#i can and have been critical of him throughout this whole thing

[superpyodan]

Alex Mullner and Tyler the Creator's Music

As I’m sure a lot of you know, for a looong while I have been playing with the idea that Alex from Stardew Valley, and Tyler the Creator’s music, have a lot of things in common! So here’s a ridiculously long analysis. I’m sorry, or, you’re welcome.

[ WC: 2,356 ]

(Please note, I am writing and analysing from the perspective that I personally have of Alex. This is going to be very biased, and I discuss the idea of alex being gay a lot, because it is a core part of my perspective of him. If that’s not your thing… Ignore me!)

Pre- Flower Boy

Let's start with the evolution of Tyler’s music as a whole, and how that matches up nicely with Alex’s character development. Tyler's discography begins very harshly, with lyrics that come across as somewhat aggressive, arrogant, and, say it with me folks — Misogynistic. The first song in his discography (on Spotify) is Yonkers, which aligns with Alex in a couple of ways. Yonkers includes misogynistic lyrics, homophobic slurs, and notably, Tyler saying that he isn’t gay. We will come back to this later, but I’m sure you can see where I’m going with this.

Anyways, the releases from Goblin to Cherry Bomb align with the player’s initial meeting with Alex. Many people complain about his misogyny and his arrogance, and while I don’t think that either of these things are points of true criticism for Alex, it’s an almost undeniable part of his personality at the start. Despite Alex’s character development, apologies and acknowledgement of his actions, it sticks with many people who play the game. Similarly, people still criticise Tyler for his past lyrics, and the ‘persona’ he was putting on during this time. I’d argue that the version of Alex that the player first meets is also just that — A persona.

Flower Boy, IGOR and Chromakopia

I’m going to focus on Flower Boy, IGOR and Chromakopia here, because these are the albums I have the most Alex associations with, and that I am personally most familiar with. This isn’t to say there aren’t relevant points to be made about CMIYGL, though!

I am also trying to keep this as concise as possible, so I am only pointing out the things that I consider to be the most relevant. There is definitely more to say about the albums / songs / lyrics!!

Flower Boy onwards is where it gets interesting (and the most important, for the points I’m trying to put across here!). Flower Boy as an album touches on themes of love, loss and loneliness, which I think are three things that Alex has struggled to grapple with throughout his life. Alex has struggled with romantic love, because of his internalised homophobia. He has struggled with loss because of his parents, and he has struggled with loneliness for various headcanoned reasons that I won’t go into now (just know that I consider him to be one of the loneliest romanceables in the game). Here I’m going to go into some specific songs and lyrics that I heavily associate with Alex.

Boredom

I have a feeling that Alex is the type of person to get fidgety and bored easily, in a very wide sense. He has this desire to succeed, to be something bigger than he is and to make a name for himself. I think that while he does like Pelican Town, there’s only so much a town like that can do for a person like Alex (somewhat speaking from experience!). It’s a kind of existential boredom that comes with having dreams bigger than the life around you. A boredom that goes deep into the bones, you know?

Garden Shed

This song touches on the idea of one’s sexuaity, and being ‘in the closet’. I personally consider Alex to be gay. If you don’t, you can ignore this, I suppose!

‘’Don’t kill a rose before it could bloom’’ — This lyric reminds me of Alex’s father. I personally think that Alex struggles greatly with his sexuality, with his relationship with his father being a huge part of the reasoning for this. But in a general sense, too, the idea of not killing a rose before it can bloom can be attributed to Alex’s childhood abuse.

‘’Them feelings that I was guardin’ / Heavy on my mind’’ — Alex’s sexuality is likely something he thinks about a lot, before he had the opportunity to come to terms with it. These thoughts and feelings are heavy on his mind, because to him, being gay isn’t something that is a possibility for him. It’s something he really struggles to accept about himself, and he tries very hard to conceal it.

‘’Truth is, since a youth kid, thought it was a phase / Thought it’d be like the phrase ‘poof’, gone’’ — This lyric in general is really interesting to me. I don’t know if it was Tyler’s intention, but in my country ‘Poof’ is a derogatory term for a gay man. Tyler talking about thinking that his (presumed?) bisexuality is a phase, immediately followed by the use of ‘poof’ creates a theme of internalised homophobia. I think that internalised homophobia is a huge struggle for Alex. I wrote into my fic that Alex definitely had crushes on guys, but was unwilling to act upon them, and would rather forget that he ever had those feelings. Ultimately, it all feels very relevant to this lyric.

911 / Mr Lonely

The first half of this song relates somewhat to a fic I’m writing, but we are going to ignore that part for now. What’s important here is the second half, Mr Lonely. I think Alex is a deeply lonely individual. There are several reasons for this: Briefly, I think he deals with feelings of ‘otherness’ due to his past, an unwillingness to get close to people for fear of them seeing his sexuality, and he also has a severe lack of a support system and adult role models. I could talk about this forever, but let's just go into the lyrics.

‘’Attention seeker, public speaker / Oh my God, that boy there is so fucking lonely’’ — Alex’s perceived arrogance! He puts on this facade of confidence as a cover for his emotional nature and his loneliness. His outward self at the beginning of the player’s relationship doesn’t truly align with who he is on the inside.

‘’I know you sick of me talkin bout cars / But what the fuck else do you want from me? / that is the only thing keeping me company’’ — Replace ‘cars’ with ‘gridball’ and the message is pretty simple. I think that Alex uses sports as somewhat of a coping mechanism, putting his all into something that he considers to be productive as a way to work through his emotions. He also doesn’t really have any friends in-game (this is a lot to explain here, but if anyone wants my explanation I can put it into a different post! I do however consider Alex and Haley to be the best friends ever in my personal headcanon), so what else does he have to do with his time but his sports?

I consider IGOR to be Alex’s favourite album, in my personal headcanon. I also think it is the most important to him as a character, in terms of analysis and relatability. I’m no Tyler the Creator expert, but as far as I’m aware, this album follows a queer ‘love story’, and I see a lot of Alex in it! This is again going to be looked at from the perspective of Alex being a gay man, as he is in my headcanon.

I truly think this album as a whole has several points that point towards Alex as a character, so much so that going through the whole thing would take absolutely forever. Please know that while this IGOR analysis isn’t as extensive as the Flower Boy one, it is by no means exhaustive — I have just chosen the most important parts. Going through it all would also be very repetitive, because the whole thing essentially points towards ‘’Alex has a hard time being gay’’ which… He does. I truly think he does.

I THINK

While this isn’t quite what the song is originally about, I think this song can be interpreted through the perspective of Alex’s frustrations with his sexuality and inability to express his romantic feelings for a man.

‘’How can I tell you?’’ repeated — He doesn’t know how to go about romance, due to his issues accepting himself as gay. To me, the repetition makes the song feel quite tense, and this repetition specifically can, again, be interpreted as Alex’s frustration, but also confusion.

EXACTLY WHAT YOU RUN FROM YOU END UP CHASING

In an effort to not sound repetitive — It’s what it says on the tin, in regards to Alex’s sexuality.

RUNNING OUT OF TIME

This song, in the context of Alex, sounds like an internal monologue, or a conversation between Alex and himself. I headcanon that Alex doesn’t come to terms with his sexuality until his early-mid 20s, and because of this, he misses out on a lot of those romantic ‘life experiences’ that he would have witnessed many of the people around him having. Perhaps he truly does feel like he’s running out of time, you know? It’s an idea that many queer people struggle with anyway, even if they are open and honest with themselves and others about their identities.

‘’Are you living in pretend?’’ / ‘’Stop lying to yourself / I know the real you’’ — Both lyrics can be interpreted as Alex talking to himself about the fact that he’s hiding, or perhaps even not acknowledging, his sexuality.

‘’I found peace drowning’’ — Could be attributed to Alex’s sexuality, or even his mental health struggles. I’m sure he has some issues regarding his mental health struggles. I’m sure he has some issues regarding his mental health due to his childhood experiences.

Chromakopia does not express the same overarching narratives that IGOR and Flower Boy do. This album does, however, express a kind of confidence that Flower Boy and IGOR don’t quite have. Relating to Alex, it seems like the later part of his character development — The version of him that is more confident, and more comfortable with his sexuality. There are some glaring highlights here that I want to talk about in regards to Alex:

St Chroma

This song expresses an almost spiteful passion and drive to succeed, which I think Alex also harbours. He has such passion and determination, and this song, I believe, is so relevant to him. It relates to what I said previously, about Alex trying to project his feelings into his passion, and turn himself into a better version of himself.

Take Your Mask Off

This song touches on a few themes. The most important in regards to Alex, however, once again relates to his sexuality. It kind of feels like Alex talking to his past self, providing him advice and comfort through his own struggles.

‘’Since a kid, you knew something was up / Had you thinking God would hate you so you covered it up’’ — I don’t particularly think Alex is religious, but here we can replace ‘God’ with a lot of things. His father, George, the athletic world, etc. The rest is fairly self-explanatory.

‘’Sick of all the shame, sick of all the pain that’s within / Scared of bein seen, tired of rebuking the sin’’ — Again, as per my previous points, I’m sure it makes sense as to why I would bring this up. I just don’t want to repeat myself.

‘’You don’t have to put on no costume’’ / ‘’I hope you find yourself’’ — This links into the idea of the original verson of Alex that the payer meets, not aligning with who Alex truly is as an individual. Vulnerability is something he definitely has to make an effort to express, and he has to learn how to be comfortable with himself in multiple different ways. He does it, though! He finds himself. He takes the mask off.

Like Him

This one is a doozy. It’s so obvious, that I don’t even really feel the need to talk about it. But I will, for the sake of consistency and understanding. This song is about Tyler’s complicated relationship with his father, and in it, Tyler expresses concern about being a mirror image of his father. While Tyler’s experience with his father is different to that of Alex with his, it can still be related to Alex’s situation very well.

Alex was abused by his father (as was his mother), and I am sure that somewhere, deep down, Alex would also have concerns about being someone who doesn’t fall far from the tree, so to speak. We don’t have much information about Alex’s father, but here’s what I think — Alex would make an active effort to be different to his father. He may have concerns about the idea of him looking like his father, or behaving like his father, or ending up with the same fate as his father did. It truly wouldn’t be unusual, or unheard of from other people who have been in similar situations as Alex has been.

Ultimately, Alex idolises his mother. He speaks fondly of her, as he does with his grandmother too. I would be inclined to believe that Alex would strive to be more like them, as opposed to his father. But, the anxiety about it would linger. It’s kind of heartbreaking, really. Alex wants and tries to be a good man, despite everything.

(I’m not going through lyrics for this one, because the majority of the song is relevant! But if you aren't familiar, just google the lyrics or listen to the song. I’m sure you’ll get it.)

Conclusion (?)

So uhh. Yeah. I’ve been thinking about this for a really long time, and I really hope you’re picking up what I’m putting down! The links between Alex and Tyler the Creator’s music have randomly become very important to me. I also just think that Alex would enjoy Tyler’s music in general, because I think he’d be a big fan of rap, and rap-adjacent music! But yeah. Thank you for reading, and if you have anything you want to add, please let me know! I’d love to talk about it with you :D

i started drawing this on the 6th of november but uhh. it’s done i guess

[calamitydaze]

Why did he crop the Snapchat logs before where the "ur gorgeous" comment would have been

Why did he use transcripts that could be edited and not upload the logs where it could be separately looked over (like, for example, Kwite did with his text messages)

Why did he not provide evidence that Jamie's statement was actually from Jamie herself

Why would Sam hang on to an edited video for three years and release it only to retract it again less than a month later

Why did he edit his screenshot of burner 22 in his final tweet to omit the far more likely possibility of Sam lying in his video

Why did he get fucking Keem "if you remember 9/11 I don't want you" Star of all people on board to announce shit

He just made everything even more sus. Ppl will really believe anything if a white man says it confidently and adds some snappy editing lmao

these are almost certainly not good-faith questions coming from a place of healthy skepticism and care for victims, but for the sake of discussion i’ll pretend they are and indulge you:

1. i went back and looked at when he showed the logs and it looks to me like they’re being shown in reverse, with the oldest at the bottom and the most recent at the top. in that case both “gorgeous as fuck” and “fine as hell” would be visible— in between “got that 500 snap score” and “congrats :)”— but they’re not. the logs are kinda hard to make sense of so tell me if i’m misinterpreting them. but in any case, it doesn’t really matter because as stated in the video, if they happened it was after she was 18 and he had no context towards her being a fan, and compliments aren’t evidence of grooming anyway. and if he’s lying about them not being there, amanda’s had a year to download her own data and prove it

2. assuming you’re talking about the instagram dms here since he did show the logs of the snaps, but i mean…… idfk?? again, it doesn’t really matter since dry ass instagram dms are also not evidence of grooming 😭 but fwiw, i read through the transcript and it matches up with what i remember from reading the actual screenshots that amanda herself showed (and as demonstrated in the video, screenshots don’t automatically mean something is trustworthy anyway)

3. genuinely, what do you propose he could show as “proof” that the statement came from jamie without further exposing her to unwanted attention? i understand being skeptical of its validity and i raised an eyebrow too, but it matches up perfectly with both what we know she wants based on her twitter bios and separate statement from her that was given to keemstar and nicholas deorio by dream, and dream’s offered to prove the authenticity to any creator who reaches out. and, even if jamie herself doesn’t want to speak on it, it would be very easy for anyone else actually involved to dispute it but yet no one has. occam’s razor

4. frankly i have no idea why any of these people did what they did! does it really matter?

5. i think you sent this before the burner reactivated, but they’ve now said that they’re certain sam lied to them, so 🤷‍♀️ moot point

6. regardless the kind of person keemstar is, he’s got a wide reach and dream clearly wanted as many as people as possible to see his video, including audiences who don’t follow or subscribe to him specifically. makes sense to me

[yan-randomfandom]

P!Yandere!Pines Family x GN!Teenager!Reader

[PLATONIC] a continuation to this! decided to just make them all yanderes cuz y not lol errmm just subtle ykwim... i'm not proofreading all this so just have my draft

warnings: staring, violence, alcoholics, abuse, blood, implied murder. woah intense

❤️‍🔥

"Then I saved Ford by slicing its eye! You should have seen it!"

You laughed, settling down from your dramatic gestures that you've been making throughout the entire dinner. The entire Pines family watched you in awe, especially Dipper and Mabel, easily captivated by your personality and story.

"Yes, well, they certainly saved my life," Ford chuckled as he fed himself a spoonful of food.

"You have to stop lettin' kids save your life so much," Stan scoffed.

Dipper grabbed a book out of nowhere, clicking his pen in preparation—

"No writing at the dinner table! We talked about this!" Stan called out, earning a sheepish smile from Dipper who immediately drops the book on the ground.

"But what did the monster look like?" Dipper stammered, eventually turning to you with a curious look on his face. He looked eager to learn more. That's what you can tell anyway, if you remove his reddened face, which is most likely from embarrassment.

Mabel, who sat across from you, leaned towards you with the biggest smile on her lips. You grinned back to return her energy. "Bet it was super gross! Was there a lot of blood?! Blaarrrgghhh!!!"

"No gross sounds at the table, pumpkin!" Even Stanley felt like he's tired of his own voice. This is him trying his best to not let you be uncomfortable. Well, he supposed you and his brother brought up the story in the first place.

Speaking of, why were you even here? Ford came back in the mystery shack after missing for a day, only to bring a random teen with him. It's a good thing he cooked extra since he thought Soos was coming over.

But he needed answers fast.

"Ford," Stan whispered firmly, catching his brother's attention. Tilting his head, he tried to signal him to move out, but someone interrupted them before they could do anything.

"Hey! No sneaking out the dinner table!" Mabel exclaimed, pointing a fork at her grunkles.

Stanley stood up and Ford followed his actions. They were already heading out the door with Stan holding his twin's wrist. "Well, sweetheart, VERY REASONABLE EXCUSE!"

As soon as they were out of sight, you and the other kids exchanged looks.

"He did say it's reasonable."

"Yeah, I can live with that."

... You snorted. "You guys are a funny bunch. He literally said the excuse, and you let him go just like that? You must trust each other a lot."

"You have no idea, stranger, you have no idea," Mabel laughed. "Sorry, what was your name again?"

💥

Meanwhile, deep inside the mystery shack, where they were sure there'd be no eavesdropping happening...

"You let the kid stay here without telling their parents?!"

Stanley was freaking out. Yet, he really shouldn't be surprised Ford would do this. Ironically, poindexter would even criticize his behavior, his grunkle methods! How ridiculous is this whole thing, huh?!

"It's more complicated than that! Look, I know this sounds bad—"

"It does!" Stan yelped, his hands clenching. "Their parents must be so worried! And we can't just let them—"

"No, no, Stanley, walk with me here," Ford said, placing his hands on his brother's shoulders. "It's their parents that are the problem."

A few deep breaths from Stan. Alright, okay. This is making more sense now.

"We'll take them to their house first thing in the morning," Ford explained. "Let's see what we'll do from there."

🔥

"I hope my drawing isn't too bad," you chuckled, giving the journal back to Dipper. His eyes skimmed over your illustration of the monster you killed. "It doesn't match yours and Mabel, but..."

"Are you kidding?! It's perfect! Thank you!" Dipper beamed, writing more notes down the rest of the page.

From above, Mabel had her legs folded over the ceiling wood of the house. You looked up and made eye contact, as much as you can anyway. She's upside down.

"Hi! How old are you again?"

How did she even get up there, you wonder. You glanced around, smiling when you realized, and worked your way up.

They stared at you in awe when you climbed right next to Mabel's side. Now you're hanging upside down too. "Cool tricks, Mabel. Hope you don't mind me copying you?"

She doesn't respond, starstrucked. Glancing at Dipper, his jaw was also on the floor.

"Uhhh," you awkwardly smiled, "But I just turned sixteen! You guys are turning thirteen, right?"

