#i am so fucking serious about this character

[hhbluedynamite]

...Oh, dear God...

Do I have some words to say to those people villainizing these characters...

First and foremost, I haven't seen much of Beastars (I think I've only seen the first four episodes), am barely involved in the Sonic franchise, never seen Homestuck, and don't watch...whatever show that lady is in (Doctor Who?), so I can't really say anything for the characters from those shows.

But as for the others...

Mabel: A...CHILD!!! Children are inherently selfish! It makes sense for her to act the way she does (and Dipper's the same way! He's selfish too!). She was also MANIPULATED BY A LITERAL DEMON to give him a very dangerous portal that she had no knowledge of its importance because such knowledge was withheld from her! But what about Dippy Fresh? She's basically replacing Dipper! Mabel didn't make Dippy Fresh! It was Mabelland! And she was also under its influence too! Mabel Pines was a literal child! You are villainizing a kid for being a kid who was scared of change and growing up (something I relate to, honestly)

Rose Quartz/PD: Oh boy...where to start. Before abandoning her old life, Rose was emotionally abused by the very Gems that were basically her sisters/mother! She was belittled, neglected, felt like she had no place there despite wanting to be a part of what was basically the family business. Did Rose make questionable decisions? Oh, yeah. Big time. But, does that make her a bad person? Hell, no. She's just flawed. Which is a very...human thing.

Beatrice: ...Really? People are villainizing her? Have they not played her route? She's frustrated that she's stuck in a small dying town, she lost her mom to cancer like two years before the main story, is basically getting sexually harassed by someone she can't fire, and her dad is kinda neglectful about her needs. I would be bitchy too!

Gangle: ...Are you fucking serious? We're villainizing someone whose dreams were freakin' crushed for being "unrealistic" and spent an entire episode going through mania? The woman whose Digital design is a representation of masking your actual emotions, including depression? And she was told that she was annoying and was better sad?! Who was so, damn close to Abstracting (which can be seen as a euphemism to suicide)??!!!

Did these characters do questionable acts or say things they shouldn't have said? Yes. Does it excuse their behavior? Not really. Does that make them villains? Hell, no. These are flawed characters, like everyone else!

...Sorry for the rant, to the readers and to the person who made this post. I've just seen this a lot with Mabel and Rose Quartz and it pisses me off...and I didn't know that it happened to Bea and now Gangle?!?!?

I have opinions about the recent gangle hate

[directdogman]

Dialtown is the most USA-core game I've ever played. It's so fucking American that it's scary, and I've lived there my entire life! Like, this feels fundamentally tied with the game's themes and narrative, that's how extreme it is. And it's not even alienating OR nationalist?? It makes such genuine commentary? And then there's so much other shit to think about too; Dialtown has a very real identity outside this that anyone could love?

One: I am VERY impressed that you have done the USA and its people this well. I am actually astounded, bewildered, and chuffed. I've never felt so seen by a video game, culturally-speaking. I didn't even know there was a culture to see.

Two: WHY did you do that. Dialtown is like USA Culture Absurdified: The Visual Novel. What drove you to make a game this rich with American culture and ideas???

Hello!

It would've been odd for an outsider (non American) who enjoys reading up on history to make my setting nationalist or alienating. America is a country with a lot of serious issues. You can't really study how America is (and has been) internally run without facing glaring and obvious systematic issues. DT's setting is one of scarcity and most of the main characters you follow in DT are kinda just scraping by without much hope for true mobility/advancement. A lot of Americans (especially younger generations) would agree this sorta encapsulates the national mood of the country right now.

Of course, the systems that run a country don't define its citizens - many of the finest people I've ever known are American and are victims of the whims of those with power, not willing participants in this system. I could be wrong, but that's why I think the setting connected with a lot of people. We all know Randys, Olivers + Karens, people who've fallen through the cracks in some way. To them, America's spirit of self-determination isn't about individual identity - it's more "you're on your own."

Why I chose to set DT in America would be a novel length answer in of itself, but it mainly came down to history + narrative opportunity. I wanted to set the game in the epicenter of where the phone-revolution came from and Crown likely couldn't have pulled his plan off anywhere else and probably not during any other time. It had to be 1960's America.

