#i didn’t want to make this too long

[dahyun]

i’m really sorry to post this, but i am struggling a lot right now and i could use some help. my job search has come to a standstill because i no longer have a reliable means of transportation. i have been using what little money i have left to help buy food for my family. i don’t know what i’m going to do once it’s all gone

any little amount will help immensely and if anyone can share this i would be extremely grateful!!!

(here is a pic of hazel as a token of apology lol)

[turtleblogatlast]

Headcanon that Leo really loved to give his family massages growing up. We know that he’s good at them from the episode “You Got Served” and we know he likes spas and relaxation and getting massages himself from when he tried to get these in “Bad Hair Day” and from when Donnie made a tennis ball massage machine in “Smart Lair.”

So I think it’d be cute to think that maybe one day Leo overheard Splinter complaining about a bad back and immediately Leo thinks back to a comic or movie or something he saw where a massage helped so he offers to give one and it actually ends up helping Splinter.

Then April swings by the Lair at a later time and mentions her back hurting because of her backpack from school and Leo’s all like “I gotcha!”

From there, he occasionally manages to convince Donnie to sit for one because Donnie’s shrimp posture does not help him any (Leo pokes fun at how sandpaper-y Donnie’s shell is despite knowing it’s always like that and Donnie smacks him for it.) Donnie usually prefers hand massages instead however as all his typing and inventing adds up over time, and shoulder massages too once he starts wearing his battle shells more. Leo also figures out how to give massages to Raph and Mikey’s shells as well, though it’s a struggle at first to not scratch his hands on Raph’s spikes.

I think since Leo has such bad luck with spas and the like, he tries giving himself massages (though it’s not as helpful.) Like, with how his abilities work his legs are probably always aching from his portal jumping and one foot landings, so maybe he branches past back massages out of a need to help his own aches too. (Though he really wants a shell massage himself, the same way he’d give them…the one time with Donnie’s tennis ball massage machine was but a short moment of what Leo’s been missing out on and what he’ll continue missing out on…)

I don’t know, I just think it’d be cute to think Leo could have honed his massaging skill this way in order to help out his family (and also partially because he wants a massage himself.)

[dreamyintersexouppy]

all the tme intersex people i used to know suddenly jumping on the newest transmisogynistic bandwagon and immediately spewing all the same “ur just overreacting, you call everything transmisogyny, stop being hysterical!!!” bullshit really puts into perspective how the intersex community on here gained any traction to begin with, y’all are not immune to pulling the same bullshit perisex people do and you’re calling the intersex transfems arguing against you perisex??? just to let afabs pretend to be us so you have that idealized quiet trans woman again, like i’m sorry but this is a strawman on par with “white trans woman” nothing has changed and at some point you need to realize that your conception of what these terms mean just doesn’t reflect their actual rhetorical use in real conversations about queerness

[paimonial-rage]

opposites - venti

[another random writing event] | requested by @yuriisclumsy

You were not like him. You did not float free upon the wind, nor did you dance lightly within a tune. You did not come and go with the seasons, nor did you remain right outside the grasp of others. You were a creature of the earth, and it was to the earth that you were bound. There you remained upon the dawn of a new year, and there you were when it would end.

It was a contract you made with Rex Lapis during a millenia’s past that married you to the land. You promised to protect the lands of the Bishui Plain from any enemies that would come its way. Even though the Archon War had reached its conclusion, there were still enemies and archaic filth lying about. You wished to protect the people from harm.

It was on the days quietest that something would pierce the silent of the night. To the east at the border where the lands of Liyue met the domain of the Anemo Archon would come, sometimes the sound of a flute. Other times a lyre. Then would ring a lovely voice so far and clear. Though you were content with your position as protector of the land, the melodies that’d come from there would call you in ways nothing else could.

When restraint could not control your curiosity any longer, you finally allowed yourself to go to the border. And there sitting at the edge of a cliff was a bard with an impish smile and eyes the color of emeralds. He greeted you as if he would any old friend, but you knew to keep your distance. You were not a fool, after all. The divinity that rolled off of him spoke to his identity.

