#i change their backstories and character every other day
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joculatrixster · 2 years ago
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everyone needs that one au they r batshit insane about but REFUSE to share lore for
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bweirdart · 2 months ago
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nearly oc-tober time again - time for some prompts for 2024
F.A.Q
do i have to draw?
not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)
do i have to make new content?
nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!
do i have to post every day?
nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want
can i start early?
you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!
can i re-upload your prompt list to another site?
i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!
event tag?
#bweirdOCtober
have fun!
image desc/text version ↓under the cut↓ or on bweird.art/october
prompts:
WEEK 1: OC INTRODUCTIONS
⭐ 1: FAV OC
what makes them your fav?
2: NEW OC
how recently did you make them?
3: OLD OC
how long ago did you make them?
⭐ 4: UNDER-APPRECIATED OC
an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like
5: RE-DESIGNED OC
an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?
WEEK 2: BUILDING BACKSTORY
⭐ 6: PAST
where is your oc from? what did they look like as a child?
7: LIKES
what do they like (and why?)
8: DISLIKES
what don't they like (and why?)
⭐ 9: RELATIONSHIPS
doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)
10: PERSONALITY
what are your oc's main personality traits
11: SYMBOLISM/THEMES
what represents your oc? is there a specific colour you associate them with, or a specific animal?
12: FUTURE
what will your oc look like in the future? do they have any plans or goals?
WEEK 3: FUN + GAMES
⭐13: MEMES
do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?
14: WHO/WHAT INSPIRED YOUR OC
are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?
15: MUSIC
share a character playlist, write a songfic, post lyrics that remind you of them, etc
⭐16: EYES CLOSED or NON DOMINANT HAND
draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!
17: DnD ALIGNMENT CHART
put all your ocs into a DnD alignment chart, or any other similar chart if you prefer
i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"
⭐18: SWAP
swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?
19: PALETTE CHALLENGES
draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)
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hex codes for the colours:
palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3
palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4
palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8
palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA
WEEK 4: COMMUNITY
20-26: A WHOLE WEEK OF SOCIAL STUFF
if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!
some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's
WEEK 5: HALLOWEEN
⭐27: FEARS
is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?
28: MONSTER
what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?
29: PUMPKIN CARVING
your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!
30: GHOST
this can be literally a ghost, or a concept that haunts your oc! up to you!
⭐ 31: COSTUMES
what are your ocs wearing for halloween?
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thewanderingkaya · 5 months ago
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when gentle meets calloused  .
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pairing: wriothesley x reader
summary: in which wriothesley wonders what’s so hypnotic about his hands (fluff + teensy bit of angst)
wordcount: 800
a/n: i love wriothesley and i love hands , why not combine the two? but seriously calloused and ruggedised arms and hands have me on the floor, especially if wrio is a boxer and has a backstory. g/n reader , a teeeeeeeny bit of wrio’s backstory , 2nd person (kinda omniscient) , lowercase on purpose , dividers : rookthornsartistry
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“did it hurt?” your hands trail over wriothesley's arms, fingers coming to trace the imperfections that littered his forearms. his bandages discarded which allowed you to have a clear view of his arms. strong biceps, he did nothing to stop you, only turning his head sheepishly.
as you lay idly on a small blanket splayed onto the grass, a breeze drifts, tousling yours and wrio’s hair. his eyes met yours as you looked up at him, awaiting his answer.
“well.. of course it did,” his gaze drifted to his hands then back to you, he tagged on, “you get used to it after a while.”
you hummed, your head rested on his shoulder. running you whole palm against his fore arm. you could feel wriothesley heat up, even without looking, you knew he was flushing. dry, his arm felt — not dry like sandpaper, but in a way more.. hardened — a contrast to your soft touch. 
wriothesley shivers as you trace a deep scar that hugged along the underside of his forearm, running down from his wrist all the way to the inside of his elbow. your smooth hands were so different compared to his rough and hardened hold, something that, even to this day, wriothesley always seems to be amazed at. you studied the mark, discovering that inside the scars, there seems to always be even more cuts and scrapes near the main body. who knew, something so brute could be so intricate at the same time.
these moments.. where you could study others, every blemish had a story. and with wriothesley, you knew that each scar would have a story, each scar contributed to the man you have come to love today. you treasured it.. 
 while you cherished his imperfections, wriothesley only saw them as such flaws. though he didn’t care if outsiders saw and judged them, he cared dearly about what you think. he tries to pull away every time they catch your attention, afraid something might spark and your feelings may suddenly change about him, or worse, you’d be afraid of him. wriothesley wasn’t prepared to take that risk.
“it’s not something i’m proud of either..” he breathes, just barely — though you caught his utterance. looking away as his hand relaxes in your touch.
“i think all your scars perfect.”  you sighed, your palm slid into his, “after all~ they are what made the most handsome and strong man i love today” you smiled cheekily up at him.
your comment made wriothesley crack a smile, along with a deep chuckle. you heaved yourself on top of him, his arms coming up to your waist to stabilise you. despite his cryo vision, he always had warmth emulating from him. like your own personal heater. 
“is that so?” he ran his hand through his hair in a mock flourish. “maybe i should show it off in public more often—“
“now hold on, mister,” you pressed a finger to his lips, wriothesley glanced down at you, “i don’t want anyone stealing my husband now.”
“I—“
“but alas—“ you cut him off, straightening your posture but still perched on his stomach. placing a hand on your chest, as if preaching your own monologue in mock rejection “I guess i can’t have everything to myself.. even the duke of meropide himself.” 
you got up to make a dramatic exit, still playfully in character. a hand grabbed yours, yanking you back down before you could get any further. planting a kiss sweet on your lips; your facade dissolving as you melted into his hold. 
there was no doubt you were a fan of wriothesley’s kisses, they were gentle but firm. your hand flew up to his hair, the only thing separating you two was the need for air. leaving you flushed a bright crimson and him a satisfied smirk, you tried to turn away, but being straddled in wriothesley’s lap didn’t really do any good to hide from him.
a warm hand brought you back face to face, he chuckled. “woah now, no need to be so jealous. i’m not going anywhere.”
“what? i not jealous!” you sputtered out — though it came out mixed with a nervous laugh — shrugging your shoulders.
“no, no it’s okay,” wriothesley let out a sigh mixed with a snort, you caught a scent of earl grey tea, bringing you back to that cup you had shared before he suggested you both leave for a short while to enjoy one moment of sunlight. of course it was only meant to be a brief outing to relax, only at a shore just beside the fortress of meropide. 
wriothesley seemed to be in no rush, so were you. even if duty calls — even in that dark and cold fortress with little to no fresh air — you still treasured even the briefest of breaks you had with wrio, and delayed getting back anytime soon. 
a nonchalant voice brought you back from your thoughts. 
“you should know,” he flashed you a corny smirk, rough fingers intertwined with yours, “this duke is all yours.”
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pinkiemachine · 7 months ago
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I’ve only done some light reading on Selina, but even so, details on her past seem few and far between. Maybe there’s a reason, maybe I just haven’t looked hard enough, whatever. Someone can enlighten me in the comments. What I do know, however, is that she’s eluded to have experienced some form of abuse as a child. Now, this research came on the heels of brushing up on the rest of Batman’s rogues’ gallery and I gotta say, abuse as a backstory comes up a lot. And I’m just sitting here, like, “There are so many unique people in this world with unique traumas and hurts that this feels almost cookie cutter.” Am I wrong? I just wanna be more specific and explore problems more intimately. So… Selina Kyle. What to write for her backstory? I thought a lot about who she is as a character present day—her playful aloofness, her decision to become a cat burglar, breaking rules as if they don’t exist, always on the run, never settling down with anyone long term, stealing nice things for herself—it led me to this backstory: When Selina was a child, she was horribly neglected. Her father was almost never around and her mother was depressed, anxious, under the influence of alcohol quite often, and wished she never had a daughter. Selina found that it was always easier to live as though she were invisible. If she never got caught making a mess or being noisy or causing problems, her mother would never get mad at her, or even a acknowledge her, and neither would her father if he ever showed his face. She never received birthday gifts—or if she did, they were pitiful—and all of her attempts of reaching out via gifts to her mother and father were rejected. She was never loved and grew to believe that the only way she would ever feel cared for is if she just took care of herself and only herself. She was good at being invisible, and so she became good at stealing. She treated herself to nice things whenever she felt like it, and she rarely ever got caught. She never made close friends. She never really fell in love. She built up walls so high that no one could ever break them down… until she met Bruce. Suddenly, here was a guy who could consistently catch her red-handed. Who told her she needed to stop robbing people. Who believed she could be better. Who saw her. And even though she kept double-crossing him, escaping his grasp, and escaping justice, she found that it was a little bit harder to return to crime every time. She had always found him attractive… but the longer they chased each other around Gotham, and the longer he showed that he wasn’t going to ignore her or give up on her, the more that attraction turned into a deep feeling that Selina had never felt before. True love. She was scared of it. She didn’t know what to do with it. It was completely the opposite of everything she had ever known, and she secretly didn’t think she deserved it. After all, she was a criminal. She was a “bad guy.” Someone who stole from others for pleasure and profit. And yet Bruce believed she was a good person deep down. He believed she had the capacity for change. And in time, he would find himself falling in love with her too. By the end of their story, naturally, those walls had come crumbling down and they had each learned how to love again, something they both thought would never happen to them. 💜
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mayrose713 · 26 days ago
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Beautifully Cruel World-Chapter 8
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Series Masterlist | Previous | Next
ABO Non-Idol Stray Kids Universe Poly OT8 x Reader 18+ MDNI
Warnings in the Series Masterlist as well as any other information needed
⚠️Caution before reading⚠️
There's some deep conversations in this chapter so I advise to read with caution. A warning is there's heavy talk of Woojin, please remember the names and faces used here are just that, names and faces, and in no way reflect the real people the characters are based after. The actions, views, personalities and characteristics of these characters do not in any way shape or form reflect their real selves. This story is all for fun so please keep it that way. No hate. It took me a good two days to write this chapter with many breaks in between. I wasn't sure how I should write Y/n's backstory and had decided on trying to make it more relatable. For anyone who's used to reading my stories either on here or other platforms know I write a lot of things based on my own personal experiences so I can write better endings especially with comfort characters. This series is no different. Please know that I did exaggerate parts of it and everything that happened was years ago and I have gotten away from it. Thank you now please enjoy.
Chapter 8
Y/n’s dry heat lasted four days. Four days of them all taking turns cuddling with her in the nest keeping her fed and hydrated. Every morning and night Minho would kick everyone out of the den and apply the creams to her now mostly healed wounds and make sure she takes her medicine before helping her change into new clothes having been sweating through the previous ones each time. 
The worst day had to have been the second when she became super emotionless and just seemed to be a shell of a person. Her scent even became almost nonexistent. But they stayed with her especially when it caused her to sub-drop that night and they barely got any sleep trying to make sure she didn’t drop too deeply. 
They all slept in the nest with her every night, well except for Hyunjin. He didn’t come home the first night and snuck in the second night when they were all dealing with Y/n’s sub-drop. It was the third morning when her scent went back to normal from it that his beta started telling him she’s his fated mate causing his stomach to drop and his heart to ache. 
He would go downstairs occasionally, pretending to grab a drink or food and would subtly check in on her. That night he silently cried himself to sleep on the couch wanting to be close to her but knew he had fucked up. The fourth night after he cried himself to sleep again Changbin grabbed him from the couch and carried him to join everyone else in the nest. 
Hyunjin woke up the fifth morning in the nest with Jeongin hovering over him curiously. “Hi Innie.” 
“You better apologize to her.” The alpha tries to act dominant but it doesn’t last long as he pounces on him. “I’ve missed you, I hate when you act like that.” 
“I’ll apologize, I promise.” Hyunjin pulls the pup closer to him, happy to be with his mates again. 
“Mins going to kick us out soon to do what he needs to.” Jeongin whispers nuzzling into the betas neck.
And the youngest was right, as soon after Minho kicked them all out and moved to the omega to wake her up. “Come on kitten.”
“Let me sleep, Min.” She rolls over.
“Look at me, omega.” He places a hand in her hair and rubs gently as she whines and looks up at him.
The alpha sighs in relief when he sees her eyes are no longer foggy as they have been.
“You okay baby?”
“My body aches a bit.” She yawns and stretches. “And I need a shower.”
He smiles down at her, happy the dry heat is over. “How about a bubble bath instead? I don’t think any of us are ready for you to be alone quite yet.”
“I’m pretty sure we’ve established already that you need to take me on a date first before you can get my clothes off.” She smirks causing him to give an evil grin.
“Kitten, I’ve been taking your clothes off for the last four days.”
“Yah!” She blushes in embarrassment and quickly covers her face with one of the nearby blankets. “I’m sorry you guys had to do all of that.” She whimpers and Minho grabs the top of the blanket pulling it down to see her face.
“You don’t have to apologize for that, baby.” His hand finds its way back into her hair. “You never have to apologize for things like this. We’ll take care of you, always, no matter what. It’s what packs do, especially for their mates.”
“But I’m not even pack.” She frowns. “And I’m not mated to you guys.”
“You are pack, no one can say otherwise.” He smiles at her. “And we’ll get you mated to us soon enough.”
She blushes again and he can’t help but fawn over how cute she is as he moves his hands down to her sides and starts tickling her.
“No, Min, stop.” She laughs trying to wiggle away from him.
“Only if you promise to stop frowning so much.”
“Okay, okay, I give.” She giggles, he stops and smiles down at her.
“There’s that beautiful smile.” 
Chan pokes his head in the door. “I heard her laughing, I’m guessing it’s over?”
“Yeah.” Y/n sits up properly and the alpha sighs walking into the room moving to the nest. 
“You scared us a little, baby girl.” He pulls her to his chest. “But you’re good now and that’s what matters. How are you feeling?”
“A bit achy and in need of a shower.”
Chan frowns a little at this. “How about a bubble bath?”
“That’s what I told her too.” Minho smiles.
She rolls her eyes. “I don’t need all of you sitting in the bathroom while I take a bath. I think I’ll be okay alone.” 
“For our sanity, please just let one of us sit in there with you.” Chan tries to negotiate. 
“Fine.” The omega crosses her arms. “But it’s going to be Felix who does.”
“Deal.” Both alphas agree.
“I’ll go start it and let Lix know.” Minho stands up.
“Make sure to use Hyunjins expensive bath salts and bubbles.” Chan smirks. “He deserves it after how he was acting.”
Minho nods with a smirk and leaves the den and Chan turns back to the girl.
“My memories are a bit hazy from the last few days but I remember Seungmin helping me when it first started.” She whispers. “But I don’t remember Hyunjin ever being around. Is he still not happy?”
