#i could design that .. i have the power ...

[sylvies-kablooie]

i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

[hinamie]

took 3 tries but i think i am finally free of korra plagiarism in yuuji's water tribe design

jjk atla!au with @philosophiums

[puppyeared]

meow

[pbnmj]

i deserve a spider-woman nepal..... miles doesn't have to be the only teen spider with a terrible bisexual mentor (enter my own sketches of the world's most annoying spiderperson, who i fling towards pavitr, complete with a design that's subject to change)

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[vela-pulsars]

not enough stonjourner art out there

[pyrosomatic-metamorphosis]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[onebarofsoap]

played pokemon platinum recently and swept the league with nothing but my overleveled team of two guys named steamed bun and egg tart 💪

[zecoritheweirdone]

eyyyy,, guess who's been drawing more of that hc x msa au?

been making a lot of scene redraws/edits for the past few days,, buuut i'm not quite done with them yet,, so i'll prolly share them another time. until then- here's a lil pearl design! mostly made these to finalize her design,, since the next scene i'm doing involves lewis,, sksnsks.

[agentc0rn]

Interesting character parallels in designs...

I shared a story on insta about some patterns I noticed in the designs of characters I like, one of which is based on their hairstyles covering one of their eyes; this can be usually be seen as a visual hint to their secrets/hidden lore, which then my wonderful mutual @//dorianbrightmusic noted that:

"It's always a combination of them having seen too much and them having something to hide from the common view - skeletons in the closet. The characters always seem to be leaving something supernatural and once beloved - for Volo, the celestica clan + heritage; for AZ, his royal power; Arven, his connection to the professors. The covered eye (almost) always symbolizes a change of life direction".

I told my mutual that I never thought about the having seen too much part before in relation to their designs. Subsequently, I added that all of these three characters are wearing pretty big and heavy bags/backpacks, which implicates the heavy weight of the burden they bear hidden from plain view both in literal and figurative terms. Additionally, two are shown with one hand grasping the straps, suggests, espeically once you learn their story, they cling earnestly to something of significant value they had lost/seek to find, or alternatively, not being able to let go of the past that haunts them.

Now, putting a quick disclaimer, this is just our interpretations and not some confirmed, "objective" statements and such.

[frankenfossil]

you're never going to be the most popular magical girl when your colour is orange

cassidy from sleepless domain

[bassicallymaestra]

My Hogwarts Legacy MC ✨Serena Kosmos ✨

[xxplastic-cubexx]

gonna need a shaker charm of erik in the plastic cube actually

[magnus-rhymes-with-swagness]

the director choosing to turn the cannon towards the city is horrifying enough on its own but the fact that it turns that way in the first place adds a whole other layer to it. she was ready to decimate half the kingdom in order to kill one person, she was anticipating doing that. you only have a cannon that turns inward if you expect you're going to use it. like jesus christ

[quirinah]

i forgot to post this yesterday but I watched the movie and IMMEDIATELY dropped everything to open my tablet 

[al-luviec]

These are going to be very inconsistent ...