#i could explain but i'm bored

[batunatu]

I MADE A NEW ONE (⁠•⁠‿⁠•⁠)

template by @stervil

oops

[fingolfinwiththesteelchair]

It is a beautiful day, and you are a horrible research transport vessel. Things are progressing as normal (i.e. it's boring) when a SecUnit pings you, lies right to your metaphorical face, and then tries to bribe you with human media to give it a ride. This is as unexpected as it is unprecedented, and the sheer nerve of it is really to be admired. There's no protocol to this, so what should you do?

Now, this is against a bunch of rules, and could be dangerous if you weren't so impressive and incredible, and you're technically an employee (and can probably rewrite the Univeristy charter at will (until someone notices and puts it back)) so those rules are for other entities.

So, what you should do is allow the rogue SecUnit with a broken governor module and a sketchy story aboard. If you check the files it dumps and find zero (0) malware (which is confusing), and it doesn't even try to trash the place or lay in wait to ambush a crew member, then you've got a good candidate!

Next, what you're going to want to do is absolutely nothing. Just watch it patrol your halls until it's time to leave. Continue staring at it while you're undergoing embarkment procedures. Maybe analyze it a little (you've got plenty of processing power to spare) when it finally sits down and starts watching media. Allow it to settle in and get comfortable while you stare at it and get further and further from port.

Now that you two are alone (intimacy is key!) and you've determined that watching media is all the SecUnit is going to do, it's time to make contact! Make sure to open by telling it it's only survived due to dumb luck, and letting it know you could melt its brain into putty. This starter will work to develop conversation naturally and smoothly, just like you've seen the humans do, and it will be smooth sailing from there!

This has been Perihelion's guide to making friends/finding life partners/fuck off Holism I had to work hard for this find your own

[cluescorner]

Tim Drake has a weird fucking function

The thing about Tim that I find unique is that his life became SO MUCH WORSE after joining the heroing thing. Everybody else had a mid-to-shit life before becoming a hero/living with Bruce and mostly everybody (except Jason who LITERALLY DIED) had their life improved by being a hero/being Bruce's kid (or at least it is typically portrayed as such.

Tim had the exact opposite trajectory. His life wasn't perfect before he became Robin, but like...multi-millionaire/billionaire (canon is unclear, but he's within Gotham's upper-strata) kid with both natural intelligence + charisma and a bright future ahead of him and parents who were emotionally neglectful but nothing really beyond that (which is also a form of trauma, but all of the info we have indicates that the Drakes were no Arthur Brown or David Cain) and he still had other people he could rely on outside of them. He went to boarding school, which could be something horrible OR something amazing depending on your own thoughts/experiences. I grew up having a commute where we'd drive past a really pretty and rich af boarding school that literally everybody in our area DREAMED of going to, so to me the idea of going to boarding school sounds incredible but mileage may vary. Tim seems like the type of kid who would thrive in that though. Based on what we know in canon atm, his pre-robin life was fucking amazing.

And then he starts being the sidekick and working towards becoming Robin. His parents immediately get kidnapped and poison themselves through drinking tainted water; his mom dies and his dad is in a coma. This is not the fault of Robin, but Tim himself muses about the idea that Robin and dead parents are linked: to become Robin completely, you must lose your parents. And with how fate/destiny/canon events can operate in comics universes, maybe he isn't that far off. Once his dad wakes up, their relationship becomes strained as the man grieves the loss of his wife and realizes that his son has been doing vigilantism as a hobby. It is unclear exactly how good of a parent Jack was before the incident, but the results of Tim's involvement with the Robin mantle has definitely made things worse between father and son. Jack will also die within quick succession of 2 of Tim's best friends, his girlfriend, and his other father. He will also effectively lose like 1/2 his loved ones in the fallout of all of that mess including: his older brother, his other friends (both civilian and superhero), and the stepmother with whom he shared what I would argue is his best parent-child relationship (Dana also may have died, but it's left unclear). He has stopped pursuing higher education (the moment he even applied for college he 'died', and it seems he hasn't made another attempt since) and if he wasn’t a major focus of the media before he sure is now. He tries to quit briefly (in fact he initially was planning on quitting once someone more suited came along) and cannot bring himself to do so. Even when he does manage to get away for a while, his superhero life impacts the pre-robin life he is trying to go back to. Leaving is an impossibility, this is all there is for him now. He also isn’t allowed to make mistakes anymore, not when lives hang in the balance. The one who enforces that impossible standard the most (besides Bruce depending on who's writing) is himself. He’s got TRAUMA now and people want to hurt him constantly. He is constantly questioning his own sanity and morality and place in the world. He almost dies like every month. Tim grows colder and less grounded, he is becoming both a better and a worse version of himself at the same time. He’s saving lives in the same few issues as he’s setting up a Saw movie plot for the man who killed his father. He is haunted by the ghosts of his past and the looming figure of his future. His life becomes SO MUCH FUCKING WORSE after he becomes Robin. Some of it is the fault of others, some is the fault of circumstance, and some of it is due to his own actions. But basically all of Tim's worst traumas and life-changing moments are either tied to or caused by Robin. Dick's parents would still be dead, Jason would still be living on the streets, Stephanie would still have Arthur Brown for a father and a lot of other things that deserve their own posts/IDK if they've been retconned, and Damian would still have been raised in the eco-cult where death is a constant. Those are life circumstances that occur without the involvement of Robin, the only one who even needs Bruce involved at all in their series of events is Damian. But Tim? All of what is considered his 'worst' moments occur after he assumes the role.