“Well I’ll tell you this.” The alpha coos at her. “Jinnie cried himself to sleep on the couch the last two nights and Bin had to bring him to the nest last night. He hasn’t said anything about you being her for the last two days and considering that and the fact that he was not so subtly trying to check on you, I think he’s realized how badly he fucked up. Just like Minnie did.” 
Y/n nods but also feels guilty for being the reason the oldest beta was crying himself to sleep.
“Sooo…” she rings her fingers together. “What’s going to happen now?” 
“You’re gonna get washed up and it’s the last day you need to take the antibiotics and do the creams.” He explained. “And then we’re gonna sit down as a pack and discuss everything.” 
She nods and starts to overthink about how the pack meeting will go but doesn’t get to worry for long as Felix rushes in tackling her into the nest.
“Hi sunshine.” He purrs. “I’m so glad to see you’re better now.” 
“Hi Lixie.” She nuzzles into him.
The older omega turns to Chan. “Can I take her now?” 
The alpha can’t help but smile at the two. “Yes baby, you can take her.” 
Felix grabs her hand, dragging her out of the nest and into the large bathroom on the first floor where Minho is just turning the taps off for the bath. The room smells of bath salts and the tub is full of bubbles. 
“I put your clothes on the counter.” Minho motions. “And I’ll be back afterwards to help you apply the creams. Lix keep an eye on her. Shout if you guys need anything.”
 Felix turns away as she strips and gets into the bath and once she tells him he’s good he sits against the wall next to the tub and talks with her as she soaks. He helps her wash her back then her hair and once she was ready to get out he left to get Minho again as she dried off and changed into shorts and a bra for the alpha to help her with the creams one last time and after getting her shirt on they head into the dining room.
“Y/n.” Seungmin comes over to her. “I’m really sorry…”
The omega hugs him tightly, surprising him. “It’s okay.” He relaxes and hugs her back. “Thank you for helping me.”
“Of course pup.” He buries his nose into her neck.
“I’m also really sorry for how I acted.” Hyunjin stands nearby. “I know it’s going to take some time with everything I said but I’ll work on it as I know now that you are our omega.”
Y/n smiles at him and nods as Seungmin lets her go and everyone moves to sit around the table to discuss everything. 
“So first things first Y/n.” Chan starts, sitting across from her. “You wanted to tell us about what happened before we found you. If you’re not ready yet that’s okay, just let us know when you are.”
“Hyunjin and Seungmin also wanted to explain themselves for how they acted.” Changbin explains, sitting between the two betas. “It will also help give you some understanding about the pack's history.”
Seungmin sighs, leaning back against the chair. “As you saw in the pictures in the tenth bedroom upstairs, we had another pack member, another alpha. That was his room.”
“His name was Woojin.” Hyunjin crosses his arms. “It was back before all of us officially became each other's mates but we had all been discussing it as we understood we were each other's fated mates. We had also all agreed we would be looking for you, our fated omega.”
“But Woojin had other ideas.” Felix growls which was the first time she’s ever heard something like that from him.
“Woojin didn’t see omegas the same way as we do.” Hyunjin watches the omega like beta. “He was very much not accepting of how Felix is when he finally had the confidence to explain his omega tendencies to us.”
Y/n grabs the other omega’s hand for both his and hers comfort. 
“We also saw it very quickly as he had started treating Lix poorly.” Jeongin grits his teeth. “Was treating him as though he wasn’t a person and we couldn’t accept that.”
“I understand that.” She whispers looking down at her and Felix’s intertwined hands. 
All of their hearts break hearing her words. 
“Innie was a late presenter and was a pretty fresh alpha at the time.” Minho pulls the youngest to him. “Because of it he was still learning but he knew to be protective of Lix as though he was his omega and it caused a nasty fight to break out.”
“We knew we couldn’t keep someone like him around.” Chan’s fist is clenched on the table. “We told him he had to leave which caused an even worse fight.”
“There was blood.” Jisung shudders. “And later we found out he had assaulted someone in town.”
“That’s why we keep his room off limits.” Seungmin motions upstairs. “Whatever he left and any photos with him in it the alphas packed up in boxes and left them in there.”
“After that we all agreed for our sake that eight is fate.” Hyunjin whispers. “Why Minnie and I weren’t happy about your presence here. We were afraid of something like that again. Getting attached just for you to do something to hurt us and leave.”
Y/n nods in understanding, unsure what to even say after hearing all of that as she’s still looking down at hers and Felix’s hands. She tried to speak a few times, opening her mouth only for nothing to be said.
Chan gets up and walks over to her chair pulling it out a bit so he can kneel in front of her. “What’s going on in that head of yours, baby girl?”
“A lot.” She mumbles looking at him. “Everything you guys had said as well as me trying to figure out how to tell you my situation.”
“You don’t have to tell us yet if you aren’t ready.” 
“No.” She shakes her head. “You guys need to know.”
“Are you sure?” Felix squeezes her hand. 
She nods and Jisung scoots over to the empty chair on his other side so Chan can take his seat to be next to the omega. 
“Like Innie, I presented late.” She sighs. “My family consists of mostly betas. The only alphas being my grandfather, uncle and youngest cousin. I’m the only omega in several generations in the whole pack. Both my parents, older brother and four younger siblings are all betas. As well as the rest of my aunts, uncles, cousins and grandparents. Most other pack members are betas with the occasional alpha.We all originally thought I was one too until I was seventeen and had my first heat. Even before then though I was treated differently.”
“My grandfather is the pack alpha. I was the oldest girl so there were a lot of expectations put on me that I was never able to meet. From a young age, every family or pack event I was the one to do everything. Clean, help cook, set everything up while all the other kids got to play. They would tell me to do several things at the same time and if I didn’t get something done in the time they wanted because I was doing the other stuff first I was reprimanded and punished. If my older brother tried to help me I was reprimanded or punished for putting my load on him instead of just doing it myself.”
“What would they do?” Jisung asks, leaning his head on Chan's arm. 
“At first it was just more chores that would just get stupider, like dust underneath of the dining table or not let me play with the other kids at all or say I didn’t deserve presents on Christmas and my birthday.” She sighs. “As I got older it became I wasn’t allowed to eat or no one was to talk to me for the whole day. Then it was all of that and I was locked in the basement away from everyone for a few hours. Nothing to really physically harm me as my grandfather wanted to look good as the pack alpha.”
Chan looks down at her still slightly bruised wrist with a raised brow. “I’ll get to that.” She whispers. “Everyone in our pack lived in the neighborhood so we were to always put on an act that we were the perfect family.” Y/n couldn’t help but to chuckle as she shook her head. “But we were far from that. My older brother never wanted to come around so my family would use the excuse of how hardworking he is, being busy with school and work. My parents separated and my dad left the pack and mated with an alpha female ten years younger than him and had my four younger siblings. My mom was a verbally, emotionally and mentally abusive alcoholic and anytime she fucked up, pissing her parents off they took it out on me. Would ignore me for weeks or months until I apologized, for I never even knew what, just for it to happen again not long after. Would “forget” to pick me up from school, leaving me there after they’d get my cousins. Prioritized everything my cousins had over anything I had. The worst having been the first time she went to rehab when I was fourteen.”
The omega takes in a deep breath as Felix pulls her closer to him for comfort and Chan places a hand on her thigh. “When I presented my family’s first reaction was to find a doctor who would administer the suppressant injections. The pack didn’t know and they were gonna make sure it stayed that way so every month, on the first, I was taken to that doctor to get the injection done. Wasn’t pleasant, it was painful, felt like it was burning in my veins for the first twenty four hours. I still went to school and graduated high school, even took a year of college. My mom was the main one who kept my food intake restricted to protein shakes and salads. Said that if I ate anything other than that then I would start to become curvier like an omega and they couldn’t have that. She got worse and she went to rehab for the second time when I was nineteen. Then again when I was twenty, then twenty two.”
“And again last week.” The boys were all shocked by this as their eyes widened. “My grandparents said I should stay with them while she's there since my older brother is nowhere to be found. Well at least that’s what they think, he was fed up with them and our mom that he moved to the northern side of Seoul and cut contact with all of them, but I’m the only one who knows that as he’s only kept in contact with me for the last year. He had tried to stay around as long as he could for my sake but he just couldn’t. I don't blame him. I should have realized that staying with my grandparents was a bad idea… They treated me as their maid and slave. I was fed up after the first day and told them I was going back to my house, that I’d be fine by myself. My grandfather said I don’t get to talk to them like that and how I’m a spoiled little bitch that they’ve been going easy on. How they’ve been so nice to me to help keep the illusion that I’m a beta but what they were telling me to do was how an actual omega is to be treated and I should act like one. I yelled at them about how they hate me being an omega and won’t let me be my true self so why would they treat me as such now?”
“That really pissed my grandfather off since he grabbed my wrist as hard as he could, dragging me across the house before… throwing me down the basement stairs. He continued to yell at me as I had gotten up trying to run up the stairs and maybe get past him but he blocked my exit causing me to run into him. After I fell back onto the top step he kicked me in the ribs pushing me down the concrete stairs again, hitting every step on the way down to the bottom. He shut and locked the door and turned the power off down there.” Y/n could feel how angry they all are at this point, the alphas growling softly, the betas clenching their fists, jaws locked, and Felix is now holding her protectively. “Even though I couldn’t see I could feel the bruising and the gash on my arm bleeding. I was kept down there for three days in complete darkness, with nothing to eat or drink. The day you found me was my aunt's birthday so they were letting me out to set up and prepare for it. It was the only opportunity I had so as soon as I was let upstairs I ran for it out the door, only able to grab my car keys on my way out. They yelled at me that if I leave then to never come back, saying that the family and pack would be better off without me. I drove as far as I could with what gas I had left. I thought about going to my brothers but I knew I didn’t even have enough gas to make it to the city or any money to get more. So when my car dinged in need of gas I pulled over as the first public place I saw.”
“The park.” Jisung is in tears as he clings onto Chan and Y/n nodes as she can feel Felix shaking as he holds her, knowing he’s also crying as he buries his face in her neck.
“What would you have done if we hadn’t been there?” Chan grips her thigh. 
“I honestly don’t know.” She whispers and grabs his hand trying to hold back her own tears.
“What do you wanna do now?” Minho hugs Jisung from behind as he leans over to look at her. “If you wish, we can take you to your brother's place.”
“Minho?” Jeongin lowly growls. 
“No Innie, he’s right.” Changbin sighs. “We said it was up to you, pretty girl. If you want to stay you’re welcome to but we aren’t going to force you. So we can take you to your brother if that’s what you want.”
“But you have to promise to keep in touch with us if you do.” Hyunjin smiles at her.
“You guys truly want me to stay?” She looks at each of them in hope. “All of you?”
They all nod in agreement giving a course of ‘yes’s’.
“Then I’d like to please stay.” She whispers and they all sigh in relief. “Is there any chance I’d be able to call my brother though, so I can tell him what happened and that I’m alright?”
“Of course, baby girl.” Chan lifts her chin to look at him. “Just let one of us know when and you can use our phones to do so.”
“We need to take you to get clothes here soon, while we do that we can get you a new phone set up too.” Jeongin stands up and comes around to pull her from Felix to hug her. “That way you will be able to stay in contact with him. You’re safe now, we promise that you’ll never have to go back to your grandparents again. You’re a part of our pack now.”
“Thank you.” She tears up.
Tag list: @pixie0627 @sinfulfic @estella-novella @mbioooo0000 @ms-flowergirl
@blindspot143 @ihrtlix @arishoriasims @fic-for-readers @motheraiya55
@hwangrfrnd @lxvxchxrlxttxbxrsx22-blog @juskz @borahae-reads @dreamerwasfound
@galaxy4489 @kayleefriedchicken @lostgirlinthewoodss @catkight @royal-shinigami
@notevenheretbh1 @passionandsuga @m00njinnie @sukss
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This is a fandom related thing. I will say that right off the bat, but I needed a few extra opinions on this since it feels like I am alone on this.
AITA for killing off my OC in a group rp?
For some context, I (using the name Snow for myself) joined a group rp with some other people where we would come up with a plot together. Everyone would be using original characters (OCs) It was agreed that the things that happened would be voted on, but people were not allowed to control what other people did with their OCs. It is the whole "my oc, my rules" thing. For those who don't get it, it basically means that since the oc is yours, only you get to decide what happens to them.
To the story. I had plans I wanted to do with my OC. I wrote her to be someone who was secretly working for the villains and was only tricking the others into thinking she was their friend. The only other people who were aware of this were the moderators, and they had approved of it.
What was the problem then you may be wondering? Well the problem was that another member, I'll just call them Star, had said that they had gotten an emotional attachment to my OC. Which I personally found weird, so I typically tried not to be stuck alone with them.
When it came to reveal the plot twist with my oc, Star had a freak out upon finding out. They started crying and complaining that it wasn't right to do that and they could not picture "their" emotional support character doing that. The other members decided to comfort Star. They always sided with Star and acted like they were oh so special. The others were saying that this was all just a joke and that it wasn't actually going to happen. "It is just a joke right, Snow?" they had said.
And I replied with. "No. It's not a joke. My oc has been working with the villains the whole time."
Star's response was to have a meltdown over it, saying that I was out to hurt them and ruin their day. So I ended up getting a message from the moderators asking me to change my OC's backstory as to not upset Star further. They ended up telling Star that it would be changed to just having my OC be mind controlled the whole time.
This was not something I agreed with, but I pretended to play along begrudgingly. I hated that the group decided to treat my OC like she belonged to Star. But I played along and came up with my own idea. There was a plot point that came up in the rp that would have someone die off, so I took it as my opportunity to kill off my own OC. If I wasn't allowed to do what I had planned for her initially, then she wasn't going to stick around anymore.
After I killed her off, Star logged off and vanished for an entire 3 days. All the other members constantly messaged them to try and get a response from her, but they did not answer until they returned. When they logged on, they said that they had to a panic attack over what had happened and felt hurt that I would do that.
I just responded with "my oc, my rules. I quit this group." Then I quickly went through and deleted every little bit of information I had shared about my OC with that group before leaving their discord. After, I got a lot of messages from all the members, about sending the information so that Star could continue playing with my OC since she was their comfort character and it wasn't fair I was doing this to them especially after their panic attack. I said no and blocked everyone who had asked me that.
Sure I feel bad that they had a panic attack, but I felt betrayed that everyone else was willing to bend the rules for them and allow them to control my OC. Even if I no longer use said OC, I still wouldn't let them have her. This is still my property and I stand by the "my oc, my rules" thing.
So AITA for killing off my OC?
What are these acronyms?
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noetnoet · 1 year ago
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Lifechanger - DEMO
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Lifechanger is a 18+ real-life romantic drama where you'll play as a teacher who just started a job at a special school.
