LCSYS ask again(undercover asker here hiiiiiaufhghghgn)thank you for responding!!!! ilovfe seeing your ideas theyre such good fuel in between trials❤️❤️
i was wondering how th prisoners would react to es’ usage of violence, like some of the younger prisoners complaining about it while the older are concerned because Hello Where did that stem from???? you cant tell me es’ “phew, i feel so much better” after hitting shidou didn’t send his mind racing a million miles per minute
ALSO curious about YONAH………… similar to how red’s violence towards es was scripted, was kotoko’s monologue about es being imperfect Also scripted, or was it on her own? yonah is probably my favourite voice drama of all time and I’m curious about how it would be interpreted in this au 🫶
Ah hello again! Thank you so much for reaching out -- every time I think I've covered everything you guys hit me with a new insane detail that makes my brain go brrrrr >:3
Because OMG I spent so much time thinking of the faked violence, I don't know why I never put as much attention on the flipside! I love the idea of Jackalope assuring them, "there will be no physical punishments. We'll talk about restraints but that's all fake. We'll make up injuries between trials but that's all fake. You don't have to worry about any real pain." And then this 15yo strolls up, interrogation one, ready to smack someone😅😅😅
Seriously though, I think it would come as a pretty big surprise to the group. They knew it was a possibility, but didn't think Es was that likely to attack, since they've made a few comments about being against violent punishments. Haruka comes back to mention the slap, and Yuno follows their instructions and says she also suffered violence, and the group is Shocked. I think it would just kill Fuuta that he wasn't allowed to hit back and avenge the others. He probably has the most complaints about the situation (and is insanely relieved that he get by in his own interrogation.) In a feeble attempt to get back at Es and make them feel bad, he encourages Muu to cry and make a big show about being afraid of them. Muu is frightened enough that it doesn't take much persuasion... I think Kotoko and unfortunately Amane wouldn't mind the threat, they both have lives in which authority showing power isn't out of place (and maybe Haruka?). Mahiru, too, thinks it's just the way a prison guard can run their prison if they want, though she's determined her charm will keep things running pleasantly.
Kazui reaches out asap* to question the legality of the experiment, since they're allowing children to get hit, even if by other children. There's a tangle of signatures and consent from everyone involved so it's okay, but the whole thing still rubs him the wrong way. He knew the experiment was a bit shady, but he(Though, this does make his first vd kind of funny -- instead of actually talking through his theories on the prison, now it feels like he's just egging Es on to see if they'll actually hit him...)
And I really like that idea that Shidou's dad instincts kick in (or maybe it's doctor instincts)! He'd understand if it was a child trying to play the role of an intimidating adult, but the way Es is doing things, the things they're saying, it all points to something deeper going on in Es' head. I can see him sitting down with the others and Jackalope to discuss. Of course Milgram gives him very little to work with, but this still kickstarts everyone's efforts to make sure Es is also taken care of post-Milgram.
*I just realized I'm still a bit fuzzy on communication during the trials. Jackalope can definitely get information to the prisoners (most commonly the 'voices' they're supposed to be hearing based on Es' notes, but also in case of emergency changes or things). I was picturing the prisoners unable to communicate outward until the trial ends, as it builds up the feeling of isolation and imprisonment. The issue is, I feel like Jackalope would want to keep that line open in case the prisoners had questions/issues with the experiment that affected their acting. So idk if the prisoners voice these concerns about Es mid-trial or they're forced to wait. I'll get back to you on that, hm
And Yonah!!
I wasn't avoiding spoilers, I actively looked for snippets here and there, but it was this ask that finally motivated me to sit down and watch it through -- and I'm SO GLAD I DID 👀 It's really well-written and wonderfully acted!! I'm floored with the whole thing omg
I really like the idea that the Milgram team instructed Kotoko to mention Es' imperfection to rattle them a bit, but left the specifics to her. Jackalope thought she'd just make some quick comment, and does a double take when he listens in on the interrogation and realizes she has a lot to say on Es and the way Milgram is run.
