#i am in TEARS over them

[yea-baiyi]

someone just posted this quote and it just hit me that it wasn’t that nobody loved xie lian after knowing how far he’d fallen and everything he’d done. it was xie lian who was too terrified to lean on them and share what he was going through, or he tried and they didn’t have the full context to understand him, and it just made xie lian feel more alone which made him push them away even more. he had feng xin and mu qing the whole time and they never ever stopped loving him even when they saw him falter and fail. and it wasn’t that hua cheng was unique in loving him anyway but it was hua cheng that happened to be present for all of xie lian’s worst moments and none of it made him love xie lian any less, and hua cheng is not the exception to the rule but the proof that xie lian was always loveable and always deserving and always loved despite despite despite. and after finding hua cheng he opens his heart up to his friends once again and accepts their love back into his life when he had shut it all out for centuries. i am in TEARS rn when i said i can’t think about feng xin and mu qing this is one of the reasons why

[huntressofartemis001]

the doctor telling the story of how he had a friend and they used to run together when they were boys but they grew up so different and missy saying she wants her friend back 😭😭😭😭

[s1ck-pupp3t]

I love, Ms Paint. CHEERS!

OK real art dump over. Click MORE for Real dumb stuff

something something They faces killing me why nobody gaf. Its a Transparent .PNg! You can put them any where to Not Care About.

[blackkatdraws2]

I have a lot of leftover drawings in my gallery. [Blank Scripts AU]

[Content Warning: Images below contain Gore, Death, and Disturbing/Uncomfortable Imagery]

I find it a bit cute knowing they start out as crazy and then slowly settle into something calmer and relatively healthier after learning to adapt to each other's lust-turned-love. [Stanley did it first but hey :3]

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[esprei]

Emmet month - Day 4: Memories

though Ingo may be gone, he'll never be forgotten

[sallymew4]

EVERYONE STOP WHAT YOURE DOING RIGHT FUCKING NOW

EVERYBODY SHUT UP IMMEDIATELY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[saphflare]

So guess who just found out today and just now that it is strongly implied that c!Astronyu is a time traveller or at least stuck in some sort of time loop swirly fuckery

It is not all of them, but in the Rattiest Gang server there is quite a bit of people building speculations based on this theory, though can't find anything from Astronyu to confirm it.

On the same note, reason I found this out was because I was bored and looking for Content SMP animatics and stumbled on this one with something interesting:

That interesting thing being a comment left under the video by Rat:

So uh time travel plot might be happening??? Maybe??

I know Rat has one last episode left to basically have a conclusion/epilogue to his Content SMP s1, so not sure how well shoving a time travel plot at this point in there will be done well or help wrap things up nicely if possible, but then again if anyone can do it I think this crazy ass server of modders can so I guess we will see??

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[yourgfdgirlfriend]

there really is a little evil part of me that loves it, when people don’t get over me. aww you’re still hung up on me after years of being apart? poor baby boy. i’m soo sorry that you feel like i’m irreplaceable and like you’ll never find anyone you can feel small and vulnerable and loved and at home with anymore. now, say. it. again.

[marimeeko]

Thought of Izuku falling from the sky and Katsuki catching him and them clinging to each other as they land/hit the ground.

Izuku starting to process everything and saying that he couldn't save Tomura but he may have reached Tenko? Also btw I think I'm quirkless, now, Kacchan, OFA is gone, I let it go...

Katsuki soothing him in an adrenaline high, breathy way, you did your best, you did your best, you're still a hero Izuku, you're the best GD hero around...

And then as everyone in 1a starts to descend on them in celebration, Katsuki literally fucking growling at them to give Izuku some space and some air, DONT FUCKING CROWD HIM!

And someone (probably Kirishima or Kaminari) complaining that HES THE ONE holding Izuku so desperately as if he'd disappear.

Katsuki telling that person to fuck off and squeezing his grip on Izuku as Izuku clings to him.

Izuku silently sobbing into Katsuki and not being able to tell which emotion the tears are from, because there are just so many.

