely with y/n now.”

Satoru scowls at his father's words but doesn't argue. He knows that resisting is pointless. He turns his gaze to you, his expression a mixture of irritation and resignation. “I understand.”

[henrioo]

°•*⁀➷ ORANGE THEORY: TRIO MONSTER

꒰ SYNOPSIS ꒱ : "It seems that if your lover peel an orange for you without you asking him first, then that means they really love you, since they can do things for you without you even asking they for that."

꒰ WARNINGS ꒱ : Male! Reader (can be trans or cis), MLM, homo relationship, man x man relationship, Sanji and Zoro bickering in their scenarios, it's mentioned that the reader likes orange and likes food in general, gay being used in a way to make the other embarrassed (not using for you), term men-kisser, Sanji is a little pervert about your male body (nothing too weird), a lot of terms and nicknames for male people

꒰ WC ꒱ : 1,6 in all, 300 for Luffy, 772 for Sanji and 576 for Zoro

꒰ NOTES ꒱ : So lol I wanted to do this one because I saw a lot of those one week, then I though was fair for boys having that too. I planned to post this some week ago, but I passed through a lot of things so I got a little unmotivated, but now since I have 700 followers from the night to the day I think I have to give everyone more content, so hm here it is, for all those people... Jesus this is scary, I'm still gonna make an official post for celebrating the followers, but I'm planning a thing for that so maybe it will take a while, but it's coming and with some present for you guys. Enjoy!

➤ Luffy

Naive of you to think that you would need to go to Luffy, the moment you appear on the deck with an orange for your snack, your boyfriend is already on top of you with his arms wrapped around your waist and drooling all over the fruit.

“Hey (y/n), did you get it for me?” He would ask laughing as you huffed at his insatiable hunger.

“No, for me, why would I get it for you?” You said feigning anger with a pout on your lips.

“Because…” Luffy made a hurt face, with big puppy dog eyes and a truly hurt pout. “Because you are my boyfriend and your duty is to feed me!” He said irritated and rocking you in his arms.

You just laughed, Luffy almost never called you his boyfriend, only at appropriate times for him, like now. The boy might have an airhead, but he knew that using titles like that would make you melt and fulfill his every desire.

“That goes for you too” you snorted, offering him the orange “You’re also my boyfriend so you should feed me too” you said laughing at his logic, but still finding it cute.

Luffy just let you go and took the orange in his hands, you were distracted to answer something to Usopp and took your eyes off the boy. Soon you felt him poking you and when you turned around you found Luffy offering you half of the peeled orange.

"Here! Now we’re even, you fed me and I fed you!” He said laughing as he stuffed half of the orange into his mouth and ran off to do something else.

Simply leaving you there with half an orange in your hand, red cheeks and a racing heart. Besides, of course, the obvious certainty that you loved Luffy.

➤ Sanji

It's impossible for Sanji to leave you hungry, he has a biological clock that works solely to always give you treats and small snacks between important meals. It's easier for you to get tired from eating so much than to actually get hungry around this man, especially when you're his boyfriend, and therefore his number one priority.

You had just helped Nami and received one of her precious oranges as a reward, so you decided it was a good snack until lunch time that was approaching. You entered the kitchen and sat at the counter, placing your orange there so you could eat.

“Do you need anything my beloved (y/n)-kun?” Sanji asked, looking at you over his shoulder as he continued preparing for lunch.

“No, I just wanted to stay here with you for a while” you answered him with a smile, Sanji didn't usually let you help him with most of the main meals, he said that the pressure of having to finish the meal on time for everyone was bad for your skin. He would prefer that you could cook calmly and calmly, making meals without a delivery date. That's why you usually only watched him cook the main meals, already knowing that he would refuse your help.

“You are so lovely Mon ange, I am so lucky to have you” he said, sighing dramatically with heart eyes as he turned to you with a lovestruck face, he quickly noticed your orange with curious eyes. "An orange?"

“Huh? Oh yes, I was helping Nami and she gave me one” you explained to him, knowing that he would be curious that you had a snack that he didn't give you.

Before any other movement was made, you heard Nami calling you on the main deck urgently. You huffed angrily and got up, telling Sanji that you would be right back while he opened the kitchen door to resolve whatever situation they needed from you.

When you came back a few minutes later, sitting at the counter again, you noticed that your orange was gone. You looked around looking for the fruit, it wasn't anywhere else on the counter, nor on the table, nor had it fallen on the floor or anywhere nearby.

“Sanji? Have you seen my orange?” You asked, not remembering taking the fruit with you.

“Just a moment my dear” Sanji said, still fiddling with something with his back to you. Confused, you followed his order and waited in silence.

Then your blonde boyfriend turned around and handed you a plate with your orange, but very different from the orange you had initially left. Now it was completely cut and all the pieces separated, that white part that you always complained about was gone and the slices were positioned to form a heart, in addition to, of course, a toothpick stuck into them with a heart design on top.

“You already work so much with those idiots, you shouldn't tire your beautiful male hands…” Sanji said and quickly fell silent, you felt like he was going to say a perverted sentence but he held himself back to keep the moment cute.

“Ah, Sanji, this is so cute” you said, observing the dish that was so well crafted, you hadn't even asked him and yet he did everything as if it were his duty. “Thank you for that love,” you said smiling at him.

Sanji stared at you in silence for a few minutes with flushed cheeks and a shy smile... and then he lost control.

“Ah, my dear (y/n)-kun! Please don't waste your compliments on me! Oh, you are such a kind man! A true gentleman! I could do anything you want my beloved prince! I will serve you all the days of my life and protect your beautiful strong manly body! Oh you are so sexy my dear (y/n)-kun! You are the most handsome man on the entire planet, I am so lucky to be your boyfriend! Please marry me and be my husband!”

You didn't even need to react as Zoro entered the kitchen yawning. “Can you stop being gay, cook? There are people wanting to have lunch”

“Who are you calling gay you little shit?!” Sanji shouted angrily.

“You, man-kisser,” Zoro shot back angrily.

“Listen here, the only man I kiss is my beloved (y/n)-kun and I would rather die than kiss anyone other than him!”

“Still a man-kisser” You decided to ignore them fighting while you ate your oranges… Sanji might be a bit exaggerated but you knew he loved you and you loved him even more.

➤ Zoro

You plopped down next to your boyfriend, sitting next to him against the ship. He complained with a huff about you disturbing him in his nap, since you were practically lying on top of him. So he decided to open his eyes to see what you were doing.

There you were smiling as you held an orange in your lap, you looked beaming as you shouted something to Luffy and Chopper in the distance on the other side of the ship.

"What is that?" Zoro asked about his fruit.