Of course, some parts of DT are sorta universal and were inspired by the the Great Recession and what followed. I remember there was an area not that far from my house that was full of green fields when I was born and when I was a kid (and when real estate boomed), stuff started being built there. Parts of it looked really nice, not quite like anything nearby. Like the future was coming. Then the economy crashed and stuff was left sitting there, half-built for like a decade. Skeletal, unfinished buildings. DT is much the same.

There's a feeling that the city could've been something better and while things could be more equal, it does feel like there are no easy solutions to fix everything - unless someone very smart and determined somehow bypassed every safeguard that was set up to halt radical change and enacted a genius plan to somehow eliminate scarcity. It happened once and might never again.

I don't think most people understand the intricacies of stuff like global commerce all that well (myself included), but when you're sitting looking at a half built neighbourhood mere hours after speaking to a friend who just kicked out of rented accommodation and doesn't have a stable family unit to fall back on, you'd have to be a real dolt not to understand that things aren't great right now. Most people are scraping by and feel if they could just get affordable housing locked down, if they had maybe one good opportunity - maybe there's hope that things could change for the better.

The end of DT isn't really utopian, things don't massively change for the better and indeed, the town has a lot of rebuilding to do. But, a collection of lonely people are now looking out for each other and through the relationships they have, now feel like they have a place in this world. That no matter how bad things really get - they aren't truly by themselves anymore. Most individuals don't have the means to significantly advance change on their own - but you can live your life, love those around you and support others and plan for when the opportunity to affect change comes about.

I guess that's what life is, in America or anywhere else. Sorry I rambled for so long. Hope this answered the question!

[kalinara]

So as someone who immensely enjoys disliking Charles Xavier, I have to admit, I was utterly delighted when the X-Men Unlimited Infinity Comic (in Krakoa age, one of the rare times it did not involve Nature Girl murdering people) decided to do what is, essentially, an "It's a Wonderful Life" plot for the guy.

So if even if you've never seen the original movie that the plot comes from, you've undoubtedly seen a parody or homage, (at least if you're American). Sitcoms particularly like to use the idea, but occasionally even serious shows will do it too. A character goes through some shit, is dreadfully unhappy, and is shown what life would be like without him.

Now the thing about X-Men, is that we did see what the world would be like without Charles Xavier in the Age of Apocalypse storyline. And admittedly, it's pretty bad. Scott has long hair. Enough said.

And of course, the gist of this story is that Xavier ends up in the Age of Apocalypse world (or maybe just dreaming about it), and introduces them to the Krakoa concept and gets a big ego boost.

It is what it is. The part that amuses me is what drives Xavier to the point of needing this ego boost. And it is an AMAZING level of petty.

Since there are a lot of scans, I'm going to put them behind a cut. Enjoy! (These are all from X-Men Unlimited Infinity Comic #62, by the way.)

So we start off with Xavier's daily schedule:

It's a pretty busy itinerary, admittedly. So now, let's see how Xavier's day actually goes.

We actually start off with Xavier waking up, disgruntled, at 6:00 AM. I'm not actually going to show this, because I am not a morning person either and can't make fun of him for it.

Also, he's shirtless, and not being named Max or Erik, I am not into that. Sorry.

But, let's look at the rest.

6:30's resurrection of Rusty Collins

Xavier was apparently a bit slow, and Hope decided to resurrect the dude without him. That happens. You can hardly blame a teenager for leaping at the chance at grown-up responsibility.

Also, she's a Summers. So it's pretty much inevitable.

--

So then we get the 7:45 meet and greet.

A small child adores Kitty. Kitty is a little meta here, but not wrong. After all, part of what the Marauders do, at this point, is rescue people.

Now, Xavier looks kind of neutral here, but given that this is part of the litany of disappointment, contextually, one must interpret this to mean he is disappointed.

But here's the thing, Chuck. You're not an "X-Man". You're the dude who sends them out from the shadows. You didn't even publicly admit to being a mutant for decades. And while, yes, you did have some physical issues that made being a field operative impossible, it's not like you're going out on rescue missions NOW.

Sorry, I shouldn't rant. There's more to mock.

--

So how does the 9:15 teaching session go? We don't actually know. Presumably it's not notable. Despite the fact that teaching is the one thing Xavier can claim he actually does.