[whatevertheywant]

I have a theory that probably isn't new,but I think that Galinda probably had a very lonely childhood and may not have actually been popular until like 8th-10th grade. She was obviously doted on and surrounded by yes-men from an early age,but I think she empathized with elphie from the beginning. I also think she was scared to express that for fear of losing the image she had so carefully crafted. She feels all this "loathing" as well as love towards Elphaba because she sees everything she still could be if she were braver...unfortunately this also includes becoming a pariah. Mind you,she does make wisecracks about elphie being green but they both enjoyed their little spat in history class. That Ozdust dance scene really seems to drive it home with how she joined Elphaba's dance. Okay,that might have been out of remorse for setting her up like that,but the comforting???? The wiping her tears and the embrace???? Ignoring her toxic ass friends trying to get her to stop when she's usually all about image???? Her doing the most to secure her date and position of love interest with fiyero only to ditch him entirely to run off with Elphie????

And THEN we get the Popular sequence. It's not just a flirty or silly little number (it is those things but it's more than that). Popularity has helped her rise up the social ladder despite a lack (at the time) of talent. Her ambition to become a sorceress is altruistic if also self-serving. She wants to actually DO and BE good and feel like the adoration she seems to acquire so easily has been earned. She tries to help Elphaba become popular because Elphaba IS good and has so much talent. BUT Elphaba lacks social skills and isn't conventionally attractive. Elphaba gave her a leg up towards her goals by not only insisting Galinda be in the seminar as well but also THREATENING TO QUIT THAT INSTANT if morrible didn't include her and give her the training wand. They both spend the rest of act 1 bar like a couple of scenes helping each other advance until they have to part ways inevitably. That's love born of empathy and understanding. The "galindafying" was her protecting Elphaba and literally the best gift she was able to give in return

[poorly-drawn-mdzs]

I saw @qourmet's young madam lan art, and knew what I had to do.

[kalashnikovlobotomy]

i really can't phrase it right for the life of me but does it make sense when i say i cant help but love belarus a lot because for some reason i see her as a nationperson as being closer to being a person than a nation. with how unbelievably weird she is it just feels soo right to characterize her as this girlcreature whose government demands no real nation duties from her because she's intrinsically messed up as a person, with nothing to do with her nation identity, and was enabled by her family her entire upbringing and it's less of a hassle to just let her do whatever. and she doesn't understand why this can't be the case for them as well! why can't they all live as a family! she'll do something. she'll do something so that they'll never be separated again.

[raines-reads]

Jean and Neil devastate me and here’s why

Jean and Neil are a promised pair. In a million ways, they are meant exist as two sides to the same coin, and even in the face of the fact that this promise has been broken, they are too alike for anyone to ever disregard the possibility of what if.

Neil Josten, is nothing. Jean Moreau, is nothing more than what he is.

Neil and Jean are mouthy players with an attitude problem and a debilitating wariness of adult figures. They are French-speaking menaces whose background muzzles them and turns them into liars. They are sold property whose singular source of familial love has been killed by a world of crime that they had no part in. Neil and Jean are young men whose survival instinct have been warped by the abuse they’ve suffered—men who think that their survival is a tenuous, fragile figment that will one day escape them.

Jean and Neil, who encountered the green-eyed boy with the number two on his face and found the will to survive. Who aren’t allowed to look at others that way but who find themselves beholden to a stubborn blond and somehow manage their slow trek out of hell. Jean and Neil, who needed each other to survive during their brief and tumultuous partnership in the Nest. Jean and Neil, who are owned by the same family under a new master, but are learning that the confines of their cage are farther than they’d ever imagined.

You look at them and you think, what would they have been like as a true pairing? We read between the lines to understand their careful and begrudging fraternity, and we take these small moments between them as a way to glimpse into whatever complex knot of connection they’ve amassed between each other.

But Neil was saved by a mother’s love, and Jean had been leashed too tightly to be spared half a decade of despair. Jean and Neil are the picture of what the other could have been, in an alternate life, and in this way, their connection slides into place in an unspoken, irrefutable way.

Jean says, I want to go Home, and Neil, who has learned what Home means to people like them, would evade the cops a little longer, piss off the Moriyamas a little more, if it meant offering Jean that sliver of peace.

There is so much potential between Neil and Jean, but it can never be fully realized. They were both a part of a broken Perfect Court, and it will always be the thing that both binds them and divides them.

[seven-tastic]

lukerosa arts (SHOCKING I KNOW)