"You're the coolest," Mabel whispered, dragging a hand across your face. Okay. That's a bit weird, but it's welcome.

"Thanks," you grinned, manually removing her hand from your face. You looked down at Dipper again. "Hey, Dipper, what time is it?"

He scrambled around and grabbed a watch from somewhere. "Uh, nine o' clock."

"Nine?!" your sudden outburst caused you to fall to the carpet, a pained groan leaving your lips. At least you managed to drop skillfully. "Oh, that hurt."

"Are you okay?!" Dipper rushed to your side, offering a comforting hand on your back.

"Yeah, I just," you paused. "It's nine already? My parents are gonna kill me, man. I gotta go home."

"What!!"

Mabel also dropped down from her outburst, but her landing isn't painful as yours, because you caught her in time. She gazed at you from your arms, stars forming in her eyes.

"Woah. You have fast reflexes!" she squealed as you gently put her down.

Dipper shook his head. "But you can't go home this late at night. Didn't you say you're from outside of Gravity Falls?"

You crossed your arms, pondering. "Yeah, but... Okay, wait, where's Ford?"

Footsteps followed your words. All of you turned to the doorway, seeing the older set of Pines twins. It's kind of amazing, really, you rarely saw twins and this family has two pairs.

"Oh, there you are!" you grinned, walking over to him. Ford blinked at you. "I'm sorry, dude, but I think I overstayed my welcome. I'll go ahead and—"

"Eh, nah," Stanley chimed in, earning your attention, "It's too dark for ya to go out. Let's take you home tomorrow, yeah?"

"But-"

"No butts, they're for sitting," he continued, gently pushing you down on his recliner. You sat down, albeit confused. "Think of it as a sleepover. That's fun, right kids?"

Mabel skipped to your view, an eager grin on her face. "Yeah! We can paint your nails and everything!"

"While I'll show you more of the journals," Dipper beamed, showing one of them to you.

Their ideas were nice, it truly was, but the circumstances are concerning. You couldn't help the frown forming on your lips. They all noticed.

Ford stepped in between them, kneeling and offering you a smile. "Don't worry, kiddo. We'll take good care of you 'til morning. I'm sure your parents will understand."

"I guess I can't really do anything about it," you muttered, eventually accepting the situation. You stood up with a grin. "Okay! Who wants to be unaware of me stealing cool stuff here?!"

"I do!" Mabel screamed, only to pause. "Wait, what?"

"Yeah," Stan squinted, "What?"

You hummed, suddenly behind him, and stared at Stanley's wallet. Ford shook his head at you. "You have a very alarming number of IDs. Is this normal? Then again, you're old."

A laugh left Stan as he took back his wallet from you. "Oh, you got some gift, kid. Didn't even hear or feel you take it!"

"I can teach you," you smiled.

"Please don't," Dipper groaned.

"No need," Stan snorted. "We can pickpocket the whole world together!'

🌬️

"This journal is amazing! And Ford wrote this? Seriously, no wonder why he was so smart!"

You flipped the book page by page, your jaw dropped the whole time. Sure, a while ago, you saw one page, but only because Dipper told you to draw on it. You didn't expect a whole research surrounding Gravity Falls!

"Interesting enough for you to visit Gravity Falls more often?" Dipper chuckled as he watched you.

"Woah," you smiled, "You like my company that much, Dipper? Don't you have any friends here— oh shoot, wait, I didn't mean—"

A ghost of a frown spread through his face. Why did you have to ask that?! You were just projecting if you had to be honest, but still!!!

"Sorry, that was insensitive," you blurted, closing the book and focusing all your attention on him. "I only said that because I feel that way. I know, that's pretty lame."

He looked surprised. "Really? But you're so cool?"

"Some people think I'm weird is all. But thanks for finding me cool, Dip," you laughed, glancing at Mabel who was snoring. "I find you and your sister cool too. A lot, actually. So it's nice to know you both like me."

Dipper sniffed. "Man. Ditto."

You grabbed a blanket and placed it over Mabel's body, making sure she's covered head to toe. She snuggled up to it unconsciously.

"Welp, bed time," you murmured, reaching for another one. You stretched the blanket, letting Dipper be able to invite himself in. "Come on."

He happily accepted, nestling his head next to your shoulder. Mabel followed him, her head tilting to your chest.

You slept, content.

🌪️

You woke up, disturbed.

The first thing you saw after sleeping is Dipper and Mabel staring at you in silence. As soon as you noticed them, they scrambled away from you and tried to act natural.

Yet, you couldn't forget the small glimpse of their faces. Wide-eyed, a bit of judgment, but most of all, solemn.

Before you could question them, Dipper yelled, "Grunkles! They're awake!"

You winced from the volume of his voice, having just woken up. He immediately apologized to you, but it's all good.

"Visit us again soon! Byeee!"

The next thing you know, you're in the backseat of a car with Stanley next to you. He was pouting, arms crossed.

"This is literally my car. I can't believe it! You won't even let me drive my own car?" he sneered at Ford who sat on the driver's seat.

Ford rolled his eyes. "I can't have you get in trouble by driving again. Think of the kid."

While driving to your address is certainly much faster than walking, it still took a while. You managed to fall asleep, tilting your head on Stan's shoulder. It seemed that you're not alone in being unconscious, because he snored loudly.

Glancing at the mirror, Ford simply exhaled.

You're here.

He parked in front of your house.

Ford nudged Stan awake, who poked you awake next.

You stood up drowsily, holding Stan's hand while walking up to your house. Ford took the lead and knocked on your front door.

To both grunkles' disappointment, things get messy.

Both your parents, drunk, loudly told them off and took you away roughly from Stan. Tears leaked out of your eyes, saying countless apologies to the Pines twins and your parents.

Without much of a fight, Ford forcibly grabbed you back, carrying your body with one arm. He looked at Stan who placed a hand on his shoulder.

"Psst, I'll handle this," Stanley murmured in the midst of your father yapping nonsense. Maybe the professional con-man can knock some sense into your deadbeat parents.

Ford took you back to the car. You sobbed relentlessly, whispering the most saddening things he wished to unhear. He hugged you tightly, muttering sweet nothings until you fell asleep.

After a long while, Stan finally came back.

His eyes were wide. He was shaking.

"I didn't mean to. They started it—I had no choice!"

Gazing down, Ford realized Stan's hands were covered in blood. He swallowed the thickness in his throat.

"...I'll help you clean it up."

[steviewashere]

Steve and Eddie being teenage boys (even in their twenties, even though they technically are no longer teenagers), a list that I've been making in my head (some of them are stupid and some of them are sweet, but this is a long list, be warned):

Steve teaching Eddie how to burp the alphabet after drinking soda. He's phenomenal at it. Like...almost disgustingly so. It ends up turning into a one up competition pretty fast after that.

Eddie who knows how to drag race and takes Steve on ridiculously fast drives down empty streets at night (when Steve's had a terrible night). He steps on the gas and goes: "Weeee!!!" as they speed. (Please don't speed. It is dangerous. But for the sake of entertaining their pea brains, this is what they do.)

Eddie and Steve who have been participating in a several month long tagging game. They slap each other on the back of shoulders as hard as they possibly can before skittering off like a little goblin.

Steve and Eddie think it's soooo fucking funny to blow up condoms like balloons when they're stoned.

Steve and Eddie who get stoned and they go shop for munchies at the local grocery store, both hysterically giggling at figuring out how to be "normal" people in public. (They are failing miserably.)

Steve who makes Eddie play basketball with him sometimes. And then he purposefully tosses the ball at Eddie rather than the basket. It devolves into wresting in the grass, heads in elbows, knuckles across scalps, kicking each other in the shins.

One time, Steve falls asleep at Eddie's on the couch. And instead of being all sweet and doting, Eddie finds a marker and draws a penis on Steve's face. He gets water poured on his head the next time he falls asleep at Steve's as payback.

Steve and Eddie comforting each other through nightmares and hardships and healing injuries, both in sort of constipated, mumbled ways. Pats to the back and leaning in close to each other, resting heads on shoulders. Passing cigarettes or beers back and forth just to pass the time, not really talking. Exchanging words afterwards like, "You're a great friend," and "You're the best person I know." Because they both need that and recognize that, even outside of the petty, childish things they do to each other.

Eddie, who understands that the pool at Steve's is a sore spot, instead of prodding them to get in, he plans out a whole water balloon fight to stave off the summer heat.

Steve, who knows that music has been a source of calm for Eddie over the years, makes sure there's always a cassette that Eddie can play in case it gets too quiet.

Eddie and Steve who shit talk each other in the arcade, beating each other's high scores if only to rile the other one up.

Steve who always checks Eddie's ID before he goes into the adult only room in Family Video. Despite knowing that Eddie is definitely over the age of eighteen. Sometimes he denies Eddie entry in front of Keith just to make him pout. (He thinks it's cute.)

Eddie and Steve watching porn together, criticizing the moans the entire time because they know for sure it's fake. And on the same note of moans, Eddie who gets a call from Wayne and Steve fake moans in the background the entire time. Steve gets a call from his parents and Eddie shouts really loud in the background for Steve to pass the joint back. They just glare at each other before getting in another tag fight throughout wherever they're at.

Eddie who goes into Family Video after Steve strikes out again. Who just walks up to the counter and starts acting like one of those girls, twirling his hair and pouting his lips and blinking his eyes, making his voice high pitched. (It gets Steve to giggle instead of pout, so Eddie calls it a win.)

Eddie guzzling an entire can of Coke and then spraying it out of his nose when Steve makes him laugh too hard. Steve's never made anybody laugh that hard.

Steve and Eddie who claim it's not gay to make their boners kiss. I mean...what? Who said that?

Steve and Eddie who play-punch a little too hard when playing punch buggy on vacation.

Speaking of vacation, Steve and Eddie going to a beach over the summer. They chase each other up and down the sand. They roll off of the sand hills. Eddie buries Steve in the sand and applies sunscreen to his face as he just accepts his fate. Steve helps Eddie make a sandcastle, a secret talent of his being how structurally sound he can build one.

Steve and Eddie playing with Legos while talking shit about Family Video customers. They toss Sour Patch Kids into each other's mouths as they talk. Sometimes hitting each other in the face purposefully.

Steve and Eddie who get drunk one night and go catch a wild possum. Robin screams at them to put it back because, "No, you dinguses, that is not a cat!"

Eddie and Steve taking care of each other on bad pain days. Trying to entertain the other with stupid jokes or shitty movies or gossip.

Eddie sharing his uncle with Steve when he finds out that Mr. and Mrs. Harrington are terrible motherfuckers. Who makes sure Steve is comfortable in his home around Wayne.

Steve conspiring with Wayne to make sure that Eddie always has the best birthday parties. Because the one thing he really held onto from his King Steve years was how to throw a small get together, and how, especially, to make it extremely awesome and memorable.

Steve who gets Eddie new albums he's been eyeing for his birthday. Ones Eddie knows he'd never be able to afford on his own, always a little sullen when he looks at the price. Steve who still has access to his dad's credit card and will max it out just for Eddie to get his fill.

Eddie makes homemade things for Steve's birthday. Cards and trinkets and drawings—things Steve's old high school buddies never considered as gifts, even though they have the most impact on Steve, even though they matter the most.

Steve and Eddie who love each other, insurmountably. Despite sometimes being major buttheads to each other.

[misted-dream]

SWEET TOOTH ﹒⌗﹒🍨 ﹒ ౨ৎ˚₊‧ 마크 + gn!reader

in which . . . both you and mark can’t sleep so your solution is a guitar and some tiramisu.

contents | friends/roommates with tension, fluff idk is this what fluff is

word count | 1k

a/n | oh i’m so in love with mark. also came across a yt video abt guitar that inspired this whole thing

the cool winter breeze blows past you as you open the door to the fire escape. you step outside, careful to not drop the spoons on the plate you’re holding. mark’s back is turned towards you. a guitar in his hands, the low strums blend wistfully with the nonstop strains of the city, even well into the night. the sky, neither fully dark nor yet touched by dawn, drifts in a liminal hush.

he looks back at you, then at the plate in your hand. “what’s that?” he asks with an amused smile.

“tiramisu,” you set the plate down gently between you and mark before sitting next to him, overlooking the horizon.

“never known you for a midnight snacker,” he comments as he picks up one of the spoons.

you pick up the other, “guess you don’t know me well enough.” you dip the edge of your spoon into the tiramisu, cutting through the layers with barely any resistance.

mark does the same, and without a word, both of you bring the dessert to your mouths in unison.

the sweetness and the bitterness mingles together in a quiet, unspoken agreement.

you look up, and mark is staring back at you.

“what?” you pull your eyes away in favour of another scoop.

“nothing,” he breaks into a gentle chuckle. “it’s good, where’d you get it?”

“is it so hard to believe i can make something good for myself?” you put forward before taking another bite, leaning towards mark with your palm planted on the cold, metal platform.

“no, no,” he shakes his head, eyes widened slightly. “it’s just… it’s good, that’s all i’m saying.”

you can’t help but smile. “i lied—i got it from a bakery 2 blocks away,” you put the spoon in between your lips, freeing your hand so you can point in some obscure direction that mark can pretend to know.

mark tilts his head, “y’know, you have to stop doing that.” he sets down his spoon on the rim of the plate.

“doing what?”

“lying,” mark seemingly turns his attention back to the guitar rested on top of his lap, positioning his hands over the strings. “have you never heard of the story? the one with the boy and the wolves?”

the metal clinks against the ceramic when you put your spoon down. “the boy who cried wolf?” you ask, stifling your urge to laugh.

“yeah, that one,” he strums a soft chord following his words.

“nope, never heard of it.” you reposition yourself, crossing your legs and leaning back against the building.

mark shoots a glance at you over his shoulder, eyes squinting at you slightly.

he turns back around, head down focused on the movement of his fingertips. you feel the coldness of the bricks through your shirt against your shoulder blades, spreading through the entirety of your back. in the distance, stars flicker like the streetlights below you—some burning bright, others barely a whisper.

mark begins to play a familiar melody, the same one you’ve been hearing throughout your apartment the whole month. it opens with a gentle hesitation, as if the notes themselves are unsure of their place in the world. he’s been working on this very piece for a while but he’s never played it for you. you’ve asked and he’s critical of his work, but sometimes listening through the walls that separate the two of you at night was enough. you don’t suppose he knows exactly how thin the walls are.

the tune fills the air. you take in a deep breath, shoulders relaxing, and you can feel your heartbeat starting to synchronise itself with the rhythm of his music.

each strum feels deliberate, carrying with them the weight of his thoughts. there’s solace intertwined into the song. the low, resonant notes hum steadily, grounding the piece, while the higher strings weave a wandering tune above—a certain lightness pricking at your skin and reverberating in your bones.

there’s an unexpected pause that lingers for a few brief moments before mark picks the melody back up again right where he left off. you notice the subtle bobbing of his head along to the rhythm, a habit he has with anything music-related. there’s a rawness in the sound. a flourish that suggests an impromptu riff. the tune comes alive, shaped delicately by his bare and calloused hands.

the final note rings out, hanging in the air like a quiet exhale. it doesn’t demand applause or recognition; it simply exists.

and before long, it fades away into the skyline.

a heavy silence follows. one that mutes all the city noise under you. one that blankets the two of you under the void of the sky.

“so…” his voice teetering on a whisper, “…what do you think?”

you lean forwards coming off of the wall, pulling your knees together and wrapping your arms around them. mark meets your gaze with a sincerity so profound it renders you speechless for a moment. “i think it’s perfect.”

he rolls his eyes, a faint smile tugging at the corner of his mouth. “don’t make me bring up the wolves again.” he drops his head, mindlessly strumming at a string.

“shut up with that,” you give him a gentle push that nudges him away from you. mark chuckles. “i’m not lying. i love it.”

when your eyes lock again, it’s like a flame has set you ablaze. a heaviness that weighs down on your chest with every second his eyes linger on yours.

he mutters, “thanks,” sheepish all of a sudden.

mark turns his head towards the horizon. “the sun’s gonna rise soon,” he comments, prompting you to look off into the same direction.

“yeah, we should get some rest,” you say as you stand up, dusting off your hands on your pajamas.

you’re about to head back inside when mark’s voice stops you.

“same time tomorrow?”

[jajanvm-imbi]

The fact that Stolas was allowed to get away with ALL of the shit he did to Blitz by lying about what he did is honestly a little upsetting.

If Stolas confessed what ACTUALLY happened, if he confessed that he allowed Blitz to use Grimoire for sexual favors, I would maybe have more respect for him.

But he LIED. He spout out this "Mastermind" bullshit and was able to get away with abusing someone of a lower class for his sexual pleasure.

Clarification because people are being stupid:

Wasn't the whole point of Ozzie's and Ozzie/Fizz supposed to be that the idea of Demon Royalty having any sort of intimate relationship was seen as scandalous?

I'm not saying the court would have cared if Stolas abusing an Imp would have gotten him in trouble, but the fact that Stolas slept with an Imp at all would have at least caused some scandal, and Stolas could have faced societal consequences for sleeping with an Imp (in addition for letting an Imp use the Grimoire).

But that detail has been relatively inconsistent throughout the whole series, especially with Bee and Tex.

And it doesn't even matter if Stolas faced legal consequences for sleeping with an Imp, if he just admit what he did was wrong in front of Blitz, taking responsibility IN PUBLIC for his actions would have been better for their supposed "relationship"

It could have shown Blitz that Stolas DID care about him. If this was well written, it could have easily contrasted with what happened in Ozzie's. Stolas hiding his face, ashamed of being seen with Blitz in public, resulting in Blitz feeling rejected, to then Stolas telling all of the most important people in Hell that they DID have a sexual relationship, but he called it off because it didn't feel right anymore.

Like I genuinely don't understand how this is so difficult to understand. What was the point of Stolas lying about having this grand Master plan or whatever if he could have just told the truth and the outcome would have been the same???