Content warnings: explicit language, (possible) mention of child abuse, mental health and (possible) unhealthy relationship.
The content warnings may change!
A few days ago you got a job offer at a pretty famous school, the Smith's Academy. You get a good salary, you live only 20 minutes away from the school, and you get a big starting bonus. Sounds perfect, right? Well, it is not as good as it seems at first.
This school is for troublemakers. The bad ones. Most of the kids are misunderstood, some are born evil and others just have the worst parents who put them in this school for no good reason. They all have one thing in common, they make the school feel like hell on earth. Not only the children will make your life harder, but also some of the adults are quite the challenges. This story focuses on relationships and mental health.
This job will change your life forever, whether it's for the better or the worse will depend on your choices. Welcome to Lifechanger.
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Character Customisation. Choose your appearance and gender, and choose one of the 3 backstories. Will you deal with your past or let it consume you?
Play as a teacher. Choose between 3 students you can meet. Change their life for the better or the worse.
Romance. Romance your charming boss, an elegant co-worker, or a sweet mother of one of your students.
Complex Relationships: Everyone has secrets perhaps; someday they will come to light. Can you truly get to know your lover and friends?
See how your actions change the actions of those around you, good or bad. One thing is sure: Your choices matter a lot.
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Danny Smith [M]: Your charming boss. At first he looks stoic and cold at first , not kind at least, but in reality he has a hard of gold. He enjoys working with kids and the school is everything to him. Maybe too much for him. He is very social but it looks like he never lets anyone get close. Can you truly capture his heart and get to know him?
Alice Smith [F]: Just like her uncle quiet charming, a bit too confident sometimes but it makes her quite attractive. She is the school psychologist and has helped a lot of children already. But not like Danny she seems to seperate work and life more. She cares for her students that is clear but there is something...sly about her. Can you figure out who she truly is?
Dolores Richards [F]: She is a secret fully. Yes she is kind and looks sweet but there is something about her. She married her husband while she was in college, it all seemed perfect but lately things have changed. Can you help her figure out what she wants?
Lisa: One of your students who is going through something that changes her life forever. Can you help her or will you only drive her further into her depression. [1/3 kid stories you can follow.]
Oliver: The son of Dolores and a student of yours . Although he is dressed well and he gets anything he wants from his parents, the things he needs most are neglected. Can you help Oliver find a way to feel fully loved again?
Jaden: A boy born in a poor family and although not on purpose neglected by his parents. He spends his days in school and at work trying to earn enough for his family. Can you find a way to help him and his family?
Other
Lifechanger is currently a WIP. The demo is at 14K. I am planning on updating every 2-4 weeks with a new chapter, the story will be between 30-40k words long. This is my first story so i’ll be keeping it fully free and i hope to learn a lot from it. Don’t be afraid to give me tips or help with my grammar.
Thank you for reading this!
Demo
Feedback
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annymation · 1 year ago
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Reimagining the characters in Wish
(Part 1- Asha)
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Hey guys! I don’t really know how to start this, but let’s just say that I… Didn’t like how Disney’s 100th anniversary movie turned out, like at all.
But I can tell there was a lot of unexplored potential beneath this story, that in my opinion felt overly simple and bare bones.
But if you love it, that’s awesome, more power to you, I wish I could’ve loved it too. And I don’t want to rewrite it to show I’m “better than the writers at Disney” because I’m definitely not lol, I have no experience in writing, and I’m sure they put a lot of passion into the project and I respect them for that. But this movie inspired me with ideas for a different story that I think is worth telling.
But I won’t start telling it today, instead, I'll start a series of blogs sharing my ideas for changes in the characters and their stories, after I get some feedback I will start posting more of the story itself.
If you’re interested, then come along!
Asha✨
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Personality
- Asha is a 18 year old girl, with a passion for drawing and helping those around her, sometimes even worrying more about helping others than helping herself
- She’s like a big sister to her 7 friends, always being the voice of reason and acting responsible, but not in a bossy way, she’s actually very playful with them
- To the people of Rosas tho, she's seen as kind of a weirdo, for you see, she spends almost every time of the day drawing in her sketchbook
- She practices everyday to become a better artist, and the people of Rosas find this to be very peculiar, after all, why would you take so much effort to perfect a talent when you can simply wait to turn 18 and wish for the king to make you an amazing artist?
- Asha doesn’t mind these comments, although they have made her less willing to share her drawings with others that aren’t her 7 friends
- As the story progresses we see Asha flourish from a shy and introverted girl to a brave woman who after discovering a terrifying secret about the kingdom’s rulers, steps in and inspires others to join her and fight an evil sorcerer king and his alchemist wife (yes, I made Amaya an alchemist, more on that on part 2 when I talk about how I’d change Magnifico and Amaya)
- Some Disney characters that share similarities with her personality wise are: Belle, Tiana, Pocahontas and Esmeralda
Main Traits:
Calm and mature
Determined
Passionate about her interests (drawing, dancing, philosophy and stars)
Helpful and generous
Perceptive and always questioning things around her that no one pays attention to (like why do all the artists only paint the King and Queen?)
Playful
Compassionate
Backstory
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Oooh boy I gave this poor girl so much angst, okay let’s go
Asha grew up with her grandfather, her parents both died in a fire when she was just a baby
(this isn’t just to fit the “haha Disney princess has no parents” cliche, there’s plot relevance in this “mysterious fire” that I’ll talk about later)
Growing up with her grandpa, he’d always support her dream to be an artist, like her mother, who was an art teacher
Her mother not only drew really well, but she also was able to create the illusion that her drawings could move, by flipping through the pages of her sketch books
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In other words, her mom was an animator
Asha saw this technic her mom used as a form of magic, so she would often tell her grandpa she wanted to “Do magic just like my mom”
Her father was a philosopher (this was established in the actual movie but never explored haha whyyyy), who taught people that working hard to achieve your dreams is not only rewarding, but also essential, because it’s part of the human nature to persevere and fight for what we believe, even if we fail, even if it’s hard, just keep moving forward.
This philosophy may sound very “umm duh” for me and you since we all know and hear everywhere nothing in life comes for free… But that’s not the case in Rosas
In this rewrite the kingdom wasn’t created by Magnifico, but rather the kingdom has existed for many generations, being ruled by different kings before Magnifico who also granted wishes… but I’m getting ahead of myself.
The point is that the culture of just asking the king to give you or make you whatever you want to be has been in this kingdom’s culture since forever, so when Asha’s dad comes out saying ��hey! Maybe we should stop just relying on the king to make our dreams come true, right?” He’s actually being quite a revolutionary… and sharing a very dangerous belief to other people…
At this point you might suspect what caused that “mysterious fire”
So, back to Asha, growing up with her grandpa, they shared a lot of happy memories together. Reading her father's books and her mother's art books helped Asha connect with them even tho she never had them in her life.
But as her grandfather grew older, he became senile.
Asha went from being taken care of by her grandpa to being the one who took care of him when she was still around 13 years old, and when she turned 15 her grandfather passed away of old age
Asha went on to live with her best friend Dahlia, the two became like sisters.
Though she managed to move on from the loss of her grandfather, she could never shake the feeling that he died without getting his wish granted... But she had no way to prove that, it was just a feeling
The wish granting system works different in my rewrite, instead of there being a public wish granting ceremony once a month, there would only be a public wish TAKING ceremony, that would work just like in the movie, you turn 18, you go give your wish to the king yada yada yada.
But the wish granting part would work like this: Almost every night the king would release the wishes up in the sky, they would float down like balloons to their respective owners while they sleep, and once they woke up in the morning they'd feel that their wishes were granted, for they would wake up changed.
With this method, there's no way of confirming if someone really got their wish granted or not, unless you went to ask the king.
Asha never did ask the king if he granted her grandfather's wish, but her grandfather would sometimes express how he wasn't feeling completely fulfilled in his life, he felt like there was something... missing.
This feeling of hollowness persisted in him until the very end, no matter how hard Asha tried to help her grandfather, she never knew him as his real self, because he gave part of his soul to the king, the most beautiful part of his soul, his wish.
Asha had no proof that her grandfather didn't get his wish granted, only a gut feeling.
But because of this, Asha wasn't that thrilled to give her own wish to king magnifico, knowing there was the possibility of it never being granted.
Not to mention she didn’t even know what to wish for, “I’m just 18 and you guys expect me to already know what’s my heart’s deepest desire? I’m still figuring that out, all I know is that I wanna draw”
Plus she wanted to follow her father's philosophy and achieve her wish on her own, eventually, when she figured out what her wish even was.
Asha never rebelled against the system tho, she wasn't a confrontational person. She just accepted the people of Rosas preferred to rely on the king's magic, but that just wasn't for her.
However, on her 18 birthday, when it was expected of her to give her wish to the king, she simply said she didn't have a wish, and even if she did she wouldn’t want to hand it over, she wanted to make it come true on her own. This lead to an argument with the king, and after a series of events (that I don't have time to summarize here, but you can find out about it on my rewrite) leads to her finding out a terrible truth about her kingdom. And that's how her story begins.
Design
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- I’d keep these braid ornaments that Asha had in the concept art
- Since in my rewrite she’s not that invested in the kingdom of Rosas, I’d remove all the Kingdom of Rosas symbols that are present in her design (there are a LOT of them)
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- I’d replace these Rosas insignia with more star and constellations themed symbols, to reflect how Asha believes that the stars are connected to people and they can guide us, just like how her father believed.
Final Thoughts
My intentions with these changes were to give Asha a strong emotional hook, and something that makes her feel relatable.
The emotional hook here is how she spent so much of her life taking care of her grandfather that she kinda never had time to worry about her own desires, that alone can be relatable to caregivers of elderly people that watch their grandparents or even their own parents lose themselves as time passes, and end up worrying more about the person they’re taking care of than themselves.
Asha has this internal emotional conflict where she feels she needs to constantly help others the same way she helped her grandfather, and one of the things she’ll learn as the story progresses is that it’s not selfish of her to want more for HERSELF.
Another thing that would be relatable about Asha is her passion for drawing, and how most people in Rosas would say she’s wasting her time practicing so much when she can just wait until she turns 18 and wish to be amazing at drawing.
She’d never stop believing that taking her time to improve on her talent and trying again and again was worth every second of her time, because let me tell ya folks, drawing is HARD, and animating like Asha’s mom did is even HARDER, it takes a whole lot of practice, and Asha was determined to keep trying.
She’d be much like Belle, remaining true to herself even tho those around her considered her odd, and very passionate about drawing just as much Belle was passionate about reading.
I also find it funny how Asha’s motivations are fairly down to earth, like in Disney movies you usually have:
I want to be free from these palace walls!
I want to explore the ocean!
I want to open a restaurant!
I want to find true love!
And then there’s Asha here like
“My life is fine, I just wanna chill and draw stuff”
And that’s it, but, in her environment where everyone is expected to have this great wish that they have to give to the king so he’ll make it a reality, she’s kinda the odd one out, and I love that. Would be a great subversion of the Disney formula.
Of course after she learns Magnifico and Amaya’s true intentions she gets a lot more agency and the desire to save her people, her “call for adventure” if you will.
But what are Magnifico and Amaya’s true intentions? Click here for part 2 and find out!
Thank You For Reading!
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1-800-c3dr1c · 1 year ago
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Sooo, let's try this ask thing haha. I was wondering if u cute write a super fluff where reader is friends with coryo and tigris and they let reader into the secret that they've almost got no food at home. Reader then brings them food or invites them over regularly and coriolanus is super thankful + embarrassed at the same time and reader assures him that its alright and happy to help and over time they both confess they like each other more than just friends?
YOUNG! CORIOLANUS SNOW FLUFF ONESHOT.
spoilers for the ballad of songbirds and snakes. spoilers for coriolanus’ backstory. gender-neutral reader. friends with mutuals feelings to lovers.
requests are: open! please look at the pinned post for characters i will write for. <3 let me know if you’d like to be in m tag list for whenever i post anything related to young! coriolanus snow under this post as well, or in my inbox.
i hope you liked this oneshot! i love love LOVE writing fluff, so thank you so much for requesting it!!
word count: 541
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it had surprised you when one of your best friends, coriolanus snow, had asked you if he could tell you a secret. he nearly pleaded with you not to tell anyone else about it before he did, and when you promised over and over again that you wouldn’t, he finally took you to his house.
due to his family having been very popular and seemingly well-liked back during the war, this had been a stark contrast to what you had been expecting. he lived with tigris and his grandma’am, which you had known. however, what you hadn’t known was the fact that his fridge was nearly empty every single night, if not completely empty.
it was as if tigris had known you were coming, based upon the solemn expression she wore when you and coriolanus walked through the door. she could only smile sadly at you, and you could only walk over to her and place your hand on her shoulder, quietly reassuring her and coriolanus that you would help them.
and you did. you consistently invited them (including the grandma’am) to your house for dinner, making them delicious food and making sure that all three of them were well-fed. they would always profusely thank you, unable to do much else. sometimes, the grandma’am would slip a white rose behind your ear when you walked them to the door after dinner, and it always made you smile softly.
until that changed. one day, it hadn’t been the grandma’am to step forward again to slip a rose behind your ear as you had expected. it was coriolanus. you blinked at him, unspeaking as he carefully caught your chin with two fingers, angling your head slightly so that it was easier for him to slip the rose right behind your ear.
you didn’t move as he stepped back, looking behind him at tigris and the grandma’am. they both nodded to him before beginning to walk off, whereas he stayed right in front of you, just a few steps away. he swallowed thickly, and suddenly you could see how.. nervous he seemed to be?
“i have something to tell you,” he blurted out, his face flushing slightly in embarrassment.
“hm? what’s wrong, corio?” you asked softly. “are you guys running low on food again? i can start making more-” you started to say quickly, before he quickly cupped your cheek with a hand.
“that’s not what i wanted to talk about.” his voice was quiet, his nerves seeping through the words.
“..then what did you want to talk about?” now you were confused.
“i told you i had something to tell you. well.. i’m just going to outright say it. i like you.” he inhaled deeply, and it looked as if he was preparing himself for a rejection.
however, the opposite happened. you leaned forward, kissing his cheek softly. “i like you too, corio.”
coriolanus froze where he was. had he just heard you correctly? you liked him too. a sudden giddy feeling erupted in his stomach, a stupid smile on his face. “can i..”
he didn’t finish his question, as you kissed him softly, already knowing that had been what he wanted to ask. before you pulled away, you whispered a soft. “yes.”