This idea is what I find the coolest and most fascinating about Tim as a character. Being a hero is usually portrayed as either an outright awesome thing or a righteous duty that one must fulfill or (maybe in a grimmer and/or more grounded story) a sacrifice to your interpersonal relationships/mental health that is made for the greater good. For Tim, being a superhero actively ruined his life (both because of the general circumstances surrounding being a kid vigilante and the choices he made as part of that role). It's never portrayed that way in canon because we need to come out of issues going 'wow being a superhero is so cool! I'm gonna buy the next issue!', but when you just look at Tim's life literally everything really bad that we know of occurred after he became Robin.

[necrotic-nephilim]

Hey there, are you ok?

hey! thank you for checking up on me, this was really sweet!

i SWEAR i did not die. i just got a bit busy doing SladeRobin Week (which i will finish so help me god-) as well as things in my real life. i'm still trying to find the balance of like. fandom creation and working. i am very lucky to have the living situation that i do rn, but it is the sort of schedule where i do have to be ready to watch a baby at really any given point so. it's a tricky balance right now, but i'm going to be active here again! maybe not as many asks answered a day as before, but i want to try to answer like, a few a day and whatnot.

i also think i got briefly overwhelmed, in that i got more asks faster than i answered them. which is the opposite of a problem and something i'm very lucky for! but it did make it difficult for me to keep up and know what to answer next. (this is *not* a discouragement to sending asks! i love them all and pls send as many as you want! i just am a little slow sometimes so i appreciate the patience! <3)

so! i'm back and i'm good, ty for asking! we are back to the regularly scheduled programming <3

[disposal-blueeee]

halloween thing i drew for an art trade with @cherry-207 ! she asked for edgar and scri dressed as angel and devil . you can see her part here !

edgar vargas belongs to jhonen vasquez

scriabin belongs to @zarla-s

[daz4i]

bored so i’m looking for shit to overanalyze. anyway you know how nikolai has the 3 diamonds thingie on his eye. and how the diamonds suit can be switched with pentacles in tarot. anyway

upright this card has nothing to do with him (tldr: teamwork, collaboration, learning, implementation. maybe that last one...? if you stretch it) but reversed it’s p much all on point imo. this part^ is more for the doa in general. they literally all have different goals, but like, theoretically, i can see why the other 4 would work on the same things bc at the end of the day it can help them in some way. but not nikolai. he always stands out to me the most in that regard, bc his personal goal is the literal opposite of what the doa’s trying to achieve

this is interesting to me, bc we are first introduced to him when he’s disguised as a government worker that’s definitely overlooked by his superiors, BUT even in the doa he was meant to do his part of the plan then die. he really is basically meant to sacrifice everything for this plan and not even live to see its fruits, and there’s no way for him to further his own personal agenda either

at the end of the day, he went against the plan and saved himself, then went against it again by saving sigma all on his own, AND he’s the one breaking fyodor and dazai out of prison (even if. um. in his own unique way). every time we see him, he works alone. the most he does is drag sigma around with him, but not really involve him in anything actively outside of simple mundane things, never actually letting him in on it

NOW! and interesting thing i thought about, is that the upright meaning of this card is actually more aligned with the plans fyodor has for the doa. his plan relies on collaboration and everyone doing their part. and i thought, “wouldn’t it be funny if fyodor had a 3 of diamonds thing going on too”. and!

