#i didn't even use it much at that time tbh

[lolxdswag123]

Just friends?

Percy Jackson x reader

Warnings: making out, I think that’s it tbh

——————————————————————————

My brain was fried. I had been working on homework and studying for hours all week. I had just about isolated myself in the library, and even managed to get on a first-name basis with the librarian.

I regretted my decision to take so many credits this semester, but I just got so excited when I got into New Rome University that I went a little overboard. The only person who was taking more classes than me was Annabeth- of course. She had spent some time with me in the library this week, but other than that I hadn't gotten any social interaction outside of my classes. I knew my best friend Percy was probably wondering where I was.

I submitted a paper that I didn't even have the energy to proofread. I just was hoping for the best at that point. Just as I clicked submit, I got a text notification on my computer. It was such a relief to be able to use normal technology at school. It was so hard in the mortal world to constantly explain why I couldn't have phone.

The text was from Percy.

Where have you been? Haven't seen you all week

I smiled, immediately pulling out my phone to text him back.

Library. So much work :(

I glanced over at the window, seeing that the sun had begun setting. I sighed, pulling out some of my notes to begin studying. I only got a few minutes in before my brain couldn’t take in any more, and I checked my phone once again. Percy had responded.

Got any free time tonight?

I rolled my eyes. ‘Only for you’ I thought, although I decided not to text it.

What do you have in mind?

After I sent that text, I tried my best to give my attention to my notes. Again, I failed. I wasn’t sure my brain could take in another ounce of information without giving up on me.

I slowly packed up my belongings, deciding it would be best for me to just go back to my dorm. When I exited the library, it was dark. I quickly walked back to my room. As soon as I got there, I dropped my backpack, changing into comfortable clothes. My phone buzzed again.

Want to come over?

I yawned, considering it, then deciding I didn’t have the energy to leave my dorm tonight.

Can you come here?

I hadn’t even finished putting my hair up when he responded.

On my way

I smiled, unlocking the door and turning on my tv before getting comfortable on my bed.

I was relieved to be seeing him again after my extremely long week. When we were growing up, we had gotten used to only seeing each other in the summer. At college however, we saw each other at least four times a week. Even when it’s doing small things— walking to class, going to the dining hall— we had really gotten used to eachother’s presence this year. It felt weird to go a week without seeing him.

I also was slightly relieved that it would just be the two of us tonight. I loved Annabeth so much, but I honestly didn’t have the social battery to interact with more than one person after my mental exhaustion. Plus, Annabeth would be doing homework all weekend anyways.

A few minutes after I’d gotten comfortable, I heard a knock on the door. “Come in!” I called.

A moment later, my best friend came walking through the door with a plastic bag and a cup carrier in his hand. I smiled, standing to close and lock the door behind him.

“Hey,” he said, setting the drinks on my desk.

“What’s this?” I asked, gesturing to the bag.

He shrugged, holding it up slightly, “I just assumed you’d be too busy to think about eating, so I picked up some take out for us.”

I beamed up at him, gratefully taking the bag and thanking him.

After being best friends with someone for almost ten years, you really get to learn how they work. Percy always was one that hit the nail on the head when it came to my habits. He was right, I probably would have forgotten about dinner if he hadn’t brought it.

He kicked his shoes off, jumping onto my bed and pointing to the drinks, “I also got some hot chocolate, I wasn’t sure if you wanted any, but I was stopping anyway.”

I nodded, smiling at him, “Thank you, Percy. You’re the best.”

We both sat on my bed, watching the new season of Outerbanks together as we ate our dinner. I tried my best to pay attention to the show, but I couldn’t stop myself from yawning and zoning out.

When we both finished our food, Percy stood, taking the trash from my bed and throwing it into my trash can. I yawned again.

“You okay? I can go if you want to just go to bed,” he said.

I shook my head, “I’m okay,” I said, patting the spot next to me, “stay a little.”

I knew that I needed sleep, but I missed his presence. It felt weird that this was the first time seeing him in days.

I layed down on my bed, getting comfortable and yawning again. Percy paused the show, taking his place next to me again and laying on his side to face me.

“My mom called today,” he said quietly.

“Yeah?” I said, “how is she doing?”

He chuckled, “she’s good, she said she’s happy you and Annabeth are here to ‘keep me in check’,” he said, using air quotes on the last bit.

I laughed, “seems like it’s the other way around right now, I wouldn’t have even remembered dinner if you didn’t bring it to me.”

He paused, rolling onto his back and fiddling with the edge of his sweatshirt sleeve. He didn’t say anything, and I could immediately tell that something was off.

“What’s up?” I said, still facing him. I found myself staring at his pretty face, and thinking about what Annabeth had been saying to me earlier that week. She always said that Percy and I should ‘stop pretending and just get together.’

It definitely wasn’t something that I could say I’ve never considered, I just couldn’t risk ruining the friendship. I’d seen several of my college friends lose their friends by taking it a step too far. I would never recover if I made things awkward between us.