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dancingtotuyo · 7 months ago
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12. love with urgency but not with haste
Woman | Joel Miller X Female Reader
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Rating: Mature/Explicit
Chapter Summary: you adjust to life with a newborn. Joel finally gets to tell you something
Tags: Joel Miller X Female Reader. Age Gap (13/14 years). HBO Characters. Mostly cannon compliant for show & game. Timeline is changed. Spoilerish for TLOU 2
Chapter Warnings: angst, hurt & comfort and no comfort?, depression, anxiety, vague/brief references to postpartum recovery, fluff
Notes: as always, a huge shout out to @ramblers-lets-get-ramblinand and @janaispunk for beta reading.
If you have checked out Before, I would encourage you to do so for more backstory on our dear reader!
Words: 3533
Series Masterlist | Author Masterlist | Playlist
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The newborn stage with Willa is much different than it was with Carter. The early months after Carter’s birth are a blur in your memory. Maria practically moved in with you. The nights you managed to fall asleep, she roused you when he woke up. When you couldn’t sleep, she had to pull you out of whatever world you’d drifted into. You remember feeling like a bad mother at the time. Who isn’t in tune with their child. What mother doesn’t go running at their first cries? But the moment he was in your arms, he joined you in the far off places, tethered you to some semblance of reality. A growing reminder that you couldn’t get too lost. 
Most of what you remember those first few months are feelings, his baby soft skin, the fresh scent of a newborn that seemed to be present whether you lived at the end of the world or not. 
If anyone asks Maria about Carter’s first few months, she sits there for a minute in silence before answering. It’s hard to put into words what she saw. She’d worried about you, made sure you ate, and cleaned yourself up. While you spent much of your day with a far away look in your eyes, the moment she placed Carter in your arms, you were attentive to his every need with ease. You didn’t seem totally present to the world, but you were totally aware of what your child needed as long as he was in your arms. You would interact with the world for an hour or so at a time, like your body knew it needed to for survival. Eventually, your hours of cognition grew. The night you were shushing Carter before Maria could even get out of bed, a weight lifted off her chest. Two days later, she slept in her bed for the first time in three months. 
With Willa, everything feels more concrete. You know better than to chalk it up to being in the present. You’re more present. The world is spinning around you at a hundred miles per hour and you’re keeping up with all of it even with the exhaustion of healing and caring for a newborn. Joel is up for every feeding, pulling her out of the crib, hushing her softly, his hand spanning her entire back before he places her gently in your arms. You laugh together when she nods off, milk drunk and groan in frustration when she refuses to go back to sleep, and you remember all of it. The way her little tongue pokes out as her tiny clenched fists stretch over her head. The way Joel’s crows’ feet cut deep creases into his eyes even beneath the sleep deprivation. The way your heart fills with warmth. 
On more than one occasion, you wake up to find Carter with his face pressed to the bars of the crib, watching over his baby sister as she sleeps. When you say his name, quiet enough to not wake Willa, he spins around with a grin and jumps in bed with you, wiggling between you and Joel. When Willa wakes up, Carter lies flat on his back as you place Willa on his chest. Sometimes he talks to her, filling her in on his dreams from the night before. Other times, he makes funny faces, trying to get her to smile. A few times, he just kisses her head gently and lays with her in silence. Together, You and Joel watch them in awe. 
Ellie visits when Joel is out of the house. After getting through her nerves of holding such a tiny person, she takes to Willa with more ease than you expect. She and Carter take turns telling her about space and dinosaurs. Willa stares at them with wide brown eyes, a captive audience for Ellie and Carter’s shared interests. She doesn’t ask about Joel. You don’t offer any specifics. Anything she learns comes from Carter telling a story or your broad, off handed remarks about plans for the day or week. You can tell that she’s pulled away from you some, but you trust she’ll come to you when she’s ready.  What’s most important to you right now, is that she’s still in your life.  
As much as you hate that Joel never told you, a part of you is grateful he never asked you to keep the secret, and you feel guilty for thinking that. The anger ebbs and flows through you over the entire situation. Ellie deserved the truth, but you understand the fear of loss better than anyone. 
On the days when her assignments allow it, Ellie takes Carter with her, giving you some quiet time. You usually use the time to nap. Sometimes, you lay on the couch, Willa’s small body curled on top of you, sun streaming through the living room window, warming your bodies. 
Willa joins you and Joel on your evening walks once they resume, though they’re usually pre dinner walks now. She is usually strapped to Joel’s  chest in a makeshift sling. The sight of her tiny body asleep against her father quickly becomes one of your favorite sights. No matter what, you have the assurance that your daughter knows the safest place in the world is in her daddy’s arms. 
“What’s got you grinning?” Joel chuckles, squeezing your hand, pulling you from your thoughts. 
“I’m imagining what it would be like to be her.” You smile, nodding toward Willa. “All curled up against your chest.”
He smiles, hand covering her entire back. “I would hope you have a pretty good idea of that by now.” He tugs you closer to him.
You laugh, hands landing on his waist, clutching the fabric of the sling wrap at his sides. “Not strapped to you like that. It seems so cozy and safe.”
“I hope that’s how you feel right now.” He pulls you in close, Willa squeezed softly between you. 
“It is,” you nod. 
“Good,” Joel kisses your cheek. He looks so content, so at ease. It all suits him so well, like he was made to be right here, in Jackson, in this moment with you. His curls play in the soft, June breeze. Willa’s tuft of soft baby hair does the same as it peaks out of the sling. 
Willa squirms slightly between you, drawing both of your attentions until she finds a more agreeable spot. Joel chuckles. “I think it’s time to get my girls inside. I think someone is going to be ready to eat soon.” 
Joel pulls you to his side, his arm wrapping around your waist. You hum softly, letting your body melt into his, drunk on the warm air and fading sunshine. Ellie sits on the front porch with Carter when you round the corner. Their favorite astronomy book sits between them. If you couldn’t hear them, you’d think they were having some serious discussion, not trying to decide which constellation would defeat which in hand to hand combat. 
“Solving the world's problems?” You smile at them.
“No, Mommy!” Carter laughs. 
Ellie stiffens immediately as you feel Joel stop behind you. “Ellie.” He nods at her. 
She averts her gaze, refusing to acknowledge him. You don’t have to turn around to see the hurt he’s trying to conceal. He deserves the cold shoulder, and he knows it. 
“Did Willa enjoy her walk, Daddy?” Carter slides off the swing, rushing over to the two of you. 
“She slept through most of it,” Joel chuckles. Ellie shifts her whole body away from the four of you. He pretends not to notice. “Let’s go inside, Buddy.” He holds out his hand.
Carter nods, taking it, but looks back at Ellie before they head inside. “See you tomorrow, Ellie?”
She nods. “Of course.”
The door clicks shut, leaving just the two of you. You ease onto the swing next to her. She doesn’t turn to you, doesn’t attempt to make eye contact. You sit back, waiting for her to say something, or leave, but you get the feeling she’s ready to talk about it. 
“I could have.”
“Could have what?”
“Solved the world’s problems.”
You suck in a deep breath, the carelessness of your earlier words hitting you. “Even if they had figured out how to make a cure,” you say. 
“They did. I saw everything!” She clenches her fist. 
“You saw theories, and lab experiments.”
“Ones that they said worked.”
“Even successful lab experiments go wrong in practice.”
Ellie shifts in her seat, hunched over her knees, but she’s not running away from you. 
Your fingers find the end of her short hair. She’s continued to trim it since you did the initial chop. 
“The infected would still be infected. People would still hunt each other down, grab for power. Everything that was built is gone. The world can’t go back to how it was.”
“So we’re doomed? My immunity means nothing?”
“No,” you grab her arm, the one with the bite mark. The outline of a fern is tattooed over the inside of her forearm now. She’s talked about filling it in, cover the bite with it. “It means that immunity is possible. That maybe one day humans will adapt and evolve to fight Cordyceps. It’s hope.”
“Hope feels pretty damn shitty when your friends are dying.”
“Yeah, I suppose it does,” you sigh, setting her arm down.
Silence settles between you. Birds chirp. Bees buzz around the flowers in front of your house even as the sun fades behind the mountains. 
“I don’t think I can ever forgive him.”
“You’re allowed to be angry. I’m angry about it too.” Her head whips around, brown eyes sparkling with tears. You give you a somber smile, tucking her hair behind her ear. “He shouldn’t have lied to you. I know you gave him every opportunity to tell you.”
There’s a soft nod to her head that grows with each up and down. 
“Whether you ever forgive him is up to you, but you will always have me, okay?”
Ellie lets out a sigh of relief, tears slipping from the corners of her eyes as her arms wrap tightly around your shoulders. “Thank you.”
“I love you, Ellie.” You squeeze her against you. “Like you’re my own child.” 
Her voice is muffled against your shoulder, but you still hear the world clear as day. “I love you too.”
You lose track of time, but you sit with Ellie until she is ready to go. Once she stands, she lingers, keeping conversation. You smile at her. “You’re welcome to stay for supper.”
She seems to think about it for a second, eyes drifting to the door that keeps her separated from Willa and Carter… and Joel. You see it in her face, she misses it. Forcing a weak smile on her lips, she squares her shoulders some. “I think it's better if I don’t. Not tonight at least.”
“It’s an open invitation. Same as always. You’ll-”
“Always have a seat at your table.” She finishes with a real smile this time. 
“Exactly.” 
“Thank you.” She says, and then she’s walking across the street to her house. 
Willa is squirming in Joel's arms when you get inside, rooting against Joel’s cheek in search of food. He laughs with baby drool splotching across his chin. “Don’t think I’m gonna be much help there, Wildflower.”
You laugh, arm’s instantly stretching out to take her. “Hand her here.”
He kisses her cheek before doing so, placing a kiss on your cheek as well. “I’ll start on dinner.” 
You hum in appreciation. “You’re a good man.”
“When I want to be,” Joel calls over his shoulder as you settle on the couch. Carter colors at the coffee table in front of you, updating you on his day at school as you nurse Willa. Life feels good, settled with Joel in the kitchen and your children around you. The only thing missing is Ellie, and you’re hopeful that she’ll be back soon. 
Life carries on much the same, the five of you settling into a routine, a dance of sorts. Ellie still avoids dinners both at your house and Sunday’s at Tommy and Maria’s. You see Joel searching for any way to make things right, but you know what he can’t admit. There’s nothing he can do. An apology might help, but Ellie has to be ready to forgive him, and she’s a long way off. 
The summer is slow and sweet like honey. Willa doesn’t seem to get that memo because you swear you blink and she grows. She begins to sleep more throughout the night, which is a welcome change for both you and Joel. She smiles and laughs now, and you swear it is the most treasured sound. If she's awake and fed, someone is making her giggle. You soak it all in, every second, stopping to commit the moments to your memory. 
Willa’s feedings increase to every four hours at the beginning of August, just as the bouquets of wildflowers Joel brings you begin to grow in size and color. They’re hitting their peak a little bit later this year, but you’re thankful for it. You should have just enough time to enjoy a short afternoon there, just you and Joel. While getting on a horse still sounds like the least appealing right now, you’re willing to endure it for the beautiful peace of the meadow. You just have to get Joel to agree. 
You’re lying next to him in bed. He’s angled against the headboard, reading a book about space so he can keep up with Carter… and Ellie. Crickets chirp through your open bedroom window, ceiling fan spinning above you. The summer has been hot, but thankfully, it cools down at night, cool enough to tolerate Joel’s hand on your inner thigh just above your knee, drawing little circles absentmindedly against your skin. 
You’re in that matching pajama set that Joel loves. Nothing fancy, just a thin shirt and shorts, not particularly sexy by any means, but you catch the way his pupils dilate every time you wear it. You wore it intentionally tonight, not to seduce him necessarily, at three months postpartum, you still don’t feel quite ready for sexual activity, but you were hoping to make him a little more open to taking you outside the wall. 
Your little expeditions outside had quickly died once he learned of your pregnancy, not that you were very interested at that point either, feeling slow and uncomfortable, but you have an inkling that he might be resistant at first. 
“Joel?” You roll onto your stomach, hand spreading across his stomach and chest.  
His eyes dart to yours, suspicion crawling over his face as he chimes back with an antiquated “Yes, dear?”
You crinkle your face. “What are we? A sitcom couple in the 50’s?”
He chuckles as he dog ears the book, setting it on the nightstand. He’s careful to keep a cap on his volume so he doesn’t wake Willa sleeping in the corner. “You want something.” It’s a statement, not a question. 
You narrow your eyes at him, making his head tip back with another chuckle. His large hands slide over your body, guiding you to straddle his lap. There’s still an ache in your pelvic floor with the stretch, making you wonder if you’ll actually be able to withstand the horseback ride, but you want to go lay in the wildflowers with Joel like you did last year. 
“You okay, Sweetheart?” 
“I’m fine,” you say, and the ache is slowly easing away. 
Joel’s hands roam your exposed thighs, kneading at the extra weight you’re carrying from the pregnancy. He loves it all, the extra pieces of you available to his hands now. Joel hums, still suspicious. 
“You have the day off tomorrow, we should go see the wildflowers.”  
Joel raises an eyebrow. “What about Willa?”
“We can make it there and back before she needs to be fed, and Maria already said she could watch both of the kids.”
“Are you ready for that?” 
“I want to go.”
“That’s not what I asked.” Joel meets your eyes with stern concern, letting you know there’s no room except for the absolute truth. 
“Joel-”
“I’m not taking you out there unless I know you’ll be okay.” There’s something more than concern in his features now. Is that fear? “We’ve never had any issues out there, but I’m not going to risk putting you in harm's way if you’re not ready.” 
You let out a long sigh. He takes one of your hands in his, kissing your fingers gently. “The ride there and back will be difficult. I haven’t been on a horse in months and I’m still a bit sore at times.” 
Joel lets out a long sigh, rolling the idea through his mind, working through the logistics. You can tell, he wants to take you. “I’m not sure, Darlin.”
“We’ve been going on walks for weeks.”
“Because that’s comparable to running for your life after riding on horseback.”
“Joel.” 
“Promise me you won’t slow up if something happens, and you’ll let me know if you need to turn around.”
A smile spreads across your face. “Cross my heart.”
He smiles at you and you know you’ve won. “Okay.”
Joel spreads the blanket out in the meadow as you take in the smattering of color sprawling around you. They’re more vibrant than last year, having had more rain this spring and summer. In the distance, a woodpecker knocks at the trunk of a tree. Dragonflies chase after each other as the sun soaks into your skin. 
Joel’s arms wrap around you, pulling you into his front. He rests his chin on your shoulder as the two of you sway in the gentle breeze.  “How you feelin?” he presses a kiss into the crook of your neck. 
You lean back against him, tilting your head toward the sun to soak it in. “Like I had a baby three months ago and then rode a horse.” 
“Think you can make it to the ground?”
“Not sure I’ll be able to make it back up,” you laugh as Joel helps you ease to the ground. 
“Makes two of us,” Joel chuckles, sitting down. 