But noooooo, we can't do something that makes SENSE in this series in order to have meaningful development, nah we gotta add random shit for no reason!!!

Stolas would have been stripped of his power anyway AND faced the consequences of what he did to Blitz AND it would have developed their relationship in a way that feels MEANINGFUL.

For some strange reason it's like the writers consistently forget things they did in PREVIOUS EPISODES

It would have been so much more impactful if Stolas just told the TRUTH!!!

Stolas faced consequences, but not for his abuse towards Blitz, he only faced the consequences for Blitz's use of the Grimoire.

And we're meant to see it as this big huge heroic romantic gesture towards Blitz????

I'm getting so sick if this shit. I'm getting so sick of Vivziepop REFUSING to actually make Stolas face the consequences for what he did to Blitz. I think she still believes he didn't actually do anything wrong.

And stripping away Stolas's title and power is just a way to try to get people to stop throwing the fact that there is a MASSIVE power in balance in Biltz and Stolas's relationship in her face.

"He's not a prince anymore! They're equals now! They can be together!!" I can hear them say.

Doesn't change the fact that when Stolas WAS a prince, he did in fact ABUSE Blitz

It WAS an abuse of power. Stolas coerced Blitz into a transactional sexual relationship by only giving him access to the Grimoire if Blitz slept with him.

I am going to make the same argument others have made because they are absolutely correct:

If Blitz was a WOMAN, yall would be losing your SHIT over how manipulative and abusive that is.

Just because Blitz said he didn't mind doing it doesn't mean it wasn't an abuse of power.

Edit: I didn't even use the main tags this time???? Where are all of yall Stolas defenders coming from?? I used the critical tags EXCLUSIVELY it's like yall are LOOKING for people to fight with

Edit #3:

I thought this was a good addition to the discussion so I'll add it to the main post so people can actually SEE IT

[throughparisallthroughrome]

"Got the Blues Back in Boston"

Chapter 1

Pairing: Modern!Anakin Skywalker x Reader

Description: Leaving behind an incompatible college and profound heartbreak on the Virginia Coast, you find yourself home again in Brookline, Massachusetts. A new opportunity presents itself to you at MIT, joining your brother ben and childhood friends/neighbors, Anakin and Ahsoka. Despite the familiarity, you discover just how much of a difference 2 years away can really make between the people you once considered family.

Warnings:f!reader, angst, jealousy, pining, smut, masturbation, mentions/descriptions of domestic abuse, cursing, drinking/drug usage, academic obsession, general obsession, hardcore partying, frats, general college bullshit

DISCLAIMER!!! READ BEFORE PROCEEDING: I’ve never been in an abusive relationship- I’ve only witnessed them. I’m an aspiring psychology major and have done a lot of research on the topic of domestic abuse/violence. This series deals with this topic HEAVILY, so be warned. 

Word Count: 6.3k A/N: First chapter is up! I'm sorry it took so long, I was really hoping to nail a certain feel and aesthetic with this series, and I really hope that translates. I'm probably gonna post the playlist I listen to while writing this because it does have a lot of influence on the story and everything. Please let me know if you wish to be tagged! Requests and ask box is open, and any/all criticism is welcome! Thank you for reading and supporting me <3

masterlist.

The drive to Brookline was always a hassle. Whether it was crossing the scary bridge along the coast of Virginia or through New York City—knowing that you’d still never been—it always ached. Maybe it was because you hadn’t been home in two years—and you missed Boston. 

Piled high in the back of your black Ford Focus was the last two years of your life that you could fit. You left behind everything else. 

The forest that encompassed you on I-95 offered a clearer perspective on your situation. As devastating as it had been, your new beginning after high school was not quite what you expected it to be. Hampton was a lovely place; the beaches were excellent, the people friendly, and there was always something to do. Somewhere to go. You made decent money working as a cocktail waitress in a club near your apartment, which is how you met Nick.

Tall, with a handsome face and a charm that was impossible to resist, Nick was the kind of man you couldn't help but be drawn to. He had a gorgeous smile and a body sculpted from the gods. The night you met him, he smooth-talked his way into your bed, introducing himself as Nicholas, saying how he never met someone as beautiful as you. The other waitresses just didn’t compare. And the rest was history. Were you usually the type to sleep with someone on the first date (if you could call it that)? Definitely not. But something about him was so captivating. 

But as the trees passed you by and your grip on your steering wheel tightened, you felt a tear fall onto your shaking hands. What happened to the Nick you loved? What went wrong? Who did you both turn into? Besides, the whole thing going south was your fault- you both knew that. You wanted too much; you let those men flirt, and you were never there for him. You never did what he asked. And you’d never amount to anything. At least, that’s what Nick always told you- and part of you was inclined to believe it. 

Your heart ached at the loss. The 11-hour drive was increasingly painful by the second, only two hours in and not even through the first city. The morning sun beamed in your eye as your car trudged through the wetlands, bathed in its golden hue.1 In the distance, you could make out the skyline of DC, the first city you needed to travel through.

It was nice in DC. You had attended a few times in the past. On one of the many family vacations you took throughout the years, you, your parents, and the Skywalkers had all made a trip together to that specific destination. You intentionally took the longer way home to ensure you remember it all. Besides, the Delaware Peninsula was far from interesting. And you needed the time to think- and probably mentally prepare yourself for what you’d arrive at.

The most exciting part of the trip was Baltimore, Philly, and NYC back to back. Despite sitting in mind-numbing traffic a lot of times, there was always something to look at. And people-watching was always your favorite. You felt your heart hurt, wishing for the opportunities that these cities could bring. As New York City and Hartford disappeared in the rearview mirror, the approaching Boston skyline sent a shiver down your spine, your breath catching in your throat. And there was the traffic.

You shakily reached for a cigarette out of your purse as your car came to a stop, breaking your own promise that you wouldn’t smoke in the car you bought. A wide smile spread across your face as you lit the cigarette, your body relaxing as the sweet scent filled the air. Naturally, your mind went straight to Anakin. Whenever you tasted cigarettes, it was impossible not to think of him and the bittersweet moments you shared. After all, he started your bad habit. Once again, your hands shook. Did he ever think about you while you were gone? You were close, but he was also an incredible pain in your ass. And what if he and Padme suddenly got back together? Ahsoka would have told you, right? Maybe. 

She would have told you. 

The familiar streets of Brookline outstretched before you, energetic and alive, instantly flooding your mind with cheerful memories that brought a grin to your face. Your smile widened across your face as you glanced at the familiar sports bar on the corner, reminiscing about the laughter and friendships you developed during your time as a hostess in high school. You turned the corner at the next light, a quiet laugh escaping your lips as the vibrant lights of the movie theater danced before your eyes, eliciting the sweet nostalgia of your god-awful first kiss. You weren’t expecting little Tommy to stick his tongue down your throat in 7th grade. As you approached Emerson Garden, a bittersweet ache tugged at your heart, memories of laughter and familiarity flooding your mind—the memories it held. 

The streetlights flickered as you turned down the most familiar road of all. You bit your lip in anticipation and ignored the urge to light another cigarette right then and there- your mom didn’t need to know about your filthy habit (although she smoked, too). The soft melodies of Radiohead and the laughter echoed from the back porch as you parked in the driveway. Gazing at the house with a smile, you felt a hint of excitement about reclaiming your old room. It had been far too long. 

The porch light turned on, and out ran Ahsoka, not even giving you a chance to turn your car off.

“You motherfucker!” She yelled, opening the car door and throwing her arms around you as you laughed, “It’s been so fucking long!” 

You looked back at her, pulling the beanie off her head and giggling, “Well, don’t tell the others, but I only came back for you.”

“Shut up,” she stands up, pulling you up with her, “Get your ass inside.” You laugh and salute her, following her through the familiar corridors of your house and into the kitchen. 

“Shut the FUCK up. She’s real!” Your mom squealed and quickly set her wine down, embracing you as if you’d be gone in an instant. “Never leave me like that again.” She pulls away and laughs, her tone laced with a hint of seriousness. 

“Never.” You promised, smiling wide before your dad caught your attention, tossing you a beer and shooting a wink in your direction. Although he wasn't typically sentimental, you could tell he missed you. 

“Where are the boys?” you asked, opening the can and drinking the bitter liquid. “Jesus Christ, Miller Lite never gets better, does it?” You squinted your eyes in disgust, giggling at your own reaction. 

“Nope, thought I taught you better than that.” He wraps an arm around your shoulders, kissing the top of your head. “They’re outside with Cliegg and Shmi.”

“Okay, sweet, I’ll go say hello.” You motion towards the back door, catching a glimpse of Ben from the back porch. 

“Hey,” He grabs your arm before you can turn to leave. “We missed you. I hope you’re okay. Ahsoka didn’t give us any details, but she said things really went to shit in Hampton. I just want to make sure you know you always have a home here, and we will do what we can to make it better, okay?” 

You nodded and smiled before practically running out the back door, forgetting exactly what you were throwing yourself into. 

“You fucker, you cheated!” Anakin yells, throwing down his cards as Ben takes a swig of his beer and laughs. 

“I’m afraid you just have an awful poker face, Anakin.” He sets his cards down and stands up, turning to face you with a smile. “There she is. About time you graced us with your presence.” 

You give a shrug before embracing Ben tightly, fighting back tears welling up in your eyes. You and Ben were close, and you knew that if he found out what happened, it would devastate him. He and Anakin were always there to keep you safe, but you had a distinct sibling connection. He knew you too well, always able to read your thoughts with uncanny accuracy. 

“You okay?” He pulled away and whispered, searching your sad eyes.

“Yeah, just tired. Long ass drive. Took the long way this time.” You sniffled, and he nodded in response, letting go and pulling a chair out between Anakin and what you assumed was Ahsoka’s chair. With a quiet thank you on your lips, you raised your beer to your mouth and took a long, satisfying gulp, feeling a gentle buzz settle in. 

“So, you’re back.” Anakin avoids eye contact, shuffling the cards before him as Ahsoka stifles a laugh. “Took you long enough.”

“Anakin!” Shmi scolds, noticing how his lips turn into a smirk, “You know he missed you, Y/N. He’s just a sore loser. Ben’s kicked his ass at poker three times now.” 

“Ah,” You nod, a grin spreading across your face, “He just doesn’t want to admit he sucks at poker- OW!” You feel a sudden impact as Anakin's foot forcefully meets the top of yours, causing you to shoot a glare in his direction. His eyes remain fixed on the cards, completely disregarding your look, while he bites down on his lip, trying to contain his amusement. "Sore loser indeed," you mutter under her breath, shaking her head in annoyance as you pick up the cards he handed you.

Of course, the hand was awful. You weren’t sure how you’d make it out of this alive. Family poker nights were a tradition started by your parents and the Skywalkers, which you were all quickly introduced to by your 10th birthday. Once you hit double digits, you were old enough to gamble. Ahsoka was always the best, but you had a habit of making a comeback when people least expected it. And you had a great poker face- Anakin did not. Anakin had a habit of wearing every thought and emotion on his sleeve his entire life. Shmi always swore it would be his downfall- as a child, you thought she was just talking about his downfall at poker. But once you got older, you quickly understood. 

When you discovered his breakup with Padme, you felt like maybe part of you understood. But you never really knew why they broke up. Everyone just told you, “They were better off as friends,” and that was all you knew. Did you want the real story? Absolutely. But part of you was worried about what he’d tell you. You knew better than to get involved in Anakin’s love life, and deep down, a part of you didn’t want to taint the image you had always had of him in your mind.

“Heard you finally got into MIT,” Anakin breaks the silence and your train of thought as he pushes a couple of chips into the center of the table, “Congratulations, although I’ve never heard of anyone going to MIT for an Archeology degree.” You roll your eyes and sigh. 

“There it is.” You giggle as everyone groans, setting their cards down as they fold. 

“There’s what?” He shoots you a disapproving glare.

“You’ve never given me a compliment without an insult. Was waiting for it.” You shrug, laying down your cards, “Full house.” Anakin’s jaw drops as you pull all the chips in your direction. 

“Shit,” He mutters, setting his cards down and laying his head on the table as he groans loudly in annoyance, “Fucking done with this game.”

“And so are we,” Shmi motions Cliegg to stand, “Love you guys. Have fun. Good to have you back, sweetheart.” Shmi kisses your head as Cliegg ruffles your hair before leaving to say goodnight to your parents. 

“Mhm,” you hum, finishing the last of your beer, “and plenty of people go to MIT for archeology. It’s a great school. Besides, it’s about time I joined you all there. And it’s only a 15-minute drive. Speaking of- how’s biochemical engineering going, little one?” With a gentle tap on Ahsoka's knee, she reluctantly tears her gaze away from her phone and responds with an eye roll.

“Fucking awful! I love what I’m studying; the school is incredible- just so much work. I’m so tired. I have time for nothing!” She groans and sinks further into her chair while you, Anakin, and Ben burst into uncontrollable laughter.

“Coming from a recent MIT graduate- it doesn’t get any better. Just wait until you get further into your major- Biochemical Engineering is far from easy.” Ben offers her a smile while you and Anakin continue giggling. 

“And on that note,” You stand up, shaking your empty can, “I’m getting something stronger than this Miller.” 

As you enter the house, a soft purr fills the air as your familiar furry companion, Giz, wraps himself around your legs. You squat down on the floor and feel the warmth of his fur as you pet him, "Missed you, little guy."

“He missed you too.” Your mom leans against the doorway, handing you an obnoxiously full glass of wine. “Had a feeling you came in for this. Are we gonna talk about what happened?” 

You sigh, standing up and rubbing your hands on your thighs. “Now’s not really the time or place, Mom. I just got here. The last thing I wanna think about is that.” You grab the glass out of her hand and attempt to turn around before her hand is on your shoulder, pulling you back. 

“Not so fast.” You turn around and meet her concerned eyes, your hands feeling more sweaty than they did a minute ago. “Y/N, no one just up and leaves their entire life for the past two years suddenly without something major happening. I know you haven’t told anyone- and I know the last thing you want to do is talk about it- but please, for the love of God, talk to someone. We can all tell something is off. You’re not yourself, honey. We care about you- and we’re concerned. As much as I’m so fucking happy to have you back, I know something bad happened, and I want to be there for you.” 

“Mom,” You put your hand on her shoulder, fighting back tears with a smile. “You’re doing enough. I just want to have a good time, focus on being in my dream school, and g-get my life back together, okay?” 

“O-okay,” she nods, her voice laced with apprehension as she turns away from you and back into the kitchen, “Pasta on the stove if you want it!” 

“Thanks!” you yell, shutting the back door behind you and sighing loudly as you plop back into your chair, earning an eyebrow raise from everyone, “I’m here for an hour and she’s already bugging me.”

“She just loves you, Y/N/N.” Ben tries to reason, and you feel your leg bounce. 

“Yeah,” you mumble, fidgeting with the poker chips on the table.

“So,” Anakin leans forward, opening another beer, “You and that guy still together? What was his name.. Harry? James?”

“Nick.” You answer for him, unconsciously biting your lip. “And no, we’re not.” Everyone’s ears suddenly perked up at the confession, the consensus being just how little they knew about your life. 

“Damn, what’d you do?” Anakin jokes, searching your face for a smile, only to be met with nothing.

“Ha. Good one.” You chuckle under your breath, your lips forming into a frown.

As soon as Anakin brought up Nick, you lost interest in the conversation. Nick never met the family; you only told them about him over the phone while you were gone. He had always insisted that your life was meant to be in Hampton with him, where you would create something new together. You didn’t need to return home to your family; if you did, you’d be leaving him all alone. Holidays and significant moments came and went, and all the while, you were stuck at a college you loathed, sharing your life with a man you mistakenly believed was the one.  

During your nights in Hampton, you and Nick would often find yourselves curled up on the couch, indulging in excessive drinking while he introduced you to various illicit substances. You pretended to enjoy soccer and cocaine, drinking more tequila than you needed. Shot after shot, followed by line after line, you barely knew who you were. He constantly told you how pretty you were, how you were made for him, but if you forgot to run to the liquor store that day, he would treat you as if you were dead to him. Nick offered little in return for your support, except for empty assurances that the life you would build together would make it all worthwhile. Nick's behavior took a downward spiral as he began staying late at work and arriving home in a drunken stupor. From that point on, things spiraled out of control. 

And maybe a part of you once loved Nick, but now you felt suffocated in the relationship. And when you tried to bring things up to him, he’d tell you that you were a cheap whore who was only made to be his personal fuck toy. And just like that, the conversation came to an end. The coercion left, and he started to force you to use the drugs he’d use, tell you to skip class, skip tests, skip your job- you were losing yourself within him, and you were worried about the consequences if you didn’t let it happen. He was always a kind, sweet, romantic boy- but he could be so, so evil. 

And you’ll never forget the first time he hit you, the sound of his hand connecting with your skin echoing in your ears. As you sat on the counter, the alcohol made your vision blur, and your head throbbed as if it was about to explode. You were already at your limit, and the last thing you wanted was to do was another line. Your nose was already starting to bleed a little, and he begged and begged for you to keep going- telling you he needed it. He didn’t want to do it alone- you had to do it. As you stubbornly declined once more, a sudden, fiery sting seared across your cheek, causing your nose to finally bleed and droplets of blood to stain your thigh. He apologized profusely, waiting on you hand and foot as he cleaned you up, held your hair as you puked, washed you, and still talked you into sex- but it had happened. You knew you needed to leave, or your life could be at stake. 

“Y/N?” Ben asks, and you break out of your Nick-induced trance with a sharp gasp, your eyes glossy and lips bloody from your nervous tic. 

“I’ll be back.” You stand back up, taking a concerningly long swig from the wine before exiting out the back gate and into the driveway. 

“I’m really concerned about her.” Ben watches you leave and bites his lip. Ahsoka nods along with him. “Listen, as happy as I am to have her back, something’s not right. As her brother, I just- I fear the worst. She’s not herself.” 