He interrupted my thoughts, when he spoke again. “Paul and my mom asked about you.”

I smiled, moving slightly closer to him to get more comfortable, “Oh yeah? What did they say?”

He looked back down at his sleeve, fiddling with it again. He paused for another moment, before saying, “Just like— they keep asking about us…”

I hesitated, having an idea of what he meant, but I decided to push, “What do you mean?”

He sighed, tossing his arms down to his sides and staring back at the ceiling, “They like… make assumptions— just because we hangout so much.”

I nodded, deciding to question him further, “We hangout with Annabeth too most of the time.”

He glanced over at me, opening his mouth like he was about to say something, but turned back to the ceiling and began playing with his sleeve again.

I leaned forward to rest a hand on his arm, which he glanced at, before looking back at the ceiling.

I took a deep breath, realizing that he wasn’t going to speak up, so I did. “So they’re inquiring into the nature of our relationship?”

He snapped his head over to me, brows furrowing in confusion.

I laughed, “They are asking if we’re really just friends?”

He turned his head back to face the ceiling, “Ohhhh, yeah. Pretty much.”

I nodded, removing my hand from his arm and propping myself up slightly to get a better look at his face.

“And what did you say?” I asked.

He turned on his side, fully facing me now, and propped himself up on his arm so we were looking at eachother.

He breathed in, before saying, “I said I’m not really sure.”

I nodded, looking into his eyes and knowing where this conversation was leading. We’d been putting it off for years. It scared me. I didn’t want to ruin our friendship, but looking into his sea-green eyes I knew that I couldn’t keep pretending.

“You’re not really sure?” I asked, cocking my head slightly to the side.

“I mean…” he started, and I watched his eyes scan my face before continuing, “I don’t know. It felt weird not seeing you this week. Like… I missed you.”

I laughed at his awkwardness, but said, “I missed you too, Percy.”

I swore I could see his gaze flicker down to my lips for a millisecond, but I chose to ignore it. It made me feel tense and my heart started racing.

He sighed, nodding, but sounding confident when he said,“What should I say then, next time they ask?”

I could feel my face heat up. I can’t keep dodging this. I can’t avoid it forever.

“What do you want to say?” I asked, trying to stall so that I wouldn’t have to make any decisions.

He pursed his lips, but didn’t lose his confidence, “I think it’d be fair to say that we’re not really just friends. And that we should have had this conversation a while ago.”

I nodded. Of course he knew what I was thinking. How could he not? We know each other almost as well as we know ourselves.

I swallowed, and my voice came out as a whisper, “I think that’d be fair to say.”

He nodded, and his gaze flickered down to my lips again, only slightly more noticeably this time.

I cleared my throat, my heart racing, “So if not friends, then what?” I asked quietly.

He searched my face, and I could feel his breath now. I wasn’t sure when we had gotten so close, but we were really close.

It’s not that I had never kissed a guy, I had. They’d all just been with people I never really cared about. I knew somewhere deep down that I would never really like anyone else. He was always in the back of my mind. And now with his breath on my face, I was nervous. We’d never crossed the line in our friendship beyond the occasional cuddle, but even that was rare.

“What do you want us to be?” He flipped the question on me, and his lip quirked into a small grin.

I paused, not knowing what to say. I searched his face, eyes focusing on his lips for a second longer than they should’ve.

“Can I be honest?” I whispered, eyes falling to his lips again before meeting his eyes.

He nodded, his eyes falling to my lips too. I could hear his breath quicken as the distance between us seemed to shrink.

“I’ve known we should’ve had this conversation for a long time, but now that we’re having it I don’t really know what to say,” I said, and his gaze returned to my eyes, “I really care about you, Percy.”

He nodded, “I really care about you, too.”

We stared at eachother, neither of us knowing what to do. Neither of us had ever been in a real relationship before. It was new territory for both of us. But of course Percy always knows exactly what to say.

“Will you go out with me? Tomorrow night?” He asked, before quickly saying, “Unless you have too much work, I mean.”

I smiled, feeling a fluttery sensation in my stomach before saying, “I’d love to.”

He nodded, scooting closer to me, “Yeah?”

I nodded, biting my lip and smiling, “Yeah.”

Our faces were inches from each other now. I let my gaze fall to his lips, and his hand reached out to rest on my jaw.

Slowly, he finally leaned in. His lips touched mine, softly at first, like he was scared that if he moved too fast, he might break me. I let out a soft exhale through my mode, and he pulled me closer, deepening the kiss. I could feel his hand slide from my jaw to the back of my neck, his fingers tangling in my hair.

We pulled away for a moment, both of us breathing heavy, and looking deeply into eachothers eyes. We both had massive grins painted on our face. Without a second thought, our lips were on eachothers again.

The room suddenly felt hot. My hands made their way to his chest, feeling the rapid beat of his heart beneath my finger tips. All I can think is— why did we wait so long? I let my fingers curl in his shirt, bringing him closer, as the kiss quickly grows more urgent, more intense.

