#i didn’t have to make it so tragic but I DID

[eerna]

Also what’s weird about arcanes writing this season is that it made no sense. It literally wrote misery for the sake of misery (killing isha for example just to make jinx suicidal) yet kept its happier tone shift? So many negative developments were framed as positive and not a tragedy, which I wouldn’t have liked it more if it Was framed as tragic bc again it felt like they were writing misery porn atp, but at least the tone would’ve been consistent. Like they abandoned the fact it had a tragic tone but still ended it on a tragic note except it’s not framed that way. SO WEIRD.

Also the amount of parallels and full circle moments that just didn’t make sense. They really thought if they wrote parallels or full circle moments it’s somehow makes it good writing without putting any thought into if doing so makes any sense (like the caitvi jail scene or ambessa invoking the wolf flashback and then calling Mel a wolf meant to be positive💀) But we are supposed to be happy bc ummm all the popular ships are canon I guess.

Also, on a sillier note, I couldn’t stop thinking about that arcane tweet about the music being too on the nose shdjajfbksfn it took me out so many scenes, especially the bad ones like caitvi sex scene and jinx “death.” I did like the music this arc, there were some really good ones, but every time I thought a scene was already bad a song would come on and narrate it to me and it would kill me.

YEAHHHHHH it is very tonally inconsistent and the parallels for the sake of parallels are super obvious.... The song part is so true fbdjsafk. I think hearing a basic sex pop song in the sex scene snapped something within me (IT EVEN MENTIONED AMERICA JUST LIKE EVERY OTHER BASIC SEX POP SONG). My personal favorite was Jinx' suicide song just saying she wants to die over and over again, and then when Vi is holding her dangling over an abyss, the song said "LET ME GO LET ME GO" as if it's some kind of a full circle moment that everything has been leading up to and I just started laughing honestly

[try-set-me-on-fire]

requesting hand kisses for all my life there you go if ur still taking :) that's one of my favourite ongoing fics in the whole fandom! every time u update I smile so big. - @team-118

@chaosandwolves also requested this one! Thank you so much omg 😳😳😳 Uhhhh sorry this is kind of stream of consciousness half tragic 8x08 reaction…. They’ll kiss for real eventually Eddie’s just going through it. On ao3!

“I don’t know,” Eddie says, backlit by the sun coming in through the window over the sink. Wrong sink, wrong window, so many many miles away from anything Buck knows as home, but also- maybe they’d fit into any kitchen like this. Eddie at the sink by the window, Buck at the table. So we just never leave the kitchen, Buck thinks. They never go back into the wrong living room of this tiny apartment 15 minutes from Christopher and 12 hours from Los Angeles. They never leave because Buck doesn’t know how to exist outside of this context, Eddie at the sink and Buck at the table. They just stay right here. They move kitchen to kitchen, it’ll all be okay.

“I don’t know,” Eddie says again. He looks tired. It’s January. He left before Thanksgiving and Buck couldn’t eat anything the whole day, pushed around turkey and mashed potatoes he helped Bobby make on the nice dishes Maddie got down from storage. It’s January but it's Texas, and it can get cold sometimes but it isn’t right now, so he’s in shorts and a worn out t-shirt, holes in the collar. His arms are crossed. Holding himself together. Buck knows the feeling.

“Buck,” Eddie says, stunned, broken open, dripping with guilt. “I didn’t know it would feel like this.” One hand wanders out from the knot he’s tied himself in and then quickly tangles itself back up again. “I don’t… know-” he laughs, this is stunned too. “You were there- you were always just there. I didn’t need to ask- there was nothing to ask. It’s just the way it was.” He looks up, guilty guilty. “I didn’t know it would feel like this. Leaving you.” All the air sighs out of Buck’s lungs, and he doesn’t know what to say. It’s never been hard to talk to Eddie, who’s always waited out his stumbled words and winding sentences easily and without judgment, but the only thing he has to say now is: I did. You were looking at homes and you said they’re in El Paso and I knew exactly what it would feel like for you to rip yourself out of me. I forgive you for not knowing — I didn’t understand either, until that moment — but I did know.

