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notmeowse · 18 days ago

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That AMA marks the end of Dragon Age.

In my opinion.

I'll start by saying that I have played all 3 of the previous games repeatedly, I've loved the series for 15 years, more than half my life. These games inspired me to become a writer and they've shaped a lot of my tastes and interests in shows and writing -- to say they were formative is kind of an understatement. Don't want to go on and on about how much I loved them, that's not the point here.

I didn't care for Veilguard for pretty much all of the reasons people have already discussed at length on Reddit and Tumblr. The writing is comprehensively bad, the romances are easily the worst Bioware has written by pure virtue of having the most cookie-cutter pacing and shallow characterization I've seen across their games, the lore has been shafted in every direction, and the nuanced storytelling and roleplay I came to expect from the series has been taken out back and shot in the head.

All, apparently, in the name of a "clean slate". It seems to me that, rather than familiarizing himself with the existing lore of the game he took the creative reins on, Epler clearly had a vision for Dragon Age (or perhaps a different IP entirely) in his head that he decided to transplant into the game (and possibly Trick? But they've said so little beyond defending their work that I can hardly theorize what direction they were coming from). That being a sanitized, wildly self-contradicting, morally absolute shitshow focused on distancing itself from the previous games as much as possible. Now, I know it's unrealistic to blame one person entirely, and I don't blame him entirely. Corinne was there. Trick was there.

But if it wasn't already evident from the numerous interviews Epler's given on the game as well as his participation in the Q&A's (while the actual lead writer of the game has been completely absent in not just the marketing, but in most fan-related interaction pre and post-launch outside of BSKY), this AMA seems to have confirmed, more than anything else, that Epler doesn't understand the game nor does he understand its audience. Neither does Corinne Busche, who despite being Game Director for only the last two years of development, has been answering lore questions a) like she has any fucking clue and b) like she thinks Dragon Age is a cozy-gamer IP, meant to appeal to people that want uplifting stories with uncontroversial characters, morally upright heroes, and unquestionably evil villains.

So as of today's AMA, I think I've finally had enough. We're just outright retconning the lore in Reddit AMA's now, I guess. Among other things. I'll provide a few examples, just so we're all on the same page.

This was part of Epler's response to why Solas didn't have his cult following in the game (insert "We Kind of Forgot" meme here):

Solas' experience leading the rebellion against the Evanuris turned him against the idea of being a leader. You see it in the memories - the entire experience of being in charge ate at him and, ultimately, convinced him he needed to do this on his own. And his own motivations were very different from the motivations of those who wanted to follow him - he had no real regard for their lives or their goals. So at some point between Trespasser and DATV, he severed that connection with his 'followers' and went back to being a lone wolf.

The fact that this (the not caring bit) directly contradicts the writing in the actual game is absolutely INSANE to me, moreso than the lack of Solas's spy network (which he apparently carried with him for 10 years only to conveniently drop right before the ritual? Because he clearly had them research Rook?). But in regards to the not caring -- here's a line from Solas's memory of killing Mythal in Veilguard, which. I'll get to Mythal in a minute:

Why should I not tear down the Veil, and bring back immortality to all the elven people? They deserve it!

Which is it? Does Solas care about the people he's saving (the venn diagram of people he's saving vs. the people following him is surely a circle, i.e. elves) or not? Does he even care about the spirits trapped behind the Veil anymore or is it just convenient to abandon them and have him only care about elves, now? What happened to saving The People? What happened to him not identifying as an elf in his conversations with a Dalish Inquisitor? And what the absolute fuck happened to him wanting to bring back the magical marvels (that the ancient elves did in fact achieve) that were greater than anything we see in Thedas today? Here's what Epler has to say about elven magic, now:

I do agree that the elves have had their place in the sun at this point. [...] The thing about the Evanuris is that, ultimately, they were able to take a very specific type of magic and shape it into doing what they wanted. But even their understanding of magic was only skin deep [...] Even the magic that Tevinter wields, the magic of the Southern mages, is different from what the Evanuris used. The magic of the Evanuris is powerful but it's sterile, and it's constrained. So while the Evanuris have made magic work in a way that's more predictable and understandable, it's not the only kind of magic out there, and even then, I'd say they understood it at a very surface level. People were confidently describing how the natural world worked back in the 16th century. Very few of them were right.

First of all, Tevinter has been stated in previous games to have clumsily adapted ancient elven magic for their own, but they did adapt it. To the point where even Solas is surprised that Corypheus achieved effective immortality -- by binding himself to a dragon the same way the Evanuris did. So, cool, more contradicting the lore here. "They understood it at a very surface level" you mean when all of the magic of the Fade wasn't locked behind the Veil? You mean when magic flowed freely through the world? What do you mean, Surface Fucking Level? The entire point of the Dalish elf culture is what they lost; this wasn't the ancient elves thinking the sun revolved around the earth, the Veil was their fucking Library of Alexandria burning. Oh my god. I still cannot believe he said this.

And how have the elves had their day in the sun? I'm sorry, was Arlathan not given to... the Veil Jumpers? Instead of the Dalish? What happened to all the Dalish clans in the south, who had no infrastructure when the world was apparently blighted to hell? I guess they're just gone now! They've had their day! The story of the Dalish and the Evanuris is over (also confirmed in this AMA), and it apparently ends with the final snuff of the candle that is their culture. Congratulations, Chantry, you've won! Only took two genocides and a double blight, but we're done with the Dalish now! We get your mind-numbingly superficial factions instead!

