#i am historically Bad At Explaining Things
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THE OLD GUARD 2 THOUGHTS AS I AM HAVING THEM AAAA
LITERALLY NOTHING BUT SPOILERS PROCEED WITH CAUTION!!
I have never been more anxious about hitting play on a movie in my life
I LOVE THEM ALL SO MUCH AWOOOOO
the violence feels a lot more cartoony than in the first one
like sure, there were gratuitous gore shots in that one as well, but they feel... idk, more goofy and over the top here
also I get starting on an action sequence, but the extreme violence against a horde of random guards feels a lot harder to justify when you don't really know the stakes. like yeah sure guns bad, but so bad that you have to very violently murder this many people over it?? maybe I've just gotten soft in my old age
man I am worried about the Uma Thurman plot. I am very anti-adding new (old) immortals at this point, but I hope they explain it in a satisfying way later on
QUYNH AAAA OOOOWWWW WAUGHH
me chanting to myself with tears in my eyes when Joe asks for some space: "I WANT THEM TO HAVE ARCS AND CHARACTER DEVELOPMENT! I WANT THEM TO HAVE ARCS AND CHARACTER DEVELOPMENT!"
OMGGGG OKAY THAT'S A GOOD DEVELOPMENT. OUCH. AWOO. YES.
like okay yay Tuah I don't mind him, but how are you just rewriting the immortals lore now?? also why would Copley's discoveries change Andy's mind if Tuah was already doing the same thing??? raaahhhh!!!!
also you'd think this whole Discord situation would've come up in conversation between Tuah and Andy before now like hello???? something you might need to know?!
Godddd Andy and Nile make me feral!!! Also if they don't acknowledge Andy and Quynh romantically I'm throwing my laptop off the balcony
OOHHHH that glimpse of historical Nicky and Joe has me screamingggg
I'm actually really happy so far with how Andy and Quynh's reunion is being handled!
ohhh how I wish I gave a shit about the Discord plotline. but alas. I really don't
NOOOO YOU'RE KIDDING ME. please don't explain the becoming mortal thing. please don't. that's so fucking stupid. also how convenient that there are these very specific legends about this very secret thing that only applies to a very few specific humans and that almost no one knows about! this is the lamest shit I've ever heard
oh Booker my sweet baby angel ;___;
Booker trying to wingman Andy into fixing things with Quynh HEEEELLLL YEAH.
OH SHIT THIS IS JUICY!!! Booker using Nile to try to become mortal???? OUGH OW OUCH WAUGH OWWW. I mean that sucks and is so cruel to Nile, but. JUICY. (also unrelatedly, goddd Nile is so fucking hot!!!)
J U I C Y !!!!! AAAAAAAA!!!!
FUCK ME UP NICKY ALRIGHT 😭😭😭😭
THIS IMMORTALITY TRANSFER IS THE STUPIDEST SHIT I'VE HEARD IN MY LIFE!!! SO NOW IT'S A GAME OF HOT POTATO????? jesus christ
ALSO DOES THIS NOT NEGATE THE WHOLE DISCUSSION THEY HAD ABOUT STUFF MEANING MORE WHEN YOU ONLY HAVE LIMITED TIME????
Oh I am BIG MAD about Booker's death. That's a real mean stunt to pull on Andy.
Also can we talk about how this is a giant retcon??? ANDY HEALED FROM WHEN NILE STABBED HER, DIDN'T SHE? Like, the first time she noticed her wound not healing was after the church fight? she would've noticed much sooner if Nile's stab wound hadn't healed. so it wasn't a case of "the first wound inflicted by the newest mortal takes away the healing", right? or am I tripping. but either way that's so fucking stupid.
it would've been much much juicier for Quynh to realise Andy's not immortal than the other way around.
god Andy is hot in this movie. the lesbian mullet. awooga awooga.
dude as anyone who knows anything about consent can tell you, consent given under torture is not consent! it's never going to be "fReELy gIVeN" if you torture them to do it! dumbass.
WHAT THE
WHAT
WHAT
WHAT
ARE YOU FUCKING KIDDING MEEEEE?????????
THAT'S WHERE IT ENDS???
I'M SORRY?????
dude you're lying to me
THAT'S...
I'm legit speechless.
THAT'S NOT EVEN SEQUEL BAIT, THAT'S AN UNFINISHED MOVIE! WHERE'S THE FUCKING REST OF IT?!?!?!?!
IT TOOK YOU FIVE YEARS TO GET THIS SEQUEL OUT AND YOU DECIDED TO LEAVE THE CONCLUSION TO THE NEXT MOVIE???? WHAT IS HAPPENING??? YOU'RE NOT GETTING A THIRD MOVIE YOU FUCKING IDIOTS!!! SO THIS IS WHERE IT ENDS????
I am gobsmacked.
did not see that coming
0/10. fuck you.
(EDIT: okay I hit "post" the second I was done so that ended a bit harshly so I will amend that there was a lot to like about this, as I hopefully brought up in my notes! I loved all the interactions between the main crew, most of the Booker stuff was handled really nicely, and I liked a lot of the things they did with Quynh's return. but that final curveball really shat on my enjoyment of this movie big time. so it's not actually a flat 0/10, but my god it sure was not a well-made movie, was it. OOF.)
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Do you have any tips for drawing backgrounds? Yours always look so nice
aww thank you! As for tips...
Tip #1:
Find references. I sketched the cover for chapter 4 three different times, because the first two didn't evoke the majesty of the Prism Tower in the way I wanted it to. And then I saw this

I think you can see how this translated into the cover

Tip #2:
Do studies. Be it from photos (your own or from a royalty free website like pixabay, but watch out for AI garbage bc the perspective is usually wrong) or from real life. It's not cheating, it's encouraged, and it's industry standard. Idc if you have photographic memory, get something from real life in front of your eyeballs and draw it. Try and keep your reference close to your drawing so that it's easier for your eyes to flick back and forth between the two. This is how you can train your eyes to really see what's going on in an image. Compare angles, shapes, sizes, and distances.
I use clip studio paint for Genesis, which has perspective rulers and they're super handy for speeding up the process (first image) and again, is not cheating. It's a tool to use in your arsenal. A little tricky to use, but once you get it down, it's fantastic. I also really recommend using other mediums, like a sketchbook and a sharpie (2nd image) or dinking around in Paint (3rd image). Limiting yourself in challenging ways is a great way to grow fast. Experimenting like this is also great for finding a style or technique that you click with
Tip #3:
Be aware of the cone of vision. This is a technical skill, but it's one of those things that you don't necessarily have to draw out every single time (tho I'd recommend doing it at least once to burn it into your memory better). If your drawing is looking wonky, the cone of vision being breached is a likely culprit. I'll link a video to someone who can explain how to do it better than I can.
youtube
Tip #4:
Learn how to draw things the same size in perspective. This is probably the thing I use the most. For example;
You have a tiled floor in a room. The lines going to the vanishing point are easy to do.
But how do you do the horizontal ones going across the floor?
Step 1: draw two horizontal lines, and put an X in one of them, going from corner to corner
Step 2: Going from the center of the X, trace a line back to the vanishing point
Step 3: from one corner, draw a line that goes through where that center line hits the tile edge
Step 4: at the end of this new line is where the next tile will start
Step 5: Rinse and repeat as needed
Ta-da! You now have tiles that are all the same size
This also works for vertical things like windows or telephone poles
One of the most useful applications I've found this trick for is making sure that everything is the right size. Sticking a person in a drawing is an instantly recognizable way to show scale
Whilst sketching the cover for ch 4, I'd accidentally made the doors way too small in the buildings in the back, so I slapped some people down to make sure they were the right height (This is in 3-point perspective, so the trick still works, regardless of if it's 1-, 2-, or 3-pt perspective owo b )
#comic ask#anonymous#anon#long post#perspective tutorial#kinda#i am historically Bad At Explaining Things#so hopefully this is somewhat coherent#you can also cheat a lot with establishing shots#put some mileage in for a few really nice panels#and then proceed to just draw the corner of a room lol
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i need to post about palestine on facebook but i'm fucking terrified
#i went to a very jewish college and a very decent percentage of my fb 'friends' are jewish zionists.#i don't use fb often but when i've checked recently‚ i've found a handful of pro-israel posts‚ and they've been well-received.#i have seen one person put a palestine frame on their profile picture. they got a small‚ mostly positive but some negative‚ response.#that's all the reference i have here.#and very importantly: i feel like pretty much anything i say is going to be received as goysplaining.#i think my best bet is to stay away from historical arguments (like‚ yes palestine does actually exist‚ yes it was bad to force them off of#their land in the first place‚ etc)#and also avoid my personal feelings on this re: my relationship with judaism (which is integral to the message i want to send but w/e)#and focus on israel's very obvious current indefensible actions.#however. i feel like i'm doing the movement a disservice if i don't call for a free palestine and explain what that actually means.#but doing that would increase my risk of getting dogpiled from 'high' to 'inevitable'.#and i am not articulate!!! people might try to rebut me‚ and i am very bad at debate!!!!!!! i have multiple anxiety disorders!!!!!!#and people get fired over this kind of thing. i know the chance is small‚ but i don't know if i want to risk my career over this.#my gut is telling me to wait until i'm sure. but i don't know if or when that will happen.#i want to change *someone's* mind‚ but idk if i'll even be able to do that. maybe just my uninformed hometown gentile friends'.#i want to do this before it's 'too late'. but what does 'too late' mean here? my fb friends aren't launching the missiles.#i suppose my goal is to help turn the tide of public opinion‚ in the hopes that that'll affect the politicians/corps at play here.#but maybe i'm more likely to do that by marching. making posters. talking to acquaintances. who knows what else.#just because i don't *see* those minds change doesn't mean they're not changing. maybe those minds are actually more likely to change.#txt
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Teha'amana was the native wife of Paul Gauguin during his first visit to Tahiti in 1891 to 1893. It was common at that time for French colonists to take native wives; the wives simply referred to as vahine, Tahitian for "woman". These vahines were often underage children, as was the case with Teha'amana, their marriage being arranged by their family for reasons of status or financial advantage. The marriages were generally not legally binding. All three of Gauguin's vahines, the two he took after Teha'amana eventually returned home while Teha'amana herself declined to continue their relationship when Gauguin returned to Tahiti in 1895. Teha'amana undoubtedly saw herself as conventionally married according to her local customs, but for Gauguin the marriage was clearly a temporary arrangement. Nevertheless, he did profess a tender love for Teha'amana in his journal Noa Noa. Pierre Loti's Le Mariage de Loti, a book that influenced Gauguin's decision to travel to Tahiti, was an immensely popular account of such a marriage twenty years earlier, although in that case the marriage was actually a fictional composite of many casual liaisons indulged by Loti during a two-month visit to Papeete. In Loti's account his wife was fourteen years old, while in Gauguin's account Teha'amana was just thirteen years old.
These things are true. I want to make it clear that I do not condone these actions. However, this blog is not meant to refer to the real Gauguin. There is a degree of separation between the Gauguin from history and the fictional portrayal of Gauguin in the musical Starry. I do try to make this clear, as I have pinned a post discussing this to the top of this blog.
The difference between a real person from history and a character based off of that person is an important distinction to make. A character is not a real person, they are used as tools in a story and this may involve exaggerating certain elements of their historical counterpart and eliminating others, or for the sake of the plot, it may make more sense to put a character in a position the real person was never in. Beyond the plot, another reason these things may be done is to better convey a message that the writer(s) want to share. Applying this to Gauguin, if I remember correctly, the historical Gauguin never directly stated how he felt about how he had left the Yellow House. The Gauguin in Starry, however, has a line in the last song of the show that makes his view on this very clear: "I want to live again so I can stay." The character of Gauguin regrets his actions because that was what was right for the story the writers wanted to tell.
I do think this is an important discussion to have; the bad things historical people have done is something that should be talked about and recognized to be Not Good, but if these things are not relevant to the story being told, they should not be brought up as a reason to dislike the character. Not that a character doing bad things means that you're wrong to like them, but I could make a whole other post about that.
#i'm just trying to explain there are no hard feelings here#i'm open to discussing this sort of thing more if anyone has anything further to say on the matter#also i'm actually so close to writing an essay of a post about how it's ok to like characters who do bad things bc it's been a Thing lately#please let me know if you're interested bc i WILL do it#sorry if anything i wrote sounds a bit weird i did this at late o'clock and i am sleep deprived#asks#anon#historical counterpart
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P1 in World History - OP81
Oscar Piastri x Historian!Reader
summary: no one understands how Oscar suddenly dropped facts after facts on the most random historical events
based on this request (by my favorite ever)


liked by mclaren, redbullracing and 1,300,000 others
f1 🎥 Grill the Grid: High School Edition is HERE
Watch our drivers struggle with math problems, historical dates, and chemical reactions 👀
Spoiler alert: we had some surprises.
view all comments:
lando who gave oscar a cheat sheet? be honest
charles_leclerc I would like a rematch with no ancient greek questions please
yukitsunoda0511 I said “napoleon” for everything. Not my fault it worked twice.
mclaren We are also surprised. Very surprised.
redbullracing Gonna have to bring this up to the stewards 🙂↔️
fernandoalo_oficial finally, someone knows I was there when Caesar was stabbed
alex_albon me watching oscar answer every history and geography question with his arms crossed like he’s on who wants to be a millionaire😭
user bro oscar even corrected the quizmaster once. is he ok?
user oscar casually dropping historical facts like it’s not suspicious at all…
user i'm so glad they are f1 drivers and not doctors or something
user why did oscar answer all of that without blinking? i’m scared 💀
user nah bc that man answered “Battle of Waterloo” like it was a pop quiz at dinner. WHO ARE YOU 😩
user oscar's not real. he’s a government experiment gone rogue
user the way he SMIRKED when he got the Cold War question right?? sir who are you trying to impress 😭😭😭
user idk if i want to kiss oscar or force him to write my next essay
user charles i expected more from you
user no but Lando getting the math question was so sweet
user when max said “well technically…” I felt that in my bones.
> user he maxplained that whole video and still lost
> maxverstappen1 I want a rematch

Oscar Piastri just added to his Instagram Story
"Great read 👍"