“And now I- Buck, I don’t want to live like that- like this- I don’t want a life without you in it. A-and I don’t know what that looks like.” Eddie’s face is helpless, begging. “I know you- I don’t know that I-” one hand reaches again, pulls back again. “You like men and I- I don’t know that I-” a furrow between his brows and he looks as scared as he only ever was telling Buck about people who died in a helicopter crash years after it went down. “I’d try. To be that for you. To- to do that with you. I’ll- we can-”

“Eddie,” Buck says.

“Can’t I just want to hold you?” Eddie demands it. “Can’t I- can’t you sleep next to me? Can’t I take care of you?” He looks near angry. “What do you- I don’t need anything else. I don’t need anything else. Just- can’t I have you?” Buck thinks it’s probably unnecessary to say you already do. In any way. Held and slept beside and cared for. What else is there? He’d live off far less.

“I’d marry you,” Eddie says. “I’ll marry you. You can- if you need- there can be other people but you can come home to me. I’ll- Chris- it’s getting better. We’ll come home soon, we’ll move home soon, and- and we’ll work together again and you come home to me-” hands uncrossed, hovering, shaking. “You can do anything, you can see other people, just- come home to me.”

“There’s only you,” Buck whispers.

“Buck,” Eddie says, a cry. He comes closer. “Please.” When his hands touch Buck’s face, warm, he almost flinches. It’s just that they’re so real, solid, impossible to dismiss as imagination or hallucination or dream or wishful thinking. Eddie’s hands, on his face, scratching into his hair, scrabbling over his back as the man collapses onto him smelling like deodorant and coffee and sweat, t-shirt cotton soft over the fat and muscle that presses into Buck’s face. Buck’s arms drift up to hold him back. This is a new place Buck could learn the context for. Kitchen sink and table, held in Eddie’s arms. The only two places in the world that make any goddamn sense. Eddie’s curled over him, a shelter, his body a home. But Buck already knew that, too.

“Sorry,” Eddie croaks. “I’m sorry. I’m sorry I left, I’m sorry I’m like this.” Buck holds tighter so Eddie doesn't shake so much. “I’m sorry I didn’t know. I’m sorry I left you. I’m sorry you- I’m sorry I hurt you. God- Buck, it hurts, I’m so sorry, I’m so sorry-” Buck shakes his head, face dragging across Eddie’s chest. He could fall asleep here. Rest until they go meet Christopher this afternoon. Rest until he has to get up at 4 to get to the airport and catch the red-eye and tear himself in two again. Visiting was a bad idea, maybe. He’s not sure he can survive that a second time. But Eddie said soon, he said he’ll come home soon, he and Chris. Buck and Eddie and Chris, who all come home at the end of the day, kitchen table kitchen sink Eddie’s arms sleeping and cared for.

“I love you,” Buck says. Why not. Why not.

“Buck,” a gasp, though surely Eddie can’t be surprised. He pulls back, face red and wet. His hands slide across Buck’s shoulders, down his arms, pull Buck’s hands up and press his knuckles to his mouth. Closes his eyes. Buck feels warm puffs of air against his fingers. Two lungs messy breathing loud in the small room. “Buck,” he says, and Buck knows what he means, knows the reply for what it is. He was wrong, the flight will be easy. The wait will be easy.

Eddie opens his eyes.

[maxdibert]

“Sirius killed people-“ so did Snape, supposedly loved Lily but betrayed her location to Voldemort because he was jealous of James actually winning her heart, not to mention convincing Harry the abuse was his fault, nearly giving Neville PTSD to the point where his boggart was Severus Snape himself, being a racist pos to anyone born of muggle parents, and becoming a high ranking member of the death eaters so what? He could protect Harry?

“It’s easier to cry in a Ferrari-“

it’s easier to defend a terrible character and play the racism and eat the rich card when you can’t understand context and inference clues that JK Rowling laid out.

What’s easy is inventing canon. What a load of made-up nonsense, mate.

1. Learn to read. I didn’t say Sirius killed anyone, but he did attempt murder. And he did it because he thought it was funny to torture Severus.

2. There’s no evidence that Severus killed anyone before Dumbledore asked him for euthanasia. This is made quite clear when Dumbledore talks about his concern for Draco’s soul, and Severus immediately questions him about his own soul. If Severus is so worried about it, it’s implied he hadn’t killed anyone before—or at least not in cold blood.