What happened to Mythal, by the way? What happened to "She was betrayed as I was betrayed, as the world was betrayed! Mythal clawed and crawled her way through the ages to me, and I will see her avenged!" What happened to the reckoning that will shake the very heavens? John's answer to this:

People grow and change over time. Mythal's essence - and in particular, the fragment of her spirit that Morrigan carries, that she got from Flemeth - is not the same Mythal who he knew millennia ago. Centuries of living in this world and being around the kinds of people Flemeth found herself around - the Hero of Ferelden, Hawke, the Inquisitor - changed her views, and made her realize her own culpability in turning Solas into the kind of person he is now.

Oh, right, okay. So she was pissed for like a thousand years, got her big speech about the impending "reckoning" out 10 years ago, and then she just chilled out because the last 3 heroes were neat people. What a fucking joke. And yes, here is the confirmation that the Evanuris story is over --

The story of the Evanuris is done - the gods are dead (or imprisoned) and Thedas is in a state of flux and uncertainty. I imagine that whatever happens next is going to be a surprise to everyone, including the people of Thedas."

So I guess Mythal's reckoning is never coming. One of the most fascinating characters in the series, shrouded in mystery for those first 3 games, PROMISING US a blaze of glory, only to fizzle out in this one. Again, and I can't emphasize this enough, for Epler's clean fucking slate. And we've not just tied up her story, but also the Veil and the Blight:

When Solas bound himself (or, depending on your ending, was forcibly bound) to the Veil, it severed the connection that the Blight had to the waking world. The reality is that the Veil has been leaking ever since the Magisters first entered the Black City, and the dreams of the Titans gave it its terrible and awesome power. Now that the Veil is fully repaired, the Blight lacks that motive force, and being so close to the epicenter of that change has stripped the Blight in Minrathous of its vitality. It's calcified now - dead - and Bellara/Neve no longer suffer its effects. If they'd been anywhere else, further from that epicenter, it would've likely been different and they still would be looking for a cure.

So the Veil is permanently fixed now because our half-dead Dread Wolf bound himself to it (a decision I still don't understand) and that somehow fixed every single hole ever poked in it. Fully repaired. No more holes, no more "Veil is thin here" because tons of people died in the same spot, nope, we're washing our hands and leaving it (and the spirits) behind us because we've wrapped up both the series-long Veil storyline and the blight storyline in a big red bow.

And Epler tells us Solas not only bound himself to the Veil but fixed it entirely in one fell swoop, no ritual required, just a little slice to the hand. Again, all in the name of a clean slate, so any future installments or media centered around Thedas can turn away from this story.

Then there's this. What we can expect from future installments, I freaking guess. The aforementioned roleplay getting taken out back and shot:

Q: "What lead you to the decision to step away from active conversations with the companions as in previous Bioware games, where you can initiate them at any moment and ask exhaustive questions?"

John: "For us, because of tech limitations, it became a choice between exhaustive investigate conversations, or letting the companions move more freely around the Lighthouse. With the kind of experience we were going for, one where seeing the team grow around you is paramount, we felt that seeing them interact in common spaces (and in each other's rooms) made more sense."

Literally confirmed that they chose companions moving freely about the cabin over ... interacting with them outside the handful of cutscenes we got. Who in their right mind would think this was a good call in a Dragon Age game? A series that quite literally prides itself on complex character interactions and storytelling? So they could... sit in different places? Are you kidding me?

They don't see an issue with the game's reception. They don't have any interest in addressing or responding to criticism. They're either happy with their choices or EA's got a gun pointed at their heads, I'm honestly not sure anymore. I used to believe the latter was true, but looking at both Epler's and Busche's responses today, I'm inclined to believe the former.

So I think that's it for the series. Not that I thought it was going to get another game after this, but on the absolute off chance it did, what would be the point? The best stories were ruined. Anything left they have to tell is going to read a lot like Veilguard -- superficial, morally absolute, flagrantly disrespectful to the lore, and delivered in a very poorly written package.

#bioware critical #dragon age critical #veilguard critical #veilguard spoilers #dragon age the veilguard critical #dragon age #dragon age the veilguard

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thewriteadviceforwriters · 5 months ago

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25 Prose Tips For Writers 🖋️✨ Part 1

Hey there!📚✨

As writers, we all know that feeling when we read a sentence so beautifully crafted that it takes our breath away. We pause, reread it, and marvel at how the author managed to string those words together in such a captivating way. Well, today I'm going to unpack a few secrets to creating that same magic in your own writing. These same tips I use in my writing.

But before I begin, please remember that writing is an art form, and like any art, it's subjective. What sounds beautiful to one person might not resonate with another. The tips I'm about to share are meant to be tools in your writer's toolkit, not rigid rules. Feel free to experiment, play around, and find what works best for your unique voice and style.

Power of Rhythm 🎵

One of the most overlooked aspects of beautiful prose is rhythm. Just like music, writing has a flow and cadence that can make it pleasing to the ear (or mind's ear, in this case). Here are some ways to incorporate rhythm into your writing:

a) Vary your sentence length: Mix short, punchy sentences with longer, flowing ones. This creates a natural ebb and flow that keeps your reader engaged.

Example: "The sun set. Darkness crept in, wrapping the world in its velvet embrace. Stars winked to life, one by one, until the sky was a glittering tapestry of light."

b) Use repetition strategically: Repeating words or phrases can create a hypnotic effect and emphasize important points.

Example: "She walked through the forest, through the shadows, through the whispers of ancient trees. Through it all, she walked with purpose."

c) Pay attention to the stressed syllables: In English, we naturally stress certain syllables in words. Try to end important sentences with stressed syllables for a stronger impact.

Example: "Her heart raced as she approached the door." (Stronger ending) vs. "She approached the door as her heart raced." (Weaker ending)

Paint with Words 🎨

Beautiful prose often creates vivid imagery in the reader's mind. Here are some techniques to help you paint with words:

a) Use specific, concrete details: Instead of general descriptions, zoom in on particular details that bring a scene to life.