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SkySportsF1 🎤 Oscar Piastri revealed or us the secret behind all his world history knowledge:
“It just sort of happens when you date a historian. Everything becomes a lesson. She once paused a movie to explain Dutch colonialism.”
View all comments:
user not me googling “how to become a historian”
user she paused a movie to explain Dutch colonialism and he STAYED??? yeah he’s in love your honor
user no bc i’d explain imperialism mid-makeout if he asked 😭
user that household must be insufferable
user I too wanna monologue to Oscar during breakfast
user imagine pausing a movie to rant about colonialism and he looks at you like it’s the hottest thing ever? god i’m weak
user and he LISTENED??? he RECALLS the info??
user she taught him centuries of world history and what did he give her back? driving lessons?
user “everything becomes a lesson” sir that is the dream 😭 i want to analyze the French Revolution over dinner too
user this is what happens when you date a girl who annotates books and knows who Franz Ferdinand is
user i want what they have. and by that i mean him. and also her brain. pls.
lando so you’re telling me i lost to oscar in Grill the Grid bc his gf is smarter than everyone at McLaren combined?
> oscarpiastri: you lost because you said Napoleon invented the calendar > yourusername: to be fair… he did change the calendar. you were just off by a few emperors > lando: OH MY GOD SHE’S HERE I’M SORRY PLEASE DON’T QUIZ ME
alex_albon oscarpiastri she paused a movie to explain colonialism and you didn’t RUN? bro you’re in deep
> oscarpiastri: i stayed. i took notes. there was a powerpoint. > yourusername: in my defense, it was really bad colonialism. like offensively inaccurate. > user: i am obsessed with the fact that she said “bad colonialism” like it’s a genre of film > user: alex is 100% pretending he gets this rn
georgerussell63 I want to add to the conversation that just 5 minutes ago during a chat this man casually cited the Meiji Restoration.
danielricciardo nah bc when she paused the movie he just sat there?? with his mouth shut?? couldn’t be me 💀
> yourusername he nodded. he asked questions. it was adorable. > danielricciardo stop you’re going to make the rest of us look bad
mclaren Confirmed: Oscar is now banned from date night and team trivia. Unfair advantage.
user WHY IS SHE SO CASUAL IN THE COMMENTS I’D DIE
> user she’s literally explaining history and being hot about it > user no bc she called it “bad colonialism” and suddenly I need a PhD >user someone make a TikTok of her best comments, we’re documenting greatness in real time
charles_leclerc If my girlfriend taught me history i’d listen too 🥺
> alexandrasaintmleux you can't even tell me who painted the Mona Lisa > charles_leclerc I said "history" 🙄
user do you think Ferrari can hire her to do something?
> user omg what would she even do there? > user anything is better than what they have ❤️ liked by charles_leclerc



liked by yourusername, lando, mclaren and 2,400,000 others
oscarpiastri Turns out there are so many good museums in England Also I now know what mercantilism is now.
view all comments
lando i want her to quiz me
charles_leclerc I refuse to learn, but i’m proud of you
georgerussell63 do you think she tutors for fun?? asking for me
alex_albon you’re literally a walking historical source
danielricciardo please ask her to explain the entire French Revolution to me in meme format
maxverstappen1 you scare me but i respect it
user THEY ARE TOURING HISTORICAL LOCATIONS 🥹🥹🥹🥹
user i know he’s got a napoleon bobblehead
user dating a historian and surviving is proof he’s the chosen one




liked by oscarpiastri, yourbff, mclaren and 8,150 others
yourusername He said “teach me everything” and now he can name every Cold War proxy war. Proud of my little historian-in-training. Also yes, he scored higher than some of my students on the practice quiz.📚💋
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oscarpiastri Cold War was a vibe
georgerussell63 okay but she’s intimidating in a hot way
> oscarpiastri don’t call my girlfriend hot. LEAVE. > georgerussell63 it was a compliment 😅😅😅
charles_leclerc imagine being forced to learn at dinner 😔
lando can she explain the space race to me using memes and finger puppets
> oscarpiastri are you 2??
user “cold war was a vibe” i’m IN TEARS
user she’s not just teaching him history. she’s giving him range
user whatever taylor swift said about you know how to ball i know aristotle
user i would risk it all for her to yell about the ottoman empire in my kitchen
hattiepiastri just watched him explain the industrial revolution like it was a bedtime story
kimiantonelli who even knows what happened in 1848????
> user aren’t you supposed to be learning that in school?
user is this a kink thing?
user dating a historian sounds like a trap. a sexy, educational trap.
maxverstappen1 can you prepare me for the next grill the grid?
> yourusername sure thing!! > oscarpiastri NO



liked by lando, oscarpiastri and 1,450,000 others
mclaren Study season. Quiz night prep. We no longer know if this is for history or Hungary GP. 🧠🏁📚
view all comments
oscarpiastri she just asked me to rank my favorite Enlightenment philosophers. it’s 10pm. i said Kant and she said “incorrect.”
> yourusername it was a trick question. you were supposed to say “you, darling” > oscarpiastri i’m logging off before I get in trouble > user I NEED THEM TO ADOPT ME
lando does this mean i can’t cheat???
> oscarpiastri she said next time you cheat off me she’s quizzing you on Byzantine trade routes > lando nevermind i’m studying. i’m SCARED.
yourusername Quiz night winner gets free coffee. Loser gets a 20-minute lecture on the French Revolution.
> mclaren we are printing flashcards as we speak
alex_albon imagine prepping for Hungary and getting hit with “define the Treaty of Utrecht” over breakfast
> oscarpiastri: she did that. literally. it was before coffee.
charles_leclerc what’s happening? Why is everyone smarter now.
> georgerussell63 she’s infecting the grid with knowledge. we’re not safe > fernandoalo_oficial finally.
user this is the power of a woman who annotates books and kisses you mid-lecture
user can’t wait until one of them starts mixing up tire degradation with the fall of the Ottoman Empire
#f1 fanfic#f1 x reader#f1 smau#f1 writing#f1#oscar piastri smau#oscar piastri#oscar piastri x reader#oscar piastri x you
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✧˖° the identity shift: start thinking like an A+ student