“Hmm? Snack” you said smiling childishly “Sanji gave it to me when I said I was hungry, cool right?” You said excitedly, when it came to eating you were always happy.

But the mention of the cook made Zoro lose all the excitement he gained seeing his cuteness, what was that stupid cook thinking? Sure, Sanji practically hated men and would never be with one, but you were still Zoro's boyfriend! Sanji couldn't just be nice to you like that! That was only the swordsman's right!

You seemed to ignore your boyfriend's instant bad mood, you didn't usually care about Zoro's jealousy, always saying that he exaggerated too much sometimes. Not that it was a lie, but that didn't stop him from feeling jealous. He snorted thinking about millions of things, did you like the cook more because of his kindness?

While you were distracted screaming and talking to your captain about something stupid, Zoro stole the orange from your lap and started peeling the fruit as best he could, after all his anger told him to throw that fruit into the ocean or else throw it at the head of that idiot blonde.

When you stopped talking and went to get your fruit you noticed it was missing, you immediately became desperate for having lost your snack. “Zoro, have you seen my orange?!” You asked looking at your boyfriend, had Luffy caught her while you were distracted?

When you looked over at Zoro, you found him offering you a piece of orange, which was now peeled in his lap and he was separating the slices.

“Huh? Why is this out of nowhere?” You asked curiously, of course Zoro also had his moments of kindness, but you thought there was something behind this action today.

"Do you want it or not? I thought you liked gentle men” he said irritably as his face turned red and a frown formed on his face.

“Huh?” You had to think for a few seconds, but soon you connected all the dots. “Oh! Were you jealous of Sanji? Oh, aren’t you a cute boyfriend?”

"Shut up idiot!" Zoro shouted as he angrily shoved the piece of orange into your mouth, forcing you to chew and swallow the fruit.

You continued laughing as Zoro cursed you and tried to make you swallow all the orange he peeled for you. Whether he was trying to feed you or kill you, you didn't know.

“Sanji! Zoro is trying to kill (y/n) by choking on an orange!” Luffy shouted, amused by the scene.

“Zoro, stop wasting my orange!” Nami shouted angrily at him.

In the end Zoro decided that he would be the one to bring you snacks, every time you went too long without eating he would show up with something stolen from the kitchen. He had to make sure he marked his territory and let you know he could be gentle too.

[psychesalcove]

While the others talk, we were listening to Lovers Rock ✮⋆˙

Percy Jackson x Fem. Reader synopsis: You weren't one for parties, so how you found yourself at a Hermes cabin party was beyond you. At least your crush of a couple years was also there. tw: mentions of alcohol and drugs

part of psyches fall writes – want to read some more?

a/n: holy moly guys I'm so so sorry for not posting for over a month. School has been rlly tough the last month: tests, quizzes, assignments, and all that jazz. I just couldn't find the time to write for this blog, and I didn't have much motivation to write with all my English essays I've been having to do. I hope that each and every one of you is doing well, and again, I'm really sorry about not posting for so long!! I hope that you enjoy this loves!:)

You put your plastic cup up to your lips and sipped. It wasn't the best drink, but it was expected for a Hermes cabin party. The lights were flashing from colors that ranged from red to purple, and people were gathered around with their friends, talking about whatever came to mind.

You sighed, you free hand coming up to adjust your strap on your dress. You departed from your friends a couple of minutes ago, your mind going too fast to be doing social interactions at that moment. Yu rarely went to parties that were held at camp; the main reason being Percy.

You had been harboring a crush on him since you first saw him arrive at camp. And everyone else seemed to have the same story as you--how fun. You never really spoke to him, unless you were paired up for an activity or if it was in a group setting. Not that you minded. You think that if you did have one on one conversations with him you wouldn't be able to hold them for longer than three minutes. He was also known to go to every single party that occurred at camp; hence why you didn't go very often.

Speak of the devil, Percy appeared in your eyesight as he came back into the cabin from outside. You took a deep breath and looked at the floor, opting to not look at your long-time crush and make awkward eye contact. As you stared at the old wooden floor like it held all the answers to the universe, you heard a voice from beside you.

"Hi." Percy said. You lifted your head in record time, your eyes immediately finding his. "Sorry, uhm." He lifted his arm and rubbed the back of his neck. You heard him mumble something under his breath that sounded close to 'Gods I'm really bad at this.'

"Do you need something?" You asked and facepalmed yourself mentally. The one-time Percy comes up to you and you sound offended. Great going.

"I was wondering if you would want to come outside with me?" He asked, the words rushing out fast and blending together. You scrunched your eyebrows together, not understanding why he would want you to be out there with him. Seeing your expression, he continued. "I mean, I've never really talked to you before with just you, and I thought it would be nice?"

You nodded your head before you could stop yourself, and now you found yourself walking out the cabin door with Percy. He opened it for you, smiling as you looked at him with what was probably confusion.

As the two of you walked out, the fall air immediately hit you--why you wore a short-sleeved dress was beyond you. There were a couple of picnic tables littered around the cabin, and Percy lead you to the nearest one. As you sat down across from him, he cleared his throat. "Sorry that I did that. It was probably really werid now thinking about it," He laughed, refering to your interaction in the cabin.

You smiled at him. Gods he was really cute when he laughed. "It's fine, Percy." You said, hands coming up to rub your arms as the chili air covered your body.

You watched as his eyes winded a bit, his smile becoming larger. "You know my name?" He asked, hands resting on the table and leaning closer to you.

"Everyone knows your name." You stated, ears picking up on a Sabrina Carpender song coming from the party.

His ears flushed red, and he puffed out his cheeks. "Yeah, but still..." He drawled, hands making a small movment.

You raised your eyebrow. "But what?" You giggled, watching as his face got more red.

"It means a lot when someone like you knows it," he said, rushing his words once again. It took you a second to absorb what he said, but when you did, your cheeks flushed to match his.

"What do you mean?" You questioned, your heart beating slightly faster.

"Like," He blew out a breath. "It means something when you know who I am. I know that we don't know each other very well, or like at all, but for some reason it means something." He rambled, hands making the same motion as earlier.

Before you could say anything, he continued his rant. "Anytime that we've talked, I feel like you see me for who I am and not for what I've done or what I stand for or anything like that." He sucked in a breath. "And I don't even know how I'm as attracted to you as much as I am, I don't even really know you, but I notice you and I want to know you, really, really bad." Your heart skipped a beat, eyes still widened as you watched him.

"I really like you. And I want to know you, for who you are, like you know me. And I know that you probably don't know me very well or anything, but all the times we've talked I've felt like I've known you for years." He closed his eyes and took a deep breath, awaiting your response.