Example: Instead of: "The room was messy." Try: "Crumpled papers overflowed from the waste bin, books lay spine-up on every surface, and a half-eaten sandwich peeked out from under a stack of wrinkled clothes."

b) Appeal to all five senses: Don't just describe what things look like. Include smells, sounds, textures, and tastes to create a fully immersive experience.

Example: "The market bustled with life. Colorful fruits glistened in the morning sun, their sweet aroma mingling with the earthy scent of fresh herbs. Vendors called out their wares in sing-song voices, while customers haggled in animated tones. Sarah's fingers brushed against the rough burlap sacks of grain as she passed, and she could almost taste the tang of ripe oranges on her tongue."

c) Use unexpected comparisons: Fresh similes and metaphors can breathe new life into descriptions.

Example: Instead of: "The old man was very thin." Try: "The old man was a whisper of his former self, as if life had slowly erased him, leaving behind only the faintest outline."

Choose Your Words Wisely 📚

Every word in your prose should earn its place. Here are some tips for selecting the right words:

a) Embrace strong verbs: Replace weak verb + adverb combinations with single, powerful verbs.

Example: Instead of: "She walked quickly to the store." Try: "She hurried to the store." or "She dashed to the store."

b) Be specific: Use precise nouns instead of general ones.

Example: Instead of: "She picked up the flower." Try: "She plucked the daisy."

c) Avoid clichés: Clichés can make your writing feel stale. Try to find fresh ways to express common ideas.

Example: Instead of: "It was raining cats and dogs." Try: "The rain fell in sheets, transforming the streets into rushing rivers."

Play with Sound 🎶

The sound of words can contribute greatly to the beauty of your prose. Here are some techniques to make your writing more musical:

a) Alliteration: Repeating initial consonant sounds can create a pleasing effect.

Example: "She sells seashells by the seashore."

b) Assonance: Repeating vowel sounds can add a subtle musicality to your prose.

Example: "The light of the bright sky might ignite a fight."

c) Onomatopoeia: Using words that sound like what they describe can make your writing more immersive.

Example: "The bees buzzed and hummed as they flitted from flower to flower."

Art of Sentence Structure 🏗️

How you structure your sentences can greatly affect the flow and impact of your prose. Here are some tips:

a) Use parallel structure: When listing items or actions, keep the grammatical structure consistent.

Example: "She came, she saw, she conquered."

b) Try periodic sentences: Build suspense by putting the main clause at the end of the sentence.

Example: "Through storm and strife, across oceans and continents, despite all odds and obstacles, they persevered."

c) Experiment with sentence fragments: While not grammatically correct, sentence fragments can be powerful when used intentionally for emphasis or style.

Example: "She stood at the edge of the cliff. Heart racing. Palms sweating. Ready to jump."

Power of White Space ⬜

Sometimes, what you don't say is just as important as what you do. Use paragraph breaks and short sentences to create pauses and emphasize important moments.

Example: "He opened the letter with trembling hands.

Inside, a single word.

'Yes.'"

Read Your Work Aloud 🗣️

One of the best ways to polish your prose is to read it aloud. This helps you catch awkward phrasing, repetitive words, and rhythm issues that you might miss when reading silently.

Edit Ruthlessly ✂️

Beautiful prose often comes from rigorous editing. Don't be afraid to cut words, sentences, or even entire paragraphs if they don't serve the overall beauty and effectiveness of your writing.

Study the Masters 📖

Please! Read widely and pay attention to how your favorite authors craft their prose. Analyze sentences you find particularly beautiful and try to understand what makes them work.

Practice, Practice, Practice 💪

Like any skill, writing beautiful prose takes practice. Set aside time to experiment with different techniques and styles. Try writing exercises focused on specific aspects of prose, like describing a scene using only sound words, or rewriting a simple sentence in ten different ways.

Remember, that developing your prose style is a journey, not a destination. It's okay if your first draft isn't perfect – that's what editing is for! The most important thing is to keep writing, keep experimenting, and keep finding joy in the process.

Here are a few more unique tips to help you on your prose-perfecting journey:

Create a Word Bank 🏦

Keep a notebook or digital file where you collect beautiful words, phrases, or sentences you come across in your reading. This can be a great resource when you're looking for inspiration or the perfect word to complete a sentence.

Use the "Rule of Three" 3️⃣

There's something inherently satisfying about groups of three. Use this to your advantage in your writing, whether it's in listing items, repeating phrases, or structuring your paragraphs.

Example: "The old house groaned, creaked, and whispered its secrets to the night."

Power of Silence 🤫

Sometimes, the most powerful prose comes from what's left unsaid. Use implication and subtext to add depth to your writing.

Example: Instead of: "She was heartbroken when he left." Try: "She stared at his empty chair across the breakfast table, the untouched coffee growing cold."

Play with Perspective 👁️

Experiment with different points of view to find the most impactful way to tell your story. Sometimes, an unexpected perspective can make your prose truly memorable.

Example: Instead of describing a bustling city from a human perspective, try describing it from the point of view of a bird soaring overhead, or a coin passed from hand to hand.

Use Punctuation Creatively 🖋️

While it's important to use punctuation correctly, don't be afraid to bend the rules a little for stylistic effect. Em dashes, ellipses, and even unconventional use of periods can add rhythm and emphasis to your prose.

Example: "She hesitated—heart pounding, palms sweating—then knocked on the door."

Create Contrast 🌓

Juxtapose different elements in your writing to create interest and emphasis. This can be in terms of tone, pacing, or even the literal elements you're describing.

Example: "The delicate butterfly alighted on the rusted barrel of the abandoned tank."

Use Synesthesia 🌈

Synesthesia is a condition where one sensory experience triggers another. While not everyone experiences this, using synesthetic descriptions in your writing can create vivid and unique imagery.

Example: "The violin's melody tasted like honey on her tongue."

