#i can't believe my work is still doing ok????!!!!

[ilikeyoshi]

"#yes yes yes!!!! #and ngl it makes me want to read or engage with it more too!"

i hope it's ok to point out these tags bc this is SUCH a huge mood i think deserves a little more explanation!!!! (at least from my perspective as both a creator (writer) and fan (of artists))

i used to have a ton of anxiety when creating and especially sharing my works, and my impulse was always to talk down on it, because a) i* (*my anxiety) believed it to be bad, and b) because i had this idea in my head that if i lowered people's expectations, they wouldn't be as disappointed when reading it.

i want to tell you what i've learned in my years of both being a writer and being a fan of artists, and it's that this is a terrible, terrible anxiety fallacy (like so many ideas/misconceptions borne of anxiety are) that ONLY hurts you, your work, and your potential readers(/fans/etc). it SOUNDS like a good idea when you have really bad anxiety, i know, i used to DEPEND upon this idea just to have the courage to SHARE my writing—and i want to emphasize that it's OKAY if you've done this before, it's an easy, easy trap to fall into, but i also want you to try and stop doing it because there are a lot of reasons you would feel better and do better for doing so.

you are what you practice! if you only ever focus on or speak about the flaws in your art, you WILL feel negatively about your art. my very first therapist explained it in a way that still really resonates with me: you have created a well-beaten, highly trafficked "road" in your brain. it is very easy to take this road because even though it's longer to your destination, it winds and bends, it's walked on so much it's flat and easy to traverse. when you try to build a NEW path—in this case, a path where you focus on what you like about your art—you're starting with no path at all. it's all undergrowth and vines and thorns and it hurts and it's tiring and you feel like this will NEVER be easier or feel better than the old path. but you have to keep taking the new one. you have to beat down the undergrowth until it recedes, cut down the low-hanging branches until you can walk with your back straight, and if you keep at it, if you keep at this thing that feels so pointless and stupid and hard, eventually, the path will be clear, and easy to walk, and you'll make great time getting to your destination because it cuts straight through; no winding or bending. and the old path? it will overgrow, and it will become hard and stupid to take. you have to beat the new path because once it's beaten, it'll be the far superior path in every way, including ways the old path was never superior even when it WAS the one you were always taking.

further—as these tags point out, and as i agree with wholeheartedly—by disparaging your art, you DO lower people's expectations. people don't want to be sad, frustrated, disappointed when they look at art—at least, not unless the art itself is trying to tell a story about that. you get what i mean, i hope—they don't want to go INTO something they already HAVE negative reviews on—your reviews! you, the creator, have already told this person the story/art/whatever is going to be bad, and i know, i KNOW it's not your intention, you're hoping someone will see through what you can't and tell you no, no, this is good, i liked this! and some people do! but you make it a lot harder for them TO do that when you tell them right at the beginning, "this is going to be bad, i don't like it," because what you're unintentionally telling them is, "and you probably won't like it either." the first way i learned this was in people always saying in their fanfic summaries, before you even open the fic, "the summary is bad, i'm bad at writing summaries, the story is better trust me bro." because what this does—again, so unintentionally, i KNOW what you're trying to do because i've been you—is you're telling the reader, "here's my pitch, here's the hook to my entire story, it's the worst part, it's bad, but the rest will be better," and what they KNOW is they've already put the time in reading the summary, and it's hard to commit MORE time to something when you've already told them it's bad, even if you promise the rest is better. it's like biting into a fruit and you hate the taste of the skin; it's harder to try the rest of the fruit when, so far, it's been bad (or you've been made to believe it's bad).