Much to your surprise, he did not seem to mind your caution. Instead, with a twinkle in his eyes, he offered you a glass. Dandelion wine, he said it was. And when you refused him, he only laughed. You were on the job, after all. So he said he would dedicate to you a song instead. It was unlike anything you had ever heard before. You didn’t realize until long after you left that you were still humming it under your breath.

Unfortunately it would be a while before you heard it again. It shouldn’t have been surprising. As a being of the wind, he was not governed by the rising and setting of the sun. Sometimes you could hear him playing continuously for a week at a time while other times it was years since you heard him last.

Still, each time he came to play at the border, you allowed yourself to listen from afar. And during the times he’d manage to beckon you close, you would have conversations with the god of anemo. After offering you a glass of dandelion wine—to which you’d refuse—he’d speak of the comings and goings of his people. He’d play for you the songs they created. Then he’d ask you of yourself and the things you’d been up to.

If you had to be honest, you found yourself awkward around him. You weren’t a sociable person like he was. You didn’t smile, nor did you joke around. You were his opposite, really. But he didn’t mind. He filled in the gaps between your odd silences with ease, teasing you along the way. It caught you off guard at times how naturally he spoke to you. And how you found yourself treating him in return.

And that’s how it was until suddenly came a loud cry from the chasm to the west, and soon after, the sound of a dragon’s roar to the east. Chaos was breaking out all around you, but what could you do? You could not leave the lands you were tasked to protect. So there you stayed and there you remained.

You only heard about it through word of mouth after the fact, how monsters poured from the Chasm and how the Anemo Archon and the East Wind traded blows with a dragon of the Abyss. You heard much of what fared in Liyue, but not much of Mondstadt. Not that you were worried. Surely your companion at the border would tell you soon.

But it was quiet.

Silent.

No matter how long you waited, you no longer heard those lovely melodies anymore. Gone was the sound of the lyre, and void was the tune of the flute. It was only until fifty years after that you heard the god of wind entered a deep slumber after the cataclysm. Who knew how long it would be until you heard his melodies again?

It made you antsy in a way you never experienced before. In all your life, you never found yourself to be an interesting person. You weren’t curious. You rarely tried new things. And yet, the bard’s disappearance changed something within you. You spent so long keeping your distance that, for the first time, you wanted to learn.

It was one hundred years in that you finally decided to acquire dihua flute of your own and two hundred years until you got the hang of it. It was three hundred years that you decided to see why he enjoyed dandelion wine so much and four hundred years that you began to drink it regularly. By the five hundredth year, you’d find yourself at the border every now and again playing on your flute and sipping wine.

And when that person with the impish grin and eyes made of emeralds appeared before you for the first time in years, you could only smile back and offer him a glass of dandelion wine.

[gumy-shark]

Do you ever think about Mobs repressed anger. Do you ever think about his manga lines about just how badly Reigens lies fucked him up. Do you ever think about how he felt like nobody would actually come to help him, nobody would actually be there if he needed, nobody would actually be around him if it wasn't for the Mob persona. Do you ever think about how he felt like any good traits in him were a lie he made to be liked. Do you ever think about how he thinks the only way to be truly seen is to tear apart his life from the ground up so nobody will try to use him anymore. Do you ever think about Shigeo

”the only one who ever saved me was me” but angry! because he shouldn’t have had to save himself! (and also him Needing to shatter everyone’s perception of him in the most destructive way possible because if there’s even a chance that they genuinely liked him. that they would accept him even when he’s the monster he’s been afraid of his whole life. then everything he’s done and believed and every part of himself he’s suffocated to death- wasn’t necessary. if people other than tsubomi (or possibly ritsu as per the manga) can understand and accept him as he “truly is” then he could’ve been a Person this entire time!!)

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿���� some things can just stay on your chest 🙏

[meltedmush]

how long does it take you to draw your sketches/doodles? also do you have any tips to draw faster? 🙇‍♀️

I generally take 30 - 60 minutes a sketch,,,, but honestly really depends on how detailed it is.

Like a Chibi will be done in 20 - 25 minutes (Counting in the extra time I spend on minute details like a perfectionist 😭)

I for some reason really like spending egregious amounts of time on random objects too??? Unless it’s the in the background, I’ll spend 40 minutes refining it.

