#i could also talk about chang here but he's canon material is so little so i guess there's not a lot to mischaracterize

[dimdiamond]

❤️ for tintin if you're still doing the unpopular opinions ask game

OH RIGHT THIS GAME! OF COURSE! THANK YOU 💕

❤: Which character do you think is the most egregiously mischaracterized by the fandom?

*deep sigh* The most huh? What if I said Tintin himself? Look, I'm not against fanon interpretations and just going against canon because that's what you like and want to do. However, it gets really annoying when people take some interpretations as canon when it's actually not canon or, even if it is, not in the entirety of canon. And I think a big reason this happens with Tintin is because of the animated series, you know the classic one. Let me elaborate.

For many fans the cartoon series was their first approach to The Adventures of Tintin and for many of them it was a childhood favorite. This alone creates a bias, realizing it or not, especially if you haven't read the comics, the original material. Don't get me wrong, I love the cartoon and it's the most faithful adaptation we have of the comics but that doesn't mean it is faithful. Many scenes were cut, violence and alcoholism were limited to the point of changing scenes entirely (I'm looking at you Crab with the golden claws), heck even the official order of the episodes doesn't match the original publication order. There are many reasons for these decisions to have been made and it doesn't mean they're wrong, they just worked for this kind of media and for their target audience at that time (90s cartoons had many limitations regarding what it could be shown, including violence, but that's how we got artists getting creative with how to depict violent themes in a nonviolent way). Yet I have seen fans taking the ideas of this cartoon as if they are the original ones.

Tintin isn't a goody shoes. Tintin is very kind and caring but also chaotic and with his own values and ethics. He doesn't curse out loud and he represses many of his feelings and anger but he is also very patient and understanding. And most of all HE HAS CHARACTER DEVELOPMENT! Tintin from the first albums and Tintin in the last ones isn't the same guy! I understand people liking his character more in the first adventures but you can't characterize him the same in the later albums. And it's not only because decades passed during the serialization and Herge as an artist and writer changed. It's also showcased in the story, Tintin slowly gets stable companions, friends he shares his adventures and even his life and slowly he becomes mellower and yet more open and honest, he likes his peaceful life and doesn't chase adventure unless it comes to him. How can you have Tintin after Picaros behaving like prior meeting Haddock? As if his previous adventures didn't happen and affect him?

And what the cartoon depiction of Tintin does is to take his softer and calmer traits of his character and show them during all his adventures, regardless of how he acted at each adventure. This works for making an iconic and stable hero of a cartoon but it's not like that in the comics. The movie does the opposite but I see more fans accusing it of mischaracterization although this wilder side is also part of Tintin.

So in summary, my annoyance comes when I see Tintin characterized the same throughout all his adventures although this isn't how he is in the comics and I think this is because of the effect the cartoon had on the fans. In my opinion, Tintin's character is hard to grasp and get because he's the two ends of a spectrum at the same time, calm but violent, patient but impatient (his limits are known to himself only, you can try to kill him and not yell at you but you try to kill yourself and he'll make you regret it), selfless to the point of not caring about himself but selfish enough to do what he wants and believes is right etc.

He's such a fascinating character with many layers and it makes me sad when I see people read him as one dimensional character with no space for changes and development. However every person can have their own interpretation and such and I'm not the fandom police here so go have your fun!

[zerocoded]

summary: headcannons about what is like do date zayne.

authors note: yay i love headcannons and i hope you guys enjoy this one! this is all written upon my perspective of zayne and his character, things that i think would suit him bla bla bla, pls don't take everything too seriously. i found this beautiful drawing on pinterest, credits to the beautiful owner.

warnings: husband material zayne i guess? • suggestive but nothing nsfw

word count: 0.8k

☆ zayne who actually laughed when you told him your favorite song was snowman by sia.

☆ i get a feeling that zayne is actually ambidextrous which means he has the ability to use both hands equally well, which brings me to the topic that zayne is the king of multitasking.

☆ like you are having trouble with some buttons on your shirt? this man is helping you without even blinking while scrolling through his cell phone with the other hand.

☆ he been through an exceptionally tough day at the hospital? imagine him getting home and discarding his tie with one hand while already unbuttoning his shirt with the other, all of this while making eye contact with you.

☆ speaking of eye contact, i feel that zayne is another level of control freak with everything in his life. do you see how this man built his whole career around wanting to save mc from her disease? man NEEDS to have everything within his reach and on HIS conditions.

☆ that translates to the bedroom when you both are fooling around. like do you think you are closing your eyes anytime here? no, zayne is making sure you are looking at what he is doing to you or his eyes so he could turn your mind into puddy.

☆ are you embarrassed of your sounds or think you both are in a place too public to let yourself go? zayne is not having it. this man is pinning your hands wherever he feels like it and makes it particularly hard for you to shut up.

☆ well, maybe i should go back to the sfw first, i'll make another post about what i think zayne is like in bed hehehe

☆ BRO IS THE MOST GENTLEMAN A GENTLEMAN CAN BE. like in every sense and that is canon.

☆ you will not be opening any doors from now on and will never have to worry about paying in a date. or in anything.

☆ you know what else he does? he is not only a gentleman in his mannerisms but also in his attitude. you would never catch my man zayne raising his voice at you or anyone ever.

☆ he takes his time to listen to you speak. and i mean listen. be it two minutes or three hours about your new favorite tv program, this man will be devoted to each word you say.

☆ zayne is usually a silent type of guy, being the listener of the relationship instead of the speaker. even if you also don't talk that much, he is happy to enjoy a few minutes of silence with you at home. he really likes the fact that you love him and don't judge his more reserved persona.

☆ i see zayne as more of an insecure man at the beginning of your relationship. i mean, he doesn't let it show but later confesses to you how much he was scared you would go away after a few weeks with him.

☆ on the other hand, doctor zayne knows exactly what he wants. he has his opinions and preferences and he doesn't let anyone change that. i mean that in a sense that you guys would probably have arguments over everyday things like the way he thinks grocery shopping should go or how to dry clean twice a week the kitchen because he is certain that that is the dirtiest place at his house when you come over.

☆ zayne is a hard headed man and you are probably the only one who can convince him to change a little of his demanding habits.

☆ regarding his health, you guys argue over that a lot. somehow this man tends to overprotect you so much that it pisses you off when you see him not sleeping at all. how dare he demand something from you and not pay attention to himself daily?

☆ he always says sorry when you guys fight by building little snowmen throughout the house and leaving a corny note on the fridge promising he will pay more attention to his sleep schedule for now on.

☆ also i think that zayne is a big words of affirmation partner, he LOVES to praise you while making eye contact - again, control freak - and waiting to see your flushed cheeks because that is his favorite look on you.

☆ miss here have a late-night craving? zayne is running to the closest store at the darkest crack of dawn to buy you your wish, even if you try to stop him he is like "don't worry, love, i'll be quick" and proceeds to kiss your forehead while putting a jacket on and rushing outside.

☆ you’re so his passenger princess. this man will be moving mountains to do what you want and he’s so good at it.

☆ you can disagree with me but i will say it: zayne matches SO MUCH with a little age difference. like he is "too sweet by hozier" and you are a little "messy by lola young".

☆ but my favorite trope is zayne with a badass partner that is also a genius like him and they both make the perfect power couple at akso hospital.

☆ i'll stop here but i have so many of these that i could make 😣 let me know if you guys would like to see more.

author's note: pls, i would love to hear what you think of this work! sorry for any misspelling. send me a request • my masterpost

[longing-for-rain]

What immensely bothers me about the way Kataang was written is that it not only hurt Katara's character, but Aang's character as well.

The writers set up the subplot of Aang needing to let go of his idealistic vision of Katara and then... just completely ignored it throughout the entirety of S3?

While I'm not saying that every ATLA character needed to go through an extensive character development, Aang having little to no development as a person and a leader (I am not talking about his physical training as a bender here) is some extremely disappointing writing, considering he is THE protagonist.

It's actually baffling to me how much the show deliberately dodges most oppurtunities to develop Aang as a character and how much the poor handling of Kataang plays a role in it.

Instead of Aang slowly growing to appreciate Katara as a person with all her flaws and quirks and trying to understand her way of thinking and culture, which culminates in him EARNING his Avatar state, we get the inconsistent mess, full of unresolved arguments and overstepped boundaries, that is S3 Kataang, Aang getting the girl only because he's the Hero™ (even though their last interaction before the kiss was an unresolved argument) and Aang being saved by Deus Ex Machina. TWICE. All of which could have been easily fixed, if the writers actually capitalized on the development that was already set up to happen.

I would be more willing to accept the points "he's literally twelve" and "why are you getting so worked up over which fictional characters are dating", if the writing didn't waste the blatant oportunity to develop the character, and if the ship in question didn't nuke any development its characters recieved.

Like, you don't even have to be a Zutara shipper to see how Kataang basically shat on both Aang and Katara as characters.

Agree with all of this, but I want to focus on this bit right here:

I would be more willing to accept the points "he's literally twelve" and "why are you getting so worked up over which fictional characters are dating", if the writing didn't waste the blatant oportunity to develop the character, and if the ship in question didn't nuke any development its characters recieved.

Here’s the thing. Aang is the protagonist of the show. You know, the one character who absolutely should have a solid arc and experience meaningful growth. I’m not saying he had no growth. But it’s just like you said, there are some pretty glaring plot holes surrounding his story. Could be excusable for a side character, but for the protagonist? Really not great.

And people will also act like romance is no big deal, but I think it really shines a light on how Katara is viewed by the creators and fans in relation to romance. From Aang’s perspective, romance can be treated as a minor add-on at the end because it’s narratively framed as his reward for saving the day. Aang doesn’t have to fundamentally change as a character to enter into that romance. It is written in a way that centers him.

Katara, however, does change. That can be seen in any post-canon material. I know they’ll keep trying to retcon this, but Legend of Korra will always exist to show us how little regard for these people have for female characters they’ve relegated to love interests.