He held me tightly, like he was afraid I might slip away. I felt his hand slide down to my waist, pressing me against him. I let out a quiet gasp as he pulled me onto his lap, firmly guiding me until I straddled him. Nothing else mattered. Just him, our lips, the feeling of our bodies so close together after so many years.

His fingers hesitantly trailed up under my shirt, the touch sending shivers through me as he let his fingertips move along my bare skin. I could feel my breathing pick up, my hands sliding up to his shoulders. I found the courage to tug at the hem of his shirt, pulling it up. He pulled away, breaking the kiss just long enough to let me lift it over his head, revealing the warm skin beneath. My hands explored his chest, his shoulders, feeling every inch of him as he watched me with that soft, intense gaze, like he’s waiting for my every move.

He slowly pushed my shirt up, and I shakily lifted my arms, letting him slide it off. When it was off, we locked eyes, still smiling like idiots. His hands quickly found my waist again, his fingers splaying across my back as he pulled me close, his lips finding mine once more. I could feel the warmth of his skin against mine, the slight brush of his chest as I pressed myself against him, feeling his heart racing just as fast as mine.

He grabbed my hips, encouraging me to move back and forth. I gasped into the kiss, and began grinding with his grip. We moved together, the friction between us heavy, and I let out a quiet moan. I couldn’t believe we were really doing this. I felt him shiver at the sound, his breath catching as he presses his forehead to mine, pulling away from the kiss but not stopping his movements.

“Gods,” he whispered, his voice rough, barely more than a breath. “I’ve wanted us for so long.”

I could almost feel tears prickle in my eyes, as I breathlessly replied, “Me too.”

He leaned down, kissing my neck with an intensity that I never knew he was capable of. He nipped and kissed, only pausing to mumble, “Since we were 15.”

His confession sent a surge of warmth through me, my hands moving to explore his back, tracing the muscles there. The muscles that I was so familiar with. That I’d seen in battle countless times.

I felt him shudder, his grip on my waist tightening as he lifted his head from my neck, pressing me against him with a need that matched my own. I rolled my hips, feeling the heat build, and he let out a low, breathless groan, his fingers digging into my skin as he joined our lips together again.

Our kiss was electric, heavy, and full of everything we wanted to say and do to each other for years. I leaned into him, pressing my forehead to his, feeling the warmth of his skin. My eyes welled when he stopped moving our hips together, and I saw the soft, vulnerable smile that played at his lips as he whispered my name like a promise.

I whispered his back, feeling my heart fill with an affection that I’d been holding back all these years.

We stayed like that for a while, embracing each other with a few soft, stolen kisses every now and then. We whispered to each other about how happy we were, and he suggested a few dinner places for tomorrow night.

Eventually, we decided to lay down together, but when I finally got comfortable he sat up, saying it’s late and he should probably let me sleep.

I shook my head, rolling my eyes, “Stay, dummy.”

He smiled brightly, and layed back down, embracing me again. We fell asleep like that, only to be woken up the next morning by a knock on my door. I hadn’t been expecting anyone, but I nudged Percy awake.

We looked at each other, wide eyed, and scrambled to find our shirts and fix our appearances.

The knock came again.

“Just a second!” I called out, combing through my hair with my fingers as Percy carefully straightened out my blankets. He gave me a thumbs up when it looked satisfactory.

I nodded, turning to open the door. There stood Annabeth, open notebook in hand, not looking up yet but saying, “Gods, what took you so long?”

I looked at Percy for help, before hesitantly saying, “Sorry, my room was a mess.”

She furrowed her eyebrows, looking up suspiciously, when her eyes caught on Percy. She smirked, closing her book and looking between us.

She checked her watch with a knowing smirk, “Wow, Percy, what are you doing here so early?”

I could feel my face heat up, as Percy struggled to find his words.

“I- uhhh… yeah…” he so eloquently said.

Annabeth shook her head, smiling at us. “It’s about time. I’m going to the library, was just going to see if you wanted to come, but obviously you’re already occupied.” She said, turning and walking back down the hall.

I closed the door as she walked away, and Percy’s face was just as bright red as mine felt.

We stared at eachother for a moment, both of us unsure of what to do.

“Wanna get back in bed?” Percy asked, scratching the back of his neck.

I smiled, taking his hand and dragging him back up to my bed. “I’d love to.”

[royalberryriku]

Nope, more just hoping for any chaos in general to be helpful. Like, this wasn't a deep analysis or a concrete "I think this will ruin the military", in fact I didn't even mention it bc I didn't think it would be affected. However, I do think it'll help right wingers lose confidence.

As for revolution, it really depends on what theory (as in what specific type of revolution) is being referred to. I personally think a greater land back movement and stronger push for fighting for civil rights is on the horizon since a lot of people are, as you're saying, banding together. Meanwhile, I personally wouldn't agree with a Trotskyist revolution because I think that IS outdated and tbh never a good idea to begin with for a number of reasons (I have my own criticisms of the base theory but I won't get into that here lol).