You lounge against him, both of you enjoying the sounds of nature and the peace around you. It’s hot, the sun beating down unencumbered, but neither of you minds. Neither of you tries to distance yourself from the other’s body heat. The gentle breeze floats over your skin. The two of you watch as a yellow butterfly lands on your boot, easing its wing open and shut before taking back off. Just like last summer, it feels magical here. Like you can forget the rest of the world and its dangers and simply be present. 
Joel stretches his legs and then he’s pulling backward so that you’re both fully stretched out on the blanket. Your jean clad legs tangle with each other as you nuzzle into his side. His fingers play over your shoulder blades, exposed by your razorback top. 
You’re pulled back to just over a year ago, when he brought you here for the first time, the words he almost said, the ones you wouldn’t let him say, and how much life has changed since then. The losses, the gains, Willa. Your heart has opened so much. 
Joel nudges you onto your back, lips nipping in your neck, just under your earlobe, and down your jaw. You laugh, sun dazed and relaxed.  He lets out a content huff that spreads into a deep chuckle as his hand sprawls over your abdomen. You wrap your arms around his shoulders.
 You see that look again. The same one from last year, the one you’ve seen every day since. He looks at you like you hold the world in your hands as the sun glistens off his deep brown eyes, You feeling it radiating off of him in waves, surging toward the surface. 
His thumb runs over your bottom lip. “Gonna let me say it this time, Sweetheart?”
Your head lilts softly, absorbing him and everything about this moment. The way nature seems to hold its very breath in anticipation as the breeze stops and the critters go silent. You push back one of his curls with your thumb, taking your bottom lip between your teeth as a small ball of energy forms in your stomach. 
“I’m not gonna stop you.”
He smiles, the chuckle in his chest taking its time to reach your ears. He savors it, much like you just did, taking in everything about you in this moment. The tilt of your head, the light in your eyes. You’ve been his, but you’re giving him all of you in this moment. He’s not going to take it for granted. 
“I love you.”
All the anxiety you feared would manifest, melts away, swept away as the breeze rustles through the meadow again. Pure, unbridled joy cascades through your body until it bubbles over into your face, thrumming in your veins as it manifests in the purest laugh at your lips. 
“I love you, Joel.” 
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Bonus: Art Work
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Taglist: @pedrotonin @amyispxnk @joeldjarin @ilovepedro @justagalwhowrites
@missladym1981 @jessthebaker @annieispunk @ashleyfilm @moel-jiller
@eloquentdreamer @lizzie-cakes @hiroikegawa
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python333 · 5 months ago
Text
residual self-image — python³
― ― ― ―
synopsis residual self-image is the mental projection of your digital self; it refers to your own physical appearance that is understood by you, that is projected unto you by yourself. you see yourself as something to be ashamed of. price sees something different.
relationships platonic!captain price & gn!reader.
characters cap. price.
word count 7.6k
warnings anxiety/panic attack [not sure exactly how to classify it; i think it's more of an anxiety attack?], reader takes SSRIs [zoloft/sertraline], suicidal thoughts and almost-suicide attempt, reader is the most unreliable narrator known to mankind, second person pov [you/your/yourself], usage of [name], usage of [c/n] for call sign/code name, bad matrix references/spoilers for the matrix and the matrix: reloaded.
note please please PLEASE let me know if this comes off as me romanticizing having anxiety or taking antidepressants so that i can fix/rewrite it /srs i don't take any form of antidepressants or anxiety medication and i also am not diagnosed with either of those!! nothing i say is final!!! i do not have firsthand experience with what reader goes through in this fic!! sorry i disappeared for a second, have some food as an apology. again, feel free to correct me on anything you think is inaccurate and i will (most likely) change it!! also sorry for like 3k words of backstory oopsies
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In The Matrix, Morpheus gives Neo two options: blue pill, or red pill?
He says that if Neo takes the blue pill, “the story ends, you wake up in your bed and believe whatever you want to believe”. But the second option, the red pill, if Neo takes that, he will “stay in wonderland and [he] show [Neo] how deep the rabbit hole goes”. Neo, of course, takes the red pill, and is shown the “real world”. 
Neo is thought to be “the One”. With the “O” in “One” being capitalized, so you know that it’s a pretty important title. 
In the end, Neo becomes confident in who he is and what he can do, and defeats the “Agents”. Trinity confesses her love to a “sleeping” Neo, their ship is getting attacked by whatever those weird fuckin’ creatures were called, and Neo defeats the last of the agents. The end. 
You take pills too. But yours are blue. They’re matte, powdery, baby-blue pills that are branded with the name “ZOLOFT”. It’s sertraline, to be specific, and you’ve been taking it for the past few months. You’re new to pills like these, ones meant to treat anxiety and depression and a number of other medical issues, so you didn’t know how much to take at first. You asked your doctor so many questions. You think about it often, and wonder if, even though it’s their job, that doctor had gotten annoyed at some point because of your inquiry. 
These pills do similar things to the ones in The Matrix, though. You take them, preferably at night, and wake up in your bed like you always do. You believe whatever you want to believe, and another chapter is closed at the end of every day, marking another page closer to the end of your story. 
Some days, the story feels like it’s going to end sooner than expected. 
A side effect of sertraline―or, well, Zoloft specifically―happens to be suicidal ideation. It’s not that common, not that talked about, and isn’t the most well-known. But then again, most mental disorder-treating medicines have some kind of side effect like that, and plenty of people take things like antidepressants without an issue―or so you thought―so surely you could deal with something as simple as sertraline, right?
Wrong. So, so, wrong. 
It’s probably really bad for a person who works in a military group to be dealing with such thoughts. You think about quitting sometimes, for the sake of the other people in the task force, because what could happen if the wrong straw breaks the wrong camel’s back while you’re doing an assignment? What if, caught in the crossfire between your team and your enemy, you say fuck it and decide that it’s all just too much? What are the odds of that happening? What are the odds of anything happening? What were the odds of the Earth being created, of the first animals evolving, of the first humans speaking the first languages? Statistics are so important, chance is so important, and odds determine everything. What are the odds of you deciding whether or not you have the will to live? The ability to keep going, to keep the routine you’ve always kept, to keep from taking one of those G19s from the armory and turning off the safety before pulling the trigger? To commit to such a permanent solution, one you’ve deemed as the “s-word”, because thinking about it sometimes is too much.
Or maybe it’d be a rope, your brain continues without your consent, A chain. Anything that will hold your body weight up enough for you to dangle from the fan on the ceiling―an image that makes you lean towards a chain, sickeningly enough, because of the idea of your abnormally stretched neck on display. The purple bruising that would appear, the indentations of each link, the smell of your blood and the metal of the chain unable to be told apart. Maybe your eyes would still be open, and it would look like you’re staring down at anyone who walks into your office. There’s so many possibilities. They add up, and create new odds, new chances. Every time you simply think, you are creating a new way to go about life, and that creation is sometimes stored so deeply in the back of your mind that it haunts you. It comes back around, becomes more common, the chances of it happening go up. 
Sometimes the odds feel like they aren’t in your favor at all. Sometimes you wonder how you could’ve ever thought that any part of the universe was against you. It’s not bipolar; it doesn’t come and go in extremes, it just comes and goes. The odds will lower in your favor some days, and you will deem those days “bad days”, and other days they will be so high you don’t even think about “good days” or “bad days”. But those other days are almost as bad as the “bad days”, because they go by so quickly. You take them for granted so easily, too easily, and they leak through the thin lines between your fingers, leaving you with nothing by the end of the day. 
Sometimes on “bad days”, your hands go from cupped to praying, and you will plead with yourself to just get better. You never do, on those days, and after taking your medicine you will go to sleep and believe that the next day will be better. Or, at least, convince yourself that the next day will be better. 
You would’ve understood if Neo took the blue pill. If he stayed in blissful ignorance, even after all of the weird shit that happened to him. If he continued to wake up every day in a “normal” world, to sell computer systems and hacking programs, to be anyone but “The One”. 
Because that’s what you do. You take your medicine, and go on with life as normally as possible, even with all of the things that you’ve been through. You wouldn’t want to be the one responsible for saving the world, or beating up robot-alien-things, or whatever. Just like how you don’t want to be held responsible for really just… taking care of yourself. 
Which you’re shit at, by the way, if that doesn’t make things worse. 
You take your sertraline and that’s about it. It’s not like it doesn’t work, it’s just underwhelming sometimes. Before you got on it, you would take more things to heart, think about things more, and were probably a little more prone to actually killing yourself. After starting to take it, it was admittedly pretty rough. It felt like your anxiety had increased a little, like your paranoia had only heightened, and everything felt so elevated. 
Then, maybe a few months after beginning to take it, everything dimmed out. Like one of those lightbulbs you can dim, everything gradually came back down, and even lowered to a more tolerable level. You were glad, at first, that you had endured those first few months the way that you did because you’re not sure you would’ve even been here to this day had you not. Reading several articles and Reddit posts about Zoloft definitely didn’t help, especially as someone who was taking it partially for anxiety, but still, you managed. 
And then you realized that just taking the medicine didn’t do as much as you hoped it would. 
It helps you deal with anxious and depressive thoughts, yes, but you still feel like something’s missing. That lightbulb in your mind has dimmed, but it’s only just enough light to see ahead of you. Before all of this, the light was bright enough to blind you, to make you see that dreadful stark-white that still sometimes haunts you―when it dimmed down to where it is now, it was obviously a relief, but you feel like now there’s not enough light. 
You understand the whole point of the medicine is to dim that light, to help bring down your mental state to a more “normal” one, but you think that even people who don’t have diagnosed mental disorders feel strong emotions like you used to. Maybe not as strong, but definitely something adjacent to it. You miss that, funnily enough―getting strong enough emotions. 
Right now, you’re sitting at your desk in your office, staring down at the plate of mashed potatoes in front of you. You get it almost every time it’s offered, and endure the teasing you get from your teammates, all for one purpose. 
To hide your pills in it.
Mashed potatoes are starchy, yes, but easy to swallow without chewing. They’re thick enough to help hide the feeling of the pill going down your throat, and don’t leave that weird aftertaste in your mouth that taking your medicine with water does. You tried taking the pills with water at first, like you would with any other medicine, but with this specifically you just can’t. It’s too easy to notice, they’re too big to just hide with water, and it feels like swallowing a rock every time you take them with water. 
So, mashed potatoes it is. 
The pill is already mixed into it. You had folded the small blue tablet into the mushed vegetable with a plastic fork, trying to keep it as hidden as possible, making sure no hints of blue bled through the beige-yellow of the potato.
You’re now watching the mashed potatoes, unblinking, as if it’s going to grow legs and run away from you. It’s never truly easy swallowing the medicine, even with the mashed potatoes coating it, but it’s usually easier than it is today. Then again, today was deemed a “bad day” the moment you woke up, so this was to be expected. 
You grab the white plastic fork after a brief moment of hesitation and pierce the food with it, hand trembling ever-so slightly as you do―not from anxiety, but from your lack of water intake―and pick up a clump of potato with little strength. The vegetable oddly weighs your hand down the tiniest bit more than usual, but you ignore this in favor of pushing yourself to just force the food into your mouth. You try your best not to chew, your jaw only really moving to chew the side of your cheek instead to satisfy your urges, and eventually manage to swallow the food. 
Right off the bat, you can tell the cluster you swallowed had the pill in it. Lucky me, you think almost bitterly, not sure whether you should be happy or uncomfortable, at least it’s over with. It’s not that it’s a bad thing that you got to the pill so quickly, but usually you’re able to get a few bites of medicine-less potato in before the actual medicine itself. Nonetheless, you scoop up another fork-full―fork-full?―of mashed potatoes and try to eat as much as you can to get rid of the weird feeling of having a pill going down your throat. 
Just the fleeting thought of having a pill that big going down your throat makes it feel like your esophagus is closing. You feel yourself grow closer to nausea at the feeling, setting down your fork and pushing the paper plate of your dinner aside, just to rest your elbow on the table and put your forehead in the palm of your head. It’s bad enough that you feel ashamed because of the fact you even have to take antidepressants, so it’s even worse that those same antidepressants are throwing bad side-effects at you. 
Ashamed because needing medicine to function the same way anyone else does feels so pathetic to you. Maybe it isn’t pathetic. Actually, you know it isn’t; you don’t look at other people who do the same thing and think that they should feel as ashamed as you do. But you still look at your bright orange prescription bottle, labeled with your legal name, and think that you shouldn’t need it. 
You think, for a moment, that it’s because of how much you’ve dehumanized yourself. 
Dehumanized is such an ugly word, and it leaves a strange bitterness in your mind after thinking about it, but deep down you feel that it’s true. You know that you’re human, obviously, because physically that’s what you are. You are, undeniably, a homo sapien―a person, a living being that is a bipedal primate mammal. You, in a less literal sense, have those same cords attached to you that Neo did when he first went to the “real world”. 
But you need those cords, you think, lifting your head so that your chin is resting in your palm instead of your forehead, you need to stay attached to the Matrix. 
Because you took the blue pill. You found a way to keep yourself attached to the Matrix, to keep yourself grounded to what you wish you could experience without them. And those cables weigh you down, and that pod you stay encased in limits your movement―sometimes you feel more like the pod than the person inside of it―but it all seems so worth it to you, doesn’t it? To keep believing what you want to believe, to wake up everyday and dose yourself with that fifty-milligrams worth of sertraline hidden under a pile of food, to eat that food and swallow that pill even though it makes you feel like a mutt? 
You take a shuddering breath in, your thoughts building up in volume and mass, more questions entering your mind too fast for you to process them all. You feel that familiar rush of adrenaline, the kind that triggers your ‘fight-or-flight’. It lights your nerves on fire and causes them to jump, to electrify, and you feel your fingers twitch with the feeling. It almost feels like there’s something crawling along your nerves, under your skin, and the thought almost triggers your gag reflex. Your eyelids flutter, barely shutting for just a moment before you force them open. Your gaze flits over to the still-mostly-full plate of mashed potatoes. 
You’re usually able to finish them, even on “bad days”. But today, with nausea swirling uncomfortably in your stomach, and a too-big pill going through the thin tubes inside your body, you find that it’s much harder to even think about picking that fork back up. You can almost feel your heart beating through your palm, that continuous th-thump, th-thump growing exponentially faster, and your palm getting sweatier by the second. You shift your feet and find that invisible needles are poking at the bottom of them, small pins that push and prod at your skin that leave a strange hot-cold feeling. It forces you to take the pressure off of your feet by holding them up ever-so slightly, the soles of your shoes just barely touching the ground. 