When you didn't say anything, he opened his eyes again and looked at you with his pretty green eyes. "And if you don't feel the same way or anything, we can pretend like this never happened and stuff." He quickly explained--as if there was a universe where you wouldn't like him, was your thought as he said that.

"I want to get to know you, too, Percy." You giggled, kind still in a bliss over the words that came out of Percy mere seconds ago. His smile came back onto his face, eyes lighting up like he just got the best news of his life.

"Okay. Thats great." He said, blowing out a breath of air as he took in your answer. "And like, we don't have to start dating or anything right away, if you don't want to. And if you don't want to date at all, cool too," He explained.

You giggled again, taking your hand away from your arms to put it over his hand. "Let's start slow," You mused, watching as he became even more red in the face.

He nodded. "Yeah, slow." Percy squeezed your hand and smiled at you. "But like, it would be really cool to call you my girlfriend," He said, smiling more as you laughed in response.

"Slow, Perce."

He giggled--one that could've been mistaken for a girl, in your response, and more specifically, your nickname for him.

[cherrifire]

Please share your thoughts on the other 5 cutie marks, I'd love to hear!

Hi everypony! I got like 20 asks for the Dogwarts cutie mark lore so I'm here to speak my truth!

Before we start, I would like to write a quick reminder that a pony's cutie mark is not always their "special talent", but can also represent who they are, their personalities, and a possible destiny. Different cutie marks have different meanings and interpretations, but they're not just about representing what you're good at.

That being said, let's start with the cutie mark design I'm proudest of!

Ren's Cutie Mark

Ren's cutie mark is of a sunrise and looks pretty simple at first glance but there was a lot of thought that went into this one.

First of all, I bet you're wondering why a sunrise? Well, in the show, it is pretty typical for unicorns with great magical abilities to have one relating to space (examples being Twilight Sparkle, Sunset Shimmer, Starlight Glimmer, and Sunburst). And I figured since I wanted Ren to fall into a similar position of potentially becoming an alicorn, I gave him a cutie mark following the same trend. And I chose a sunrise to reflect the way Ren seems to glow when he enters a room. The way he carries himself is very warm and bright it just catches your eye in a similar way the sun would.

Also, Ren wears sunglasses. So a sun-themed cutie mark seemed appropriate.

Additionally, there are a couple of smaller details I want to point out too. Like the sun rays, if you look at them for a moment you'll see they're shaped like little crowns! I of course had to put a crown in thanks to how much Ren likes to play royalty, so I snuck it in there. And then the red spots underneath could both be interpreted as the sun reflected over water or blood. (But of course, this is a kid show AU so there wouldn't be any blood in Ren's destiny, just a fun reference to the red king and his whole thing about blood dyeing the snow red)

Martyn's Cutie Mark

I explained this one in an earlier ask but I thought I'd explain it again here for anyone who didn't see it!

Martyn's cutie mark is of a chopped log and a small stick.

This one is mostly a play on the name "Littlewood" but has other meanings too. As a character, Martyn tends to travel and explore quite a bit. In the Life Series specifically, he is usually the last one to find a permanent base and even then doesn't spend a lot of time in one place. Always on the move. Additionally, he's more of a wild card compared to other characters, always trying to be as unpredictable as possible.

The smaller detail here is the little swirl on top of the log is the same as the one on his Minecraft skin's shirt.

BigB's Cutie Mark

Cookies! Cookies! Cookies! BigB's cutie mark is of 3 cookies where one is trying to eat the others. There are also a few sprinkles there made to look like action lines.

We all know BigB loves cookies so of course I had to give him a cutie mark with cookies in it. For this one, I decided to follow the cutie mark trend of "symbol/item important to the pony duplicated 3 times" (examples being Fluttershy, Applejack, Rarity, Pinkie Pie) but I added a bit more creativity to it with the top on trying to eat the others to represent just how tasty they are 😋

Additionally, rather than the first cookie trying to eat the others, you could interpret it as opening its mouth to talk. Because BigB can not keep a secret to save his life! In Double Life when he started "secret soulmates" with Grian, he didn't last a day without opening his mouth. He told Ren about it immediately because he felt bad for keeping things from him.

Also worth quickly mentioning: People pointed out in my original post that they don't think BigB would be the element of honesty because of his behaviour in Secret Life. But that's just Secret Life. I think Secret Life to BigB was like that episode of My Little Pony where Discord makes the main 6 act the opposite of their true element. BigB was just going through a weird phase of telling very obvious lies because a book told him to.

Skizz's Cutie Mark

Skizz's cutie mark is of a lightning bolt from a couple storm clouds hitting the ground.

I think this is the cutie mark with the least thought put into it, unfortunately. There was still though just not as much as the others. The big thing I thought was fun was I made the lightning bolt shaped like an "S" to stand for Skizzleman. But other than that, this cutie mark sort of has the same meaning as Rainbow Dash's cutie mark. Quick like lightning, loud, bold, dangerous, and powerful.

Impulse's Cutie Mark

Impulse's cutie mark is of a lit-up lightbulb.

I absolutely crowded this cutie mark with the letter i. If you look closely, there are 6 of them. Impulse's design also has an i-shaped pattern on the belly if you look closely enough. But that's more of a fun easter egg and doesn't exactly reflect Impulse as a character.

There are a couple of reasons I chose a lightbulb for Impulse, the first and probably most obvious is that he's a redstone guy! He's a technical guy who likes to work smarter, not harder. So I figured the My Little Pony equivalent would be a light bulb/electricity. The second reason for the lightbulb is that it's usually used as a visual representation when characters have that "eureka!" moment in cartoons. When someone has a brilliant idea a little lightbulb turns on above their head. So since Impulse is the ideas guy, I figured a lightbulb would work for his cutie mark.

Etho's Cutie Mark

Etho's cutie mark is of a snowflake with a missing branch.

I promise there is more to this cutie mark than just "Canada is cold" even if that's part of the reason I wanted to give him a winter-themed cutie mark. While it is fun to make a nod to Etho being Canadian, I thought a winter-themed cutie mark would be fun to represent how he sometimes presents himself. Cold and a bit mysterious. I think deep down once you get to know him, those attributes melt away, but for people who have never met him, he may be intimidating that way.

I'll be honest, I don't watch a lot of Etho content, but I do have a few friends who identify as Etho girlies so I did my research. I was told in his Minecraft Let's Play World, that he has a snowflake build somewhere. I believe they said it was an iron golem farm? (Please correct me if I'm wrong) but I thought that was perfect for the cutie mark. And if you're wondering why there's a branch missing, it's because one of my friends said he was incapable of finishing builds sometimes so I thought that would be fun to include.

-=+=-

Alright. Rant over. To celebrate, here are a few pony doodles so I can put this post in my art tag.