I think it's important as well to note that I do very much agree with you, *but* it's also important to recognise you have to have enough love to fight for what's right and protect people you care about. I know that's obvious to say and probably something you already meant here, but I think it's applicable to resistance against systematic oppression in the sense of uprisings as well. Like I literally don't think the system used right now in the US is a sustainable one and tbh I personally see it as very totalitarian so I wouldn't put my energy waiting for it to be fixed from the inside.

Uh, basically, what I'm saying is actually more simplistic and not implying much beyond what I stated at face value; I think the failures to meet the expectations of right wingers (especially far right groups who have used Trump as a reason to become more active) will make them lose morale and slow down their ability to be as reactive in the long term, and potentially (though this is more just a hope than realistically what I think will happen) said failures making it difficult for governing bodies to remain as organised as, say, during a Biden administration because they'd be so focused on the mess Trump is causing due to his incompetence. Again, that's just a wistful hope, not so much a "I think this will definitely happen". I'm more focused on how continual failures will make him appear less of a figure for right wingers to follow and potentially lead to some advantages for activists to push the opposite.

But either way, yeah no, I agree that we should be all banding together. Been saying exactly that the whole time too.

He really talked Trump into naming it DOGE huh

[jazzyblusnowflake]

(If this was asked before, I swear to god.) FullCompany (NUziVJ) Headcannons?

aaaaaaaaa time to write once more- i missed being able to type away like the lil shit i am-

anyhow- okay lets see- gonna add some things here- tbh my ideas was mostly for Jenvy ideas mainly- but i guess ill fit Uzi in there lol

Some JeNVUzi HCs:

[once again- Drone au only, and maybe minor suggestive content but not nsfw]

The polycule is essentially formed around Uzi pulling them back together-

J's original reason for siding with Cyn which was rooted in fear- was on the basis that she still had her team on her side so she could keep them safe and so theyd have eachother to rely on even after Cyn destroys everything. she did not however, account for Uzi coming along and messing everything up and ruining her team's alignment while she was "dead".

the entire reason J tried to kill N or V at any time was cuz she knew a clone of them would be sent back anyway- she has basically become desensitized towards death in general given she had also died around 12 times herself [canon]- V and N try to help her through this- during which they also deal with Vs behavior and Ns trauma too.

to communicate with J they often had to spar with her- seeing as she hated talking about feelings- but this became their own thing they all did afterwards to unwind and communicate- as J opened up a lot easier after feeling like she was reached out to.

Uzi and J bond over anime and gaming- the latter being somewhere J could actually use her anger on more effectively XD

they all like reading books every now and then where one would read and the others snuggle or cuddle- they take turns. [this is from their manor days]

J is... unable to emote or show emotion easily and it eats her alive. she can't show the appropriate needed emotion to the mood of the room and it makes her have breakdowns- occasionally throw up- as though you are desperately trying to cry but the tears wont come so you try heaving it out- make yourself fit in and look normal by trying to FEEL something- but she cant. J is a dated business model drone- custom made for office work- she was made to be this way- Cyn didn't change her- and she grows to hate herself for it. so when a situation happens that she doesn't know how to react, she leaves or hides- until N,V or Uzi find her- usually disassociating or somewhat catatonic.

Uzi occasionally feels out of place with the group, as though she's just being a literal 4th wheel, since they have history together. the others try to show her that she is important to them each in their own ways-

addressing the elephant in the room- yes, it took a long time for N and J to come to terms with eachother- J eventually accepting that her original reason for hating N [him being better than her or preferred over her esp by Tessa] wasn't important anymore- and tries to appreciate him and V and Uzi more in whatever is left of her life.

make no mistake V and J are still very much bitchy on a surface level- just cuz they are all growing close does not mean they are all now lovey dovey with eachother or sweet and character-redemption-ed with everyone around them. therefore: "playful catfights" >:3 !

V and Uzi tease J alot- this is one of the reasons why J found more comfort with N- not gonna tell him to his face tho lol.

J teaches N to draw better and they bond over that alot-

Uzi and J like attention alot- and they wanna get it by being as wordless as possible- very cat coded.

Uzi, V and N like to drag J into doing more normal things that have less to do with work. so far J has mostly shown some interest in writing and maybe poetry but she WILL shoot your head off if you try to read her stuff-

J's first kiss was with Uzi- N and V having kissed once back at the manor being eachothers first kiss. J thinks V kisses the best tho lol.

N and V like to cuddle a lot- J and Uzi are usually dependent on mood-

V likes to bite- J likes to be bitten, N and Uzi like both- :3

J likes playing with N and Uzi's fluffy hair. V only lets N touch her hair.

during intimate cuddles- J has passed out the most lol. Uzi following a close second lol-

Uzi and J yap alot about tech work-

hmm this is all i can think about for NOW-

:"3

[wisteria-lodge]

do you think lucius only realize he don't want to be a death eater after voldemort was defeated in the 1st war or even during it?

speaking of what are your thoughts/hc on why narcissa didn't take the dark mark despite her sister and her husband doing it? tbh i always wondered how she could've avoided it? i mean she was part of it right, she was in the meetings too

I always thought it made sense that Draco was a difficult pregnancy.

