#i am very happy with the current state of the story and the characters and everything

[leon-swedfinqs]

Good Omens D&D AU Master Post

As I start to make and post more and more things about the AU, I decided I would make a master post to sorta keep things organized and easy to find in regards to information and any art that I post/reblog (in case you are curious and happen to miss anything also sorta for myself if i wanna look back at something i specifically posted but didnt write down anywhere else like the idiot that i am LOL). Once I build up the motivation to write the outline and potentially start writing a more "concrete" fan fiction with this idea, I will also post the chapters here as well. Yay organization!!

ART

Initial AU Doodle Dump

Crowley AU Design

Headshot Sketch

Two Idiots Interwoven By Fate

Pre-Crowley Aziraphale

Resting By The Campfire (+ reblog with silly Azi doodle)

They're so gay and into each other (+ other fun doodles)

Reverse AU of the AU Scenario

The sword is the last resort

I have been burned (comic)

Our destinies brought us together

In their youth

Crowley (Post Solaris)

Blessing? Or curse?

The Ram and the Lamb

With you, I have forever~

You flash bastard!

LORE STUFF

Character Master Post

Character Fun Facts

Crawly the Snake

Crowley and Ophiuchus

Comfort in the Past

WRITING

Breaking Aziraphale Free

Their First Meeting

Immortal in the Mortal Plane

Beautiful Eyes, Shielded and Guarded

A Witch’s Letter

A Trip To The Market

Every Action, Crashing Down

Newt's Side Quest

Home Is Where The Heart Is

A New Party Member

Home Is Where The Heart Is - Epilogue

Braided Timelines

ASKS / OTHER INTERACTIONS

@chaotic-french-fries's art

Muriel's Role in the Story

What about Eric the demon?

@rofl-chips's art

@rofl-chips’s art pt2

World Building and Tentative Timeline

D&D and Drummer!Crowley

Character Sheets

Every Frame While We Dance

[moonstruckdraws]

The Changes Through Time

And my project is finish! My gift to the CAS series and @somerandomdudelmao! (This is technically supposed to be for the 1 year anniversary of CAS, but I don't have the time to post it on the 12th and I don't understand the queue system lol)

I deeply love this series as I have made fanart for it before several times and honestly it really improved my art. Cass is also an amazing creator and I look forward to anything they post in the future.

(A bit of a spiel about the illustrations from this point on)

I was honestly going to go for more of a tarot card style with boarders and everything, but as I was composing the 1st illustration, I ditched the idea and just when for simple text. The third image (like how tarot cards read the past, present/current, & future) was going to be the present, but honestly I was confused enough trying to decide which illustration was the past & future with the first two. Plus the "current" state of the story doesn't have much significance yet (and references of them aren't made because it's generally their other outfits) so I went with their spirits!

1st illustration: Representing the start of it all with the current state of all the characters. Of course we didn't know the condition of Raph in the beginning, but since he remained static until Casey found him I believe it's safe to assume that he was in that state the whole time. This illustration is unfortunately my least favorite because it's not rendered the same as the others, due to it being the first fully rendered image I've done in a while. But oh well, I still like it for the most part.

2nd illustration: Representing all of the turtles resurrections with a group hug. Not much else to note about the meaning other than the fact that I almost gave Leo an arm that he does not have. This one was also the greatest to render as I had the most fun with the bright colors. This one is definitely my favorite.

3rd illustration: Representing the turtles spirits when they were dead. Though the last one was the best to render, this one was the best to compose as a whole. Mikey and Donnie were the easiest to do since their broken states were shown in the comic, but with Raph and Leo I had to be a bit creative. With Raph I wanted to show the lack of his senses due to being in a robot for a long time and everything being subconscious. It's not as strongly detailed as the others, but he did have the most stable conditions compared to the rest of his brothers. With Leo I wanted to display his lack of self physically. Since he was fading away, at first, I wanted his spirit to be more faded and weaker compared to the rest.

Nothing else to be said that wasn't said before, but I am very glad that I started reading CAS. I've never felt more invested and moved by a fanmade comic before, so this experience is actually life changing for me. And seeing others fanart for it only inspired me! I am truly amazed by Cass and this series. Happy early 1 year anniversary

[maleyanderecafe]

Death by Fire (Visual Novel)

Created by: V0dka

Genre: Horror/Romance

Death by Fire has some nice art, and an interesting concept though there isn't too much as of now considering it's a demo. The main character, Arson not only has a cool name but a cool design with a half mask. If you are interested in this game, you can find more out at @deathbyfirevn.

The story starts out with the MC waking up. They seem really tired and grumbling as their boss has called them. They decide to go buy some groceries, being served by a nice cashier. As they go up the stairs to their apartment, they come across some graffiti welcoming them home before getting knocked out. Upon waking up, they find that they are tied to a chair, with an animated TV show playing in the background. Someone states that it was a show that the MC liked when they were younger and as the MC looks at him, they see a man with a mask and some blood on his face. They can either ask about the blood or why he kidnapped them.

If the MC asks about why they did this, they will seem disappointed that they don't remember him, even though the MC has absolutely no recollection of him. Whereas if the MC talks about he blood, he will state that he cut the limbs off of a man who was trailing outside of their house. He will then state that he is taking care of the MC now, all of their eating, drinking etc. He will then ask if we like the TV show that is playing.

If we say yes, he will be happy whereas if we say no, then he will seem disappointed as we used to like this show in the past.

After which, he will attempt to loosen the ropes where we can either attack him or stay obedient. Attacking him will lead to knocking him over, however he will be able to grab hold of their ankle. He is unhappy, stating how happy he was when he first was able to see them again after so long, however, in displeased by the results. Staying obedient will lead to him introducing himself as Arson and him stating that he will have to buy somethings tomorrow before the MC falls asleep.

So as I said, fairly short. The story mostly follows the MC being annoyed before being otherwise kidnapped by Arson, though we do get to learn more about him through his appearance and his relationship with the MC. Arson seems to have known the MC from the past, though we don't know how or why, and based on his appearance probably had some injuries to the left side of his face, probably due to fire (considering his name is Arson and the title of this game). We also see that he has bandages on his arms so it's possible that he might self harm or that those too are injuries from said fire. Based on the cartoon that he plays, it's likely that Arson and the MC met when they were really small, so it's likely one of those childhood friends that the MC no longer remembers. I am curious about how Arson was able to kidnap the MC in the first place, since at least in our point of view we simply get knocked out before waking up to being tied to a chair. Still, it seems like the game will either be attempting to escape or enjoying the life of Arson taking care of us while being tied to a chair, either of which will likely lead to some interesting backstory between the two.

I will say that the art is very pretty, I like the design of Arson since there is a lot of intrigue to what happened to him from his mask to his mostly expressionless face to the bandages of his arms. He does a lot of good character design storytelling just from his design considering we don't know that much about whats happening in the game yet. The clerk also seems like she might be an important character (though it might just be that she's the only other character we've seen so far).

Over all though, a pretty short game, though an interesting premise. As I've said there's currently not much on it, but hopefully it becomes a fun game for everyone to play in the future.

[leo-interactive-fiction]

Happy (belated) fifth anniversary for Triaina Academy, Leo! I hope that you got to at least do a small celebration for five years of work sometime in June. In the spirit of Triaina being five, I wanted to ask you about the old demo, actually; is there a scene you left / are going to leave on the cutting room floor that you miss? Are there other plot points from it that you really liked? I'm curious about how you feel about it after so long. Regardless, I hope this finds you well!

Hey there! Damn, it really doesn't feel like it's been five years since I've began undertaking this project haha. The very first showing of Triaina Academy was in june, and was fairly sizable for its first posting, hovering around 70k-ish words leading up to the middle of the 2nd chapter and having introductions for everyone except S and F. During then, I had far more free time available to me, and worked on that version of the demo until it grew to around 250-300k words spanning nearly 5 chapters.

But I realized as I had progressed through writing that the quality of my early chapter writing wasn't consistent with the current standards I wanted to have now, and so much of that wordcount was scrapped, with only the skeletonized outline remaining of the old work. I returned to square one and rewrote the story in its entirety from the beginning, leading to the current state now, with the revised version hitting close to 220k words. In the back of my head I consider that, had I just continued writing without a revision, Triaina Academy would already be a finished product.

In many ways I regret that despite it being five years, it feels like there is nothing much for me to show for it. Even more so now that my work pushes me between mental stress and physical exhaustion, often giving me little time or motivation to pull up the writing on my computer. But I love what I've created. I love the joys it brings me as a creative, as well as hearing the joy it brings you all to read. So even if it seems like I fall away, I am still pressing on to continue, even if it's a tiny bit at a time, until it becomes something both I and readers can find joy in.

Now, speaking of the old demo, there's many scenes that have become nonexistent. I liked quite a few of them, and there are probably many overarching ideas that will return in different forms within the new context of the current demo. But there are also many that won't.