“Did you see the way she reacted when you asked about Nick?” Ahsoka whispered, leaning in to closer to the table, “Something had to have happened.”

“Wait.” Anakin says, as he and Ben both turn to face her, their brows furrowed in confusion and concern, “Ahsoka, you don’t know anything either? She’s your best friend.”

“I- I know nothing. And I hate it.” She confesses to the boys, the air growing thick as Anakin uncomfortably shifts in his seat, and Ben sighs.

“I think I’m gonna try to talk to her.” Anakin stands slowly as Ben raises a brow and leans back in his chair, closing his eyes.

“Anakin, no offense, but I doubt she’ll want to talk to you,” Ahsoka murmured, avoiding his scowl. 

“Well,” he pushes the chair behind him, walking towards the gate. “We’ll see!” 

Curled up in the Papasan chair on the porch, you lit the joint between your fingers and watched as the lights in your neighbor's windows turned off. Your thoughts drifted from Nick and onto the childhood you missed dearly—so many snowball fights on the street before you, bike rides, and scraped knees. You remember the Johnsons across the street particularly not liking Anakin, so you and Ahsoka egged their house, only to backfire and get Anakin in trouble. You confessed to doing it, and no one believed you. It had to be Anakin. But for some strange reason, he never cared. He accepted the punishment, mowed their yard for a year, and never brought it up to you, no matter how many times you apologized. And every apology that slipped from between your lips was met with a grin. 

And that time in 7th grade when Ahsoka really got into it with Julie down the street. She never liked Ahsoka and always found a way to get under her skin. However, this time was particularly awful. When you found Ahsoka, she was sobbing on the corner while Julie laughed at her, calling her pathetic, telling her that even her adopted parents didn’t love her and that her big brother wasn’t there to save her now. But you were. You pushed Julie onto the grass so fucking hard, only for her to get back up and swing. Ahsoka screamed for you to stop, but a newfound rage took over as you pounded into Julie’s face. She ended up on the pavement with a broken nose, and you ended the fight with a fractured wrist and grounded for a month (Only a month because your mom found out who you fought and what she said). Anakin was waiting for Ben to return from tennis and heard the commotion. He ran down the street, finding Ahsoka sobbing, Julie on the pavement, bloody and teary, and you sitting on the corner, shaking and clutching your throbbing wrist in your hand. He instantly asked Ahsoka what happened before making his way to you, holding your wrist, picking you up, and taking you and Ahsoka back to your house. Your mom called Julie’s mom and talked about what happened, and fortunately, Julie confessed to everything. And that’s when you found out her parents were going through a nasty divorce, and Julie was starting therapy. And surprisingly, she actually grew into a really decent, respectable person. 

The four of you had always done everything together. You had always been inseparable. And when you left, it tore that apart. You left a hole in Brookline, and you knew it as well as they did. Even though they swore they were happy for you, moving on and doing more, you could see in their eyes that they selfishly did not want you to leave. They didn’t like the years of friendship to be put on hold just like that. And, of course, you felt guilty about it all, but you thought you needed to get out of Brookline. You assumed you wanted something bigger than Boston, bigger than you, bigger than those childhood friends. And two years later, you realize just how naïve you were. Those were your lifelong friends; your life was in Boston, and your dream school was there, too. You missed them more than you could ever envision, and the guilt ate at you every single fucking day. And you wished that 19-year-old you had just stayed. Things would be so much simpler if you had stayed. You let some pathetic man in Hampton tell you that it was just you and him- forever. And you knew deep down your 19-year-old naive self didn’t believe a fucking word he said- she just wished she did.  

“Oh, that’s not a cigarette.” Your eyes flicker up from the street and towards a drunken Anakin leaning against the patio rail in front of you. His lips were curled into a mischievous smile, his hair curly and messy. 

“No,” You lean forward, handing him the joint, “No, it’s not.” 

“So,” He took a quick draw from the joint, flicking it against the deck railing as he looked back at you and smiled, “You just got here, and you’re already running from us? What’s up with that?” 

You scoff, snatching the joint from him and leaning back in the chair. 

“Just wanted some alone time, is all.” You avoid his gaze, and it’s his turn to scoff, plopping himself next to you in the chair. 

“Yeah, because you’ve been so fond of that your entire life. I don’t believe you.” 

“And? Never said I cared that you did.” You quickly retorted, earning an eyebrow raise and a smirk. 

“Relax,” he said, snatching the joint back from you and holding it hostage. “Talk to me. It’s just us.” His hand met yours; his gaze was intense and empathetic. 

You weren’t sure why you wanted to tell him. It was probably the weed mixed with a bit of liquid courage, but in that moment, you needed to get it out. He was so welcoming, holding your hand and offering you the comfort you needed in that moment. Was it pure manipulation? Possibly. But you knew Anakin loved you just as much as you loved him, and you knew you could trust him. He had kept your secrets before, so what’s another one? However, none of those other secrets typically included an abusive relationship; it was mainly about Ben and Ahsoka. You gripped his hand back, watching his eyes soften and his lips curve into a small smile.

“Just-” You started, dropping your voice into a low murmur, “Please don’t tell anyone.”

“I won’t.” He looked into your eyes like he would die to protect your secret. That was precisely what you needed to see. 

“Nick- uh- sorry,” You sniffled, rubbing your eyes as you searched for the right words. “He- uh- he hurt me—a lot. I barely made it out of that relationship in one piece. I think my breaking point was when I asked him to visit for your grandma’s funeral, and he knocked me out. I woke up in my bathtub, my face covered in my blood, and he was gone. I applied to MIT that morning. The day after I got in, I packed everything I could and left. He’s blocked on everything, and he hasn’t attempted to reach out in any sort of way. Anakin- I don’t know what would have happened to me if I didn’t leave.”

Your eyes met Anakin’s glossy ones as your hands shook underneath his touch. He crooked his head to the side, bringing you in for a much-needed hug. You let yourself cry softly in his arms, feeling his shaky hands rub in slow motions up and down your back, his other hand stroking the top of your scalp.

 But when he looked back at you, the softness in his gaze had disappeared. His fists clenched at his side, his eyebrows furrowed as he bit his lip in frustration. 

“A-Anakin?” 

“Y/N, why didn’t you tell anybody? We would’ve come to help! We could have put that piece of shit in jail by now!” He stands up abruptly, pinching the bridge of his nose and sighing deeply. 

“I-I’m sorry- I-” You stutter, your mind racing as he paces before you. His eyes meet yours, and he points at you as your heartbeat accelerates.

“Y/N, I swear to god- I’m gonna kill that motherfucker. He’s fucking dead. I don’t care what hap-” He stops momentarily, cut off by your sobs from the chair. Fuck. He’s yelling at a domestic violence victim- no- he’s yelling at you. What a fucking asshole. 

“HeyHeyHeyHey-” He’s quickly on his knees in front of you, shushing and brushing your hair out of your face, “I’m so fucking sorry- that was so selfish of me to do. I shouldn’t have said or done any of that. You opened up to me, and I yelled at you.. that will never happen again, okay? Why don’t we get you to bed?” He held your hands in his, searching your red eyes for an answer as you quickly nodded. 

“Okay, I’m gonna go say goodnight to everyone, you just hold tight here. Sound good?” You nodded once again, and he giggled. “Words, sweetheart. I need you to say something.”

“That’s what I want, Ani. Bed.” You mumble out, forming your lips into a sad smile. His heart broke at the sight of you. 

The second the back gate opened back up, Ben and Ahsoka immediately shot out of their chairs at the sight of Anakin. Their interrupted conversation suddenly had no meaning as he entered, taking a quick seat next to them.

“She’s- uh- she’s pretty upset. And fucked up. I’m gonna take her to bed.” He sighed, running his fingers through his hair as Ben and Ahsoka looked at him, puzzled. 

“Well, what happened? Is she okay? Does she need help?” Ahsoka frantically broke the silence, asking the questions she and Ben were both thinking. 

“Listen, she’s in rough shape right now. I’m just gonna get her to sleep, and I’ll tell you guys all about it. I don’t even know if she’s done talking about it. I’ll be right back.” 

“Y/N?” He calls out your name as he steps on the other side of the gate, jogging up the front porch to see you passed out in the chair, joint hanging loosely from your fingers. 

Amused, he grabs the roach from your fingers and casually tosses it off the porch, letting out a small laugh. Clearly, you didn't waste any time before drifting off to sleep. All the crying and weed must have done something. As he crouches down beside you, he tenderly brushes your hair, his eyes filled with adoration as he looks at your sleeping figure. 

“I’m so sorry about everything,” He tucks a loose strand of hair behind your ear, sighing softly, “I know you’re going to hate me for what I’m gonna do. Just please know it’s in your best interest. I care about you so much.” He bites his lip in thought, his eyes searching your figure.

As he rises to his feet, he effortlessly swipes your phone and tucks it away, his eyes briefly glancing at your water bottle. With a tender gesture, he reaches his arms beneath you, drawing you close to his chest and ensuring the blanket envelops you snugly as he lifts you from the chair. Your head is cradled against his chest, his hand wrapped around your waist and under your knees. 

Anakin carried you gently up the stairs of your house, each step creaking under the weight of his feet. Passing through the familiar corridors, he reached your bedroom door and pushed it open, immediately being overwhelmed by the alluring scent of your space. As he laid you down on your bed, he couldn't help but notice how little the room had changed since you left, the same photos on the walls and the same worn-out rug. Your mom kept everything intact, probably hoping you’d come back eventually. He filled your water bottle, plugged your phone in, left some medicine on your nightstand, and tucked you in tightly. Just as he turned on the fan and kissed your forehead goodnight, your eyes fluttered open to meet with his, and you gave him a sleepy smile. 

“Ani?” You mumbled, watching as his smile grew above you. 

“Hey, sweetheart, feeling pretty sleepy, huh?” 

“Mhm,” You stretched your arms out momentarily as you yawned. “I’m sorry I dropped all of that on you earlier. And I’m just- I’m sorry about it all. I feel so-”

“Y/N,” He gets on his knees next to you, the warmth in his eyes matching the tender smile on his lips, “You don’t need to apologize for a thing. I’m always here. And so are Ben and Ahsoka. We got you. You take as much time as you need to process, recover, and do whatever you need to, okay? It’s about you, Y/N/N, don’t worry about us.” You giggle and nod at his words, your eyes attempting to flutter shut. He laughs at your exhaustion, ruffling up the hair on your head. “Sleep well, okay? I’ll be here if you need me.” 

He closes your door and leans against the door frame, exhaling heavily as he tries to make sense of everything that happened throughout the night. How could someone be so fucking despicable to do this to you? His girl. His fists clenched tightly at his waist, his eyes burning with rage as he vividly imagined the torment you endured. He tried not to let his mind go there. He really did. Resting against your bedroom door, vivid visions of you, covered in blood and pleading for help, overwhelmed him, plunging him into a downward spiral. And in a moment of weakness, he did exactly what he promised he wouldn’t do.

“She was abused. Badly.”

“WHAT?”

Ben and Ahsoka jump from their seats on the porch, rushing towards Anakin as he angrily makes his way from the house onto the deck. 

“That fucking piece of shit!” Ben shouts, punching his fist against the side of the house while Ahsoka tries to calm Anakin down, asking him for more details.

“Okay, Anakin, I need you to give me more than just ‘abused.’ I know you have details.” Ahsoka sputtered while she held the sides of his arms, guiding him over to the table to sit down while Ben paced behind them. 

“It was that asshole she was dating for the past two years- Nick. The one we conveniently never met, which I’m sure was on purpose. She didn’t tell me much other than that if she didn’t leave when she did, she could’ve- well- she- it just wouldn’t have ended well.”

Anakin's words hung in the air, creating a thick silence that was almost tangible with tension. Anakin's throat tightened as he locked eyes with Ben and Ahsoka, their glossy gazes reflecting their shared pain. Ben found a spot at the table, deep in thought, as he absentmindedly stroked his chin, his eyes devoid of any emotion. Ahsoka carefully finished the last of her wine, the cling! of it ringing out as the glass met the table one last time.  

“Well-” Ben tried to start, cut off by his sudden sobs. He pushed his head on the table, covering his face from Ahsoka and Anakin as he attempted to take deep breaths, processing the information he had just learned. In an effort to hold back tears, Anakin bit his lip, his hand trembling as he rubbed the back of his neck, his eyes squeezed shut tightly. As she silently wept, Ahsoka soothingly rubbed Ben's back, hoping to ease his pain.

“I just- I should have known.” She mumbled, picking the cat's hair off of the back of Ben’s sweater. 

“There’s no way you could’ve, Snips.” 

“It’s just that- I thought it was odd when she suddenly asked me to pick up her cat. Saying she couldn’t take care of him and that it was an emergency. I never even met Nick, and she wouldn’t let me stay at the apartment long. I hardly saw her. So many fucking red flags..” she trailed off, feeling her head hurt at the thought. 

“Ahsoka, it’s okay.” Ben sniffled, lifting his head off the table as his red eyes met Anakin’s. “There is no one at fault here other than Nick.”

"Exactly," Anakin paused momentarily at his comment, his eyes widening. “Guys, she made me promise I wouldn’t tell you. Considering everything, I think we should wait until she opens up. Even though it hurts, the last thing I’d want to do is hurt her anymore.”

“Yeah,” Ben whispers, and Ahsoka nods, holding onto each other as they try to calm down.  

“We should get to bed, guys. It’s 3:30.” Anakin mumbles as he stands up and stretches, offering his hand to Ahsoka. “We’ll see you soon, Ben. Get some rest.”

As he lay in bed, Anakin’s mind wandered off to you. How could it not? Besides being your best friend, he always looked for more in you. The knowledge weighed heavily on him, and he despised himself because of it. To him, you were his world, his everything. Always. And hearing/seeing how hurt you were? It fucking destroyed him. So, he let himself cry. He allowed himself to feel those emotions for you, and he always had buried them deep down. Instead, he buried his face in his pillow and soaked it with his tears. His admiration for you would never falter, and neither would his protectiveness. He felt as if a part of him failed, and as a result, his guard was down. He felt the desire to love you and keep you safe increased, knowing that getting the chance to do so may destroy him inside and out.

And it didn’t help that you lost your virginities to each other. Sharing such a unique, intimate moment with the person he always knew was the one, well, that just really fucked things. Literally. There wasn't a moment when he wasn't haunted by the memories of that night; it was a constant presence in his mind. And then he got with Padme, and you left for Virginia, and things got so lost and confused, and life moved on. You moved on. He tried to. But he searched for you in everyone and everything. Padme knew it, he knew it, fuck, his mother probably knew it! He’s just thankful Ben doesn’t know it. As much as he hated to say it, Anakin knew he would have gone back in time to do anything to change that moment. Because now you’re here, and his feelings have only intensified. Feelings that should have left a long, long time ago. And yet, as he cried himself to sleep, he continued to dream of you, just like every night before.

Please let me know if you wish to be tagged!

Series tags: @w0rsh1psells @ursogorgeous13 @tommyvelvet @mistress-amidala @queenofnigthdarkness @nikkissecretlibrary @doblasftcisco @ann4zw @catachlysmicjedi @googie-jeon @xoxo-hayden-fangurl-xoxo @anakinstwinklebunny

[mrinafria]

[contains spoilers]

I'm an eternal digger of good narrative techniques. A decent story becomes great in my eyes if the narrative is done right. And it's one of the hardest things to do really, since there's no one-size-fits-all rule for what technique works well with a particular story and what doesn't. One of the primary reasons I keep obsessing over Lovely Runner is its' narrative technique. In all honesty, if it had a linear, singular narrative, I would not be hyperventilating over it on a constant basis (I still would just a certain amount, because both Byeon Woo Seok and Kim Hye Yoon deserve awards for what they are doing). One reason it has managed to knock it out off the park and take the top spot in my forever-favorite list is how wonderfully well the narrative is done.

The primary perspective used in this show is Im Sol's. It's through her we're introduced to the story. Her perspective gives shape to the plot, the characters, because we learn things through her. Her perspective is absolutely critical for exposition. Without her thoughts and way of viewing things, you would never realize why saving Seon Jae means so much to her, or why she would bend the rules and bulldoze ahead when it comes to his safety (exhibit A, her leaving home on the day of the accident, despite knowing about her fate). She'd rather have him alive than have him in her life. Without her narrative, you'd think it's really all about a fan saving her idol (thanks to everyone who'd rejected the script listening to that pitch by the way, I'm grateful we have BWS and KHY as the leads because of that, I would not change it for anyone else). With Im Sol's perspective, you realize, she is not just a fan: she's an ardent admirer, a cheerleader, a well-wisher, a protector, an invisible friend trying to support her friend any way she can, someone who respects Seon Jae, sees him as an idol but also as a human, someone who wants to give back to him the same kindness, empathy and love she had once received from him over a radio call. To her, Seon Jae is first a guardian angel and then an idol, the angel who changed her view of life, made her appreciate things even amidst all that could be wrong with the world and her life. He saved her. Not just on that day at the hospital but every time she struggled and faltered since then, he was there, as invisible as it may have been. So this time, she wants to save him, no matter the price.

Then comes Seon Jae. Oof. If Im Sol's perspective gives the story its beautiful, beautiful shape, Seon Jae's perspective breathes literal life in to the body of the story. The show wouldn't be what it is today if not for his perspective. Without his view into things, Im Sol appears as a fangirl going to extreme measures to save her idol, clinging onto him like a monkey (yes I mean the poster) embarrassing the heck out of herself, making you cringe (in a good, enjoyable way) throughout. Then you reach the end of episode 2 and it knocks the breath out of you because WHAT DO YOU EVEN MEAN. It all clicks.

All this while we kept thinking Seon Jae was caught off guard and just kind enough to tolerate her antics, and maybe he'd slowly fall for her now, only to realize we were completely oblivious to a whole different side of the story. If Im Sol's narrative draws you in and keeps you hooked, making you root for her to succeed, it's Seon Jae's narrative that makes you irredeemably fall in love with them and sincerely, genuinely, desperately hope they get their happy ending together after all the storm.