post 1
💭 before you even touch your notes, before you highlight a single word, before you drown in exam stress. change how you think about yourself.
most people study with the mindset of “i hope i do well” instead of “i am the kind of person who excels.” and that’s the difference. if you want to start acing your exams, your first step isn’t flashcards or practice tests. it’s shifting your identity. because an A+ student doesn’t just work hard, they think, act, and exist differently.
this is the second post to the final exam survival series. the last post, was focused on how to actually enjoy learning and using that to motivate yourself for school. this post will focus on shifting your identify, which can also work great for manifesting and law of attraction/assumption. i will try to give you the best possible tips to help you shift your mindset to already have the A+ mentality. love you guys <3 - mindy
disclaimer: please don't think i expect you to be perfect, i use 'A+ student' as a way to help you when using loa or manifesting. YOU ARE A HUMAN; DO NOT THINK YOU NEED TO MEET STANDARDS TO BE PERFECT! i love you all and wanted to make sure you know i am NOT setting an unrealistic standard. this post is to help you with manifesting good grades and to inspire you. not for toxic motivation or unrealistic standard setting. - mindy
✧˖° ➼ 01. stop identifying as “bad at studying”
you will never outperform the identity you attach to yourself. if you keep telling yourself: ➝ “i suck at this subject.”➝ “i’ve never been good at exams.”➝ “i’m just not a naturally smart person.”
then you’ll stay stuck. why? because your brain is wired to prove yourself right. but when you shift to: ➝ “i am fully capable of mastering this material.”➝ “i am becoming an A+ student.”➝ “i study in a way that works for me.”
your actions start aligning with that belief. the way you approach studying changes. and suddenly? you’re not “bad at it” anymore.
✧ homework: rewrite every negative academic belief you’ve held about yourself into a new, empowering one. read them before every study session.
✧˖° ➼ 02. start acting like an A+ student right now
not when you feel “ready.” not when you’re already good at the subject. right now.
✨ an A+ student doesn’t: • cram the night before and hope for the best • avoid studying because it feels overwhelming • rely on last-minute motivation to get things done
✨ an A+ student does: • plan their study sessions like an actual strategy • break down material into small, digestible pieces • work consistently, even when they don’t “feel like it”
✧ homework: take one small action today that your A+ student self would take. even if it’s just organizing your study space or making a realistic revision schedule.
✧˖° ➼ 03. use strategic learning, not just memorization
most students study to remember. A+ students study to understand. if you keep forcing yourself to memorize facts with no deeper connection, you’re setting yourself up for forgetting everything under pressure.
🖇 better study strategies:• teach the material → pretend you're tutoring someone who knows nothing about it. if you can explain it simply, you truly understand it. • apply what you learn → don’t just read about a formula, actually use it in practice questions. don’t just memorize historical dates, understand their impact. • switch up your methods → your brain loves novelty. use diagrams, study cards, summarization, and active recall instead of just rereading notes.
✧ homework: find one concept you’ve been struggling with and try teaching it to yourself out loud as if you were giving a TED talk.
✧˖° ➼ 04. start believing you deserve high grades
subconsciously, a lot of people don’t actually believe they’re the kind of person who gets top marks. they might think: ❝ i’ve never been a straight-A student, so why start now? ❞ ❝ my past grades weren’t amazing, i probably won’t do much better. ❞
but what if you let yourself believe otherwise? what if you fully accepted that you deserve to succeed just as much as anyone else? because you do. and the moment you believe that, you start acting in ways that make it true.
✧ homework: visualize yourself receiving your dream grade. feel the confidence of knowing you earned it. then ask yourself: what would my future self tell me to start doing right now?
✧˖° ➼ 05. control your environment like a top student
your surroundings play a huge role in your academic identity. A+ students set themselves up for success by designing an environment that makes focus effortless.
🖇 small shifts that make a huge difference: • keep your study space clean & minimal (no distractions) • use a dedicated study playlist to trigger focus mode • have a go-to beverage (tea, coffee, water) to make studying feel like a ritual • wear comfortable but put-together clothes to signal to your brain that it’s time to work • remove your phone from your workspace entirely (or use app blockers)
✧ homework: make one intentional change to your study environment today. observe how it affects your focus.
✧˖° ➼ 06. stop waiting for motivation
A+ students know that motivation is fleeting. they don’t rely on feeling “in the mood” to study. instead, they: ➝ create systems (set study times, routines) ➝ make studying automatic (habit, not a debate) ➝ use momentum (just start. five minutes can turn into an hour)
✧ homework: set a 10-minute timer and study right now. no overthinking, no debating. just start.
✧˖° mindy’s personal tips
💌 your identity is everything. if you don’t believe you’re an A+ student yet, start acting like it anyway. your mindset will catch up. 💌 make studying feel aesthetic. wear cute study outfits, light a candle, make it a whole vibe. enjoyable studying = effective studying. 💌 romanticize the glow-up. your academic transformation is a story. imagine looking back and realizing this was the moment everything changed. 💌 you are not behind. you can reinvent yourself as a top student at any time. even now. even today.
xoxo mindy
#girlblogger#studyspo#studyhacks#romanticizelearning#academicweapon#glowup#selfimprovement#tumblrgirl#studentlife#focusmode#girl blogger#glowettee#dream girl#it girl energy#study tips#pink#becoming that girl#that girl#self improvement#academic motivation#academic validation#academic weapon#chaotic academic aesthetic#student life#student#studying#studyblr#university#study techniques#study aesthetic
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I would love to hear the rant about social media doomerism and conspiracy
I’m on my phone right now but the summary version is something like:
Humans are bad at integrating information into their worldview accurately bc of various cognitive biases
Social media incentivizes us seeking out content that excites fear or anger or irritation
Social media thus causes us to form negative impressions of the world bc it mediates so much information consumption and discourse these days
This general negative affective impression is subject to high confirmation bias and ppl in general are really bad at divorcing an affective impression of a thing from their dispassionate reasoning abt a thing
(Bc one of the functions of an affective impression is to “cache” our conclusions about a topic to save time and effort later)
(In general if you are a cynic and pessimist you can fall prey to these biases w/o social media but I think social media makes more ppl susceptible to them)
People don’t want to be dupes so they seek refuge in cynicism. We treat cynicism as wise or worldly when in fact cynicism makes you a dupe and an easy mark for grifters. Cynicism and low trust foster conspiracism, paranoia, and antisocial politics
(This is why so many congenitally contrarian folks seem to flit effortlessly between the far left and far right; it’s not horseshoe theory, they’ve just cooked their brains on this stuff)
This is a world where populist anti-social politicians like Trump and the AfD thrive, bc they will lie about how everything is terrible and people will nod along, bc it explains why their social media is full of awful stories of, like, immigrants eating pets and shit
But it doesn’t just have to be insane lies only a moron could believe. It can be any impression about a fact in the world that it is difficult to personally check and which is vulnerable to being swayed by anecdote
This is how we get a word where people think crime rates are higher than they’ve ever been when in fact crime is falling
Or child predators lurk around every corner when in fact children are safer than ever
Or the American economy is in a recession when in fact it’s doing historically well by just about every available metric (now with full employment AND low inflation!)
Because in a big world even where things are in general good and getting better you can always produce infinite individual examples of shitty things and pipe those in a steady stream into people’s eyeballs, and then point to that and leverage people’s low trust attitudes and their cynicism which tells them they are smarter than the experts and go “statistics is just a fancy way to lie! The world is secretly terrible! Every bad thing is even worse than you thought and every good thing is a lie!”
(Nevermind the whole phenomenon where anything that is complicated or that someone does not themselves understand gets treated like it’s actually secret and a conspiracy.)
And here I know I have to include some disclaimer about how this is not to discount individual cases of suffering or struggle, which are real, or that there are indeed some really awful things happening in the world right now, which there are, but you know what?
I’m tired of doing that. People with reading comprehension operating in good faith ought to be able to deduce that general statements do not obviate particular exceptions, and people who cling to their doomerism as a kind of emotional life raft do not generally argue with me in good faith.
Sometimes doomerism is a load-bearing pillar of their politics, which I think is dumb—I think you can be a leftist or a progressive without being a doomer! In fact I think doomerism is antithetical to useful politics!
Sometimes they are just depressed and treatment-resistant. Sometimes they are just angry misanthropes who want to feel justified in their misanthropy. Some doomers are themselves in bad circumstances and feeling hopeless about that—to them I am enormously sympathetic. Though a lot of doomers will admit they personally are doing OK—this does not seem to be most doomers.
But I think in general cynicism and doomerism and a worldview dominated by a general nebulous air of Everything Is Awful and by abstract nouns with threatening auras is not conducive to wisdom or understanding or useful politics or leading a happy and fulfilling life.
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hey babe! how are you doing? hope you are doing fine :) I know you are probably full with requests or projects, so please don't feel pressure to answer this :( But I was wondering, how do you think Mattheo would be once he realizes he is in love/developing feelings? Do you think he would try to push them away at first?
. 𖥔 ࣪˖ hello bae, i'm doing fine, tysm for asking! i am a little overwhelmed, however !! i hate the idea of discarding/ignoring the asks i receive <3 everyone is so lovely here. it ended up being a full-on lengthy thought... thank you for interacting!
THE (CATASTROPHIC) ART OF FALLING IN LOVE ; mattheo t. riddle.
mattheo doesn't know how to react to being in love with someone. one thing is physical attraction — mattheo is acquainted with the feeling of desiring someone, perhaps lusting over some physical contact here and there.
but that's something that eventually disappears, like a wave that comes at full force and fades into a gentle touch at the shore, drawing back to the large ocean. mattheo can be so attracted to someone today, then perceive them as someone who mingles with the crowd like, less than a month later. the problem here is that when feelings develop, they linger — and stay, for longer than one can control.
and why would that be a problem? well.
mattheo isn't used to attachments.
for someone who's been passed from hand to hand, born from two people who wanted to conceive power rather than someone to love, mattheo taught himself to rationalize that everything is temporary. that death eater lady who took care of him during his toddler years? yeah, somewhere along the way he was sent to another couple, then to someone else, and that formed a sequence of bad, worse and less bad historic of mattheo riddle's caretakers.
things are temporary. dangerous feelings like attraction — mattheo knows that lust can easily be mistaken with love — are meant to be short lived. desire, conquer, fulfill, abandon. and that's that.
but developing feelings for someone — merlin forbid, falling in love — is a much longer process. like falling asleep, one falls in love, sometimes for reasons that not even merlin himself could properly explain. mattheo doesn't like the vulnerability; one thing is wanting to fuck someone, another totally different thing is wanting to hold hands just because, spend time together for the hell of it without expecting some sort of carnal reward in return.
mattheo riddle fucking hates it.
because in a selfish world where the strongest suffer the least, mattheo can't afford weaknesses. he's already alone, very much prejudiced because of his recent and ancient bloodline, not a wizard with many people who would defend him.
so to want to protect someone, when he should focus on protecting himself, is dangerous. it's foolishness. it's another weight to his already heavy shoulders.
and this, anon, so i can give you the right context to why mattheo's first instinct is to be fucking angry about this stupid person that stole his well guarded heart. because mattheo doesn't have an history of exemplary adults to look up to, he can be, hm... childish. even in his anger, the way he seeks solutions for his problems can either be violent (mhm, to assert dominance) or some stupid shit that apparently, makes sense to him.
said stupid shit is sending an anonymous letter that goes straight to the point.
get the fuck out of my school, you freak.
very mature. definitely meant to provoke the desired outcome.
for a good while, probably during the time span of mattheo slowly — veeeery slowly — coming in terms with his feelings, mattheo goes through the five stages of grief.
DENIAL, even though the handful of slytherin outcasts he can count as friends will use any. given. chance. to absolutely wreck mattheo's patience with jokes regarding how much he's in love — which he isn't, thank you fucking much. mattheo will deny to his very grave that he couldn't care less about her; at most, sure, she's kinda cute and even stunning on days that he's more distracted and less guarded, but that's it! lust, everyone! hormonal boys being boys, alright?! nothing romantic about that.
even though he can't help but follow her with his eyes, mentally distant from whatever conversation to see her walking by. the sight of her existing totally unaware of him, probably hurts so good that it sends mattheo into another wave of denial. even if he was in love, it wouldn't work — so there's no feelings involved.
are doomed children even able to get such good things? no, mattheo assumes not.
ANGER, because these little things start to accumulate a heavy burden to his fragile patience. like a mad dog waiting for the chance to bite, mattheo starts warning draco and pansy to shut up about the puppy-in-love jokes, and even gives a warning glare to theodore and blaise, hoping that there's some peace from their side, too. mattheo feels like exploding whenever he's given lame advices for corny situations.
it's anger, because sometimes, mattheo thinks that he can't feel anything else.
BARGAINING, whenever the evidence becomes too obvious to ignore. at this point, mattheo has to, begrudgingly, admit that his excuses are so stupid that it gives him secondhand embarrassment for himself. for fuck's sake, voldemort's son excusing his lovesick actions for must-have-been-the-wind kind of excuse.
the gradual path to acceptance, although through baby steps, forces mattheo to reinforce the idea that he's in control of this whole situation.
if-only's are followed by what-if's, like a push and pull sort of situation, where mattheo sways between a stage of anger and denial, while unknowingly crawling his way to depression and acceptance.
DEPRESSION, because how can he convince someone to put up with his shit for longer than what, one night stand? despite his terrible reputation, there are girls more than willing to make out in a corner of some dorm party, or even more than that for the hell of it. but more than that? nah, no one is crazy enough to do that — remember? lust and love can be mistaken, but in mattheo riddle's case, it's easy for people to distinguish it with him. so yeah, just his luck.