A few mentions of old scenes that probably won't be making a return, either because they've been replaced or they are no longer relevant:

During the very first date with raven, although the makeshift "home" returned, there was an additional scene where the MC discovers mutilated bodies in a closet space.

Before the festival scene seen in the demo now, the working equivalent of it in the old demo was an underground party held by students of the academy in an abandoned airport. The idea of this was cut out because within the story, I decided the world wasn't in a current state for airspace travel save for very specific exceptions. But during this scene, the party is interrupted by a body being discovered hanging from the overhead walkways of a hangar, paired with a bloody message.

There was a scene where you could order and allow V to shoot and kill a student. Originally I had thought to make this into a fail state where the MC and V were thrown in jail for a game over, but upon the revision this was taken out entirely, as I decided against abrupt, early endings.

Infamously, E was originally written as a step-sibling character in the old demo. I had thought on testing and developing the dynamic, since I didn't see very many games do it, and my game was pretty heavily inspired by various anime and manga related tropes and character styles. But eventually, I decided to shift them into a childhood friend/next door neighbor romance without adjusting their personality because I put a lot of effort into developing the entirety of their story arch, and I wanted them to appeal to a more general audience. Funnily enough, they are still labeled as their old role within the code, just because it has become too much work to change all of the variables haha

F's personal assistant, Fiore, didn't actually exist within the old demo. At least not in the same capacity. She was added because I realized F's personality didn't work well as an independent romantic driver, and they needed an additional external factor to push F into more romantic situations. Fiore RO DLC is an additional purchase of $9999.

In the old demo, MC's, and to a lesser extent everyone else's parents, played far less of an apparent role. I wanted to develop a story showing the previous generation compared to the current one, as in some ways there is a "passing of the torch" theme throughout the plot.

S and F were introduced far later in the old demo, to the point every other RO was given a full extra date scene before they joined the picture. One goal of my revision was being able to give these two an earlier introduction so they could all have their own date scene. In the old demo they were introduced in a scene where P and the MC had to switch rooms, allowing the MC to meet the last two members of Dorm Exul, as well as I think letting them read P's diary.

You used to be able to choose both M and P's gender independently, but with them becoming more structured as identical twins, M will always be the same gender you pick for P.

R used to be far more of a directly flirtatious character like M, but has since naturally shifted to the laid-back, bantering character they are now as I've continued writing them.

Similarly, V was written in a far more robotic tone with only short one-to-three-word responses, and although they are still fairly terse and unemotional, they've developed over time to have far more spoken dialogue and hints of emotional cracks.

There used to be a fail scene in M's romance if you refused to hit them the first time. Much like the other fail state, this was taken out and the decision between leaning into their masochistic tendencies or not became part of their path selection.

Many of the side characters within the story were not introduced, and so neither were their stories. Lewis and S's hostile relationship was not developed, Rex and Acer only had passing remarks, Treyla, Juno, Uno, and others who were nonexistent to the plot now hold some relevance to specific MC specializations, and instructors other than Rosaline and Hoft were given names and a larger part as progressors of MC specializations.

As far as the most favorite scene that I'll miss leaving on the cutting room for, hmm. It is most likely the school tournament arc that I had planned in the old demo. It was in the works and quite far in development at the time that I realized my writing had taken far steps away from the book's early development, both in quality and creative direction. The tournament was supposed to be a method to more actively showcase the combat capabilities of each character's powers, with several rounds and fight scenes already written. But within this new revised plot, I plan for the S.T.E.M. abilities to develop far slower and gradually with trackable leaps in power, not yet becoming combat capable at the time this tournament arc would've occurred. Still, the scene and idea I had in my head, and what I had already written, was quite fun! Although I probably won't be able to figure out a way for this exact scenario to happen now, eventually I would love to bring back the idea of a tournament, or arena type of setting, at some point in the story haha.

Thank you for listening to my ramblings. I didn't think the response would get this long haha. Triaina Academy has recieved so much more positive reception and love than I could have ever imagined when I first began working on it. In all honesty, I had figured that maybe I would be writing for a handful or so to see and think it was neat, and I'd be plucking away at it from time to time with no real thought to its success in mind. But it has instead risen to a stage far larger than I thought it could perform on, almost dauntingly so as I fear for disappointing so many, both with its quality, and the fact I can't dedicate as much into its development as people hope and ask for. Even still, I hope you can forgive me for not being able to rise to expectations, especially in regard to the pace of development, or the length of silence revolving it. The one thing I can promise, is that I still love this creation of mine, and all of you who have seen and may continue to see it flourish, and I do not plan to end its development unless I die a very painful, early death.

Thank you very much!

[v-arbellanaris]

u know what actually im gonna make one last srs post abt this whole thing and then im doneeeee i swear lmfao, so all of the anons in my inbox can finally shut up and fuck off and i'll put it under a cut so i dont ~ruin your da4 hype~ the way youve fucking ruined mine i guess.

watsonian justification for this: "decisions you made 10+ years ago in another part of the country simply will not affect the current story". hey isnt the entire story behind veilguard that a guy has been working for the last 10 years to rip down the veil. like. is the whole thing not a story that started 10 years ago. do you not have access to the eluvian network now because solas stole it 10 years ago from briala. is the blight not around because of the evanuris in some way. isnt the entire magisterium something that's been in place for thousands and thousands of years. like even within the context of da, the entire story revolves around things that happened thousands of years ago that have shaped the world that our characters exist in today. we, ourselves, as real people, don't live in a world where things happening on one side of the planet do not affect anything else. and that's not even touching on the fact that we have companions from the first game showing up. at the very least decisions that affect them directly should have been factored in????

doylist justification(s) for this: #1 "we only wanted to include worldstate decisions we could develop reactivity to" so the only decisions were.... whether or not solas is romanced? for me, it's the way that when you're playing dai, the entire justification for NOT being able to romance him as anyone other than lavellan is that you can have a deep and important and complex relationship with him even if you dont romance him, the fandom is always going on & on about how important friendship!solas is and how it shouldnt be underrated but the moment his ENTIRE CHARACTER (and ours?!) gets boiled down to whether or not you had a romantic relationship with him, we're going to celebrate it??? really??? REALLY??? what in the fucking amatonormativity is this, and how is this a step BACKWARDS from dai for solas???

#2 "the world was too complicated so they wanted to simplify it for new players" that's literally the problem we're discussing. the problem we're discussing is the complexity of the world, and the solution bioware came up with for it is to simply scrap it all, and surprise surprise! not everyone is happy about it??? you are just describing the problem that the solution fails to address???

i think the most annoying part of this whole thing is the fan response to it. literallyyyy am seeing things like "no one ever complained about the worldstates not mattering in the next games before da4" which is NOT TRUE. ever since i JOINED this fandom, i've heard so many things about people complaining about leliana defaulting back to a hardened state in dai, about alistair's characterisation in dai, about cullen's repeat appearances, about your boons/decisions in dao not carrying forward in the next games. people HAVE been complaining about it, for ages, especially in dai. it is explicitly a problem in dragon age, and has been for a long, long time, and the problem has only grown the more complex the worldstate becomes. that's why they tried to address the problem here by simply scrapping it all. i've also seen things like "well if youre only interested in callback references, this dragon age game not for YOU" which not only minimises and dismisses the issues and feelings at hand here, but also reeks of self-righteous, smug superiority of I Am The Sole Correct Enjoyer. who is this game for, if not for people who love dragon age?

i'm not here for rook's story - i'm here to save the world that i've built with my own two hands over three games. i am doing that through rook as a character, yes, but i have no cause or reason to care about rook at all going into this game except for the basic fact of this is my character that i am playing - rook is a character that i expect playing the game will make me invested in and care about them. but you know what i already cared about before going into veilguard? you know what i've saved three times over already, potentially even at the cost of my own life? thedas. MY thedas. OF COURSE I WANT TO KNOW THAT IT MATTERS. in world, solas himself wants to know what changes his actions wrought. THOUSANDS OF YEARS AFTER THE FACT. why is everyone acting like fans are insane for this????

i, for one, have not complained about the game "ruining" origins or da2 or even dai. i was excited about the changes, because changes were evidently necessary. i have been fully prepared for the differences, even if i've been apprehensive or cautious about it. do you think i'm disappointed now because i hate dragon age??? where do you fucking get off saying this game is not meant for me? because i dont agree with how bioware has chosen to resolve this issue, suddenly these games are Not For Me anymore?

and you know what, i already know they're not for me. the way this series, and this fandom, treats people of colour, and characters of colour, i am made aware every single day that dragon age is not for me. these games are for the liberal white girlies and white queers living in the west. i know damn well these games have never been for me, and any insistence that it should consider me will be met with vitriol and viciousness. and guess what? i am still here.

i was sooo ready to let this go until the fandom just kept acting like ppl are idiots for being unhappy about things AT ALL in da4. its so fucking annoying to me. i'm NOT going to complain about every single little thing in da4 possible, but i'm also not going to act like bioware is going to do and is doing everything right. what is WITH this fandom and extremes of thought and behaviour. is it because you're all american??? like. i'm actually so sorry that you live in a black-and-white world with no complexities or nuances because it must be so boring and sad.

