#i am not even at this part yet

[majubengel]

Cross Guild sticker set!

[otrtbs]

one thing about me is that i'm gonna make remus and james besties every time.

"oh that's literally sirius' job" you say?? WRONG.

to me, sirius and james can meet at any age. any time. any place. and they'll click instantly because that's who they are. they're cut from the same cloth. they can read each other's minds. they're linking pinkies down the hallway. their souls are made of the same stuff.

but remus and james??? REMUS. AND. JAMES???

they're besties. they are best friends. they aren't cut from the same cloth. it's harder for them to figure each other out but james looks for remus first in a crowded room because he can already feel sirius' presence. it's james' constant "are you okay? do you need anything? i'm here for you" that he doesn't have to do with sirius because sirius just knows. it's remus giving james the steady constant in his life that james gives so many others.

[LOOK AWAY IF YOU HATE JFP AS THE SUN METAPHORS NOW]

james and remus are the sun and the moon people! the sun and the moon!!!! like, the sun is also a star. you get me? this is why james and remus bestieship is so special to me. this is the relationship. this is the way.

[galactaknightyaoi]

🏳️‍⚧️ DOUBLE HEADCANON ATTACK!!! 🏳️‍⚧️

Family HCs are already fun on their own but with transness added on they're even better. It's actual comedy gold. Also I've always wanted to draw some kind of Meta Knight VS Galacta Knight type thing, but I can't take anything seriously like that. So you get This.

What This is, is a way too high effort shitpost. It took a combined 2 and a half? Days, though most of it was just sketching. I'm proud of it! Anything for the bit.

Textless version + unfinished doodle under the cut

[egophiliac]

ch 5 is coming in twsten ch5 is coming in twsten ch5 is coming in twsten (we gon die it's been a YEAR since I saw some clips and I have not emotionally recovered from the incredible deliveries by Silver's seiyuu because holy fuck) EGOOOOO ARE YOU READY TO SEE EVERYONE DESCENDING INTO MADNESS AGAIN (and a pool of tears??? MINE SPECIFICALLY)

YESSSSSS I AM SO EXCITED FOR EVERYONE ON ENG, chapter 5 is some of the most PEAK Diafamily content imo. 🤌 it's definitely my favorite part of episode 7 so far! (though 6 is pretty close...)

some (mostly) non-spoilery advice: on the hex maps, check out the non-required story cells, especially in the later parts! some are basically just throwaways, but there's some real good scenes hidden in there too that are potentially missable. 🥄 (it shows which cells you've cleared on previous attempts, so if you're low on resources and/or super impatient like me, do just the required ones to get through it, then when you're ready go back and restart as necessary to get to the others. enjoy! >:)

[poorly-drawn-mdzs]

Sharing is Caring!

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[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[myokk]

💘

[stevebabey]

ok brain whipped up this concept & would NOT leave it alone today so here. have this. this is like ‘started making it. had a breakdown. bon appétit’ in a steddie post for me but alas <3 cw: talks of past sexual coercion

Eddie is mad at Steve.

Which, honestly, might be the worst thing in the entire damn world for all Steve cares. The whole world feels just a little bit off kilter when Eddie’s mad at Steve — because Eddie just loooves the silent treatment.

He’ll usually make a show of it. Pout and stick out his bottom lip, cross his arms, maybe even give a stamp on his big booted feet. Doesn’t say what’s wrong, just glares sulkily. It’s a bit childish, they both know, but Eddie likes to be doted and Steve loves to do the doting — and it hasn’t caused any proper fights yet.

This time, however, he can tell Eddie is more mad than usual, because this time he hadn’t thrown the usual fuss. Instead, he’d just gone quiet. All glowers and glares. Not even a pout, and certainly not a peep.  

And it’s just the worst because the version of Eddie that Steve knows best is a chatterbox. Can’t shut up, won’t shut up. Steve normally loves it.

And alright— maybe Steve deserved it for not picking him up after one of Eddie’s gigs. Especially because Eddie had specifically asked him too as well, considering his own van was in the shop.

But it’s not like Steve could control when his parents decided to waltz back into Hawkins!

They always seemed to run on their own timetable, or on what seemed like an entirely different orbit. Yet, they had no trouble roping Steve back into their routine, stuffing him back into a place, without any regard to his opinion on the matter. Which was exactly what they had done that evening.

But that didn’t really matter, Steve thinks with a sigh, because he knows it’s not really just because he didn’t pick Eddie up. It was because of what Steve said.