[true-blue-sonic]

The fandom doesn’t want a Year of Silver cause they don’t think it’ll perform well. I don’t want a Year of Silver because I have absolutely no faith in the current writer’s characterisation of him and do not wanna sit through an entire fucking year of that. We are not the same

Yeah, I understand fully what you mean. My thoughts on it are three-fold: firstly I indeed wonder if a year for Silver will really work out, because he's not as popular as others. The Year of Shadow worked because Shadow is hugely beloved, to the point there was a time he was more popular than Sonic himself. It's no surprise to me that a game with a storymode in which he plays a central role would sell well! But Silver does not have that popularity by far. On Tumblr people seem moderately fond of him, but I have no clue how he's seen on other websites. It might be quite risky to dedicate a whole year to him; I fear he might not be able to carry it. (And then of course there's also the issue that Shadow just plays like Sonic + Chaos Spear + extra gimmicks that are still very fast-paced, whereas for Silver's PK they'd really have to make changes compared to how he played (and ran lol) in '06, in my opinion. It might take some time for Sonic Team to work out what to do with Silver and in what playstyle, perhaps more than Shadow. That could make them hesitant to try, but that's just pure guesswork on my part.)

And then secondly, there's a lot of characters who are more popular than Silver, yet who don't really get much attention either. Sure, Amy, Knuckles and Tails became playable in Frontiers, but they got no year for themselves despite Knux and Tails starring in the second movie. I don't even want to imagine the fandom implosion if Silver got a full year starring him in a central role before any of these characters XD And I would understand it! To me, Silver deserves getting more spotlight, but that's because he's my favourite and we don't get much content on him. If your favourite is Tails or Knuckles or Amy or Eggman or Metal Sonic, and they'd get snubbed by a far less popular character, I can imagine very well that'll leave you feeling bitter (and also, it doesn't help that Silver is already scorned for '06 presenting him as the Third Male And Thus Very Important Hedgehog™️ at the expense of other characters, or at least so I've heard before). Perhaps after more attention has been paid to others in the cast could a Year of Silver fly over better, but as things in the fandom are now, I think it'd cause utter mayhem.

And thirdly, I agree with your point that Silver is not well-written in a lot of supplementary material. I have as extra point that I really don't like Bryce's voice for him; nothing against the guy, but in TSR Silver sounds like a cockier Sonic half the time and vaguely like a Silver the other half, and compared to what we used to have before with Quinton's Silver I consider it a huge downgrade. On the other hand, I adore Kirk's Shadow in SXSG and Kirk is quite a contested voice actor for him, so maybe with better directions the same can happen for Bryce? But in general on the topic of Silver's characterisation, I've been seeing more posts on Tumblr describing how Silver is highly OOC in e.g. the IDW comics, and then if you also count stuff like the most recent takeover's incredibly random "Silver is kinda like my little brother! :D" statement that has zero basis in canon... I guess overall we don't know what the future holds here, haha! But I think Sonic Team could be wary about making a whole Year of Silver, when keeping my first two points in mind. Though on the other hand, the more time goes on, the more chance there is SoJ pays more attention to Silver's characterisation in the West and implements changes there to keep him more in line with his game- and Sonic Channel personality, maybe?

Overall, we just can't know, but I wouldn't worry about it too much either: in SXSG I'd say Shadow was written really well in the way he talked and moved and just existed in the game, and I greatly enjoyed his storymode in no small part due to the fact he felt very authentic to the character to me. I think if SoJ is on the case (because they are probably the ones making a Silver game in the end), there'll be much more quality control around Silver's character than e.g. for the IDW comics or a takeover. But I think it might be years before we get a Year of Silver or even a game that has Silver in any way playable in a main role, to be honest. We'll just have to wait and see! In 2018 Takashii Iizuka said a Silver game could be a possibility, and Shun Nakamura is also still fond of his creation, or so I've heard. I'm curious to see what the future will turn out to hold🍀

[singularsoldier]

Why Scout and Miss Pauling are a terrible ship

Alrighty, if you’ve been into tf2 for awhile, you’ve definitely seen this pairing pop up. This whole thing is probably gonna sound like I’m beating a dead horse, but I wanna give my full two cents on these two using canon material (comics, game, and Expiration Date). Before I dive in, my stance on these two is 100% never gonna change. Save the counterarguments and keep scrolling

VOICE LINES

In the game, Miss Pauling has a lot of voice lines both towards the individual mercs and to the player themselves. However, how she speaks to Scout vs everyone else is drastically different. Let’s look at Scout’s when given a contract:

Starting off, Miss Pauling is…pretty rude towards him. “Wrap up whatever you’re bragging about” “I’m assuming you’re talking right now. Please stop” and others. It’s evident that she doesn’t want to hear a word out of his mouth. As we all know, Scout talk A LOT, but if she liked him to any degree, she wouldn’t be this mean towards him. If anyone even tries to say “well maybe she’s mean bc she likes him” no. Sorry, not how healthy relationships work. If anything, that further proves my point on why they’re terrible together.

Now, lets look at other lines (I’m too lazy to add everyone):

See the major difference? Miss Pauling isn’t mean, rude, or dismissive. She’s friendly! She’s joking! Lines like these show that Miss Pauling considers Engie (and everyone else) her friends. Scout gets nothing like that.

By the way, Miss Pauling canonically hangs out with the mercs (and Saxton’s assistant Bidwell). When you look at her contract lines with everyone else (including Bidwell), she’s cheerful and having fun. Scout on the other hand? She’s a frustrated dungeon master because Scout wants to make a muscle wizard and won’t stop flexing.

My experience with dungeon masters has been “fuck it, be whoever you want”. I had the dumbest, weirdest characters, and the DMs didn’t care! That’s the fun of d&d (g&g for tf2). Miss Pauling not letting Scout have a buff wizard, and Scout not even trying to follow the rules, shows how incompatible they are. Neither of them are willing to make a compromise especially because of the fact that Scout’s a pretty narcissistic guy. He’s a pathological liar in the comics (which are coming up) to impress people. Who wants to date that?

Onto the congratulations:

Pretty standard, right? Nothing extraordinary or, honestly, anything outside of standard professionalism. Scout gets a quick thanks and the line goes dead.

For anyone else:

The other classes get something Scout doesn’t: enthusiasm. Miss Pauling is beaming in her lines for the other classes. Also, Scout has the least amount of congratulations (only 5) out of everyone. Miss Pauling also says to a few other classes “i owe you one” and “i knew you could do it”. Again, ten times friendlier than how she speaks to Scout. If she liked Scout, she would have similar lines or ones that are even a bit flirtatious. Nope. Nada.

COMICS

If you’ve only played the game, you’re missing out! The comics are great (and unfinished), and they also reveal more of how Miss Pauling engages with Scout. For example:

Immediately stopping him from talking again, and straight up letting him get hanged. If that was my crush, I would, you know, not let go so they don’t die. She has very little regard for Scout outside of “annoying guy I work with”. Hell, she canonically spends more time with virtually every other class (aside from Engie obviously and maybe Medic) than with Scout. Another thing in the comics:

This right here. Scout has been working for Mann Co. for six years (meaning he joined at 21). In six years, Miss Pauling has made zero indication of liking him. What person goes six years without even trying to flirt or even hit on with their crush? Especially when Scout is VERY LOUD about his infatuation. Even the biggest introvert would jump on that free chance.

Oh, another thing! When Scout tries to get some alone time with her (while fighting for their lives) she turns him down. Pauling would rather watch Soldier and Zhanna fight naked while cover in honey than go with Scout (who wouldn’t?) which, when you think about it, caused Scout’s death because he faced the Spy bots alone. Sorry Scout, ass and tiddies are more important than you!

EXPIRATION DATE

The long adored sfm video. While the video pretty much cements Scout’s feelings for Miss Pauling, it also cements her lack thereof. Lets dig in:

First off, we know that Scout only had the bravery to ask her out because he thought he was dying. How does he invite her? By setting off the briefcase alarm!

As Miss Pauling says, it’s “the one button he’s never supposed to touch”. Not only that, but it wasted her only day off of the year. A fact she is visibly pissed about and refers to a couple times. Scout was pretty selfish to do that. Another thing, Pauling repeatedly refers to the “date” as a prom. (“Are you guys having a prom?”) She literally had no idea Scout was asking her out. Why? Lets face it, she would say no or dismiss him yet again. Even Scout knew that, so he faked a literal emergency that forces her to visit. Once again, lying to try and impress her with a date.

So, Scout comes up with an elaborately self centered plan to get Miss Pauling to come to the base, and when she wants to storm out, he desperately tries to save face with dinner. Cue our bread monster fight where Scout confesses that he likes her. And her response? Nothing. Throughout the whole sequence, Miss Pauling doesn’t answer or even respond to a word he says. You’d think if you were in mortal danger, you’d tell your crush “i love you! Now help me kill this bread monster”

At the end, Scout says “so its a date?” To which our beloved Miss Pauling says, “well, no. You did waste my one day off”. Not only that, but Pauling even offers for him to join her on missions, which he instantly says no to. Idk about you, but I’d bury bodies with my crush any day of the week. The fact that Scout was offered multiple chances to even be near Miss Pauling willingly, yet turned them down, is pretty telling of his character.

Scout wants a date, yes, but how he envisions it. Typical candles and pretty lights with a pretty girl. Meaning, what he enjoys and what he sees their romantic life being like. Not shaving off fingerprints or hiding bodies. Things Miss Pauling does literally 24/7. You know, things she likes doing. Its evident in her vacation lines that she wants to go back to work and that she isn’t a fan of vacations. Once again, Scout’s selfishness stops him from getting anywhere near the girl he’s obsessed with.

So, we have: Pauling doesn’t want to hear Scout’s voice, she’s barely cordial with him, she sees Scout as at best a coworker, and she was, indirectly, responsible for his death. (Note: not making this into A Point, its just fucking hilarious).

All in all, these two have no chemistry. Scout has a six year long obsession, and Miss Pauling has a six year long distain for our quirked up white boy. Their whole dynamic is the age old “dumb jackass loser wants pretty girl” and lets face it, we’re sick of that. Scout couldn’t even come up with a reasonable, honest way to see Miss Pauling in person. He selfishly wanted a date (that fits his myopic view of what dating Miss Pauling looks like) and didn’t care how he got it.

I’m not trying to attack anyone with this post. Its a ship analysis, and I hope it at least points out the major flaws between them. Unless Scout changes his entire personality (he won’t), Miss Pauling is never gonna like him.