so what's the solution? how do you begin beating that new path? well, it depends on you. everyone's a little different in how they navigate stuff like this. but what worked for me, and what might be a good place to start (and by all means adapt as you figure out what works and what doesn't), is start by just NOT saying anything negative. no, "i don't like this," or "the summary's bad, sorry," or anything. write your artist's comment, author's note, whatever as normal, and REMOVE anything that depicts your art/writing/etc in a bad light. just don't give people any opinion whatsoever on what experiencing your creation is going to be like. this, for me, was easier than jumping straight to, "i'm pretty proud of this," or "i enjoyed working on this," because it wasn't withholding AND replacing, it was JUST withholding. going back to the roads and paths metaphor, i think of this part as the "taking a breather before i get to work on this monumental task of beating this new path" stage.

then, overtime, i started "stretching" my positive comments about my works. if i liked, say, TWO LINES out of a whole piece of writing, i'd say, "i'm really proud of this work!" because i AM proud of ANYTHING AT ALL, NO MATTER HOW SMALL, within the work. it's not a LIE, to anyone including yourself, but it is, perhaps, an EXAGGERATION. that's OKAY. we're trying to teach our brain to look on the bright side, to take the new path, and i've found that treating it a little bit like a dog—giving it a treat for ANY TINY BIT OF PROGRESS, was a good way to encourage myself to start making MORE progress. ESPECIALLY because the tags i reposted above are RIGHT: LOTS of people are MORE interested in a work when their very first impression (YOUR impression!!!) is positive. 'the artist/writer/etc is proud of this? oh, i'm so glad they had a good time creating, let's take a look!" it probably sounds too easy if you're still taking that anxiety-beaten road, i know, but try to think of how you've felt when someone disparages their creations versus uplifts them. were you put off by the negativity? were you sad that your friend worked so hard on something and didn't even like it? conversely, doesn't it make you a little excited when an artist says they really feel good about something they made, especially in a world where so many artists ARE feeling inadequate? i hope you see what i mean.

it's not an overnight thing, of course, this took me YEARS. this took a miracle that doesn't happen to most people: i wrote something i felt SO TERRIFIED people wouldn't like, even though i was secretly very proud of it (but too scared to dare suggest i was proud of it), so i indicated all kinds of things like "i hope you like it, i dunno if it's any good, it's just a little thing i'm chipping away at in my spare time" (it was not, it was a full-blown passion project) and, against the odds, a LOT OF PEOPLE told me they really really really liked it. a couple of friends who were decently popular in the fandom it was for liked and shared it and i got A LOT of encouragement. i basically got to beat my new path with a HORDE of helpers, and it was more like THEY beat the path for me and i chased along like, "what is happening, oh my god, what are you doing???"

i got really lucky. that doesn't always, or even usually happen. in most other areas of my life, i've had to beat the path myself. and it takes a long time if you're doing it on your own. but you should anyway, because it's so fucking worth it dude. yeah, it was awesome to get so much help with my writing confidence specifically, but it's been just as worth it every time i've had to do it alone too. and i have good news! there ARE ways to tell people you're on this journey of making yourself a new path. here are some suggestions:

"i'm new/rusty at this, so please let me know what you think!" - informs potential readers/viewers/etc you are learning and gives them an opportunity to HELP you learn. this is a positive interaction! this allows people to find a GOOD experience EVEN if they didn't enjoy the story much, because they can help, and people DO, MOSTLY, like to help.

"i want to improve at [dialogue]" or "i'd appreciate advice on [lighting]." - similar to the first example, but does 2 things: gives viewers specific instructions that can be really helpful for those that aren't sure how/what to critique (surprisingly common thing; the more specific you are about what you want advice on, the more likely you are to GET advice), AND allows you to, neutrally and non-disparagingly, ask for help in areas you don't feel confident about.