Gareth’s mom had swung by and while Eddie had gotten an eyeful of that suspicious look that followed him everywhere since the events of the Upside Down, Eddie had gotten home safely. Majorly annoyed but safe which was what mattered most.

He had then released his said-annoyance onto Steve.

But see, Steve was already tired from the prodding and lecturing of his parents. They’d been awfully disappointed to find he had yet to move on from his job at Family Video and worse, had badmouthed his choice of friends. Had brought up Tommy and the likes, asked pointedly why Steve hadn’t been seen with them in a few months.

Steve had bit his tongue to not spew out the fact he hadn’t been seen with Tommy for years and that was unlikely to change any time soon.

So, yeah, he was wound up. And Eddie was too. A bit too impatient, a bit too cut that he’d been on the receiving end of yet another scathing interaction because Steve had been so careless to forget to pick him up.

He’d said as much, jabbing a finger and dramatically reenacting the tense conversation he’d had to have with Gareth’s mother.

It had led to a spat, which led to an argument. Steve sat on the bed in Eddie’s trailer and toyed with a loose thread as Eddie pacing before him.

“You should’ve been there.”

“I know.” Steve ground out the words, eyes on the floor, feeling too much like he was still back home, still being lectured by his father about his good-for-nothing son. The thread was coming looser in his fingers with all his fiddling.

“You know? Is that all you’re gonna say?” Eddie asked, exasperated, but the moment Steve’s lip part to respond, Eddie had steamrolled on. Gareth’s awkward smile and his mother’s tight bunched up shoulders were still fresh in his memory.

“Great! That’s just fantastic, Steve. You knew and you still didn’t show up!”

Steve’s head shot up, brow furrowed. “That’s not what I meant.”

Like a kettle coming to boil, Steve could feel some bitchy comment lurch up his throat with his growing frustration. It was easy to think of things to say to hurt Eddie, to lash out, to make it so Eddie was the one with his head bowed, voice quiet.

Steve had learned that the hard part in these moments, is biting his tongue. Swallowing back mean comments. He doesn’t want to be vicious. Loathes the idea of falling back on snarky comments to win a fight, least of all with his boyfriend.

But... old habits die hard.

So, when Eddie had got all up in his face, firing himself up, and said, “Oh, pray tell then Steve what was so important that made you fucking forget your boyfriend.”

Steve had snapped.

“Fuck, do you ever stop? You are so much sometimes!”

The words had flown out in a harsh sneer and they hit their mark exactly as intended.

Because Steve knew all about that strange bubble of fear that lives inside Eddie— the part that didn’t care at all what strangers thought of him, but cared so much about those he came to trust. The part that worried that being big and brash all the time would be too much for people. That the reason they originally liked Eddie, would become the same reason they’d eventually dislike him for.

Steve had once told him he couldn’t ever get enough of him— let alone too much. It’s why he’d known where to strike.

Eddie’s expression has flinched, his eyes going from simmering to hurt in a few seconds flat. His fists unclenched at his side and Steve had felt the regret curdling up in his gut, a terrible sour feeling that had him shooting to his feet in an instant.

“Eddie, wait, I—”

“Leave.” Eddie said, voice dangerously low. There wasn’t room to push it. Nothing left to argue.

But still, Steve had wavered, swaying as a tidal wave of shame burned hot up his neck. He wanted to fix it. He needed to fix this.

But Eddie couldn’t look at him, eyes fixed on the ground and despite how much it had pained Steve to go, he knew he couldn’t fix it, not then and there. The door had hit him on the way out.

That had been two whole days ago. The guilt of it makes it feel like it was hours ago, still fresh as ever.

Steve had been diligent in giving Eddie his space to cool off.

The call Steve made the morning after never got picked up, just rang endlessly until the voicemail kicked in. Even though Eddie was always home Wednesdays. It told Steve well enough that Eddie was still well and truly mad.

Which was fair enough. Steve had been an asshole. Let himself fall back on old habits and stab a weak spot he only knew because Eddie trusted him, then twisted the knife as well.

But it’s like he said — silent treatment from the guy who usually can’t keep quiet is discerning to say the least. It itches uncomfortably at Steve who finds himself unusually eager to apologise.

Because, damn, if Steve doesn’t hate apologising.

Apologising means pulling out the stops, means admitting shamefully everything you’d done wrong, means having to prove how sorry you were.