And the motifs. Walking/running, for instance. I'll focus on just one scene here. I recall seeing a bts where KHY is discussing the OG 2008 accident scene, and it explains how she has to slow down, while running away, for just a moment, only to be hit by the taxi driver. Have you ever been in a situation of absolute panic, desperation and stress, then suddenly found a familiar face or a name or a thing you could connect to, and felt a wave of relief rush through you? She sees Seon Jae, a person who is calling out her name. Even if she didn't know him back then, the fact that he knew her (and that he had his uniform on), gives her a sense of safety she badly needed that moment. That momentary relief, so visible in her features, then overtakes the crippling fear she felt running in the middle of nowhere with no one in sight in the dead of the night. Her body, already exhausted beyond anything, responds to the relief she feels for those few seconds, slowing down her steps.

And that is when she is caught off-guard and hit. That also might have added to Im Sol's anger at the hospital when she is screaming at Seon Jae, her internal anguish that if only she had not paused seeing Seon Jae, and kept on running, then maybe she wouldn't be hit, wouldn't fall, wouldn't lose her ability to walk. It's one thing to have tropes and symbolic things, but it's a very different thing to know how to use them effectively so they elicit very specific types of emotions/reactions out of people. Lovely Runner excels in that. All kdramas more or less have 'things' that take on different meanings for the couples/viewers. It's the way motifs are used to narrate the story in this one that has me going back over and over again to all the episodes aired so far. These are not just their 'things', these are 'things' that drive the plot forward, tell you about their characters, their personal motivations, what they mean to each other and so much more.

This is getting longer that I intended it to be so will end with this. I feel valued when watching Lovely Runner. And I've seen people saying the same thing. It feels like they respect your critical thinking skills, and your ability to infer, so they don't spoon-feed you everything from the get-go, and you can't predict much despite it being primarily a rom-com. You'd be pulling your hair out (again, in a good way) trying to figure out what they will show next, and you will be somewhat or very far from the truth, which will compel you to think further about the story, the characters, long after an episode has aired...I can't remember the last time it happened with a drama. I love this storytelling.

[aliteralsemicolon]

Been seeing a lot about writing Spencer "accurately" online and idk where this wave of criticism is coming from, but I need every single one of you to be so fucking for real rn. Yapsesh below the cut.

Spencer Reid is a fictional character. Fiction means he's not real. He's a not real character from a not real universe. There's no "wrong" way to write a fictional character.

There is no canon guideline on how to write every part of him. Yes there are certain traits and characteristics we're shown, but people are complex. What we see the character do on screen isn't a complete representation of how they live every aspect their life.

Even the show runners couldn't get him "right" all the time, Hell, Mathew himself deviated from Spencer's canon traits sometimes. For example: his birthday, the fact that he's a germaphobe but you can still see him shake hands with characters when he normally wouldn't and there's SO many more if you just watch the show and pay attention.

Also there are things about Spencer that the fandom has deemed canon when they are not, in fact, canon. Like the converse: it's commonly believed that Spencer has a preference for wearing converse, which is wrong. That's a purely MGG thing. Spencer only wears converse in a few episodes through out the whole show. Most of the time he wears formal/work footwear, like loafers.

Now, there are definitely aspects you can't take away from a character in your writing because that's what makes the character who they primarily are. You'll notice that even in most alternate universe stories, Spencer still has the traits he's known for. IQ of 187, eidetic memory, socially awkward genius. That's literally how he was intended to come across during the initially seasons.

We only got new traits as the show progressed. Like how he's a sassy little shit who isn't scared of authority. The reason we can deviate from those is because they're not his core traits. His personality changes throughout the show. At times he appears like his same socially awkward self, but we also get to see his confident side with strangers at times.

It's literally impossible to label him a black and white character because there's so much we don't get to see. We don't get to see how he acts with love interests in every season (every season is a slightly different version from the last), we don't get to see how he acts when he's home alone, how he changes in so many aspects of his life. I think I'm just repeating myself now, but I think you get the point.

I find comfort in Spencer Reid's character, which is why I write about him. He acts however I want him to act in my writing because that's how I see him. Everyone has their own interpretation of the character. A lot of the interpretations share similarities with each other, so they're deemed as "the right way to write Spencer" by us, but that's not possible because there is no right way.

All this to say: Please stop criticising writers for how they write a character. You don't have to agree with their interpretation. There are other writers out there who you may agree with more. Engage more with them and disengage from the content you don't want to see.

[uriekukistan]

not to rain on everyone's parade but i can't help but feel like both nobara and megumi's characters have been held back by gege. like usually i'm not the type to criticize these things until after the manga is finished and i can see the whole vision but like...

in the case of nobara, i feel like she just got written out only for the sake of the plot twist, and bringing her back with such a short amount of time left in the manga cuts off her development, both as a character, and as a sorcerer.

for a manga that's message seems to be about the problems with seeing people as tools, weapons, cogs, whatever you want to call it, that's exactly what i feel has happened with nobara. like i feel like she lost the chance to have personal development in the way other characters have, just to be pulled out at the last second for her useful technique.

and the timing of it feels like it cuts off megumi's development too. mentally, he's just taken a huge step in accepting that his life has meaning to someone and shaking off the defeat that he was feeling previously. he's also on the cusp of a breakthrough in terms of his power as a sorcerer, being able to fight back against sukuna so much that his technique manifests.

and with the whole editor's comment about the bell ringing on the fight, which typically signifies the end of the fight, i can't help but feel a little annoyed that megumi might not get the opportunity to do greater damage to the man who tortured him and used his body to kill and seriously harm the people that matter to him. it be great to see him overcome sukuna in that way, but also as a way of overcoming his self doubt that's held him back throughout jjk.

anyway. happy to see nobara back, and i'm gonna keep trying to trust the process for these last four chapters, but at the same time....i do wonder how this will play out in the end.

[thedissonantverses]

The Solas Problem:

A Lesson in Narrative Tension in DATV

This isn’t a Solas critical write-up, nor is it positive. It’s only an essay on how narrative tension works. We take Solas as he is here. Media Literacy 101 is back in session under the cut.

TL;DR: Giving Solas more screen time would have stripped Veilguard of one of its best parts. Solas.

“No real god need prove himself. Anyone who tries is mad or lying.”

We actually have two major problems with Solas right off the bat. The first is power. The power creep on this man is absurd. He’s been around for thousands of years and his magic has affected the fabric of reality in Thedas. He can kill people in their dreams. He can turn people to stone with his mind. The blight. Just…the blight. Altering the course of history is what he does best.

When we first meet him in Inquisition he is a considerable threat but not anything special for Thedas. In his reveal in Tresspasser he sent chills down my spine. In Veilguard he’s had years to accumulate enough power to tear down the Veil. If it had been a real fight with Solas in the beginning Rook would have been obliterated.

Even if Solas was an ally, it wouldn’t work. This is very similar to why Superman had kryptonite because he’s already overpowered without it. If Solas is around the whole game pulling Rook out of every fight, Veilguard would suck. It’d be so boring. There is no good way to deal with his raw power without trapping, severely injuring, or putting him to sleep or on a side quest the whole game. Put a pin in this, we’ll get back to it.

The second large writing problem with Solas is he is ruthless. This man clearly follows his own rules and he’s survived a long time against enemies many more times more powerful than the Veilguard. It’s why Rook and the team seem so “nice” in comparison. None of them would have stabbed their friends for the greater good. None of them could or ever would do what he and Mythal did to the Titans. Whatever his motivations are at any given moment are largely driven by his own sense of right or wrong. He does have one. It’s just not the same as us mortals’. Run afoul of his moral code and you’re dead.

I’m going to go on a bit of an aside but I promise it’s related. The first Alien movie is a good horror move, in part to a technique movies use to great effect. Tease your audience. The reason they don’t show the alien too much is because it would look fucking goofy. No matter how good your effects were back then, a human in a suit moves like a human in a suit. What that movie does really well in its horror is show glimpses of the man in the mask but not the whole thing at once. Let the audience’s minds fill in the gaps.

That’s what Veilguard is doing with Solas throughout the game. We know Solas is powerful. But the first time we see him it’s him failing. Then he’s trapped in time and space. We get echoes of what he can do. We don’t fully realize how powerful until you see him flinging blight back in Minrathous with the same amount of effort a regular character would use to shoot their bow. We get glimpses of his deeper motivations and foibles, but we don’t feel what’s it’s truly like to be in his way until Tearstone Island. We don’t learn about Varric until the wolf has already cornered us.

So why did they trap him?

Trapping Solas in a prison of his own design, where the key is regret, is excellent character work. We know Solas doesn’t see himself as the villain. We know he’s the type of man who thinks of himself as not just Elgar’nan’s equal, but his better. Which, maybe he is, but he is still a self-righteous man with rivers of blood on his hands who was ready to destroy the world Thedas has become in order to restore a past that can never be again. Solas is static. Unyielding. Frozen by regret. He won’t change to suit the world, he will change the world to suit him.

The examples used of how Solas could be dealt with work, but to varying degrees depending on how well they’re executed. Why matters as much as how. What the writers did was look at Solas’ prior character work and pick the best one to suit him. The way they executed this solves multiple problems at once, using the character’s own fatal flaw against him.

It’s a simple solution, really.

[yuikomorii]

I got a question but I need an objective answer please. So I saw a lot of people complain about Yui being written in a very bad way in Ayato’s routes starting with More Blood and was curious if you think that she became a bad girlfriend as the story progressed?

// I will analyze Yui’s versions from Ayato’s routes and provide an answer at the end of this post.

More Blood:

Even from the first two chapters we are aware of the fact that Yui got a big crush on Ayato merely because of his looks and pleasure he gave her. At first sight, these reasons seem very superficial, but at the same time you can’t blame her completely for that. Yui went to a normal school and used to read magazines for teens, therefore it’s obvious she would have hormones and fall in love with someone who got features portrayed as the beauty standard.

It's understandable why some found her annoying, as she repeatedly cried for Ayato's love without making any real effort to earn it. Apart from giving him her blood, she didn't try to understand what he was going through, even when she noticed changes in him that made him crave so much blood.

Nevertheless, I believe that she did redeem herself in the last chapters, where she admitted being selfish and only thinking about her own desires, instead of focusing on Ayato’s struggles too. I know she paralyzed him out of jealousy and cheated on him in the bad endings, but in the good one, she’s actually a really loyal person. Yui waited years for Ayato to wake up from the coma and Ayato searched for Yui for years in his dream until he finally woke up. This ending confirmed the genuineness of their love.

In the After Story, Ayato planned to attend university for Yui's sake, aiming to get a job and buy a house. Yui helped Ayato with his studies and praised his skills. Initially, she fell for his looks, but in the After Story, she mentioned falling in love with him again because of his caring, determined, and hardworking personality.

Vandead Carnival & Lunatic Parade:

I really liked Yui in both of Ayato's routes and honestly, I can't find anything to criticize about her behavior.

It's not that Yui was a bad partner; it's just that Ayato was portrayed as too good, such as when he ran through flames for her or protected her from a bomb explosion. But that's likely because these are fan service games, where the love interests are designed to be your knights in shining armor. xD

Dark Fate:

I absolutely loved Yui’s portrayal in that route. It was the sweetest version of Yui I’ve ever seen, and I really enjoyed seeing her so happy and soft. Regarding her relationship with Ayato, he was truly the apple of her eye, lol.

The only problematic thing she did was pushing Ayato to face his abuser, Cordelia, even though he didn’t want to. I honestly don’t care if a character does something to another character, as long as it doesn’t affect them and the story, so since Ayato didn’t get mad at her for that, I didn’t mind it much either. However, from an objective point of view, I agree that doing such a thing is quite bad. Being in the presence of someone who ruined your life can trigger intense memories and forcing a confrontation removes the victim's agency in deciding how to cope with their trauma. Ayato might not have been mad at Yui for planning that, but if it had been Laito, I’m sure he would have shown why Yui was in the wrong.

Other than that, she was a kind and supportive girlfriend throughout the whole route, clearly having no ill intent, and I appreciate that she had an actual important role in the route.

Lost Eden:

Ok, I really can’t defend her anymore there. She literally had no redeeming qualities, no matter how many times she got the chance to fix herself. I discussed my thoughts about LE Yui in this post, but I’ll sum it up.

She tried to convince Ayato that despite Cordelia abusing him, she actually did it because she “cared about his future”, and then acted surprised when Ayato started feeling uncomfortable because of her words.

Yui knew the reasons behind Ayato’s behavior, yet when his brothers started mocking him, she didn’t even try to defend him. Everyone ganged up on Ayato, and he was on the verge of a panic attack, yet she remained silent.

Another terrible scene was in one of the last chapters, when Ruki admitted to turning the Vibora Clan and Church organization against Ayato out of envy, aiming to kill him. Instead of criticizing Ruki’s actions, Yui justified them and spoke ill of Ayato behind his back. I wouldn’t like to date someone who claims to love me but keeps hurting me without learning anything… It felt as if Ayato only continued being together with her because he had no one else. No wonder he didn’t marry her there.

Chaos Lineage:

I found Yui quite boring in CL in general, but she started off as determined and sweet in his route, so I liked that.

For most of the route, Yui’s entire personality seemed to revolve around Ayato, and she didn’t do much. There were many cheesy moments between them that made me cringe. Still, I’m sure a certain audience enjoyed those.

My only complaint is that when his brothers started treating Ayato unfairly, despite the fact that he came up with the idea of breaking the glass floor of the church, Yui did nothing to defend him, again.

However, I do appreciate that she gave him that adorable monologue. I just wish she had done it in front of others instead of only acting when Ayato was already insecure and sad.

Now… let’s see what kind of girlfriend Yui was in each route by judging her progress:

MB: Good

VC: Good

DF: Very good

LP: Good

LE: Very bad

CL: Decent

[hamliet]

the notion that bnha is pro authoritarianism or social hierarchies is nonsensical not to mention acting like being pro cop is bad

Err... BNHA is pretty pro-authoritarian. I actually find it pretty disturbing. And that's even if the story turns out with the League alive at the end.

As for being pro-cop--cops are human individuals, yes. But people have in recent years in multiple countries (including Japan, by the way) protested against cops being used as tools to maintain social hierarchies wherein people who are not part of that hierarchy suffer for daring to want to be treated as human beings. When I say I'm anti-cop, I'm not saying I hate anyone on the basis of being a cop. But I am saying that the ways in which the police force are used in many countries does societal harm. Critical thinking, yo.

Honestly I feel like this whole story (BNHA) and fans reactions throughout (especially when compared to other stories) demonstrate how people are not using critical thinking. And that can have real world consequences, though it doesn't have to.

I just find it weird that people are okay with a story where the ruling class is always right and always wins. Like... how have they not? I mean, even stories that end up suggesting the ruling class isn't entirely wrong or show flaws in rebellions generally don't go hard on the authoritarianism. But Horikoshi... is doing this.

The whole thing is so weird to me personally, too, because Horikoshi's wishy-washy framing and switches in coding generally seem to be the result of him caring, deeply, what his audience thinks and feels. Too much, really, but it also seems like he genuinely doesn't want to hurt people. Except this ending--even if Tenko does reappear as New Character and saves the League--is the exact opposite. (If Tenko doesn't reappear, then everything I'm about to say is multiplied by a thousand.)

It's catering to mean-spiritedness, and while I do understand fiction isn't reality, the side he's catering to now is making the argument that fictional crimes are real crimes and thus must meet real penalties.

I can play this game too.

If people are gonna make those arguments, I'm going to say they're the problem and the reason we have wars, genocides, assaults, and more.

If you ever want a cycle of violence/abuse to stop, someone has to accept that they've taken the last punch. Not keep going until the other side is WIPED OUT.

If you equate justice with equalizing losses, then you are enacting Dazai from BSD's statement on justice: justice is a weapon. You can never heal by it.

If you want to heal, you have to stop fighting and bandage wounds. And maybe you are too injured to do the bandaging. That's okay. But someone else can, and if you try to stop them on the premise of "but no one bandaged my wounds" you're a bitter person who makes the world a worser place.

If you say a tragedy is the story, sure. But you have to set up tragedies from the start. See, Attack on Titan, which's ending I love. It began with someone crying and an ominous message to the future. You don't set up your first chapter with "this is the story of how I become the greatest hero!" spend 200+ chapters criticizing hero society and have the hero fail at the goal he'd been repeating for 200 chapters in the end and join hero society and still think you wrote a story that delivered in what you promised. You failed.

Either you wrote a tragedy and are trying to pass it off as a happy story (see how well that works usually) or your understanding of a happy story is pretty much just fascist propaganda. And yes, BNHA does have fascist themes at this point. Way more than AoT ever did. But they have smiles and cute frog girls so it's not nearly as dangerous, right? (sarcastic).

The thing is, this is where the lack of critical thinking comes in. While I've seen people talk a bit about how BNHA seems like copaganda, it's taking things much, much further than other stories usually do and into territory where I'm frankly disturbed.

Yes, BNHA started out as a clever critique of hero society and of the very idea it's now seeming to uphold: that the human instinct (which is universal in real life to) to idolize people leads to a lack of humanity for those who do not have those traits we idolize, whether their fault or not, and for people to become villains in response. But not only has it failed to deliver on this premise by upholding society (hey, Naruto and to a degree Tokyo Ghoul also failed to completely change society), it's gone so far as to endorse what it previously criticized.

It's more akin to Game of Thrones Season 8 upholding racism, sexism, and classism, than it is to Naruto or Tokyo Ghoul. GoT ended with a joke about prioritizing brothels being open, as if the misogyny was actually a good thing and not what caused a lot of the problems. There's no critical lens here. It's just like "hey, there was no point in struggling. Monarchies that abuse women, rah rah, let's go!"