[spider-man-199999]

No need to hide it

gif by @userjoel

pairing: college!Peter Parker x Fem!Reader; Post nwh; not too canon

word count: 6K

warnings: underage drinking for USA citizens; mentions of sex

summary: Peter thought no one remembered him after the spell, however you did, but not for the reasons he was afraid you would. Mostly fluff and slow burn romance.

a/n: I'm a sucker for college!Peter, I literally cannot think about anything else. ANY SCIENCE TALK IS A BUNCH OF BS I KNOW NOTHING ABOUT CHEMISTRY OR SCIENCE.

part2

"Hey, catch!" you heard a male voice from somewhere behind you, making you turn towards the sound. A brown leather football flew throgh the air, landing in your feet. You picked it up, throwing it back to the shirtless man that was jogging in your direction.

"Thanks!!" He said after he caught it, running off back to whoever the other shirtless dude he was playing with was.

"Yeah no problem..." you muttered under your breath, trying to hide how flustered you were.

It was orientation week at Empire State University.

The weather, apparently, was still warm enough to have people running shirtless around campus, and being the shy, awkward geek you were, it was hard not to get embarrassed by any social interaction, let alone one that included both sport and a half-naked man. Overall, orientation week was going well. You checked out a few classes that sparked some interest, went to the library, the gym, even got completely settled in your dorm room. Things were going smoothly, excluding the fact you hadn't really met anyone new. Most of the people in your classes seemed like they already knew at least one person and stuck to them. Since you were not really the type to go out of your way and approach people, it left you walking around campus alone, sitting in class alone and even eating alone. It wasn't all that bad, just lonely. Your roommate hadn't arrived on campus yet either, so everything felt especially odd to you, like you were invisible to everyone. 

Four days in and the long walks between buildings were already annoying. It was so easy to get lost or distracted on the way between buildings. You didn't know the shortcuts yet, so it was always a hazard whether you would make it to class on time. Miraculously you got there early, and gave yourself a mental praise for that. You didn't expect to actually be in a lab on the first day of class, and were glad you got there on time because there were barely enough lab coats for everyone in the room. You really didn't want to be the freak who wasn't wearing one. You scanned the room as you sat down on one of the desks, secretly praying that this class wouldn't require having a lab partner or work in groups because it was going to make you feel even worse. And as you were stalking the people around you, your eyes landed on someone who looked suspiciously familiar. He wasn't terribly tall, curly brown hair, one backpack over his shoulder, flannel shirt over a plain white t-shirt and regular blue jeans. You could recognise Peter Parker from miles away. You've never felt so terrified and so excited at the same time. You finally knew someone in this university and it had to be him of all people. He never told you he was going to ESU. In his defense, you couldn't really recall ever speaking to him. You used to have the biggest crush on him back in high school, but never gathered the courage to actually chat him up, even if it were about homework. He never got assigned as your partner on a project either (no matter how many times you would fantasize about it), so you just graduated one day and accepted the fact it just wasn't meant to be. 

But now you were presented with the perfect opportunity to actually talk to him and decided to take it. Unfortunately, the class started before you could approach him. You tried your best to keep your focus on the professor, but it seemed as if that was not necessary, he was only going over the main goals of the class and what books you would need. You sneakily looked over Peter from time to time, thinking about what would be best to say to him and not make it awkward. 

The class was over in the blink of an eye, which made your heart beat pick up because you no longer had an excuse to not approach him. There was a line forming around the coat hangers, which you thought was going to be the best way to casually start a conversation. You cut the line when you saw Peter hang up his coat, putting yours next to his and smiling at him. He smiled back when the two of you locked eyes. 

"Hey" you said "Peter Parker, right?"

He looked a bit stunned by your question. First, he was starstruck because the prettiest girl he had ever seen came out of nowhere and greeted him and secondly, she knew his name. And that was not supposed to be like this at all. His mind was rushing and calculating how it were possible. Were you a supervillain from an alternate reality trying to expose him? Or did the spell just not work on you? All of the scenarios seemed very bad for him. 

The way he just sat there and said nothing was making you extremely nervous. It did feel like a terrible idea now that you had done it. 

"We used to take Spanish together in high school." you added, your voice shaking slightly from the anxiety. "I'm sorry, I shouldn't have said anything, I'm really sorr-"

"Wait Spanish?" he finally said, his theories crumbling down when he realized what was actually going on. You were no supervillain, just an old classmate. Yet, he was sure he would have remembered you. 

"I really don't remember..." he continued, feeling his cheek heat up.

"Oh that's fine, we never really... spoke? Like at all, I sat all the way in the back and no one could make me say a word."

He laughed softly at your words. 

"Wanna discuss this over coffee? If you don't have any other classes?"

"I'm free, so yeah, we could grab a coffee"

20 minutes later the two of you were laughing over how ridiculous you looked in the yearbook. Peter was holding your phone and looking at the photo in which you still had braces on, your eyebrows were so badly drawn on because you thought shaping them with a razor the night before was a good idea. It was not, you shaved off so much from one of them you had to fill it in. And since it was your first ever filling eyebrows in, it was very, very bad.  Also, your hair looked like it was made out of dark matter, because you recently had it dyed black, straightened it and accidentally put a bit too much hair oil on it. You were definitely not having a good time back then, but it was a small price to pay to hear Peter laugh so hard. A 4-month accutane treatment to acne and taking your braces off could really make a person change enough. It was a glow up and Peter could really see it now. 

"Okay now that I've seen that, I actually do remember you! You're the girl that got hit in the head with a basketball while tying her shoes on the bench during gym! Somehow you fell back and got under the benches so I had to pull you out."

"Oh no" you whined, hiding your face in your hands to hide how hard you were blushing. And he was right, that really did happen once, and it was that moment that actually started your little crush on him. You were probably 14 when it happened. You fell under the bleachers and felt so embarrassed that you froze on the spot, feeling like crying. People came running towards you, Peter beating them to it, and pulled you out by the hand. He dusted your shirt off and asked if you were alright. To your teenage mind he came in like a knight in shining armor, and it made you fall for him, very hard. 

''Come on, it wasn't that bad!" he said between laughs, giving your phone back. 

"It was bad, like really bad. How can your only memory of me be my worst moment in high school?''

"If that's your worst moment, you were doing good."

You took a sip from your coffee, your finger tracing the rim of the paper cup once you placed it down on the table. You really were regretting not talking to him in school, he seemed like such a nice person, you would have been good friends. 

"Why did you decide to go to ESU? I thought you had plans to go to MIT with your friends."

"Oh, I didn't get in."

"Yeah, totally sounds believable, Peter Parker, the Stark intern, highest SAT score in our grade, didn't get into MIT" you said sarcastically, shaking your head at him. 