I say that because Lucius and Narcissa seem like the sort of couple who would have loved more children. Narcissa was close with her sisters before things fell apart, and Lucius was an only child... but he's so social I think that must have been lonely for him. I think he would have loved it if Draco had a younger brother or sister. And the only barrier they'd be dealing with there would be a medical one, so.

(also, I love whenever the the Malfoys and the Weasleys are foils, and the idea of Draco and Ron being born at pretty much the same time - but Ron is one of many, a little neglected, mom is a little disappointed he's not a girl etc. while DRACO is so wanted and so special. That's good stuff.)

I also think that if the Malfoys were dealing with fertility issues, Narcissa suffering, maybe even having a miscarriage - that would have made early-twenties Lucius grow up REAL fast. Because yeah, I do think that when Draco was born - about a year before Voldemort's downfall - Lucius' priorities shifted completely, and he started looking for a way out.

And I say that because Lucius rode the wave of the first war really well, coming out with his money and prestige so intact, which would have taken some planning. Lucius is also one of very few Death Eaters who actually got off using the 'imperius curse' defense. (I think the only other one is Avery.) I like the idea that he did actually plan that. Like - okay. You could have someone you trust (Narcissa, maybe Severus) put the imperius curse on you for a couple months, and that way when you're asked "Were you directed to follow Voldemort's orders under the imperius curse," you can say yes, even if you're under Veritaserum.

(Nott senior also seems to have also come out of the first war basically unscathed, but he also seems much more cautious than Lucius. I'll bet he was very good at making sure that there was never much actual evidence against him. Crabbe and Goyle senior also seem to be doing fine, and I tend to think it's because Lucius got them out (possibly because their wives were close with Narcissa? All three women would have been pregnant at the same time.) Vincent Crabbe and Gregory Goyle are *quite* committed to keeping Draco Malfoy in one piece. I love Draco, but he does spend several books being a little shit with no ability to defend himself, so they do have their work cut out for them.

I also think a Narcissa who spent the first Voldemort war dealing with pregnancy-related health issues could explain why she doesn't have a Dark Mark, when honestly she really should. Her husband, sister, brother-in-law, underage cousin... they're all getting them. So why was Narcissa skipped (but still allowed to remain in good standing?) I think she she stayed out of the spotlight, using her delicate health as an excuse. And then the second war comes around and she... fades to the background again, makes herself useful, and hopes that the issue never comes up. I don't think she'd say no to a confundus, or even a memory charm if she were really put on the spot.

(but the real, Doylist reason Narcissa doesn't have a Dark Mark is because JKR has a very strong aversion to writing villainous mothers. See: the very odd framing of Merope Gaunt.)

[feligayzed]

YEAH IM HERE AGAIN ABOUT TO ASK ABOUT YOUR FUNNY FISH MAN AU YEAH THATS RIGHT

Okay okay, so we've seen you absolutely are a firm believer in Animal sounds and behaviors Sebastian right?

Now it makes me curious.. do you think some of these habits he ever accidentally carried over into being back to his mostly human daily life? Whether is be some sounds, old behavior he just didn't scrap, or otherwise; any of them that might've stuck with him?

🥹🥹🥹 I'M SHAKING I THOUGHT YOU'D NEVER ASK

Oh they absolutely do ∠( ᐛ 」∠)＿ very much so. Wayyy back I was supposed to draw up some scenarios about this specific thing in mind but uh. Oopsie *executive dysfunction blast*

Being a Creature for over a decade comes with its quirks, many of which are not easy to shake...not that he'd even care to try to, tbh. Old habits die hard and he's just tired, man, he couldn't be bothered to rein it in to appeal to the public anymore— this is as good as it's gonna get and if you have a problem you can take it up with the wall

That being said, let's talk about em!! The most obvious is his lil ear fin thingies; they still very much respond to emotion and he's actually become quite reliant on them for nonverbal communication. As a matter of fact, he didn't realize just HOW much he relied on it until after his big ole tail disappeared and he remembered rather quickly that humans have extremely limited variations of social cues (no this isn't an autism moment what pfft.....totally)

Smiling was also an adjustment he had to acclimate himself to. He couldn't recall when baring his teeth became a sign of aggression/fear to him, but the discomfort other (well-meaning) people brought him was realized very early on. On that note, he tends to get snarly when troubled or anxious, so. A good chunk of the time LOL. A small inconvenience happens and his lip is twitching