Jacklope told her to be harsh with Es, and she thought that was no problem at all. She felt those opinions strongly and wasn't going to go easy on the criticism just because they were a kid. She goes into the interrogation ready to stay completely put-together... and then surprises everyone and herself when Es' distress moves her to pull them into a tight hug and tell them everything's going to be alright ;---;
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finally introducing the other character who also occupies a part of my brain:
Meet Giewont!
while the creator of it, Maria Leszczyńska, originally intended to make a war machine, she struggled a lot with finding resources then. however, with her and her family's life deeply affected by both world wars, the idea never left her mind. inspired by utopian idea of glass houses from a novel "the spring to come" ¹, she created her machine from glass. it would be cheap to make, yet durable, available as help to those in need, able to do hard work in times when it was needed - but if fragile peace was in danger again, it could fight alongside other soldiers. as if to set that role of protector in stone, she named it Giewont ². to test her creation, she gifed it to her brother Andrzej, who owned a small farm near the seaside.
Giewont worked as much as four men, not needing to be paid or fed like people would. it was a perfect solution for everybody, the new industrial revolution. that was, until about half a year into her work, glass started to shatter. it turned out not to be as durable as the utopian story made it to be, especially in contact with rough farm tools. small cracks also started to appear after they worked outside in winter, with low temperatures on the outside and hot steam circulating inside. with her fingers and edges getting sharper every day, Giewont was forbidden from taking care of animals anymore, as she would injure them. she was given the only task with no way to injure others - they recieved a showel fully made from metal and was ordered to dig. she did as she was told, even though the work put strain on her already-falling-apart fingers.
but when one day, when returning home, she noticed daughter of Andrzej, Aniela, swimming too far away from the shore and having trouble coming back, long forgotten wire snapped into its place as she jumped into the water to save her. while Giewont did bring her back home, carrying her in their arms, the girl had severe cuts on her body from coming in contact with robot's sharp hands. furious with his sister creation, Andrzej took it outside, desperate to destroy it. blinded by anger, he didn't even notice the storm gathering over the horizon
Andrzej took the metal showel and struck Giewont on the side on their head, then again, until her body fell and crumbled to pieces. He covered it with sand and raised his hands to deal the final blow.
that's when the lightning struck.
and the man fell to the ground, dead.
the sand melted from the heat around Giewont, filling the empty spaces and connecting the pieces back together. raising from their shallow grave, with body more rigid than what she was used to, she took her shovel and decided to bury the man, with what respect they had left for him. that was, after she dealt the final blow herself.
although miraculous, the lightning didn't return her to the previous state of being. their motions were stiff and some parts of theirs got lost forever among the sands of the beach. the part of her head where the first blow was dealt never worked properly again, rendering Giewont deaf in one ear (or whatever was left from it). however it did some good as well, as it widened the space around her mouth, finally making them able to talk - even if it was simillar to a whistle. determined to help people but with a body that kept hurting everyone around her, Giewont set off into the world, trying to find a home and piece herself together, leaving parts herself and a dead body behind.
footnotes below the cut:
1. "During one pause in their journey, the elder Baryka tells Cezary of an entrepreneur who, along Poland’s Baltic coast, devised an ingenious method for manufacturing durable glass from the vast reserves of pristine sands that had lain for eons beneath coastal peat fields. By a massive Rube Goldberg-type arrangement of channels and a creative method for harnessing the westerly winds (the storytelling here is a literary engineering feat in itself), an incursion of the sea provides power for converting the extracted sand into glass. From this vitreous wonder substance, prefabricated houses of glass are built inexpensively. The houses are strong as steel, hygienic, and easy to heat in winter and keep cool in summer. Whole villages are built with houses of brightly colored glass. Life becomes less of a struggle for mere existence, more civilized, and without the need to toil incessantly. People eat less meat or no meat at all, and begin to revere farm animals as sacred beings. For the reader, the digression serves to freshen the mental palate. For Cezary, however, the story is altogether beguiling, raising the utopian prospect of a more wonderful life, reunited with a homeland that might have been his to begin with and a father he has just rediscovered" - via neh.gov
wow thanks for skimming through footnotes as well! as a reward, here's the first ever design of both Janka and Giewont (which proves they were both created around the same time :] )
2. "Those knights had been in a deep sleep for hundreds of years and they only would wake up if it is time to fight on a great battle. When this day comes, the earth will move, there will be thunders that would shake the sky, many trees will fall and break, and there would be noises when the Border Mountains will break. On that moment the knights will take their horses and they will gallop to fight for Poland once again." - the legend of the sleeping knights
a lot had changed since that time :]
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