#i am simply.. a loser.

[miiilowo]

non-practicing slut. is this anythign

[poorly-drawn-mdzs]

Lap Pillow

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[megafart1]

Fiddauthor doodles

*leaves this politely on the floor and scurries away*

yeah. enjoy ^_^

[dykespence]

Loving how carla has definitely not got an inkling of actual work done because as soon as lisa said interfere with my life whenever you want she decided it meant follow her literally everywhere like a desperate puppy

[battleslippers]

reupload bc some of the spots were poopy but I only noticed after uploading ugghfefehf

I am actually never recovering from this film idk if I’ll ever grow a strong enough spine to read the book

[leafuxxtea]

guess who's back 🥺🥺 (and about to go to sleep)

i wanted to apologize quickly for disappearing like that, and i promise ill answer my asks and interact tmr!! 🥹🥹 hope everyone's doing well <33

but before i go, ill just drop this fanart of @lostxmelody 's fanfic (Parts of a Human, I've talked abt it before but it's. such a wild ride that I will absolutely stay on forever.)

(do i now know how to format panels?? hahahhahaahaa. still no.)

[hauntingofhouses]

BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.

(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)

OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.

Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.

So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.

And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if

A) they only watched the first episode, or

B) they cannot grasp the slightest bit of nuance in a character, or

C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.

While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.

Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.

And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.

And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.

"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.

Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.

Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.

On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.

And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?

So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.

Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.

Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.

However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.

Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.

This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.

Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.

[tqxicfqcility]

shout out to the new pafl song for sanyaing. fun fact about me... i definitely didnt fixate on pafl when my artstyle was very influence-able. i definitely still dont draw like a ferry clone because of that time period. i also definitely am not a fan of sanya and totally didnt fixate on her specifically for two years from like 2019 to 2021 @nopanamaman

[youngpettyqueen]

wrote something unbearably fluffy and I will be posting it on ao3 tomorrow but I wanted to do something a lil different and post it here. this is because I dont have the energy to do the format editing for ao3 rn but I want people to see it right now immediately

garashir, post-canon Cardassia, short and sweet, fluff that will rot your teeth out. enjoy <3

“Elim?” 

Gentle hands resting on his shoulders rouse Garak from a sleep he didn’t even realize he’d fallen into. He jerks awake with a rather undignified snort, more startled than he’d care to admit as he straightens himself up in his chair. Falling asleep at his desk… he really is getting sloppy.

Those hands squeeze his shoulders gently. He would know that touch anywhere.

“Only me, love,” Julian’s voice murmurs, soft and reassuring, “Didn’t mean to startle you.” 

Garak glances back over his shoulder, wincing slightly at the kink that’s developed in his neck from his awkward sleeping position. “You’ll have to forgive me, my dear,” He replies, offering Julian a tired smile, “I seem to have lost track of the time.”

He takes a moment to give Julian a quick once-over, his eyes heavy with sleep but no less sharp. He looks dishevelled, his hair a mess of loose curls and his jaw lined with a shadow of stubble. He doesn’t have any visible injuries, and his uniform is rumpled, but intact. So today was long, but likely not life-threatening. Good. He’d been worried, before he went and passed out.

Julian smiles back at him, a warm expression, though very tired. The lines under his eyes are deep. “I’ll forgive you, if you forgive me for being so late,” He offers, gently rubbing Garak’s shoulders, “Sorry to have kept you waiting. I was drafting requests for more medical equipment, and lost track of time myself.” He explains.

“How could I ever fault you for such a noble endeavour?” Garak asks, leaning back into Julian’s hands, which are doing wonders for what’s become a permanent stiffness in his shoulders, “I’m sure the staff appreciate your efforts.” His doctor has done marvellously, adapting to working in a Cardassian hospital. It took a couple of crisis situations before the rest of the staff finally took him seriously, but he’s managed to find a place for himself with minimal friction, as far as the hospital staff are concerned. Usually a Human would never have been accepted so quickly, but these are desperate times, and they can seldom afford to turn away such a capable pair of hands. 

“They’ll appreciate it when I actually get the equipment,” Julian replies. He works his thumbs into a knot at the base of Garak’s neck, and Garak all but melts against him, a pleased sound rumbling low in his chest, “Dare I ask what you’re doing with Kukalaka?” 

The question snaps Garak out of his pleased little trance. He glances back at his desk and finds that the bear is, in fact, sitting there, a needle still attached to thread hanging loose from his leg, which is half-sewn to his body. “Ah,” He says, now recalling what he was doing before sleep so unceremoniously claimed him, “Yes, that… well, I was rather hoping to surprise you with that tomorrow…” He hums, feeling a flash of annoyance at his plans being thwarted. 

Julian leans over his shoulder, examining his handiwork. “Oh, Elim…” He murmurs, like Garak has just handed him the world, “You wonderful, wonderful man. You really are too good to me.” He wraps his arms loosely around Garak’s neck, rests his weight against him as he presses his warm cheek to the side of his head.

It never ceases to amaze Garak, just how easy it is to make Julian’s day. The smallest acts have him behaving as if Garak has put the suns in the sky just for him. “Hardly,” He refutes, because he could never be too good for the man who reminds him days after day that good exists in this universe simply by existing, “You may have convinced the little ruffian’s mother that you weren’t upset over Kukalaka being torn asunder, but I know you far better than that. I may not understand the significance of the little fellow, but I would be remiss if I allowed him to remain in tatters when I could easily repair him.” He reasons, and it’s an awfully long way to say I hate to see you sad.