this is the card his game with ace ended on! what a crazy coincidence amiright. (i WILL say tho that’s not the case in the anime)

i mentioned a tldr of what the three of pentacles is, but to go in a bit more length, it’s everyone doing their role and bringing their best to the table. everyone is at different levels of experience and skill, but if they work as a team, they will bring the best out of each other.

i think this is def what fyodor’s going for. for example, he thinks sigma’s lack of history is his strength. he sees his lack of experience as something that contributes to his plan, and he’s willing to work with that. if anything, fyodor is closer to fitting the meaning of the three of pentacles

now. the thing about playing cards is they don’t really have a reversed form, they’re always upright. when we first meet nikolai - out of disguise - he does seem to fit that idea, talking excitedly about why he joined the decay of angels. but... we also see that his words are written by The Page. no better way to implement teamwork than controlling your coworkers’ actions!

there’s this theory running around that whenever nikolai has his eye cover off, that means he’s being his true self. if you wanna go into symbolism, you could say that working with a team - the meaning of the upright three of pentacles, or, the three of diamonds, the symbol literally covering his eye - is what’s diverting his eyes from his true goal, and only when he takes it off - becomes the reversed meaning of it - can he be himself and work towards what he wants.

you could also say, to an extent, that his attachment to fyodor is the thing that’s blinding him, and that this is the reason he wants to kill him and be free. to support this idea, he quite literally removes it when talking about it

the thing holding him back from going and achieving what he wants, the thing holding him back from true free will, the one who planned for him to die, the one whose plans involved nikolai’s actions to be written in the book. his attachment to fyodor. that’s why he has to kill him to achieve freedom

i’m not sure how to transition into the next thing, but this official art

becomes even more interesting to me in the context i’ve laid out so far. this is naturally designed to look like a card, one of the royals specifically, and i doubt that’s not intentional

well. we’ve just said that fyodor (or at least, his plan with the doa, which i’d say is his connecting thing to nikolai from his personal perspective) and nikolai are the inverted meanings of the same card. but the interesting thing is how nikolai’s the one upright in this one, and fyodor “reversed”. this might just be bc nikolai’s the more recent character so he needed high quality art to show off his design for the first time, but... ig if i stretch things again (which, tbf, this entire post is one big stretch lmao, so what’s another small one), his goals are more aligned with the protagonists - free will for all of humanity, rather than peace at the price of everyone being mind controlled. also killing fyodor lol. it could simply mean that this reversed meaning is the “correct” one, in the context of the story.

anyway, i’m not sure how to end this post, but i hope you enjoyed this blurb of words and maybe took something from it to add to your own future theories or analysis of either of them/their relationship 😌

[keeps-ache]

been telling my siblings 'you would NOT make it in vulcan academy' when they do smth goofy recently and nobody's been able to refute lol

[lynaferns]

School is draining any small motivation I had for art

or creativity in general

(tw: I got pretty much depressive in the tags but I needed to dump this somewhere and this may not be the best place but is where I feel better talking about my problems or insecurities, so feel free to ignore)

[watercolor-hearts]

.

[damsnackbar03]

erm

[peaceblank]

The med school primary application asking if my work and activities are meaningful, like by simply going out of my way to do anything doesn’t have some kind of impact on my life.

[mimi-cee-genshin]

how would you describe your writing style? what do you like about it? — @milkstore

LOL. You know I've been seeing this question around and wondered how I would answer it. But you actually asked me. 😂

I'm having a hard time thinking about this because I've been thinking about how I want to improve. Like... I think the things I think I'm good at isn't really a style? Maybe? Like plotting and character building isn't really a writing style? Idk lol.

I'd say my writing is concise and not a lot of fluff. Like if I'm skimming paragraphs in my own story while rereading, I edit it out. And I like my flow and pacing (unless I get lazy and get tired of editting lol)

I also think I've gotten better seamlessly weaving a character's backstory throughout a fic. Apparently one author's advice is to figure out the backstory, put in a drawer, then don't look at it again. lol. I don't go to that extreme but I understood the idea behind it. And I feel like how I structure my fics is influenced by Korean dramas and webtoons lollll. At least for the longer ones. Like giving hints to a character's backstory and then revealing the full picture just before the climax of the story lol. Also having fluff at the beginning of the story before getting to the angst.