You swear your heart rate increases at all the different sensations lingering on your body. You can feel your breathing starting to pick up, and for God knows what reason, you suddenly find it difficult to keep your eyes locked onto one object. Your gaze dances around the room as a surge of chills runs up your spine. A trail of goosebumps rises after each wave of biting cold, passing over the bony projections of your dorsum. After having so many of them, you know instinctively the signs of an oncoming anxiety attack, and know how quick those symptoms escalate from simple shallow breaths to the inability to keep your breathing consistent at all. Yes, they develop slower than a panic attack does, but the gradient from fine to not-fine is hard to view as slow when there’s so many symptoms to keep track of.
At the thought of such a thing happening, your gaze instantly locks onto the prescription bottle sitting on your desk. It’s still uncapped―fortunate for you, because you’re seriously doubting your ability to uncap something with a child-proof cap on it right now―and in your eyes is practically glowing. It’s so tempting, because it’s just right there, so easily accessible, so easy to just grab and pour however many pills you need down your throat. The thought makes you realize how dry your mouth feels, how constricted your throat feels, but your mind is too filled with a flurry of incoherent thoughts to dwell on such feelings. 
With your free hand, you grab the uncapped bottle. It shakes with your hand, now more from your building anxiety than your dehydration, and makes the tablets inside rattle. You bring it to your lips, ignoring the chiding voice in the back of your mind telling you how disgusting it is to just put it on your mouth like that, and shake it just enough to get a single pill out of it. The dryness of the pill sticks to the wetness of your mouth, just below the border of your bottom lip. You set the bottle down and poke at the pill with the tip of your tongue, the weird vanilla-like taste of the medicine spreading across the muscle easily. 
Your mouth is dry, so you have to use the residual saliva sitting on your tongue to slick the pill up enough to go down somewhat-smoothly down your throat. It’s still rough, and some areas of the pill remain powdery, the feeling of it sliding down your throat enough to make you gag. For a brief moment, the action causes the pill to lodge in your throat―it’s not big enough to make you choke or anything, but it’s enough to make your heart beat faster and your hands grip onto the edge of your desk tightly. Your thumbs are tucked under the edge, the first knuckle at the tip of your finger bent and the flesh of the tips of your fingers turning lighter from the pressure. 
You cough once you feel the pill go down your esophagus entirely, and breathe raggedly afterwards. Deep down, you know that the medicine takes some time to work, and that if you gave it a little longer than a minute that you’d start feeling better. But the reeling anxiety that wraps around your throat like a chain seems to pull you impossibly farther away from that betterness, and forces your throat to tighten to a point where your breathing feels limited. You go from breathing through your nose to your mouth, where you can still taste the lingering artificial-vanilla with every inhale. 
It’s getting worse, an annoying voice tells you, one that manages to be louder than the others, the medicine’s supposed to help. You’ve only taken a hundred milligrams so far. Another and it’s a hundred and fifty. An overdose is only if it goes over two hundred.
It’s stupid logic but more tempting the more you think about it. It is, after all, only a third pill. You’d be pushing it—
Do you really care all that much that you’re pushing it? What if you want to break that limit? The limits you made, to keep yourself alive, that you still sometimes question the existence of? 
―but that doesn’t really compute well in your mind, and you soon find yourself reaching for the bottle again. Each pill shakes with your hand, and with each tremor another wave of tablets hits the sides of the bottle, like a visual representation of the thoughts that bounce off of the walls of your brain. You lift the bottle, and bring it to your lips, the area that makes contact with your mouth cooler than the rest of the bottle from earlier when you had done the same thing. You’re about to tilt it up before you hear a sudden knock at your door. 
The noise is startling and makes you drop the bottle, the pills spilling over the edge of it and onto the table. 
“Shit,” you curse quietly under your breath, quickly flattening your hand and sweeping all of the pills into a pile, and picking them up in clusters. You manage to get them all back in the bottle before another knock sounds out, and cap the bottle before opening up one of the small drawers on the side of your desk and shoving it in there. 
“Come in!” you call out in a strained voice, praying that you’ll be able to keep it steady for as long as the person at the door needs to talk to you. You close the drawer just as the door creaks open. 
Much to your horror, you look up to see your Captain. 
Your palms are still sweaty as he walks in, so you try to discreetly wipe them off on your pants, and hope to whoever can help you that he doesn’t pay too much attention to the sweat gathered on your forehead. You take a deep breath as silently as you can, attempting to gather yourself before Price can notice anything being wrong.
“It’s a quarter past two,” Price comments once he walks in, closing the door behind him, “why are you still awake?” 
You look over to the digital clock on your desk almost immediately and, oh shit, it is exactly 2:15. You look back over at Price, who is busying himself with pulling the chair that was once in front of your desk around it, presumably to sit next to you. You still feel the dreadfully fast pace of your heart, that th-thump, th-thump, th-thump that you can hear blaring in your ears. It makes itself known in your chest, in your wrist, even in the base of your throat―almost every pulse point in your body has forced you to become aware of its existence.
You swallow dryly, trying to ignore said feeling, and reply, “Why are you still awake?”
Price raises an eyebrow at you, pulling the chair up beside you and sitting down in it, “I asked first.” 
You look at him with an unimpressed look on your face. “Can’t sleep. Why are you up?”
Price hums and leans back in his seat, arms crossing over each other, “Same reason.”
It doesn’t sound like a lie, but it doesn’t sound entirely true either, in your opinion. It’s not that you don’t trust him, but he just seems like he’s up to something. What that something is, though, you aren’t sure. 
“Why the food?” Price nods over to the plate of mashed potatoes, very noticeably unfinished. 
Your gaze follows his to the mashed potatoes. You can still feel the moisture on the palms of your hands, the small tremors that wrack your fingers, and Price’s presence does nothing to soothe your flaming nerves.
“Wanted dinner,” you shrug as casually as you can, forcing a neutral expression onto your face―you briefly overthink what a neutral expression looks like, and decidedly just let your face relax the best you can, “I didn’t get any when everyone else went, I was busy with something, and didn’t really want to head over to the mess with so many people over there, plus I was busy.” 
You look over at Price after your lengthy explanation, not realizing just how lengthy it was, and watch the corners of his lips quirk up into an amused-yet-worried smile. 
“You said you were busy twice,” he points out, before pausing, and pointing out again, “and it looks like you’ve taken a few bites out o’that at most.” 
You don’t bother to look at the mashed potatoes again; you know very well how they look, and know how undeniably full the plate looks. 
“Didn’t feel that hungry,” you make up a poorly thought-out excuse, that even you can understand is unbelievable. 
Price blinks at you, slowly, before sighing. 
“Are you alright?” Price asks, looking more concerned than amused now. You should’ve known from the moment that he walked in that you wouldn’t be able to hide anything from him. If not for the fact that he always seems to know what’s going on, then because of the overwhelming presence of your disquietude. 
You look at him and try to figure out what to say. What is there to say? You were panicking just two minutes ago, with your prescription bottle in one hand, the other too shaky to hold up the damn thing. You can still taste that vanilla. You can still taste the plastic. The bottle itself never once touched your tongue, but every time your tongue rests in your mouth, the tip of it pokes at the same exact place the bottle made contact with. You expect it to taste of vanilla, like its contents, but it doesn’t; it tastes like the pharmacy you got it at. It tastes like the sterile white of the counter, the fingers of the person who handed it to you, the money you spent on it, and the time it took you to get it. 
It’s nothing pleasant. The strange vanilla of the pills aren’t either, but they’re preferable to the bottle itself. 
Price notices you zoning out for a moment, and waves a hand in front of your face. Your eyes unconsciously track his hand for a moment before you blink back into reality and look at him. You knew you were fucked earlier, but when you look at his expression, at the look in his eyes as he watches you snap back to reality, you know that he knows. Maybe he doesn’t know exactly what happened, or how it happened, but he knows something. Fuck, he knows. 
Or, maybe he does know. Maybe he heard your cursing through the door, even with your low voice, maybe he heard the pills spill onto the desk, maybe he heard the opening and closing of the drawer, maybe he―
He’s staring at you.
―has security cameras set up in here, because he does in every room, every hall, everywhere but the bathrooms and the sleeping quarters―
He’s talking. It’s muffled by the sound of your own heavy breathing.
―or maybe it’s just intuition, a gut feeling he has, where he just knows that something’s wrong, that same gut feeling that everyone seems to get when something isn’t the way it’s supposed to be―
Your palms are sweaty. Your heart is pounding out of your chest. You’re starting to feel a little lightheaded.
―the same “gut feeling” that you experience every day but have to ignore because it’s not a gut feeling it’s anxiety and your real gut feelings feel the almost the exact same way anxiety does so you may never know if you ever get an actual one―
Price grabs onto your arm, though the feeling of his skin on yours can’t push past the skin-crawling sensation that coats your skin.
―but how do you really know that your gut feelings aren’t gut feelings? How do you know that anything is anything? That it’s really Price that’s sitting next to you, that it’s your own office you’re sitting in, that―
“[name]!” Price’s voice snaps you out of the trance you seem to be in, and you sharply inhale at the sound of his voice, his volume much louder than you expected it to be. 
You didn’t realize how fast and heavy your breathing had really gotten until this point. You look at Price, a little more on the panicked side now, with restless eyes that can’t stop flitting all over his face. He takes his hand off of your arm before you can even notice it was there in the first place, and leans back away from you. 
You try to take deep breaths, but each breath feels like trying to breathe underwater, and each inhale-exhale leaves you shuddering. You look down at your lap, breath hitching and stuttering, and the moment you open your mouth in the hopes of breathing easier, you are all too aware of just how dry it’s become. You’re sure you let out some kind of sound that alerts Price of your growing distress, because he hesitantly leans forward and takes a deep breath. 
“[name],” Price keeps his voice soft and quiet, quieter than he’d been just a few seconds ago, his soothing voice a gentle wave crashing against the rock of your mind, “you’re okay. Look at me, soldier.” 
Like a remote to TV static, the noisiness of your mind is partially calmed and the waves that wash over your brain provide sweet escape from the overwhelming adrenaline and cortisol thrumming in your veins.
Mindlessly, you do as he asks, his words grounding you and tugging you back down to Earth more effectively than any anchor could. When you look at him, his eyes are clouded with concern and there’s a small frown on his face that almost perfectly juxtaposes his usual quokka-smile.
You know you’re still trembling. You can feel the hairs that stick up on your legs and arms, the weird hot-cold feeling that creates pinpricks of discomfort across your body, the way your heart is trying to escape the prison cell of your ribcage—but none of it compares to the unbelievable dizziness you feel. Your head is a balloon filled with helium and it is slowly deflating, but not fast enough. You feel like you’re no longer in control of your own body—or were you ever in control? 
Your stomach is churning. There’s a sense of dread that dwells there. You might throw up. 
Cutting through your thoughts is Price once again.
“You listenin’?” your Captain asks, to which you nod after a delay of a few seconds. Price holds a hand out and gives you a questioning look, the question of ‘can I touch you?’ clear enough on his face that you nod lightly and he takes your hand gingerly.
“Do y’know where you are?” Price asks. You nod, and he softly requests, “can you tell me where?”
“My office,” you answer simply, the gravel in your voice making you wince. The warbling that escapes your mouth is nowhere near your usual voice, and for a moment you think you might be right about needing to vomit, but you manage to push it down and pray. Price ignores this and pushes on.
“And who am I?” he asks, as if he doesn’t know. 
“... The Captain.” Price purses his lips—he doesn’t really want to accept this as an answer, because he wants you to say his actual name, but he knows what you mean, and you know what he’s doing. He knows that you mean that you’re here, that you’re present, and you know that he’s trying to ground you the best he can.
“Do you know my name?” he questions, to which you nod again, though a little more moderately, seeing as the repetition of nodding your head only makes you more lightheaded, “what’s my name?”
You take a few shaky breaths, ones that are shallow and uneven, ones that hitch enough for it to be so noticeable that Price manages to pick up on it. You open your mouth to talk, but find that your tongue is too heavy to lift to create coherent sounds. The thought somehow heightens your anxiety, something that seems to be noticeable to Price, judging by how his expression shifts to something impossibly softer.
“Here, let me—” Without another word, Price cautiously brings your hand up to the middle of his chest, where his sternum is. 
He exaggerates his breathing, taking long, deep breaths in, and similarly long exhales. His chest rises and falls satisfyingly, and it’s clear that he wants you to copy him. You try your best at first, taking that same too-deep breath that he does and fail almost immediately as you choke on the air you attempt to inhale. Price brushes his thumb over the back of your hand and takes another exaggerated breath, breathing in through his nose and out through his mouth. You keep your gaze more focused on the lower half of his face as you copy him, oxygen going in through your nose, and carbon dioxide going out through your mouth. 
That one successful breath is followed by an unsuccessful one, then another successful one, then another, and it’s a little rocky but you find that soon enough you’re breathing. There’s air flowing in and out of your body smoothly, with each exaggerated breath you take, almost in sync with Price, until finally he puts your hand back into your lap but continues to hold it. He squeezes it once before letting go, and clasps his hands together. 
“What’s my name, soldier?” he asks, and this time you think you can answer him. 
“John Price,” his name feels weird coming out of your mouth, especially with no honorifics, but he accepts the answer anyway. 
“Good,” Price praises, giving you a small smile, “you’re doing good.”
The approval he gives you helps to calm your nerves the tiniest bit, and you feel yourself slowly coming down from the God awful high that you’d just been on. Again, you’re not sure how he knows, but he senses that you’re calming down―is it because your breathing is steadier? You aren’t nearly as restless? You’re no longer zoning out?―so he leans back in his chair and watches as you do the same. 
“Now,” he breathes out, “can you tell me what’s going on with you?” 
You look away from him for the briefest moment, sparing a glance at the cabinet you know the bottle of your pills lays in, before looking back at him. If he noticed you pulling your gaze away from him for a split second, he doesn’t mention it nor does he make it known that he did. 
“There’s not really anything going on,” you shrug, to which Price scoffs. 
“[c/n],” he looks at you, disbelieving, “two seconds ago I had to help you breathe normally. I know that there’s something that’s going on, somethin’ that had to trigger what just happened.” 
You stay quiet and he gives you an expectant look. The pressure from his fixed glare makes you feel like you’re about to explode. 
Finally, you answer him defeatedly, though vaguely, “I was in the middle of taking my medicine when you knocked.”
Price stays silent, expecting you to elaborate. 
“And…” you try to find a way to make it sound less awkward than it does in your mind, though you suppose there’s never really a correct way to go about something like this, “I almost took more medicine than I needed to.” 
The silence continues, but now Price looks less expectant, and instead more of a mix between concern and something else you can’t identify. That something, though, is still soft, and still has a hint of pity―maybe sympathy?―to it.
“Almost?” he repeats, “was that on purpose?” 