BNHA seems to be going a similar route. Deku's murder of Shigaraki, Ochaco's crying over Toga, the way Shouto reaches out to Touya--it's sad, but not framed as something the audience should see as a wrong done on behalf of heroes. In fact, the heroes are not criticized at all. Frickin' Edgeshot, whom no one cares about, is fine. All of them are fine. Their statuses are generally fine, too, except maybe Enji's and even then he's not like going to face the fate of the League and die alone. His family still supports him. Hawks is completely fine and framed positively. His regret over Twice is pure lipservice. Deku really did just need to kill Shigaraki, and all his "I want to save" spiel, much like Ochaco's, is for naught. He just needed to learn to grow up and get in line.

Even if Tenko comes back, and even if Deku like... somehow knew this would happen via vestiges or whatnot (let's be real, he will if this is the case), and the message is just that society isn't ready to move forward, but at least they can live, then... I don't know, y'all. That's still depressing. I don't see how Deku is a hero for that, much less the greatest number one hero. He decided to be a hero at the cost of his own integrity, and if this was a gritty story about the realistic struggle of living in a capitalistic society where ethics are always compromised that would make sense, but... it's not. Even until the final battle, the characters were endorsing idealism.

At the very least, Horikoshi didn't deliver on his promise in the first chapter. At the very worst, he's endorsing fascist ideals.

Like, I'm sorry, but "kill this person for the good of society," the violent upholding of oppressive societal hierarchies, the importance of being a cop hero and the way the military hero brutalities are worshipped, the way heroes are lauded and everyone who doesn't get in line with this is punished, went from being criticized to being endorsed. Those are all central elements of fascism.

The little guy deserves to lose, but, but Deku is the little guy, so it can't be! Except it can be. Because it's actually pretty common irl even to trot out examples of people like Candace Owens to be like "hey, you can't possibly say Republicans are racist!"

And don't you dare say "but Japanese culture makes it unreasonable to expect a non retributive justice!" The Japanese people are not a monolith. Not to mention... Naruto, Bungou Stray Dogs, Monster, Hunter x Hunter, Yu Yu Hakusho, Mawaru Penguindrum, Oshi no Ko, Dragon Ball, Attack on Titan, and Tokyo Ghoul all say hi.

I hated the TG ending, and still hate it, but I'm not going to say that it upheld the CCG as right all along because it didn't. BNHA thus far is doing that with hero society. And even if the answer is for the League be revived and to leave society or whatever, then how can we be happy Deku is a part of this society? How can we root for him, or his classmates? Is he going to work from the inside to change it? Why wasn't that emphasized beforehand as a theme or struggle?

tl;dr Horikoshi has cooked his story no matter what he does now, and I don't think it's salvageable. Either way it has themes that are disturbing especially considering real world events across the globe, and that people should be more aware of instead of focusing solely on stories that have fascism and monsters in them but don't uphold it.

[excalibur-gone-missing]

Paring: seungcheol x fem!reader

Requested: no

Release date: 24-04-24

Genre: mafia au, reverse of getting kidnaped by the mafia boss, fluff, e2l, crack, assistant au

Warning(s): mention of abduction, guns?, cheol is a menace, brief mentions of drugs (do tell me if i missed anything)

summary: It was not supposed to be like this, it was a meticulous plan perfectly curated by you, Jun and Seokmin. You were supposed to go get the man who was the future heir of the Kim Corps named Mingyu, you ever had a pic of his. Most importantly it was definitely not supposed to be the man who now sits in your basement claiming that he is the leader of the mafia organisation you three work for.

Word count: 5.8k

Other works

Beta reader(s): @wonuwrites-main and @anonmonty (sweet sweet angles helped me with proof reading, or else im fucking incompetent)

disclaimer: this is not the exact representation of the subjects in real life. I just use them for my inspiration.

a/n: I request each and every one of you to comment on this fic don't be a silent reader it helps me as an author to understand my readers and i would love to communicate with all of you. Constructive criticism is always welcomed by me so do talk about this fic or send me an ask.

[permanent taglist] [only for those interested, don’t fill the form otherwise]

It is a beautiful day, and like they always say: beautiful things happen on beautiful days, and you were damn ready for the said beautiful thing to happen!

The plan is simple—you and Jun have gone over it at least fifty times, and Seokmin has been standing there listening to you both intently throughout the whole ordeal. 

“So, let’s go over it once again,” you say, pointing at the white board with the picture of a man, Mingyu to be exact, the heir to the Kim Corp. and your target. 

“He leaves his office to have coffee every afternoon exactly at 3pm at the nearest café named ‘Carvery’, am I right?” Jun and Seokmin nod with a concentrated look on their faces. 

“Next he goes to the park, sits there for fifteen minutes, on most days, and then takes the path that leads them straight back to the building, correct?” The two men again nod, and then Jun takes over the talking. 

“More often than not, he hates company during his afternoon runs, so the best chance we have of abducting the man is when he is between the café and the park. This will give us at least a twenty-minute head start before the police and his family start looking for him.” 

Now you and Seokmin nod at the man, and Seokmin takes the podium to present the next part. 

“Jun and I will be on the streets while y/n waits in the car, and from the background check we ran last month, we know the man is well trained in martial arts, so we will try and attack him with the anesthetic as soon as possible.” 

“And after the guy is unconscious, we will flee with his ass~,” adds Jun. 

“Sounds like a solid plan,” you laugh as you high five the two men. 

Indeed, it was a solid plan. You three had considered every possibility and chosen this day to execute your plan. It’s perfect and thorough, so what can go wrong? 

-- 

A lot apparently. 

You reached the destination ten minutes early to give Seokmin and Jun ample amount of time to prepare for the attack. 

As you parked your car near the pavement where the abduction would take place, you see a man walk past the car wearing a beige trench coat with some sort of concoction from the coffee shop. 

Now if you were a seasoned abductor, you would have known not to mess with the person as the timing was not right. But that was not the case, and seeing a person who vaguely matched the physical descriptions of the man you were actually supposed to abduct gave you enough reason to jump the gun and take this man hostage. 

Before you could process anything, Seokmin jumped on the guy, trying to tackle him while Jun tried to find a way to inject the drug into his system. After another minute of struggle, taking at least five punches in their abdomen and faces, both the men were successful in sedating the man.  

They hurriedly carried him to the car and you three sped off to the base to ask his family for ransom. 

-- 

You have been back at the base for three hours now. As you look at the unconscious man tied to the chair in front, you realize the grave mistake you made by not seeing his face the minute you were actually kidnapping him. 

“I mean if you look at his eyes, they look very similar to the real target, you know. Maybe he ate too much last night and is a bit swollen now,” Jun says in a wise tone. Now if you were stupid like Seokmin, you would have accepted this analogy of his just like the hundred others he had spewed in the past two hours, but you are not. So, you hit the guy’s head while calmly saying. 

“Will you keep quiet for a minute? You know as well as I that this is the wrong man. We don’t even know who he actually is. So, we wait for him to gain consciousness and then interrogate him.”  

You have figured that screaming and crying will get you nowhere. All it will do is trigger Seokmin’s panic attack, and you do not think he can manage another one after the one hour long one he just resurfaced from.  

“Our best bet is that we abducted a pretty important dude, or else we know the boss will have our meat served to his dogs for their nightly feasts,” you continued. 

“I can see he is wearing pretty costly brands all over. My guts say he is rich,” Seokmin pipes up. 

“Seok, your gut told you to scream for the past hour. I don’t trust it a lot now,” you complain. 

“I think it’s your fault, too. You should have stopped us from abducting the guy instead of just staring from the car, you know,” Jun says. 

Now, you will consider yourself to be a level-headed person, but one thing that gets to you more than anything else is a false accusation. On top of that, the bitch has the gal to accuse you of being careless when they were the ones showing literally no care about their work, owing to the fact you were not even supposed to abduct the untouchable Kim Mingyu in the first place. The leader of your clan, although you three had never seen him, mostly operated through Jeonghan, his right-hand man. The guy you agreed to kidnap was apparently remarkably close to your boss. But when faced with the tough choice of loyalty towards one gang and the lump sum of three million, you three had to face the situation and betray your gang. You know you should not, but the small jobs with the gang were not enough to even pay your rent!  

So, who does Jun think he is to shift the blame towards you when you have done nothing but try to make a secure living for all three of you. Therefore, you do the thing that your sane brain advises you to. 

Go off at Jun. 

“So, if I fail to babysit two grown men while on an extremely important mission that included them, the blame is shifted towards me?!” 

“You were both supposed to wait for my instructions before confronting the poor bloke. Now, if things go wrong, it will be your faults, and I will be dragged into it because I was the main brain behind the planning.”  

“Guys, I think we should focus on the guy more; I think he is stirring.” 

This statement from Seokmin caught both of your attention, causing you to cease the argument immediately to take a look at the man in front of you. 

Without hesitation, you put your gun on his head and ask, “who are you, tell us about yourself.” 

The man albeit good looking with his doe eyes and plump lips, gave you three a mean stare before speaking sassily. 

“Shouldn’t you know the identity of the person you kidnap?” 

“If we knew, I don’t think I would have asked about you,” you reply. 

The man scoffs before informing you the most gut-wrenching piece of information you have ever heard. 

“I’m Choi Seungcheol leader of Choi Clan.” 

-- 

When Seungcheol met Mingyu today, he was feeling particularly drained and sought the comfort of a familiar face, longing for a brief respite from the relentless demands of his job. Mingyu, sensing his friend's exhaustion, proposed they take a detour to unwind, considering Seungcheol's grueling schedule. Gratefully accepting the suggestion, Seungcheol had embarked on what he thought would be a much-needed moment of relaxation. 

Oh, how wrong he was. 

As he leisurely sipped his coffee, enjoying a fleeting moment of calm, the tranquility was shattered by the sudden onslaught of a group of thugs. Seungcheol had braced himself for a possible mugging, but the idea of being abducted never crossed his mind. He curses himself for sending Soonyoung away earlier, now regretting not having company in this unforeseen predicament. 

To make matters worse, Seungcheol felt a wave of embarrassment wash over him. A mafia boss getting abducted! 

How humiliating.  

Now, do not get him wrong, he was, in reality, as far from incompetent as the Sahara was from water, as Seungkwan was from being calm, as Jihoon was from showing affection—you get the point. 

In fact, he had been the first in three generations to successfully reclaim the southeastern part of the city for his clan from the Yoon family, a testament to his capabilities. 

Now bound and surrounded by three hapless captors whose incompetence was glaringly evident, judging by the one who he suspects was crying prior to their conversation with him. He suspected they had targeted Mingyu, but mistakenly seized him instead. Seungcheol could not help but shake his head at their sheer incompetence. 

Now, again, he is not that scared. He knows he has a trusted pack of workers who would join heaven and earth in search of him. No, he is least bothered about himself. 

What he is actually bothered about is who planned to abduct Mingyu, because he is strictly off limits for his clan members. He knows this as much as anyone that they respect the young heir a lot, not only due to his kind nature, but also because of the relationship he has with their leader. 

So, when he informs his three kidnappers his name, he gets the weirdest of responses ever—a chorus of ‘shits’ and ‘fucks.’ Moreover, he sees all three of his kidnappers suddenly fall down at his feet and grumbling out the most nonsensical bullshit ever. The only words he vaguely captures are ‘it was supposed to be someone else’ and ‘sirs’. 

This confuses the man even more. But then he suddenly sees all three of them take their masks off, revealing two men and, dare he say, a very gorgeous woman. Now in any other situation,

Seungcheol would have laughed, but now that he is in it himself, the only reaction he can provide is a confused head nod as the woman immediately goes to untie his hands. 

-- 

“So, you are telling me that you were paid to abduct my friend who you know is off limits, but still went ahead with the idea, even though you are the members of my gang?!”  

He says as he looks at your group standing in front of him with their heads bowed down looking like kids getting scolded.  

“But sir, we barely make any money from doing the jobs assigned to us. The only way for us to pay our rent was for taking up jobs from outside, and this one paid us a huge sum. We never wanted you to be the one getting abducted instead, we swear!” you suddenly exclaim with the extreme need to explain yourself. 

Your two partners beside you do their dutiful job by nodding their heads with your rant. 

“You three fucked up really bad, didn’t you?” He says, looking a tad bit amused. 

“We are really sorry!” Seokmin chokes out, visibly scared by the whole ordeal. 

“Well, it’s time I go back, so take me back to the office.” 

Right after that statement comes out of his mouth, you three are escorting him out of the door to the car parked outside to take him back. 

-- 

“So, you are telling me these three, these newbies who literally didn’t have any good job for them to gain experience, drugged your ass and took you to god knows where, and you couldn’t even put up a good fight?!” 

Jeonghan exclaims, looking at the seated, nervous, and scared faces of the three of you from Seungcheol’s office’s glass. 

“Apparently not,” the older man sighs. 

“My friend, are you sure you are a real mafia? Because in light of the current happenings, I am starting to question your integrity a lot.” Jeonghan says as he barks out a laugh, taking immense pleasure at his friend’s humiliation. 

“Or maybe you were too caught up staring at the pretty lady to notice that you were getting kidnapped.” 

The bitch continues to make fun of the older man. 

“I just thought I was getting mugged, so I didn’t fight hard enough. Who knew I would be kidnapped instead.” Seungcheol grumbles, pouting a bit. 

“Which is even worse, because you are telling me you would have let people just mug you for no reason when you are one of the most influential people underground!” Jeonghan said while looking pretty concerned about the statement his superior just spewed, and he does indeed have a hard time accepting it. 

“Ahh! Just get over with it and let me go. Plus make sure the three of them face the appropriate consequences for not only abducting me, but also trying to abduct my friend,” Seungcheol barks out while walking out, thoroughly humiliated, and annoyed that his junior was having fun at his expense. 

So Jeonghan does the very thing at which he is extremely good. 

Create chaos. 

 Right after his superior leaves, he strides towards the group and says, “so because the boss has instructed me to do something with you three which will stop you guys from going off the hook, I’m going to assign you some jobs in the organization because I can.” 

Now, anyone even vaguely familiar with Jeonghan would recognize the expression he wore just before chaos ensued, but contrary to popular belief, Jeonghan is actually quite amiable—at least, that is what he believes, and that is what matters, right? 

He continues, “Junhui, you will be overseeing the artillery division. Our deputy head Chan will ensure you are well informed about your job. You will meet him tomorrow. As for Seokmin,” he paused, a sly smile crossing his face, which made Seokmin visibly nervous, “You, my friend, will be our esteemed boss's driver. Lastly, y/n, you will be his assistant. You shall be meeting Chan tomorrow, too; he will explain the workings of your new role.” 

Normally, in any ordinary conversation, you would not dare ask inappropriate questions, but the circumstances were far from normal, so you proceeded with the most audacious question you could muster: “Why did Chan leave his previous post?” 

Jeonghan politely responded, “He left because the job didn’t suit him, so we shifted him to the artillery department as a deputy head.” 

Unspoken was the fact that Chan had been worn down by the boss's relentless bullying, quietly requesting a transfer for at least three years before Jeonghan finally relented. Since then, the turnover of assistants had been alarmingly high. Jeonghan desperately hoped you would stick around. Moreover, if either you or Seungcheol objected to this arrangement, he had enough leverage to ensure you both comply. Enough dirt to keep both of you in line. 

-- 

Your meeting with Chan the next day went well. He explained to you the workings, gave you tips and tricks on how to make sure all the work gets done. Overall, a 10/10 experience, except the small hiccup at the end where he cryptically said something along the lines of ��Best of all fucking luck with this job because you will need it.” 

Now a small best of luck is never a bad gesture, but that statement! 

That shit was a bit too hostile, even for you. But you are fine, happy even. Anything that saves you from getting your life cut short by a mafia leader is always welcomed. 

-- 

“What are you doing here?”  

“Where is Jeonghan?” 

The first two sentences to ever leave The Choi Seungcheol’s mouth the minute he sees your face when he comes into his office that afternoon. Indeed, so delightful! 

"Sir, I've been assigned as your work assistant for the time being," you reply, your eyes downcast. It is a surreal turn of events considering just yesterday this man was tied up in your basement. After that ordeal, everything seemed to take on a different hue, almost as if you were hearing the bells of heaven. So, that reaction seems pretty appropriate to you given the circumstances. 

Now you see our oh so beloved Mr. Choi was not just an underground mob because what is the fun in that, right! He mostly did international business under the guise of his company named The ChoiTech, solely based on providing technological change using sustainable means. Pretty cleaver tactic, although overused, but still gets the job done, so who are you to judge. 

The man looking extremely shocked at your statement immediately rushed inside his office, you presume, to call Jeonghan. And sure enough, within five minutes of him disappearing from your sight, you could hear him loudly complaining to his secretary on the phone. “But Jeonghan I can’t be collaborating with her, after what she did to me yesterday!” 

The man whined and then suddenly you could hear hushed whispers, so being the curious cat you were, slowly crept near the door to hear the conversation better. 

“But man, it’s humiliating. She kidnapped me for fucks sake”, the oh so powerful man, who people assumed will one day rule the underworld, whined like a kid who has been denied to go on a playdate with their best friend. 

By this time, you were almost pressed onto the door when suddenly the sound of someone clearing their throat made you jump away from it and look about for the person who stopped you from consuming you daily dose of gossip. 

The culprit, Joshua, stood right in front of your desk with an amused look on his face. 

Now Joshua is someone you were extremely familiar with, being the man who took care of assigning roles to the lower members of the group, you have had a lot of angry conversations with him. 

“I would ask you if Seungcheol is busy, but the way you were trying so hard to eavesdrop, makes me think otherwise,” he says, making you roll your eyes. 

“Just give me a minute to tell him you are here, then you can go in.” 

The man nodded still looking thoroughly amused at how sad you looked due to missing out on whatever conversation you were listening to. 

After a minute, the man was inside, now looking even happier that he has seen his next victim to torment. 