3. Have you even read the books? The only person who knew the Potters’ location was Peter. He’s the one who betrayed them.

4. There’s no evidence he was a racist. First off, equating racism with the concept of blood purity not only trivializes a serious social issue but also makes it clear that some of you have no idea what racism is or its history. The discriminatory dynamics and their foundations are completely different. But anyway, putting that aside, there’s no evidence whatsoever that Severus discriminated against Muggle-borns. The only time he makes a comment is during the incident with Lily—which, conveniently, happens when James and Sirius are sexually assaulting him, and Lily seems to smile at James. I don’t think you can judge someone’s ideology based on a comment made in an extremely tense moment. Canonically, Severus doesn’t treat Muggle-born students worse in class or make comments about their heritage. Nor does he badmouth Muggles. At most, he makes condescending remarks—which, let’s be real, all the characters do, even the “good ones,” because they’re ridiculously patronizing toward Muggles.

5. Severus was literally a double agent and reached the highest ranks of the Death Eaters to, yes, protect Harry. That’s literally why. He’s following Dumbledore’s orders. Like, have you read the books, or are you just pulling this stuff from fanfics? 99% of what you’ve said so far is pure fantasy, mate.

6. Yes, love, it’s actually pretty easy for me to defend people whose actions are a direct consequence of their life circumstances, and whose poor decisions were directly influenced by a lack of opportunities, security, and the violence of their environment. In fact, that’s literally my job. That’s what I do for a living.

Look, I don’t give a damn if you’re a Sirius fangirl. You can love a character while admitting he was a massive piece of crap. I love The Penguin, and there’s no way to justify him at all. Like, it’s fine, you know? You also have every right to feel sorry for him—I’m not going to judge you for that or anything. I’m not invalidating other people’s feelings if they think Sirius’s life was super tragic and feel a lot of compassion for him. Everyone has their own feelings and points of empathy. But that’s not the case for me. I don’t feel sorry for him. There’s no excuse for being an abusive bully with sociopathic tendencies toward someone who was canonically in a position of social and economic disadvantage. If Severus had come from a good family, with money and power—or if Sirius had been someone without a name, wealth, or status—then I’d view the situation differently because they would have been on equal footing. But just like the Black family chose Muggle-borns to torture because they knew they could, Sirius chose Severus because he knew he could. He’s a hypocrite and a piece of garbage. At least Bellatrix admitted her tendencies.

[silcobrainrot]

***SPOILERS FOR THE FINALE DO NOT READ UNTIL YOUVE WATCHED***

I know TBSkyen has told us to sit with it for a while before deciding how we feel about the ending but I’m sorry I don’t think any amount of sitting with it is going to make me okay with them killing Jinx. The way she died wasn’t satisfying, the sacrifice meant almost nothing, and all the effort of those around her to keep her alive ended up going nowhere. Isha ends up being completely pointless because she’s only a plot device not a proper character and Jinx dies anyway. I don’t see how this was a satisfying conclusion to her narrative arc and character arc, I just don’t. Any supplemental material that makes it so she’s still alive in the games doesn’t matter to me because in the Arcane canon she is dead. To anyone not playing the games she is dead.

It’s making it hard for me to even want to rewatch it or enjoy what else was there because I’m just. I’m so goddamn fucking tired of seeing mentally ill characters have to die to lift the burden of their existence from others. Vi was so well adjusted and happy after. No mourning. No funeral/end of life rights. Her death was sudden and contrived just for some extra shock value. It didn’t feel like a tragic death, like out of a tragedy, bc this season wasn’t structured like a tragedy the way the first season felt. Her death didn’t feel inevitable and I’m furious because out of everyone. Out of EVERYONE. She deserved to live through this. She deserved to come out the other side of all her pain and suffering. She deserved to walk away from it all. But she didn’t. Because Borderlines are evil people and people with DID are evil and the only way they can redeem themselves is to die. The only happy ending is with them dead. The other two characters who showed suicidal ideation are also functionally dead. Whether or not they’re literally dead, the story’s over, they’re as good as dead.