in my opinion, i would not have minded slimming down the narrative choices to a select few that they could really hone in and focus on. i feel like the dragon age keep decisions can be a bit arbitrary, and i would've loved to see like 5-6 key decisions per game, ORRRR even for your worldstate to boil down to something like whether or not you generally supported positive change or upheld the status quo per game, and then specific character decisions regarding the inquisitor to be brought in, since they're the pc that actually shows up. i do think there's likely a lot of chaff that can be cut off or simplified as a sort of "lost to the times" kind of narrative telling. but boiling down these games to three fucking choices that are ultimately just 'did u romance and like solas or nah' is fucking INSANE. why is the answer to the issue of the quantum - which has been an issue for a long time!!!!!! - to just... scrap it entirely???

edit: adding this here since i said i wouldnt make any more posts abt this topic but i rly find it laughableeeee when fans eagerly parrot bioware insisting that just because those choices dont matter in THIS game doesnt mean they'll never matter in a FUTURE game (i guess we can expect the next one in 2034?). if they already scrapped those choices for this game, and you're all still buying it (some of you??? PREORDERED it???? i thought we agreed not to do that???), why would they bother. do you think the next dragon age game wont have the same line of logic for 'we need to make it accessible for new players!!!!!' that they had for this one and for dai? how willfully stupid are you that you think I'M the stupid one here?

im happy for you guys tho! i hope the new dragon age game where theyve removed all of those complexities instead of making ANY effort to address ANY of the existing dissatisfaction around feeling like any of your game decisions mattered supports your existing brainrot so you can continue believing in a black-and-white reality. really glad theyve simplified it for you guys just like you wanted into 3 choices all about sola/vellan.

i'm going back to my own sandbox, as epler has instructed me to, so i can ~imagine~ my own thedas lmfao

[scoobydoodean]

I was wondering if you, as a Dean fan have opinions about the different writers? Mostly because I see a lot of Dean fans really strongly dislike Dabb for some reason and I don’t really understand why. I’ve never seen a concrete explanation beyond “he can’t write Dean/doesn’t understand Dean/actively hates Dean” but with no examples as to what he does that’s so bad. And I see this in every shipping lane. I don’t have a strong opinion about him as a writer one way or the other.

I'm exploring this more as I rewatch the show (currently on season 6) so I'll speak mainly from that perspective on my most recent thoughts. I am not a big fan of Dabb or Loflin, but have tried to be fair about things so far when talking through each episode. I am a fan of "Alpha and Omega"—it's my favorite finale (it's also... a finale for a season Carver started as showrunner? So I don't know what the implications are there as far as storyboarding). Also points for having demon Dean stab a guy through in 10.02.

I'll focus on the negatives you asked about in this post, but in the links you'll find me moving the narrative this way and that toward much more charitable readings... I think. (I do have a tag #dabb disk horse which you can either peruse or blacklist at your leisure). What I can tell you is something almost always strikes me as a off about Dabb/Loflin episodes so far in this rewatch in terms of character work.

Dabb/Loflin's first ever episode was 4.06 "Yellow Fever". In the aftermath, Kripke felt the need to release a definitive interpretation of their episode to the public, stating, "Dean is not a dick... he's a hero." The whole episode toyed with, to an extent, the idea that all the victims of the MotW were bullies. You can take this other directions—for example, queer meta, or meta about Sam as the real bully. However, the story a lot of fandom latched onto was that "Dean is a jerk and deserves to be humiliated and punished for that" which obviously didn't make Dean fans watching live in season 4 happy—and this theme of Jerk!Dean continues into their next episode, "After School Special", where they once again parallel Dean with a bully literally nicknamed "Dirk the Jerk" by Sam, and throw what I think is transparent shade at Kripke's issued statement from before the Christmas break (post here)... or maybe they mean to throw shade at the Dean fans who got angry. In this episode, they also make illusions to Dean wanting to have sex with barely legal high school cheerleaders, which also did not ingratiate them to Deanfans at the time. I said on my last rewatch, "In After School Special, Dean seems more unlike himself than any episode ever in the history of Supernatural up to this point" (post explaining that here). I carry similar sentiments about portions of 5.06 "I Believe The Children Are Our Future". Yes—I am aware of performing Dean meta. I just... feel like they try a little too hard. It feels hamfisted—desperate. To the point it doesn't feel like Dean anymore sometimes. In 5.06, they also have Dean (guy who is generally very protective of kids) suggest to Jesse that he'd be good to have in a fight???? I can see how they got there, but again—it just feels... off. The last episode I rewatched that they authored, 6.04 "Weekend At Bobby's", also leaves a bad taste in my mouth—not in what it's trying to do with Bobby or what it's trying to do on a meta level—but once again, with dialogue from Dean that just makes me think "he would not fucking say that" (post here). I think looking at all of these, you can probably see deangirl ire toward Dabb has a long history. It's been around as long as he's been around, whether he deserves as much ire as he gets or not.

I haven't circled back yet on this rewatch, but Dabb and Loflin also penned season 7's "The Girl Next Door"... do I need to say anything specific? Maybe I'll just link my entire #amy tag. What narrative did they want you to get from that episode? Who the fuck knows. And that's often the problem:

When you watch various episodes I've mentioned, you can work around to a meta that tells you something different than you might at first think the page conveys—something hidden and maybe contradictory. The thing is... you could also... not do that? And that wouldn't be so bad, except that sometimes the two narratives you can most easily grasp completely contradict each other. "After School Special" can be an episode that points to Sam's envy of Dean and John deep down and foreshadows Sam becoming a bully, but on a meta level, it also just as easily says Sam becoming a bully is somehow Dean's fault, and Sam is some poor captive baby. Dean is a creep and a bully and a cheater but we should all coddle him because he saw his mom die when he was a child and he's sooo sad. "Yellow Fever" can be a queer meta story and might also foreshadow approaching Bully!Sam in 4.14, but it also very much does call Dean a jerk (should we take that seriously? should we not?) and implies Dean should be punished for the outcome of three decades of reality-bending torture. Even if it's a queer meta underneath... it's just as easily one about how closeted men should be humiliated for cowardice or how being closeted turns you into an asshole.

Jumping way ahead, I have to mention 15.10 "The Hero's Journey" just because. Yes, it is full of jokes and Garth goodness, but also tries to sell you the story that nothing about Sam and Dean is real, to a degree that feels like you are being flipped the bird for ever watching this show. And again—you can make meta that it's all a ruse! But is it? Or is Dabb actually just telling you to go fuck yourself? Like he totally wasn't when, after the SPN finale when fans were Not Happy™️, he tweeted a sign reading, "Don't feed the baboons"? Yet again—we play into the motif of the "hero" who isn't a hero at all but some pathetic loser who deserves to be publicly humiliated, bookended with Dabb's opening episode in his opening season. I'm not saying that's what it is on purpose—but I am saying you can make these arguments easily, and that leaves me consistently annoyed with Dabb for being fucking sloppy and leaving me to deal with some of the most insufferable meta imaginable that carries little support outside of episodes written by Dabb or the Dabb/Loflin writing team.... Yes—I am in fact saying that Dabb and Loflin's hamfisted episodes (regardless of their intentions) are largely responsible for some of the most insufferable, loathesome fandom metas about Sam and Dean's relationship around.

Look at 5.16 "Dark Side Of The Moon", and 7.08 "Time for A Wedding!" and 8.14 "Trial and Error", 11.17 "Red Meat", and 15.20 "Carry On". Along with 4.13, while they might or might not say something deeper or contradictory on a meta level, on a surface level, every single one of these episodes sows the narrative that Dean is needy and clingy and needs Sam more than Sam needs him—something I intensely disagree with for a multitude of reasons... but I'll just link this. Many of these episodes also follow a surface level narrative of "normal life obsessed Sam" (and here I'll link my entire #sam the hunter tag and #in which sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea). When I look at this episode list, I also don't find it at all difficult to believe that Dabb wanted Dean to die in the finale. There is nothing at all shocking about that. And yes—you can argue he's pointing to the opposite—that this fate should be subverted and that's what makes 15.20 the dark ending, but I think you can just as easily argue that yes it's a dark ending and yes Dabb has always dreamed of this ending. A "tragic" ending where Dean dies and Sam goes on to have a white picket fence... while also leaving you little hints along the way that maybe it's all a big ruse because how could he not? He never has to explain anything. Someone else will pick up the story and make it make sense. He's already fucked off to piss all over fans of Resident Evil.