He sighed, looking down at his hands. His leg started bouncing under the table and he suddenly seemed tense. Now it really did feel believable, based on his reaction. 

"Sorry, I didn't mean to..."

"It's okay, honestly I was so sure I would get in too, but I don't think I ended up at a bad place"

"Obviously you didn't, I chose ESU, which makes it the best place ever. And now that I know you're here too, I get double confirmation for that." 

He laughed softly at your words.

------------------------------------------------------------------------------

A few weeks later you were actually glad to have to work in pairs in the lab because Peter asked you to be his partner. 

You arrived just before the class started, sitting down at the table and putting your protective goggles on. 

"Sorry" you said as you sat down next to him, taking the empty flask that was sitting in front of him and immediately starting to mix the things you managed to read on the board. 

Peter smiled at you as he watched you, doing his own thing which you didn't pay too much attention to. 

"Roommate problems again?" he asked. 

Being lab partners meant the two of you had to talk regularly, which led to getting closer. You didn't know many people there besides him and your nightmare of a roommate. 

"You have no idea." you sighed, dropping a few droplets into a test tube. The mixture inside started smoking up slightly, you swirled it around until it stopped, passing it to him so he could heat it up. 

"What did she do this time?"

"Locked me in and took both of the keys on her way out. I had to call her to come back and unlock, she was pissed."

"Still don't get how someone can be so rude to you for no reason."

"I don't think she hates me really, she hates the idea of me. Not every 3rd year student is keen on the idea of babysitting a freshmen, I totally get that."

Peter wrote something down in his notebook after the mixture started bubbling up. You looked at it, brows furrowing. 

"What's the temperature?"

"140 F" 

"Peter that's not supposed to happen" you said worried 

"Actually it is, you didn't have the time to read the board and put only half"

"Oh-"

He removed the test tube, letting it cool down.

"It's okay, we'll just multiply it by two."

"Sometimes I wonder what I would do if you weren't here."

"Probably blow up the place."

You rolled your eyes at him before the both of you laughed, continuing your work. You tried being more concentrated now, and for the most part it was working out. Until Peter would roll up his sleeves and expose his forearms. Or when he would take the goggles off to fix his hair. You tried staring as discreetly as possible, but he probably did notice it every time.

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That same night was your first ever frat party. You weren't really a fan of parties, the high school ones you went to were boring but you were hoping that college ones were going to live up to the hype everyone was giving them. Plus, you were trying to make amends with your roommate, and she wanted some alone time with her boyfriend back at your place. The idea of frat boys really turned you off, you had seen more than enough of them in class and around campus. 

The music was booming through the speakers as you entered the house, people were everywhere. You could barely squish through the crowd, it was barely 10 pm and people were already wasted. You really wanted to let loose that night too, so you made it over to the bar and took whatever drink was handed to you first. It was vodka. Tasted bitter and burned down your throat and stomach as you drank it. The stress from university and the complicated relationship with Ruth, your roommate, were really starting to get you. Add your unresolved feelings for Peter to the mix and you really do have a strong enough pressure to make you explode like a time bomb. So, you wanted to take some pressure off by drinking and dancing. No one knew you here anyway so it was relatively easy to just do whatever you wanted. 

Five shots of vodka were already in your system by the first hour. The dance floor was yours to take. A red plastic cup in your hand while you were swaying to the rhythm of the song playing, boys were coming from left and right to dance together. And you did dance with them, probably even made out with one or two as well. It continued for what felt like forever, until 2 am rolled around and you started feeling tired and wasted. And the alcohol in your blood was about to hit you in the worst way possible and make you overthink everything that was going on around you. At that point you were sat on a couch in the trashed living room and some dude was talking to you. His hand was on your knee. You were too preoccupied by your own thoughts to even listen to whatever he had to say.

------------------------------------------------------------------------------

Peter hid behind his apartment building on campus, looking around to make sure no one would see him as he took off the spider-man costume. Ever since he went back to no one knowing his identity, he had to sneak around. He couldn't risk any of his roommates seeing him accidentally so he took the costume off outside after patrol, shoved it in his backpack and walked in. If anyone was ever awake and asked where he was, he would say either the library or doing lab work with you. He really did use you as an excuse a lot to his roommates, which gave them all kinds of wrong ideas. He didn't share a bedroom with anyone, which made his life so much easier, but there was a whole other bedroom with two boys in it in his apartment. 

No one was awake when he walked in, throwing his bag on the floor next to his bed. He felt shattered. The whole studying and spider-man business was draining his batteries like never before. Peter lay down on the bed, too tired to even get out of his jeans. He was rapidly drifting into sleep when his phone started ringing. He groaned in annoyance, looking at the screen only to see it were from you. Peter quickly picked it up, any feeling of tiredness leaving his body when he heard you crying on the other side of the phone. 

"Hey, hey, what happened? Are you hurt? Where are you?" he asked, panicked. 

"Ruth locked me out again." you cried on the phone "She left her key in, she was with her boyfriend and they were probably doing the deed and locked themselves and fell asleep."

You babbled really fast, he was trying to understand what you were saying but it was muffled by soft sobs. And you didn't sound sober either. 

"Peter, you fix all of my lab mistakes, please fix this."

He wasn’t sure what to do, especially since he didn’t know where you lived exactly. There weren’t many opinions in this situation, he could either find you and kick the door down so you could get in your place or he could take you in his room and let you sleep there. 

“Can you tell me where you are?” 

“In front of my dorm?”

“I don’t know where that is, genius”

You continued sobbing at his words, which made him feel even worse. You were very vulnerable and probably scared and he was acting poorly. 

“Okay, okay, sorry, I didn't mean that. Tell me where your dorm is and I’ll come fix it, okay?”

“It’s the one next to the library” 

He hopped out of his bed, rushing towards the building. 

When he got there he saw you sitting on the steps, looking down at your feet. 

"Hey" he said, standing in front of you, his hands in his pockets as he watched you slowly look up to him. Your eyes were red from all the crying and your cheeks were still wet from the tears. Peter sat down next to you with a sigh, the second he did that he could tell you had been drinking. The smell of vodka and cigarettes were all over your clothes. 

"Hi" you muttered back after a while, not really sure what to say or do at this point. 

"So what happened?" he whispered to you, bumping his shoulder into yours

"I got locked out, again" you whispered back, looking at him. He was smiling, a warm, comforting smile that made you feel so incredibly guilty that you called him. 

It made you realize what time it actually was, and that you probably woke him up. It was the middle of the night, and you woke up the closest thing you had to a friend here to help you. You ruined his sleep so he could save you from something you could have probably figured out on your own if you weren’t drunk. 