“That little ruffian was all of 3 years old,” Julian points out, a smile in his voice, “And teething, might I add, so understandably cranky. But… thank you,” A warm kiss is pressed to Garak’s cheek, an action that turns him into a puddle of bliss and affection, “I would tell you just how much it means to me, but I’m afraid I’m much too tired to adequately express myself.” He kisses Garak’s cheek again, and nuzzles against him.

Garak hums happily, reaching up to rest a hand on Julian’s arm. “Oh, I don’t know,” He muses, rubbing circles into Julian’s arm with his thumb, “I believe I could infer the depths of your gratitude from, say… more kisses.” He suggests, tilting his head so that he can flash Julian a cheeky grin. 

Julian snorts, buries his face in Garak’s neck as laughter shakes his slender shoulders. When he lifts his head again, he has the loveliest smile lines on his rosy-cheeked face, and the lines under his eyes don’t seem quite so deep anymore. 

“You’re incorrigible.” Julian tells him, earnestly and completely affectionate. 

“Yes,” Garak agrees, “And I do believe you love me for it.” 

“Oh, very much,” Julian agrees, leaning in till his nose taps against Garak’s, “It’s one of your most endearing traits.” 

Garak rubs their noses together, a gesture that is indescribably affectionate and also quite silly. “Tell me again about all those endearing traits of mine?” He requests.

“I’m far too tired for that,” Julian replies, his eyes flicking to Garak’s lips, “I think I’d much rather kiss you silly. Is that an acceptable substitute?” He asks. 

Garak doesn’t respond verbally, just angles his head and pushes up to capture Julian’s lips with his. Julian makes a happy little hum as he kisses him back, and his smile as he presses his lips to Garak’s again and again says more about his gratitude and his love than any string of words ever could. 

[cerosin-bis]

i'm really curious as to your interpretation of why krueger killed his parents, did he have a particular reason? did he kill them just because he knew he was capable to kill? i personally hc him as having a but of a god complex but it would be wonderful to see your input. thank you tumblr celebrity!! ❤️

I wanna preface this by saying that "krueger offed his parents" is my interpretation of his in-game lore (fled his home country to evade murder charges *and* both parents dead), and not outright stated.

It is a choice of mine to have never fully imagined what could have led to this. I like when things stay vague. I also (personally, again) headcanon Krueger to have psychopathic traits, so... there's always a part of uncertainty/shadow that is absolutely inherent to the character and my interpretation of him.

My headcanon is that he half-accidentally killed someone while in his early 20s. realised that the thrill associated with it was not "addictive" per se, but definitely indulged something in his brain. This, alongside having developed since his early childhood (I absolutely stand with you there) an unassumed god complex, and at one point in his mid-20s it just... happened. Can't be more precise than this because that's the extent of it to me.

Bonus doodles of early 20s ID picture and late 20s absolutely did not not falsify his papers KSK krueger because this man has never been arrested once in his life and doesn't have proper mugshots.

[augustatheghost]

i don’t know what you guys are all complaining about i love that svu has vaporized olivia from woman on the verge to lady cragen

[serenadeofsunshine]

UUUGGGGGHHHHHHHHHHHHHHHHHHHHHHHHHH

[suusoh]

*taps mic* hello.... is this thing on?

hi welcome to my blog or otherwise known as the: there's no johan liebert x reader content- much less any yandere johan liebert content which is a fucking travesty because monster is good and I thought it'd pick up at least a little bit of traction but turns out it's still kind of niche despite how all the goddamn sigma grindset maniplator communities on youtube love to use our blonde bastard as their mascot. But anyways here we— are be the change you want to see in this world fellas. ✌️peace.

[loosingmoreletters]

slams hand down do it you know you want to do it,,, sugar daddy au and now its just awkward as fuck but they get to Deal with It. bonus points for people laughing at them in the background. i am your inner demon whispering that this is a good idea and you should absolutely write it (no pressure ofc!!! take your time and its fine if you want to!!!)

for ship names. yeah very sad. i havent settled on like. a combination of their names that sound appealing to me so im just. sitting there awkwardly in Yun Taeheon x Shin Junseo. simple but it works. ill bonk my brain for ideas later,, i have cut down on thigns i need to hand in tomorrow im procrastinating because the thing i need to do is so horribly boring

maybe the korean side of the fandom has something going on but that would require me to go on twitter and figure out what korean words to put in the search box and I'm already failing at "go on twitter".

sdkhldfkhg the inner demons are winning. now I'm kinda contemplating how this would even start, which made me realize we know fuck all about Shin Junseo's past??? We only knew that apparently he had a shitty job before he awakened and didn't have any friends and seemingly also has no family.

So like? Local man signs up on an app bc honestly at this point being a sugar baby would not be worse than another horrible shift at whatever minimum wage job he has to pay the bills?

And cool, he hits it off with Yun Taeheon, something something business man. It's a lot less hollywood-pretty-woman than he expected, more nice dinners with genuinely entertaining discussions, and sure getting laid is nice too, and then, well, the world goes to shit for a hot second and well, the contract written before runs out, isn't renewed and Shin Junseo has a moment between picking up a shitty job again and awakening where he comfortably lives on his savings while his,,, ex? well, no, ex would be implying they dated. boss is also not quite the term, his previous situationship, made himself a guild master.

whatever.

and then the world goes even more to shit and he drags corpses and the memories of a world annihilated out of a dungeon. He makes his plan, keeps his head down and then fucking Yun Taeheon is standing in front of him again.

[captainimprobable]

Me: Oh boy, I can't wait to be a barista! Those guys are queer and quirky and I'm gonna fit right in! My coworkers, the most aggressively normal people I've ever met, IMMEDIATELY deciding they dislike me because I'm Too Much: lol

[basically-fabulous]

the new life is strange game was good :)