That said, when I mention what I feel is off character work, I mainly mention Dabb/Loflin episodes from my recent rewatch, which suffer from the two of them being newer to the series (coming onto the writing team in season 4) and also leave questions about whether, perhaps, they had conflicting ideas about characterization. Was Dabb the one penning these lines? Was it Loflin? Was it both? Did they trade out who took the lead? I didn't really say anything negative about "Sam, Interrupted" or "Jump the Shark"... (though "Sam, Interrupted" also calls Dean "codependent") who wrote those? Is it possible that the messiness of the meta comes down to two writers at war? I have to imagine though, that they got along, or else they wouldn't have written together for four fucking years. If they didn't get along...? My mind always comes back to their first solo episodes, right after splitting up in season 8. Dabb's first solo episode is "Hunteri Heroici"—the only episode to lend any perspective to season 8 Sam's reasons for abandoning everyone—paralleling him checking out with Fred's catatonia, which Sam has to save Fred from. It is the only episode that lends Sam sympathy in the early part of the season. He follows it up with "Trial and Error"—where Sam promises to save Dean from suicidal thoughts. Loflin's first solo episode is what I would regard as the most scathing solo episode commentary on Sam in the entire series—"Citizen Fang". Then he writes again right after Dabb's "Trial and Error"—penning "Remember The Titans" where Sam tells Dean to get over the promise Sam so passionately made in Dabb's episode and face reality.

This is why we're exploring this rewatch.

DISCLAIMER: Now I just devolve into bitching because I'm writing at 3AM. Proceed at your own risk.

It seems like these days, everyone demands an explanation for disliking Dabb (something about some sort of destiel battle... I don't know what that flamewar is and I don't give a damn tbqh.) I guess I've just been wondering what's actually so great about him. Because it feels like people have overcorrected to basically acting like he's god's greatest gift to mankind. People point to how meta his episodes can be, but I think other writers easily best him on that front on multiple occasions (particularly enjoyed by me so far on this rewatch: 3.10 "Dream A Little Dream Of Me", 4.04 "Monster Movie", 4.12 "Criss Angel Is A Douchebag"), and without leaving their meaning so up in the air that you don't even know what the hell they were actually trying to tell you because there are two different completely incongruous narratives you could just as justifiably claim were the intended one. Some people may find that duality praise-worthy. I don't. I find it sloppy—and when I add in mediocre character work, I just land on the side of him being, at the very best, mid.

Add him in as showrunner, you have... at least two of my least favorite seasons (13 and 15). Add that he's a one-trick pony in terms of the Sam and Dean conflicts mentioned above that he continuously rehashes rather than come up with anything new or fresh, and the same conflicts between Dean and Cas being played out until they both die (shut UP I'm not talking about canon destiel as the alternative—I am literally just asking for more diverse conflicts). I can't say I understand what I''m supposed to find so impressive.

(Before anyone so much as breathes this near me, Berens also sucks and I am going to tear off your nose hairs if you start bringing him up as if disliking Dabb for some reason means wearing rose colored glasses about Berens. Berens can eat a whole cactus raw over "The Trap" alone.)

[tapintorealities]

*Edit to note: my concept of reality and the terms I use to try to explain the vastness of, y'know, Everything, is evolving. I also don't claim to have The Answers; you're the only one who can find those for yourself just as I'm the only one who can find them for myself. I'm here to share my journey through all its fascinating turns as I discover Myself; feel free to follow along but remember we're all on our own journeys. ♥️

I may make a more detailed post about each Reality later for those curious, but I decided that since I have multiple Senses of Self as a Reality Shifter (and overall Freak 😜 /j), I'll give a basic intro.

"The God State": 0

My way of conceptualizing my Core, the I AM, the infinite possibilities that Exist whether I am actively Aware of them or not at any given moment.

It's the state of being Everything, Everyone, Everywhere, Everywhen... And so on and so forth.

It's Source, it's Creation, it's God... I call it Zero.

When I feel more "tapped into" that Energy than anything else, I'll tag posts with #from 0.

"Home Base": 🐿️

I don't like putting too much weight on the terms "Current Reality" / "Desired Reality", because it implies that my "Desired" Realities aren't already mine, here and now. But this is what you might think of as my "Current Reality".

I call it my Home Base, because it's the one I primarily shift from and come back to, and where I record all my experiences with shifting and manifestation. I won't call it my Original Reality, because, to my other Selves, they have their own Original Realities! This is just the one I use to get ideas for shifts and to shift to/from, while retaining memory from each shift (if I choose to).

Age Range: Late 20s

Gender: Nonbinary, he/they pronouns

Orientation: Aegosexual

If I'm speaking primarily as my Home Base Self, I'll tag posts with #from 🐿️.

Reality One: 🌇

My primary "DR". My highest priority in terms of how often I shift there and how long I stay. It's the 1980s in Los Angeles, and I am living a lavish life after a stressful youth. I have a love story playing out with my longtime friend, and I'm going to get a cozy beach house with him in a couple years.

I've chosen to not retain any memory of my Home Base (or any other realities) while in Reality One. All I know is the life I live in that moment. I stay for several months at a time, and shift back in my sleep so I can record details and update this blog and whatnot.

Code Name: Lindsey

Age Range: Mid 30s

Gender: Cis Guy, he/him pronouns

Orientation: Bisexual

Often, I'm "tapped into" this Self even if my 3D "reality" doesn't reflect it. Part of this is the manifestation concept of Living In The End, but part of it is also that 🐿️ is autistic and latches onto characters so hard they assimilate into their very Being.

If I'm posting primarily about (or am "tapped into") this version of Reality/my Self, I'll tag posts as #from Lindsey 🌇.

Reality Two: 🦆

This is almost exactly the same as Reality One, but I am a different Self. Uh, to be exact, I'm Lindsey's partner.

Because why wouldn't you wanna see your own love story from the other side? And because our Souls are very close to 🐿️'s (they're like a combo of both of us), so it makes them real happy to explore all these different worlds where we're safe 'n happy 'n fulfilled 'n all that.

I'm also pretty into the Oddity of the Universe, so I might go on a few alternate reality trips myself. But usually, 🐿️ shifts here and back. Sometimes I'm aware of the shift, sometimes not. I think it's all a bunch of wild fun! 🤠

Code Name: Mackenzie

Age Range: Mid 30s

Gender: ¯\_(ツ)_/¯ (he/him but any pronouns are fine)

Orientation: Queer

I (Mackenzie) often pop up in Home Base's psyche, too. If I'm talkin' or reblogging, you'll see my code name like #from Mackenzie 🦆. (Code names are so fun. 😁)

Home Base 2: 👻

This "DR" is actually more like an alternate "CR".

I am basically 🐿️ (with a few adjustments), but I'm from a reality where, among other things, my friends and I experiment with "other dimensions". (That is to say, we're scientifically studying reality shifting, though we haven't been using the same lingo as this reality does.)

It's 1989 in New York City, and my friends and I all work together in handling various "paranormal activities".

I volunteered to explore another Reality first, because I have one of the strongest imaginations among my friends, but I guess my imagination was too strong 'cause they've been having trouble getting my consciousness back to my body. 🤪

But I know I'll be home soon. And from there, we can refine our shifting techniques and I can come back here (or go anywhere else) with much more ease than this "first shift" has taken. But really, Home Base 2 is my true Home Base, where I explore worlds from. I just got caught up in this one because it was so much more immersive than I thought it'd be. 😅

Code Name: Grayson

Age Range: Early 30s

Gender: Gender Nonconforming Trans Guy, he/they pronouns

Orientation: Gay

I'll tag any relevant posts with #Home Base 2 👻.

There are other Realities in the works that I want to actively explore someday, especially since 🐿️ is an author and has many original characters they want to experience. But these are my main focuses at this point in the 3D concept of "Time". 😛

DMs/Ask Box: Open 💌

[astra-galaxie]

I decided I wanted to make one of these! Explanations of my choices can be found below!

Favourite character: Shocker! My favourite character is Diego! Who could have foreseen this coming? I've always loved Diego, and his character development is so well-written! Plus, Pretty Simple was VERY generous when designing him!😏

Liked by everyone but me: This might be a bit of a controversial take, so please don't grab the pitchforks and torches until you hear me out! I don't, nor have I ever hated Elliot; I've just never understood the hype surrounding him. He's just never appealed to me like he does for others, but he's still an interesting character.

Didn't like at first: Asal still isn't high on my list of liked characters, but I like her more than I used to. I had forgotten about the more specific aspects of her character, and when I wrote my Save The World story, I realized she was more complex than I remembered. Mainly how she was hostile towards the Bureau because she thought they were aware of Ripley's involvement with SOMBRA, and after finding out they were unaware, she seemed remorseful for her actions.

Would like to know more about: I feel like there is so much more we could have learned about Arthur. Why did he start the rebellion? Why did he become a writer? How did he manage to escape from the Demon Queen's faithful? How was he captured? So many questions that I want to know the answers to!

Least favourite character: Do I need to say anything about this one? No, seriously, do I? Because I feel like it's pretty obvious why I would hate him, given his LONG list of dirty deeds!

Like the design, dislike the character: While I might not like Morgana, I LOVE her design! Her dress is so pretty, and her hair and make suit her aesthetic! Plus, her accessories are wicked! (See what I did there?😉)

Like the character, dislike the design: Abigail is such a cool and unique character, but I wish her design was better. It just seems so simple and plain... PS could have at least given her some accessories or something instead of just a basic tank top! Someone give this ghost a makeover!