[horizon-verizon]

I'm still trying to see this complexity that TG has, and that's why TG stans like them?? Alicent changes her opinion and personality every hour, is the complexity of her still having any consideration for Rhaenyra? not have imagined that a war would start? or just have the same crying expression? Please....!! What complexity does Helaena have? supposedly having dragon dreams and not knowing how to interpret them? the girl doesn't say anything in 1S and everyone just thinks she's weird, she doesn't do ANYTHING! Aemond's complexity is that he was bullied and became a presumptuous arrogant who killed his nephew? and I'm not even going to talk about Aegon..... he's an abusive drunk but yes.... he's a complex character

A)

I think that "interesting" for them is actually"potential for high drama, spectacle, and foolishness just because" for some TG stans who say the greens are more interesting. Yes, the green side is actually a complex group AND they rely on fear (amongst themselves and sometimes against the blacks) & strategy...because they have to strategic in order to try to justify some of their actions or wrest the power Rhaenyra's allowed or could accrue at court. To wittle her already-given status as heir to a more passive role. And beyond-court, they wished to convince the realm that Aegon was the rightful king both before and a little after he's crowned. The greens basically had the task to work past the whole "my heir should rule after me" deal that many lords wanted to stay as solid and meaningful as possible by precedent while also arguing on the precedent set by the GC of 101...which was itself a vote based on the adulthood as well as maleness of the candidate chosen. So, again they had to be strategic and shady and underhanded. And that will inevitably give us more drama.

Funny. Ironic.

We already know that the greens were not that successful with the convincing part even with Rhaenyra at Dragonstone and their long success at isolating her, bc it is only Alicent's move to hide Viserys' body, imprison courtiers and servants, hurry to search for Aegon that enables the greens to take the throne at the end AND Rhaenyra still was able to have many more supporters fighting before and after her death for her and her sons' claims.

Which if this is why you like the greens and not bc you think Aegon deserves the throne or ay sort of leadership [bc we see how unwilling and determined he was to not allow his grandfather to actually try to rule him in canon for the very paradigm that develops from Otto-Alicent's style & aims, they created their own monster], valid. I admit, they make the perfect antagonists & foils to the blacks and they do what they are supposed to do.

B)

People, not just TGs, have cited Alicent's past affecting how she views her own and Rhaenyra's motherhood, that chain of abuse. I'm fine with this, this is true. As for Aegon, I wrote a whole master post for what I think is his "deal" HERE, which is long but you can really sum it up as him trying to prove how great of a leader and man he is in lieu of the all the years he's been on the side and Rhaenyra was Viserys' heir. Yeah his life and misery and nastiness is in part bc Alicent wishes to prepare him to become king and "peacefully" reestablish the order of patriarchal feudal primogeniture/order so she'd not have to confront her own suffering and still materially benefit from it in "exchange". This sentence in itself reflects more on Alicent's complexity than Aegon's.

Aemond? Show!him, as presented, is interesting in that he's going to show a sort of vulnerability from his inflexible role as his side's militant "guard" and his worth being drawn mostly from that. He is there to be the support to Aegon's claim. hamliet describes what I am saying well. "Love is a transaction for the Hightowers". He seeks to "prove" himself and tries to make the glory of a warrior replace real love, but it can never so he's a ball of terror.

And love is a transaction, conditional and more so than on the black side because the greens really rely on putting their children's bodies to some sort of use, from Alicent to Otto to Aegon himself and there is no recourse or sign of deep bonds where each understands the other, comforts each other, reaffirms their emotions etc., or tries to make them happy just for the sake of it formed between any green member. (prob should have made this part part of the 1st paragraph but idk how to):

Helaena's body is made into a breeding machine for Aegon's claim for Otto

Aegon is a tool for Otto's desire to move the crown how he wants and is thus not really asked to be a great leader so much as it there & take his orders/suggestions

Alicent was a Helaena for Otto

Alicent uses her kids to stick it to Rhaenyra (show & book) or else ignores them bc of the troubled context from how they existed even as she genuinely loves them

Daeron--if the show will show that dynamic b/t Daeron and Ormund--is suggested to be more of a tool for his way into high prestige behind Alicent and Aegon's own rise, which is why Daeron's sent to Oldtown in the first place, away from his own family for years...yes I know about fosterage, but I'm speaking to the effects this has on the actual bonds b/t these family member s being reduced to transactions towards their goal towards power

So this troubling, repression, and denial of love is itself intoxicating, and thrilling to people who even don't have to be part of any team. I don't blame them.

C)

This issue for me is then:

Alicent could have been a lot more coherent without the inherent benevolent sexism of her becoming Rhaenyra's only friend and underdeveloped writing that makes her a lot less rational, deliberate, & mentally vulnerable to manipulation than she was in the book....all of which undermines her "complexity" bc she becomes less active as a character much sooner than she does in the book

people say all this ethically justifies the greens' actions, determine that their moral examinations of psycho-social conditions yield the correct and only conclusions to then just reveal that they just want their thoughts to be the general thought in contrary to the evidence in text, or hide behind their real biases and need for validation of those biases through the greens

Don't get me wrong, the black side aren't angels and do heinous actions...but it is simply true that they do not create the conditions for the war to begin and are also reacting to the usurpation.

Moreover, the blacks are pretty open when they can be to be about their actions and Rhaenyra is also already the heir. But the show didn't explore her life as a mother, what her relationship to womanhood as a mother AND heir looks like without Daemon there, or her kids' development after episode 5:

Rhaenyra being reduced to her body (advertisement of "Realm's Delight"; affairs and talk of them)

her kids' understanding, more of this from episode 6 and how exactly they interacted with Alicent's sons...how does Aegon enlist them and their frustrations against Aemond and from their perspective; court interactions, including those with Viserys and Harwin or any of the Strongs; education

Rhaenyra's perceived lack of ability that really just comes from her society evaluating her gender

[book] how she forms bonds with women around her, her relationship with Daemon and their journey towards each other, her relationship with the other Velaryons (Corlys and Laenor)

Daemon as a father -> how he "settles" but not really -> how he navigates/learns to raise another life form(s) & instill pride in their heritage and family after years of his beef with Viserys and losses and his resentments he tried to allay or "make up for" through social advancement and by becoming a warrior/has moved for mainly his own validation [idk how to say this concisely]

how he met and developed whatever relationship he had w/Laena...Corlys and Rhaenys' reactions to that (yes, bring Daemon & Laena back from Essos sooner)

The blacks comparatively do not have to be as underhanded and sneaky, and yet you will also have green stans argue that they are entitled, malicious, terrible threats to a perceived order (a projection--the greens are more that bc they are going against the king's word and what I said above about heirs and precedents).

This and majorly bc of how much opportunity we lost from the writing of this show focusing on developing the greens is also why they appear as "boring" or uninteresting while overbearing, scheming, manipulative agents of destruction at the same time to some people, even though they have more than their fair share of drama and angst from the very hierarchies they are perceived to totally benefit from.

[thatswhatsushesaid]

I’m so glad you like Shi Wudu because I do too and it’s rare to find people who don’t hate him in the fandom. Like how can you hate him! He did it all for his brother! It was all for SQX! Was it ethical? Hell no but he’s so compelling as a character! I have /so/ many extremely complicated feelings about Shi Wudu that I could talk for hours about but all I will say is that “I decide my fate and not the heavens” is so metal and I think that there’s so much to say about just that line it makes me go feral. His relationship with Pei Ming also makes me go feral because the amount of trust (love?) that SW must have had in PM to trust him, at his lowest, with the most important thing to him (SQX’s life). Especially considering the fact that SQX has been antagonizing PM and been openly hostile towards him, for what we can only assume is centuries, and yet SW was certain that PM would put all that aside for his sake (and he did!)

Also I am now curious about the JGY stan to SW stan pipeline because it seems like we both experienced it and we can’t possibly be the only ones so now I’m wondering if there are people who like one but not the other and why.

(Also I saw your tags about beefleaf and you managed to capture my feelings about them perfectly. Like no I don’t want to read fluffy modern AUs I want to read fics where they both love each other but it’s not enough, they never choose each other and they’re both miserable and fucked up about it)

(Sorry this is so long!)

yo never apologize for sending long messages with your thoughts/feelings on these characters, i am SO HERE for reading them!! i hadn’t considered the presence of a jgy-to-swd stan pipeline, mostly because when i’ve checked the character tag, i’ve mostly seen comparisons to nmj and nhs. which dgmw, i absolutely believe that nmj loved nhs and wanted to protect him! but we know exactly what nmj would have done to save nhs from an unspeakably awful fate in canon, because that’s already something that is completely within his power to change. and he doesn’t do it.

also absolutely i believe swd loved pei ming—like i don’t think there’s enough in the source material to support a romantic or reciprocated romantic ship there, but that absolutely won’t stop me from doing it anyway, and in canon, it says so much that pei ming is who shi wudu tells shi qingxuan to go to after he dies.

😭😭😭 waaaahhhhh i love shi wudu, he’s insane, he’s a war criminal, he ruined poor he xuan’s whole life and afterlife, and he did it all for love of his little bother!!

[catohphm]

HPHM Ship Weekend - Day 3 - Sunset

A Moment by the Lakeside

Morning everyone! This is my third and last addition for @hphm-ship-week featuring my MC x Canon ship Cato x Penny, or Reesewood! Here they have some time for themselves by the Black Lake at Hogwarts during their seventh year early on, reveling in their deep feelings for each other. Once again special thanks goes to @autisticarachnid and @eternalchaoschocolaterain! I hope you all enjoy, feedback is greatly appreciated!

One weekend during September 1990, the young Cato and Penny were taking some time for themselves on the grounds beside the Black Lake. The sun cast a huge rippling sheen on the water, calm as ever. They were sitting together on the grass. Penny was slowly running her hands through his hair back and forth. 

“I’ve been doing the best I can looking out for everyone against R and those vaults. I get tired of talking about them though. They’ve caused too much grief for us.” he reflected in a semi-exhausted voice.

“I know. I’m just glad everyone is okay. You and Bea are among the first two people I think about. R is still out there but we still sleep better with Rakepick facing justice.”

Cato smiled at this, even if his facial expressions gave off a hint of reluctance. “I don’t feel afraid as much going after them, or even taking my NEWTs. I still told myself that I’d want to have as much of a normal seventh year as possible.”

Penny smiled and answered back with an assured voice “I think we’ll all be able to have that, thanks to your efforts.” while resting her hand on his shoulder.