"Come on" he said, getting up and reaching out his hand to help you up as well. ''Let's get you out of here" 

You took his hand, the tears were welling up in your eyes again as you looked at him. He seemed so tired, yet he came rushing to your rescue. 

He walked in his room, trying to be as quiet as possible. 

"Wow you have a double bed??" you said as you looked around his room.

"Oh, yeah" he said, blushing when he saw the state of it. He didn't really think about making the bed before he left and the bedding looked like scrambled eggs with all the pillows and blankets everywhere. Peter didn’t want to look messing in front of you but it was too late for that.

"Lucky duck" 

Peter was kind enough to take out some clothes for you to sleep in while you showered. It was a spare pair of pajama pants and an old star wars t-shirt. He looked away while you got dressed and helped you into bed after that. 

"I can't thank you enough for this."

"Oh, you can, you can do my calculus homework."

The both of you laughed after that. He grabbed a pillow and a blanket, with the intention of sleeping on the couch. 

"Where are you going?"

"To sleep?"

"Not here?"

"Well, no-.... I-.... Don't want to invade...."

"I feel bad enough about it as it is, please come sleep in your bed, it's big enough" you whined.

Peter stood at the door. He really didn't want to make you feel uncomfortable, or crush you while he slept but at that point he was so shattered that the bed seemed like the best thing that could happen to him. You got up and pulled him towards the bed, grabbing the pillow and blanket with your other hand and throwing them on.

Peter was asleep the second his head hit the pillow, and you followed a minute or two later. It didn't feel as weird to sleep in the same bed as the two of you had anticipated. Maybe the alcohol helped. You were pretty sure that it was, in fact, the alcohol that made you call him, the one that insisted on sharing the bed as well. Sober you would probably be a flustered mess just from the thought of being in Peter's bedroom alone. 

------------------------------------------------------------------------------

The second Ruth knew you had somewhere to sleep over, she took advantage of it. It was happening so often that you basically had a schedule when you would sleep over at Peter's. He didn't mind one bit because it was a reason to spend time with you. Plus, you did all your work for classes together, even in classes you or him weren't taking. So by the middle of the semester, you two were practically platonically dating. 

And it made you feel the worst and the best type of ways at the same time. You absolutely loved spending time with him and your feelings were only getting deeper and deeper with each day. Somehow, you still felt like you were taking away the college experience from him. He declined every party opportunity his roommates suggested, he rarely spoke to other girls and if he went out with friends from other classes, he would always make you tag along with them. Everyone thought that if you were not dating, then you were definitely hooking up, no matter how many times you denied it. Truth being told, it was actually kind of weird that you weren't doing either of those. And it got even weirder when someone else started expressing an interest in Peter.

Surprisingly enough, even to yourself, you actually liked going to parties. The alcohol helped you loosen up and talk and since Peter actually had other friends, now you knew some people here and there. You would always find someone to chat with at a party and you learned that socializing wasn't at all as scary as it seemed before. 

Tonight you found yourself at a random party in some basement of the dorm on the other side of campus. You knew that you'd be home late so the arrangements of staying over at Peter's were already made. As you were speaking to someone from your beginner-friendly biology class, a girl approached you. She was tall, way taller than you, had long dark hair and an amazing body. She grabbed your arm and said your name in a questioning tone. You nodded slightly taken aback from the interaction. 

"Can I borrow you for a second?" she asked, turning to the other person in an apologetic smile. 

"Sure."

She pulled you a bit away, still holding your arm right above the elbow. The whole thing was making you tense for some reason. 

"I'm sorry that I asked like this." she said, letting your arm go. "Actually, we've met before, I take calculus with Peter Parker, he brought you over at one of our group study sessions."

"Oh. Right." you did remember her now, but she looked slightly different with heavy makeup on. She definitely looked like one of the it girls on campus and you got the impression that she actually was. 

"So I wanted to ask if you and Peter were a thing?"

Once again you were stunned by a question from her. You looked around for some reason, she was making you feel uneasy. 

"Um, no, we're not."

"Great!" she said with a bright smile. "Do you think he'd be into me? He has this nerdy sex appeal, I actually really want to get with him."

You were blinking in disbelief towards her. This whole thing was really not making you feel well about your situation. She was gorgeous and she wanted to fuck your crush, it was going to end badly for you. You felt something like a ball in your throat that you knew even the gin couldn't wash down. 

"Well, good luck with that." you said, patted her shoulder and walked away before you started crying in front of her.

The whole situation really put you in a bad mood. There was nothing particularly wrong with it, but it managed to burst the bubble you were so peacefully living in. It got you wondering if Peter had his eyes on someone, if he was sleeping around with different girls, if he was going on dates. You kept imagining it, and drinking to try to stop, but nothing seemed to help. You couldn't spend every waking second with him to know, plus he never talked about girls with you. You didn't know who he was texting, or if he were going out with someone and not telling you. You were sure he wasn't because no girlfriend would ever feel okay with some random girl sleeping over as much as you did. Then again, he could be hooking up with someone, you were only sleeping over two or three times a week. 

You were so preoccupied by your worries that you almost didn't pick up your phone when Peter called. He said he finished whatever work he had to do and was going to come to the party and pick you up. It made you even more anxious. 

He walked through the door 15 minutes after the phone call. The whole thing was a sensory overload for him, the music was way too loud, the colors were too flashy, people were everywhere. He was constantly on edge because people were walking a little too close and his reflexes were being triggered. He hated parties. He hated the idea of you liking them even more. With the amount of time the two of you were spending together in the last few months, he grew very attached, he even developed a little crush of his own, but he was too terrified to admit that. Given his background and his secret, he wasn't too sure he wanted to put you through what MJ had gone through. He felt like it would be unfair to lie to you at the same time, it's not something you could hide from the person you're dating. 

People greeted him here and there, giving him brofists and handshakes. Peter really felt like a real frat boy, but he hated the experience. He froze in his tracks when he saw a girl that looked just like you making out with some dude. He could hear his heartbeat in his ears, his chest tightened and it felt like someone set his lungs on fire. You were wearing black skinny jeans and a black top, hair was tied in a bun and your tongue was in someone's mouth. Was that why you sounded so weird on the phone? Was that why you waited so long to pick up? Peter was too stunned to even move so he just stood there in shock for a few seconds. He felt a hand on his shoulder, which made him snap out of it, turning his head. He met your eyes when he looked down, giving you a confused look. His head turned back to the other you that was still exchanging saliva with a guy, then back to the actual you. He finally started breathing again. Your outfit was actually nothing like the girl's, you had a long-sleeved light blue dress on that had a v-cut. It made you look really desirable and the way the color mixed so well with the lighting in the room, you looked like you walked straight out of Peter's dreams. He was practically trying to take pictures of you with his eyes for later. 