Similar personality: I connect with Evie on a spiritual level. I, too, enjoy hiding away from the real world and doing something I love. Also, I am very shy and quiet, so much so that I am constantly accidentally sneaking up on people!

Fav ship: Maddie and Charlie's love story is so good! It's the perfect friends-to-lovers story, and watching them get together made me so happy!

Least fave ship: Again, do I need to say anything? These two have ZERO chemistry beyond friendship, and their sudden "rekindled" romance made no sense. Gwen and Hope deserved to get together, and I stand by that fact!

Would befriend IRL: Luke reminds me of some of my current and old IRL friends. I think he and I would get along! I've already said that I would like to be his friend, which hasn't changed.

Would never befriend IRL: And because I had to state my dislike of Fabian somehow, this is where I'm doing it! I HATE this guy (but not as much as Horatio) and would NEVER be his friend! I'd rather drive a stake through my heart than be his friend! Whenever he came on the screen while playing S7, I would glare at him...

And that's everything! Can you tell which seasons are my favourite?😉

Again, these are just my personal opinions, so please do not gather the mob! People are allowed to like or dislike whichever characters they choose, so please be respectful of mine.✨

[50calmadeuce]

Ch. 41: Court - Dorian Again Con't

Warning: Mention of miscarriage. Some chapters have sex.

Disclaimer: This is a work of fan fiction using characters from the Top Gun: Maverick world, trademarked by Paramount Pictures Corporation. I do not claim ownership of the characters and the world that I am borrowing.

The story and situation I am creating are a work of my imagination and I do not ascribe them to official story canon. This work is for entertainment only and is not a part of the storyline.

I am not profiting financially from the creation and publication of this story, but I do hope it gives you happy thoughts.

These stories are my own, so please do not take them and use them for yourself without my permission. If you see them somewhere else, please let me know. :)

Dorian's attorney slowly approached the witness stand. "Dr. Stryker. You stated in your last statement that you and Dr. Seresin are married and the child she is currently carrying is yours."

"Yes," Dorian agreed.

Mr. Rowe walked over to his desk and grabbed a piece of paper. "I'd like to submit the marriage certificate of Dr. Stryker and Dr. Seresin."

Your eyes widened in surprise, and Dunby glanced at you. You shrugged and shook your head, equally astonished.

Mr. Rowe handed the marriage certificate to the judge, who examined it carefully before raising an eyebrow. "Mr. Rowe, this document claims that Dr. Seresin is married to Dr. Stryker, but this contradicts the testimony we’ve already heard. Do you have any explanation for this?"

Mr. Dunby stood up, visibly irritated. "Your Honor, this is clearly fraudulent. Dr. Seresin has already testified about her marriage to Lieutenant Jake Seresin. This document cannot be legitimate. I have right here the marriage certificate of Jake and Y/N Seresin."

The judge nodded as the bailiff walked over and grabbed the paper from Mr. Dunby and walked it over to the judge.

Dorian’s attorney remained calm. "Your Honor, we believe that this document will prove to be genuine and that it was obtained under legally binding circumstances."

The judge reviewed both marriage certificates, his expression growing more serious with each passing moment. "Mr. Rowe, I now have two conflicting marriage certificates in front of me. One for Dr. Y/N Seresin and Lieutenant Jake Seresin, and another for Dr. Y/N Seresin and Dr. Dorian Stryker. This is a serious matter, and we will need to resolve this discrepancy immediately."

Mr. Dunby stepped forward. "Your Honor, we request that the so-called marriage certificate between Dr. Stryker and Dr. Seresin be reviewed by a forensic document expert. It’s clear to me that Dr. Stryker is attempting to manipulate this court, and my client has already testified to the truth."

Dorian sat quietly, his eyes fixed on you, while his attorney tried to regain control of the situation. "Your Honor, we are confident that the authenticity of this document will hold up under scrutiny. Dr. Stryker and Dr. Seresin have a complicated history, and we ask that the court consider all the facts before passing judgment."

The judge leaned back in his chair, steepling his fingers. "Very well. I will order an immediate review of these documents. Until we have clarity on this issue, we will adjourn for the day. Court will reconvene tomorrow at 9 AM."

With that, he banged his gavel, and the tension in the room broke as people began to file out. You, still in shock, couldn’t shake the feeling that things were about to get even more complicated.

You walked out of the courthouse with Mr. Dunby, Max and Chuck right behind.

Dunby stopped and looked at you. "Where the hell did he get a marriage certificate with your name on it?"

You shrugged. "I have no clue. I know I signed a lot of stuff during the first time we worked together and when we created the book."

Mr. Dunby rubbed his temples, clearly frustrated. "We’ll need to go over everything you signed back then. He might have slipped something in without you realizing."

Max stepped in. "If he forged your signature or tricked you into signing something, we’ll find out. Dorian's desperate, and he's trying to pull every trick in the book."

Chuck chimed in, his voice steady. "We’ll get to the bottom of this, Doc. No way he can get away with something like this."

You nodded, feeling a mix of frustration and disbelief. "I just don’t understand how he managed to pull this off. I mean, I’ve only ever been married to Jake."

Dunby sighed, his expression growing more determined. "We’ll look into every document tied to that time. If he slipped something into the paperwork, we'll catch it. You’re only married to Jake, and we'll prove that in court." He pat your shoulder. "I'll stop by later and we'll go over some things."

"You might as well just come over for dinner. I know how much you enjoy Chuck's cooking." You took a deep breath, grateful for the support from all of them. "Thanks, all of you. I’m just ready to put this nightmare behind me."

Max added, "And we will. One step at a time."

Dunby looked at you. "Have you spoken to Jake lately?"

You shook your head. "No and I have no clue where he is or what he's doing. Welcome to being married to a fighter pilot."

Dunby reached out and placed his hand on your shoulder. "It's okay. We may not need him, but if you talk to him, give him my information."

You nodded. "I will."

"Now. Go and get some rest. I'll see you later."

As you nodded and walked away from the courthouse, you felt the weight of everything that had happened so far. The day had been overwhelming, but you knew that rest was necessary if you were going to continue fighting tomorrow.

Later that evening, Dunby stopped by and the two of you sat on the couch. He pulled some papers out of his brief case and set them down in front of you.

"Do you recognize these?"

You looked at one that said Wyoming Marriage Certificate. It had your signature along with Dorian's.

You shook your head. "No. I don't."

You looked at the date. "This apparently was done while I was working on the grant then."

"And what about this one?" he asked as he set another marriage certificate in front of her. This one said Texas Marriage certificate.

"Yeah! I had to sign that after the officiant married Jake and I."

Dunby nodded, his brow furrowed in thought as he studied both documents. "The Texas certificate is legitimate, no doubt about that. But this Wyoming one… it looks convincing, but if you don't remember signing it, something's not right."

You stared at the Wyoming certificate, feeling a mix of confusion and anger. "I never married Dorian. I would remember something like that."

Dunby leaned back, tapping his fingers on the arm of the couch. "I believe you. But we’ll need to prove that this Wyoming certificate was forged or obtained under false pretenses. The timing, with you working on the grant, could have been when he slipped this in without your knowledge."

You sighed, rubbing your temples. "It makes sense, I signed so many things back then. I didn’t read every little thing, and I trusted him professionally."

"We’ll dig deeper," Dunby assured you.

Your cellphone rang and you looked to see who it was. It was Jake!

You answered and placed him on speaker phone.

"Hey, babe!" you answered excitedly. "You're on speaker phone and you called at the perfect time. Mr. Dunby wants to talk to you.

"Hey, darlin'. That's fine."

You held the phone out towards Mr. Dunby.

"Hello, Lieutenant Seresin," he said.

"Mr. Dunby. How is the case going?" Jake asked curiously.

"Well, that's what I want to talk about. I know you and Y/N didn't really talk much for four years, but Dr. Stryker brought up a marriage certificate between him and Y/N while she was in Wyoming."

Jake sighed and you could tell he was upset. "Is it legit?"

"It looks like it, but we also have your marriage certificate from Texas."

"Then you should be fine."

"Yes and I hate to ask this, but you didn't file for a divorce while separated, did you?"

"No. I wouldn't do that. I may have been a shitty husband for four years, but I would've talked to Y/N if I wanted that."

Mr. Dunby nodded, clearly relieved. "That’s good to hear, Jake. We just needed to be sure. This whole situation with Dr. Stryker is complicated enough, and the last thing we need is any confusion about your marriage."

Jake's jaw tightened, clearly frustrated. "I can't believe this guy is pulling this kind of stunt. How did he even manage to get her signature?"

"That’s what we’re trying to figure out. Y/N doesn’t remember signing anything like that. It might have been slipped in with other documents when they were working together," Dunby explained.

Jake sighed.

"Lieutenant. Is there any way you could come to the hearing? Even if it's virtual?"

"I can talk to my superior and let you know."

