#i cannot describe it any other way

[kasanetetolover]

S-s-s-suitcase x Clover art for the poor and needy? 🥺

Sorry I took so long ANYWAY HERE'S YOUR CLOVERCASE YOU BEGGAR

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[asfdhgsdkjhgb]

had quite the night drive earlier this evening.

[the-moogle-of-your-nightmares]

one thing i really deeply wish is that i'd had access as a kid to the plural community and information that are more easily available today, instead of my first experience with plural community which both took it seriously and was nonjudgmental having been 10's era tul/pa.info lmao

[mommyashtoreth]

F/M(presenting) Az and Crowley is only ever acceptable if it's also t4t-presenting. Cis-presenting, for some unfathomable reason younger-looking, hyperfeminine Crowley sitting in cis-presenting for some unfathomable reason hypermasculine and bearded Aziraphale's lap? Exhausting. Tired. No more. Trans milf sitting in trans dilf's lap? Never gets old. Sound of the summer. Especially if you let her keep being tall

[la-cocotte-de-paris]

When you think about him and your uterus sees stars

[eonars]

um. tfw your life is about to change massively very very soon and it still doesn't even feel real yet and still feels like somethings gonna pop up and it won't actually happen and also you're scared as fuck that you're too stupid to actually do it and it'll all be for nothing

[ourladyoftheflytrap]

1 month ago today my exes mom died is it too soon to tell him I unfriended him and ignored his message because I kind of think he raped me

[simplegenius042]

Music Monday & Last Line Tag

Tagged by @poisonedtruth

Tagging @socially-awkward-skeleton @shallow-gravy @direwombat @voidika @g0dspeeed @adelaidedrubman @chazz-anova @cassietrn @deputy-morgan-malone @strafethesesinners @josephslittledeputy @josephseedismyfather @strangefable @derelictheretic @wrathfulrook @inafieldofdaisies @minilev and @jillvalentinesday

Paul Yellowjack is a character who has gone through many changes. He started as Silva's first real father figure, a teacher who raised her on morals to live by, protected her from Adam when the poor-excuse of a man wanted her back, and lead his people in a revolution against their violent oppressors on the Archipelagos. Ultimately, after the massacre though, he ended up as a tragic fallen hero whose core morals corrupted when put through tragedy after tragedy, leaving bitterness to take his heart and (regrettably) lash out at the world, before Silva could restore his hope again. Left down a dark path for so long he can no longer return as the man Silva once knew (even if there are shades of him deep inside the villain he has become), and sadly neither wishes him to, Paul because of his self-loathing, Silva because of the pain he inflicted on her. There is a longing between them, but both have gone down two different paths, with no way to return to one another (or at least, that's what both believe). I believe this song reflects his turmoil perfectly. I'll probably explain in the tags.

"I want you by my side So that I never feel alone again They've always been so kind But now they've brought you away from me

I hope they didn't get your mind Your heart is too strong anyway We need to fetch back the time They have stolen from us

And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it

And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it

Coldest winter for me No sun is shining anymore The only thing I feel is pain Caused by absence of you

Suspense controlling my mind I cannot find the way out of here I want you by my side So that I never feel alone again

And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it

And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it

And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it

And I want you We can bring it on the floor You've never danced like this before We don't talk about it Dancin' on, doing the boogie all night long Stoned in paradise Shouldn't talk about it Shouldn't talk about it

And last line for The Years In Hope County, which is getting pushed for possibly next week.

"We've come a long way. You've come a long way," Elsa tells [Sylvester], downing the latte in her hands like shots at the Fairgrave's bar, "You may not see it but... we're already honouring them, just by being alive."

[robinsnest2111]

uhhh search engine, what does age regression feel like

[meimeikyu]

i dont feel love in the way of. the emotions i feel that would be labeled 'love' have such an indescribable meaning and feeling and vastness to me that i could never just label it with one word, and doing so feels wrong to me.

[songofwizardry]

i stumbled across a Rumi quatrain on tumblr today and it reminded me to go looking for my favourites, so here's a few, all taken from Kulliyat-e Shams-e Tabrizi, with the caveat that i do not speak Farsi and I have read them all as translations only. more notes on translation at the end, but all of these are translated by Zara Houshmand, and taken from the archives of The Iranian.

#1771

#57

#1584

#1316

and the note on translation: these are of course not the Coleman Barks translations, the most popular English translations. i think the orientalism and... de-Sufi-fying and de-Muslim-ifying of the Barks translations and a lot of English-language and Western perception of Rumi is much more discussed now (Jawid Mojaddedi, who is writing a translation of Rumi's multi-volume Masnavi, says, "The Rumi that people love is very beautiful in English, and the price you pay is to cut the culture and religion.") if you're interested, Persian Poetics has a great twitter thread about it and their website has text, audio, and video resources where they've talked about it. and this article from Ajam Media is a short read and an interesting comparison of a few different translations.

if you enjoy Zara Houshmand's translations, she has a book of translations of Rumi's quatrains, Moon and Sun. there's many translations of Rumi's works not by Barks, that prioritise different things: you can 100% find a translation that isn't Barks, and Rumi's work is. so beautiful and so much better when you are not reading whatever uhhh... interpretation Barks came up with.

[zaddyazula]

something i think some people don’t understand is that everyone has different things that happen to them in their life!!! just because something isn’t emotional to you doesn’t mean you should try and tell people who did find it emotional it’s not!!!! people have lived beyond who you know in person!!!!!

[sun-e-chips]

When you want to draw fully finished clean colored illustrations but you draw till completion and that will take you anywhere from 6 to 8 hours so your in that paradox of

“to draw or not to draw that is the question”

[devotedlystrangewizard]

the difference between being a caster in bg3 and being a caster in da (and especially da2) is so jarring if im honest

[tortademaracuya]

maybe i should reread the yume nikki novel