Random characters that are fully colored and rendered with take like 80 minutes.

The comics take usually take an hour or two per page. (If I decide to cross hatch it, my entire day will be gone with 4 pages… so I’ve been trying to find shortcuts. But not without sacrificing the quality for time lol)

I don’t think there’s any trick or magic to drawing faster. It’s really about weaponizing your artistic knowledge, and finding what’s comfortable or convenient for you!

There was a period of time where I would spend 11 or 12 hours on an illustration, and it wASS UGLYYYYY. (Some of these artworks are still available on my tumblr,,, but it’s SO LONG AGO, AND IT WAS MY 1ST OR 2ND YEAR GETTING INTO DIGITAL ART)

Overtime I learned what worked best for me, and practiced till I felt more comfortable with what I was drawing. Eventually I managed to shorten the time to 4 hours or less! Ambition was my biggest enemy but at the same time my biggest motivator. (And it still is LMFAO) 😭

EDIT (bit more to my way too long tangent): ALSO??? BRO DON’T BE AFRAID TO USE YOUR MESSY SKETCH AS LINEART OR DRAW ON TOP OF IT. I’VE DONE IT FOR YEARS NOW AND IT ADDS SUCH A GOOD EXTRA BIT OF TEXTURE,, AT THIS POINT I DON’T EVEN USE LINE-ART ANY MORE UNLESS IT’S A COMMISSION,, (IT’LL ADD LIKE AN 2-4 HOURS TO MY WORK)

[9ofspades]

It’s disability pride month, and if you are disabled in the U.S. from Long Covid I want you to know that you’re not alone, and you’re valid in whatever you feel. Whether that’s sorrow at your new problems or rage at society for failing you, you are valid, and it is truly messed up that society is continuing to fail you.

[marimbles]

i miss carpisuns sometimes </3

[supercalime]

No one asked but I have a take haha.

I have zero problem with buck and eddie being an item, the biggest problem I have is their stans acting the way they are now with the current storyline with tommy.

I mean, I hate to break it to the b*ddie st*ns but you can think your friends are hot and like, not want to pursue them, whether you realize you’re queer or not. The fans are undermining so much of the current storyline that it makes me sad.

Im as aroace as one can be, but also I have eyes lol. I see hot/attractive people, I of course can admit that they are hot/attractive. It doesn’t mean that I want to be with them specifically sexually or romantically.

Also, figuring out your sexuality is confusing and weird. I definitely thought I had a crush on a friend solely because they were a person I got along with and spent a lot of time with and thought that was what I was supposed to do (by the time I thought I was allo).

What I mean is that it’s not always black and white when it comes to what attraction is.

Another thing, and this is pure speculation on my part: the actors are VERY aware of b*ddie and know that it’s one of the biggest reasons people keep watching the show, so they might keep on stirring the pot a bit in the interviews because they know it can create enough buzz for the show to trend and make the network/producers/investors keep renewing it so they can keep their jobs for as long as possible.

Im not saying b*ddie fans are delusional or anything like that but I am really disappointed how many of them (or at least a loud minority) is treating the canon ship as if it’s a stepping stone for another that has yet to be fully confirmed on screen. Sure there are signs in retrospect, but like I said, you can think someone is attractive without wanting to be with them.

This whole thing of buck having always been in love with eddie irks me a bit as it falls in a trope I don’t personally like (someone sticking around because they are pining over their friend the whole time and the friendship is a stepping stone to romance). I mean, if b*ddie happens and it’s done well, I’m all for it. What I really don’t want to happen is the trope I mentioned above. If it’s meant to happen, the best way in my opinion is for the two guys to develop those feelings with time, not it being a realization that they were in love the whole time. Heck, there are dcoms that did friends to lovers quite decently in the past and it wasn’t a “it has always been youuu” situation.

In conclusion, the only thing we gotta take is what is confirmed on screen, in canon. If we are supposed to listen to anyone talking about ships and storyline is Tim Menear and the other writers. And what has been confirmed so far by Tim is that Buck was jealous of Eddie being with Tommy because he was attracted to Tommy without realizing it. In canon so far, that’s what is happening and you have to accept that. The story is about Buck coming to terms with his bisexuality and him and Tommy being in a romantic relationship.