Experiment with Sentence Diagrams 📊

Remember those sentence diagrams from school? Try diagramming some of your favorite sentences from literature. This can give you insight into how complex sentences are structured and help you craft your own.

Create a Sensory Tour 🚶‍♀️

When describing a setting, try taking your reader on a sensory tour. Move from one sense to another, creating a full, immersive experience.

Example: "The old bookstore welcomed her with the musty scent of aging paper. Dust motes danced in the shafts of sunlight piercing the high windows. Her fingers trailed over the cracked leather spines as she moved deeper into the stacks, the floorboards creaking a greeting beneath her feet. In the distance, she could hear the soft ticking of an ancient clock and taste the faint bitterness of old coffee in the air."

Use Active Voice (Most of the Time) 🏃‍♂️

While passive voice has its place, active voice generally creates more dynamic and engaging prose. Compare these two sentences:

Passive: "The ball was thrown by the boy." Active: "The boy threw the ball."

Magic of Ordinary Moments ✨

Sometimes, the most beautiful prose comes from describing everyday occurrences in a new light. Challenge yourself to find beauty and meaning in the mundane.

Example: "The kettle's whistle pierced the quiet morning, a clarion call heralding the day's first cup of possibility."

Play with Time ⏳

Experiment with how you present the passage of time in your prose. You can stretch a moment out over several paragraphs or compress years into a single sentence.

Example: "In that heartbeat between his question and her answer, universes were born and died, civilizations rose and fell, and their entire future hung in the balance."

Use Anaphora for Emphasis 🔁

Anaphora is the repetition of a word or phrase at the beginning of successive clauses or sentences. It can create a powerful rhythm and emphasize key points.

Example: "She was the sunrise after the longest night. She was the first bloom of spring after a harsh winter. She was the cool breeze on a sweltering summer day. She was hope personified, walking among us."

Create Word Pictures 🖼️

Try to create images that linger in the reader's mind long after they've finished reading. These don't have to be elaborate – sometimes a simple, unexpected combination of words can be incredibly powerful.

Example: "Her laughter was a flock of birds taking flight."

Use Rhetorical Devices 🎭

Familiarize yourself with rhetorical devices like chiasmus, antithesis, and oxymoron. These can add depth and interest to your prose.

Example of chiasmus: "Ask not what your country can do for you – ask what you can do for your country." - John F. Kennedy

Even the most accomplished authors continue to hone their craft with each new piece they write. Don't be discouraged if your first attempts don't sound exactly like you imagined – keep practicing, keep experimenting, and most importantly, keep writing.

Your unique voice and perspective are what will ultimately make your prose beautiful. These techniques are simply tools to help you express that voice more effectively. Use them, adapt them, or discard them as you see fit. The most important thing is to write in a way that feels authentic to you and brings you joy.

Happy writing, everyone! 🖋️💖📚 - Rin T

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

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waffled0g · 2 years ago

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Everyone gets “The 90s” look wrong and I hate it

Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.

Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback...

Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.

Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™

Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.

Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.

Specifically, the look is Memphis Milano, self-named by the Italian design house Memphis Group. Starting in the early to mid 80s, they made all sorts of furniture, fabrics and sculptures that were like a Piet Mondrian grid painting under heavy radiation. Their whole deal was defying the standards of existing industrial design up to that point on purpose. Chairs had weird arches, bookcases would be in strange alien colors, unusual materials like plastic or elastic were used in place of metal or wood, that sorta thing.

Memphis quickly became the signature look for the decade. You can tell something’s influenced by Memphis design from it’s telltale trademarks:

Clashing, neon colors.

Use of diametric shapes.

Contrasting patterns like zebra print stripes, confetti squiggles and checkerboards.

It wasn’t long before Memphis Milano-inspired design was everywhere in 80s pop culture:

It was a special time, yes.

I was a kindergartener at the tail end of the 80s, so I knew Memphis mostly through the lens of kids media. Toys, clothes, games, tv shows used it like candy colored catnip. Cable channel Nickelodeon more or less adopted the Memphis aesthetic as their signature in-house style and practically built a monument to it at a Florida theme park:

I think this is why folks mistake what decade Memphis is representative of - 90s staples like Nick, Saved By The Bell, Fresh Prince - they all stayed around much longer than the design trend’s expiration date.

Couple that notion with the fact that companies are slow followers to design trends. Something gets popular and they want to get on the bandwagon? Gotta wait for the ink to dry, gotta wait for the production molds to be made. It would take a few years for them to completely work Memphis outta their system.

Now, this is not to say Memphis is bad! Personally I’m a fan of the aesthetic, if my neon-drenched artwork wasn’t a tip-off already. But it is a trend, and trends never last forever.

So what took the Memphis Milano look down for good? This part’s up for debate, but I personally think it had something to do with this dude:

It’s that grunge music from Seattle that’s so popular with the kids these days dontchaknow.

Once Smells Like Teen Spirit hit in 1991, the Nirvana tone drove the rest of the decade. Clean geometry became weathered, grainy and organic. Bright neon pastels became more bold. Bubblegum pop music sounded fake and manufactured. Attitude and apathy was authentic. Whatever.

Things got grungy. Things got grimy. Olestra was invented.

I think the best way to visualize this transition is how Cherry Coke entered the decade and how it left it:

1992 Memphis on the left, 1998 grunge junkie on the right. Fitting that the 90s would end with a design that looked like Darth Maul’s lungs.

Okay, so what should 90s retro design look like?

Continue on to PART TWO! Spoilers: No VHS filters or vaporwave needed, but maybe bring an antacid.