He looked toward her and went for her hand resting on her shoulder. Their hands grasped each other and relaxed on the grass.

“I’d want our years at Hogwarts to never end but having you is going to make even the harder times better.”

Cato shared the sentiment. “With you I don’t have to think what if not?” he laughed.

“Not at all! We’ve already done so much. I never thought in the beginning that we’d be breaking curses at Hogwarts. I’m still glad to have done it with you, Cato-bear.”

They went into a short-lasting yet slow and passionate kiss. Cato and Penny’s romance had only grown over the years as they came of age, defying any kind of obstacle from school drama, Cursed Vaults, and the incursions of R. It would only keep going as it would help them get through the stresses of their final Hogwarts term together. They also intended to dedicate the year to enjoying their bond before their lives would inevitably change after they left school.

The young couple exited their kiss and looked at the sight of the sun over the Black Lake for a moment to relax in silence, still holding each other’s hands while resting them on the grass.  

Cato and Penny broke out of their silence when he reached inside of his school robe for something. “I got something special for you.”

She gasped a little in excitement. “What could it be, Cato-bear?”

He pulled out a small tan box from the robe and gave it to her. Penny took off its cover and laid it underneath its bottom half, revealing a necklace with a yellow-orange translucent stone that had flat faces and round edges. It had a brass ring going around the circumference of the circle where the two edges met. The small chain meant to be worn around the neck was made of the same material as the ring.

“Cato, this is an amber pendant. You picked something so beautiful!” she exclaimed with glee. “I’m curious where you were able to find this great gift?”

“Just before the year started, me and my friends stopped at this bargain store in the town we were staying at while on holiday at the beach. You said you were attending a function for potioneering at the time. There was nothing much interesting in the store to me, except for the pendant that caught my eye.”

Penny blushed a bit “Go on!”

“I thought of you when I saw it. I spent some time gazing at it, and realized I had to pick it up. It didn’t cost me much, but whoever made it did a great job because of how cleanly cut the amber looked. Nobody asked as we were all way too hungry by that point to think about anything else. I’ve been looking forward to giving it to you since then. This felt like the right time to do it.”

She grinned and put on the amber pendant. “Thank you so much for the sweet surprise, Cato-bear.” Penny pecked him on the cheek.

“You’re quite welcome. It looks really nice on you! The amber matches the color of the sky.”

“And it matches the bronze on your Ravenclaw tie, Cato.” pointed out Penny, with a playful giggle. “This is perfect!”

He blushed some and was joyful with a sighful smile. “I’m so flattered you like it that much. The pendant was just something little I found while I was-”

“Don’t worry about it at all! I’ve seen you have so much heart in you.”

“I’ve seen the same in you, Penny! It's the reason why I think about you a lot and are important to me. Do you want to go back inside the castle? It’s getting a little colder out here.”

Laughing a bit, she responded “I was meaning to ask that too, good call Cato!”

They rose up and took a minute to admire the spectacle of twilight in the evening sky, Penny huddled together with him.

She then took the lead and they departed, holding hands together.

[warlordgab]

Analysis of shipping: One Piece anti-romance arguments

Years before Oda was asked to write Strong World, years before the Summit War saga, even years before many of us joined the fandom, a significant portion of fans shared an anti-romance sentiment.

This perspective was so widespread that it seemed as if the One Piece community in general was convinced no pairing would ever become canon. Sure, there were some exceptions: 

Some people dispalyed indifference toward the anti-romance trend, but also towards the emotional narrative of the story. So, they would likely support shallow premises anyway

Others shipped characters by relying on inter-series comparisons that no longer hold up nowadays. (it didn't take long for perceptive individuals to find out how unlikely those "theories" truly were)

Some of these people were editors on other wiki sites, that pointed out how filler provided shipping fuel for stuff that never gets actual development in the manga. And yet, the same editors also promoted a non-existent "sexual tension" as many shallow shippers would, but I digress.

Still, since that era, a lot of arguments had been made for this position regarding romantic love; some were forgotten, and some stuck but in pretty unexpected ways.

So, here we’re going to consider those arguments, how bad they aged, and what possibly led to the anti-romance idea losing its initially strong foothold in the fandom.

The anti-romance idea through time

Firts, let us consider that one of the most important elements that helped the anti-romance idea to grow was how Oda talked about the subject. When the mangaka was asked about if someone from strawhats (except Sanji) was in love, he replied in a SBS they were all "in love with adventure."

While that was a pretty creative answer, it seems some readers weren't satisfied with Oda’s reply. But, it wasn’t like fans couldn’t agree that the statement was technically a correct.

Not to mention that fans back then didn’t have the Hancock character westerners simp so hard for. Instead, they had Alvida as the first woman calling dibs on Luffy...

... But, this was easy to dismiss given how they never became allies or friends.

Still, that doesn’t mean the anti-romance idea didn’t have its weak spots. In fact, Oda gave us an interesting “insight” on one scene, that LuNa fans loved, in the SBS Volume 32:

This was long before Summit War saga. It's interesting how the only girl that managed to make Luffy a “little horny" was Nami.

It’s true that the Oda’s answer would later change to what basically amounts to “bad influence,” when he was confroted with the fact Hancock’s beauty couldn’t get the same response from Luffy. But, the fact, still remains that it was Luffy’s response, unless people want to argue Luffy’s companions have a greater influence on his libido than Hancock’s beauty ever could. Doesn’t sound so good when you think about it, does it?

Of course, a lot of perceptive readers and even some anti-shippers know that being as “horny” as a “healthy boy” is not something inherently romantic. So, even if this moment left a crack on the anti-romance argument by displaying Luffy’s “healthy” reponse to Nami’s sex appeal, that still wasn’t enough to debunk it.

Needless to say, some anti-shippers may claim being “horny” is a must for a relationship to grow, but that myopic perspective completely disregards how emotional connections can develop by sharing meaningful moments instead of lusting after a potential partner. 

Moving on, Oda’s vagueness back then just encouraged readers to keep discussing the subject of potential romance by relying on the manga material they had so far. Still, the anti-romance crowd would shortly get another argument, when Oda stated the following:

“One Piece is basically a shonen manga, manga for boys, so romance isn’t depcited“

Ironically, this is where the another crack in the anti-romance idea starts to show. As many chapters later, we got something subtle about Usopp and Kaya at the end of the Ennies Lobby arc.

But, the fact the story focused more on its plot, themes, and other characters, probably made it easier for everyone to miss how this relationship could contradict the 'no romance depcited' argument.

Later, the fandom got introduced to Boa Hancock. While Alvida’s interest in Luffy got scratched as “not romantic enough,” Hancock’s infatuation for the hero couldn’t be ignored due to how over-the-top it was. But, it still wasn’t enough, why?

Because the relationship between Luffy and Hancock never develops into something deep or truly impactful, as Hancock’s crush remains as one-sided as it can get.

Luffy’s rejection to Hancock’s proposal just made it a lot easier for the anti-romance argument to stay strong despite the few cracks it had at that time.

Specially, when you factor context. Luffy’s reply was framed as a negative response to Hancock’s promotion of herself as a potential wife. Add Luffy’s personality to this setup, and no matter how you try to put it, he sunk that ship before it had a chance to sail.

Debunking the “no romance” myth?

So far, we’ve seen things that could a best put a dent on the anti-romance argument. But, what actually destroyed this myth?

We have to flashforward to the Dressrosa arc. Two pairings with tragic backstories were introduced: Kyros and Scarlett & Señor Pink and Russian

Kyros' relationship Scarlett story serves as part of the compelling drama of his background. And we can tell how Pink’s relationship with Russian made his character and current state and struggle emotionally impactful.

This obviously destroyed the argument of “no romance in One Piece” and contradicts Oda’s own “romance isn’t depcited”

It became easy to see that romantic love was not only playing a part in the story, but it was doing so in a way that didn’t negatively impact the author’s work. Instead, Oda used romantic love to enhance both character and story.

And this wasn’t going to be the last time, as One Piece Film: Gold gaves us something we’re about to consider in the following section, as Tesoro and Stella were depicted as lovers.

However, the greatest blow to this argument was delivered by something that not many people saw coming: SanPu's tragic love story

We already know that Pudding’s initial affection was just an act to fool Sanji and carry out Big Mom’s plot against the Vinsmoke family. But, as soon as she has her first genuine moment with Sanji, she develops actual feelings for him as the chef shattered the image she had of her own self for years. 

Needless to say, due to their respective crews being enemies, this relationship couldn’t become official, as Pudding gives Sanji a pretty romantic farewell... before removing it from his memory.

Here, romantic love plays a important role in the emotional narrative of the final scenes.

I could mention Kinemon and O-Tsuru, as well as Oden and Toki, but I think that would be overkill at this point.

Still, while the “no romance” myth got destroyed, the anti-shippers didn’t give up, those who saw how this approach became ineffective in promoting anti-romance just made their arguments undergo a microevolution. And this is where we get to the final stage:

“They’re in love... with adventure”

Given that the statment of “romance isn’t depcited” became completely useless, one would think that’s the end. But, instead of trying to encompass the entirety of One Piece, the idea came back to its origin.

All strawhats are “in love with adventure,” so accordig to self-aware anti-shippers, there will be no romantic relationships between members of the strawhat crew, because adventure is their only “love.” But, as the philosopher George Santayana once said: 

“Those who cannot remember the past are condemned to repeat it”

And even the old version of this argument started to shows some cracks at the Zou arc:

Nami was both happy and eager to receive Luffy and the rest, and as pointed out by perceptive readers, she could've ran to someone else, like Zoro, something some westerners in high positions clearly wanted, but I digress.

Instead, she went straight to Luffy and only then she let out how she felt about their current predicament with Sanji...

...people try to downplay it by saying the moment was all about the chef. But, the thing is, not only she could’ve ran to someone else's arms, she ran straight to Luffy, but also poured her heart out only when she was with him.

This scene was truly remarkable as it was not only impactful, but also consistent with previous developments between Luffy and Nami as seen in Oda's works.

As we already already analyzed multiple times in this blog, this matches the trend of Nami seeking (and finding) hope, comfort, and strength in Luffy.

While this isn't something explicitly romantic, this consistent bonding could likely lead to a potential growth and an eventual relationship upgrade if the author keeps working on it.