Dont even get me started on how in her last moments she doesn’t see Isha or Silco (the two characters we SEE HER have a genuine familial bond with), only Vander (whom she has two sequences with in s1, the longer of which had no dialogue and was still less than a minute). She burned down The Last Drop—which she associated with Silco more than Vander now—to break the cycle of violence by killing the last connection to her past, she’s finally free, and then she fucking. Dies. Anyway.

God I want to enjoy what we did get but I just. I’m so tired of the end of my story always being that I have to die so other people can live.

[tumb1rprincess]

I know I’ve posted before about Curly and Anya’s relationship being my favorite in Mouthwashing, but I think I’m really starting to fall down the shipping rabbit hole with these two. I know some people don’t like shipping in Mouthwashing, or even this ship specifically, and I get that. But the dynamic between these two has been rotating in my head for a while now and I wanted to blab about it.

The tragedy of shipping these two is what really grabs me. Like, in an alternate universe where Jimmy wasn’t on the ship or where Curly made better choices, these two could have had something going. Maybe they had feelings for each other that were starting to show, but they hadn’t made a move yet. Or maybe they were waiting for the voyage to be done before they did anything. But unfortunately, they’ll never get to act on those feelings thanks to Jimmy hurting Anya and then Curly failing her. Any possibility of romance was taken away from them.

It makes any events post-crash more tragic viewing them through a romantic lens, for me at least. Curly has to live with the guilt of failing to help someone he cared about, and now he can’t protect her from Jimmy. Anya probably can’t help but think “I told you so” when it comes to Curly, but she doesn’t want him to die and doesn’t want to believe that he’s a monster for crashing the ship. She hates that she has to hurt him to get him to swallow the pain pills. And even at the end of it all, when she decided she was going to kill herself, she chose to die by Curly’s side. I know that she probably would have chosen the medical room anyway since it was the only place besides the cockpit that had a lock, but she probably wanted to offer Curly the same way out she was going. And when she decided to overdose, she didn’t want to die alone.

On the brighter side, I do love AU’s that have Anya survive and she and Curly both have to recover from the events of the game. They not only have the struggle of dealing with their trauma, but their relationship is broken by what happened. Curly knows there’s no way to make up for what he did and Anya would probably have trouble trusting him again. But they might rekindle what they had as they heal, as they both deal with everything Jimmy did to them. The two of them are the only ones who understand the horrible things they had to go through and that makes them the only ones that can comfort each other when that trauma rears it’s ugly head.

[adultemophase]

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

[flower-boi16]

The main reason I don't like the Pentious backstory leak is because it's very heavily implied it's Jack the Ripper, aka, a REAL killer who actually murdered real women, and Viv decided to use such a tragic thing for "her character's sad backstory 🥺"

After she apparently claimed it'd be distasteful to include the Titanic in Baxter's backstory.

She easily could've done a fictional killer, and I hope it turns out it actually isn't Jack the Ripper, but I don't have high hopes... especially with the Jeffery Dahmer stuff from the pilot

Also, the backstory is kinda confusing with how he went from being so heartbroken and regretful about letting these women die just to go haywire in Hell, wanting to take over it, cause turf wars, or whatever

It definitely seems very hypocritical for Viv to make that kind of decision in her writing after saying that. You also do raise a good point about how we’re missing some of the pieces here, though maybe it could be explained once the season comes out but I don’t think it will.

It really feels like the backstory was made after Pentious’s creation, and it was then just slapped on there to give him some kind of depth (which fails due to it coming after his sacrifice), making this another example of how poorly structured Viv’s shows are. Not to mention it ends up feeling like a retcon because like you said, this doesn’t line up properly with what we were shown of his character before.

Pentious as a character is even representative of most of Hazbin’s problems when it comes to its characters; the “growth” is mostly off-screen, we don’t see him developing any real relationships with the characters especially Cherri who he has a rushed romance with for SOME REASON even though the pilot explicitly showed them being enemies, so, where the fuck did this come from???

All of this makes Pentious’s sacrifice completely and utterly hollow because we have no reason to give a shit about him or his relationships with the other characters. It’s played off as a joke and then taken seriously two seconds later, so why even make it a joke at all?