#90s #1990s #memphis milano #grunge #everything you know is wrong #y2k

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ozzgin · 10 months ago

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Yandere! Demon x Gloomy! Reader

As much as you'd like to spend the rest of your life secluded away from the world, you need money. Conveniently enough, a new detective agency in town is hiring, and the salary is ridiculously good. The catch? Oh, you'll see once you sign the contract right...here. Congratulations! You've sealed a lifetime bond with their one and only employee, a demon from the depths of Hell!

Content: female reader, monster romance, dark humor, perverted goat demon yandere, based on ‘Yondemasuyo, Azazel-San’

[Part 2] [Monster masterlist]

There’s still enough time to go back, you think. It’s loud and crowded and you’d rather be home. The temptation is beginning to creep its tendrils over your mind, so you quickly pull out your phone and check your bank account. The numbers remind you why you’re here in the first place: if you don’t get a job soon, you’ll run out of savings.

Come on, it can’t be that bad. In fact, it’s the best offer you’ve ever laid your eyes on. Minimal interaction with humans, short hours, and absurdly good pay. A new detective agency opened in your town and they’re looking for an assistant. A regular person would most likely be put off by such shady circumstances. There must be a catch, but you couldn’t care less either way. What are they going to do, kill you? Sell your organs on the black market? They’d spare you the time to plan your own demise.

You climb the stairs and knock on the door. A deep voice tells you to enter, and you sheepishly make your entrance. The office is rather small and somewhat cramped, with stacks of papers scattered over the floor. Behind the desk sits a man – maybe in his thirties? – with messy black hair, sunken eyes, and an irked expression. Is this the detective? He looks like an angry thug. Not that you’re one to judge, given your overall gloomy aura that deters passersby with ease.

“Yes?” he asks curtly, not even looking up from his book.

“I’m here for the job offer. The assistant role?”

“Ah, yeah. Completely forgot about that.” He rummages through his drawer and pulls out a sheet of paper, slapping it on the desk. “Here’s the details. Same as in the ad. Here’s where you sign. Do you have questions?”

“Hmm, I guess not.” You hum, indifferent, and scribble your name.

The man finally glances at you, faint intrigue on his face.

“This went unexpectedly smoothly. What if it was a scam?”

“Then what?” You stare him in the eye with a flaccid smile. “There’s nothing to take from me. If it is a scam indeed, you’ll be the one disappointed in the end.”

His eyes narrow in an eerie grin, and he stands up.

“Perfect match.”

“Excuse me?”

He walks towards a secondary room and waits for you to follow him. Once you’ve joined, he turns on the lights, and you immediately notice a strange seal painted on the floor: Geometric symbols resembling a pentagram, surrounded by words in a language you don’t understand. You’re carefully observing the strange sight, so entranced that you don’t sense the detective lifting your hand and casually piercing your finger with a small scalpel.

Before you can react to the sudden attack, he presses your hand onto the contract you’d signed earlier. You wince in pain and swiftly pull your hand away, glaring at the man.

“What the hell do you think you’re doing?” you demand angrily.

“I thought I’d already introduce you to the main tool we use to solve our cases.”

The sigil on the ground begins to glow and the edges move in a circular motion. A black ooze erupts from the center, rapidly expanding outwards. You glue yourself to the wall for safety, unsure of what is happening.

A clawed hand emerges from the cursed muck, grabbing onto the edges for support. Within seconds, a creature crawls its way out. A humanoid figure with curled horns and long locks, its body ending with goat hooves instead of legs, stands up and stretches before your terrified self. You tighten your jaw in anticipation.

“You always summon me during my best naps, damn it!” the demon barks.

The detective approaches the monster, completely unconcerned, and slaps its horns nonchalantly, earning a groan from the demon.

“Skip the unnecessary whining. This is our new assistant and your owner as of now.” He explains, dangling the contract before the horned creature and pointing a finger in your direction.

“The fuck? You said you’d end the deal if I completed that mission. You lied to me, you-!” the beast finally notices your presence and abruptly stops. “Well then, what do we have here?”

A wide, perverted smile replaces his frown, sharp fangs glistening with malice.

“Aren’t you a miserable one! You reek of apathy”, the demon exclaims, clacking his hooves in your direction. “Boy oh boy, I could just eat you up! Tell me your name.”

You open your mouth, but no sound comes out. You wonder if this is some bizarre dream after all. The demon clamps your lips back shut.

“Tempting offer, but I don’t need head right now. Save the gesture for later, alright? Let’s try again: Name!”

Your brows furrow in disbelief at his crass insolence.

“I-it’s (Y/N).” you finally manage to blurt out.

He strokes your head lovingly, as if he’s praising some house pet.

“Good girl. You can call me Zzy.”

For a moment, you completely forgot about the detective being in the same room. He places the demon under a firm hold and shoves him away from you, then hands you a thick, leathered book.

“This is his grimoire. Read it once you’re home. First day is tomorrow unless you need more time.”

“Tomorrow is fine”, you answer in a daze, fumbling to find the exit and ignoring the horned monster waving at you enthusiastically.

You’re lying in bed, still a little shaken from the events you witnessed earlier today. A detective agency that uses a demon to solve matters, and you’ve just been coerced into selling your soul for a lifetime bond with him. You sigh in exhaustion. At least the pay is good, you tell yourself as you trace your fingers over the old text of the grimoire:

“Great President of Hell, ruling three legions of demons. Brings insanity or great sorrow to any person the conjurer wishes. Feeds on sadness and fear. Causes people to end their life.”

Hard to believe that depraved buffoon holds such power. Although it does explain, at least, why the detective was eager to use you as a replacement. Or why the demon showed such intense interest.

“Who’s a buffoon?”

The voice is so close that you feel its hot breath on your ear. You scream and jump back in panic, tumbling out of the bed and scrambling onto the floor. You rub your eyes just to make sure: the half-goat creature is lounging under your sheets, gazing at you with a bored expression.

“Christ! I thought you’re not allowed to leave the office?” you inquire, baffled.