as much as his friends might try to help him, mattheo is hardly convinced. it seems some stupid karmic trial sent his way, because he is, supposedly, not struggling enough. sure, throw some heartbreak and highschool failed romance on his way.
the whole 'depression' stage is filled with overthinking. either silly daydreaming of what will never happen, to following the sight of her everywhere she happens to exist where he does, too. then, it happens to be unintentionally noticing very little things about the person he likes — and convince himself that it only serves as more incompatibility, because you'd have to be crazy to be with someone whose surname happens to be riddle.
yeah, some things just aren't meant for him, are they?
ACCEPTANCE, however, is the stage that finally offers some peace of mind to him. mattheo accepts that bargaining and getting angry at his feelings won't do shit — by now, he's used to the whole butterfly-stomach-bs that some fourth-years were chanting about in the great hall, and the natural anxiety he feels whenever she's near. the tingling in his fingers, because he wants to touch, to protect, to be equally loved too, but ends up being another fistful on his pockets' fabric in the end.
unfortunately, this acceptance might only be fully achieved upon some major event. mattheo has to act subconsciously to accept that there's no way around it anymore — he's in love, he wants this person in the least selfish way possible, and he's fucked because of this.
if you want my opinion, the easiest trigger to this stage would be anything that sparks mattheo's protectiveness. the moment that he feels good about having helped her, it's over. mattheo isn't his own priority anymore — she is.
after trying to push her away, even if that means to distance himself from every little thing that reminds mattheo of her and, consequentially, his weak feelings for this girl, mattheo will surrender to it. this time, he carefully reapproaches her — tiptoeing his way back, ambitioning for a possible connection, or the slightest friendship that allows him the peace of being in her presence.
it could take a good amount of time for mattheo to convince himself that he can, and should, take a chance. it's not the same as flirting with someone into getting something carnal out of it — it's the attempt to open a potential door for a relationship, which he really, really wants to, even though mattheo has no good examples of it. at fucking all.
but for her?
he'll try.
and merlin help him if he won't even read some stupid book to properly understand it. give him a chance — and he'll be a good boyfriend.
as good of a boyfriend as bellatrix lestrange and the dark lord's lovechild can be.
#slytherin boys#headcanons#mattheo riddle#mattheo riddle x reader#mattheo riddle angst#╰୧ 🐚 talking with arty's askbox! ︶
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Sukuna’s Loneliness Part 5 (Sukuna Did Nothing Wrong in the Heian Era, Probably)
Part 1 Part 2 Part 3 Part 4
Some notes before we start.
1) Big content warning for in depth discussion of historical slavery and the exploitation of minority groups.
2) I will be mainly using the TCB scans for the manga because of their accessibility.
3) Raws are from Mangareader(.)to.
(Click images for captions/citations.)
Preface
This is another case of me making everyone suffer the consequences of my fic research. I finally got my hands on 100+ page THESIS on the lives of the lower class in ancient Japan that references multiple peer-reviewed sources. This is my holy grail. Please read all of it. (Thank you Mr. Breann M Goosmann!) Whenever I quote something, I am quoting this source. Most of what I'm summarizing is directly from this source.
Gege may have failed to write a proper backstory for Sukuna, but one was clearly set up using the actual history of that time. So I'm here to infer what's in those gaps using this document.
The Class System in Ancient Japan
During the Heian Era (794–1185) a social caste system called Ritsuryō (you can read more about its application here). The upper class was called 良民 or Ryōmin (good people) and the lower class was called 賤民 Senmin (low people).
The kanji 民 (Min) used for both of these classes can be translated as citizen instead of person. The Wiki page I linked uses the citizen translation. I have decided to change that to people because of 3rd group of people excluded from this system: The 非人 or Hinin (non-people).
Ryōmin included court nobility, citizens, professions that served the court, and tradesmen.
Senmin included servants and slaves.
Hinin included criminals, the deformed/disabled, and those working professions considered "unclean."
The most notable thing about this class system is the mobility between Ryōmin and Senmin. Committing crimes, selling oneself into slavery, aging, paying off debts, and doing good work allowed people to rise or fall from the ranks accordingly. Hinin, however, were confined to their class for the most part because many were viewed as innately "unclean".
Ironically, the best way to understand how this class system functioned is to understand what being "unclean" meant to it.
Uncleanliness (Kegare)
穢れ (Kegare) is a term that can be translated as the following: uncleanliness, defilement, pollution, impure.
晴れ (Hare) is a term considered the opposite for Kegare and can be translated as the following: to clear up, clear skies/sunny, renew, dispel, sacred, pure.
Both of these terms largely inform of how ancient Japan functioned and evolved over time. And though not a black and white dichotomy, it can be generally understood that society was organized in a way to minimize Kegare.
What's interesting about Kegare specifically is its complexity and its impermanence. Rather than being something only bad people have, anyone could acquire and dispel it through the proper rituals.
From the Kojiki, a Shinto document compiled before the introduction of Buddhism, and therefore before the Heian, separates Kegare into 2 categories:
1) Touch Kegare: Defilement through the physical contact with something unclean such as bodily fluids and the dead.
2) Transgression Kegare: Defilement through sinful actions.
"These versions of pollution appear as transient, exorcised relatively simply through misogi (cleansing ritual), seclusion from society, or expulsion of disorder causing elements."
This understanding of Kegare then evolved with the introduction of Buddhism to Japan. (This began in the Nara Era and extended well into the Heian.)
"As Jacqueline Stone explains in her study of deathbed rites and rituals, someone who had become enlightened was considered to have a “pure” mind, while those with a deluded mind were said to have a “defiled” mind. Monastic Buddhists also followed their own codes of “pure” conduct such as refraining from the eating of meat and killing of animals."
The old Shinto understandings of Kegare still carried over with the physical avoidment of unclean things such as dead bodies and blood. However, Buddhism introduced the idea that certain groups of people were innately impure. This includes the Hinin who were uniquely ostracized by this system.
"Hinin, like all outcast groups were bound to their “defiled” status. However, unlike other outcasts, they were also cast as blasphemers of Buddhist doctrine afflicted with karmic illness."
But despite being seen as this innately impure, the religious institutions were closest to them. Of the few places in society willing to tolerate and deal with Kegare, they offered outcasts "positions" where they could beg, display themselves as what happens to people who don't follow religious doctrine, and help with jobs considered "unclean". Since outcasts were considered permanently defiled for the duration of that life, they could touch impure things such as the dead, the sick, and blood on behalf of those avoiding temporary Kegare.
This is exploitation point blank. And though this suggests outcasts had some agency when it came to their survival, it doesn't remove the systemic coercion driving their situation.
Please keep this in mind as I explain why Sukuna did nothing wrong.
Sukuna is Hinin
Though there is plenty of debate on what makes someone Hinin, the general consensus is the following:
"All agree that hinin were considered defiled by others in society and looked at with some contempt. One medieval reference book called the Chiribukuro explains that hinin and other outcast groups “are alike in that they are shunned by human society.”"
But when trying to define Hinin more narrowly, this is the result:
"the term hinin indicated a very specific group of social outcasts isolated from the community and cast aside due to disease or deformation. In his description of hinin, Nagahara explains that those referred to as “kojiki-hinin” were of the lowest social class, physically isolated from their families and communities and therefore excluded from society and economic activities in the medieval period."
Sounds like Sukuna, right?
Sukuna does not refer to himself as Hinin of course, but he does call himself 忌み子 (Imigo).
To quote myself from Part 1, Imigo can be translated as "Abominable Child", "Unwanted Child", or "Shunned Child." None of these translations in my opinion get across how severe Imigo is. It's closer to meaning "child who should've never been born". Like the child's very existence is an affront to god. (If you play Elden Ring the Omen are called Imigo in Japanese for this reason.)
And since we know that Sukuna is canonically a conjoined twin, aka someone with a visible deformity, this all indicates he was considered afflicted with a "karmic illness" that would classify him as Hinin.
This means that from birth, Sukuna was designated as fundamentally unclean and non-human. Within that society, there was no route he could take to remove himself from this uncleanliness and be seen as human.
The following views of Hinin were considered controversial for their time (during the Kamakura Era aka right after the Heian):
"Although Nichiren believed in the karmic nature of certain diseases, he also understood that this kind of disease was not a hindrance to salvation."
"Undoubtedly, Eison envisioned hinin as the physical representation of the Bodhisattva Monju and advocated that compassion and charity were the appropriate response to karmic illness."
And since these controversial views of *checks notes* considering Hinin worthy of compassion and salvation were documented after the Heian, I don't think it's unreasonable to assume Hinin had less advocates during the Heian.
In other words, Sukuna could not exist within human society without being shunned or exploited. The manga itself suggests this has always been the case.
As you can see Sukuna is absolutely miserable performing a ritual someone of this lower class would be responsible for overseeing. All while the people he is helping regard him with disgust. (By the way there is a purification ritual in Nara called Yamayaki that involves burning an entire mountainside. Something Sukuna's flames would be very good at.)
This is also from the same chapter where he's assaulted by Yorozu who assumes he's lonely because he's strong. She's wrong about this. Just like Kashimo who assumes Sukuna cares little for love for the same reasons he does.
Love from one person is worthless when compared to the nonstop ostracization that comes from institutional discrimination. At most, love can offer relief from that pain. It does not eliminate it. I'm saying this as a minority myself. I love my friends dearly and they love me as well, but I still wake up and go about my day with the soul-crushing knowledge that most wish for me to not exist.
Sukuna is not lonely because he's not loved. Uraume clearly does. It's that for circumstances beyond his control, he has been excluded from human society and forced to constantly be around people who exploit him for the very traits they scorn.
Sukuna pretty much confirms this himself when he talks to Mahito.
And you know what? Sukuna deciding to kill all the people exploiting him is completely justified. (Imo, he can even kill the non-sorcerers that discriminate against him as a treat.)
The Cannibalism was Justified too, for the most part.
Another thing to note about Sukuna. He was born starving and he died starving.
Famines and natural disaster were frequent and extremely hard on the commoner population during the Heian. The fact Sukuna was born starving indicates he was of lower birth to begin with since nobility hoarded the resources to avoid starvation for themselves.
One way for commoners dealt with famine was via foraging. We actually see Sukuna doing that when he meets Uraume.
Now there are several very interesting things we learn from this.
1) Sukuna hunts and eats elk/deer. Something massively taboo for the time. Especially since deer were considered sacred animals back then and even to this day.
2) He appears to wander around and owns very little. This is further in line with him being Hinin per the following:
"Clearly, welcome could be revoked at any time, which meant that hinin had to be prepared to leave any location at any given moment. This mobile lifestyle also meant that hinin could only afford to carry essential daily items, such as cooking utensils and begging bowls. The image also reveals that the hinin were never officially invited to stay in that particular area. Instead, they sought out their own locations to set up communities."
3) Despite Uraume being alive and fresh human meat, Sukuna does not immediately see them as food. Nor does he attack them. This, combined with him not taking the dead villagers for eating and preparing deer/elk instead, suggests that cannibalism is not the default for him.
Back to famines, it's also not unheard of for people to resort to cannibalism during them. The logic is simple: An outcast with no support network eats humans to survive.
And given the frequency of death from natural disasters of this time, there’s a real chance he never had to hunt humans in the first place. As Hinin, handling the dead is one of the few jobs he’s allowed to do. So it’s possible the worst thing he did was desecrate corpses in the name of scavenging.
Furthermore, if Sukuna is considered a non-human, is it even cannibalism to begin with? Is a hungry animal evil for eating a human?
I may consider Sukuna human because I refuse to partake in his dehumanization, but it needs to be understood that in the context of the JJK's story, there is not a single character that refers to Sukuna as a human. He's not even referred to as a man. He's either a curse, a monster, or at the very end, a sorcerer. Sukuna has been so dehumanized by others that he himself identifies as a "curse". This is also separate from "cursed spirit", leaving him in his own unique category of non-human.
Sukuna may not see eating other people as acts of cannibalism. After all, they are the ones who decided he was non-human at birth. (And since he is taboo, eating the deer/elk can’t make him more taboo than he already is.)
The following is an excerpt discussing the dehumanization of the starving:
"This strange image is from the Scroll of Hungry Ghosts and the huge emaciated creature depicted is just one of many of the numerous depictions of hungry ghosts or gaki. Invisible to humans, the gaki depicted are the spirits of greedy or jealous individuals karmically punished for their covetous thoughts with perpetual hunger for bodily excretions such as urine or feces."
"The protrusions of the stomach, the red-tinted hair, as well as the greying of the skin, are all genuine symptoms of starvation. In this light, our image appears significantly different. Instead of an invisible monster attacking a man, we have a disfigured and suffering human reaching out for humanity."
The phenomenon of hair during red or blond from starvation is called Kwashiorkor. Gege may be color blind, but Sukuna being depicted with pink or blond hair appears to be deliberate and in line with Kwashiorkor.
Sukuna was probably framed.
The only crimes Sukuna is accused of by Jujutsu Society is murder and cannibalism. As demonstrated by the previous section, there could be a pretty good reason for the cannibalism. But what about the murder?
Another thing that should be noted about Sukuna is how his destruction is largely retaliatory in the modern era. Every kill or kill attempt is made as a response to a challenge that was directed at him first.
When Sukuna first incarnates, Megumi says this to him:

Yuji may be Megumi's target, but remember that Kegare spreads through touch. Sukuna coming into contact with Yuji has made them both unclean. In other words, Sukuna has been informed that in this life, 1,000 years later, where he has yet to do any harm (Those comments about the women, children, and massacre are still sus, but they could've been about the Merger.), he will be attacked by sorcerers no matter what. It's not unreasonable for him to then attack them on sight.
But even when he does that, most of them survive until Shinjuku. During the culling games, Sukuna kills only 2 sorcerers—Ryu and Yorozu. Ryu is given a chance to walk away, but he doesn't. Uro flees and is spared. Yorozu is the sole person Sukuna seeks out to kill and that’s just for his Gojo plans.
And in that month Sukuna has before the showdown with Gojo? Nothing happens. He kills no one and just lounges around. Eating his own corpse is the only cannibalism. He absolutely could have eaten Tsumiki’s body to further crush Megumi’s soul, but he doesn’t.
Then when it comes to the actual showdown, Sukuna kills 3 sorcerers total. It's also very telling that after Sukuna is dead...no one blames him for what happened. They blame Kenjaku, hell even Gojo, but Sukuna isn't mentioned once. Higuruma is convinced that Sukuna was playing around. Kusakabe agrees that Sukuna’s manner of play isn't what they’re super worried about, it's Kenjaku.
The worst thing Sukuna does is Shibuya and that too has nuance to it. The twins aren't killed for fun. Sukuna punishes them for making demands of him. The citizens of Shibuya? Collateral from dealing with Jogo and Mahoraga. (He only really kills Haruta for the sake of it. And let's be real, he deserved that.)
And though the Shibuya civilian deaths are an objectively bad thing Sukuna has done, the fact they are not intentional gives credence to the idea that Sukuna didn't really target them in the past either. This suggests that the "murders" Sukuna did in the Heian were likely retaliation against people challenging him or trying to subjugate him. In other words, self defense.
And if he did wipe out a village, it was probably collateral. But that's kind of the thing. Did Sukuna even kill innocents by accident? The only confirmed kills of the Heian are those of the Subjugation and Military Squads. You know, people who may have attacked him for simply being "unclean".
Who am I kidding he absolutely was attacked for being “unclean”. This is how Angel talks about Sukuna and the incarnated.
She doesn’t care about saving the lives of innocents, all that matters to her are things that she deems evil are purged. Sukuna to Angel is ontologically evil and doesn’t deserve to exist. She targets him more than other incarnated players while ignoring Kenjaku who is responsible for this mess in the first place. She also quite literally did something she deemed wrong and evil so she could follow him into the future and make sure he died. (Move over Gojo Satoru we've got a new minority hunter.)
But it’s not like her attitude is new. Jujutsu Society is notorious for trying to kill things they deem "bad" such as Yuji and Yuta. The striking thing about the wanted executions of these literal children is that the higher ups giving the command make other sorcerers do it for them. Going back to the ideas of Kegare—spilling blood and touching corpses makes one impure so the outcasts are to deal with it. This is the logic driving their decision to coerce Yuta into a binding vow to kill Yuji.
("No matter how many cursed spirits you kill, it's proof of nothing!" <Please take note of how Yuta's good deeds do nothing to earn the higher ups' favor because he's seen as inherently evil.)
Yuta is essentially scapegoated through this manipulation and Yuji initially treats him like an enemy. In the same way characters like Kusakabe blame Gojo for refusing to execute Yuji. Despite the higher ups being responsible for the system functioning this way, the people they’re manipulating bear the brunt of responsibility to other characters.
Who's to say Sukuna isn't also a victim of this scapegoating? His power is comparable to a natural disaster. It would be very easy to blame one on him. After all, the higher ups of the Heian, the Fujiwaras, did exactly that to Uro.
Uro’s situation is much worse than Yuta’s however. She is a military slave. This distinction of military slave is important because unlike domestic slaves, they were allowed to rise through the ranks and be given awards despite their status.
And since Uro is a Sukuna parallel, there is a pretty good chance he was a slave at some point during the Heian.
Slavery in the Heian
A little detail I left out when discussing famine in the Heian. The asymmetrical wealth distribution was so severe during this time that commoners would sell themselves into slavery in hopes of not starving to death.
An example from the Kamakura Era (after the Heian):
"As the article shows, during the three years of the Kangi famine (1229-1232) and several recovery years following, various common people sold themselves, their relatives, and their retainers into slavery in exchange for sustenance. Not only would an amount be given to the seller, but also presumably whoever now owned the sold individual would be responsible for feeding and providing shelter for that individual. In this way, the common populations of Japan created a strategy for survival. There was no certainty that a new owner would fulfill this obligation, but the promise of reprieve from daily struggles was impetus enough for the sale."
Another example from the same era:
"A didactic tale from 1283 tells the story of a small family consisting of a mother and son, who after experiencing severe famine, came to the realization they would soon starve to death. In the hope of saving his mother, the young boy offers to sell himself into bondage, and although the mother disagrees, he goes ahead with the plan."
Yes this is as bad as it sounds, but there is one thing I would like to get out of the way—this slave system did not function anything like the chattel slavery during colonialism. Strangely enough, these slaves had some rights they could fight their owners in court over. They could pay off debts and be set free. They were allowed to be married and have children with those outside of their class. They were not kept in cages or in chains like animals. (Silver linings! /s)
The term used for these slaves was 奴婢 (Nuhi) which roughly translates to “bonded person”. This is more in the contractual sense rather than the physical sense since most were slaves by contract or debt.
This kind of sounds like something binding vows could do, right? Well binding vows share no kanji with Nuhi using 縛り(Shibari) instead. However, Sukuna introduces the concept of binding vows with chains and a handshake.
Sukuna was also born unwanted to a starving mother during a time when starving people sold themselves or their relatives into slavery to survive. This can mean a lot of things for his upbringing and none of them are pleasant.
Here is a summary of what jobs Nuhi did:
"As stated previously, wealthy households frequently obtained slaves and assigned them to various domestic tasks. However, sources further illuminate trafficking of women into the sex trade of Kamakura Japan."
If you noticed, Sukuna's Cursed Technique is perfect for this. He can chop up veggies, butcher fish, till farmland, slash and burn farmland, light fires, and every other non-violent thing a knife and fire can be used for. If he wasn't exploited for exorcising curses, he absolutely would've been exploited for domestic tasks.
And to get to much more depressing line of work Sukuna could've been subjected to as a child, I'd like to discuss why someone as masculine as him would be associated with women's work in the first place.
The Treatment of Women in Ancient Japan
"In Japan prior to the Heian and Kamakura periods, women played prominent roles in religious activities as miko, which was akin to a female medium or female shaman...Since miko functioned as a sacred and integral part in religious communities, issues of impurity did not appear to be an issue. Instead, it was Buddhist ideas that linked the female form to impurity."
With the introduction of Buddhism, women began to be seen as innately impure due to the blood and fluids associated with childbirth and mensuration.
"In the Heian period, Buddhist temples such as such as Enryakuji and Tōdaiji, began barring women from entering the premises due to their defiled nature."
"prominent Buddhist discourse painted women as innately defiled and therefore unable to achieve enlightenment in their own female bodies."
"To be born as an innately defiled female was considered a karmic punishment for past actions."
Though not ostracized as much as outcasts, women were seen as innately unclean in a similar vein to Sukuna. Women were expelled from religious institutions but not the courts, while outcasts were tolerated by religious institutions and barred from the courts. (The courts and temples operated independently of each other, which is why it was possible for noble women to hold power despite being designated as unclean.)
A few months ago I made a joke about this panel:
"Sukuna’s two options were helping Uraume transition or becoming a girl himself."
This is still mostly a joke, but I do think Sukuna identifies more with women than with men. Not that Sukuna is a girl, but that he relates to them and their struggles better. (Keep in mind he does wear a women's yukata and a men's obi at the same time as Yujikuna.)
It's important to note is that this mystery woman here wears the clothes of a Miko or Shrine Maiden/Priestess—the main group of women that was displaced and persecuted because of the new religious doctrine. And like every other group without a proper social safety net, selling themselves into slavery became a survival strategy. They did have other options of course. In the case of Asobi, the Priestess that used to serve the courts, turned to entertainment and sex work after their exclusion.
"Either riding in boats or setting up shop on busy routes to the capital and religious sites, Goodwin argues that these performers were part of independent, possibly female-run organizations, which were not stigmatized until the later part of the Kamakura period. However, as Wakita Haruko has examined, at least some women involved in sexual entertainment were female indentured servants, serving as security on a loan issued by their parents."
In this way, the exact identity of the Miko in Sukuna's path may not matter. She might be a representation of those who accepted their exclusion and did their best to survive on society's terms. If the South choice is meant to represent returning to who Sukuna used to be, then it can also mean the types of struggles Mikos faced are his as well.
However, there was a temple that continued to accept women as followers—the Muroji Temple in Nara. Interestingly enough, this temple contains an inner sanctuary devoted to the founder of Shingon Buddhism, the type of Buddhism Tengen brought over. The mountain this temple is located on is also associated with a dragon spirit. Since there is historical precedent of at least one temple accepting a group of people seen as innately impure, a place like this may have also been a sanctuary for Sukuna.
With the information we have, it's not really possible to know exactly what awful thing happened to Sukuna. The most important takeaway from this is that the suffering he experienced was systemic. He didn't get unlucky with a few ignorant and bad people. This was the direct result of the Heian class system dehumanizing people. In other words, his choices were severely limited.
Sukuna's Other Choice
Going North with Uraume appears to be very similar what he did back in the Heian—taking in an abandoned child and looking after them. What makes this choice slightly different this time around is that the class system that oppressed him no longer exists in the modern era. Yes, he’ll absolutely face discrimination for being deformed, but the complete denial of his humanity at every turn for his appearance is gone. He won’t be treated as untouchable and inherently evil. Legally speaking, he has drastically more rights. Violence won’t be his only option moving up in the world.
I will always loathe that Sukuna had to die to obtain this. And that the “reformed” modern Jujutsu Society refuses to acknowledge the systemic failures of their institution. Kusakabe makes it very clear he still believes the immediate extermination of anything deemed “evil” is a valid way to go about things, even if it means the death of a child…as long as he doesn’t have to do it. (Hence him blaming Gojo for it, just like the higher ups.) After the fight, everyone passes blame around, absolves themselves of any wrongdoing, and decides no one is really at fault.
There were people at fault for this. There are institutions at fault for this. But their failure to confront those things directly is probably why Sukuna rejected Yuji’s offer so viciously. Instead of trying to understand Sukuna on his own terms, Yuji showed him the value of a simple life he was never allowed to have, then told him to die or go back into the cage.
Yuji offered Sukuna pity but no autonomy, which is exactly the way Hinin were treated by the religious institutions of old.
"However, Hosokawa argues that even in veneration of hinin as representations of Manjusri, Buddhist monks continue to discriminate against this outcast group and further perpetuate their low position in society. Hosokawa explains that although activity involved in charitable works towards hinin, Eison cared little about the salvation of hinin because he saw outcasts as divine only within the context of the ritual of assembly. Therefore, all charitable works directed at hinin were merely ceremonial. Hosokawa advocates the view that Eison believed hinin lacked ‘nature,’ meaning they were unable to study or practice Buddhism. Essentially, without nature, they had no ability to escape the cycle of re-birth through the study of Buddhism."
Sukuna even thinks of modern sorcerers like the ones of old. Why would he ever want to return to that?
His goals are simple; eat, play, and pass time until his dies. That’s not really evil now is it? But the people attacking him don’t know that. None of them ever stopped to asked because they assume him existing freely will bring evil.
But what does Sukuna do when he’s given a month-long truce a body he completely controls? He does what every minority group does when they are no longer being actively oppresed—he rests. He doesn’t go around killing or tormenting for fun. With his newfound freedom he secludes himself and lounges.
The fight in Shinjuku is essentially a group of well-meaning people from a corrupt institution beating an outcast that was ostracized by it into submission. Albeit for very good reasons.
Why did this fight change his mind?
If Sukuna is basically reliving past trauma via the Shinjuku fight, why did he decide this group of sorcerers was worth listening to? The simple answer of course is he lost to them. Sukuna believes the strong impose their will and the weak follow suit.
I don’t think that’s quite right. Sukuna used to be weak too. He was a child once. He used to controlled by others stronger than him. By his own logic he should’ve stayed like that, but he trained to get stronger and eventually rebelled.
Since Sukuna is a known liar and hides his feelings under several layers of repression, I’m inclined to believe this statement is also smokescreen. And after reading the Uraume Epilogue I am certain of this. But for now let’s revisit the Shinjuku fight, starting from the battle that made me realize Sukuna is indeed a pathetic sopping wet cat underneath it all—Sukuna vs Gojo.
Sukuna vs Gojo
Something fans picked up on during this fight was how Gojo dogwalked Sukuna when it came to Hand to Hand (H2H) combat. During their fight, Sukuna fails to land a single punch on Gojo’s face. It takes Yuta possessing Gojo’s body and fumbling around in it for Sukuna to finally punch that face. But it’s not just Gojo he sucks at with H2H combat. It’s everyone. Here is a compilation of Sukuna getting hit in the head or face.
This seems to conflict with Sukuna’s ability to learn anything visually. He sees someone do something and he can copy it immediately. This contradiction can be explained by him being Hinin.
Sukuna was considered an untouchable. Educated people were of a higher class and believed unclean things like him were to be avoided at all costs. This means that whatever education Sukuna obtained for himself was always at a distance. Aka watch and copy. And since H2H is mostly taught through body to body contact, Sukuna wasn’t allowed a proper sparing partner outside of the attempts to kill him.
In Part 2, I go over Sukuna’s fraud allegations for his copying of Gojo in particular. This is what lead me to realize that Sukuna spent 6 months plotting to kill a guy he met for 10 seconds. This insane level of pre-planning is also shaped by him being Hinin.
We know for a fact that Sukuna hunts deer/elk and that it’s safe to assume he driven to this because of his Hinin status. If you know anything about hunting, it’s that most of it is playing psychological mind games with creatures that are somehow complete geniuses despite having 2 brain cells. You don’t chase after a deer with a gun, you become obsessed with them. You study every little habit of theirs; when they hunger, what they eat, and where they defecate. Using this information, you set up the bait and wait in hiding for the perfect opportunity to kill them.
This is pretty much what Sukuna does to Gojo. He’s got a hunter’s obsession with him. In Part 4, I explain how this obsession might actually be unhinged courtship, but I don’t lay out why Gojo of all people seemingly means this much to Sukuna. This too can be explained by him being Hinin.
I’ve said it over and over, Gojo and Sukuna are twin flames. They are the strongest, isolated, dehumanized, exploited, self-taught, and really bad at showing affection. Part of this obsession is driven by Sukuna seeing himself in Gojo. He's being ordered around by others weaker than him in the same way Sukuna used to be.
But take note of this “I owe you a debt.” It’s easy to assume he means payback for punching him in the face. However…Gojo did actually do Sukuna a massive favor. He suspended his execution, even if it was primarily to save Yuji.
As I discussed before, Kegare was infectious. You touch something unclean and you become unclean yourself. By laws of Jujutsu Society and by social stigma around Kegare, Sukuna made Yuji equally as impure as himself. And Gojo went screw that, I’m going to look after you. He gave Yuji direct lessons, made sure all his basic needs were met, and treated him like a human. Behind everyone’s backs he hid the final finger, intending to let Yuji live for the duration of his natural life.
To Sukuna, Gojo is someone who would have taken him in and advocated for his humanity under different circumstances. Gojo is someone Sukuna would’ve loved to have as a teacher. And so he copies him. He learns and improves his own sorcery as if Gojo had intentionally taught him.
Through the Shinjuku fight, his experiences within Yuji, and Megumi’s memories, Sukuna gets a taste of what could’ve been. With Megumi in particular, he also gets to see what it’s like to be raised by someone who actually cares. Though not intentional, this is how Gojo teaches Sukuna love. This is why when Sukuna looks at Gojo, he thinks about love.
Sukuna choosing to go with Uraume is him copying Gojo one last time. After seeing that even if you’re isolated, exploited, and miserable, there’s still fulfillment in using your power to make sure someone else doesn’t go through what you did. It may not remove all that pain, but it makes it easier.
And bringing back Kegare’s opposite Hare (晴れ). The kanji used are in the Appare Da (天晴れだ) when Sukuna tells Gojo, “You cleared my skies.” (The Da at the end of this statement means it was pretty heartfelt too.) With this additional context, I think it can be taken to also mean that Gojo made Sukuna feel like he wasn’t impure.
Sukuna vs Yuji
Yuji and Megumi are the ones who ultimately make Sukuna realize that it's worth pursing guardianship regardless of marital status or blood relation. They are the two of Gojo’s students/children that are directly compared to Uraume.
Yuji who is also the same as Sukuna, fills the role of Gojo when he first chooses to look after Megumi. When he prevents Megumi from being sold by his father. Sukuna has seen both versions of this memory.
Since Sukuna is a twin to Wasuke and they are also the same, JJK 265 is Yuji showing Sukuna an entire alternate universe of the normal life he could've lived if he had been seen as human.
And even if he can’t ever be seen as human or live normally, Megumi tells him it’s ok to be improper and cherish someone anyways.
None of these 3 realize how greatly they’ve affected Sukuna. He barely admits to it even in death. But Sukuna had secretly wanted this from the start. The cracks started showing when he first tried to teach Megumi in his special little tsundere shark way.
There's also something to be said about Uraume making it to adulthood in a time where famine was rampant and parents would sell their children into slavery just to eat. Their cursed technique manifested around the age of 6, just like Megumi. The fact they survived means Sukuna was already doing a pretty good job as their guardian.
Other Things this Changes
I'm also looking at Sukuna's fondness towards Jogo in a whole new light. I thought that Jogo wanting nothing of him was the main reason he was favored. But there's more to it that that. It’s that he regards Sukuna’s life as inherently valuable. Jogo believes in a world where Sukuna has the right to exist as he is and how he wants. No one will try to control him or condemn him for something he had no say in.
He also stands out in his devotion to curses of any background. Mahito basically looks like a human, Choso and his brothers are half human, Sukuna is fully human, and Jogo accepts them all no questions asked. He’s willing to fight for people who exist differently than himself.
There's also that added “wanting to be seen as human” element. Jogo’s world is one where Sukuna would finally be seen as human. It’s the same logic that drove Choso to side with the Disaster Curses. He knew how difficult human society would make the lives of his brothers (both of which have 2 faces like conjoined twins), so he chose to fight for a world where that kind of discrimination no longer existed. (Which is why it's really sad he died and no one mourned him properly.)
And yes we can condemn the mass slaughter of humans as the wrong way to go about this. But the core problem is that Jujutsu Society branded them as taboo and in need of extermination or containment. They were driven into a corner and believed violence was the only way out. The only reason Choso was able to change was other sorcerers giving him a chance despite the hurt he caused. Something Sukuna didn't get outside of the offer to be caged.
Am I being too lenient with Sukuna here?
Absolutely. I am extremely biased.
To me at least, the type of "evil" Sukuna is has a lot nuance. It is very significant that someone as strong as him, who could basically do whatever he wanted (theoretically), took one willing servant in a time where slavery was widely practiced. (If you read the linked document, it's kind of up for debate how legal slavery was at the time.) It's also significant that the Heian crimes he was accused of were limited to cannibalism and murder. He's clearly got rules about his evilness and I really like that about him. I wanted to find the logic driving them and I think I've finally struck gold.
This didn't fit anywhere nicely. But consider the following:
"Earthly sins, on the other hand, were those that only affected individuals or forbidden actions, such as rape or cutting living flesh."
Sukuna's CT cuts living flesh. His very CT was considered impure in the Heian. The flames however, are more aligned with purification. It's just a neat little thing that shows Sukuna's duality imo.
He's also really good at archery. And though this is likely because his flame CT is a bow, he probably got good at it to hunt deer/elk on top of temple duties. (Just another way he enjoys corrupting the divine.)
But please remember, the only reason I've done all of this is because of Umineko's...
Without love, it cannot be seen.
#cactus yaps#Read Challenges to Survival: Responses of Outcasts and Commoners in Early Medieval Japan and Umineko now!#Posts that make it obvious I defended Edelgard on Twitter.#I've been running PR for Zelgius and Sephiran Fire Emblem since forever and they do so much worse than Sukuna.#Same type of trauma though. I will always defend minorities going insane from systemic discrimination.#Kind of wild that Sukuna's possession of Megumi can be read as evil adoption now. Thanks Uraume Epilogue.#When Sukuna looks at Gojo he not only thinks of love but raising a child. What did Gege mean by this?#Vaguely Sukugo but it's certainly a footnote compared to the rest of this.#Anyone versed in Japanese history PLEASE fact check me.#ryomen sukuna#jujutsu kaisen#jjk spoilers#jjk meta
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Damasio, The Trolley Problem and Batman: Under the Hood
Okay so @bestangelofall asked me to elaborate on what I meant by "Damasio's theories on emotions in moral decision-making add another level of depth to the analysis of UTH as a moral dilemma" and I thought this deserved its own post so let's talk about this.
So, idk where everyone is at here (philosophy was mandatory in highschool in my country but apparently that's not the case everywhere so i genuinely have no clue what's common knowledge here, i don't want to like state the obvious but also we should recap some stuff. Also if I'm mentioning a philosopher's or scientist's name without detailing, that means it's just a passing thought/recommendation if you want to read more on the topic.)
First thing first is I've seen said, about jason and the no killing rule, that "killing is always bad that's not up for debate". And I would like to say, that's factually untrue. Like, no matter which side of the debate you are on, there is very much a debate. Historically a big thing even. So if that's not something you're open to hear about, if you're convinced your position is the only correct one and even considering other options is wrong and/or a waste of time... I recommend stopping here, because this only going to make you upset, and you have better stuff to do with your life than getting upset over an essay. In any case please stay civil and remember that this post is not about me debating ethics with the whole bat-tumblr, it's me describing a debate other people have been voicing for a long time, explaining the position Damasio's neuropsychology and philosophy holds in this debate, and analyzing the ethics discussed in Batman: Under the Red Hood in that light. So while I might talk about my personal position in here (because I have an opinion in this debate), this isn't a philosophy post; this is a literature analysis that just so happens to exist within the context of a neuropsychological position on a philosophical debate. Do not try to convince me that my philosophy of ethics is wrong, because that's not the point, that's not what the post is about, I find it very frustrating and you will be blocked. I don't have the energy to defend my personal opinions against everybody who disagrees with me.
Now, let's start with Bruce. Bruce, in Under The Hood and wrt the no kill rule (not necessarily all of his ethics, i'm talking specifically about the no kill rule), is defending a deontological position. Deontology is a philosophy of ethics coined by christian🧷 18th century German philosopher Immanuel Kant. The philosophy of ethics asks this question: what does it mean to do a good action? And deontology answers "it means to do things following a set of principles". Basically Kant describes what are "absolute imperatives" which are rules that hold inherent moral values: some things are fundamentally wrong and others are bad. Batman's no-kill rule is thus a categorical imperative: "Though Shall not Kill"🧷, it is always wrong to kill. (Note that I am not saying Bruce is kantian just because he has a deontology: Kant explained the concept of deontological ethics, and then went up to theorize his own very specific and odd brand of deontology, which banned anything that if generalized would cause the collapse of society as well as, inexplicably, masturbation. Bruce is not Kantian, he's just, regarding the no kill rule, deontological. Batman is still allowed to wank, don't worry.)
In this debate, deontological ethics are often pit up against teleological ethics, the most famous group of which being consequentialism, the most famous of consequentialisms being utilitarism. As the name indicates, consequentialist theories posit that the intended consequences of your actions determine if those actions were good or not. Utilitarism claims that to do good, your actions should aim to maximise happiness for the most people possible. So Jason, when he says "one should kill the Joker to prevent the thousands of victims he is going to harm if one does not kill him", is holding a utilitarian position.
The debate between deontology and utilitarism has held many forms, some fantastical and some with more realistic approaches to real life like "say you're hiding from soldiers and you're holding a baby that's gonna start crying, alerting the soldiers and getting everyone in your hideout massacred. Do you muffle the baby, knowing it will suffocate and kill it?" or "say there's a plague going on and people are dying and the hospital does not have enough ventilators, do you take the one off of the comatose patient with under 0.01% chance of ever waking up to give it to another patient? What about 1%?", etc, etc. The most famous derivative of this dilemma, of course, being the infamous trolley problem.