"leave a comment if you liked it!" or "let me know what you liked best!" - listen. i don't think 'fishing for compliments' is bad as long as you're not being manipulative about it. these examples are very clear in what they're asking for, which is compliments, positive reviews, etc. and that's okay!!! first of all, lots of people LOVE praising works they like, i promise, and asking them to DOES make them feel like they have "permission" to (i know that sounds silly but i also know if you have anxiety about creating, you have anxiety about commenting, i see you, i was you). secondly, i have gotten the MOST encouraging, confidence-boosting comments this way, especially with the latter example. there is NOTHING more immediately anxiety-curing than a comment that says "i liked [scene/dialogue/character/etc] specifically." it's AMAZING. (also, if you're looking for advice on commenting, this is a GREAT thing to do. imo, this and "speculating/interpreting the work" are the two coolest comments i get they make me feel AWESOME.)

remind yourself, as many times as you have to, CONSTANTLY if you have to: likes/kudos mean someone enjoyed your work enough to press a button. views mean someone liked your work enough to click through for more. these are POSITIVE interactions, they are not "less positive" than comments or reblogs/reshares. i know those last two things are more obviously gratifying, and depending on if you NEED your work to spread (for exposure/commision prospects/etc), very good, awesome ways to support you, and i don't mean to say you shouldn't WANT comments and reblogs/reshares. but for me, it's helped me a lot to recognize that any bit of effort whatsoever means someone LIKED my work. it's also helped me to think of all the times i've shared a link to an artwork in a discord or something, and know that there is an entire, untangible metric i can't and will never see that, sure, i can choose to believe doesn't exist or isn't very high, but i can ALSO choose to believe it happens quite a lot, and the latter makes me FEEL better about my work and makes me want to create MORE, so i think that's the more productive mindset personally. it doesn't matter what the truth is, you know? we'll never know it and it doesn't harm us to never know it. but it DOES harm us to assume no one quietly, unseen by us, likes our work, and it DOES ENCOURAGE US to assume lots of people do.

here's the thing: anxiety disorders fuck you up by making you believe extremely negative, scary, depressing things. the disorder gets worse the more you allow it to make you believe these things, and the only way out, as stupid and hard and at times impossible as it feels, is to say, "no, i don't like that interpretation, i'm going to replace it with a positive one." anxiety is making paths all throughout your brain, and you have to just, make paths too. anxiety needs YOU to make paths, but YOU don't need anxiety to make paths. your paths WILL be better, safer, easier and happier. you just—and i know that is the biggest "just" ever—have to make them.

but i believe in you. i don't need to know you or your circumstances to believe in you. i believe in the sheer amount of control you have over how you face the world. and it's so much more than anxiety would lead you to believe.

i looooove seeing artists & writers proud of their work!!!!! i looooove captions & authors notes that say things like “i’m quite happy with this” “i love how this turned out” “i had so much fun making this”!!!!!! i loooooove when the act of creation is joyful & we take pride in what we make!!!!!!!!!!

[blueishspace]

Hero, Villain God 17

(Prev) (Next) (First)

*Scar's pov*

Poultryman leaves quickly but you can't help but keep feeling suspicious. Nothing concrete and his explanation does make sense but you can't help but feel that It was weird for him to just be there like that...

He said he heard of it but ... How did he do so quickly? And why was he just standing there...menacingly?

You don't get the time to think about it further and quickly forget about it as Cub messages you, the hero association wants to talk to you for some reason and that means something is wrong...

...You are a bit worried.

...

You uh... don't really know what to do, your fight and flight is going off in a way only a council of business people can make it go off.

The council is staring at you, you thought they wanted to tell you something not look at you with... judgement in their eyes for like ten minutes straight.

You try to break the tension by initiating the conversation yourself.

"H-hello?"

...

"You wanted to speak with me?"

They are still silent? Did you say something wrong? You literally just said hi-

"Indeed, a decision has been talen that we believe you should be informed of."

Ok, not silent anymore, that's good... Wait decision? They aren't demoting you or something, right?

"Did something happen?"

They look to eachother...ok...even more worrying. It's fine everything is fine, you are totally calm and chill and not anxious at all.

"No, but something will."

"O-ok?"

Points for being ominous for no reason.

"Hotguy, you cannot continue to work alone. The stakes are growing, it is becoming too dangerous.."

"Oh!"