"What?" you asked as you noticed his stare, looking at your dress for accidental spills or any signs of why he was looking at you like that. 

"Nothing, actually." he said, taking the cup you were holding and finishing whatever was in it. He didn't really care what was in, alcohol had little to no effect on him but he liked to pretend. 

------------------------------------------------------------------------------

You expected to go home shortly after Peter's arrival, but things didn't play out that way. The girl that talked to you about him earlier tonight saw the two of you and came over to chat. After 15 minutes of them talking and you awkwardly standing there, holding an empty cup in your hand, you were feeling more annoyed than ever. And pretty drunk too. You were already in a bad mood because of her, and when Peter suggested walking her to her dorm you just felt like crying. Your feet were killing you because of the heels you were wearing and you made sure to inform him but he seemed to have forgotten about that. 

And now, all three of you were walking around campus to get her safely to her room. You were giving them a side eye the whole time while she tried to scoot over closer to him. And when she said she was cold she could offer his flannel, you rolled your eyes so hard you got scared they'd get stuck and not come back. Unfortunately, they did come back and you had to witness him putting his shirt over her shoulders. Once at her dorm, she even had the audacity to kiss his cheek before walking in. It made him blush, and you, you were really about to throw up at that point. It felt like a very weird game of chess, and she had checked you in it. 

"Are you okay?" Peter asked when he saw how you looked. Gorgeous, he thought, but kind of pale and like you would collapse any second. 

"No" you said, your eyes meeting his. You could see the lipstick stain on his skin from the other girl and now you really did feel like throwing up. You were only 3 steps away from him and he made them so fast you felt like he teleported. 

"No, no, Peter, step away" you told him, your hand covering your mouth while you rushed to the nearest trash can and actually threw up. He rushed after you, holding your hair as you did. 

"You didn't look THAT drunk."  he said, patting your back while you were coughing. 

"This is so embarrassing" you cried softly, as if this night wasn't humiliating enough. 

"There, there, I hope you got it all out because I am not changing my sheets for the second time today." 

------------------------------------------------------------------------------

"I'm thinking about switching my field of studies." you said, looking at Peter. 

He took his glasses, looking at you in disbelief. He was sat at his desk, trying to solve a math problem while you were lying on his bed, playing on your phone. 

"Chemistry doesn't do it for you anymore?" he asked mockingly.

"No, I just hate spending so much time with you." you replied in the same tone, sticking your tongue out at him. 

It had been a week since the whole party thing. You didn't throw up at his place, but you did have the worst hangover of your life. Peter helped you through it, but didn't pass up an opportunity to make fun of you.

"Then why are you here? I'm sure there's a party somewhere on campus."

"Shut upppp" you groaned, throwing a pillow at him. He caught it mid air and put it on the back of his chair before turning to finish his work. 

It felt like it was too early to sleep but you didn't have anything better to do since Peter was so busy with math. You turned on your side, facing the wall, since you liked sleeping on the side next to the wall, and closed your eyes. You didn't know how long it had been but you were definitely asleep when you got woken up by a knock on the door. You looked up with confusion, half asleep when Peter gave you an apologetic smile and got up from his chair to check who it was. 

He assumed it was one of his roommates that either lost or forgot his key, but he was surprised to open the door to his calculous classmate. 

"Hey, Pete." She said "May I come in?"

"Sure-" he said, letting her in

The girl walked over to the couch and sat down. 

"Remember last week when you gave me this shirt?" 

"I do." he said, only now noticing what she was wearing. It was his flannel, with a belt around her waist.

"Well, I came to return it." she said, unbuttoning it and taking it off. She got up, only in her underwear and walked towards him, handing him the shirt.

Peter was so flustered that he had to stare at his feet the whole time. 

"I think you got the wrong idea here-" he started, squeezing the flannel in his hand.

"About what?" she asked, squatting down in front of him so he could see her, and, well, you know...

Just as he was about to move, the door of his bedroom flew open. You stood there, wearing his shirt as your pajamas, double taking on what you were seeing. You didn't think there would be anything serious happening, but the chatter was disturbing your sleeping attempts and you wanted to check what was going on. But now you were just frozen in your spot, staring at a half-naked girl that was on her knees in front of Peter. Both of their heads turned towards you, staring in the same amount of disbelief. It felt like your worst nightmares had turned into reality. Neither of you knew what to do or what to say and you just stood there in silence, the tension so heavy it could suffocate someone. 

"It's not what it looks like." Peter managed to say, holding eye contact with you. 

''I'm so sorry, I didn't know-'' she started, getting up from the floor. 

"I think I'll pretend I dreamt that and go back to sleep." you said, closing the door before anyone could do or say anything else. 

"Peter, I didn't know, she told me you two weren't a thing last week."

He handed her the shirt, not even bothering to look at her. 

"We're not. You can keep this, go home."

She walked to the door, stopping at it to look at his back. 

"I'm really sorry, if I can do anything, tell me." 

"Goodnight."

He knocked gently on the door before walking in. He saw you tucked in the bed, hugging one of the pillows. You weren't really sure what to feel right now and you were trying your best not to cry. It wasn't like the things between you had changed and you had no right to be upset over his personal affairs. Peter sat on the bed next to you, placing a hand on your shoulder. 

"I know you're not sleeping, can we talk about this?"

"Talk about what?"

"What happened back there."

"There is nothing to talk about."

"I don't want you to get the wrong idea."

You sat up, still hugging the pillow. You pressed the back against the wall, looking directly into his eyes.

"Why?"

"Why what?"

"Why don't you want me to get the wrong idea? Whatever that is supposed to mean."

He looked at his lap, unsure of what to say next. 

"Because I'm not that kind of guy."

"Peter, it's none of my business what you do for fun."

"For fun? You think I do this for fun?"

"You're not doing math for fun, that's for sure."

"Are you always a bitch or is it a defense mechanism?"

"You were the one who wanted me to ''not get the wrong idea'' and suddenly I turned into a bitch?"

"Okay, I overstepped on that one. Nothing happened there, I haven't talked to her or seen her since we left the party together and you threw up."

"Okay, for some reason I believe that, but why should it be concerning me?"

"Stop pretending."

"Excuse me?"

He didn't say anything after that, just pulled your arm so you could get closer to him and kissed you. It happened so fast you couldn't really process it. Once the shock was over, you kissed him back. You probably looked like a teen movie kissing scene, you on your knees and arms while he was sitting, one arm for support and the other one cupping your face as you kissed. 

"I should have done this way sooner." he said after you parted.

[dunmeshistash]

Why did Milsiril help with Mithrun's recovery?

Since people seemed to be interested in the post I made about why she adopted Kabru I wanted to write my thoughts about her helping Mithrun too.