After Dressrosa damaged the credibility of their arguments, and the possibility of more development from characters so important to the story, anti-shippers had seen better days. But, that wasn’t the only thing that left another crack on the last anti-romance argument.

Let’s talk about One Piece Film: Gold

At this point, a lot of LuNa fans, and many people who read my post already how Oda changed the climax of One Piece Film: Gold, and his work speaks for itself...

...as explained in the special Volume 777, Tesoro was in a romantic relationship with a slave: Stella. Their romance ended up in tragedy when he failed to save her from getting bought by a noble.

If we see the climax of the movie, as well as Oda’s draft of the scene, we can see that the intent was for Luffy’s situation with Tesoro holding Nami in his grasp to mirror Tesoro’s own tragedy back when he lost Stella. And thus Oda drew a parallel between Luffy/Nami, and a romantic pair: Tesoro/Stella.

However, many people would find such things too subtle or simply insufficient. But, even if we ignore emotional narrative and trends, the real weak spot in this “no romance in the crew” argument, is the basis itself: “They’re in love with adventure”

This isn’t only a clever response, and a way to avoid the subjet. It is a reminder of what One Piece is at its very core. 

You probably don’t hear this one pretty often, but One Piece story is “romance.” In fact, here are some definitions that show how that statement is far more accurate than more people would imagine:

Romance:

“A mysterious or fascinating quality or appeal, as of something adventurous, heroic, or strangely beautiful”

“A long fictitious tale of heroes and extraordinary or mysterious events, usually set in a distant time or place”

“A narrative in verse or prose, written in a vernacular language in the Middle Ages, dealing with strange and exciting adventures of chivalrous heroes”

– thefreedictionary.com, 2016

“A prose narrative treating imaginary characters involved in events remote in time or place and usually heroic, adventurous, or mysterious”

–  Merriam Webster, 2016

Romantic:

“Marked by the imaginative or emotional appeal of what is heroic, adventurous, remote, mysterious, or idealized”

“Having an inclination for romance: responsive to the appeal of what is idealized, heroic, or adventurous”

–  Merriam Webster, 2016

Remember what’s the title of the first chapter of the manga? “Romance Dawn.”

The claim of the strawhats being in love with adventure fits the definition of “romance” in the framework of the series. But, does this concept exclude romantic love?

No, this narrative style can easily include romantic love if the author wishes to. In fact, as far as we seen, One Piece featured this kind of relationships multple times in the story.

So, trying to uphold this anti-romance phylosophy is ultimately pointless as the only argument left is not enough anymore, and the story already debunks most, if not all of the arguments.

Shippers take the anti-romance approach?

While anti-shippers don’t have a solid ground to stand on, some of their arguments are still used nowadays. Ironically, they’re used by shippers in an attempt to discredit rival pairings

This why the “no romance in the crew” lives on. More often than not, shallow shippers don’t even try to quote the author, instead they repeat what they hear or read in YouTube or Reddit. 

This applies to many newcomers that lack the time and patience to stomach a long-running series, as well as people who let their bias for certain characters dicatate their view on the story, something akin to the mindset that feeds the endless squabble of Zoro Vs. Sanji.

Still. the point is that the anti-romance arguments are now the greatest assets for pretty loud individuals to wage shipping wars out of ignorance and hate.

However, this doesn’t mean that there aren’t any active anti-shippers using these arguments. It’s just that LuNa seem to be their favorite target

But, that leads to the question: Why LuNa? Why are pairings like LuHan, SaNa or ZoNa seemingly getting ignored by anti-shippers for the most part?

Well, you guys probably realize I haven’t mentioned Sanji at all in the “Debunking” section. That’s wasn’t something incidental

By the time, the community rebuffed the idea of romantic love in the series, Sanji with all his corny flirting and pervy gags never made a dent in the anti-romance arguments because most people knew back then that being horny is not something romantic. Even when Hancock appeared, fans knew a well-written pairing could only happen if the feelings between the characters become mutual.

So, what makes Luna the favorite target of these people? What makes the pairing stand out to anti-shippers?

Is it because their consistent bonding is the perfect setup for a relationship upgrade? Is it because their moments are far more meaningful and impactful from a narrative standpoint? Or is it because the alternatives to LuNa lack the potential to grow? I’m not sure about it

Still, those who had seen all of this, know better. At this point, anti-romance arguments mean little to nothing in the story. And Oda will keep writing characters and human relationships regardless of what fans do or say.

So, instead of going around making noise about how “there shouldn’t be a romantic relationship in the crew” or trying to start senseless war between fandoms, we should enjoy the ride and see what Oda has in store for us in the final saga.

[skayafair]

John and Agency

I'm gonna be feral about Malevolent about John, of course, who am I kidding here for some time (we're SO BACK, yaaaay a hyperfixation!) so buckle up.

Another recurring big theme I've noticed that got some developement after part 40 is John's agency.

The thing he has to struggle with for the most part of the story is that he's utterly powerless. A former god reduced to a mere voice inside a man's head an the sight of his eyes. An arm and a foot give some leverage but it's still less than a human even, let alone any supernatural being. And while John is ok with being human - he wants to, after all, - he's not even remotely okay with being less than.

He rarely talks about it, but it shows so painfully in the mines, when he managed to cut the monster's tentacle from Arthur's head. Arthur wasn't doing anything, he was too overwhelmed, and it was completely John's doing. He managed not only do something influential on his own accord, but also be helfpul and basically save them both. Just how happy he sounded about it sells everything one needs to know about how he feels most the time. And Arthur dares to call him a parasite and a passenger who just sits back and does nothing, ugh. Not blaming Arthur here, he was in another Situation, but. I'm JUDGING anyway >:( And later, when he stitched Arthur up - John was so frustrated at how little he was capable of and how much effort it took to do this.

Another time his frustration shows is when he's talking to Kayne.

John HATES Kayne with passion and doesn't hide this. That's a remarkable thing, actually, considering that he's also a very cautious person and is afraid of Kayne, feeling just how powerful this being is. John doesn't deal with fear well. Whenever he encounters something frightening, his first response is a freeze one. And Kayne scares the shit out of him. Yet, every time John refers to him, it's with very audible animosity. John knows full well how dangerous Kayne is and doesn't give a damn.

If he could, he'd have obliterated Kayne. But that's the thing - he's p o w e r l e s s. So many times John tried to threaten him in anger with "I'll- I'll- !" - only to fall silent, because, well, he can't do anything. Couldn't have, really, even if he still had full King's power. But this stark contrast with Kayne emphasises just how little John is actually capable of in his current state.

And in part 40 it was reinforced again. Only this time after his little developement.

I LOVE this new ability to manifest. YAY FINALLY! I had a Hellsalem's Lot a.k.a. Kekkai Sensen AU when he could do exactly that, so it made me laugh to actually see this in canon.

It should help. Now John can do more. We don't know how much more - is his manifestation only a vision or he can influence the material world as well? Can he manipulate people's minds the way Yellow could? (John would hate this.) In any case, this is still... something. Something real, something of his own. A way to show the word he actually exists, and not only as a voice inside Arthur's mind. All John's issues with this considered, it a great thing.

So, now he technically isn't powerless anymore. He has power. It's better, right? Right?

Well there's a catch.

John won't ever be happy to be more present if it's on Arthur's expense, and that's exactly the cost his new abilities come with.

So while technically he has more power now, it's a "last resort" kind of thing. He can't use it much because killing Arthur is not even in the realm of the things he wants.

Still... I think it should have been euphoric - even if only for a short moment - to gain it. To feel more capable. To have more power. It's not an insane amount, after all, and in John's case is a perfectly reasonable desire - more like a need.

But how painful and devastating it should have been to be reminded by Kayne that he's actually still just as powerless as he was before? That this new ability doesn't change much? Kayne knows where to hit and does it every time.

Like, we know John is more capable now, and it's really great! But that moment when he had to shut up because there was nothing to say to Kayne's "you what?" has hit me like a truck :''') That was painful, like a "know your place", and John couldn't bite back. He was already drowning in guilt and this just made things worse. I don't want to imagine how he's feeling after all this :''')

[spiritsglade]

12, 14, and 21 for the end of year asks!!

HI BIRDIE !!!

12. Oh I have so many concepts. I have an entire list. They're all about Jason because I have a blatant favorite. Top three contenders because I can't choose:

Jason Todd de-aging fic where he ends up back at age 14/15 & insists upon solving his own murder. We'd have to go through the logistics of the whole reveal of who he is now and the fact that he died and also the handwavey explanation for why he's a kid for the foreseeable future. But after that! He finds out he died due to going after the Joker alone, decides that it doesn't sound like something he would do, and singlehandedly tries to solve what actually happened in that warehouse while everyone else begs him not to run around potentially retraumatizing himself.

Jason Todd died outside Gotham and experienced his rebirth through the Lazarus Pit also outside Gotham, and then spent a lot of time running around outside Gotham. Gotham, being posessive and upset about this, literally outright rejects him by the time he tries to step foot back in the city for Hush. Concept's extremely vague but there's this general theme of changing so much you become unrecognizable that I want to explore? Potentially this manifests as a ghost-adjacent version of Jason who retains his Robin appearance + perhaps a bit from his catatonic days on the streets, because I love forcing Jason to confront different versions of himself. Bonus Gotham is literally evil vs. All-Blades that destroy "absolute evil" exploration possible here.

The Jason Todd & Tim Drake get drop-kicked into a shitty alternate universe where Jason killed Tim at Titan's Tower concept we talked about! We're definitely keeping Bruce perma-lost in the timestream, with Dick as Batman and Damian as Batman's not-Robin sidekick, Jason's in Arkham but about as flippant about it as he is in B&R #23. I am daydreaming about the amount of angst I could fit in this one.

14. Animation! I'm not very good at it or patient enough, but it's a lot of fun. Here's a silly little thing I made a while back. (cw: flashing)

In terms of writing, this is the first year I've really started writing fanfiction about canon characters (as opposed to ocs set in a specific universe). The back and forth of cross-referencing canon material & sifting through how much canon I actually accept + being concerned about how in-character I'm writing someone is something I haven't had to worry about much before.