AS FOR NOISES his vocal chords were pretty much returned back to normal, so physically he isn't capable of a lot of the ones he used to be able to do, but that doesn't mean he won't give it his best shot. Unconsciously. He never tries to purposefully recreate any of the sounds because he just assumed they would make themselves known whether he liked it or not LMAO (it would be because. Embarrassing. But he bid farewell to his dignity a LONG time ago and now he's just resigned). Like if he stubbed his toe or some shit he would hiss from deep in his chest, and that's about the extent of his current range 😭 now me personally I like to think that he can purr still but it is a Deep Dark Secret the likes of which are career-ending

And now misc thangs 🕺

he was weird about food for quite a while, and it took a lot of work with Pai to get over it. This kinda looked like: refusing to eat anywhere other than his room, refusing to go out for dinner, staring long and hard at the raw meats section in the supermarket and consequently making the butcher uncomfortable. You get the idea

He'll instinctively reach for his non-existent lure when he enters a dark room, effectively grabbing at nothing

Avoided bodies of water at all costs for a hot minute. Took to washing his hair in the sink while he begrudgingly worked through some things with his lovely spouse whom he is so grateful for

His bed? Nest. Painter? Making it every morning without fail

He doesn't have to worry about shedding anymore but the Trauma of the experience was so great, he is thoroughly lotioned

[zhuoyichenpretty]

Ep 26 Commentary

Alrightyy I've mustered up what's left of my brain for a belated ep 26 commentary post. IRL responsibilities are getting a bit away from me so I wasn't able to spend as much time on this as usual; apologies if the haste shows through! Consider this more reaction than meta.

As always, spoilers under the cut:

A carry-over comment, but I really do appreciate the Li Lun/ZYC scene in ep 25 for how it solidified ZYC's resolve and reminded him of where his heart is, what he believes in, what he chooses to defend. Such a load-bearing and pivotal conversation for both characters in opposite directions of development. It also makes ZYC's return to the Bureau triumphant in a way, despite all the preceding trauma, despair, and hopelessness. WX embraces him in relief that he's safe and in comfort for what they've all just been through, and for us, it's doubly meaningful as a sort of homecoming after a confrontation that only we have witnessed. It's also interesting, the cutaway as they hug, the things we have been made privy to and the things that are kept private from us.

Ouuughh the lines voiced over as ZYZ and ZYC meet eyes for the first time since all that transpired in Tianxiang Pavilion. It gives such a deep sense of wordless understanding and intimacy. I'm reminded of when the show did that for Ranyi and Miss Qi's final lines.

As I mentioned previously, a lot of subtext became text in this episode, which was quite exciting (and also extremely adorable the way ZYC was like "I think I've said too much" /// afterwards). I didn't expect ZYC to convey his understanding of ZYZ to him so soon, but that really goes back to something I love about ZYC: that he doesn't really waste time expressing something once he's come to an emotional conclusion. Maybe there's something to be said there about how he knows, after the loss of his family, how important it is to say the words when you have them to the people in front of you while they're still here.

If ZYC's words and his tears offered to a catatonic ZYZ in ep 23 were an expression of star-crossed and conflicted love, this parallel scene is just an utterly unrestrained confession, the stars be damned.

Also, tbh I never found ZYC's reactions to ZYZ to be unfounded or unreasonable, even when misguided in the beginning (and necessarily so, given the narrative and premise) or at times harsh (which I also found much-needed for ZYZ to hear, and delivered with obvious sympathetic anguish). He was clearly reflecting and actively revising his own preconceived notions this entire time, feeling for ZYZ the whole way through, and I do think he's demonstrated realistically and impressively the full extent of empathy perhaps as far as it can possibly stretch without personally experiencing ZYZ's life himself and while still living and feeling for his own. But to see ZYC so ready to address his previous flaws, to admit them and correct them, to go beyond them and to reach out so plainly for ZYZ in front of him now that he has that personal experience—the relationship between them has transcended the initial set-up of two opposing characters meeting in the middle. The show has gone that extra step and made their perspectives one. And given that I didn't personally find that step to be narratively necessary, so to say, (as in, even without it there's not truly a narrative obstacle because I already believed ZYC loves ZYZ despite everything and we've already seen the lengths he'll go to not to kill ZYZ), it feels like a choice in every definition of the word. Like a development motivated by love all the way down.

WX gets the least traumatic cloak-draping scenes out of the three of them, thank god.

Oh shit I forgot about fixing the Wilderness I'm so glad they didn't lmao.

Ahhh the crossroads moment at a literal (kind of) crossroads right before entering the Bingyi Clan's forbidden area. ZYC suddenly wanting to go alone or back out, stuck weighing the danger to everyone's lives, who they can and can't save depending on his choices. It makes me think of what happens when we let intense love in and it comes with intense fear, makes us freeze up. Suddenly, the stakes are in sharp relief, and the courage to move forward isn't so simple anymore.

"修好了，你也別死" ("Once it's fixed, don't die either.") Head in hands. ZYC's voice here, his expression, that desperation. Yeah I think this episode was so draining because of how all pretense is being stripped away and all that's left is ZYC's profound love for everyone, so raw and vulnerable that it hurts to watch, especially knowing he won't have it easy trying to keep everyone alive.