Oh! Are they making a hero team? You always wanted one of those-

"We are not going to waste heroes on a team"

And just like that your hopes are dashed and crushed. Why are you still here...just to suffer?

"But then-"

"Hotguy, how would you feel about a sidekick?"

A... Sidekick? You don't know how to feel, superheroes are supposed to have them though so It must be a good idea!...Wait.

"W-who's going to be my sidekick? You said you weren't going to waste heroes."

"That has not yet bern decided, we plan to start an hiring process of sorts soon.""

Hiring? What's this? An office job?"

"Do not question us, Hotguy. It is thanks to us you are even here to begin with"

"Right! I am sorry."

"... This is where you come in"

"Huh?"

"A sidekick should not only be capable but should also work well with the hero, you'll have to be the final judge of character "

"Oh that makes sense... So I'll interview the candidates?"

"Not directly, we cannot risk that, you'll just have to prepare some questions for them to answer"

"Oh... Alright! I'll do it"

*Mumbo's pov*

You are in your apartment, Grian is off... somewhere. You have stopped questioning him around the time you walked on him peeling grapes ... You just hope he doesn't randomly die or something, that would be quite unfortunate.

You turn on the tv, not something you do often but it's a good way to pass the time when you aren't working on something which is thinking about it...very rarely. Surely today has been uneventful.

The mayor was kidnapping by his own office and Hotguy is randomly hiring a sidekick.

What in the world has happened today??

*Grian's pov*

So Hotguy is searching for a sidekick, what interesting timing.

Well, you cannot waste this opportunity to have fun, can you.

You prepare an outfit, you even have a perfect name for this.

Cuteguy.

...

You might have too many personas now... nah.

End of Chapter 4

[narcissusneverknewme]

they wouldn't let me write the live action Disney adaptions because I would have had the best Ping you have ever seen. He and Shang would have had chemistry that took your breath away. They would be Yearning. the audience would be Yearning. it would be electric and terrifying and by marika would Mulan/Ping be hot. Shang is obsessed, the audience is obsessed. there would be hardly be a person in the attendance that doesn't Get where Shang is coming from. who wouldn't rend their clothes and scream to the heavens over Mulan/Ping. she takes no prisoners.

and yes, Shang kisses him in the snow as he cradles Ping's injured, dying body.

and yes, from the opening scene to the rolling credits he's going slowly mad.

and the first time you see Mulan she's dressed in the most feminine, floaty, light-colored dressy robes, with bone white makeup and painted lips and you fall in love with her. and there's something underneath, too. and it's so intriguing.

and then she shows up as Ping, and it takes a while to get used to, and it's kind of funny and awkward. but then it looks better and better to you. and soon you find you can hardly bear it when the camera turns away from him for even a second. and Ping isn't awkward to be around at all, he's stunning and brave and resilient and determined to be kind and you're desperately in love with him and you decide he looks incredible in the warriors' robes, actually. and his smile makes you want to kiss him. it makes Shang want to scream. and to kiss him.

and then comes the last leg. and she's got the gender-neutral robes, the "neutral" stage makeup. the loose updo. and you've never been as attracted to anyone in your life as Shang is to her. and you get it. you really, really get it. and wow the way the cuff of her sleeves and the silhouette of her robes make your heart clench. and the way her posture, her gait, make a new kind of sense. you can feel this is It. this is The Costume. you're obsessed and Shang is obsessed.

And then in the end, she's wearing pretty soft-colored robes and it makes you think for a moment that she looks like she did at the beginning. but then actually something makes her strength visible too. is it the cut of the costume? her posture? the framing of the shots? Yes it is. and you know, when Shang shows up, You know he can see it too. and he doesn't want to stop looking any more than you do. and he isn't going to even when you do.

every kid that ever watched my Mulan would recall it as Formative, like y'alls Danny Phantom but on the sickest steroids ever invented. She'd be irresistible. and so very gender.