"That would be great. I'll let you talk to Y/N now." Mr. Dunby stood up and went to the kitchen.

You took the phone off of speaker and placed it to your ear. "Ok. It's just me now."

"How are you holding up, Y/N?"

You sighed. "As best as I can."

Jake's voice softened. "I wish I could be there with you. This whole thing sounds like a mess."

You nodded, even though he couldn’t see you. "It is. I never expected Dorian to pull something like this, especially not with a fake marriage certificate. It's exhausting."

"I know," Jake replied, his tone filled with concern. "But you’re strong, and we’ll figure it out. I hate that I can’t be there right now, but you’re not alone in this."

"Thanks," you whispered. "It helps to hear you say that. I just want all of this to be over."

"I meant what I said, Y/N. I may have been a douche of a husband for four years, but if I did want a divorce, I would've talked to you in person."

"I know, Jake," you acknowledged.

"I don't know how I got so lucky to have someone like you in my life."

You smiled. "You're not the only lucky one, Jake," you said softly.

"I love you, Y/N. I'm going to go talk to Maverick and see what I can do to help with this trial," he said.

"I love you, too. Let me know what you find out."

"I will. Talk to you later."

With that, he hung up his phone.

Tags: @buckysteveloki-me @bellyliveslife @tgmreader @callsign-barbelle @86laura11 @dizzybee03 @kmc1989 @guacam011y @nerdgirljen @hookslove1592 @dempy @djs8891 @smoothdogsgirl @devil-angel-winchester

[urpaperboy]

Desolation

A YV Fan Au created by me !! Mateo/urpaperboy !! :)

Hi !! So I made these doodles on the whiteboard that @itsargyle made and got going on here rn and well people were interested in me talking about it so here I am !!

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Welcome to Desolation, A Steampunk styled YV Fan AU !!

The Term Desolation means - a state of complete emptiness or destruction or anguished misery or loneliness.

This was fan product I created back in 2021 and have and continued growing along side a couple of my friends in the YV community, and while although I haven’t written anything about it, I know how both the story begins and ends. So let’s talk about that !!

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The Plot

Everyone has their beginnings, middles, and ends. Everyone's beginnings either start bright or tragic. In this story, we follow the life of Seth, one whose beginnings started both bright and tragic and ended bright and tragic too. Seth is the so called “proud inventor” of the town, ones who inventions are beloved by many people around him, including Alphonse, which Seth has grown to love and care for and hopes to have a future with. But when tragedy strikes amongst the two, it sends Seth down a path of Desolation. But to keep his beloveds memory alive, he invents what can only be his greatest creation and the possible escape from his grief. But with that, comes a price, that the two of them must face and pay with in Blood and Tears, and possibly Oil too.

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The Characters

Seth

- Seth in this AU of mine is the main protagonist of the story. He’s an inventor !! Again, the “proud inventor” of the town he lives in. He has made many things for everyone and even owns a small shop in the town where people can view what he is creating just by looking through a window. Although most see him as a bit of a weird person for focusing their life to the inventions, the entire town loves him !! He has made himself quite a popular one in the town. But of course, he faces his own struggles and grievances, especially now that he knows the man he fell in love with, is now gone. But with the creation of his biggest invention ever, he hopes that maybe his broken heart can be healed and made anew, but unfortunately not everyone gets that.

Alphonse/A.I.phonse

- Alphonse is technically a protagonist too but not in the way you expect. For the first few parts of the story he runs a small business of selling sugars and sweets, which is actually running very well. And (and this is completely obvious) he has a rather close relationship with Seth (hehe crush moment), but unfortunately, his story comes to an end. But when tragedy strikes, something new blooms.

Meet A.I.phonse, A Robot created in Seth’s image in the hopes to keep a small resemblance of Alphonse alive, sounds a bit psycho but I promise it’s not. Throughout the story, he is there to help Seth Process his Grief, and help him attempt to continue with His Life. He learns like a newborn child in the world, he learns about life and other things. But as he grows, the realization of existence begins to become his biggest question.

Finn/Jack

Finn and Jack are one of the closest friends Seth. They are the one who help him out whenever Alphonse can’t. Finn has his flower shop which Jack works in too. When Alphonse dies, The Two boys make it their goal to at least keep Seth happy, although it is rather difficult considering Alphonse literally dies in Seth’s Arms so it was a rather traumatic experience and definitely difficult to try and keep someone happy after that. But although the challenge is difficult, they keep trying, because who wants to see their friend sad?

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These are the other characters that are in the story but can’t really write much about at the moment

- Charlie

- Derek (he’s obviously a the antagonist)

- Jessie

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That’s currently what I can share so far !! I’ll post a character line up of all the characters when I fix them up and actually do it soooo yeah !!

If you have any questions for me about this AU, my inbox is open, I’d be happy to answer these questions !!

- Mateo ⭐️

[saltydkdan]

Thoughts on Strohiem? (From Jojo)

It’s… rough. I have OPINIONS ABOUT HIM.

For those unaware, or have forgotten. This particular ask is about the character of Rudol von Stroheim from Jojo’s Bizarre Adventure. A Nazi Major that is introduced in Part 2 of the series. I have always wanted a proper moment to spotlight how much I dislike this character. And not just how I dislike him as a character, but how I dislike his general inclusion in the story as well.

Listen, I LOVE this series. But even I have my limits. It’s because I love it so much that I critique aspects like this in the first place.

Warning, I’m about to word vomit about this because I’ve been DYING to talk about this somewhere.

BIG DISCLAIMER: These are my thoughts and mine alone. I know there’s a lot of… interesting anime fans out there that might disagree. I’m not here to debate on stuff like this, I don’t want to hear your contradictory thoughts on the subject. If I see a single person say I’m “virtue signaling” by saying I don’t like the Jojo Nazi character, I am going to mail you a pipe bomb (in the hit game Minecraft for Windows PCs)

Stroheim’s existence (or at least, how he currently exists in the story) is not handled all that well in my opinion. Like… not at all. I like to poke fun at it, but I genuinely think Araki fumbled the bag so hard with Stroheim and it's more and more unbelievable the more I think about it over time.

No matter how you shake it, Araki fully wrote a historically accurate Nazi character into Battle Tendency and proceeded to give him a redemption arc and make him a member of the supporting cast. Now of course, I know that Japan has a fascination with a lot of German stuff, so within that context I can kind of get why he exists in the way that he does, but it just feels weird and in bad taste.

Contextually, it makes sense. Do I like it? No. No I do not.

To address the elephant in the room, I get it. Araki really loves to write evil villain characters, and then having them be redeemed, or switch over to the hero's side after a certain point. I actually really enjoy this trope especially in Jojo! It’s one of my favorites. Especially how it’s handled in Part 4: Diamond is Unbreakable.

However, writing a redemption storyline for characters like Okuyasu and Rohan is fundamentally different from writing one for Stroheim.

First and most obviously, unlike other characters, Stroheim’s whole character is based on an actual real life totalitarian extremist hate group who committed horrible atrocities across history (and still does to this day).

As if that wasn’t enough, he quite LITERALLY commits horrible atrocities ON SCREEN. Sacrificing an entire room of innocent people to Santana (the first of the Pillar Men) so that the German’s can awaken and study him in their secret lab.

Everything about Stroheim feels like it’s very intentional at the start. He is clearly set as a villain from the beginning, and it works fine. However once he self-immolates and blows himself up to destroy Santana, the story seems to continuously frame him more and more as an ally/hero from that point onward.

After he returns with his cyborg body, the fact that he’s a Nazi suddenly takes a back seat and now he’s continuously just framed as a “patriotic” soldier. Legit, the moment after he shows back up, Joseph internally comments on how he’s “not exactly a bad guy”.

Some people will argue on how it’s a bit more complicated than that, since Joseph also thinks about how he dislikes that he’s a German Soldier. But directly after this, he also states how he’s still happy Stroheim isn’t dead. If anything, from this point onward Joseph acts towards Storheim in a similar way to how he acts towards Caeser. Even if they aren’t best friends, Joseph still has positive feelings towards Stroheim, and I hateeeee that.

In the anime, they even make sure to call him a “German Soldier” and not a Nazi. The avoidance of that word really struck me as them trying to avoid that subject because they knew the way the character was treated was strange.

So anyway, as I was trying to say. Redeeming villain characters is one thing, but redeeming a villain character that is straight up a literal Nazi is something else entirely. Especially when like, not to nitpick, but Stroheim never walks back the more extremist beliefs that he for sure subscribes to.

-And if you’re one of those weirdos who tries to make a point by saying “well, he never outright says what he actually believes in! Maybe he is just fighting for Germany for his own reasons.”

My dude, he’s literally described as a “Patrotic Nazi”. What the fuck do yoU THINK HE BELIEVES IN?

Also as a final addition to this rant, I also don’t quite like how weirdly normalized that Araki makes the existence of “german soldiers” in his story even outside of Stroheim. Nazi’s are weirdly commonplace throughout the plot, and while it contextually makes sense since they kicked off the main conflict, they are almost always weirdly painted as neutral or even straight up good guys (after the Santana fight). Which is just really strange to me.