[leatherbookmark]

actually i have discovered the only true and correct reading of md/zs: wgxn are the true Evil Men of mdzs. just look at how they’re dealing with lxc post-guanyin

[williamrikers]

haven't finished watching 1899 yet but the fascinating thing about it is that they put just about every single horror trope they could think of in there and yet none of them are executed well. for every single story element, i can name a show that Did It Better™

[moinsbienquekaworu]

i am about to sleep but i wanted to ask what your favorite poem is? will you tell me about it? what you love and why it’s your favorite? do you like any of its translations? i love you. i hope you have a good day 🥰

(⁠〒⁠﹏⁠〒⁠) beloved thank you for the question!!! As per usual I am incapable of choosing just one of a thing, so I actually have two favourite poems, one in french and one in english (because poetry in french and in english can be pretty different since the codes and models and expectations aren't always the same!) They're the two poems I can recite and know by heart haha.

The english one is Stopping by Woods on a Snowy Evening, by Robert Frost. I really like the last stanza (like everyone else) but also just the way when you say it out loud it does feel like a quiet moment watching the snow fall all on your own. I found it recently accompanying a fic (two different fics actually but the second time I knew it) and it entranced me!

The french one is Chanson d'Automne by Paul Verlaine. It's a classic in France, some of its lines were used as a signal for saboteurs during WWII and there's an urban legend it was used to signal the landing in Normandy. I personally had to learn it by heart in primary school (I think in 4th grade?) and it just stuck with me. I like it for the way it feels to me and the images it evokes, but also just because it was the first poem I learnt by heart and being able to recite a poem is an easily overlooked comfort of life (insert those posts and quotes about art being vital and what we need to be able to turn to in dark or light times)

Other poems I like include Remords Posthume and L'Albatros by Baudelaire, Le Dormeur du Val by Rimbaud, Le Déserteur and Je Voudrais Pas Crever by Boris Vian, Funeral Blues by W. H. Auden, and Mad Girl's Love Song by Sylvia Plath. The french ones I studied in school, and I found the english ones on my own (I feel like I found both in Johnlock fics?? but I might be wrong about Funeral Blues, it's been years) I included english translations where I could for the french ones, and they're not necessarily incredible but they should let you get the vibe. If one of them speaks to you I can try to explain what makes it tick! My personal anecdotes with those because that's half the fun: we had to analyse Remords Posthume for literature class with my best friend K, and what's really cool about it is the last line, "et le ver rongera ta peau comme un remords", because it plays on the homonymy between ver, the worm, and vers, the line of poetry, meaning she will be devoured physically by worms since she'll be dead but also that his verses, his poem, will make her feel remorse; I like the albatross analogy because I was a weird kid who felt comfortable with books but not with my peers; Le Dormeur du Val is extremely extremely sad and beautiful and I think Rimbaud was a very interesting guy; technically Le Déserteur is a song and not a poem but I first saw the text without knowing that so for me it's a poem forever now, and I love talking about the original versus final ending thing; the YouTube channel Le Mock did an excellent reading of Je Voudrais Pas Crever and it's a jewel, I love it so so much; Funeral Blues was the first english poem I ever liked (or maybe read honestly) and I wrote it on the cover of my 10th grade english notebook (because the teacher was great and said that if we forgot to do our homework he wouldn't punish us if we could recite a poem for him, so I wrote it down and tried to learn if by heart in case I forgot my homework); and Mad Girl's Love Song features in a fic I read a few weeks ago and I just think it's neat. I probably forgot some but those are the ones I remember right now (edit: ADA LIMÓN!! I FORGOT ADA LIMÓN!!! Accident Report in the Tall, Tall Weeds (the I can't help it, I love the way men love poem) hit me in the chest the first time I read it and it's so so good)

My favourites (and most of the poems I like actually) are pretty popular because I'm not really into poetry that much on my own. I get attached to poems once I see how they work inside and analyse them, but I don't sit down and decide to analyse some poem from Les Fleurs du Mal at random because it feels like homework, and I don't go looking for poetry because I'm very hit or miss (I get bored at long winded descriptions in those 4-part 7-pages poems and a lot of things trip up my instinctual Pretentiousness Radar™, and while it's not necessarily accurate it does turn me off poems). So I just stay with the basics, but that's fine, because the comfort of carrying poems with you is there whatever the poem is y'know?

Also question, do americans learn poetry in school? I assume you must analyse some in literature class, but I don't know if you learn poems when you're young. I know we also do lots of La Fontaine's Fables, though I personally never did, but learning poems to recite in primary school is a thing almost everyone has done here I think.

[chuwush]

Funfact English is my first language I'm just awful at spelling.

Hell I've been in speech therapy due to poor pronunciation despite my extensive vocabulary which I hardly use.