21. "Something" is very vague. Um.

piece of official media: Moon Knight vol 9 (2021) everyone needs to read this right now. It works better as a culmination of everything if you read, at the very least, Lemire's run, Age of Khonshu, and Moon Knight's tenure on the West Coast Avengers first. And probably others that I'm forgetting off the top of my head right now. Alternatively maybe just every single one of his comic appearances prior to 2021 because Jed Mackay is fucking brilliant at tying that shit into one satisfying narrative.

fic: Everything goes away by blingbland broke into my house and bullied me to the point of tears. It's a Dick & Jason fic where Dick ends up sent back in time to the few weeks before Jason dies in Ethiopia. I love time travel but in a very narrow and specific way that means I usually don't like how they conclude. However. This one? This one had me by the throat and executed everything perfectly.

[zahri-melitor]

20 Questions for Fic Writers Tag Game

Thank you @androxys for the tag!

1. how many works do you have on AO3?

I have 46 works on AO3 at the moment. There's a handful more spread over various other places, but at this point I've uploaded all of my back catalogue that I want to have archived there.

2. what's your total AO3 word count?

113,119 words. Which is pretty respectable given I tend not to write long pieces.

3. what fandoms do you write for?

Whatever is currently causing my brain to itch! At the moment that's most DC Comics, but I do have a few Yuri!!! on Ice drafts sitting around that I may or may not finish, at least one Girl Genius piece I could tidy up, a bunch of ATLA snippets, and I can frequently be provoked into writing Vorkosigan Saga if people pose the right scenarios.

4. what are your top 5 fics by kudos?

College Daze: a Yuri!!! on Ice SkyGem Retirement Challenge piece, where I don't bother with the reveal. It's three separate scenarios where people meet Yuuri as a college student in the US and don't know who he is. I'm entirely unsurprised it remains my most popular - it was a very popular challenge in the fandom and it's a lot more accessible and pandering to fandom tastes than some other stuff I write.

Find Out What It Means To Me: an immediate sequel to Yuri!!! on Ice, set around Japanese Nationals. Yuuri doubts himself but succeeds and finds how much love and support he has from the whole Japanese skating community. I love this piece because it's very much a balance of things I enjoy (fiddly technical details) and characterisation.

the picture frames have changed and so has your name: DC Comics. What if Dick no longer loved Tim? What if Dick got Morrison Disease? Ahahaha I think you all know this one. It's my big DC piece so far, so I'm not surprised it's up here. It also contains female characters that casual DC fans have never heard of in major roles, so I'm also not surprised it doesn't get the attention fanon-based material does in this fandom.

Little Chick in a Nest: Yuri!!! on Ice. Victor introduces Yuuri to Lilia, without realising that Minako was also a famous prima ballerina. The YOI fandom loves Minako's Benois, but it's a tiny set dressing detail; Victor probably overlooked it and nobody ever talks about Minako as a famous dancer. I had a lot of fun setting up Victor to put his foot in it.

there's an endless road to rediscover: DC Comics. Dick and Tim playfight in the Cave and Damian misreads the situation. I think this one is popular just because of the interplay between the characters, and it was my first attempt at trying to get my head around Damian as a character.

5. do you respond to comments?

Pretty much always. It's the time I spent on LJ coming through, because comments are for talking, and if you talk to me I'll talk back. If you're waiting on a response it's usually because I'm formulating some massive post. Also I tend to meet people where they pitch their comment - the longer and more detailed it is the more detail and discussion you'll get back.

6. what is the fic you wrote with the angstiest ending?

I'll hold your memory in my hands tonight. It's pretty hard to beat this one for angst in terms of the subject matter. (I still giggle to myself over the pun in this title because it's dreadful) Anyway CTE is something I have a lot of feelings about and they recently diagnosed two women as having suffered CTE due to domestic violence, which is horrific and really shows the long term problems and dangers from family violence.

Then there's A Duty to Your Family and Soft, Small, Silent, Still, one of which contains attempted infanticide and the other which contains canonical accidental toddler death, so you know. When I give heads up warnings I tend to mean them.

7. what's the fic you wrote with the happiest ending?

...Happiest? hmmmm. I have a bunch of fluff, but probably Find Out What It Means To Me for YOI, Herds of Little Vorkosigans for Vorkosigan Saga, and These Small Hours for DC Comics?

Yes okay that's two baby fics and the one where everyone tells Yuuri he's the best.

8. do you get hate on fics?

Almost none that I'm aware of; there's occasionally a bit of pedantry on the Vorkosigan Saga fics but that's from known notorious figures in the fandom and I largely ignore them. If anyone's busy having a hate on for my fics they're kind enough to do it the correct way, which is privately where I can't see it.

9. do you write smut? If so, what kind?

Nope. The closest I get is playing around with innuendo at times in my writing. I'd really rather insinuate and then fade to black, it's heaps less awkward to write.

10. do you write crossovers?

I was going to play good old 'what do you mean by crossover' as far as DC Comics goes, but the answer is a frank yes, because I've got a West Wing & Grease crossover drabble I'm Not Pregnant which is leveraging Stockard Channing appearing in both.

11. have you ever had a fic stolen?

Not that I've ever noticed, and I honestly suspect it's unlikely to happen. I would need to write things that get more attention than I currently get, designed to hit fandom popular tropes.

12. Have you ever had a fic translated?

No. None of my Vorkosigan Saga stuff is popular enough to get a Russian translation and it doesn't fit the preferred tropes of that end of fandom anyway.

13. Have you ever co-written a fic before?

Nothing I've ever specifically published as fic. I do have some commentfic over the years where there's been back and forth between me and someone else, but alas commentfic is a dying breed in fandom these days.

(and it's a LOT more informal than proper cowriting)

14. What's your all-time favorite ship?

All time favourite? Oh gosh. Probably Wally/Norah from Billabong, which hits just so many of my favourite notes for a relationship. Nothing for me will ever beat Wally throwing himself at Norah's mercy to confess that he would rather have died than Jim as he's 'nobody's dog', and Norah claiming him as her own.

I've loved those two since I was a little kid, and you know how it is with ships you acquire in that formative period.

15. What's a WIP you want to finish but doubt you will?

I remain hopeful about a lot of my stash but I just can't see myself finishing a piece I have about Steph's baby and Helena Kyle. It's a fun scenario, but I cannot work out the villain who came after them both, and so it remains a setting without a plot.

16. What are your writing strengths?

From what people have said to me: I'm pretty good at paring down language and telling a lot of story in small scenes and understatement. There's a bunch of compliments I've had over the structure of TES 34/64 that I treasure, and everyone lost their minds over "the shoes had eventually come in handy. For the funerals." in a gap where a parent should be.

18. Thoughts on writing dialogue in another language in fic?

Oh, this is something I have strong feelings about. I don't like loan words being translated and multilingual fandoms often have a working level of loan words that is higher than background use: think for example the amount of French commonly used when discussing ballet. So I tend to think you should use languages at the level of comfort that the fandom has for them.

It often comes down to the fluency of the characters in the scene - I think dialogue in another language can be quite powerful if some of the characters understand it and others don't, because you can leverage that variation in understanding in your audience. However personally I'm more likely to note what languages are being used in dialogue tags than arrange for a translation.

I do try to localise for word choice to the setting of a fic but at this point I've been in fandom too long and and I'm too stubborn to localise spelling for my writing.

Which means if I were to write Wellington Paranormal fic I would probably be using my extremely scanty Māori mixed through the dialogue; I wouldn't bother translating kia ora or whānau for instance. But on the other hand I'm not going to write in another language unless it makes sense for the story to do so.

19. First fandom you wrote for?

That I published? Harry Potter. Which I'm not ashamed of or upset over, really. It was a good fandom to learn how fandom worked in, and it certainly inoculated me against a lot of nonsense behaviour later on. I still have friends I made back then, I learned a lot about how Internet communities function and behave, and it's sort of weird to have things I was on the fringe of and have contemporary memories of occurring having become Fandom Lore.

20. Favourite fic you've written?

Oh damn. Hmmm. Look, probably the picture frames have changed and so has your name, because I'm super proud of myself for finishing it, but in terms of underrated pieces I have to to point to the Mother's Day series, particularly Tea for Two, because DC mothers deserve so much more love.

I don't have anyone specific to tag so let's make it an open offer.

[typewriter83]

Hi! I've been following your work for some time now, and I think you're such a prolifically skilled writer. I prefer the canon dynamic between Joel and Ellie, and the fact that their relationship has father-daughter themes but isnt purely that, yet also isn't romantic. However, I will dabble in some stories about Joellie and I do find that concept interesting. Just out of curiosity, I was wondering what your thoughts are on one of the OG fics, Flying to Wyoming? I noticed you mentioned it in a previous post listing fics. I know that while it's well-written, it's also considered a rather controversial (and at times, extreme) fic, and for good reason. I'm interested in seeing what other people think.

Oh, hello! First of all, sweet new cub, you’re too kind - I’m so touched that you enjoy my stories. Like sincerely touched. Thank you.

I came into the the TLOU fandom from the show, looking for Joel&Ellie stories, and had no interest in the romantic ship - shh, don’t tell the cubs - but it was fics that drew my attention and curiosity and eventually the brain rot sent in. I’m a fan of the canon dynamics too - minus Ellie’s treatment of Joel in Part 2, but that’s a topic for another day.

But yes, let’s talk about Flying to Wyoming because on the surface, it’s the quintessential Joellie story - discussion below the cut - it’s LONG, so buckle up.

FtW is one of those stories that I should have let lie, should have let it be a one and done, enjoyed it and never gone back. I read the entire 600k word behemoth in less than a week, which means I was speed-reading, skimming and not in great depth and detail. But at the end, those last paragraphs of the final installment, I was crying, like tears flowing down my cheeks and I wandered my house like I’d lost real people in my life. (Am dramatic, didn’t y’all know?)

The basic dynamics of the story are there - a sweeping epic, cross-country survival adventure where a teenaged orphan girl falls in love with her older male protector, one of the first people that’s ever protected her, ever put her first. Much like the canon story, Ellie starts off terrified of Joel and what he might be capable of, and Joel treats Ellie like cargo because he doesn’t want to get close to her and fail yet another that comes into his life. And, honestly, this story could have been a platonic story, 100% it would have worked - even with undertones of a teenager crushing on an older man, it would have worked. But, because of the twist the writer takes, we have a whole different angle that’s being built up to - trust me, guilt-ridden Joel is my bread and butter and there’s a lot of guilt in his inner dialogue. Ellie’s a very curious, horny teenager - which is pretty much on target for the character. I’ve written both these angles, myself, and so have others.