I think with Mithrun it gets a little trickier tho, both because Mithrun himself doesn't speak much about his past and because most of it we get from a third party account. I'll also try to discuss based on what I see people say about their relationship although is probably gonna be shorter than Kabru's (came back to say it's not shorter), tw for self-harm because of Mithrun recovery drawings.

1 - So Mithrun could become a canary again

This is the theory I see the most often, probably it's whats on the main story, as far as I'm remembering there's no other mentions of Milsiril related to Mithrun besides the role she plays in sparing his life.

That story isn't reliable tho, Mithrun constantly points out that Kabru is glossing over details and Kabru himself is depicted as cooking (as the kids say) a good story that resonates with an audience.

So we can't really trust that this framing is objectively true

But even so taking just what happened, without the context Kabru added, what she did was spare his life once she realized he still had a hint of desire to exist within him.

Kabru lies (or rather embelishes a lot) when he says "and from that point onward, Mithrun lived only to slay demons. He ate even he had no desire to eat. He lived on even though he had no desire to live." he was useless for 20 years after this so 'saving him cause he will be useful later' isn't really too accurate. Milsiril also wasn't involved with his rehab until Utaya 18~19 years later so it definitely wasn't for this that she helped.

2 - So Mithrun could avenge Utaya by defeating the demon (She winded him up and set him on a path, you know, like a doll)

I think this one is kinda mean, I've seen people speak as if she only helped him after Utaya because she wanted to use him to defeat the demon. But there's no evidence Milsiril even cares about the demon or that she wants vengeance. My girl literally ran away and decided to look away instead of continuing to fight (and I can't blame her)

This, as far as I understand, is based both on the above section and on this part from her adventurer's bible extra

She shows up to visit him and brings up the demon, and then sets him up to go after it, but once again I think it relies on an unkind interpretation of her character; you gotta assume she has unseen ulterior motives already before the comic even starts, since this whole comic is talking about how she completely misinterpreted who Mithrun was when they were in the same squad, and how she feels he's actually someone she would get along with. If you know Milsiril, you know she only gets along with other misfits, she's acknowledging Mithrun as someone who was broken like her even before his desires were eaten.

This is the complete comic

"I always hated you. You were beautiful and perfect, and everybody loved you. You didn't seem to have a single worry or flaw.

But when I saw the dungeon you'd built, I was startled. It was such a warped, convoluted place built from inferiority, jealousy, lies and anger.

I wish I'd tried really talking to you. We might have hit off pretty well. Too late now, I guess"

She acknowledges him as a human being, when before she only saw him as the embodiment of the people that bullied her. And right after that she talks about the demon. There's no indication for a wish of vengeance anywhere in this comic, I'd even say the demon and the dungeons are barely important to what Milsiril is thinking, there's only belated compassion.

3 - Cause he was a new "project"

Related to the reasons pointed out in my Kabru post, people assume Milsiril is the type of person that wants/needs to feel superior to someone, or to put on an altruistic front or what have you. And that interpretation also leaks into how they see her helping Mithrun. I said the main reasons why I don't think she's that type of person on the other post so I wont repeat. But I don't think Mithrun is a "project" at all.

This was right after she fought on Utaya, I imagine a little after or a little before she took in Kabru, so she "had a project" already if you're gonna go with that wording. She was also finally free from the canaries and she had no obligation towards Mithrun. She also only went back to him decades after she spared his life, my assumption is that she did it because she finally could. She couldn't have guessed when she spared his life that 19 years later she would be free from the canaries and that Mithrun still wouldn't have been recovered and would have been needing her.

4 - And finally, why did she spare his life? Why did she help him recover?

This one isn't as straight foward as Kabru's adoption to me. I imagine the fact he had the potential to still be useful could be one of the reasons she spared Mithrun at first, but I also think that he newfound empathy she developed for him when she saw his dungeon might have been part of it, that seeing he still had some sort of drive and desire made her have hope he could still live.

Milsiril really seems like the type of person that likes to nurture, while I wouldn't say this makes her a "softie" and not able to execute him (I'm sure she could do a mercy kill) I think that soft side made her want to give him a chance. There's no proof for any of that ofc, and Kui confirmed in a QnA Mithrun wasn't arrested or executed because they were desperate for people to be in the canaries. (The choice probably wasn't only on her)

Now why she helped him? I think it's because she saw he could be helped.

She says herself she's only visiting, probably to check on him

"They said you've fully recovered but you might as well be a corpse." so by this point I think his body has recovered and he has managed to stabilize? But as this extra from the daydream hour shows he needed 24/7 care to stay alive in those first 18 years

Like she said he might as well be a corpse, he'd be in bed all day and have servants keeping him from dying, he would have fits where he would harm himself, he had no way to go on. It even says that even things that could remind him of his time as dungeon lord weren't allowed so he was probably being kept away from demon mentions (after all I doubt servants even knew about a demon)

But then when she mentions the demon he immediately gets up

She's surprised so I don't think she expected that, and she goes and uses that reaction to help him "Then first eat this. If you finish it all I'll take you to a dungeon again"

Rather than using him to fight the demon I think she's using the demon to help him live. Here's what his bio says

"After Mithrun was recused from the dungeon, he spent a while on the verge of death. However, with time and rehabilitation he gradually became able to lead a normal life again. The Utaya incident was the event that roused him. He thought, 'If I'd been there, I know I could have dealt with the demon somehow' and he resolved to return to active duty. (...)"

So it worked, Milsiril might have been there to help with his rehab but it was the Utaya situation that finally was able to motivate him to find a way to live and rejoin the canaries, so I think rather than setting him up to kill she realized it could be used to help him.

Which isn't a perfect solution, as you might know by the ending, his fate was to die either way: either he would die trying to kill the demon or he would defeat it and die because he had nothing else to live for.

But it was what Milsiril could do for him at that moment and it was how she managed to help him go forwards.

And that's my thoughts about Milsiril and Mithrun, I don't think they as big in each other's lives in canon as some people assume, there's barely a mention of Milsiril on his profile and she's barely named in his backstory. But they were both people that left a mark on each other's existence if only for a short time.

But I don't think Milsiril was just doing charity when helping Mithrun either, I imagine she did it because she saw herself in past Mithrun, and wanted to help him because of it.

Also side note, this extra:

That's past Mithrun saying she has ulterior motives, he isn't reliable and thinks badly of everyone. So ofc he thinks gloomy Milsiril is suspicious for helping, him doesn't mean it's true

Disclaimer again I'm a Milsiril stan so I'm very charitable in my interpretations of her, but hopefully you can see there's no indication she is someone who would use a sick person for revenge with the sources I've attached.