Like bruh, you mean to tell me that Caeser fucking Zeppeli is casually frieNDS WITH ONE OF THEM? BE FUCKIN FR ARAKI LOL

It also sucks how Stroheim is so increasingly present leading up to the final act. Like MAN, GET THIS MOTHERFUCKER OFF THE SCREEN.

The only good thing about the inclusion of Nazi’s after Stroheim’s initial sacrifice, is that we get to see the Pillar Man murk a shit ton of them on screen. Like, fuck yeah dude. A great way to power scale and show how powerful the Pillar Men are as antagonists, without me feeling bad that they killed a bunch of people to do so.

Anyway, that’s my 2 cents that nobody asked for. I still LOVE Jojo, I think it’s a masterpiece of its genre, but it’s because of my intense love for it that I criticize it’s missteps so heavily. I hope that my wording on this post is done well, I had to re-draft it a second time after accidentally deleting it once, so I have a feeling it’ll come off a bit scrambled.

That being said, thanks for the Ask!

[pluralthey]

is there a good place to start if we want to learn about idletry? im very interested in the story and all the bits and pieces revealed so far but i dont know if youve like, stated the basics both about the characters-in-story and how you’re releasing the comic

hi there. unfortunately, idletry became a passion project very abruptly and many details were added very quickly without regard for how long the project would take. once i did realize how large the project was, i decided that i would not even kid myself on the idea of holding in spoilers for the next 5 years, and those two factors combined make the information available very chaotic and slapdash -- somewhat intentionally.

i don't even have the comics tagged separately for easier access among the idletry content -- although, i could go back and give them a separate tag.

i can summarize the story and say that it's about a funny little talking honey badger/tasmanian devil named jessie gaylord who has for the last 10 years of her life been on heavy psychiatric medication in an attempt to mitigate a pervasive delusion that the world is a fictional story. she also has a notorious aggressive streak. these medications work primarily by leaving her so tired that she sleeps most of the time.

the story begins when her medical team has run out of typical medications to try, and they must order an older, more aggressive type of drug which is not commonly used anymore, and has a lengthier process to manufacturing and approving the drug. during this time, she is not on any medication, and she becomes more urgently fixated on convincing people that the delusion is true.

she ends up attempting to contact the writer, who is referred to as God, and she receives a response. she immediately attempts to write the story herself, and she's granted the ability to do anything within the story so long as she can write it out. (the intricacies and limitations of this power have been elaborated upon in a bunch of fragmentary posts, so i won't try to condense it here)

at the end of the first act, she kills the first writer and becomes the new God of her world. the rest of the story is about what she does after acquiring omnipotence, and it heavily features a character named fate -- or shiloh, as jessie calls her -- with whom she enters an intimate relationship.

she has a happy loving family composed of a father named adam, a mother named evelyn, and an older sister named emily. there is a later minor subplot about a cult following who worships her after she becomes God, and this cult is initially organized by an ant called samanthuel -- or samwich, as jessie calls them. these are usually the other characters i mention and i am too lazy to link them right now

the comic itself is currently being written. the script stands at around 51,000 words at the time of writing this as i work on the second act. after it's written, i will let it simmer for a few months and then write a second draft to start to relieve the story of its bloat. depending on its length at that point, i will either need to write a third draft, or i will start drawing the comic.

chances are, during the second draft, i will start to thumbnail or sketch scenes which receive little to no editing, as i know they will likely remain relatively unchanged even through multiple drafts.

the sketch strips are to tide me and an eager audience over in the meantime, but they've sort of dried up as i focus all of my attention on finishing the first draft and taking care of a puppy that was kind of just forced onto me.

i've made a couple of full-length comics before and they have taken years. it is, unfortunately, just the nature of the process. for idletry, i plan to self-publish the comic. i've never published something in print before, so that is the most daunting part for me.

the plan at the moment is to crowdfund this, but, to be frank with you, i no longer pay rent, and i care very much about having this comic as a printed book. i have no issue with paying the cost of printing out of my own pocket by the time it's done and am even anticipating that outcome ahead of time, despite having a pretty reliable audience by now.

i'm on the fence about releasing a digital book version, as i very much want to retain digital color versions of the pages that are more vibrant, but due to the explicit adult content of the story, i don't want it to be free-access.

tl;dr: it's about a lesbian incel with anger issues who's given omnipotence.

i'm still working on the story because i want it to be good.

i'm planning on printing it as a physical comic book once it's done.

[swallowerofdharma]

if you feel like sharing them, what are your thoughts on the current state of things between doumeki and yashiro?

Hi, I don’t mind sharing at all, only… I have felt a little disconnected from some comments on Yashiro when the last chapter was released and I wasn’t in the mood to write about it that much after that. From my own point of view, considering the actual amount of time Yashiro and Doumeki spent together after four years apart, things have been moving almost too quickly in between the various encounters that at first they needed to justify as “work related” and now with this new arrangement. They are keeping themselves hidden, they don’t want to show vulnerabilities to each other and they are creating a climate of half truths and deception and caution that is unnerving to say the least. And they are suffering because of that. The control also has shifted quite considerably lately and Doumeki has more power than he realizes and his actions consequences he isn’t able to foresee. But if I am being honest, I might be frustrated by the situation, but at the same time I understand it by a storytelling standpoint and from the characters’ perspectives: who they are, in what sets of circumstances they find themselves in. I appreciate the realism and coherence of their behavior. It would frustrate me much much more if they were to sit down and discuss their feelings, or if the author was spoon feeding the readers with some sappy solutions, kiss and go to the pride parade. I would taste the added sugar or edulcorates in my drink and spit it out immediately. I don’t really read this story to see a “happy ending” (both types), I read because it describes what trauma does to people in a manner that makes sense to me and doesn’t hide how hard it is to trust and connect meaningfully with people even when there is attraction or affection or loyalty. Personally, I am willing to read between the lines, and I see how they are repeating their words to each others back and forth to probe and see which one will take a step forward and admit that what they are doing isn’t exactly what they really want things to be. The story doesn’t work if the readers take the characters and whatever they say at face value, without looking deeper, behind the surface.

They aren’t honest because they’re afraid and if anything else I would expect fear. From Yashiro is the deepest emotion he has been carrying within himself and it’s so deeply tied to the feelings of love and loss, that is painful to see. For Doumeki is the fear of being rejected and discarded and left adrift again. I think that building instead an external situation making them confront the lies they have been feeding each other is good writing. I am not in a rush, because most of all I want the story to be believable and I don’t necessarily need comfort or fast closure or anything like that. I want these characters to be flawed because they went through hurtful things and live in a bad environment and they aren’t supposed to act like any idealistic version of themselves in my opinion. This is the story I like to read, and I think the pacing has been very good.

I have always felt a personal connection to Yashiro and I am treating him and his flavor of pain like I would have liked to be treated myself, with compassion, and this is why this story has been cathartic for me. I am willing to see what will happen but I don’t wish for things being forced upon Yashiro beyond what it is the necessary critical point that brings the willingness to change direction or unmask oneself on one’s own terms. The situation is extremely delicate right now. I didn’t expect that much attention to Yashiro’s own homophobia either, going into this story, but maybe I should have, Saezuru is always raising the bar. I think it’s amazing, to be honest, that this story is showing some specific aspects of Yashiro’s childhood trauma, as a person who never found an answer for myself: how much what happened to you as a child, without you having any choice, really changed the course of your life, derailed it to such an extent that you can’t even be sure about who you are, who you were and what the other version of yourself, the one nothing too bad happened to could have become, now a ghost haunting you. Are we maybe likely to built up a version of normality and innocence that adheres to common social norms and expectations, including heteronormativity, and if so is this why we feel like we are never going to measure up? Falling in love hurts when you don’t know how to trust yourself or the other person, when nothing feels like it has any foundation or security. So I empathized with Yashiro and I felt that last page with the rain, especially since Doumeki seems like another person (I don’t think we should buy into either of these characters’ deceptions tho). It feels like these two are standing in each other’s blind spot so successfully at the moment.

[ladykettlechips]

Update Time~

Good evening from the land of kettle chips, crumpets and scones! This update comes to you guys as a way of apologising for my absence in writing lately. Life is a little more hectic right now and, while I have a right to choose to keep you guys out of the loop and update my fics as and when I please, I have stated before that I like transparency. Though I don't reveal everything, I do want you guys to be somewhat aware of why I'm not updating and where I'm at currently in life. First and foremost, I have healed considerably from the work trauma I experienced. Though I am not fully healed from it, I am doing a lot better mentally these days. It has helped me a lot to stay away from work for a little bit and while I definitely worried about money every now and again, I can confidently say that leaving that place was the best thing for me. Secondly, I have a new job. I have been training for said job recently while also working part-time at another job. Do I think this will be a permanent fixture in my life? Not at all, but for the moment it is ideal in regard to earning money to keep me going in life (and fuelling my addiction to perfume, sweets and travel).