-- 

“So Jeonghan was indeed right,” he said, looking like he was having a tough time controlling his laugh. 

“Not you, too,” the pouty man whined from behind the desk. “But really, can you tell him to not put that woman as my assistant? I get war flashbacks every time I see her face,” he continued whining. 

“I mean, I could do that, but where is the fun there, right!” Joshua, thoroughly enjoying his boss’s misery, replied. “But in all seriousness, you could just treat her like Chan. The boy is still traumatized by the amount of work you made him do,” he thoughtfully added. 

The older replies, “I liked Chan, he was nice, would do anything you ask him to!” 

“And so will she. Her life is at stake here, give her some benefit of the doubt.” 

This statement made the older think like never before. Plans of tormenting you to quit your job rushing past his brain at high speed. Suddenly everything made sense. 

“I can take my revenge! That is exactly why Jeonghan made her my assistant. Oh, my friend is such a genius!” Seungcheol said, looking a bit too enthusiastic. 

“Ok, I am sure it was done to decrease his workload, but whatever you say, man,” the younger said skeptically after seeing the diabolical look on the elder’s face. 

-- 

It has already been three weeks and suddenly you understand what Chan meant all those days back when he wished you good luck. To put it quite plainly, your boss is crazy. 

The man was a combination of workaholic and perfectionist, which resulted in him getting swamped by work and by default the same fate befalls you every day, too. For the past three weeks, you have had a challenging time at the office to even take a break to eat food. 

The men you called your enemies once, aka Jeonghan and Joshua, are the ones now saving you from dying out of malnutrition. You are eternally thankful to them. But more than anything now, you regret trying to kidnap Kim Mingyu—the name makes you want to cry in a corner and throw rocks at people, if you had any time to do so. 

“Sir, you scheduled two appointments at the same time: the new project for the Orin Community Park and another one with Mr. Xu for the narcotic deal.” 

You informed the man who had his face shoved in some papers, reading something diligently.  

“Why did you not stop me from doing so then, you were right beside me when I was going through the plan.” 

Now, it is your job to curate the perfect schedule for the man to follow, but Seungcheol being the guy born only to cause you inconvenience made his schedule for the week himself this time. 

Why you might ask?

Purely because the man is a chronic insomniac and whenever he has trouble sleeping, instead of taking measures to have a peaceful sleep, he tries his hands in different works because he can, and this time his victim was the poor, poor schedule of his. 

“Because you had already sent them both emails, sir,” you say, thoroughly exasperated. 

“Ok maybe I did, so now I obviously can’t cancel on both so you figure out something so that I can attend both the meetings, because I ain’t missing any.” 

The man just turns his chair around and keeps reading whatever he was reading in the first place.

With an extremely calm voice, you say, “sir I need you to stop trying to do something to pass time when you can’t sleep. I need you to actually go to a doctor.”  “Can’t,” comes his response, making you sigh more. 

Sometimes it feels like you are working as a babysitter to a grown man instead of an assistant to a CEO. 

Seeing the conversation would be going nowhere if you keep talking to him, you go out and do the second-best thing in your books. 

Call Chan. 

“Lemme guess, the boss is giving you a hard time!” The first sentence he says right after picking up the phone. 

Sighing, you tell him all of Seungcheol’s various administrative behaviors throughout this week. When you got to the part where he had so bravely and meticulously made the perfect schedule, Chan started laughing. The gall of that boy! 

“Wait, he still does that!” He exclaimed between his laughs, making you feel even more annoyed. 

After calming down he says, “just make Jeonghan or Jihoon go for the community meeting and let him manage the narc. I know you are thankful, so do not mention it, but maybe buy me a meal when you are free, as a repayment.” 

Chuckling at the younger boy, you agreed to get him whatever he asks for purely because he is a literal angel, and he deserves the world. Ok, maybe it is a bit too dramatic, but the boy was indeed your angel in disguise. 

Planning on following through with the advice Chan gave you, you called both Jeonghan and Jihoon simultaneously. As Jeonghan was busy, Jihoon accepted the work of going to the community welfare meeting instead of Seungcheol. 

After that, the whole day was smooth sailing. But the main root of all your problems was happy, maybe not healthy, but the look of pure happiness and the twinkling eyes when he passed by your desk was hard to miss.  

This man was slowly but surely making sure to strip you of your patience bit by bit. 

--  

The last straw to eradicating your already depleting patience came when Seungcheol in all his glory, during one of his nightly ‘Imma take away other’s jobs because sleep refuses to befriend me’ escapades, deleted all your assistant notes for the server by mistake. 

You still are baffled as to how he did that. Truth be told so is he. He was scrolling away on his phone when he saw this reel about ‘how to increase your Wi-Fi speed.’ Extremely intrigued by it, he had actually tried to increase the internet speed in his house, and he swears on every god on planet earth it worked. So, he tried doing so with the one in his office, which weirdly enough resulted in removal of all the information that you had stored in your laptop. 

Now if this would have happened to his computer, too, you would not have gotten as angry as you were, but the motherfucker’s computer was all well and good and if you actually pay attention, it seems that his internet speed has increased, too! 

How this man become a CEO is beyond you. What is not so beyond is your pure hatred for him and his technologically challenged ass. 

So that night when Seungcheol, stayed back as usual to do work, you took your chances, entered his office, and slammed a ball of yarn and two knitting needles on his table while scaring the life out of the, not so, poor man. 

“Start knitting!” you calmly said. 

“But I don’t know how to though!” he replies, thoroughly confused. 

“Then learn, Seungcheol! I don’t care what you want to do, I need you to learn and pick up a hobby, start gaming, try knitting anything! Just make sure you are not trying to turn the office upside down.” 

Anyone who knows Seungcheol also knows never to question his nightly routines, but more than that, they also know the pride of the man is too high to ever accept his mistake. So, when you commit the grave crime of pointing out his mishap with the Wi-Fi router that morning, you hit the nail on the head and pissed him to the fucking moon. 

“So, you think I’m bad at what I do?!” 

“No, I think you are technically inept. And you should leave it to people who are good at it.” 

This pisses off Seungcheol more than anything, but you don’t let him intervene as you keep speaking. 

“On top of that you are constantly making changes in your schedule without informing me. You’re your assistant. Maybe have you ever considered the fact that your schedule was made so that your day is smooth sailing, and no two activities overlap!” 

“Just because you refuse to go to a doctor and try and find a way to manage your stress does not mean you make the workplace hell for us.” 

By the end of your rant, you were fuming and Seungcheol was stunned. 

Clearing his throat, he says awkwardly, “I’m sorry you feel so, I will try and fix my schedule.” 

Now, although this statement made you feel better, it also confused you, as you were fully prepared to have a full-blown fight with the man. Him backing down was never an option. But now that it has happened, you muttered a small, “I shall be going then”, to which your boss meekly nodded. 

After you were outside, you ended up feeling better due to unloading all your anger on the man. It was refreshing. Now you just needed to see what changes tomorrow will bring for Seungcheol. 

-- 

It had been two months since you had the argument with Seungcheol, more like your single woman shouting spree. But things have been better. He has tried to keep his need for new experiences down and this has made your life exponentially easier.  

Did you now have time to eat. Absolutely not! 

But the office was not a nightmare anymore.  

If someone would have told you five months ago that this is what your future held for you, you would have straight up laughed at their face and told them to get themselves checked. But life has weird ways of throwing you in situations you don’t expect yourself to be in, and you have no other ways of getting out but learn to go with the flow. 

You sometimes talk to Jun and Seokmin, and you have realized you got the hardest of all the jobs.

You asked Jeonghan about it once and his answer was, “because I can and its fun!” 

So here you are sitting on the couch with Seokmin while enjoying your sandwich when you see Seungcheol come outside carrying a bag, Jeonghan trailing behind him sporting this devilish look on his face. 

The big man walks towards you and hands you the bag. Opening it you notice a green scarf sitting at the bottom. 

“Seungcheol’s first knitting creation, and he says thank you for forcing him to learn knitting. It helps him sleep now.” Jeonghan says while pointing at the bag even before the older man could open his mouth. 

Seokmin tries to make himself as invisible as possible while looking extremely interested in the whole situation unfolding in front of him. 

Seungcheol waves his hands at Jeonghan trying to hush him down and whines, “let me speak!” 

“I made this cause you told me it would help me sleep! I didn’t think it could actually help me, but it looks like it did, so I’m extremely thankful for your suggestion.”

“Good job!” Jeonghan says, patting Seungcheol’s head like he was a child, making you laugh a bit. 

“Thank you for listening to me, sir!” 

“Oh, no, call him by his name, or else he will become weird with you again!” Jeonghan says, making you laugh again. Seungcheol pouts at both of you and storms back to his office, with Jeonghan at his tail making fun of him yet again. 

After that, you kept the bag in your desk and went to bid your friend goodbye. 

“He looked like he was confessing to his crush, you know”, Seokmin muses. 

“Maybe he has a crush on you!” He exclaimed after pausing for a moment. 

“I don’t, he is a weird person,” you had replied thoughtfully. 

Realizing he has been chatting with you for a long time, Seokmin quickly rushes outside while loudly screaming a ‘goodbye’ for the whole building to hear. 

When you came back to your desk, Jeonghan was waiting for you there. The man just looked at you with a smirk and said, “see you later y/n, and make sure to wear the scarf!” 

Jeonghan is a weird person. You more often than not don’t listen to what he tells you to do. He forces you to do them anyways. 

“Seriously, lady, do wear the scarf. Plus, it’s cold outside—you won’t get a heatstroke if you do so.” 

With that he was outside of the office, too. Slowly work caught up with you and you forgot about the scarf altogether. 

-- 

That evening, as you were finishing up at work and preparing to leave, you grabbed the scarf that had been gifted to you and wrapped it around your neck before stepping out of the office. 

Unbeknownst to you, the man who had given you the scarf felt a rush of joy upon seeing you wear it. Concealing his flushed cheeks, he quietly followed you out and spontaneously invited you to join him for dinner, explaining that he had given Seokmin the night off and now was in extreme need of a dinner companion, as Seokmin would fill in that position on most nights. It was unusual for him to make such a request, but you were both hungry and couldn't resist the offer of a free meal, even if it was from someone as harmless as him. 

"So, what do you think?" Seungcheol asked as the two of you sat at the ramen shop waiting for your orders. 

"About what?" You replied, genuinely puzzled by his question. 

"Didn't you read the letter?" He asked, his face turning even redder as he mentioned it. 

"What letter?" You responded, glancing around until Seungcheol nodded towards the bag in which he gave you the scarf, looking inside you noticed an envelope that matched the interior perfectly sitting at the bottom. 

"Oh! I can read it now," you exclaimed. 

"Don't worry about it right now," he interjected as the waiter arrived with your bowls of ramen. 

Despite his reluctance to discuss the letter further, your curiosity only grew stronger after he dropped you off at your doorstep. Once inside your home, you wasted no time in retrieving the letter from your bag. Its contents filled you with excitement like never before. 

The following day at the office, you placed another letter on Seungcheol's desk before getting on with your usual tasks, eager to see his reaction. 

-- 

"So, let me get this straight—you've been dating our boss for the past month?" Exclaimed Jun, eyes wide with disbelief. 

"Why didn't you tell us sooner? How did this even happen?!" Chimed in Seokmin, equally stunned by the news. 

As soon as you revealed your relationship with Seungcheol, you found yourself bombarded with a flurry of questions from your friends. It was amusing to witness their sheer astonishment, and yet, deep down, it felt incredibly rewarding to share this surprising news with them.

What started as a casual hangout quickly transformed into a lively interrogation session, with your friends firing off all sorts of curious inquiries. Most pressing among them was the question: 

“How and when did all of this happen?!” 

You couldn't blame them for their curiosity. It seemed like just yesterday that you had kidnapped Seungcheol off the street instead of his friend Mingyu, which resulted in Jeonghan gaining the perfect opportunity to bully you both half to death. And let's not forget the hell and back experience you were subjected to from Seungcheol himself, the man who had once resorted to extreme tactics to get you to quit as he was reminded of the oh so humiliating experience he went through every time he saw your face. But somehow, it all worked out in the end, and you couldn't be happier about how it turned out. 

Near the end of your gathering, you couldn't resist the urge to pull out your phone and reveal the most treasured image in your gallery: a photograph capturing two pieces of paper resting on a desk. One paper bore a lengthy paragraph, while the other simply displayed a single, bold sentence: 

"Take me out on a proper date first!" 

The photo encapsulated perfectly how you both worked so well with each other. It was a sweet reminder of how unexpectedly love can bloom in the most unconventional of circumstances. 

As your friends marveled at the photo, you couldn't help but reflect on how far you and Seungcheol had come in such a short time. Despite the initial hurdles and challenges you faced with the man, you were grateful for the bond you now shared—a relationship built on laughter, friendship, and, of course, a bit of unexpected romance. 

The end hope you like it !!

[vidavalor]

Just on the back of your last post about how Aziraphale and Crowley have been a couple for (literal) ages, of which you have me thoroughly convinced, there's one thing I've never been able to figure out.

In 1941, when Crowley saves the books, what are we seeing from Aziraphale? By this point he knows damned 😉 well that Crowley adores him, so I very much doubt the 'this is when Aziraphale realised his love was returned' theory. Is it to do with their holy water fight?

Apologies if you've covered this already but I've read through your master post and most of your previous posts and couldn't find anything. I keep musing on it and thinking 'oh Vidavalor will know but I shouldn't bother them'!

Ground Control to Mr. Tom! 😊 Hi there. 💕 You are correct that I haven't done a post about this, which feels very much like my all-over-the-place blog, because this is one of the most-discussed scenes in the show. 😂 You are absolutely not a bother! Do not speak such silliness. I'm going to explain my take on that scene with some help from The Archangel Fucking Gabriel. Therefore, there is hot chocolate, should you want a mug.😊

This is also going to be my contribution to the Azirafeast celebrations so I wish any of you reading this many scrumptious returns!

Below the cut is the one in which someone who thinks Crowley and Aziraphale have been lovers since ancient Rome offers an opinion on what's going on with Aziraphale and the books in 1941... by way of a look at what we might be able to learn about this moment from its sister moment in Gabriel & Beez's flashback.

Be them real people or fictional ones, angels-- especially our two, main ones on Good Omens-- are not accustomed to feeling seen.

This is largely because they believe they exist to sacrifice themselves for the protection and betterment of others... that this is literally what they were made by God to do... or at least what they've been told God wants them to do... and, as we know, they've got plenty of questions over all of that.

They can often feel guilty about their consumption of resources-- or their curiosity about doing so in different ways-- when they've been told that those resources and the experiences that come with them are not for them, even if all evidence seems to suggest that might not really be the case.

They are told they are supposed to live small lives of sacrifice and are, as a result, full of conflicts about their hungers, their needs, their desires... about their love, and the want of a free life of their own.

They exhibit perfectionist behaviors, are full of self-criticism, and are excessively self-sacrificing.

Intellectually, they know they are a person with wants and needs like everyone else but they've been taught that they are supposed to be above all of that and breaking free of that abuse comes with negative self-thoughts, anxiety, depression, and a whole slew of other fun struggles.

That attempted thought control and oppression of people that is responsible for these angels' inner torment, though? As The Supreme Archangel aptly puts it while having a total breakdown shown by chasing his metaphorical self (The Fly) around the bookshop and trying to kill it with a Bible...

...it never works.

It might, unfortunately, get some people but it never, ultimately, works in society as a whole for very long because people want to live. People are made to live. They will seek out coffee over death and rebel against any society that seeks to oppress them in whatever way that they can. Eventually, angels who want to break free will find different ways of letting themselves be individuals on their own terms, even as they are still full of conflict about it, as we've seen Aziraphale and Gabriel do throughout the story.

They'll express themselves in different ways but with the same sense of desperation to have something of their own as a way of admitting that they are a person, too.

Maybe, one night, an angel will, say, allow himself to indulge his hungers by eating an entire ox... maybe in front of the demon he'd like to consume with just as much enthusiasm. Maybe those hungers become ones that, despite his inner conflicts that lead to periodic episodes of depression and fasting, this angel will allow himself to otherwise regularly satiate, and in which he finds enjoyment, nourishment, connection and peace, that he would not have otherwise found.

Maybe, on another night, a different angel will let himself slip away from Heaven and return having consumed resources for himself, in the form of a tailor-made suit that serves as proof to himself that he isn't just a symbol but an individual person in his own right. Maybe it gives him a connection to his body that also leads to him jogging and exploring more of the world. Maybe he allows himself the freedom of owning what he can of his own body and own appearance because control over these things have otherwise been taken from him in the process of denying his personhood and making him more of a symbol to be venerated.

While these are good examples of these two angels finding different but similar, healthy paths to recognizing themselves as people, it's one thing to recognize yourself but another thing for someone else to recognize you.

Angels are wonderful at taking care of everyone else but they sometimes have a blind spot when it comes to their own needs and safety. They are so busy taking care of everyone else that they are prone to making mistakes with their own care.

Such as this angel below being so pleased with an opportunity to contribute to the war effort that he missed that he'd accidentally let himself be recruited by the wrong side...

...and needing his partner to identify some Nazis and redirect some bombs to keep him from being discorporated...

...and such as this other angel below being pleased with his ability to show care towards his new partner...

...but also, as we can see by the expression in his reaction to Beez's suggestion above, so unused to being cared for that, even if he was intellectually aware of it, the aspect of partnership involving mutual care was so foreign to him that it threw him for a bit of a loop.

Sometimes, an angel will be going through a period of struggle when it comes to their interactions with the world. It's often times not even just the feeling that they should just be advisors more than active participants and that the world is not for them. They are, in these moments, just imposter syndrome run amok, and that robs them of pursuing that which makes them feel happy and fulfilled.

Loving an angel in this mode requires gentle, genuine, affirming care:

The imposter syndrome modes can strike at any time for angels but tend to do so especially when they've very recently tried to engage with the world in a big way and saw it backfire.