This is what is meant when we say "the UTH confrontation is a trolley problem." The final confrontation at the warehouse is a variation, a derivative of the utilitarian dilemma that goes as follows: "if someone was trying to kill someone in front of you, and that murder would prevent the murder of thousands, should you try to stop that murder or let it happen?"
Now, here's a question: why are there so many derivatives of the trolley problem? Why do philosophers spend time pondering different versions of the same question instead of solving it?
My opinion (and the one of much, much smarter people whose name i forgot oops) is that both systems fail at giving us a satisfying, clean-cut reply. Now, most people have a clean-cut answer to the trolley problem as presented here: me personally, I lean more towards utilitarianism, and I found it logical to pull the lever. But altering the exact situation makes me change my answer, and there is very often a point where people, no matter their deontological or utilitarian velleities, change their answer. And that's interesting to examine.
So let's talk about deontology. Now my first gripe with deontology it's that it posits a set of rules as absolute and I find that often quite arbitrary. 🧷 Like, it feels a little like mathematical axioms, you know? We build a whole worldview on the assumption that these rules are inherently correct and the best configuration because it feels like it makes sense, and accidentally close our mind to the world of non-euclidian ethics. In practice, here are some situations in which a deontologist might change their mind: self-defense killing, for example, is often cited as "an exception to the rule", making that rule de facto non-universal; and disqualifying it as an absolute imperative. Strangely enough, people will often try to solve the trolley problem by deciding to kill themselves by jumping on the tracks 🧷 which is actually a utilitarian solution: whether you're pulling the lever or you're jumping on the tracks, you are choosing to kill one person to stop the people from being run over. Why does it matter if it's you or someone else you're killing? You're still killing someone. Another situation where people may change their answer would be, like "what if you needed to save your children but to do so you had to kill the ceo of united healthcare?" Note that these are only examples for killing, but the biggest issue is that deontology preaches actions are always either good or wrong, and the issue with that lack of nuance is best illustrated with the kantian problem regarding the morality of lying: let's say it's the holocaust and a family of jews is hiding in your house. Let's say a nazi knocks on your door and asks if there are people hiding in your house. You know if you tell the truth, the jews in your house will be deported. In that situation, is it morally correct to lie? Now, Kant lived before the Holocaust, but in his time there was a similar version of this problem that had been verbalised (this formulation is the best-known derivative of this problem btw, I didn't invent it) and Kant's answer, I kid you not, was still "no it is not morally acceptable to lie in that situation".
And of course, there are variations of that problem that play with the definition of killing- what defines the act of killing and can the other circumstances (like if there's a person you need to save) alter that definition? => Conclusion: there is a lot more nuance to moral actions than what a purely deontological frame claims, and pushing deontology to its limits leads to situations that would feel absurd to us.
Now let's take utilitarianism to its own limits. Say you live in a world where healthcare has never been better. Now say this system is so because there is a whole small caste of people who have been cloned and genetically optimized and conditioned since birth so that their organs could be harvested at any given moment to heal someone. Let's say this system is so performant it has optimised this world's humanity's general well-being and health, leading to an undeniable, unparalleled positive net-worth for humanity. Here's the question: is this world a utopia or a dystopia? Aka, is raising a caste of people as organ cattle morally acceptable in that situation? (Note: Because people's limits on utilitarianism vary greatly from one person to another, I chose the most extreme example I could remember, but of course there are far more nuanced ones. Again, I wasn't the one to come up with this example. If you're looking for examples of this in fiction, i think the limits of utilitarianism are explored pretty interestingly in the videogame The Last of Us).
=> Conclusion: there is a lot more nuance to moral actions than what a purely utilitarian frame claims, and pushing utilitarism to its limits leads to situations that would feel absurd to us.
This leads us back to Under the Hood. Now because UTH includes a scathing criticism of Batman's no kill rule deontology, but Jason is also presented as a villain in this one, my analysis of the whole comic is based on the confrontation between both of these philosophies and their failures, culminating in a trolley dilemma type situation. So this is why it makes sense to have Bruce get mad at Jason for killing Captain Nazi in self-defense: rejecting self-defense, even against nazis, is the logical absurd conclusion of deontology. Winick is simply taking Bruce's no-kill rule to the limit.
And that's part of what gets me about Jason killing goons (aside from the willis todd thing that should definitely have been addressed in such a plot point.) It's that it feels to me like Jason's philosophy is presented as wrong because it leads to unacceptable decisions, but killing goons is not the logical absurd conclusion of utilitarianism. It's a. a side-effect of Jason's plot against Bruce and/or, depending on how charitable you are to either Jason's intelligence or his morals, b. a miscalculation. Assuming Jason's actions in killing goons are a reflection of his moral code (which is already a great assumption, because people not following their own morals is actually the norm, we are not paragons of virtue), then this means that 1) he has calculated that those goons dying would induce an increase in general global human happiness and thus 2) based on this premise, he follows the utilitarian framework and thus believes it's moral to kill the goons. It's the association of (1) and (2) that leads to an absurd and blatantly immoral consequence, but since the premise (1) is a clear miscalculation, the fact that (1) & (2) leads to something wrong does not count as a valid criticism of (2): to put it differently, since the premise is wrong, the conclusion being wrong does not give me any additional info on the value of the reasoning. This is a little like saying "Since 1+ 3= 5 and 2+2=4, then 1+3+2+2 = 9". The conclusion is wrong, but because the first part (1+3=5) is false, the conclusion being wrong does not mean that the second part (2+2 =4) is wrong. So that's what frustrates me so much when people bring up Jason killing goons as a gotcha for criticizing his utilitarian philosophy, because it is not!! It looks like it from afar but it isn't, which is so frustrating because, as stated previously, there are indeed real limits to utilitarianism that could have been explored instead to truly level the moral playing field between Jason and Bruce.
Now that all of this is said and done, let's talk about what in utilitarianism and deontology makes them flawed and, you guessed it, talk some about neuropsychology (and how that leads to what's imo maybe the most interesting thing about the philosophy in Under the Hood.)
In Green Arrow (2001), in an arc also written by Judd Winick, Mia Dearden meets a tortured man who begs her to kill him to save Star City (which is being massacred), and she kills him, then starts to cry and begs Ollie for confirmation that this was the right thing to do. Does this make Mia a utilitarian? If so, then why did she doubt and cry? Is she instead a deontologist, who made a mistake?
In any case, the reason why Mia's decision was so difficult for her to make and live with, and the reason why all of these trolley-adjacent dilemmas are so hard, is pretty clear. Mia's actions were driven by fear and empathy. It's harder to tolerate sacrificing our own child to avoid killing, it's harder to decide to sacrifice a child than an adult, a world where people are raised to harvest their organs feels horrible because these are real humans we can have empathy towards and putting ourselves in their shoes is terrifying... So we have two "perfectly logical" rational systems toppled by our emotions. But which is wrong: should we try to shut down our empathy and emotions so as to always be righteous? Are they a parasite stopping us from being true moral beings?
Classically, we (at least in my culture in western civilization) have historically separated emotions from cognition (cognition being the domain of thought, reasoning, intelligence, etc.) Descartes, for example, was a philosopher who highlighted a dualist separation of emotion and rationality. For a long time this was the position in psychology, with even nowadays some people who think normal psychologists are for helping with emotions and neuropsychologists are for helping with cognition.(I will fight these people with a stick.) Anyway, that position was the predominant one in psychology up until Damasio (not the famous writer, the neuropsychologist) wrote a book named Descartes' Error. (A fundamental of neuropsychology and a classic that conjugates neurology, psychology and philosophy: what more could you ask for?)
Damasio's book's title speaks for itself: you cannot separate emotion from intelligence. For centuries we have considered emotions to be parasitic towards reasoning, (which even had implications on social themes and constructs through the centuries 📌): you're being emotional, you're letting emotions cloud your judgement, you're emotionally compromised, you're not thinking clearly... (Which is pretty pertinent to consider from the angle of A Death in the Family, because this is literally the reproach Bruce makes to Jason). Damasio based the book on the Damasio couple's (him and his wife) study of Phineas Gage, a very, very famous case of frontal syndrome (damage to the part of the brain just behind the forehead associated with executive functions issues, behavioural issues and emotional regulation). The couple's research on Gage lead Damasio, in his book, to this conclusion: emotions are as much of a part of reasoning and moral decision-making as "cold cognition" (non emotional functioning). Think of it differently: emotional intelligence is a skill. Emotions are tools. On an evolutionary level, it is good that we as people have this skill to try and figure out what others might think and do. That's useful. Of course, that doesn't mean that struggling with empathy makes you immoral, but we people who struggle with empathy have stories of moments where that issue has made us hurt someone's feelings on accident, and it made us sad, because we didn't want to hurt their feelings. On an evolutionary level (and this is where social Darwinism fundamentally fails) humanity has been able to evolve in group and in a transgenerational group (passing knowledge from our ancestors long after their death, belonging to a community spread over a time longer than our lifetime) thanks to social cognition (see Tomasello's position on the evolution of language for more detail on that), and emotions, and "emotional intelligence" is a fundamental part of how that great system works across the ages.
And that's what makes Batman: Under the Hood brilliant on that regard. If I have to make a hypothesis on the state of Winick's knowledge on that stuff, I would say I'm pretty sure he knew about the utilitarism vs deontology issue; much harder to say about the Damasio part, but whether he's well-read in neuropsychology classics or just followed a similar line of reasoning, this is a phenomenally fun framework to consider UTH under.
Because UTH, and Jason's character for the matter, refuse to disregard emotions. Bruce says "we mustn't let ourselves get clouded by our emotions" and Jason, says "maybe you should." I don't necessarily think he has an ethical philosophy framework for that, I still do believe he's a utilitarian, but he's very emotion-driven and struggling to understand a mindframe that doesn't give the same space to emotions in decision-making. And as such, Jason says "it should matter. If the emotion was there, if you loved me so much, then it should matter in your decision of whether or not to let the Joker die, that it wasn't just a random person that he killed, but that he killed your son."
And Bruce is very much doubling down on this mindset of "I must be stronger than my feelings". He is an emotionally repressed character. He says "You don't understand. I don't think you've ever understood", and it's true, Jason can't seem to understand Bruce's position, there's something very "if that person doesn't show love in my perspective and understanding of what love is then they do not love me" about his character that I really appreciate. But Bruce certainly doesn't understand either, because while Jason is constantly asking Bruce for an explanation, for a "why do you not see things the way I do" that could never satisfy him, Bruce doesn't necessarily try to see things the way Jason does. And that's logical, since Jason is a 16 years old having a mental breakdown, and Bruce is a grown man carrying on the mission he has devoted himself to for years, the foundation he has built his life over. He can't allow himself to doubt, and why would he? He's the adult, he's the hero, he is, honestly, a pretty stubborn and set-in-his-ways character. So, instead of rising to the demand of emotional decision-making, Bruce doubles down on trying to ignore his feelings. And Jason, and the story doesn't let him. Bludheaven explodes. This induces extremely intense feelings in Bruce (his son just got exploded), which Jason didn't allow him to deal with, to handle with action or do anything about; Jason says no you stay right there, with me, with those emotions you're living right now, and you're making a decision. And there's the fact Bruce had a mini-heart attack just before thinking Jason was dead again. And there's the fact he mourned Jason for so long, and Stephanie just died, and Tim, Cass and Oracle all left, and the Joker is right there, and Jason puts a gun in his hands (like the gun that killed his parents)... All of that makes it impossible for Bruce to disregard his emotions. The same way Jason, who was spilling utilitarian rhetoric the whole time, is suddenly not talking about the Joker's mass murder victims but about he himself. The same way Jason acts against his own morals in Lost Days by sparing the Joker so they can have this confrontation later. That's part of why it's so important to me that Jason is crying in that confrontation.
Bruce's action at the end of the story can be understood two ways:
-he decides to maim/kill Jason to stop the insupportable influx of emotions, and him turning around is his refusal to look at his decision (looking away as a symbol of shame): Bruce has lost, in so that he cannot escape the dilemma, he succumbs to his emotions and acts against his morals.
-the batarang slicing Jason's throat is an accident: he is trying to find a way out of the dilemma, a solution that lets him save his principles, but his emotions cloud his judgement (maybe his hand trembles? Maybe his vision is blurry?). In any case, he kills his son, and it being an accident doesn't absolve him: his emotions hold more weight than his decision and he ends up acting against his morals anyway.
It's a very old story: a deontologist and a utilitarian try to solve the trolley problem, and everyone still loses. And who's laughing? The nihilist, of course. To him, nothing has sense, and so nothing matters. He's wrong though, always has been. That's the lesson I'm taking from Damasio's work. That's the prism through which I'm comparing empathy to ethics in Levinas' work and agape in Compté-Sponsville's intro to philosophy through.
It should matter. It's so essential that it matters. Love, emotions, empathy: those are fundamental in moral evaluation and decision making. They are a feature, not a bug. And the tragedy is when we try to force ourselves to make them not matter.
Anyway so that was my analysis of why Damasio's position on ethics is so fun to take in account when analysing UTH, hope you found this fun!
#dc#jason todd#dc comics#red hood#under the red hood#anti batman#anti bruce wayne#(< for filtering)#jason todd meta#neuropsychology meta#now with the philosophy extension!!#once again having very intense thoughts about Under The Hood#me talking about the “killing goons” part: this comic is so infuriating#me talking about the final confrontation: this is the greatest comic ever 😭😭#winick stop toying with my emotions challenge#anyway I put a couple of pins on some of the ideas in there don't worry about it#also i was told that color coding helped with clarity so hopefully that's still the case!
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The Empress