“That’s why I snuck this in your pocket!” he says as he procures a small coin. “I can track down cursed items. Hehe~”

As if remembering a vital detail, he throws himself up and joins you on the ground:

“Oh, but don’t tell Mr. Detective about it, or he’ll feed me to the dogs. It’s our secret.” he pleads, hands put together in a praying gesture.

“What are you even doing here?”

“I figured it’d be useful if we got to know each other as soon as possible, seeing as we’ll be working together from now on.”

“And it couldn’t wait until tomorrow?”

“Well…I also got really horny thinking of you and decided to just visit instead. How about a quick fuck?”

“Absolutely not. Eat a raw potato or something.”

“Don’t be like that! At least let me touch your boobs. Help a partner out, eh?”

Perhaps being scammed was not the worst-case scenario. You slap the demon’s groping fingers away and return to your previous spot in bed. It will be a long night.

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lalunanymph · 4 months ago

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MARRY THE TRAITOR ; gojo satoru

"as much as i would like to end your suffering, princess, i won't give you the satisfaction... you are going to suffer for a long, long time, just like i have."

⟡ the day you met your demise is the same day you met gojo satoru, your betrothed from a world so different from yours—a cruel prince who is undoubtedly in love with someone else. as the stakes rise and you race against the clock to beat your brutal fate, can you make the ultimate choice between your heart or your happily ever after?

⟡ fem!reader, royal au!, arranged marriage, reader is a florist in our world, mentions of terminal illnesses, mentions of blood, mentions of wounds, mentions of death, unrequited love, slow burn, enemies to lovers, mean!gojo, yandere!gojo, reader is called 'princess cerena', princess cerena is described as having pink hair and feminine features, reader is reincarnated as princess cerena, body swapping, isekai, isekai-d reader, talks of classism, misogyny, ideations of suicide, talks about self-harm, attempts of suicide, mentions of violence, mentions of alcohol, suggestive mentions, mentions of pregnancy, mentions of conceiving, language, tension, more tba...

⟡ crowned prince!gojo satoru x princess!reader

ACT 1, SCENE 1: MIRI'S REPRIEVE

ACT 1, SCENE 2 — THE TUNNELS

ACT 1, SCENE 3 — THE VILLAGE

ACT 1, SCENE 4 — THE THRONE ROOM

ACT 2, SCENE 1 — THE INFIRMARY

ACT 2, SCENE 2 — THE SICK BED

ACT 2, SCENE 3 — THE WINDOW LEDGE

ACT 2, SCENE 4 — THE GALA

ACT 3, SCENE 1 — THE HEDGES

ACT 3, SCENE 2 — THE BREAKFAST ROOM

ACT 3, SCENE 3 — THE GLASSHOUSE

ACT 4, SCENE 1 — THE LIBRARY

ACT 4, SCENE 2 — THE CHURCH

ACT 4, SCENE 4 — THE HIDDEN COTTAGE IN THE FOREST

ACT 5, SCENE 1 — THE WEDDING

ACT 5, SCENE 2 — THE MARKET SQUARE

ACT 5, SCENE 3 — HOME

ACT 5, SCENE 4 — SPRING RETURNS

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munsster · 5 months ago

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fixer upper

A/N: IM ACTUALLY SO EMBARASSED TO ADMIT THIS IS BASED ON ‘FIXER UPPER’ FROM FROZEN 💀💀💀 does that mean it counts as a song fic…….. (gif creds: @buckysbarnes)

Pairing: Steve Harrington x Fem!Reader (Season 3)

Summary: The kids aren’t saying you can change him, per se. They’re only saying that love’s a force that’s powerful and strange. 2.8k words

Warnings: fluff, babygirl steve, cursing, mentions of toxic (?) relationship, hopeless pining, pet names (sweetheart), shameless flirting

Steve can barely see through his rose-tinted daydream, but he's sure he recognizes your smile as soon as you enter the food court. And you lead a trail of whiny teenagers right to his register. This is the fourth time this week you've heard about Steve's lusturous hair and dazzling eyes. You have to hand it to them, they're not bad salesmen, just a tad young to elicit ethos. What the hell do they know about love anyway.

That's what happens when you're licensed and free on a Friday afternoon: babysitting duty. Now, in the event that Steve had been the one saddled with the party on his day off, he would've argued that they're not really babies and they should be self-sufficient. Knowing Dustin, however, this argument proves to be false almost every time.

But it wasn't Steve, it was you. Steve doesn't think he's heard you complain about one thing in your life.

Not even your deadbeat boyfriend called Brad. Who, as Dustin and Max and Robin love to remind him, is utterly replaceable and on thin ice every other week. Steve knows better than to get his hopes up after three months of having them crushed, though. He's learned to live with the strong sense of yearning he feels whenever you're within thirty feet of him.

Take now, for example: you're coralling half a dozen brats into a somewhat single-file line without even having to raise your voice. He should think it's impressive, but he's too distracted by your lip gloss and your voice and the way you did your hair today.

"I hope you give discounts to distressed young women," you tease, brows knitting when you look up at him. This is the part where he's supposed to respond with something charming. Sexy and charismatic, maybe.

"Oh, uh," he chuckles, "No, I mean, yeah. Sure"—Oh, but you smile at him and all that pent up charisma flies out the neon-framed sliding doors. They chatter out their orders at lightning speed, and he can barely catch half of what they're saying when you look at him like that. You finally make it to the register and pay half price. And your cone is always on the house, of course.

"Isn't he such a gentleman?" Max says unenthusiastically. Lucas elbows her side before retreating with Dustin.

"He's also a great driver!" Will chirps, shuffling away to one of the booths with Mike and El who giggle the whole way there. You turn back to Steve who stares off at them incredulously.

