#i chose it

[anabsoluteagathokakological]

So.................when you knew I was a burnout eldest daughter of a desi household................I should've been informed through sOME DIVINE INTERVENTION THAT CHOOSING TO WORK IN CORPORATE IS COMPLETE SHIT AND YOU FEEL LOST AND CONFUSED AS TO HOW ALL MY DECISIONS WICH I TOOK ON MY OWN LED ME TO THIS UNHAPPINESS WHICH WASN'T THE FUCKING POINT OF IT ALL!!!!

[slitherpunk]

train car was empty so i used my gameboy camera

[ckerouac]

So, I really love the selection of Tim Walz for VP and it’s taken me a moment to articulate why. I mean, obviously, Dem bonafides, he’s sharp, he’s funny, etc etc. But everyone in the Veepstakes fits that bill, Harris was spoiled for good choices.

But Walz offers something that the other men in contention don’t that I think will be incredibly useful in combating Trumpism.

He offers an example and an off ramp to the section of men who felt like they were Republicans by default, and so support Trump by default. There are a lot of Trump voters who are full on obsessive, but that’s not who we’re talking to. We’re talking to folks who grew up in Republican areas, or felt their hobbies didn’t line up with who a Democrat was, or didn’t feel represented by their image of a Democrat. You want to see it so you can be it, you know? Which is why Harris is so inspirational to a lot of segments of folks, but Walz is too.

He served in the military. He went to a state college. He’s your favorite teacher from your public high school. He’s your football coach who actually cared if you were passing your math class. He’s the guy you looked up to at school when your family sucked but this guy cared, and he helped you get out and make something of yourself.

He’s the neighbor who helps you jump your car. He’s your uncle who takes you hunting. He’s your Dad who loves teasing you at the Stare Fair. He’s you when he makes a mistake like his DUI and takes responsibility for it, and when he has the chance makes sure other can come back from similar mistakes. He’s you when you and your wife want so badly to be parents and IVF gives you the family you wanted. He’s you when he says ‘it had to be me’ and used his standing and power to protect vulnerable kids sponsoring the GSA at his school.

He gives the real life example to these men that they can be that football, fishing, hunting family man who wants to provide for his family, be that powerful, respected member of the community and use that power to feed kids in school. That it’s normal to enthusiastically work for a boss like Harris. That yeah those other guys are fucking weirdos, and you’re not a weirdo, are you?

That there’s a place in the Democratic Party for them. That they don’t have to default to being fucking weird.

I hope those guys see this example of masculinity and go… yeah, that’s me. That’s who I’m gonna be.

[tanjir0se]

Disclaimer these are just a small sampling of some possible writer traits I’ve noticed either in myself or in fics I read. Also consider a rb for sample size !

[stew-magnetos-version]

Just looking at my cat and remembering her name is Diesel Chaos Drugs Winston. Hehe

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[mirrorhouse]

I've been a third all my life. Not saying that to fight, just saying that it's true. I feel like I get to pick one thing for myself, and it's her.

INTERVIEW WITH THE VAMPIRE | 2.06 + 2.07

[8pxl]

an example of real pixel art and explaining the pixel grid:

Thread on how to spot AI generated pixels by reyhkibanki on twitter!~ Might be a useful read to help you spot common mistakes AI makes when generating pixels. There's also a lot more info in the link!!

[itsdefinitely]

i've noticed a pattern

[scurviesdisneyblog]

Early visual development for Wish (2023) by Griselda Sastrawinata-Lemay and Brittney Lee.

An earlier version of the film saw Star take on a human form as a magical, glowing character inspired by Peter Pan. Ultimately, the creative team reconceptualized Star as an ethereal, playful entity resembling Mickey Mouse. "Now Star and Asha have an emotional journey. They are soulmates." -Allison Moore.

[yurtletheturtlehenderson]

has anyone checked in on aidan in a while, or...?

[sermna]

Just thinking about what their necromancer/cavalier relationship would've been like if they hadn't been pressed into lyctorhood :')

[planetsandmagic]

"even if no one else accepts you, I'll live with you"

[hattedhedgehog]

My embroidery of the Sera character card from Dragon Age Inquisition is now complete!

75 hours of work, 11.5x19.5 cm

-

[Image description: An embroidered version of the Sera character selection card from Dragon Age Inquisition. She stands atop a slanted tree trunk with her bow held suggestively between her legs, looking at the Skyhold tower in the distance, where the tiny figure of the inquisitor is present in the window. Mountains and turrets make up the background behind her.]

[melpackets]

[beif0ngs]

alright look, i just wanna know who is the writer that came up with the dumbass idea of replacing the line “Ever since I lost my son, I think of you as my own” with “Lu Ten would have been proud to have you as his father” in this scene for the Netflix live action series???