So, what’s my problem with it? It’s a lot. The change in dynamics after the FtW2 - it’s been awhile since I’ve read it, so if I mess up the timeline, that’s on me - Ellie is still 14 when they set out for SLC and the explicit sexual activities ramp up pretty quickly especially at the bed and breakfast. I’m judging here - okay, maybe a little, and I have no place to judge - but that’s a lot for a young teenage girl. My problem with it is simply a matter of opinion - Ellie was so young. Am I a prude? Was I sheltered? Maybe - or maybe it just wasn’t my cup of tea for reading material.

The writer is talented, his depictions of a broken world are brilliantly detailed. His depictions of how states would fight states and the scars left in the earth after battles that took place long before Ellie was born are gorgeously detailed. His descriptions of abandoned and desolate towns along the highways are incredible. Some of my favorite scenes come from their stops along the way, but namely the town at the edge of the Mississippi where they stop for bike repairs - it’s a real bonding moment for Joel & Ellie and the town’s description is vividly painted.

Those are my positive takeaways from the story - the writer draws you in with his depictions of the broken world and it’s part of the draw to the TLOU universe for me as well. The whole idea of two humans walking - or on the back of a bike - across a broken country, it’s just so compelling.

Back to the Joellie aspect of the saga.

It’s made very clear in the final story - which by the way is the best title: The Home at the End of the Road is just a perfect title to describe not only their home once they settle in Jackson, but Jackson itself is their home at the end of their long journey. I could weep - anyway, by the final story, it’s made clear that Ellie is considered an adult by end-of-the-world standards when she turns 16, and Joel is finally ready (at peace?) to give himself completely to her. I didn’t particularly care for the scene itself - it’s not how I would have written it, it’s not what I was looking for or expecting, but we’re not yucking on anyone’s yum here, it just wasn’t it for me.

The story jumps ahead by a good decade and immediately takes a sad, different kind of dark turn - we know Joel is mortal (for some of us, he’s not, but here he is) and the writer spends the last chapter showing that they’ve started a family but Joel’s mortality is this dark cloud over the home at the end of the road.

What I’m about to say next is entirely my opinion - I never had a chance to speak to the writer, he was long gone from ao3 by the time I read this story - this is my opinion. The idea of the war between FEDRA and surrounding communities felt like it was taken straight out of The Walking Dead - I don’t mean that in a bad way, just that it felt out of place for the universe. TWD and TLOU take place in different times beyond the start of their respective outbreaks - TWD is about 15ish years after the outbreak when the show ends and FtW is about 30-35 years after - that’s a big difference. I don’t think there are a lot of big communities out there in the TLOU universe - not like what was depicted in FtW, and an all out war against FEDRA. Again this is just my opinion.

When I set out to write Every Night Has Its Dawn, I wanted the epilogue to be an homage and draw inspiration from the final chapter of Home at the End of the Road. I wanted to show that living at the end of the world could be possible for Joel and Ellie and the family they have together. I was so devastated by FtW ending with not only Ellie losing Joel and one of her children, but then she loses her own life. It was too heartbreaking, and I had another vision.

That’s a lot of fucking rambling to get to the point. The story itself is a good story - the details and the way the Joel/Ellie relationship were written were not my cup of tea and I can see why you say that it’s an extreme example of the forbidden ship. It is. It’s a lot - there’s a lot of graphic descriptions of underage sexual activity, and it’s depraved, a lot of it. Does that make it bad? No, it makes it someone else’s enjoyment. It gives us writers inspiration though - there’s a lot he writes that I strive to write, but there’s a lot that I would change, and maybe did a little to fit into my universe.

Anyway, that’s my long winded take. If you stick around this long, y’all deserve a medal. Drop a line if you wanna add something to this. I would love to discuss more.

🫶🏻

[bylertruther]

That comment was so true, I was just thinking the same way. Old bylers were more open to criticizing the show's bad aspects and writing choices instead od trying to bend the whole thing to come up with excuses and explanations. Nowadays when you criticize a writing choice or something done by the Duffers you automatically get accused as if you've just committed a crime because how dare you think the Duffers aren't perfect genius writers that put everything intentionally without any mistake.

yeah! nowadays, in this corner, criticism is seen as a bad thing that you would never do to something you enjoy, and it's like... huh? it's okay to not enjoy something 100%. the duffers and co are not infallible and people don't have to like every decision they've ever made. that shouldn't even be something that someone on the internet has to say—existing as a human being in the world should've taught everyone that back when they were a baby.

even beyond that, as others have mentioned in other conversations, you can understand someone else's viewpoint just fine and still not feel as though there's enough relevant evidence to back it up, and feel hesitant because of how the duffers have consistently handled other plots.

like, personally... i struggle to be one of those #believers, because of how present the show's racism is in my mind. also, season three and season four are right there, alongside the show's misogyny and classism, too. and don't forget the little inconsistencies and anachronisms either! there's A Lot that i don't like and that i feel could've been corrected or reworked more effectively had they had a more diverse writing room or consulted others during the writing process. i like the general direction of the show, but there are a lot of details or ways they went about it where i'm like ://// man..

and.... controversial perhaps... but i feel that behavior is especially rampant in the byIer fandom and it manifests as the fanon that we can't seem to shake off.

mike does pay acute attention to will in some ways, but he's not the obvious lovesick, clingy, forever doting, golden retriever bf that people make him out to be [shout out to s2 mike tho he was built different 💔]. that fanon!mike is fans overcompensating for canon mike's behavior and presentation, which honestly has not been that fucking great as of late, purposely because he can't balance having both will and el in his life, among other mike-specific reasons, and because the duffers changed the way they wrote him post-s2. he does care about and love will, but not like many fans suggest, at least not yet.

but if you say that around here, you're seen as a freak weirdo mike hater talking about some ooc mike even though the show is right there and i could point to the 9384038049 times that mike forgot about will, brushed him off, was mean to him, or explicitly chose someone else over him. purposely! of his own volition!

and it also shows in how they babygirlified him, even though mike doesn't act like or look like that at all in the show, nor has he ever been described that way by anyone, whether in-universe or by the people that bring him to life.

And Don't Even Get Me Started On Will. Zon't.........

they had to recreate these new characters with mike and will's names and faces, because they didn't like what was on the screen. simple as that. but will they ever admit it? lmao.

as a fan of the show, and a fan of these characters and the stories they're representing, it's really weird to witness. there has been a distinct shift in the way in-fandom bylers talk about byler and the show and it started post-s2 when things started happening that they felt they had to correct. if they want to engage with the material in a way that best suits their tastes, fine. whatever. literally everyone does that. but to insist that the things that they say that go directly against canon or don't even exist within it .... are canon? and that everyone else using direct lines from the text are the ones projecting or twisting it or otherwise not appreciating the material? i have to laugh.

it's the same with other serious criticisms. if they can't create something to justify it, then they just brush you off as a hater because that's easier than acknowledging that maybe their precious bloated ensemble show isn't entirely perfect.

[blood-darkened-moon]

(1/2) What headcannons do you have if Alessa was evil? For instance, everything is the same except: in the first game she wasn’t burned for the ceremony, and was somehow extricated and went on to become one of the cult leaders (or the right-hand man), what would she be like if she was erratic and lethal?

Actually, I like that Alessa was not evil despite everything she had to endure. I find this more interesting than the stereotypical possessed/evil child or creepy little girl. Also, it doesn’t really matter here, I guess, but I want to mention that I only consider SH1-4 canon. I don’t care what Konami says, the other games are, for me, just fan-project spin-offs at best or horrendous bootleg trash at worst. Anyway, evil Alessa AU. I took some liberties with it regarding the source material, though.

Instead of being burned, Alessa made a deal with the incubus. The demon will stay with her. He grants and enhances her powers in return for human sacrifices.

The demon does not directly interfere with Alessa’s actions. He’s mostly there as an observer, but he talks to her in her mind. At least at first, the older Alessa gets, the more she changes. She becomes more and more radical and cruel. Whether these changes are of her own making or whether the demon is gaining more control over her, no one can say.

Dahlia was baffled when she saw Alessa walk out of the fire unharmed. She was the first who got a demonstration of Alessa’s new powers, but Alessa did not kill her yet. Half of Dahlia’s face was burned. She wore a mask in public to cover up the massive scar afterward.

Dahlia stayed the leader of the cult for several years. Alessa was her right-hand man, but many members started to worship her directly and saw her as a goddess.

In her early 20s, Alessa took over as the leader and sacrificed Dahlia in the flames, as she wanted to do with Alessa all those years ago. Claudia became Alessa’s right-hand man. She was her “sister”, always loyal and a believer. Who would be better suited for this position?

Many people in town joined the cult out of fear or because Alessa’s powers convinced them to become believers. She promises peace, health, and prosperity for her followers.

The cult can do whatever they want in Silent Hill and some neighboring towns, and their influence keeps expanding. The police won’t go against them. They even help to cover up the cult’s activities. Some police officers are also members, others are simply afraid of them.

Alessa’s first victims were some kids at school who used to bully her. She trapped them in the otherworld one by one and let monsters kill them.

She can drag people into the fogworld or otherworld at will if they fulfill certain requirements. The feeling of guilt or an overall negative mindset is helpful. Probably due to her connection with the demon, it’s even easier if they are sinners, have hurt people, or have committed crimes. If not it’s more difficult, but she can use a ritual for the same effect. In that case, Alessa needs a personal item or part of the person’s body. Some hair or a little blood will do. She can trap people there forever until they die.

Alessa herself can switch between dimensions as she pleases and take people with her in and out. The ritual with the personal items may be necessary beforehand.

The older Alessa gets, the more control she has over the fogworld and otherworld. At first, the areas covered by these dimensions were rather limited (about one building), but over the years, she learned to expand it so she could cover the entire town.

Everyone who opposes Alessa or the cult ends as a sacrifice. Most of them are burned alive or sometimes bleed out. Technically, it’s enough if Alessa kills these people or if she’s present, a specific method is not required. (She could just shoot them if she wanted). However, Alessa wanted a ritualistic approach for the show, and flame purifies all. Most of her victims are killed without witnesses, though.

The cult has multiple sacrificial sites in town. The most holy one is located in the otherworld and is only accessible with Alessa.