Kind of love how freely ZYC cries and says the vulnerable things in front of all his loved ones. Like. That's truly his family, his people, his heart.

ZYZ please. Imagine ZYC's grief without you. Please just stay.

Yay 12 seconds of angst-free bickering right before (as someone else called it) the trolley problem

Ok so, I'm not sure how common this interpretation/reading of the following scene is, but it's been rattling around in my head for a while now so I'm just gonna include it here. If y'all disagree, pls disregard! Basically, when ZYC first turned to PSJ and thanked her, I was terrified for a moment that he would ask her to stay. Because on one hand, ZYC would never, but on the other hand, imo there's a lot of (I think deliberate) ambiguity baked into the scene. In ZYC turning to PSJ right after we're told "one of your friends or all three of them," in him starting the series of goodbyes with the character he has the least onscreen development with, in the finality of what he says to her but also the lack of clarity on just who this is final for, in PSJ's expression and WX's reaction, in the dramatic turning away at the end. Like, until he turns away from her, I think there's room for interpretation on what he's decided to do, and as someone who's grown quite surprisingly invested in the ZYC-PSJ dynamic, I'm kind of morbidly interested in this reading of events.

What might be going through PSJ's head at ZYC's words, if at this moment she hasn't yet realized his self-sacrificial intent? Does she think she's going to be asked to stay? Does she assess the situation, conclude that she's the person ZYC is least close to and perhaps the one least able to contribute in whatever comes next as the only human here, and begin resigning herself to this outcome? Are the tears in her eyes the sole indication of her conflicted unwillingness to die here that makes it through because as he's talking, she's evaluated that this is the best possible scenario for them all (esp for WX) and will commit herself to his decision even if it also breaks her heart to be chosen this way?

I may be taking this and running a bit far with it, but I just think the ambiguity of this one brief moment can create such angsty implications between the lines (as if we needed more angst...) and despite their scarce onscreen interactions, I'm kind of a sucker for the "extremely noble (to the point of tragedy) knight choosing to acknowledge and follow and dedicate their silent loyalty to a leader they deeply respect" dynamic, even if it is understated with all the other relationships going on in this show. Given how reticent PSJ is, it makes a meaningful impact on me every time she displays concern for ZYC, so you know it crushed me to watch her desperately and irrationally (the most pragmatic of them all!) try to shoot at him with her arrows while knowing there's no way it'd work. The way she was the first to act, the sound of nothing but the ice and the stretch of the bowstring. I really do love their platonic bond much more than I expected to.

Oof. The freezing. I don't want to sound like a broken record but I loved TJR's acting here because I think it's so easy for this scene to look awkward as he's stuck facing forward and pretending to freeze haha. His microexpressions as he realizes ZYZ is behind him, as he tries to chase him away with his words, as he's probably burning from the inside out with all that ice. That last tear as his gaze turns hollow. A+

I also love ZYZ's lines about not believing he can't overcome ZYC's powers like yeah this is a newborn demon with no inner core and ice powers that he taught him lmao

Okay, that's a wrap for my thoughts on this ep! I was originally going to include ep 27 reactions here too, but seeing as this is getting a little long, maybe I'll roll 27 into my thoughts on ep 28? We shall see!

[arrenkae]

The main problem with not importing previous choices into Veilguard is not even having no references specifically to our characters - it sucks, but I can deal with that. Technically, yes, it is perfectly plausible that they don't get brought up. It's been many years. Varric already told Rook everything about Hawke. Morrigan is a private person. That's fine. Leave their eventual fate to our headcanons.

The main problem is all the other events, *important* events that now can't be brought up and have to be side stepped around because there are too many variables that could be potentially changed by our choices. We are having a mega-blight! What could be a better time than to bring up the history of the fifth blight and how it ended? Just a few lines. Mention our Warden's origin, tell us how the history remembers them now. Honestly, this alone would be enough to make any Origins fan tear up a bit.

But nooope. We can't do that. Not when we don't even know the Warden's race, gender, whether they survived the archdemon or not. Come to think of it, wouldn't it be a BIG FUCKING DEAL if our Warden survived killing the archdemon? This story is recent and well-known enough, especially among the Grey Wardens. We are fighthing archdemons now. Morrigan WAS THERE. Surely SOMEONE would remember this and think about bringing this up? Right??

And we had so many characters "heading to Weisshaupt" in Inquisition and then... nothing. Yes, at this point both Loghain and Alistair could plausibly be dead already. But this means they didn't even have to bring them back! Just show us a small memorial as we're running through Weisshaupt. Give us a couple of lines about them being there. Show us our Warden's grave if they died against the archdemon. I saw so many people getting emotional over seeing the chalice from Ostagar - can you imagine how much of an impact *this* would make?

...tbh, I am fully convinced that SOMETHING happened in the development cycle that made importing more choices impossible, and then bioware had to work around that. I don't think that it was a deliberate writing choice, despite the weird excuses we saw from the writers. This created a lot more problems than it solved.