[fortes-fortuna-iogurtum]

I've been reading Exodus lately and I've just gotten to the portions where God gives the first commands to the people via Moses (twice), and then goes on to give detailed instructions about the tabernacle and how it should be built, and I'm just... we think art is unimportant?? we think things only mean as much as their functionality?? we so easily fall into the trap of believing that beauty means nothing, that it's cheap and only worth whatever mindless distraction it brings, that it's barely more than a cheap sensual thrill, that buildings should just be practical and plain and cheap, that everything should be functional but ultimately disposable, that paintings and dresses and mugs and curtains and carpets are just pretty but have no real value, that beauty is fleeting and vain and therefore shouldn't be thought about too much, if even looked for at all... we fall into these traps so easily, and we forget that there are chapters upon chapters of painstakingly detailed plans to build one portable worship tent, and those plans have been handed down through thousands of years of human history, because beauty and art and skill in craft is important

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[bumblingbabooshka]

Processing some things

Also the fact that he's crouching with his hands on his knees is so cute to me for some reason?? He does this in another episode too - the one where Chakotay finds a symbol on an unknown planet...it's just so adorable to me. He could just lean down but no. Also of course his fingers are spread again - GOTTA utilize the whole hand whenever you do ANYTHING (if you're Tuvok)

[twotales]

Listen, I write for myself. If y'all wanna show up to the puppet show then come on in, but I don't need an audience.

[sketchz]

A couple of commissions I did last year for @rainstormcolors and @soupnessopp!

[theinfinitedivides]

'start that music / in the name of the Lord' exactly what is Bollywood coming to

[niallandtommo]

.

[bonyato]

I just realized we didn't get Death Game this season either. i see .. Well that's okay *deflates like a balloon*

[tardis--dreams]

To summarize today's day in university:

- got diagnosed with social phobia by a class mate (bitch?!)

- heard a Very cool lecture/presentation by a guest lecturer

- our lecturer said she kinda liked our idea for our presentation

- had lunch with friends in the uni canteen which was nice but evoked some existential despair

[devoutjunk]

feeling skin-crawlingly bad out of nowhere* (*predictably but increasingly, at the usual fucking time of month) so am trying to focus on the good things, lately

reading so much that i love lately w/ a focus that seems to come for now easily and intensely again; am able to totally lose myself in a book & feel like my vocabulary of influence as a reader and writer is growing (and maybe my ability to talk/write about what i read too and how it's working?)

relatedly, my little reading thread on twitter has made my reading feel so much more intentional/less isolated, i can see that patterns in what i love but also am reminded of how books connect me to other friends & writers & people who love them

also relatedly--have actually been good about using my library card regularly again & it's been amazing (who knew?? everyone including me did alas i am a book magpie). it's expanded my reading list/shook me up out of a slump/forces me to read more widely

multiple good writing days lately, letting myself write w/o worrying about editing for coherence for now and am actually making progress on the novel again

fall!! chilly breeze and gray skies and leaves plastered to the sidewalk. bonfire smoke in the air when we drive upstate, the smell of mouldering leaves and wood fires and the pleasure of making tea when i first wake up in the morning

good about going to barre again and starting to feel it pay off, feel more at home in my body & stronger. not so good this week but feel in a good enough place that i'm telling myself this won't throw everything off

slowly learning to drive again and am marginally less terrible than i thought. haven't cried yet so already better than the first time around

maybe going to the movies to see Conclave later this week and cannot WAIT for Ralph Fiennes scheming and shuffling papers and gossiping his way through the vatican or whatever the fuck is going on there

[monstermp3]

😓

[0-k-4]

what i love about this girl is that she's someone that will cut you off/use the story you're telling to speak about herself and she just never misses. And sometimes you're like oh but i'm probably just exaggerating i'm. just a hater she can't be that bad. and then. EVERY TIME. she does it again. i don't even ressent her i'm just having fun at that point.