It had been like that living under his father. When he was seven, Tommy had accidentally pitched a baseball through one of the windows. It had smashed right through, completely shattered. Steve had taken the fall.

He’d said sorry, head bowed, even though it had been an accident. And after he’d made Steve repeat his apology til it was a rigid phrase in his mouth, Richard Harrington had said; ‘Well, why don’t you prove how sorry you are, Steven?’

He’d ended up being his father’s personal beer boy for that week. Fetching them ice-cold from the garage at his father’s every call, from the moment he was home from school, to prove the apology was legitimate.

It had worked— after a week of doting, extra effort into keeping his room clean and to keep his father happy, Richard had permitted his son a rare smile and ruffle of his hair. ‘See? I know you were sorry now.’

Steve had learnt quickly in his childhood to go to lengths to avoid trouble with his father. To avoid the tumultuous apologies he’d have to perform, jumping through hoop after hoop for forgiveness.

But even then, Steve couldn’t escape them with friends, and especially not with girlfriends.

Tilly had been like that too. She’d been Steve’s freshman girlfriend, eyeshadow baby blue and lips always glossy. When Steve did things she didn’t like —spent Saturdays with his other friends, was late to dates— she’d pout her glittery lips and bat her eyes. ‘Aren’t you gonna make it up to me?’

Steve had — had pulled out the stops, emptied his pocket change to buy her flowers, went to second base because she really wanted him to, all to prove his apology. Until Tilly was back to her sugary smiles and fluttering hazel eyes.

It had even been like that with Nancy, though not quite to that extent. Forking out his savings to buy the nicest bouquet he could find, prepared to make it up to her, even if he wasn’t quite sure if it was him who was supposed to be apologising. But she’d gone silent treatment on him, so…

So, Steve hates apologising— but even more than that, is how much he hates Eddie’s quiet. So, when his boyfriend calls the Family Video on Friday midday, when he knows Steve’s soloing, and invites him over, Steve prepares himself for the grovelling to come.

The mixtape he’d already made sits in the gearbox of his car, carried around with him since he finished it. Upon hanging up the phone, Steve’s eyes catch on the florist across the street. His mind spins with all his knowledge of Eddie’s favourites — should he get those sour candies Eddie loved so much as well?Would it be too much?

Steve scoffs at the irony of his worries, considering what he was apologising for. Besides, it was never too much. There were never enough things to show he was sorry.

And Eddie couldn’t exactly be bought — not that was what this was. But Steve knew his boyfriend preferred all things in the manner of touch. That Steve’s affection was a far higher currency than anything bought with money.

That’s fine. Steve can do that.

He’s got a whole speech planned, honest. The smudged bullet points scrawled on his palm are testament to that, there to keep him on track and Steve checks them over religiously as he drives over after his shift.

It all goes out the window when Eddie opens the door, because Steve’s heart hiccups, splutters, soars forward in his chest.

Eddie looks just the same, his usual ripped jeans and dark shirt with a band Steve doesn’t know and yet— yet.

Steve is overcome by how much he missed Eddie.

Overcome at how those two days felt like two weeks to him. His mouth opens and the words burst out, “I’m sorry.”

part two.

[svtskneecaps]

ok among my favorite parts of qsmp is the fact that charlie slimecicle can only hold the act of being mad at mariana when mariana isn't in the room. like he successfully rp'd being mad at his deadbeat puta esposa for months while mariana wasn't logging on, like he complained about mariana at the wedding, during the election, in subsequent appearances, and then he's messaging mariana in the chat during purgatory and he's still holding it

and then they're both at spawn like as close to face to face as they get. and bro CANNOT hold the act it drops so fast lmfao he was like "yea cellbit i'm gonna kill mariana" and instead they have a genuinely heartfelt conversation and then rp sexo in the fountain

and i know i'm brainrotting purgatory rn but i'm actually thinking about this bc i saw a clip of mariana and slime talking during the awards show and literally. slime's face goes from 😡🤬 MARIANA'S HERE, SAY SOMETHING PUTA ESPOSA to 😄😁 the second mariana shows up on the screen

like he's still pretending to be mad but dude is grinning like absolute crazy and i love that

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[pseudophan]

i'm so extremely irrationally annoyed by people not knowing what various terms mean and using them incorrectly like i feel like that's such an asshole thing to care about but oh my god stop

[garvalhaminho]

matthew developing more romantic feelings towards lucie had so much comedic potential. love triangle between a blond and a corpse and she still would've chosen the corpse

[jojotichakorn]

my favourite holiday is actually at the end of november / beginning of december and it's called gmmtv lineup & spotify wrapped day

[kurikorso]

the deer prince and the golden doe

from chapter 34 of Salt00's fic Chick Magnet

please click for HD tumblr is killing this one

[so-very-small]

and a moment of fucking silence for us tall bitches who identify as tinies but tower over everyone irl. do you know how hard it is to feel small when people have to actively tilt their head back to look at you? we should be compensated for this.