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[only-god-canstopme]

aaron forgiving andrew for killing tilda when he has children of his own because he thinks that if she were around he never would’ve let her meet them.

(and if he didn’t want his children near her, or any children near her, that means that he, as a child, should’ve never been near her. and he gets what andrew did bc he would kill to keep these children safe too.)

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.

[hplonesomeart]

Hey!! So turns out a video I made between a certain “well beloved but highly sensitive/emotionally reactive T.V” and an “orange haired inkling-turned-human” has managed to sweep my YouTube channel and accumulate 100k VIEWS!! THAT’S A LOT OF PEOPLE ACTUALLY?? My most widely viewed video EVER to exist in this moment in time?? AAAAA?? Not even mentioning the various comments and staggering increase in subs! It’s so much more then what I expected or even prepared for—might even be the most impactful thing to happen for me this year <3

…aside from graduating high school + the social connections I’ve been fortunate to make lol

BUT THE POINT IS I’d been closely monitoring the YouTube growth through the entirety of October. It’s make me smile like a dork, gawk in astonishment, dance frantically in my room from the energy boosts, and grow courage to stop being so selective/self-conscious with what I wish to share with the world! It’s kept my ambitions going!

I needed to find some way to celebrate the occasion and express my thanks—because I can’t NOT acknowledge this milestone jksjskp. Typically I try to avoid getting tunnel visioned focusing on the metrics/numbers. Mr. Puzzles had already demonstrated how much those things can mess with the minds of creatives. Caring too much about chasing views or placing your artistic value in attention seeking gets damaging. But at same time…it’s hard to deny the sense of pride the 100k achievement has filled me with. I understand that reaching 100k views doesn’t immediately make me any “better” or “worse” then I was before. I’m still just me! It only helps me feel seen by others—and that’s all I really needed. To hear some nice words & receive reminders that my ideas are cared about. So thank you SMG4 fandom for that, seriously thank you.

Please accept this Mr. Puzzle drawing as a way of sharing the happiness around. He’s so entertaining. Love him for simply existing. So glad we can all collectively be super attached to him (and the rest of the SMG4 cast of course). Can’t wait to see more incredible artworks from the fandom :)

Just incase anyone is confused by my vague description over which “animated video” I’m referring to here—hopefully this photo will help clarify lol. It’s this one!! Sorry about not outright stating the title at the start, I got carried away with writing!!

I’ve been in an odd place mentally when thinking about it. Wondering to myself if any of the attention is deserved considering it’s not even fully colored and could be dismissed as “low effort” content (despite taking several days making it). It’s easy to get into a trap of comparing yourself to others and questioning how much of the videos success is based on your skills, sheer algorithm luck, or only because you used popular characters and catered to a specific fandom. And then judging yourself by looking at other peoples videos. I’ve seen several artists post higher quality works then my own but it somehow gets less views. So why did mine succeed when others (who should have gotten just as much attention if not more) didn’t? Sometimes you feel like you’ve unfairly robbed them of that chance to be seen. However I’ve realized that I can’t ever expect views to be consistent—and comparing is pointless. So why worry about it or feel inadequate? I mean it’s pretty common for funny cat videos to go viral, so who am I to question the system lol. “Popular” YouTube videos can range from a passion project which took 7+ artists…to a clip of Toad singing Chandelier or a nonsensical Vine sketch. Anything can happen when it’s the internet! And just-so-happened my video was chosen. I should stay glad about that and get rid of all the overanalyzing. So that’s what I’ve chosen to do :)

[stuckinapril]

So true what you said about letting people go. I got dropped by a friend group when I was in a depressive episode and then emberassed myself by going to each and every one of those people to try and 'talk things out' when one of them literally told me 'I honestly just forgot you existed'. Relationships are a two way street, don't let abandonment issues get in the way of letting them go when they turn into a one way

omg anon I am SO sorry….. that’s such a fucked up thing for someone to say

[sableeira]

always wanted to arrange my artworks in a gradient and since I started drawing again over a year ago, I was finally able to put this together 🫶