"You see what I have to deal with?" you say with some degree of affection for the chaos.

"Aw, come on," Steve says, tilting his head with a shrug, "you love it."

"I think they keep forgetting I already have a boyfriend."

Not much of a boyfriend if you ask me, he thinks.

But what he says: "Ah, yes. The elusive Brad."

You roll your eyes and grin at him. You know Steve has a crush on you. Or else the kids and Robin wouldn't be so adamant on marketing him to you. It's sweet, really. And honestly, you don't think Steve's unfit to play boyfriend or anything, but you're also not disloyal.

Your scoop melts down the side of the cone between your fingers. Steve nearly hurls himself across the counter handing you a thick stack of napkins.

"Shit, thanks," you huff, lapping at the stream of sticky ice cream. His stomach churns as his face screws into a sickly smile.

"Yeah. No problem."

"No, really"—you wrap a napkin around the cone, shoving the rest into your pocket—"I don't know what I'd do if I had to pay the entire bill everytime one of them had a craving."

"Really, it's not a problem," he shrugs it off like it doesn't come out of his paycheck. "I like helping out pretty girls when I can."

You giggle and tilt your head. "Steve Harrington, you're my hero."

He's almost embarassed at how fast his face flushes red hot and frantic. He reaches for the back of his neck on impulse, and any attempt he makes at seeming suave is foiled by Robin patting him on the shoulder.

"If you think that's heroic, there was this one time he singlehandedly saved Hawkins with this sick baseball bat with nails—"

He huffs, "Robin—"

"No, seriously! Don't be so modest, Steve, you're selling yourself short!"

"I'm not trying to sell myself at all!" he says, turning her around and guiding her towards the door to the back room.

"Great seeing you!" she hollers over her shoulder just before disappearing behind the swinging door. You wave with a chuckle. Steve tuts, fixing his sailor hat and shaking his head.

"Did you really do all that? Save Hawkins, I mean?" you ask. And you seem genuinely interested which is why it guts him. The one girl who actually gives a shit is coincidentally unavailable.

"Yeah," he says, shrugging, "but only to clear my conscience. It's like penance, or whatever."

You giggle, not sure if he's being truthful or playing it off. He meets your eyes and he's sure his heart stops dead in his chest for a beat. Nobody pulls off mall lighting like you.

The kids come skipping back to the counter, declaring they've all got different wants and needs around the mall for the next few hours.

"Okay, hold on, I promised I'd have you guys back before my date," you say, Steve overseeing the conversation from over your shoulder.

"Well," he interjects, "when's your date?" All the attention shifts to Steve, and he suddenly wishes he could swallow up the words and take them back for good.

"Two hours from now. Across town," you say, looking a little guilty knowing he's about to make the kindest offer of the year.

"I'm off at five, so I can just"—stop talking—"take them home after my shift."

"Steve, really, you don't have to—"

El grins, eyes wide as she whispers in Max's ear.

Steve shakes his head, "Sweetheart, believe me, I want to. Besides, you've already been through enough with the rascals. Go have fun."

You turn to the kids, almost pleading with them to accept Steve's generosity.

"Is that okay with you guys? I don't wanna leave you stranded," you admit.

They nod in agreement, throwing out a couple yes's and sure's. They're bright-eyed and bushy-tailed as ever, but you still feel bad dumping them on Steve like this.

Dustin interrupts: "This really just goes to show how Steve is a great candidate for marriage and other domestic relations. He can be odd at times and he might care too much about his hair, but you can tell by his actions that he would be a very reliable husband, a generous life partner, and—"

"And a great friend," you giggle, trying not to let Dustin get too carried away. You have sat through enough of his speeches for one day. "Now, quit trying to set us up!"

Steve rolls his eyes at the boy. "Seriously, at least wait 'til she's single. Then she can reject me for me."

You whip back to face him with a sour look on your face.

"Steven! That's not—that's rude to yourself," you huff, "Say three nice things."

He chuckles, crossing his arms over his chest and squinting at you.

"You're pretty, I like your shoes, and you smell nice."

"About you!"

"Ohh," he feigns surprise, "No." But you reach across the counter to whack him on the arm with a shocking amount of force. The kids chuckle from behind you. Steve can't help but smile when you raise your brows proudly. "Fine! I am deserving of love, I am great company, and my hair looks particularly shiny today."

"Good," you nod, "I agree. And I have to go, see ya!"

"With which one?" he says, watching you jog out of the store waving. "Wait! Sweetheart? Agree with which one??"

Steve sighs sharply, hands perched decidedly on his hips as his gaze falls flat on the militia of pre teens staring him down.

"What do you want?" he says.

"You're hopeless," Max says, mouth pressed in a hard line before she wanders off, arm-in-arm with El.

"Yeah, dude. And kinda desperate," Mike shrugs.

"Hey," he grumbles. Who knew such harsh words could come from such little humans. You'd think they'd be harmless at this age. You'd be wrong.

"You're a total virgin," Dustin says, very matter-of-factly.

Steve cocks a brow, honestly trying not to laugh at the severity of Dustin's demeanor when he says it. "I don't even think you know what that means."

Dustin blinks. "Well, I think you haven't had sex in long enough that you qualify as one."

"Shit."

...

Much to Steve’s surprise, it only takes butthead Brad two more weeks to absolutely shatter your heart. No one knows the complete details other than it happened at a frat party and you had to walk back to the dorms alone. But Steve doesn’t need complete details to know he wants to shatter Brad’s jaw with his fist.

But he also vowed to use means other than violence to get his point across. He should be awarded for the amount of restraint it took to see your bloodshot eyes and not speed immediately off towards Asshole University like a Brad-seeking atomic missile.

Of course, he’s thankful you felt comfortable enough to call him. In fact, he was the first one you rang. And he knows this fact because you told him while you were sniffling away tears a week and a half after the break up.