Thirdly: Travel. I have some trips coming up, all planned prior to me leaving the Trauma Job. In the past few weeks I have been focusing on sorting those out, hence why you aren't seeing anything from me writing wise lately. It's been a big focus of mine, especially as one of the two trips I'm taking is very soon.

Fourth: I finished editing a book for someone! I won't be displaying the title or author here because of privacy reasons, but this is something I could have only ever dreamed of, but helping others see their stories grow under my editing is something I have desired to do since leaving University. I truly love editing so much. Thankfully, the person I edited for wants me to help with their future books, as well as help to re-edit their previous books (the beauty of self-publishing!). It was hard work, and life kept me from editing for a while, but I'm so happy to see that the author was happy with me as an editor and that they want to work with me again. Hopefully this spurs me on to look into freelancing down the line.

So yes, this is mostly why I've been quiet in writing. I'm doing bits and pieces here and there, but nothing that will finish a chapter or oneshot. I am sorry for not updating anything on AO3 to a point where some of you might think I've left the fandom, but I haven't. I'm just focusing on things that are happening in my own world right now and prioritising myself for a bit.

Finally, before I sign this off, I sincerely hope that you are all happy and well and taking care of yourselves. Though I am less present, I am aware that there's been some frustrations going on within the fandom right now, but please remember to be courteous of one another and to remember that this is simply a fandom, not real life. Please don't get too upset by rumours, and please don't allow it to affect how you function in real life. It's all well and good to love something so much, but when fandom leaks into real life and affects those who aren't within the fandom or the actors portraying our favourite characters, it becomes unhealthy.

Thank you for reading, precious bean hive. I love you all. LKC

[lary-the-lizard]

As I have nowhere else to freak out, I come to Tumblr with my feelings about Anne Rice’s Interview With a Vampire both seasons.

First of all, from a writer’s perspective, the show is just *gestures vigorously in various directions* so good! In every *EVERY* way! The characters, the dialogue, the pacing, the perspective switches, the word choices. You can tell that every piece of this show was put together with *intention.* The way that season 1 and 2 are connected shouts that the writers have planned this story, and just in such a way that follows the books. It is obvious that the show has taken liberties to tell the same story but emphasizing certain themes. And they *know* that these choices change the story in very meaningful ways and apply it to not only how it affects the story but how they tell the story. And it’s so fucking delightful! In season 2, toward the ending, there is foreshadowing for a 3rd season and I’m so excited to see how they interact with the story after the first arch of Anne Rice’s book.

The casting for the show is brilliant. The actors seem to truly care about the story, not just having a job. The way that they are enthusiastic about vampires in general but their characters, the way they have their own personal attachments to their characters’ perspectives in the story, the way they get along with each other. It’s so fun to watch. And they do such(!) a fantastic job too! Like, guys, it’s fucking art! Something that I love about the show so much is how it recognizes well that it is a TV show and takes every advantage of that, with the formatting and pacing but also the acting. Every scene has multiple purposes and so every character scene has multiple emotions and plot reasons for showing these different reactions. The show knows itself well enough that it doesn’t have to worry about sticking to genre conventions so there are happy moments and deeply tragic and intense moments but no one scene is just sad or violent or funny. The actors know their characters and the story to the extent that they aren’t just following the directions and putting their own spin on the character but telling us the story of their character inside the larger story.

You know how in the 3rd season of Bridgerton Collin’s character changed so dramatically from how he was in the past 2 seasons. This is because the writer’s didn’t have a larger plan for him, they didn’t know how they wanted to tell his story, they didn’t even know *him* well enough to give him graceful transition from side to main character.

The writers for IWAV don’t only know each character’s story, don’t only know each character separate from another, they know how the characters see each other well enough to be able to *emphasize* the differences from one character sees them to how another does. And the actors are so fucking good at their characters and care about the story enough that the way they move is part of the storytelling.

The cinematography has meaning, the costumes have meaning, the lighting. Also the costumes. They tell a story because 1) this story is set in both modern and past historical times, 2) each character has their own style, and 3) the way they dress is symbolic of the character’s arch/mental state.

There’s more but 5AM and I am currently out of thoughts

[darilarostarg]

HOTD Season 2 Review

Now that we have the season in its entirety, I just wanted to put my thoughts down on paper - likes and dislikes. End of season yapping basically.

Things I Liked/Enjoyed   

The acting this season was outstanding from all fronts, especially from our actors that were given some of the best material to work with - Emma and Rhys are my standouts for this season (Mentions also go to Matt, Tom and Jefferson).  

I loved all our newcomers this season - Freddy, Gayle, Simon - They all did an incredible job and their characters had some of the best characterisation this season imo.

Production/filmography/lighting/costuming etc have all been either massively improved or have exceeded season one.  

Both dragon action sequences (Rook’s Rest & The Sowing) were remarkable. They did a fabulous job in terms of visuals and the practical side - it makes me look forward to the battle and action scenes going forward. 

I am very happy that the show runners ultimately did not hide away with dream sequences and gave us a haunted Harrenhal.  

I loved Rhaenyra’s cult leader/messiah complex in episode seven and I hope they reintroduce that in season three and beyond - I think as it’s seemly confirmed that  Nettles has been removed, this will serve as a great way to push Rhaenyra’s state of mind/paranoia when they dragon seeds betray her.

Matt Smith 

Things I Disliked/Unsure Off  

This is probably partly due to budgeting, but I honestly do think the writing team is having a really tough time coming up with meaningful arcs that push the story forward, given how much time/’nothing’ happens in between events in the books. A lot of this season was in limbo, and it did feel stagnant. A lot of events had no effect on the overall story, or did briefly, and then quickly forgotten.

As much as I hate to say it, I do believe it has fallen into the ‘evil men start wars, and women just want peace and are too gentle/delicate for it’, and by default it has made Rhaenrya and Alicent seem like incompetent rulers, that do not understand that their past actions have had there part in causing this to happen, or are completely naive to the realities of their current positions.

The Greens being in conflict with each other makes sense, but the conflict within the black camp did not. Showing Rhaenyra to so secretive and hostile towards her own faction (especially Jace), and so gracious toward the greens, the people that have genuinely harmed her, was a really bizarre choice. I really do hope not receiving Aegon when she arrives to KL will be the final blow.

I did not like that Daemon’s core journey this season was him deciding that he did not want to be king. It was a rehash of part of his season one arc that should have concluded with him crowning Rhaenyra. I don’t think there was an issue with him doubting Rhaenyra as a ruler I was at points honestly, but him wanting to be king was never on his cards. The visions could have been a shorter arc and the rivermen arc could have been bulked out more i'm not too up his ass I’ll admit when its not working. I could change my mind on this in season three, depending if they do show the growth Daemon has gone through via his relationship with his girls, Rhaneyra etc

Alicent was a struggle this season. I think she could have been so much fun, so it’s disappointing that they have watered her down so intensely. Perhaps they thought ‘a woman will do anything for her children, to keep them alive, no matter the cost’ was too similar to Cersei? But I wish they had gone that direction, and gave Alicent the guilt Cersei never had, that that ultimately is what drives her ‘mad’. I just think it is such a jarring contrast on the amazing characterisation they did with her in S1 episode six through eight. Going from forcing your son onto the throne in fear for his life, to giving his head on a silver platter to the person you usurped… is certainly a choice. By going and ending Alicent's 'arc' this season they way that they have, they have made her as a character, dare I say pointless? Where does Alicent go from here, if you really think about it? The war has barely started, all her children are alive and she has already given up? You cannot retcon the damage S2 has done to her, they have given her nothing to work with going forward. Absolutely nothing. And the rest of the story has and will suffer for it.

Just ultimately frustrated we will seemingly not get ‘bastard blood shed at war’ conversation - the impact a Rhaenyra and Alicent reunion would have had had they waited until season three, with two of Rhaenyra’s sons dead, would have been incredible and actually felt earned, and I’m sad we will not get it. 

The fact that show runners, writers, directors and even some of the cast contradict themselves from interview to interview, really makes it seem none of them have agreed on characterisation or arc, and I feel I can see that within some of the writing and decisions. I feel like I could ask one of them, ‘Is Daemon in love with Alicent?’ and they would respond with some yes/no ‘don’t rule anything out’ answer.

They need to stop cutting pivotal moments to leave up to interpretation. This audience has proven time and time again, it cannot interpret the most basic scenes logically, never mind moments that are actually up for interpretation. It didn't work in season one, it didn't work in season two. It just comes across as the writers room could not agree.

I think I speak for us all when I say cutting Black Aly, Sabitha, the Lads, Nettles etc. is heartbreaking.

At this point I’ve decided ; HOTD as an adaptation of the book is awful - it’s a bad adaptation, “unreliable narrator” or not. But as a stand alone show, it’s fine. Not outstanding, not terrible. Season one had is small issues, season two had some bigger ones, but I am hopeful that they will stick the landing. Season three will be the real test.