[scorpiusmalfoylovesoscarwilde]

I've said it before, I'll say it again, and I'm sure it won't be the last time. I AM SICK AND BLOODY TIRED OF THESE MFS, HALF OF WHO DONT EVEN CARE ABOUT CURSED CHILD, BITCHING AND MOANING ABOUT AN ANGSTY TEEN DARING TO BE AN ANGSTY TEEN, I WILL FIGHT THE LOT OF YOU

(this is gonna be a bit long and probably incoherent so sit down and fucking listen to me 🔫 stick with me because I'm not just complaining about albus haters)

eVERYBODY wants cOoMmpllEeXx relatable HUMAN characters - and then SHIT themselves when the flaws a CHILD has isn't just 🥺 uwu im socially awkward and traumatised 🥺. that's why scorpius doesn't get this fuckass treatment, because his terrible human flaw is that he's a bit shit at conversation and gets sad about his dead mum (generalised understatement, but this post isnt about him. dont come for me i love him 🫶🏻)

god forbid albus, who feels unloved and unwanted (with valid evidence for a teenager), albus who feels completely out of place and outcast from his entire famously-close-knit family, ablus who is well known by the world by default via Harry and hates the attention and high expectations, albus who then gets targeted and bullied by his peers because he's not as perfect and brilliant as his father, albus who is then isolated from his one friend because Harry is making irrational ptsd fueled decisions, albus who tells Harry completely sincerely that he knows he's unlikeable but he'll try and change himself and be more like his siblings because he genuinely believes that's what Harry and everyone else whos had the misfortune of meeting him wants, albus who spends the entire play trying to prove himself and fix things via idiotic childish decisions BECAUSE HES A WHOLE UNSTABLE CHILD

god forbid that CHILD doesn't react like a patient, supported, well adjusted, level headed adult. god forbid he reacts outwardly. god forbid he reacts at all, my bad. clearly he should just sniffle a bit as if he doesn't feel suffocated and helpless by everything in his life, because obviously hes just a spoiled brat who doesn't know what real suffering is. god forbid he complains or feels anything negatively, or doesn't quite grasp that other people are struggling too because he is too busy trying so hard to deal with himself and his declining mental health the best he can with basically no support or understanding. god forbid he isn't completely perfect.

you all sound like some fucking boomer telling teenagers they don't know what real struggling is, they aren't mentally ill, they dont have any problems because they have a roof over their head, they should all go to war kids are too soft these days 😫😖😱 fUCKING‼️SHUT UP‼️

he does things wrong but he knows he does and he does everything he can to fix it! and he is fourteen!!! do none of you remember what being fourteen is like 😭😭 I swear half of you have got to be basically fourteen yourselves cmon man

cause I'm seeing this fucking pattern a lot recently. not just for albus, not just in this fandom, everywhere. ‼️ no one can fucking handle flawed characters anymore ‼️ the only thing any character is allowed to have wrong with them is trauma apparently, otherwise they have to be perfect, and I'm getting sick of it. characters and stories are meant to reflect real life, they're meant to help shape our world view, why are you expecting everyone to be fucking perfect??? what happened to nuance? what happened to understanding character development? you are all acting like characters and people are so black and white. either they're perfect or they're insufferable and evil. I won't lie, the most common victims i've noticed of this are women. but the flawed women are typically demonised, whereas the men are typically turned into uwu baby boys who actually aren't capable of doing anything wrong and then fanon goes nuts making them into ittle wittle victims. and I'm so fucking sick of all of it, I hate this. (obviously this is not a strict rule. Albus Potter, and also Albus Dumbledore now I mention it, are demonised beyond belief)

BRING BACK FLAWS AND BRING BACK NOT COMPLETELY WRITING OFF A CHARACTER BECAUSE THEY DARE TO BE HUMAN

I AM FED UP, ALBUS POTTER GET BEHIND ME