Instead, we skip ahead to the 11:05 parole hearing:

I mean, you can't actually be surprised by this. I'm not even sure that Sabretooth is still IN there. But he's busy torturing people, if he is. So no, he's not getting out.

You could let the kids out though. Poor Idie.

--

This bit makes me laugh:

Got stood up by the guy whose mind you forcibly wiped. You can't be shocked by this, Chuck. That was a fucking dick move and you know it.

(Especially since you decide that Franklin isn't a mutant after all.)

--

How about the X-Corp Review?

Huh, who'd have thought that multi-millionaire business people would have the business shit handled?

I mean, to be fair to Charles, he does seem to never lack money, so he likely has business sense himself. But meh. I can't blame Warren and Monet for wanting to go off and canoodle or whatever.

--

I admit to some sympathy here, just a bit:

I've mentioned that I'm not a really a fan of the Arakko focus on Omega mutants, and how that kind of spoils my enjoyment of Storm basically being amazing up there. (I feel like it'd be more satisfying to have a non-Omega show them that sheer power isn't the only measure of awesome. I did like watching her use teamwork to kick Vulcan's ass though.)

That said, why did you not realize this would be a thing, Xavier? Arakkans make no secret of how their society works.

--

Now, sadly, we skip the legal conference about the X-Babies. Presumably it goes well and no one mocks Xavier, but I'm kind of fascinated by the idea.

But then we get the official Treehouse lighting ceremony:

...are you really feeling left out because your two former child soldiers are getting honored as "mutantkind's greatest heroes".

Fucking REALLY?

Are you living among humans and saving them from various threats? Heck, are you sticking around to help hand out meals, as the mayor mentions? Because you're not down there, and your itinerary says you'll be having a meeting about Orchis with Beast in like an hour.

It presumably goes well, because we skip ahead to sparring with Logan.

This goes pretty straightforward. They have a heart to heart, which I appreciate, because I'm still utterly boggled by that bit in X Lives of Wolverine where he claims that, despite their respective ages, Logan sees Chuck as a father figure.

By the way, Logan doesn't act like a "son" in this scene at all. He does give some legitimately good advice though and asks the question that's the point of all this:

And for FUCK'S SAKE, Xavier. The fact that this is apparently an armor piercing question, after a day where the WORST thing that happened to you was having a few appointments go on without you, getting stood up by a dude who's got every reason to dislike you, and seeing Kitty, Scott and Jean get SOME MEASURE of weak recognition.

THAT's what leads to the "It's a Wonderful Life" moment?

I mean, presumably, the interview with Trish Trilby which happens before the sparring match goes well. Meaning you're going to be on the fucking news as the face of Krakoa again. But that hardly matters because the Mayor of New York considers your SURROGATE CHILDREN to be the greatest heroes.

You couldn't even be HAPPY for them?!

(I also can't help but note that upon meeting AoA Cyclops, who assumes Xavier is an escaped clone and tries to kill him, we see no sign of the ACTUAL character's complexity or depth. He's just a random villain here. Because in the end, it's all about Xavier's ego.

He does refer to Scott as "the most pragmatic man I've ever known", which is a really interesting description that I'm not sure I agree with. But that's an analysis for another day.)

Anyway, as mentioned, the rest of the story is basically just fueling Xavier's ego. I mean, Age of Apocalypse IS a hellhole. (Though a friend of mine suggested once that possibly the only thing Age of Apocalypse proved that Xavier was necessary for is preventing Mr. Sinister from regaining control of Cyclops. I think I'd have to reread the story to see if I agree, but since I hate Xavier, I DO like that thought.) And he does bring them Krakoa and joy.

But I'm just going to bask in the fact that Xavier's deepest pain on Krakoa is that someone occasionally recognizes other people instead of him. I bet he hated Scott's Rolling Stone cover too. :-D

[redstrewn]

He pretends his flaws dont exist like he likes for you to pretend your curse doesnt exist

[dr-chosenberg]

Finally getting around to watching! I wasn't able to join this time around but we wanted you guys to get my opinions as well! I got a little burnt out so it’s not like a play by play on every episode but it’s some highlights of my thoughts.