Now, you’re sitting in the passenger seat of his beemer, curled into your sweater, and listening to late night soft rock radio while he focuses on the dark highway ahead of him. You hadn’t wanted to do anything else but sit in his car and think. His heart clenches everytime you wipe away a tear with your soggy sleeve.

He pulls off the highway during an ad break, finding a secluded diner surrounded by nothing but trees and gas stations. He pulls into a parking spot near the back of the lot where the overhead lights aren’t blinding, but you aren’t completely in the dark. He leaves the car on so the cold doesn’t seep in, engine still purring softly from under the hood.

“Who needs ‘em,” he says in attempt to lighten the mood. “Being single is way cooler. Take it from me. You get a bed all to yourself and you can fart whenever you want.”

You’re frowning, but you know he means well. You just can’t help the fat tears rolling down your cheeks.

“Oh, come here,” he whispers, leaning over the center console and dipping his hands over your shoulder and around your waist. His arms feel so strong and so warm where they envelop you entirely. Steve always was the best hug you ever receieved.

You can’t help but chuckle wetly into his collar after a moment.

“God, he was such an asshole, wasn’t he?”

“Uh, duh! Doesn’t take a genius to…” Steve laughs, pausing and brushing the hair away from your damp cheeks. “I know, sweetheart, and you deserve heaps better. You were always way too cool for that loser.”

You blink up at him in the low light. There’s a kind of twinkle in your eye that makes the tips of his ears hot. This time, you reach for him, weaving your arms beneath his jacket with a deep sigh. Your breathing slows against his neck, and he rubs your back while your arms tighten a little around his waist.

He can’t help but wonder what you’re thinking whenever you look at him with your doe eyes, seemingly sweet and far too inquisitive. He knows you’re probably just looking, maybe thinking of something else. But the hopeless romantic in him rattles his rib cage and shouts you might actually consider him this time.

“Wanna go get shakes? On me,” he whispers. You sniffle, wiping your aching nose on the cuff of your sleeve.

“I can pay for myself,” you tease, popping open the car door when he cuts the engine.

“Nope! Sorry, I don’t let girls pay, remember? Super sexist, I know. Plus the whole pretty privilege thing. Honestly, I should just be paying you at this point,” he says, hooking his arm around your back and feeling yours reach for his shoulder as you march towards the diner.

“I agree, rich boy,” you chuckle, “Reparations are in order for wrongdoings on behalf of your sex.”

He chuckles. He’s absolutely head over heels.

The waitress seats you at a cozy booth in the corner and makes a casual comment about the cute couple, asking how long you two have been together. Steve flounders at the question, flustered and pink in the face.

“Oh, we’re actually… not together,” you say, laughing awkwardly when she pouts and, again, remarks on how cute you’d be together. You order shakes for the both of you before perching your chin in your hand. Steve’s still reeling when the waitress walks away.

��Funny. We can’t even escape the third-degree from complete strangers,” you tease, winking at him from just a few feet away. Jesus, he’d think you were trying to kill him if you didn’t seem so lighthearted and playful.

“Yeah, pretty funny,” he sighs. And he’s probably being so obvious. Or maybe that’s how he is all of the time, so his heart eyes seem subtle. Or it’s obvious all of the time.

The waitress slides the shakes in front of you, and the bright red cherries sink further into the whipped cream.

“You know,” you murmur between sips, “I always thought you were pretty cute.”

He nearly chokes on his mouthful of chocolate malt, clearing his throat and trying not to crumble in on himself.

“Oh. Yeah, I get that a lot,” he huffs, “Mostly from little old ladies, but—Hey!”

You flick him and say, “Really! I know it’s not couth considering… Brad and all, but…”

“You’re being facetious,” Steve accuses.

“No—”

“Sarcastic!”

“Steve—”

“Ironic?”

“Try serious!” you hum, “I’m just saying, you’re very handsome. I was shocked to learn you were single when we first met.”

Steve’s blushing and puffing trying to maintain eye contact.

“What can I say? I’m just,” he huffs, “I’m not really worried about it.”

You tilt your head. “You’re not?”

“Nah. I know the right girl will find me in the end. Even if it takes a while. I don’t mind waiting for the right one.”

You settle back in the padded seat, wincing when it squeals beneath you. It makes you feel a little dejected, but you suppose he’s right. Especially because he seems so confident. So sure. It’s admirable. You want to be that sure of soulmates and love and the future.

“I feel the same way,” you whisper. He finishes off the rest of his glass with a smile.

“Though, it doesn’t exactly help having a bunch of little shitheads telling you to go get laid all the time,” he laughs.

“Oh, yeah, tell me about it” you lean in, “Just break up with him, steve is so much nicer. Dump that loser. Steve has a big crush on you.”

“They said that?” Steve’s not dumb, he’s sure you know by now, but he thought it was all conjecture. They will be hearing about this next time they want free ice cream.

“Yeah, that was like their main point. But I know with all the love in my heart they’re all full of shit.”

You shrug, and he chuckles dryly. He can’t decide whether you knowing is for better or for worse.

“Yeah,” he sighs.

Steve drives you home. You fall asleep in the car, and he keeps the radio low so as not to wake you. By the time he pulls into your driveway, he doesn’t care about the time or the fact that he lives far. He does, however, care about the way you smile lazily and peck his cheek in thanks.

“Anytime, sweetheart.”

He says it but he wants to tell you what he’s feeling. He wants to ask if you’re over Brad. He knows you’re not and that’s okay, but he wants to ask if he can hold your hand to keep it warm. He wants to ask what kind of flowers you like and if it would be okay for him to drop them off on your doorstep tomorrow. He has so much he wants to say and do, but he doesn’t want to suffocate you.

He doesn’t know that you wouldn’t mind him asking.