When you think about it, it’s complicated. You didn’t necessarily intend to overdose, you just dismissed the idea of it. Or, at least, you don’t remember trying to overtly kill yourself. Then again, you knew the risks of taking more pills than prescribed to you; had you taken that third pill, you would’ve only been one more away from an overdose, and even then you’d still probably get some kind of health issue. 
Price’s face hardens when you don’t answer immediately. He must be taking your silence as a “yes”. 
“Not… really,” you answer slowly, “I don’t know what I was thinking.” 
He nods, waiting a few seconds before asking, “Have you thought about it before?”
By it, for some reason, you sense that he isn’t asking exclusively about taking one too many tablets.
It’s tempting to be dishonest about it; it’s a shameful thing to you, to use the things that are supposed to help you to harm yourself, to be so careless with your own life. You know that it isn’t necessarily all your fault, but there’s still that small part of you that can’t help but feel guilty for using something so many other people try so hard to get to almost kill yourself with. 
After a few beats of silence, you decide to answer, “Yeah.” 
Price nods again, and he looks like he expected that answer. “D’you want to tell me more about that?”
You could, hypothetically, go in-depth about all of your weird thoughts about committing. The ones you’d been having just, what, fifteen minutes ago? Thirty minutes ago? The ones about chains wrapped around your throat, stolen guns from the armory, deep purple bruising and a stretched neck. Those thoughts, the ones that try to make ending your life sound pretty, that try to make it sound appealing. It’s not to convince yourself, you don’t think, but rather to help you come to terms with the fact that you were already convinced that you were going to commit at some point. The thought still scares you, because you’re a pussy―terrible, terrible choice of words, a voice at the back of your mind insists, you’re not a pussy, you’re just like anyone else―but you felt like you just knew that you were gonna die by your own hands. That you’d already made the choice, and now you have to understand it, to realize it. 
You are in that room full of TVs, with The Architect in front of you, telling you that you have no choice. That, in fact, the problem is choice. You are surrounded by a million other yous, all protesting, all denying that you have no choice but to kill yourself, all yelling “Bullshit!” because deniability is the most predictable of all human responses. 
But, you remind yourself, The Architect was wrong. He told Neo that he couldn’t do anything to save Trinity from her “fate”, but Neo did save her. He plunged his hand into her chest and forced her heart to beat. 
That’s true. 
And, you add on, The Architect is a computer program, tasked with mimicking human emotions, despite never having felt them. He could never understand the power of human will, of the desperation so many humans have to live. 
Because The Architect was never alive. He is a sentient computer program, whose job is to create a world in which humans can “live” while they are fed on in the real world, but his problem was his inability to create anything less than perfect. We aren’t expected to be perfect, and are taught that flawlessness doesn’t exist, which is why he came to the conclusion that he needed a “lesser mind” to help him create a better Matrix. 
You aren’t supposed to succumb to the idea of having no choice. Because that, in itself, is a choice. Everything you do is a choice. Even if everything you do will only add up to the same ending, to the same fate, why should you waste time not making the choices you want to make? When you assume that you have no choice, you assume that everything you do will go to waste, but that’s not true. You aren’t the only person that exists. You aren’t the only person who makes choices. The choices you make affect other people’s choices, and those choices affect another person, and another, and another. You still have to live through the choices you make, as does everyone else, so even if everything will end the same, why should you make inherently bad decisions when you could be making good ones? Why should you go through things you don’t have to go through, just because you believe that nothing matters in the end?
“Not really,” you answer Price, snapping yourself out of your thoughts, “I don’t… want to think about it too much right now.” 
Price looks a little more worried now but he doesn’t protest your decision.
“Is there anything in here that you could use to hurt yourself?” he asks after a moment, “Or that you’ve already used?” 
You bite your tongue. Technically, the pills count, you suppose, but those are your meds. You can’t really have those confiscated.
“Other than the medicine, no,” you answer truthfully, much to Price’s relief, as is evident on his face as his hardened expression softens. 
“Good, good,” he shifts in his seat. 
He’s gearing up for something. You can tell with the way he subtly presses his clasped hands together, the way his face goes through a mix of emotions, and the way the deafening silence of the room really seems to be getting to him. 
Suddenly, he asks you, “D’you think you’re going to… ?” 
He doesn’t ask you explicitly, but you have a good idea of what he’s asking.
“I was thinking about it,” you respond softly, “before you came in.”
Price nods, having expected that answer. You’re not sure if it was obvious, or if he just assumed you were thinking about it because of you confessing to having thoughts of it before this. 
“Y’know I have to tell someone about this, right?” Price reminds you gently, as if you didn’t already know, “Someone up the chain. Might be Laswell.” 
You hum affirmatively, because you didn’t expect anything less from him, and know that it’s for the better. It doesn’t make you feel any better, obviously, but you know how to be realistic when the time calls for it, and you know that if the roles were reversed you’d do the same thing. Not because it’s mandatory, but because when you imagine Price in your situation, the thought wraps itself around your heart and twists. 
The room is silent for a beat, and you get the feeling that Price is somehow more uncomfortable with the quiet than you are. He shifts in his seat while you stay still, and he clears his throat to break the silence for a brief moment before speaking up again. 
“It’s late,” he points out the obvious, before pausing and irresolutely asking, “do you want to head back to my quarters with me for the night?” 
His words confuse you for a moment. You open your mouth to ask why, before it suddenly hits you―oh, right, you just basically confessed to being suicidal. He doesn’t want to leave you alone right now. 
“Yeah, sure,” you agree, less questioning than Price expected you to be judging by his momentary look of surprise, before he nods and begins to get up. 
He pushes his chair behind him, standing up straight, and holds a hand out for you to grab. You grab it gingerly and use it to haul yourself up, your knees cracking as you do after having been sat for so long. You wince at the sound and Price gives a light-hearted chuckle.
“I thought I was s’posed to be the old one?” he teases, making you give him an unimpressed look and let go of his hand. The room falls back into soundlessness.
You both remain silent as Price leads you out the door of your office, turning off the lights and closing the door after you, and continues to lead you down to his sleeping quarters. His are farther down the hall from yours, because of his higher rank, and therefore takes longer to walk to from your office. The long walk is quiet enough to hear a pin drop, but you both don’t mind this, as the atmosphere here is more comfortable than the one in your office. 
Eventually, you make it to his room, where he opens the door for you and signals for you to walk in first with his hand. You enter the room and hear him enter shortly after you, and go to sit on his bed before pausing. 
“I’m still in my…” you gesture to your clothes, gear-less but still not your “normal” sleeping clothes. Price raises an eyebrow at you as you wave at the state of yourself. 
“I’ve seen you sleep in worse,” he points out, “and I think you sleep in this than in your actual sleeping clothes.” 
You’re about to ask how he even knows about that, before he answers you before you can voice your question, “I’ve seen you walking back t’your quarters in these clothes and hear you snoring a second later at least ten times.”
You close your mouth and sigh through your nose, before muttering, “Didn’t know I was talkin’ to fuckin’ Sherlock Holmes.” 
Price snorts at your retort, “If I’m Sherlock, are you Watson?”
You think about it for a moment, before shaking your head negatively. 
“No?” Price toes off his boots and walks over to you, sitting on the bed, “Then who are you?” 
You sit down next to him, “I dunno. I’m like…” 
“Like Neo,” you continue, ignoring the way Price’s eyebrows immediately raise, “and you’re Morpheus. But less smart.”
“You’re not Neo,” he scoffs, “and I’m not a less-smart Morpheus.” 
“I wasn’t askin’ you,” you grumble, shaking your already-loose boots off of your feet and crawling up Price’s bed. You manage to snake under the covers and feel Price’s eyes on you as you do, staring holes into your face.
He hums in acknowledgment, not bothering to answer you verbally, and instead gets up to lift up the covers and get into bed. The bed is small enough as-is, but with two people inside of it, it obviously gets much smaller. Price doesn’t seem to mind, though, and turns so that his back is facing the door and his front is facing you. Directly in front of you is the base of his neck, but if you tilt your head up, you can see him looking down at you with tired eyes. 
You let out a soft breath through your nose and realize just how tired you are. Price seems to notice this, because his arm comes up and rests across your side, his hand splaying across the middle of your back. He gives you a comforting sweep of his hand, before settling it on your upper back, absentmindedly rubbing his thumb in soothing circles against your clothed back. 
You close your eyes, and he closes his, and it feels like you’ve woken up in the real world and removed the cables from your body.
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minamorsart · 7 months ago
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Enter Merla: Queen of Darkness!!! 🖤✨
I was pretty disappointed when VLD didn't explore the culture and politics of the Galra Empire more, especially after Lotor took the throne, and I was also quite disappointed with Merla's cameo. So I decided to take a crack at her design myself! Some backstory below!!
I made her Acxa's twin sister because while I don't believe it was confirmed, I always thought that 80's Merla's character must have been divided into the four women who became Lotor's generals in VLD, so why not make Merla and Acxa related? Plus in every piece of fiction you need to have at least one set of twins ;) That's just da rules babeyy~
Acxa and Merla are from Planet Drule (a loyal territory of the Galra Empire) and are half-Galra and half-Drule. They are not of royal descent, and since they were children they were looked down on because they are half-breeds. As the oldest, Acxa takes on the responsibility of looking after Merla, who over the years begins to grow restless with the two of them settling for low-ranking positions in the army and living a less than satisfying life.
One day exiled Prince Lotor comes to oversee the planet just as Merla is planning a coup to overthrow the corrupt Drule king. The coup fails, and wanting to protect her sister, Acxa takes the blame even though she had nothing to do with it. When she is sentenced to death, Lotor, seeing the potential and skill Acxa possesses, offers to pardon her in exchange for her loyalty to him, thus saving her life (it is my personal headcanon that Acxa is the first of the generals to be recruited). She accepts and tries to convince Merla to come with her, but Merla refuses and insists on staying, saying that she wants to change things on Drule, and that by leaving Acxa is abandoning her. The two part ways on bad terms, and do not see each other for many years.
Merla eventually succeeds in taking the throne, her followers assassinate the king, and she becomes queen of Drule. She and Acxa have the occasional run-in, which is how Lotor and the other generals get to know her more. There is still lingering resentment between the two sisters, however, particularly on Merla's part. The events of VLD proceed as normal up until the end of season 5, and I personally would like to take out Lotor killing Narti and the generals turning against him. Now emperor, Lotor works tirelessly to unite his people and deal with the growing Galra factions which plot to rise up against him.
News of Lotor's ascent to the throne spreads throughout the universe, and soon Queen Merla is paying a visit to the Empire and demanding an audience with him. She knows all about the Galra factions, including Sendak's Fire of Purification, and proposes that she and Lotor marry in order to combine the forces of both the Galra Empire and Planet Drule. If Lotor accepts, the two nations will become stronger than ever and no one will dare stand against them. If he refuses, Merla will merely seek support from the factions, perhaps even form an alliance with Sendak, who will eventually try to take the Galra throne himself.
What can this mean for not only the Galra Empire, but for Voltron and the Coalition as well?? What can this mean for Lotor and Allura's developing relationship??? For those who haven't seen the 80's show, Queen Merla debuts in the US-made 2nd season. She and Lotor are actually engaged for a time! Merla is cold, cunning, and calculating like Lotor, and perhaps even a little more manipulative. She enjoys being entertained and can on occasion be condescending.
And this is not meant to create any unnecessary love triangle between Merla, Lotor, and Allura. While Merla has people in her life she cares for and she respects Lotor, her first priority is maintaining her seat on the throne and looking after her people, so she really only sees Lotor as a means to gain more power. Lotor recognizes this, because he mostly shares the same mindset as her and can see the benefits of marrying her, regardless of his own feelings. And how does Allura feel about this whole matter?? 👀 Only time will tell, though it is also likely that the princess may be too proud to ever reveal how she truly feels. At the end of the day, I just think it would be fascinating to explore more of the politics of the VLD universe and the complications that come with ruling an entire empire whilst trying to keep alliances and territories intact. Plus it would make for some fun drama! Particularly in the romance category hehe.
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magerightsmagefights · 1 year ago
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SPOILERS FOR BALDURS GATE 3 but I have to talk about this, I wheeze every time I think about it
Ok so I haven’t finished act 3 yet, so I am absolutely taking everything the Emperor says with a grain of salt, but the Emperor’s backstory is just so… breathtakingly funny to me, when compared to my other companions. Especially with how dramatically he was built up—your protector, your mysterious guardian, shielding his true identity because he could see no other choice, now forced to stand before you in his true form. The story itself practically had a flashing neon sign above his head screaming “This character is cool! This character is mysterious! Prepare yourself to receive the COOL and TRAGIC backstory that brought him to this place!”
And he. He was a hedge fund manager. Got that music and flashback sequence with the pained voice, “By night I devoured the brains of criminals. By day I controlled the mercantile groups of Baldurs Gate.” Like sir you invested in various businesses? Or did you like, establish and impose tax regulations upon local and foreign merchants? Because those are both neat, but like, my collection of demonic soldiers held against their will, abused servants/slaves seeking vengeance and Slightly Burdened Hippie Bear are not exactly overwhelmed by this backstory.
Emperor: Such was my influence, I came to be known as the Emperor within the shadows of Baldur’s Gate.
Tav: They… they started calling a business investor ‘the Emperor?’
Emperor: I was very good at business investment.
Tav: So our mysterious guardian was just a vigilante hedge fund manager—
Emperor: Time to talk about Prince Orpheus, immediately.
And then later you’re running through the city and you find his Super Secret Mysterious Hideout, and it’s just… some big tables covered in his notes, yes we will invest in this winery. No we will not invest in those cheeses. Someone is trying to traffic illegal goods here. Let’s create a hostile economic environment for this tavern. And it’s even funnier because he’s hanging out in your brain giving commentary the whole time about how dark and powerful he was, like bro. This is your office. This is the office in which you worked a 9-5 desk job. An executive desk job, granted, but very definitely a desk job.
Emperor: I controlled Baldurs Gate from that super fancy high-backed chair. No coin changed hands in the city without being approved at that giant dramatic table.
Tav: So board meetings.
Emperor: What?
Tav: That giant dramatic table is where you had board meetings.
Emperor: The Knights of the Shield decided what business could or could not take place—
Tav: Yes, a board meeting. You were the chairman of the board. It’s so funny that we have a hermit wizard and a vampire twink who embroiders his own underwear, but the nerdiest one has been hiding out in this magical D20 the whole time.
Emperor: … let’s talk about my mother’s silverware now.
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kibbles-bits · 2 months ago
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any voxval fics you’d recommend?
Ah, yes, voxval fics... The one ship that finally made me cave and read explicit stuff. I am now numb to everything.
Everything.
I'll only be posting completed fics. Warnings, almost all of these are explicit. A couple also have Angel, you know, suffering.
And please mind the tags.