Like when they spend a lot of time trying to sort out their place in the world and regularly go back and forth between being so influential that they personally own and have developed an entire city neighborhood but also then have days when they don't want to open their own bookshop to the world.

Like when they are supposed to be an angel and nothing else but, if they could choose a vocation, they'd be doing card tricks and pulling rabbits out of hats at birthday parties for all of eternity, and they feel so massively guilty about it that they tell themselves that the magic shop is not a place for them.

But maybe never more than like when there is a war on... an absolutely massive, global war... the first atomic war, the war that could bring about Armageddon, for all the angel knows... and everyone in the human world is trying to do their bit as best they can and, one day, a young woman claiming to be British intelligence knocks on the door and says that they need the angel-- this particular angel and only him... this angel who sometimes feels like he doesn't always know how best to help but wants nothing more than to be good and do good and help others.

The Allied Forces needs Mr. Fell for an intelligence mission to help thwart the Nazis and work towards stopping the war. And what do they need from this angel, in particular?

They need his books.

Aziraphale collects books of all kinds but he has two major personal collections that are highlighted in the story. One is humorous and self-aware-- a collection of misprinted Bibles. Those are living proof of the fallacy of language and gospel-- of the bullshit of people. They are comforting to him in their existence, as they reinforce his sense that following what others say is the word of God is not really a better path than following his own moral compass. The Allied Forces don't need these books, though.

They need the other ones that Aziraphale has been collecting forever:

His books of prophecy.

This angel collects written works by humans that profess to be prophetic. He has original works of Nostradamus and Mother Shipton and many others. He has preserved them throughout centuries, keeping them safe in his care, even if the works are, largely, complete and utter balderdash. He has kept these books, nutty as they are, safe from damage and in existence, for years, just in the event that maybe these humans, in some way, really did have answers as to the future of the world in which the angel lives, too.

The one that he knows has been slated to be destroyed around 6,000 years from its inception-- a date that was approaching closer with each breath in 1941.

Was it really going to happen? Was there a way to stop it? Aziraphale has been trying to see if maybe the humans have found a way, studying their prophetic works for centuries upon centuries, anxiously looking for clues on how to stop Armageddon and save the world he loves...

...and also therefore be able, as a result, to stay on Earth with the person he loves and not be separated from him for eternity.

It's these books of this angel-- these beloved, material possessions; these perfect examples of everything that he's been told that he's not supposed to have-- that Captain Rose Montgomery of British Intelligence says that he can provide to entrap some Nazis and help save the world for his fellow humans and his partner.

An angel's biggest blind spot is always wanting to help and never feeling like they're doing enough. They're vulnerable to trusting the wrong people for the right reasons. Their desperation to do good and be good in the face of feeling like they're not a good person at all can cause them to have the best of intentions but be open to manipulation by those with the worst of ones.

Sometimes, it's a human Nazi. Sometimes, it's a supernatural one...

...same difference. Both dangerous. Both examples of an area where an angel might not survive if they don't let in a trusted person who can give to them the same love and care they give to everyone else.

The fallout from making a mistake can be devastating to an angel.

They feel embarrassed and snappish-- the anger and frustration related to the miscalculated situation triggering (and masking) the anxiety and depression to which angels are hardly strangers.

They can retreat into self-doubt. Moments of bravery when it comes to trying again are sometimes just as quickly diluted by their compounding insecurity and the fear that they are just jiggery-pokery and do not belong in the world.

This is when they need their demons the most.

Demons? They are fallen angels.

They know all this about angels because they're not much different themselves.

They have had the experience of having to redefine themselves in the face of being told by their societies that they were no longer angels and, in some ways, that has freed the more introspective demons to have enough perspective to offer counsel to willing angels as to how to manage those conflicts.

These demons, like Crowley and Beez, are uniquely well-suited to loving angels because they have also been through these same conflicts-- and still struggle with many of them.

These demons have experienced violence and violation as a result their angelic conflicts. They are drawn towards the inherent goodness of their angels, who approach them with kindness, respect, and a sense of equality to which the demons are not accustomed but which helps to build trust.

Just as these demons seek to protect these angels from harm that might befall them in the future, the angels we're discussing are both mindful of their partners' pasts and take care to help them feel safe. They are emphatic about their partners' comfort, reinforce their expectations of a partnership involving free choice and equality, and continually make clear that they consider-- and will always consider-- explicit, enthusiastic consent essential.

Their demons' knowledge of the darker aspects of the world also make them uniquely aware of the risks to their angels and they seek to protect them from experiencing the same pain they have felt from trusting the wrong faces. They do everything they can to keep their angels from falling-- literally, as in from Heaven, or more figuratively, as into despair.

They give them music and food and companionship... they open up the world for the angels and help them live life with the other people in the pub, literally and metaphorically. They explore the human world with them and make them feel less alone, letting the angels do the same for them.

Loving an angel is first seeing that angel there and acknowledging their humanity. It's affirming their imperfection as being just part of personhood and holding up that personhood as being worthy of love. It is reflecting back to the angels the same empathy, openness, and lack of judgement as what the angels give to them.

It's seeing that the angel who wrestles with living up to the expectations of the statues in his honor and the titles for which he never asked is, really, an imperfect, good-hearted, kind person beneath his snarky, sharp-edged exterior. It's seeing the depression that clouds his eyes and the fine edges he's walking in Heaven and knowing what comes next more than maybe can see in the moment and protecting him, as best as someone can, from the fallout of those actions.

Beez knows what it is to fall. They see Gabriel already in a downward motion in every way there is and knows that it comes with risk of losing himself, the way that they once did themselves. They dump out the matchsticks because the good kind of fire is already lit between them and the fire of Hell is not for their angel. They gift him a fly-- that which is made from their body. They are Gabriel's container. He is safe by putting all of himself, literally and figuratively, into Beez.

While this is a big moment in the Ineffable Bureaucracy parallel and one that also parallels the holy water, Gabriel's response to it is a mirror to Aziraphale's response to Crowley saving the books in 1941. What can Gabriel maybe tell us about what Aziraphale was feeling then, through what is similar and what is different about these two moments?

For starters, Gabriel and Beez knew how they felt about one another before The Fly. They already had shared that through "Everyday". The Fly is not an "oh" moment for Gabriel, in the sense that it wasn't a sudden revelation of either Beez's love or of his own. If anything, he and Beez never really had an "oh" moment in that sense of one because elements of how they both felt were always just understood and present in their interactions.

This is honestly true of a lot of relationships. A lot of "oh" moments are not so much becoming aware of having feelings for someone but are just being hit with a new aspect of love that both/all parties is/are already aware is in existence, even if it hasn't always yet been fully spoken.

In S1, we see that Gabriel and Beez only let their guard down around one another. They have always been as close to friends as they could be in their positions. They already care about one another when we first see them together and then, in S2, Gabriel is completely unsurprised at Beez's flirting with him moments into the first date-- and Beez had no hesitation in doing so, suggesting that they likely have before.

Their attraction to one another is presented as an existing given between them from the very start of their flashback sequence. There's no "oh" over The Fly or anything else because they just know. They start to give words and actions to it as they fall deeper in love throughout the scenes but there's never any doubt that they both have been long-aware of what exists between them.

If anything, Ineffable Bureaucracy is probably the real, millennia-long pining relationship in Good Omens, as while they had all these very good foundations for a romantic relationship, they didn't really begin to pursue one until between S1 and S2.

Gabriel's response to The Fly parallels Aziraphale's response to Crowley saving the books in 1941, even if the contrasting part of the parallel is that both are responses to gestures made by these demons for their angels in very different stages of these relationships.

For Gabriel, The Fly is an "oh" moment-- but not one that is about a new revelation related to love existing. It's about what is, for him, a heartbreakingly new experience:

It's not that Gabriel doesn't already know how he and Beez both feel about one another because already he does by this point. Gabriel isn't having a realization of the existence of his love or of Beez's love when Beez gives him The Fly; he's having a realization that this is what it feels like to be loved.

And what is feeling loved, to an angel?

It's being and feeling truly seen.

It's someone noticing them and coming along to care for them while they're out there, trying to save the world when they're sometimes not sure they can even save themselves. It's someone seeing that in them and not seeing anything worth berating them about the way that they berate themselves but, instead, seeing a person worthy of their love and protection.

Loving an angel is giving them the same kindness and care that they give to the world but that they often deny themselves.

For Gabriel, that night in The Resurrectionist was the first time that anyone had ever done something like that for him. It wasn't an "oh" of I'm in love because he already knew that and that Beez felt the same way. It was an "oh", though, of falling deeper in love. It was an "oh" of feeling love.

Beez had already done kind things for him before they gave him The Fly but The Fly and its matchbox are the first ever physical things Gabriel has been given by someone. He has never had any possessions besides his clothes before. He's never been given a gift.

He and Beez go to bars and pubs on their dates; they're surrounded by humans with songs and birthdays and Christmases and going on dates and living a life that involves tangible, physical things that Gabriel is supposed to be above but to which he is drawn.

On the first two dates we see, he and Beez meet up in places but they do not order anything. They do consume the music together and, by the night at The Resurrectionist, they take another step towards engaging more in the human world that they've largely been absorbing and observing together to date. They do so through allowing themselves to be a part of the space, too-- Gabriel miracling the song on the jukebox for Beez-- but also through material objects.

They start ordering stuff. Gabriel is happy to bring Beez something-- buying them beer and a bag of chips/packet of crisps, even if they're undecided on actually consuming them. He makes it clear that he doesn't have any expectations that Beez actually eat or drink anything if they don't want to but the idea is that they have moved to a place where they can see what the humans see in bringing one another things as they move through the world together.

Gabriel has gone from a being who barely knows why he's meeting Beez in this bar to being excited to see them again and happy to buy them a drink and their preferred snack to stare at. Beez is having a ball getting the food-judgy-if-also-food-curious Gabriel to buy them what they've clearly told him he had best call a packet of crisps if he plans on seeing them again. 😂 They have begun to let themselves claim resources for each other and themselves and to start to get less intense about consumption, which are features of recognizing the humanity in one another and themselves.

Gabriel's "oh" moment when he is given The Fly is that this is the first time he knows what it's like to experience the world as a person who has a person who cares about them and has brought them something.

What he means when he says "no one's ever given me anything before" is really "no one's ever thought about me before."

He means no one has ever seen him there-- until Beez did.

The gift of The Fly reminds Gabriel of that and shows him getting used to the new feeling of not being invisible and alone. He falls deeper in love with Beez and sees them more fully in return as well as a result of their gift and that, it could be argued, is what love is.

Love, if it's good, is a lot of "oh" moments-- because you don't fall in love once. You fall over and over again, deeper each time.

The difference between this moment with Gabriel and Beez versus the paralleling one between Crowley and Aziraphale is that, by 1941, our angel, Aziraphale, has known years upon years upon years of being seen by his demon.

(Amusingly, considering the theme of love as recognition, The Serpent is also literally, ya know, um, rather watchful at times. 😂)

Aziraphale is no stranger to Crowley being kind to him or rescuing him from the times he might have blundered, like we all do at times, in trying to do good.

Crowley saving the books in 1941 is absolutely not the first time that he's ever done something as Beez-and-The-Fly-level romantic as this for Aziraphale. In many ways, that's likely the point.

While The Fly was the first time of what will be many that Gabriel experienced what it was to feel loved by feeling seen, Crowley saving Aziraphale's books is a gesture that could not have happened at all without Crowley's long-held, intimate knowledge of Aziraphale as a person.

What makes Crowley saving Aziraphale's books so romantic isn't even just that he knows how important the books are to Aziraphale but that he knows Aziraphale so well that he could predict that the books would need rescuing.

Crowley knew that his angel would only focus on getting the two of them out of the church alive and unharmed and absolutely was going to forget about those beloved books of his while trying to protect them both and then be completely and utterly crushed when he did.

In this way, it's a contrasting parallel to Gabriel and Beez because, while that was the first time Gabriel had ever felt seen, 1941 is time number six trillion and five that Crowley had made Aziraphale feel seen like this and he's now so well-practiced at it that it's old hat at this point.

There is no judgement from Crowley about what happened with the Nazis in any of this. Aziraphale is horrible to himself over things like mistakes like he made in this church and being forgetful about these books but Crowley sees no such need for any of that. He protects Aziraphale from the fallout but in such a way that says he admires Aziraphale for trying to take the actions that he did. He sees Aziraphale as brave and his actions quietly affirm, much in the way that Beez does for Gabriel, that just because they are an angel who is used to doing for others doesn't mean they're not also a person who needs someone to do for them, too, and that Crowley is happy to be that person.

Aziraphale is reminded by Crowley knowing him well enough to anticipate that the books will need to be saved and taking care of that for him that they are a team. That Aziraphale doesn't have to worry about managing everything on his own because he and Crowley help each other manage life. They know each other well and have been together so long that they just know how to take care of one another.

It's not an "oh" of a realization of I'm in love for the first time. It is, as Michael Sheen says, a moment of falling in love. It's an "oh" of having been in love for a very long time and that love still finding new ways to surprise in its ability to keep causing Aziraphale to happily fall deeper and deeper...

This isn't realizing love and it's not the first time that Crowley has done something sweet and romantic like this for him-- it's the power of it being the nine billionth time Crowley has. It's the feeling of "oh" for Aziraphale that is a reminder that he is safe in the knowledge that Crowley knows him, through and through, and when confronted with the most real Aziraphale there is... the one that can be prone to making mistakes out of insecurities and self-doubt... the one that struggles sometimes with self-worth and brutal perfectionism... Crowley knows, sees him there, and is still madly in love with him.

Crowley never sees Aziraphale as weak or lesser for feeling any of it. He loves those sides of Aziraphale because he loves all of Aziraphale. He won't let Aziraphale be embarrassed because he likes and admires him as he is. He's gentle and kind and understanding about Aziraphale's insecurities, treating Aziraphale with the same care that Aziraphale shows him.

Crowley, better than anyone else ever has or will, sees Aziraphale for who Aziraphale truly is.

He loves that angel and his love helps Aziraphale to quiet some of his self-doubts and be a little kinder to himself-- much in the same way that Aziraphale's love does for Crowley. Crowley loving him makes Aziraphale feel like maybe there's a chance that he might be worth loving.

Loving an angel is making them feel seen and Aziraphale, holding those books Crowley rescued for him?

He felt very loved indeed.

The "oh" moment of 1941 is one moment where we see that Aziraphale has just been reminded of just how much Crowley truly sees him there-- and of just how much Crowley loves him. What we are watching, imho, is not the first realization of love but just one of a million different moments throughout history of Aziraphale continuing to fall deeper and deeper in love with Crowley.

[scoobydoodean]

Okay real talk. Do you think Dean fears femininity or fears being exploited* and used for things associated with femininity: caretaking, softness, nurturing, etc. Again, it seems there is a subset of fandom that is very literal when seeing posturing and taking the least charitable, kink-shaming position imaginable.

No I do not think Dean fears being associated with these things. As someone who more or less identifies as a genderless blob (except when I don't) and has spent their entire life being deeply confused by "traditional gender roles" and what the actual fuck people mean when they refer to the "maculine" vs "feminine" along some kind of spectrum, I have a lot of trouble articulating my thoughts around this subject. That's also why I don't usually engage with it. But I think it's clear that a lot of people throughout Dean's life try to minimize his feelings and experiences by questioning (through the "traditional" lens of these things) his masculinity and/or associating him with the feminine. Dean has been on the receiving end of challenges to his masculinity and association with the feminine intended to criticize him far more times than he's pushed those narratives on others, though we know he isn't a stranger to the handle side of the knife. I think people sometimes look at the way Dean is mocked and assume that they're supposed to believe Dean feels humiliated by being associated with softness, nurturing, caretaking, etc. But I think it's difficult to argue that he is humiliated as much as he's frustrated, because he doesn't stop nurturing and caretaking and being soft despite it all.

What these moments do serve to illustrate is Dean being expected to play the role of an eternal happy-go-lucky playboy who can't be tied down in one breath then a nurturer who never thinks a horrible thought and always has energy to care for others the next. He's ridiculed for being rough edged then he's ridiculed for being too soft. These chameleon-esque expectations are designed in such a way that it is impossible for him to please anyone. When he is one thing, he is not the other, therefore he fails. When he is a brother, he isn't being a parent. When he's being a father, he isn't being a mother (again in the "traditional" lens) and vice versa. When he's angry, he isn't being loving and forgiving enough. When he's sad or depressed or lost, he's being a nancy. I think the impossible expectation—to be both "feminine" and "masculine" simultaneously in the traditional sense—is something a lot of people will find relatable. Especially if you grew up with one or both parents imposing traditional gender roles on you, then criticizing you for your nonconformity AND your conformity to those roles in turns.

The thing is that tender IS Dean's default, and I don't think he's ashamed of that as much as people sometimes try to make him ashamed, or he withdraws because he realizes he is being harmed through that tenderness and then he is ridiculed for not being tender enough (often by the very person whose actions caused him to withdraw). Dean is a killer with blood under his nails but also that's not who he is. He's a nurturer who helps children deal with their bullies and tends to cuts on his brother's hand and wants a home. He's a weapon but he loves hugs and tells his mother it's okay and he'll never leave her and tells his dad it's okay when he comes home a wreck (2.01, 5.16). He's the sword of heaven, but he also cooks for his family and wraps blankets around their shoulders when they're sick. I literally have a whole tag dedicated to how incredibly tender Dean can be, and I think it's a huge stretch to suggest that he's embarrassed in every one of the hundreds of scenes where that tenderness shines, or that he in some way rejects that tenderness. Angels have fallen from heaven in response to his capacity to Care. Kings of Hell have softened their cruelty. Gods have turned from the path of destruction. Countless people have been driven from possession by his voice reaching out to them calling them home to him (tag). Dean is the narrative heart of the story and the hearth of the house. Tender is his default, and he contains multitudes.