It’s supposed to be this big character moment for him now I GUESS but without the build up it’s completely hollow. The backstory in Season 2 should have been in the first season, that would have AT LEAST made the sacrifice feel like it had even a little bit of build up. But the writers decided to have it after the sacrifice, which is literally just having the build up come after the payoff.

That’s not how you make a good character moment. That’s not how you structure an arc, period. These problems all lead Pentious as a character completely hollow and a downgrade from how he was in the pilot.

Pentious is a shit tier character is what I’m saying, basically. There were SO MANY THINGS they could have done with him as a character that could have made for a compelling arc that they just didn’t do because the pacing and structuring of this show is complete ass.

[amazingmsme]

Cried myself to sleep last night thinking about my spidersona’s canon events

[edwinisms]

banging my head against the wall every time I see someone reblogging a post of mine with tags mentioning the ‘unrequited confession’. we have been OVER this it is NOT a case of unrequited romantic love it is completely canonically up in the air as a possibility. listen to jayden revri himself and be enlightened i am begging you

[crownrots]

↳ SIDE HOTD (2 /∞ ) 📜🏹 DYANNA THORNWOOD ── glass is only brittle until it breaks, then it's sharp. (x) (x) (x)

[zeb-z]

roier put up that photo because he doesn’t believe cellbit is gone. a bit of his own amusement, but also entirely for cellbit’s, because as much as he got a little giggle out of it, that’ll be something that will make his husband full stop even out of his angst mode and he’ll have to try not to laugh. because roier knows his husband, and that’s his castle too, and why not make a small silly change? easier to pretend like it’s a joke, and he isn’t missing his husband. because surely he survived. and he’ll see that stupid dog photo after having survived against all odds, and laugh with roier as if he hadn’t been gone in the first place.

[eerna]

everything your saying so true king shit keep talking. I felt what was so interesting about season one was how all the magic tied in to the bigger message like the magic tied into the class inequality and part of why victor was so interesting to me was because he was from the undercity but was feeding into the inequality. And I felt like they could have had something really interesting in season two where he realized that and went back to the undercity to help but no they had to do the glorious evolution thing which was just eek to me. Also the whole caitvi thing was a total nightmare ultimately the only plot line I really liked was Mel’s god the horror of realizing that your turning into your mother also ekko had some interesting stuff, but you’re so right that they toned him down because if they didn’t everything would fall apart around them. Anyway I love your thoughts and art and analysis and love to see you continue doing it. ❤️🧡💛💚💙🩵💜

Thank you so so so much for your kind words, it brings me joy to hear so 😘

Yes!! If you'll allow me to expand on your point about magic, bc I don't think I've talked about it yet. In s1 magic was a stand in for pretty much any technological discovery. It was supposed to make life easier, enabling easier production and preventing difficult working conditions... But instead, as technology always is used, it only served the upper class, while the workers stayed in the dust. Because no technological discovery can fix a broken system, the system needs to be changed and only then can the people be helped. That was the tragic truth Viktor didn't understand until the end of s1. His focus was on technology instead of the system, it did the Undercity absolutely no good and instead only widened the gap between classes.

S2 has none of that. In s2 magic is only magic. It is the freaky stuff that creates zombies and makes force fields. It makes absolutely no statements on society, on the people who use it, or anything. It looks cool and does cool stuff and has to be stopped because it's evil and wants to destroy Piltover. And its weapon is Viktor. Viktor. Is the final boss of Arcane. The guy who is chronically ill because of Piltoved's greed, who gave his entire life to the city and got nothing in return, is the biggest threat. It leaves such a bad taste in my mouth bro

[terra-is-tired]

qpac and the beautiful baby boy himself

[thereareeyesinsidethetrees]

last post for the night i swear

the real tragic part about the whole science fair incident is that perpetual motion is impossible to achieve

ford’s machine would have never worked, regardless of whether or not stan had interacted with it

(warning i accidentally wrote an approximately 30-tag dive into ford’s character in the tags don’t click see more if you don’t want to read that)

anyway!! good night everyone ❤️‍🩹

[chokehoe]

Sobbing somebody save me from alnst

[zorosdimples]

finally watching the hidden inventory episodes solidified the fact that i love toji and i will unfortunately never be a stsg lover