< Previous chapter - Masterlist - Next Chapter >
Summary - You have prepared for years to take over your Father’s kingdom. You have studied everything from politics to mathematics to philosophy for your future role as Queen.
But when a proposal too good to pass up crosses your Father’s desk your wishes are pushed aside. You are sent off to marry a King from a larger neighbouring kingdom, despite your protests.
Now you have to navigate a new land, people and a Husband who keeps his secrets far from your reach.
Pairing - King!Satoru Gojo x Queen!Reader
Content - Fluff, afab!reader, arranged marriage, court politics, historical setting, Gojo is down bad, reader is oblivious to Gojo’s feelings, Shoko being a wonderful friend (as per usual), more lore about Gojo’s parents because I can, Reader makes allies with more people
Word Count - 3.9k
A/N - Don’t mind me also setting up lore for my next x reader connected to this one lol
Chapter 3 - Tea
You meet your new personal guards first thing the next morning after your short conversation with Gojo. You step out of your rooms to be met with two men. They wear much lighter armor than you expected.
The first guard has blonde hair and a stern look on his face. The other has brown hair but his demour seems to be the exact opposite, he has a grin on his face and is rocking back and forth on his feet.
“Your Majesty,” The blond man says and bows to you, “I am honored to serve you.”
The brown haired man bows deeply as well, “There is no higher honour!”
“What are your names?” You ask and beckon them to stand so you can get a better look at them.
“I am Nanami Kento.” The blond man, Nanami, introduces himself.
“And I am Haibara Yu, your Majesty.” The brown haired man, Haibara, says excitedly.
“I am happy to have you have your protection.” You tell them with a soft smile.
The walk to your office is short, it is close to your wing of the castle.
You sit down at your desk and look over the stack of papers you have to look over today. The financial report for this last looks good. Still for your peace of mind you like to add everything up yourself so you know for sure that everything is in order.
Haibara and Nanami are stationed at either side of the door, silent but observing. It doesn’t feel like Pierre, calm and stern, no this feels like another test. Haibara doesn’t seem to be scrutinizing you but Nanami is looking you over. He tries to not make it obvious but you can feel his gaze on you.
You can’t blame them for scrutinising you, you are a foreigner with no ties here other than your husband who you never see. But you can push back.
Looking up abruptly you look at Haibara, “What do you know about tea parties?”
The man blinks in surprise before considering the question.
“Not much-” He admits, “my sister liked going to them. There is a lot of socialising?”
“That is true, but it is more than that. It is much like a battlefield. You have allies and those who are enemies. Sure from the outside it seems like a fun party but there are many layers to it.” You explain and sit back to look at them. “So if a new Queen needs to make a good first impression when should she throw a tea party?”
“You should strike first.” Nanami says matter of factly.
“Exactly!” You say and finish the letter you were writing, “Please let Duchess Ieri know that I request her presence as soon as possible.”
Haibara walks up and takes the letter of summons you give him, “I will see to it Your Majesty.”
Duchess Ieri carries herself with the same grace as she did when you first met her. You can see why she was a candidate for your current position. She would be more suited if you were being honest but now is not the time to ponder on what ifs.
“Your Majesty,” She bows low to you but you can see the sly smile she has on her lips, “to what do I owe this pleasure?”
You smile back at her pleasantly, “I am planning a tea party and would like your advice.”
The Duchess looks happy and walks up to your desk, her brown eyes sparkling with amusement.
“How may I be of service?”
“Tell me about the women of the court. What are they like and the current trends among them?” You ask and she obliges you.
“Currently I have the most influence, since I am the only current Duchess that was in talks for being Satoru’s Queen.” She starts.
“After that I believe that Lady Itadori and former Marchioness Itadori have a significant amount of sway with the court. Duchess Tsukumo is rarely seen at public events but not sending an invitation would be ill advised.”
“Then you have Viscountess Nobara who is in her older years but wise, she is also raising a granddaughter. Marchioness Mei is cunning and will do just about anything for money so be careful around her.” Duchess Ieri explains to you.
“So when making the guest list these people are a good place to start?” You question her and she nods.
“Despite Kaori being a former Marchioness, not inviting her would be a wrong move, there is no current Marchioness so you would slight the whole family. And her daughter is currently overseas. I am rather biased with myself but who isn’t. Mei would not care if you invite her or not but she is a good friend to have when you need something.”
You nod and write down the names on the paper you started to put down the things you would need for the tea party. Kaori seems to be the one to impress since you want to be on good terms with the noble families that have a good amount of sway on the court.
You write all of that down and look back up.
“The trends will be set by you soon but for now, brighter colors are in because of summer.” She tells you and you scribble that down too.
“Where would be the best place here to hold it?”
She seems to think hard about this.
After a minute’s pause she speaks, “If you want to make an impression there is a green house full of roses that bloom year round, but that was the previous Queen’s gift from the previous King.”
You will have to tread carefully then.
Though it may be good to ease the nobles into your reign by bringing up the past. You of course will have to get Gojo’s permission first so that people don’t think you are doing whatever you want.
“Would that seem too much to the other nobles?” You ask her.
“Not if done correctly,” She says, her brown eyes alight with mischief, “we can frame it as Gojo showing how much he adores his new queen by letting her use the greenhouse so adored by his mother.”
You grin wide, you like her.
“That is perfect, thank you Duchess.”
“Call me Shoko, Your Majesty.” She says with a deep bow.
You laugh at her forwardness, “Thank you Shoko.
Satoru groans and leans back in his chair. The mounting paperwork stares at him as he shuts his eyes for a moment.
When he was young he was told that he could do anything when he became king. He now knows that they were lying to him because all he really does these days is paperwork and avoid you.
Even if he doesn’t want to avoid you, he will make you as comfortable as he can while you are here. He is sure that you hate him so maybe he is also a bit of a coward who doesn’t want to face that head on.
“Your Majesty?” Haibara calls out to him from behind the door to his office.
“Come in Haibara!” He says and sits up in his chair.
The door opens and Haibara steps in, his face has his familiar smile.
“How is she?” Satoru asks him.
“Well! She is excelling in her role so we have heard and she is planning a tea party.” Haibara reports. “She also wanted me to ask you if she could use the greenhouse for the party when I gave you my report.”
Satoru startles a bit because he had never told you about your guards reporting back to him. You must have figured it out. He smiles fondly at your intelligence, you probably could beat him in that regard.
“Let her know that she is free to use anything at her disposal, and may I ask when the party is?” Satoru says and leans forward, intrigued.
“A week from now.” Haibara answers him.
In the back of his mind Satoru knows that he shouldn’t drop in but his heart rails in his chest. He wants to see you among the various roses that he had run through when he was younger under his mother’s careful watch.
Satoru wants to watch your eyes trace the delicate petals in hopes that your eyes may do the same to him someday.
Maybe stopping by, for just a moment, would be okay.
You had forgotten how fun event planning was. Most of the time back home the Queen, your stepmother, took care of it but when her illness flared up you would take over the process. It was fulfilling to see it all come together the day the event was to be held.
The greenhouse is beautiful all on its own.
From the intricate golden designs on the walls to the stunning types of roses it houses, the building needs no additions. You had made the decision to move some of the pots in the center to make way for more room but the pots are to be put back right after the party ends. The previous queen’s influence is so evident in every part of this place and you want it to stay that way.
“Your Majesty!” Haibara calls out and you turn to face him. “Where do you want this to be placed?”
He holds up a chair that was dragged in here earlier.
“Put it near the head of the table.” You gesture to the right side near the end of the table. Haibara sets the chair next to yours and walks back over to you as you look at the long table to check it.
Once you deem your work done and to your standards Riko practically drags you to your room to get ready. The maids help you into the dress you chose and then are shooed out as Riko takes over. She fusses over you for nearly an hour before she deems her work done. Your makeup and dress match the shade of the roses in the greenhouse.
“It’s perfect!” Riko exclaims with pride, “My best work yet.”
You giggle at her words and look in the mirror. Humming in satisfaction you look over the dress with a keen eye. The delicately stitched roses on the hem are your favorite part of the dress and will be at home in the greenhouse.
The guests arrive soon after you make your way down to the greenhouse. Duchess Tsukumo had sent a letter back two days after the invitations went out letting you know that she would not be attending because of her work schedule and thanked you for the invite.
Shoko and Utahime are the first to arrive.
“We are honoured to receive your invitation, Your Majesty.” Utahime says, bowing to you.
“I am thankful for your attendance and your help with putting this in motion.” You say as they rise back up.
“It is truly no problem.” Shoko says with a smile. Smiling back, you beckon them in.
Kaori Itadori arrives next in a soft green gown that reminds you of an emerald. It is definitely her color. She is graceful and has a smile that could melt glaciers. Her gentle expression almost disarms you from your carefully crafted image.
“Your Majesty.” She says and bows to you. “I am happy to still be in your vision despite my elder son having taken over from my late husband.”
“I believe it is best to be on good terms with all the people who will be in my care.” You admit to her with a grin.
She stands tall and returns your smile by widening hers, “The Itadori family is honoured.”
The guest trickle in after that.
Viscountess Nobara watches you with a critical eye but her gaze softens when you bring up her young granddaughter.
Marchioness Mei hides behind a bright blue fan and sultry smiles. You don’t crack her facade but you do see some respect forming in her eyes.
Hitomi Geto, Duke Geto’s mother, is one of the last to arrive. It is clear that he takes after her. The soft crescents of her eyes and their lavender color are identical. She mirrors his manners and his diplomacy. You smile warmly at her deciphering gaze.
Once every seat is filled with women from all the noble families you sit down. The air is still tense, most people don’t know you. Their first impression was of your disastrous wedding night and you need to course correct.
“Thank you all for being here,” Your voice carries over the table, “I am still new to this country so I am thankful for the warm welcome.”
There are a few whispers across the table but Shoko speaks up.
“We are happy to have you here with us, Your Majesty.” She reassures you calmly but her eyes wander to the rest of the table.
A chorus of affirmation follows her words.
The women of the court see Shoko deferring to you and seem to accept it. They are more lively after that, asking questions and sharing the latest gossip. You learn who controls most of the conversations and who are quiet.
You also learn the name of the woman who tried to present her daughter to Gojo. Baroness Zenin keeps her glare subtle but you can feel her simmering rage from the head of the table. It is off putting at first but you soon learn to ignore it.
With Shoko, Utahime and now Kaori you feel like you have formed a good relationship with two noble families. But you are not one to leave things half done.
“Lady Geto, I would like to thank you for raising your son so well.” You start and she looks over at you in interest, “He has helped me with the transition from my homeland.”
Hitomi Geto smiles genuinely for the first time. Her eyes hold a light not previously in them at the mention of Suguru. She also has the same crows feet at her eyes as her son.
“I thank you for your compliments, Your Majesty, he has grown up well.” She says to you and you see the frigid facade crack just for a moment.
Kaori speaks up as well, “He is the most respectful of our sons, Choso is a shut in most of the time.”
Hitomi laughs at her remark and you join in.
“I will have to meet him at some point.” You say and Kaori nods.
“We would be honoured to have you come to our estate sometime, Your Majesty.” She smiles at you.
“I think I will take you up on the offer.”
An hour passes in a flash. You feel yourself relax into the role of Queen you are playing. Eventually a question is asked that gives you pause.
“How did you end up marrying the King?” A girl around Riko’s age asks.
You try to come up with a good answer, because you can’t tell her the truth. You can’t tell her that you don’t really want to be here or have this role.
So you craft a beautiful lie for her.
“It was love at first sight actually,” You say and look down bashfully. “We met at his coronation and everything happened from there. He courted me in private for a year before our wedding was announced.”
It wasn’t fully false, you had met him briefly at his coronation but nothing happened.
The girl gasps in delight, “What was your first impression of him?”
You hum in thought, “Bright, he seems to light up the room when he enters.”
Soft ‘aww’s erupt from the table at your remark.
You just wish that you were telling the truth about this. They all seem to have a fondness for their King, and he doesn’t seem like a bad guy, but you don’t feel like you belong here.
“Am I interrupting?”
The sound of Gojo’s voice startles the whole table. He saunters into the greenhouse with an easy going smile. One hand is in his pocket as he takes long languid strides to the end of the long table where you are seated. You almost gawk at him because he wasn’t supposed to be here.
“My King,” You say, trying to keep it together, “What brings you here?”
Gojo stops next to you and takes your hand, raising it to his lips.
“Is it a crime for a man to see his wife?” He says slyly as he kisses your hand.
He is still as avoidant as ever.
You feel heat creep up your neck. No one would deny Gojo’s attractiveness and you are no exception. In fact you are sure that this is the first time you have seen him this close to you. At the ball all those years ago you had never gotten close enough to see his eyes so vividly or the exact shape of his grin.
“You must have many things to do.” You say with a nervous laugh.
“The Duke found a spot in my schedule to see how you are doing for a second,” He stands tall but still has a hold of you hand in his, “but I must be off.”
“We are honoured to have your presence for even just a few moments, Your Majesty.” You say and he lights up like a firework.
“I will see you later, My Queen.” He says and walks out of the room as if he didn’t just give you a heart attack.
The second he is a speck on the horizon all the women whisper to each other. Some look pleased, others are surprised. You smile in realization that your husband has given you a gift. For the past few weeks you have been weaving this lie yourself but it looks like Gojo will help you continue to weave it.
“The King must love you very much to let you not only use the greenhouse but check up on you regularly.” Hitomi comments with a smile.
“He has been most welcoming and supportive throughout the first month of this marriage.” You admit with a bashful smile.
Under the layers of your carefully created mask you feel your mind whirl with some confusion. You had only asked him for help with public appearances that the both of you were present at. So why did he show up when he didn’t need to?
You feel exhausted as the last few guests leave. Playing the role of host is fun but draining. Your knowledge and control of the court doesn’t stop you getting fatigued by the whole of it.
“I hope your visit to the Itadori estate still stands, we will be happy to have you, Your Majesty.” Kaori Itadori says and takes both of your hands in hers.
You want to melt into her warmth. She reminds you a little of your Mother. Both of their demeanors are pure spring and sunlight. And you could use a lot of that right now.
“I will find time in my schedule to visit. I still need to meet your son after all.” You squeeze her hands and she grins.
“Good! Hopefully it may habituate Choso enough to get him out of the house to find a wife!” Kaori exclaims and you can’t tell if she is joking or not.
“You must have a hard time trying to get him out of the house if you need to enlist Her Majesty’s help.” Hitomi jokes and sashays over.
“We are much in the same boat Hitomi, your son doesn’t seem to want to marry either.” Kaori says and lets go of your hands to cross her arms.
“Suguru is married to his work at the moment but I hope in time he will settle down.” Hitomi explains, her expression is the picture of innocence.
After Hitomi says goodbye the two of them leave bickering back and forth. You huff in pure amusement at their retreating remarks.
Shoko and Utahime are the last to leave.
“They grew up together, practically sisters in anything but name.” Shoko explains with an amused laugh, “We never really got to see this side of them until we were older.”
“You grew up with the Duke, Lady Itadori and Satoru right?” You ask curiously, Gojo’s first name slips from your lips easier than before.
“The four of us are almost the same, except for the Duke and Lady Itadori. They hate each other with a fire equal to fifteen suns. It is rather entertaining to see them go back and forth.” Shoko muses.
“I will be very happy to meet her when she gets back from abroad.” You say with a soft smile.
“She will like you,” Utahime says with a bow, “you have already won us over.”
You can’t help but smile at her words. When you first came here a month ago you thought that you would hate it here. You thought of it as a prison sentence to marry Gojo but the people around you are changing that idea.
And you don’t mind it.
That night you lay down in your bed with the closest thing to a genuine grin since coming here. It feels good to be making progress on your plan to win over the court.
You already have Shoko and Utahime on your side. The former Marchioness Itadori seems to be on your side but you are still a bit cautious around this new alliance. Then the former Duchess Geto is holding back and watching you. You just hope you will pass whatever test she is giving you.
The one family you will be avoiding is the Zenins. You will at least wait for Baroness Zenin’s anger to pass before trying to mend the broken relationship between them and you.
You roll over on your side and see the book you picked up in the library the day after the wedding. It sits with a pile of history books on your nightstand. You pick it up to have a closer look at it.
The lavender book isn’t as thick as the history books but it has a good number of pages. You flip the cover open and trace the initials on the inside. Who could they have belonged to before being put in that library?
The first page is filled with the same handwriting and your eyes trace down the page. It doesn’t read like a book at all, it sounds like a diary. You read the first few lines to get a better understanding.
The woman writing this diary writes about her life helping in her father’s sword shop. She helps him keep the books and sharpen the blades that come to them. Her account of her life is detailed and straightforward.
Flipping through the pages your eyes catch on a diary entry from the middle of the diary.
‘We had a rather peculiar visitor. He was quite tall with eyes like the blue core of a flame or frigid ice. His demeanor made him almost unapproachable but we need the money.
He looked startled when he saw me take his sword from his hands. It was a beautiful blade, the steel was well made and maintained. I helped Father sharpen it before giving it back to the man.
The man paid before storming off…’
The eyes described make you think of Gojo’s, but you wouldn’t describe his eyes as cold.
They are warm, like the ocean on a hot summer day. Or sunlight on the small creak behind the castle back home that you and your siblings would play in the water on hot days. Gojo’s eyes are deep, vast and shine a shade of blue that is unforgettable.
Not many people have blue eyes like that so you wonder if they are related somehow. You will have to ask Gojo about it eventually.
Taglist- @hyori2 @tenaciousavenueavenue @joyfulweaselbananapanda @miakxn @lovystar @moonz33 @linny-bloggs @straykeeks @vi0let-writes @procastinatingbitch @ughhmenna @sassylav
#tea parties and lore abound 👀#I hope you guys like Geto’s Mom- I wanted to make them similar to each other#we will see more of her and Kaori in the Geto x reader fic after this!#blue’s fics <3#gojo satoru#satoru gojo x reader#gojo satoru x reader#gojo x reader#jjk x reader#jjk#jujutsu kaisen
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I know a lot of people don’t read for Ra’s Al Ghul and understand because it is hard to find good characterization and solos for him period but if you need a reference here’s the complexity of Ra’s Al Ghul’s character, especially if you wish to write him.
Let’s extablish this: Ra’s Al Ghul is evil. He is a villian but not purposeless, he has motivations, ideations, as to why he does what he does. The Demon’s Head is a philosophy after all.
In the comic I’m going to talk about frequently, Ra’s aims to topple empires built upon the betterment of humans but to the destruction of animal health, habitation, ecosystem, and people who are a threat to the Earth itself, he then makes sure the next person who takes this Empire aims to either shut it down or improve it in a way that no longer allows said empire benefit from malicious means.