[strawbuddy-luv]

Trans Tim off handedly mentioning random things that just confuse people more and more because he never told them he was trans (only Bruce and Alfred know)

Tim: "For the mission I'm thinking I'll go undercover, but it'll take some work to hide the bruises I got earlier. They're everywhere"

Dick: "Oh I think Steph is free right now!"

Tim: "...Ok?"

Dick: "Don't worry I'm sure she'll help you out with this! "

Tim: "That's awesome but I don't think I'll need help. I know how to use makeup."

Dick: "Really-? Ohhh, yeah your public image is like, way more public than ours. That must be tiring, having to hide the bruises all the time."

Tim: "Well yeah but I knew how to use makeup before that. For like, galas as a kid and stuff"

Dick: "...yeah..."

-----

Steph: -Complaining about a man- "And then he said "Oh you should smile more" like "you look like you don't want to be here" like what- what the fuck-??? Maybe I fucking don't dude."

Tim: "Oh yeah I hate when they do that. Like you've spent the entire time bitching about the consistency of snails, I can close my mouth for a few seconds."

Steph: "..."

Tim: "...What-?"

Steph: "Well- I mean yeah but- you know I have to deal with it like...way more, and it's just a bit weird that like, you as a guy are, I dunno, trying to relate? I mean you don't have to deal with it litreally everyday"

Tim: "Well yeah not anymore, but, you know...I still did."

Steph: :...What-"

-----

Tim: -Resting against one of the rooftop ledges-

Jason: "Woah, I can't believe it, Red Robin, slacking. What would Bruce do if he saw this!"

Tim: "Fuck off, it's just period cramps." -Jumps off the edge of the building-

Jason: "Yeah whatever Timblina...

Your fucking what-"

-----

Bruce: "And for this mission, we'll be needing someone for the Caroline disguise, but we already know who that is so-"

Dick: "Wait does Steph actually know how to fight in heels-??"

Bruce: "...N-"

Steph: "Yeah Bruce, I mean, you could at least actually ask me before volunteering me to go fight crime in that dress."

Bruce: "You-"

Jason: "I mean no offense, but literally who else would do it? Cass isn't here right now and I don't think any of us are willing to get a boob job for the mission"

Bruce: "No one's getting a boob job-"

Steph: "Yeah! This is bat tech, Bruce probably has ultra realistic titties in everyone's color and size! Jason you wouldn't even need an attachment."

Jason: "I don't think Caroline Hills has fifty gun shot wounds and muscles the size of most those guys heads."

Steph: "Yeah bu-"

Bruce: "None of that will be necessary because none of you" -Pointing at the right side of the table- "Will be going. No one at this table will be needing any prosthetics...Or boob jobs."

Steph: "...Ok but who the fuck is going then-"

Bruce: "Tim."

The entire table: "..."

Steph: "Tim are you really willing to put on boobs for this-"

Dick: "I don't think that's the best idea-"

Jason: "You just said no prosthetics- Oh this'll be fucking rich"

Tim: "...

I...wouldn't need a boob job?? Or prosthetics?"

Jason: "Timbo, that dress is a pretty low cut, and, no offense, your training hasn't given you that many enhancements."

Tim: "...Thank you for the binding compliment?"

Dick: "The what-"

Tim: "Guys I- I already have boobs-"

The Table: "..."

Steph: "WHAT-"

Dick: "You do-?!"

Jason: "Bruce if you made Tim get boobs for some weird mission-"

Tim: "What- No! No one made me get boobs??? Besides, I don't know, biology I guess??? Genetics maybe???"

Dick: "...I'm extremely confused"

Steph: "WHO GAVE YOU BOOBS-???"

Tim: "I'm not really sure seeing as I was born with them"

Dick: "...

OHHHHHH-"

Steph: "What- is this like a birth defect or something???"

Dick: "Tim- Tim I think you're just gonna have to-"

Tim: "I'm trans."

Jason: "...That's-

Yeah

Ok yeah no that- that explains...a lot."

Steph: "..." -Head in hands- "I am such a fucking idiot"