The people Alessa traps in the fog- or otherworld are usually sacrifices for the demon. She doesn’t have to kill them herself, she can just wait. Sooner or later, these people are killed by monsters, commit suicide, or die of dehydration or starvation (or they risk eating or drinking what they can find). Sometimes, even other people trapped there kill them.

Alessa enjoys it to see them suffer. She sometimes plays with them and promises them help or a way out just to lead them into their doom.

If these people are lucky and Alessa considers them worthy, they may have the chance of salvation, and Alessa offers that they can join the cult.

The area around Silent Hill became notorious for its disappearances, even though not even a quarter of the actual number is known publicly. The police usually claim these people went missing in the surrounding woods while hiking.

[2n2n]

the Sounds of Nightmares...

Well specifically I'm being baited by the stupid Sounds of Nightmares podcast, despite my own insistence that I don't care about aside material or really consider any new content commissioned by Bandai-Namco, and the scattered independent producers of all the various things under the property, necessarily relevant when analyzing the 2 games helmed by Tarsier Studios ...

Which-- I do stand by that ! Here is... an important... precursor, to talking about it.

I think who produces something is very important. It's not the franchise name which makes something enjoyable to you, it is what voice is creating it. If there were JSHK stories written by someone other than Iro-sensei, or if the property was sold off to another artist & writer, would you still be a fan of JSHK? This is how properties like... Warrior Cats (which is a book packaging deal comprised of at least 7 ghost writers), Star Wars, Marvel, work-- those characters, worlds, are not anybody's baby, but are loose concepts which people are paid to contribute to, to generate money as a franchise. It banks not on artistic integrity, but recognition of the property.

For example, I don't love everything that 'Adventure Time' is, or has become. It has passed through different directors, artists, writers, to the point that the original team who made it what I love, is not a part of something as derived as Distant Lands or Fiona & Cake. I also think somebody could like Fiona & Cake and not like OG Adventure Time. Because these are entirely different creations, with different vibes. I'm sure everybody actually has a relationship like this to SOME franchise! Liking early seasons of AT under Pendleton Ward, doesn't incline me towards liking how Adam Muto directs things, once he takes over. If my favorite board artists gradually leave, and are replaced, then I may not relate to the new voices writing episodes. I may not recognize what I loved in the original thing at all, in these new voices. OR sometimes, I CAN like a new voice... that's the roulette spun when things change hands many times.

I mean, people can like or dislike any Star Wars movie, as a mundane example. There is not 1 voice for all trilogies. Or extended universe novels. Or games. Or cartoons. Or Spinoffs. Famously.

By design, art created this way can't represent a singular vision, goal, or worldview... so as a result, these things tend to be haphazard, sloppy, inconsistent, roguely retconning or redefining aspects of canon as different writers or artists want to remake, reinterpret, or ignore set-ups proposed by others, in favor of their own. You'll have characters... often forgotten, brought back, killed multiple times, imbued with significance as quickly as they are written off. Some writer might introduce a concept which the next installment's writer hates. Individual teams or studios for different disciplines (one may commission a wholly different place to make an app game, a podcast, and a comic), may have hardly any communication with one another, and may only be working off of a loose lore bible or rubric. It depends on... the integrity of the franchise ... but almost by uhm, virtue of being a franchise, I'd say most don't... have.... integrity. Because it's often better to just throw more and more darts at a board and test what your audience likes .... artist integrity doesn't necessarily make something popular or speak to what the audience wants, after all. If anything I'd say being an artist with integrity makes one stubborn and liable to act regardless of what the audience wants ...

SO. all that out of the way....

Where all Little Nightmares bonus material is concerned, I take in each on their own terms, and don't necessarily absorb it all into my 'canon'. I mean, I feel LN2 entirely threw away what VLN did, by locking the 2 games in an enclosed loop.

I can't think "this aside comic EXPLAINS this thing from the games" when the games writers don't often acknowledge or engage with what those teams are doing.

BUT BY ENGAGING WITH THINGS ON THEIR OWN TERMS, I CAN ALSO BE LIKE... UGHH??? urhghgg... any random thing COULD beguile me. I mean, nothing is STOPPING ME from LIKING a new installment of Adventure Time, it's just that I DON'T like them, as fate has it.

I think the Sounds of Nightmares, is ,, HILARIOUSLY badly written, like from a quality or believability of voice standpoint. The dialogue is so cartoonishly bad. Feels a bit like a fanfic written by a 14 year old 😭 unfortunately it do be sounding like the exact kind of dialogue the writer of 1&2 has mocked & talked about swerving to avoid in his own work. Like the lack of subtlety... its so funny when LN1&2 are, entirely composed of subtlety.

but you know what I cannot resist, in my godforsaken bones ................................................... the notion of Mono & Six having been siblings in their previous existence. For The Love of God!!!! THIS AVVY BAIT!!!!!!!!!!!!! AAOURUUGHHH ... Mono as a little brother growing older, struggling with the idea of his big sister abandoning him, refusing to believe she ever would willfully do such a thing... falling down an oubliette of moral decay, torturing children & sending them into oblivion in his desperation to reach her. The concept that he may do all of that only to become trapped in a loop where he both doesn't fully recognize her, or himself, but is also continuously abandoned by her endlessly. But also Did Find Her, Did Reunite, Does Have Her. So maybe the kid torture was the right choice.

I LIKE THE IDEA!!!!!!!!!!!!!!!!!!!!!!!!!!!!! But it is mildly frustrating to engage with, because of the lack of... absolutes. I feel like the implications are intentionally opaque yet ubsubtle all at the same time (Six's theme softly plays as Otto shouts at recognition of her yellow raincoat.... he is perfecting tuning the frequencies of the nightmares... he comments on the eyes watching him.... a tan trenchcoat is seen in the seamstress area wherein bodies are made to tether children into this other realm... otto mentions the importance of donning many masks...). There is a plausible deniability to it, and I wholly believe creating Red Herrings tastelessly is expected of the property, given the entire bait-and-switch of VLN is you thinking that girl is Six, But No She's An Unrelated Raincoat Girl (why?) (it helps the franchise recognizability by there always being SOME sort of girl in the iconic raincoat.. how could you sell an app game without that visual cache?)

I think the threat of "is this Six? Wouldn't that be interesting...." is frustratingly imperative to maintain audience attention, while the open possibility of saying "naaah lol nvm" is important to 'save' the lore (particularly if the audience doesn't like or rejects an idea ... you can pretend anything was the intention all along retroactively). This is the madness of franchises... *rubs temples*...

so what do I have to say. I do think the writing is not good, but I think the concept is delicious. I would love for Mono to have created a device to communicate with the Nowhere (and it as a semi-reality semi-dreamspace IS original canon...), and I like that suffering is essential to reaching towards it. I would love the creation of this device to be the inception of the Signal Tower, I would like his only window into this world to be the thing that will entrap him, as if the two cannot exist apart. I would like Six as a long-lost older sister who escaped through her dreams, but perhaps anticipated her brother following behind her.

The vibes of Otto, are great. I love a guy muttering "my beloved..." about his sister, and pathetically whining about how she'd never leave him. I like how much "Sisi" sounds like "sissy". I love how he speaks always in possessives about her "my Sisi" while Noone also fsr validates this by saying "your Sisi". Yeah!!!! I like how absorbed his life is in this, like he's had no pleasures or joys outside of his sister, and is always yearning for her.

I would say it suits Mono's description of being "uncommonly single-minded. When he sets himself to a task, he rarely gives up before it's completed." He's a uniquely determined person, to a fault. The Thin Man erodes many in his terrible city, so corrosive is the humm of his Signal Tower. I would like all of the irradiated child remains found in the Pale City to be children he treated with his machine, who were not only lost to their nightmares, but trapped within the Signal's call.

Imagining Six & Mono's lives before winding up in this nightmare... I haven't had anything in mind; I like to engage in the world as it is now, on its own terms. I would imagine neither remember what existed before this, anyway. Suddenly being proposed "Mono was Six's obsessive little brother" is like being electrocuted. UGUGHHH... YEAH??????? FINE!!!!!!!!!!!!!!!!!! if YOU want to, SAY THAT.... !!!! to ME.... ! it's designed specifically to torment ME.... to test my integrity....

It is also kind of HILARIOUS!!!!! Ahhhhh imagine working tirelessly to reunite with your sister, only to have the demons that be give you the ironic fate of being unable to remember or recognize her in such terms, yet there is a draw, a pull, a sense to need to protect & keep her at all costs. And then what ! It would be amazing to fall in love with her, to find her beautiful. It would be amazing to fuck her brains out like that !!

For the mostpart I don't have... interest at all in Noone's, visions or what have you, it feels a little mind-numbingly episodic, but I could probably enjoy plenty of it fully visualized...? I don't really vibe the podcast medium as a tool for storytelling I am afraid; it feels simultaneously less than a book and also less than a visual medium. Not enough immersive prose or opportunity for shifts in perspectives a book could offer, limited duration, a kind of hokey amount of SFX and the need for a contrived framing narrative (which basically demands a lot of unnatural exposition to convey anything), really dampens it for me. I read it all as transcripts because that's a little more tolerable, but that just leaves me wishing it didn't need to be in a scripted format, and was .... a book .

My favorite concept it did bring forth, which well-aligned with my own impressions, was that seamstress room. I liked the half-made doll stabbed onto the table, and Noone feeling a connection, as if that was her, and all of these awaiting clothes. I enjoy the idea that one's consciousness is sort of split & hobbled when in-between reality & dream, until a vessel is made on this other side, which 'completes' you at last. I like the mythology of that, of needing a new body... exploring the 'doll' aesthetic we've got here.

I also like.... the notion of time not being linear, the Ferryman simultaneously existing for a lot of children. Since I'm only willing to engage Sisi & Otto as Six & Mono... I would love the notion of timelessness, that despite 'searching' for his sister for years, they might come into existence in this world at just the same time; maybe the Ferryman could have promised Six that her brother will come, & the matter of time is relative here as everything warps. They won't be apart, actually. I am FOND of the idea of Six & Mono's clothes coexisting in a trunk... despite Six having disappeared much 'before' his, in our world. Perhaps her body isn't finished being stitched together until Mono appears. That would be what I would like... </3 Maybe sissy only left because it was promised that you would eventually come.............. only the illusion of abandonment. To motivate you </3 come chase meeeeeee otouto