Batman: One Bad Day explains Ra’s Al Ghuls youth and loss of his home and family at the face of a siege, with nowhere to go and no protection, he was left defenseless until he was protected by the wolves in the wilderness which led him to believe that the forest itself protected him. This is why I have a hard time hating Ra’s personally, I could never hate someone who’s gone through every catastrophic event of our ancestory, I imagine he’s victim to a lot of historical tragedy and any attempts to find happiness in a pure, authentic way probably was snatched from him. He’s likely seen the worst of society and I couldn’t hate him for that.
It’s important to note that Ra’s Al Ghul can love within centuries of his life, then he can be abusive.

He believes all life to be just as worthy and precious as another. He believes all life is worth being saved though after all the hell that humans has put the Earth and it’s children through he has grown bitter and angry. He’s experienced the pit madness over and over, it’s likely simply a part of who he is.
Over spending hundreds of years alive, so much grief and death every single year for centries, he’s become traumatized. Now he attempts to save humanity from itself because of one bad day.

Ra’s Al Ghul has even said that Jason Todd’s unnecessary death caused him to grieve, so much so that he sought Jason’s body out and brought him back to life.
Here is Ra’s Al Ghul breaking down and tears for having to put his pet down so he’s very much not emotionless.
Here is Damian arguing with his father over whether Ra’s Al Ghul’s ideations are correct or not. Damian’s feelings toward Ra’s are likely extremely complicated but I am sure there is more bad than good but that doesn’t mean it’s all bad.
Here is Ra’s Al Ghul telling Damian that he is proud of him and has a deep respect for him. Also note that in Birth of the Demon, Ra’s Al Ghul has said that he prefers Bruce and him to be allies instead of enemies and even considers Bruce his son.
Ra’s still wishes he could be allies with Bruce and fantasizes about fighting alongside him to this day.
Ra’s threatens Damian’s life but immediately after admits that he was just bluffing, and he would not have hurt Damian.
When Ra’s mortally wounds Bruce, he lets Damian have a moment with his father given that he’s the one who fatally wounded Bruce in the first place.
Ra’s says explicitly that he was doing what he is doing for Damian’s future. He states again that he does not believe one life is more important than the other, even humans.
I think it's very important that what Ra's does is extremely traumatizing and would not make sense to a child. He functions in a way where he thinks he is right and what he is doing comes from a place of love and compassion, including the things he does to Damian.
Whether you agree with his philosophy or not is up to you, but he truly believes he's doing what he is doing for the bettering and benefit of his family.
In conclusion, he is somewhat human, he's somewhat of a madman, he believes human life is valuable but as valuable as a healthy bird soaring through the sky, his actions come from a place of love though sometimes (often) he may be abusive. He would not kill a man without reason, he would not kill an animal without reason, he says above that he thinks killing to survive is different from killing for pleasure, he believes he's doing the same as killing to survive. And finally, he has no interest in anyone or anything that does not fullfill his role as the demon’s head.
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Edit: the app launched and Is down- I have the initial apology video in a post here and I’m working on getting a full archive of their TikTok up ASAP. I’m letting the rest of this post remain since I do still stand by most of it and also don’t like altering things already in circulation.
Warning for criticism and what I’d consider some harsh to outright mean words:
So I’ve just been made aware of the project known of as ‘lore.fm’ and I’m not a fan for multiple reasons. For one this ‘accessibility’ tool complicates the process of essentially just using a screen reader (something native to all I phones specifically because this is a proposed IOS app) in utterly needless and inaccessible ways. From what I have been seeing on Reddit they have been shielding themselves (or fans of the project have been defending them) with this claim of being an accessibility tool as well to which is infuriating for so many reasons.
I plan to make a longer post explaining why this is a terrible idea later but I’ll keep it short for tonight with my main three criticisms and a few extras:
1. Your service requires people to copy a url for a fic then open your app then paste it into your app and click a button then wait for your audio to be prepared to use. This is needlessly complicating a process that exists on IOS already and can be done IN BROWSER using an overlay that you can fully control the placement of.
2. This is potentially killing your own fandom if it catches on with the proposed target market of xreader smut enjoyers because of only needing the link as mentioned above. You don’t have to open a fic to get a link this the author may potentially not even get any hits much less any other feedback. At least when you download a pdf you leave a hit: the download button is on the page with the fic for a reason. Fandom is a self sustaining eco system and many authors get discouraged and post less/even stop writing all together if they get low interaction.
3. Maybe we shouldn’t put something marketed as turning smut fanfic into audio books on the IOS App Store right now. Maybe with KOSA that’s a bad idea? Just maybe? Sarcasm aside we could see fan fiction be under even more legal threat if minors use this to listen to the content we know they all consume via sites like ao3 (even if we ask them not to) and are caught with it. Auditory content has historically been considered much more obscene/inappropriate than written content: this is a recipe for a disaster and more internet regulations we are trying to avoid.
I also have many issues with the fact that this is obviously redistributing fanfiction (thus violating the copyright we hold over our words and our plots) and removing control the author should have over their content and digital footprint. Then there is the fact that even though the creator on TikTok SAYS you can email to have your fic ‘excluded’ based on the way the demo works (pasting a link) I’m gonna assume that’s just to cover her ass/is utter bullshit. I know that’s harsh but if it walks like a duck and quacks like a duck it’s probably a duck.
I am all for women in stem- I’ve BEEN a woman in Stem- but this is not a cool girl boss moment. This is someone naive enough to think this will go over well at best or many other things (security risks especially) at worst.
In conclusion for tonight: I hope this person is a troll but there is enough hype and enough paid for web domains that I don’t think that’s the case. There are a litany of reasons every fanfic reader and writer should be against something like this existing and I’ll outline them all in several other posts later.
Do not email their opt out email address there is no saying what is actually happening with that data and it is simply not worth the risks it could bring up. I hate treating seemingly well meaning people like potential cyber criminals but I’ve seen enough shit by now that it’s better to be safe than sorry. You’re much safer just locking all your fics to account only. I haven’t yet but I may in the future if that is the only option.
If anyone wants a screen reader tutorial and a walk through of my free favorites as well as the native IOS screen reader I can post that later as well. Sorry for the heavy content I know it’s not my normal fare.
#it’s especially insulting the way this is marketed as solving a problem when the solution already exists#ableism#lore.fm#terrible app ideas that shouldn’t happen#serious#accessibility#screen readers#lore.fm should not launch#accessibility tools that are inherently ableist in design#I wish I was making this up
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ok, guys, memes and jokes aside...
are you folks aware that the new pope was chosen not bc he's USamerican, but bc he made most of his career in Latin America, right????
Pope Leo XIV has been the president of the Pontifical Comission for Latin America up until his election as Pope Francis' successor today may 8, 2025.
now, why does it matter????
bc here in Latin America the Catholic Church has been losing ground to Evangelicanism at least since the 1990s.
for example, here in Brazil, a country known for having the biggest Catholic population in the world, the proportion of Catholics has decreased from 74% in 2000 to 65% in 2010, all while the proportion of Evangelicals went from 9% to 22,2% in the same time period, according to the data from the Brazilian Institute of Geography and Statistics (Portuguese: Instituto Brasileiro de Geografia e Estatística; IBGE) shown in this article by BBC Brasil about the challenges that the new Pope will face during his papacy.
and, if people in this website don't know that already, Latin America is a historically Catholic territory, since it was colonized by traditionally Catholic countries Portugal and Spain.
so, electing the guy who was responsible for Latin American affairs in Roman Curia signals that this region will be the focus of this new papacy.
now, the question that tumblr might be asking: is it good or bad???
well, the thing is, Latin American Evangelicanism is probably as conservative, if not more, than USamerican Evangelicanism and also Latin American Catholicism, so, all in all, in terms of broader politics, things will probably stay the same in regards to stuff like abortion and LGBTQ+ rights tbh 😔
actually, for example, one of the strongest groups in Brazil in the rise of neoconservatism and the far right, along with the "alt right" and the incels and the military etc, is the so-called Evangelical Parlamentary Front (even if it's worth noting that there are some Evangelical politicians afiliated with the left like Marina Silva, Benedita da Silva, pastor Henrique Vieira etc who are dissident forces, just to show how complex all things in Brazilian and Latin American politics are)
but, historically, a focus on a more pastoral approach and trying to meet the needs of the community here in Latin America ended up inspiring actual left-wing Catholic movements like liberation theology, which here in Latin America drew a lot from Marxian social-economic analyses even if they didn't adhere to all of its principles (which also was one of the reasons why it was condemned by the Catholic Church).
so, who knows what might happen tbh.
i am personally not a theologian, so i can't discuss what Leo XIV's papacy possibly means in terms of the Catholic legislation of it all.
but i'm a citzen of Latin America who also happens to have a bachelor's degree in social sciences, so, explaining a bit of the context of the region in this very Europe and USA-centric hellsite feels almost like a duty so that you folks can see beyond your personal experiences and your countries' experiences by extension for once
#ok enough of geopolitics for the day ooofff#conclave 2025#conclave#latin american politics#latin america#brazil#brazilian politics#catholicism#catholic church#evangelicanism#cultural wars
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I am genuinely so close to rewriting newsies guys. The Broadway show that is. I don't wanna hear anybody complain about Katherine being underdeveloped when literally EVERY. SINGLE. CHARACTER. IS UNDERDEVELOPED. IT'S A 2 HOUR MUSICAL I KNOW, BUT JESUS CHRIST. so I'm gonna list off things I'd add/remove/fix if I did rewrite it
Cowboy jack
I really liked the UK sets and the UK costumes so.... *snatch*
Polio definitely impacts Crutchie more because let's be honest, we all know he probably wouldn't make it past like, 23
I think the opening scene could definitely just be like Crutchie being anxious and Jack helping to ground Crutchie and at the end of Santa Fe (Prologue) instead of saying like, "Time for dreamin's done." I'd rather him say something like, "If you need me today don't hesitate to get me." I'M SORRY IF THIS SEEMS DRAMATIC I LOVE CRUTCHIE AND I FEEL BAD FOR HIM
Carrying the Banner stays relatively the same, but "Go get 'em cowboy!" Gets added back in
I don't like Katherine as Pulitzer's daughter. I don't. I LOVE Katherine, but I hate the "Oh I'm the daughter of your rival and I'm in love with you!" THIS ISN'T ROMEO AND JULIET GET OUT. sorry guys 😇 but still. And the fact Katherine is based off of Pulitzer's daughter that died as a baby also really rubs me the wrong way so instead of her being Pulitzer's daughter, I think it'd be cool if she came from a middle class family. I will expand on this later on in the post but bare with me here
Katherine's an alto.
Contralto to Alto depending on who's playing her but yeah
Alto supremacy
SARAH EXISTS!!!!!!! SARAH ILY COME HOME THE KIDS MISS YOU!!!!!! I think it'd be cute where in some scenes she's seen fixing Les and Davey's clothes. She should get a solo and Davey should too (except I can't write music)
Sarah would he a mezzo soprano or soprano
I really liked Davey's character in the 1992 movie more than I did the Broadway show if I'm being honest...... So... *snatch*
Now I know it'd make more sense to combine Katherine and Sarah into one character, but I wanna see Katherine and Sarah interact because yk they're both girls in the 1800s surrounded by a group of guys who probably smell like a cow pasture and I also like the idea of Sarah standing up for Katherine when Jack's like, "Shouldn't you be at the ballet?"
Hear me out on this guys please
FEMALE SPOT CONLON
In act two when Jack's like hiding out, I want Davey to talk abt being impacted by being poor as well and then Jack starts being really hypocritical and then he gets called out. (Preferably by Sarah)
The scene where Pulitzer is talking to Jack and then reveals Katherine is his daughter wouldn't work that way if Katherine wasn't his daughter, so instead I think it'd be neat if he was offering her a job for like, yk, a bit of money and she doesn't wanna accept it because she's working with the newsies and she feels it's more important to help them than it is to take the job but Jack walks in and Pulitzer hands Katherine the money and is like "omg thank you for taking the offer that was so sweet of you!!!!! 😇" and jacks like, "bro wtf I thought you were helping us out" and Katherine is forcefully escorted out of his office so she doesn't have a chance to explain
On the rooftop scene when they're arguing, instead of Katherine immediately kissing Jack, I want her to see him crying or something of the likes so she just hugs him because, c'mon. He needs it. And then Something to Believe In is the same except they don't kiss, not yet at least. (Sorry to all you newsbian shippers and javey shippers)
Uhmmm
I can't think of more rn but uhh Jack and Medda content
We get more of it 💪
Girlsies make a come back please and thank you
And I don't mind them being in traditionally masculine clothes, but I also want some girlsies to be in historically accurate girlsie clothes
Plus the show will be longer so there'll be time to go into multiple characters and actually like pick them a part a little bit
That's all I can think of for now um yeah you can add to this if you'd like and if I can think of anything more I'll add to it so yeah please don't dox me for my ideas 😇
#and id just like to say i am NOT hating on newsies in anyway#i love it with all my heart#ive watched it 204 times and counting and i would shoot someone to go see it live#its just that i think a lot of the characters couldve been written better and the show couldve been more developed#newsies#1992sies#92sies#broadwaysies#livesies#jack kelly#davey jacobs#sarah jacobs#katherine plumber#newsies the musical#fansies#jeremy jordan#ben fankhauser#andrew keenan bolger#kara lindsay#christian bale#francis sullivan#crutchie morris#racetrack higgins#spot conlon#pony yaps#newsies rewrite#uksies
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Im slow.. when it comes to lore of Clive lmao but hey its interesting, so may i ask what's Nietzsche philosophy.. so like i can watch his philosophy, so i can understand! :D
i've been stalking your account to understand Clive but I just realize i am slow when it comes to lore LMAOO, oneee... question that is a Slight NSFW (Maybe..?), is Clive gentle when it comes of Him and MC do it for a first time?
(i just realized i change topic to add one question which is not related to Clive's lore :P)
I'll answer the second question first, Clive is always gentle! He only wants to bring you pleasure, not pain. The only time he gets a little rough is when he's feeling jealous🏃♀️.
ANYWAY.
I'm SORRY for the person I'm about to become, but get ready for a LONG yapping session (I was Dostoevskij in my past life) that probably won't make sense (keep in mind that I wanted to be either a comic artist, a psychologist or a philosophy professor...explains a lot). Half of this is from my notes when I was studying for my graduation exam💀
First of all Nietzsche is one of the most misunderstood philosophers. Why? He's either "idolized" by those red pill/looksmaxxing guys without realizing that he actually goes against their morals, or edgy wannabe "nihilists" for the quote "God is dead." (Nihilism is a form of extreme pessimism, in simple terms, it's the belief that there's no true meaning in life, nothing can be known or communicated. But if Nietzsche is telling you to destroy the old meanings of life TO create your own instead of listening to what others say, would he still be considered a nihilist? Sure, active nihilism is a thing- but in my opinion he is NOT a nihilist).
His philosophy has also been used historically for the worst things that I won't even mention. Why? his sister edited some of his last unfinished works based on HER own beliefs when he ended up in the asylum. Many think he was a "....", when- let's be real and study a bit of history- if Nietzsche's mental health deteriorated the year THAT political figure was born (1889), how could he possibly be associated with him? Literally, tf.
The reason for this is because I think many don't read or study his philosophy in the correct order, nor do they know the timeline of his ideas.
To understand the concept of the "Übermensch", you have to start from the very beginning, when he first mentions the Dionysian and Apollonian spirits- the übermensch is supposed to bring back the rebirth of the "tragic spirit". (Übermensch= overman, the highest version of oneself a person can become, the "better" version of you, basically).
What key concepts did I take inspiration from? (I say inspiration because not everything is directly related to Nietzsche, I started from his main concepts to create characters, lore etc.)
ETERNAL RETURN:
(Bad ending: The cycle ends here)
See Clive's necklace? The symbol on his bicep and the main menu? The ouroboros.
It's such a deep concept and it asks: "What if every moment of your life had to repeat itself endlessly, in the exact same way, forever?"
This means everything, every pain, every joy, every regret, would return again and again and again. This NOT about whether it's scientifically true, we don't know if we're destined to relive the same life after death. It's a thought experiment, a way to ask yourself "would I still want to live my life if I knew I'd relive my worst moments forever? How would I act?"
If your answer is no, you're not affirming your existence. If yes, you're embracing life fully. In a way, you'd try to be more yourself and live with fewer regrets, right?
DIONYSIAN VS APOLLONIAN:
(The intro of the game, Silas and Clive's conversation)
To simplify it: Think of the two hemispheres of the brain.
Right brain = Dionysian (chaos, passion, music, imagination, intuition, emotion). This side is emotional, creative, raw, deeply human. It's the spirit Nietzsche believed humanity lost.
Left brain = Apollonian (logic, structure, rules, order). This side is rational, clear, less human.
Why did Nietzsche use greek gods to describe this? Because he rejected the "classical and elegant" image of Greece we learn about in school. To him, archaic Greece was the perfect society because it embraced chaos, suffering, and the tragic. (That's why I added greek mythology :3)
He also saw greek tragedy (a form of ancient drama/theatre that expresses human suffering, fate, and moral conflict) as the perfect fusion of the Apollonian and Dionysian. This fusion created a form of art that embraced life in all its beauty and suffering.
With Socrates (ancient greek philosopher), the Dionysian spirit was killed. We began to exalt reason over everything, meaning everything had to be explained, justified, or made logical. This made humanity obsessed with truth and control, disconnecting us from the fullness of life.
"And those who were seen dancing were thought to be insane by those who could not hear the music."
Clive tried to force himself to lean more towards the Apollonian, he suppressed his emotions, tried to follow "moral rules", and tried to look "normal".
To explain the change between his younger self and current self there's an iconic quote:
"Become who you are" In the sense that in life, we constantly follow models that are necessary- because we grow through imitation. Children grow by watching, by imitating. But then, we must detach from this imitation and become who we truly are, a process of self reckoning.
After his "death", Clive starts being himself. There's a balance now, but you can still influence him to lean more towards his Dionysian or Apollonian side.
To live a full, healthy life, we need to embrace both sides:
"The tree that grows to heaven must send its roots to hell."
GOD IS DEAD:
(Who helped Clive?)
Nietzsche's most misunderstood quote.
Saying "God is dead", as he writes, implies that God once existed, or at least, that he was once central to the way humans explained the world. After all, only something that has existed can die; things that have never existed don't die. That's why Nietzsche has this declaration spoken not by an atheist, but by a madman. The atheist and the believer ARE part of the same system aren't they? One says "yes", the other says "no", but they're both within the same structure of thought, a world where God is STILL a reference point.
The madman on the other hand, speaks from outside that system. When he says "God is dead", he's not just denying the existence of God- he's saying that the world is no longer ORGANIZED around God. There was a time when everything was explained through God, when God gave order and meaning to existence. But today, that's no longer the case.
We must understand that Nietzsche, often read in an oracular and overly dramatic way, is actually a profundly coherent philosopher. His thinking is rigorous; If churches are now empty, if they became museums, tombs for god (visiting them for the "Affreschi", example: "La cappella sistina"), it's because he is dead. We killed him, or more precisely, we forgot him- because already with the scientific revolution, and even earlier with Renaissance, man placed himself at the center. We no longer live in a world explained through God, but through human reason, science and self determination. (That's why I chose literally the "forgotten God" from greek mythology. If you figure out who he is, you'll learn he actually died.)
Now if you want to learn more about Nietzsche:
His philosophy goes through THREE major phases;
- The youthful phase: Influenced by Schopenhauer (another amazing philosopher, highly recommend reading about him too), celebrated ancient greece, wrote "The Birth of Tragedy", Introduced the Apollonian and Dionysian spirits.
- Enlightment phase: Distanced himself from religion and idealism, embraced critical thinking, dismantled traditional values, wrote "Human, All Too Human".
- Mature phase: Developed his core concepts -> eternal return, übermensch, death of god, wrote "Thus Spoke Zarathustra" "On the genealogy of Morality" "Ecce Homo"
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