Gds Favorite: 

Best Christmas truly brought us one of the most impactful frames in television history, I genuinely can't think of another show that so smoothly presents it's thesis with a silent still of a character. I think it should be studied by anyone looking to make a TV show. 

Blessed: 

I wholeheartedly agree with you on Gds Chef, it's an episode that kind of separates people who can really understand Moral Orel from people who don't. BWHHAHA I loved Sena spraying you guys with the Clanielle water bottle, it’s ok you guys do the same thing to me with Holy Visage, it takes a village XD 

Lords Prayer is such a fun episode, on the surface “moralton hates people who are different from them” seems like a redundant concept, not to mention the superficial divide that christianity can cause, it’s a similar concept to what was explored in elemental orel. But the dynamic between Orel and Christina is really the star of the show, I get the sense that she’s a little closer to the maliciously compliant sassy Orel we see later on. There’s the whole concept of girls maturing faster than boys that would really make a young girl cynical.

Turn the other cheek is another example of how talented the MO staff are, we see it all the time “oh i wish so and so would be miserable forever” “kys clay” but we already have catharsis given to us through an immature lens and it’s written in a funny way that moves the story along. 

Jesus: 

Loyalty is a good example I think of knowing the rules before you can break them, the hamfisted foreshadowing as you guys put it only adds to the humor because of it's absurdity while still moving along our understanding of the story. The "you're nice" boys would have bumped it up to Blessed for me, but I'm generous LOL I agree that Gd’s Image just doesn’t make it far enough to be blessed by the angels, it’s message is muddled at some points and can be pretty easily misconstrued at others. However, it is an all around solid episode outside of that. The interaction between the Figurellis and the Christiens is required watching to me. In general but also to understand the show’s attitude towards faith and the people who practice it, similar to Gds Visage. I’m glad you guys settled on Jesus would have laughed for elemental orel, it’s another episode that’s misunderstood by…fuck I sound like a rick and morty fan, but by people who the humor and writing style of the show just isn’t for. You’re not mad at the writers for making Orel scold someone doing an obviously good deed over going to church, you’re mad at christianity. 

Good: 

Good moments but not super memorable I think was the perfect way to define this tier, Omni's moment of showing just how small Bloberta's world is (dicing and slicing) is an all time quote that you can really sink your teeth in to. 

I don’t have to say much about Bartholomew. I just wanted to note that I agree the town seems incredibly flanderized. 

Satans: 

Wow I didn't know you guys were antisemetic /j 

My fellow Moralton professors know how annoying I am about this episode but you guys in the audience may not, I personally think Holy Visage gets a bad wrap in a similar way Gd's Chef does. I will concede, however, that it doesn't have that punch towards it's message that GC packs. I am also biased as grossout is usually a genre of things I love and I truly don't think it's that serious here, lol The reason, however, I say it gets a similar bad wrap to Gd's Chef is the erasure of the importance of Dr. Chosenbergs character, so I was very pleased to see you guys actually talk about the contents of his character. The good Drs faith is as important as Orels is to the show and to his character, maybe we can get in to that when we discuss the towns racism or something 

Genuises is so boring the only episode I actively skip

The concept of the main writers not writing an episode gets brought up a lot and I’d be interested in hearing how the main writers feel about those episodes, it gets a little tricky because these scenes and episodes are still IN the show and should be taken seriously as aspects of the characters we’re being presented. Not just in the realm of presents for Gd and not just in the context of you guys analyzing the show, I mean in general.

2 AND A HALF HOUR CHRISTMAS TIER LIST

[mossy-paws]

Get in the fucking biograft, Shuriken. (EVANGELION/PHIGHTING!)

(og screenshot’s/cover under text!) Why hello there to my tumblr followers, it’s been a awhile /silly

ANYWAYS!!! Guess who recently finished the EVA franchise minus the rebuilds and has been in a horrible chokehold over it, this anime ruined my life but hey at least its intro theme is nice……

Well, I wanted to draw some stuff for it! All together these pieces took exactly 48 hours and 20 minutes… with the cover-piece taking ~35(?) of those hours. These were… very, VERY time costly safe to say LOL,,, I am super, SUPER proud of how the cover came out though, everything on it was drawn, colored, rendered, edited, whatever, BY HAND stroke by stroke (as you can see below)

The text, the lineart, the shadows, the colors, the snowflakes on the bio and Shuri, EVERYTHING was done by hand, it was horribly time costly but it did come out very, VERY well in the end I would say (fun fact! I also didn’t originally have the textless version of the cover, and I had to trace all of the lineart for bio’s tophalf by just guessing what line when where and what the hell was going on /silly)

this was a very, very hard project to do all together, but it was also a really nice learning experience too, I’m happy i did it that’s for sure :3!

