#i could go on for days really

[snxpdragons]

I really don't understand how parxies can hear watch what happens next and say its just awsten singing about how selfish he is/how he only wants money. As if thats not the exact reaction he's criticizing ...

[qvert]

I just really need her to know

[poorly-drawn-mdzs]

Beware the Whisker Wizard!

(Based on this post)

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[hermitcraftx]

collection of scarian esque posts or whatever

[lurking-loaf]

It's essential to teach them color theory when they're young so they understand how to mix colors. How else will you get art that's good enough for the fridge?

Day 6 of DCA Promptober - hues plus bonus animation of Sun imitating the Mac's wait cursor aka the Spinning Beach Ball of Doom

[jadewritesficshere]

Steve and Eddie are sharing a joint, sitting in Steve's car. They're just talking about random shit, when Steve goes to apply chapstick. And that made him think about lipstick.

Steve likes lipstick. He voices this opinion. Likes the pop of color that draws the eyes. Likes how it emphasizes lips, makes them look even more kissable. Likes the marks they leave on the skin when kissing. It gets him all hot just thinking about the trail leading down and down-

And Eddie. Eddie just shrugs and returns to puffing on the joint they are sharing. Says he's never experienced it. Which, Steve thinks is criminal. Sure, Eddie is gay and it's the 1980s, but lipstick is just makeup and anyone should be able to wear makeup. I mean, Steve isn't shy to wearing lip gloss not that he advertises it.

So, Steve digs around his car, finds the lipstick that Robin left. He applies a thick layer to his lips, smacking them a few times. "I'll prove it, come here," Steve says leaning into Eddie's space.

And Eddie is wide eyed but agrees.

One kiss leads to two. Which leads to Steve pressing open mouthed kisses into Eddie's neck. Eddie moans and Steve whispers in his ear," I've wanted to do this for awhile,, you're so hot." Which leads to Eddie's shirt coming off. Leads to red lipstick trailing down Eddie's chest and down and down and

Yeah, Steve was right. Lipstick is hot.

[wardingshout]

alttp manga cover redraw

[adaki]

GIRLS NITE OUT >_< ((clockwork could not make it)) (wip)

[sysig]

Permission to headbutt: Granted (Patreon)

[l4tchk3y]

Silver has managed to capture the Espio.💕

[sergle]

i feel like you guys only hear about the bad tiktok phenomenon, like Girl Math and stuff like that, bc it prompts more of a reaction. but i want to let you know that i keep seeing one that's called Dinosaur Time, and it's where you SHOVE fistfuls of raw spinach, straight out of the tub, into your mouth and eat it like you're a dinosaur ravenously devouring a delicious tree star. and then you've had a serving of greens. and all it took was 10 beautiful seconds.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[pearbosc]

Homesick

[an-internet-introvert]

Countdown to October 19th (19/19)

Happy 15 Years of Dan and Phil 🩵🩵🩵

[naturecalls111]

don't interrupt the kage meeting