[seimsisk]

I should be inured to this stuff you know

when we started talking about biphobia, lesbians were so pissed. "you're just suffering lesbophobia", they said. "(and only when you're with a girl, otherwise you have straight privilege)", they added. and they concluded: "that term is homophobic"

(and even when they coined the term lesbophobia, they too heard "you're just suffering homophobia" from gay men)

when we started talking about exorsexism, binary trans people were furious. "that's just transphobia!" they said. "stop being a special snowflake, we have it much worse than you"

(even though, again, when they coined the term transphobia, they were told it was just homophobia with a hat)

when we coined the term "monosexual", both gay men and gay women were mad. "you're saying we're your oppressors?", they asked. "you're saying we're just as bad and privileged as straight people?"

we weren't. we didn't even say they were less oppressed than us. but that's what they heard either way. there was nothing we could do.

so now, when we're coining the term "transandrophobia", it's to be expected that trans women are pissed. that they say "it's just transphobia" and "oh you're saying we're your oppressors?!" and "you have male privilege" and "that term is transmisoginistic"

I bet the same thing happened when they coined the term transmisogyny tbh. I bet trans men said "that's just transphobia" and "you're lumping us with our oppressors". and they were wrong. every time, they were wrong.

I know people will be mad at this too, because they think whatever terms we use must fit into a simple, solid mathematical theory of axes of oppression.

when aspec people coined the term "aphobia", all the queer allos were furious at the thought that cisgender, hetero(sexual/romantic) people could suffer a specific discrimination because of their asexuality or aromanticism. they said, "you're cishet! who cares if you don't like sex! you have privilege over me! don't you know I'm oppressed for liking sex?" or, "you're cishet! it's your problem if you don't want romance, if you have straight sex that's all you need to oppress me!" (they also raged against people in their own communities: "how dare you call yourself a lesbian if you don't want to be in a sexual AND romantic relationship with a woman! that's lesbophobic!“ and so forth)

I should be used to this. this is expected. people will rage against this concept, maybe for years. there will be infighting. both sides will accuse the other of bigotry. some people will argue it's all lateral aggression, others will insist on hierarquization. each person will have a different definition, and many of those will be extremely narrow-minded definitions meant to make the concept sound absurd. it's how it always goes.

it's just so incredibly tiring every time.

[sydbarrettism]

having a fun first day on pinterest

[whiskey-tango-matcha]

not to brag, but my therapist told me today that i did incredible during our emdr session, which means i get an A for the day in therapy, something that is both normal to want and possible to achieve 🙂‍↕️😌

[girlthativealwaysbeen]

it's not sinking in that today might be the last day in my house and town for many months to come

[burning-academia-if]

Hi! What are the powers of each ro? what makes them "special" and mc?

I won't give a super detailed explanation since Rhea already went into all of it in Chapter 1 but a quick recap: You're either born with magic or you aren't.

If you are, you're a magician. There's three types; Soul magicians (magic comes from intentions/morals/beliefs, considered the most powerful, magic can have harmful effects on their body), Heart magicians (magic comes from emotions, less powerful, magic can visibly be seen in use), and Luck magicians (have magic in their veins but can't use it, since they still have magic the world seems to like them and 'lucky' things happen to them, hence the term).

BA has a pretty soft magic system, so you can theoretically do w/e you want with magic with certain limits. Soul magicians can't use magic at all if it goes against their beliefs + it can hurt their bodies. Heart magicians magic is as powerful as the emotions they're currently feeling. Heart magicians are also the only ones compatible with Death Creatures (ghosts, wraiths, poltergeists, etc), although that's pretty rare and no one knows why. With all that said:

Soul Magicians: Rook and Rhea

Heart Magicians: Beck and Lars

Luck Magician: Zoe

Not a magician: ??? and MC

Beck and Lars are both special because their magic is compatible with Death, but they're still Heart Magicians and so their magic is seen as weaker. Rook's magic...isn't strong, and Rhea's magic is average. ??? isn't a magician and can't use magic at all. What MC can do is up to you since there are a few options. You can find a magic item to use (making you a mage), you can get into necromancy, or you can pick the terrible decision to make a deal with something to use magic (making you a warlock). You can also not do any of that and remain without magic/death abilities. Each decision has their own unique consequences.

It should also be noted Death and Magic are opposites of each other, so necromancy isn't considered magic in this world. If anything, it's just blasphemy lol

[lightasthesun]

just wanted to thank everyone that's been encouraging me or offering some kind of support the last few times I talked about getting a cane... because I went and got one today and I didn't think it would make that much of a difference. I underestimated how much it would change for me.

So thank you <33

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)

[clumsycapitolunicorn]

it's been nearly 6 months since the ted lasso finale and im still pretty much:

[longagoitwastuesday]

So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙

Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!

About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.

The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.

Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.

But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.

For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.

Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.

Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.

You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.

Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.