(og screenies + cover)

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[necrotic-nephilim]

What's so fun about BruJay as a ship is Jason's sheer obsessive devotion to Bruce. Jason is possessive over Bruce, to the point he doesn't care about the deaths of others so long as he has Bruce's attention. A part of the UTRH arc this isn't talked about enough is that Bludhaven fucking explodes mid-way and Jason won't let Bruce see if Dick is alive.

batman (1940) #650

A lot of discussion about UTRH paints Jason as this anger-driven cold, calculating machine up against Bruce when it's so clear that his love for Bruce is what drives him at his root, even if he won't acknowledge it. He says it himself, he would've done anything if it was Bruce who'd died instead of him and his anger is rooted in that possessive devotion not being reciprocated.

batman (194) #650

BruJay as a ship always to be, to some level, unrequited. Even if Bruce loves Jason back in that way, he'll never be that obsessed with Jason. Jason will always view Bruce's love for Dick or Tim to be a distraction, proof that Bruce isn't dedicated enough to him. Jason has the need to always have Bruce's attention, even when it could come at the cost of Bruce's other loved ones. Something something cannibalism as a metaphor for love in how Jason wants to consume Bruce's whole existence. He can't let Bruce leave him again, can't let Bruce love or grieve anyone else. Forcing Bruce to choose between Jason and the Joker isn't just about confronting Jason's killer, it's about confronting the other person who exists as this duality with Bruce and consumes so much of Bruce's life. That's the role Jason wants to fill, calling himself Red Hood and forcing Bruce to look at what he's become. But still loving Bruce and wanting more than anything for Bruce to reciprocate that love in the way that Jason understands. I just think it's good soup and rife with Dynamics that are underexplored with them.

[jynjackets]

they’re not reylo because osha isn’t sidelined from the narrative to support his goals. from her perspective we see how it makes complete sense why someone like her, (a dedicated, loving yet outcasted former jedi) is questioning where she belongs. Qimir may want to use her and obviously feigning kindness to get her to trust him, but he also genuinely wants a pupil that unlocks the power of the dark side. And he sees that power in osha and it’s this obsession with her that’s undeniably tempting especially for someone who hasn’t quite been given back the loyalty and devotion that she openly offers.

its “toxic” because it’s supposed to be. and we love watching these dynamics unfold because they reflect the ugly truths of human nature. we do things to feel love even if it’s in artificial forms. we incessantly give with the illogical hopes that we might receive something back. how the dark side pulls someone such as osha therefore becomes realistic. and what is more appealing than to allow yourself recognition you never had. to let your emotions be unrestrained and even be your greatest strength. what else could you do when someone finally tells you that there’s more out there for you, and can grant you unspeakable power that’s always been just out of reach

[patheticpat]

Told my girlfriend if she could guess who Loop actually was I’d divulge who the people helping the cast in my au and she fucking IMMEDIATELY guessed Siffrin, fuck my inter life lmfao

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[iqmmir]

The thing about milgram girls is that they are all Pathetic and Stupid and Idiots . Yes even amane .

[outlying-hyppocrate]

i have officially returned. ask me anything.

[redstrewn]

I want leander to shock us simps so bad. Like jaw drop. Like baffle us with a complete 180 on his outward personality to his inward one. A total fucking asswipe bitch. Just fucken floor us. I think it would be amazing. Just have us levitating only to crash us onto the ground like a bad trip. I think it would be fun.

[dogearedheart]

thought about fem castiel and blacked out immediately

[p4nishers]

ok but the fact that "aziraphale is softening. they haven't spoken in a hundred years: he's realizing they're still friends" and "there's no need to thank me that's what...friends...are for" was in the same night is making me go INSANE