First off is a couple of favs that I always go back for a reread:
Corrupted Love by DoveFactory (Words: 149,495)
In a moment of blind desperation to one-up Alastor, Vox puts himself in a compromising situation that leaves him worse for wear. His state triggers something in Valentino who decides to change the nature of their relationship.
The title and summary of this is so misleading I thought it was going to be a dark fic but nope. The Vees are a bunch of goobers and Valentino always wins. I would scream about this every time it updated. I love the characterizations and their banter it almost made me forget there's sex in like every chapter. Honestly I wish there was more tags referencing the character/story stuff.
Virtual Reality by passthevoxcord (Words: 7,634)
Vox gets tired of his cybernetic biology being a barrier to his sex life, so he starts a new project to fuck Valentino in VR. Val will try anything once, but he has something else in mind.
This one ends up being so sweet I want to die. passthevoxcord's other fic, Only a Shadow, drives me nuts but its a WIP and hasn't actually gotten to the voxval yet.
choke behind a smile by gloriousmonsters (Words: 19,881)
"I'm not scared by extreme, although I doubt I'll find it interesting. What is it?" Valentino's eyes narrow slyly over his smile. "If you aren't scared, why do you need a warning?" Vox has everything under control in his new business partnership with benefits. His emotions, his unfortunate desires, the little mind games they play. Even Valentino himself. When Val offers an invitation to a special show he's performing, Vox knows it's a dare, and knows he has to take it, show Val that he can't be scared or destabilized. He has no idea of how deep under his skin the show will get.
Everyone's so normal. I love this Valentino. There's another Valvel fic that has the same Valentino I also recommend called bad girls go backstage.
Great Expectations by MarenRose (Words: 11,280)
“It’s his goal. Those three simple words. If he could get to hear them once, could let the reality of their meaning and spoken existence occupy his mind for only a few indiscernible moments, then maybe, Vox could learn to see the appeal of this god forsaken holiday. He might even learn to ‘love’ it too.” Or: Vox hates Valentine’s Days. His prick of a ‘wife’ is just too damn hard to please.
This miiiight have been the fic that made me Lock In on voxval? I'm not sure. It's sweet. Alastor is hilarious.
biting keeps your words at bay by Subedarling (Words: 1,511)
“You can’t hit me,” Valentino says. He’s practically vibrating with rage. “You’re not allowed to—you can’t hit me!” Vox sneers, cruel and mocking and hopefully masking the way his heart is breaking apart inside his chest. “Baby, I can do whatever the hell I want.” A decade into their partnership, Vox and Valentino have their first and last physical fight.
This might be the only non-explicit fic in this list. I am all for Val being the worst just because he's Like That. But I will not say no to an implied tragic backstory. I read this one a lot and want to die. Can I draw this. I want to draw this. Oh my god I have free time I can totally draw this...
And my other recs:
Just For The Record by PeppermintWalrus (Words: 13,795)
Vox is thrilled about his new film enterprise with his business partner, ready to build a lucrative empire for the denizens of hell to experience true cinema, in the only genre their depraved minds desire. There’s just one problem that he finds out too late; Valentino has never filmed porn before. Vox decides that some... hands-on teaching, is necessary to save their production.
Yeah you read that right.
a putrid feeling that i've addressed by spoondrifts (Words: 5,162)
They weren’t a couple because Valentino was pathologically noncommittal and Vox simply knew better. He tried the whole romance thing with a certain radio demon a few decades back, and he’d learned his damn lesson. Hell just wasn’t the place for that sort of cutesy bullshit. Also, he was pretty sure that Valentino was straight up incapable of love, which was both par for the course for Vox’s friendships and amazingly convenient—things couldn’t get complicated if there was nothing to complicate in the first place. Or: Full Moon, Vox/Val edition.
Haha I love pain. I lied, this is the second non-explicit fic.
Little Miss Hellion by DoveFactory (Words: 10,657)
Hell’s worst married couple spends a day of family bonding at a beauty pageant doing whatever it takes to make sure their daughter takes home the crown, because failure is never an option for the Vees. Pilot AU where Vox and Valentino are married and Velvette is their adopted daughter.
It's more Vees than voxval but they're married so.
The Art of Pimping by MarenRose (Words: 9,161)
Desperate to close a deal with one of the most lucrative investors in Pride, Vox does the unthinkable and pimps out Valentino for a one-time date. What could go wrong?
Val's attitude in this one is funny and Vox. Yeah. Vox made a mistake.
You Found Me by passthevoxcord (Words: 4,338)
Long before Velvette came along, it was just them. Vox and Valentino. Valentino and Vox.
Sobbing.
Something Less Than Dishonest by daphnerunning, Galiko (Words: 33,931)
He isn’t expecting the way Valentino walks, for some reason. Maybe it’s the extra limbs. Maybe it’s the wings. Maybe it’s the heels. Vox had skipped briefly through a few of the slut’s movies, for research, and isn’t expecting the way Valentino moves in person to feel so… Different. “…You must be my four o’clock,” he says, standing and offering a hand. Oh, shit, he’s huge. Valentino towers over him, easily would without the stripper heels. Vox is not afraid of heights.
Vox is so offensive in this it loops back around to hilarious.
Red Skies and Valentino by alternatedoom (Words: 86,050)
"Vox and I are special friends, doll. Go give him a kiss," Val says to the boy.
Angel does not have a good time. But the Voxval is nice.
before you go by xoTsundoku (Words: 4,426)
Before Alastor came into their lives, Vox and Valentino were happy. Maybe they still can be.
A Farewell to Ghosts by Accidental_Ducky (Words: 37,149)
"What do you think that is," Vox demands, pointing at the new guy. Valentino turns, eyes raking greedily over the man's body. He's gorgeous, skinny in a heroin chic way with big blue eyes and blond hair that falls just so across his eyes. "Hot." "Don't fucking call the ghost hot!"
The only human AU I've liked so far. Love the character interactions. Vox and Val are hilarious.
God I hope I didn't miss any. There's definitely some good WIP ones out there.
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literaryvein-reblogs · 1 month ago
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A 7-Part Book Development Template
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Take your story from a vague book idea to an impactful first draft.
PART 1: Concept Development
A great story is built on a great premise.
This exercise is meant to help you develop a strong foundation for your story.
This story follows [name + brief character bio]. Their life changes/story begins when [inciting incident]. This causes [problem]. They wish to [goal] but are held back by [antagonistic forces].
CHARACTER "This story follows [name + brief character bio]"
Brief description of character (occupation, skills, lifestyle, etc.):
Emotional trait or problem:
PLOT "When [inciting incident], this causes [problem]"
Inciting incident:
Problem:
GOAL "They wish to [goal]"
Goal:
ANTAGONIST "Held back by [antagonistic forces]"
Internal antagonist:
External antagonist:
PART 2: The Protagonist
After writing the premise of your story, it’s time to focus on your protagonist.
This exercise will help you sketch out the fundamentals of your main character.
Five (possibly) positive qualities:
Five (possibly) negative qualities:
Personality type:
Aspirations and goals:
Belief system (written as ‘I believe…’ statements):
Significant life events & backstory:
Skills:
Appearance:
Mannerisms, body language, speaking style:
What is their character arc in the story? How do they change and grow?
PART 3: The Cast
Behind every strong protagonist is a strong supporting cast. This exercise will help you flesh out the key relationships in your protagonist’s life.
What important relationships were a part of the protagonist's past?
Who were they?
Their influences on the protagonist?
What happened to the relationship/s?
What important relationships are a part of the protagonist's life now?
Who were they?
Their influences on the protagonist?
What will happen to the relationship/s?
Select at least one and at most 3 important relationships to focus on developing. What are their progressions?
Relationship #1:
Relationship #2:
Relationship #3:
PART 4: The World
An impactful setting should put pressure on the character to grow. This exercise will help you identify how your setting can accomplish this.
Where and when is the story set?
What other settings will we visit in the story? List them here.
What does the main setting look like?
What is the climate and weather like?
Imagery associated with the setting?
What are the people like?
What does a day-to-day for this place look like? Describe it in a few sentences.
What challenges does this setting present? What opportunities?
How long has the protagonist been here? How do they feel about it?
PART 5: The Plot
This exercise helps you define your plot using the popular 3-act structure method.
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Identify the 5 key points on the timeline:
Inciting incident:
Plot point #1:
Midpoint:
Plot point #2:
Climax:
PART 6: Form, Style & Voice
If a book’s structure is its walls, its voice and style is the interior design that makes the book truly unique. This is an exercise to help you nail down how this particular book will be told.
DEVELOPING THE BOOK’S FORM
POV:
Tense:
Narrator:
Voice and tone:
Emotional core:
What are the primary emotions in this piece?
Atmosphere and mood?
DEVELOPING YOUR VOICE
Identify 3 books whose style or voice is similar to what you want:
Read a few pages from each and describe what they do specifically:
Write a scene from your character’s voice. How close is it to hitting the mark? What do you wish it did differently?
PART 7: The Writing Plan
This exercise will help you determine the logistics of your writing process, so that you can finish your first draft.
What’s your project timeline?
Set a deadline for finishing your first draft.
To complete your book, how many words do you need to write per:
Week:
Month:
Source ⚜ More: Writing Worksheets & Templates ⚜ 100 Sensory Words Plot ⚜ Character ⚜ Worldbuilding ⚜ 170 Quirks ⚜ 600+ Personality Traits
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dewdropdinosaur · 9 months ago
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Hazbin Having Blues
ALASTOR x READER Summary: You and Alastor hate each other in every respect. But what if something did help you get along? Warnings: NONE. This is kind of a backstory for my fic 'Only for You' based on the line "how you get got along in the first place" and inspired by @anon-of-the-void Requests are still open!!
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The Hazbin Hotel was a bustling haven for lost souls seeking redemption, but amidst the chaos and colorful characters, a particularly unique dynamic brewed between Alastor, the Radio Demon, and the new arrival…you. 
The animosity between you and Alastor was palpable since day one, with every interaction echoing with sharp, witty remarks that cut through the air like daggers.The constant banter between you both created an uncomfortable atmosphere within the hotel, much to the dismay of the optimistic and ever-hopeful Charlie. Despite the young Moringstar’s best efforts to foster a sense of unity and camaraderie, the stalemate in this war of words persisted.  Alastor, with his charismatic and devilish charm, found himself enjoying to harp down upon what he saw to be a gross naivety and unmannerly conduct. Meanwhile, you were a soul unafraid to stand up to the radio demon's antics, viewing him as nothing more than a pompous and insufferable presence. 
Simply, Alastor and yourself had developed a fierce dislike for each other. The verbal sparring matches were legendary within the walls of the hotel, often leaving other residents uncomfortable and seeking refuge from the bickering.
Insulting conversations include but are not limited to: 
“Well, well, if it isn't the radio demon himself. Did you run out of jazz records to torture people with?” “Ah, my dear, I always save the best tunes for special occasions. Unlike your taste in humor.”
“Look who decided to join the conversation. Are you here to dazzle us with your sparkling personality?” “Better than your attempt at a fashion statement. Monochromatic stripes, Al? Even Hell has standards.”
“Heard you like to play games, Alastor. How about a round of ‘Guess What My Expression Means’?” “My, my, how thrilling. I'll start: my face means I'm thoroughly unimpressed by your attempts at banter.”
“You know, Y/N, they say laughter is the best medicine. Too bad it can't cure your lack of charm.” “And they say pride goes before a fall. How's the weather down there, high and mighty?”
One evening, however, something changed.
As Alastor wandered the halls, his keen senses picked up on a faint sound emanating from your room. The unmistakable notes of a trumpet played with soulful precision, and a voice as smooth as molasses crooned lyrics that resonated with a timeless elegance. Intrigued, Alastor pressed his ear against the door. Deciding that was not enough, he slunk into the shadows and appeared in the room behind you. 
Inside, you sat alone(you thought you were alone at least) immersed in the soothing melodies of Louis Armstrong's "West End Blues." and Etta James “Bye Bye Blackbird” on LPs for the record player you had thrifted. The soulful and jazzy tunes seemed to transport you to another world, away from the chaos of the hotel. Unbeknownst to you, Alastor found himself captivated by the same enchanting spell. 
Alastor found himself captivated by the soulful notes. He couldn't help but appreciate the musical talent behind the song. He couldn't deny the care and emotion woven into each note, and for the first time, Alastor recognized something within you that transcended the ongoing feud. That something he wasn’t quite sure what it was but it was…different. Yes, the songs had come out in 1928 and 1926 respectively, he was alive when they graced the radio waves for the first time. Often finding himself tapping along to a beat in Mimzy’s lounge back then. How did you come to know something of such class when he found you to be a peasant in most respects? 
But instead of announcing his presence with a snide remark, Alastor leaned against the doorframe, silently appreciating the moment. When the final notes faded away, he couldn't help but admit with a slow clap, "Not bad, Y/N. Not bad at all."
You, startled by his unexpected appearance, yelped and eyed him suspiciously. "What are you doing in my room, radio head?!"
Alastor smirked, his usual air of arrogance softened by a newfound appreciation. "Just thought I'd acknowledge the good taste when I hear it. That Armstrong fellow knows how to play a mean trumpet."
Raising an eyebrow, you were surprised by the change in tone. "Yeah…what about it?"
“Nothing my dear, simply acknowledging. You may not be such a ducky afterall.” Slinking back into the shadows, Alastor disappeared as quickly as he had come. 
You were taken aback but managed a nod of acknowledgment. The tension between the two of you began to ease as Alastor, in his own peculiar way, had found common ground through music. 
From that day forward, the interactions shifted. While the witty banter persisted, there was a newfound respect lingering in the air, as if the shared appreciation for timeless jazz classics had bridged an unexpected connection between two souls trapped in the chaotic tapestry of the Hazbin Hotel.
Over time, the insults became less frequent, replaced by a begrudging mutual respect. The other residents were astounded by the change, especially Charlie, who believed her intervention had led to a surprising connection between two seemingly incompatible souls.(My apologies dear Morningstar, trust falls and all…simply not the case.)
As Alastor and you had found a shared appreciation for music, discovering that beneath demonic exteriors, there was more to each other than met the eye. Alastor often found himself up in his radio tower, listening to the jazzy tunes he knew would draw you in. And like a very good little pet, as he liked to call you, you would climb the stairs and sit next to him in silence. Listening and tapping your foot along to the beat, only to leave a few hours later. As the time went on, a few weeks or so, conversation slowly filtered into the listening sessions. Turns out…maybe both of your distastes for each other might not have completely founded. Not that you would ever admit that to his face, nor him to yours.  
The Hazbin Hotel, once filled with discord, became a place where even the most unlikely friendships could blossom. And maybe, just maybe dear reader, that friendship could be something more. Alastor did look good in monochromatic stripes anyway. 
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