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#i am completely normal about them so normal
ssa-dado · 3 days
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0 - Symposium, definitely not Platonic love.
Aaron Hotchner x bau!reader (I hope I tagged it correctly woops)
No use of Y/N!
Summary: Hotch, after seeing you reading a book on the jet, picks it up out of curiosity. Late-night texts with you evolve from work to teasing philosophical banter about love, deepening your connection. Through this dialogue, Hotch reflects on both philosophy and his feelings for you, as the conversation subtly flirts with deeper emotions.
Genre: fluff, sapiosexual fluff.
Warnings: Implied alcohol consumption ; Reader and Hotch being completely blind yet marvellously insightful ; Philosophical discussions, I tried my best to make them as user friendly as possible ; Sir kink if you squint, although it's not intended in that way at all ; The story is set around season 3/4 before the team found out about Strauss' drinking problem, I feel so bad anyways.
Word Count: 2.9k
Dado's Corner: be kind this is my first ever Hotch fic and overall first fic I've written in English (yes, I indeed am a real Italian stallion) so there might be some mistakes, bear with me.
next part - set when they first ever met.
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Hotch sits on the couch, the soft glow of the lamp casting shadows across his living room, the house is so quiet, he briefly interrupts his late night reading session as he swears he can almost hear Jack’s light breathing from across the house. Those sweet thoughts, mixed up with the muffled night traffic almost lullabies him to sleep while the weight of another long week at the BAU settles into his bones.
His eyes immediately gaze down to his hands, firming holding opened the slim book: Symposium by Plato—a book he wouldn’t normally pick up on his own. The corners of his mouth quickly turn up as he recalls how he’d seen you reading it on the jet a few cases ago, sitting cozily and crossing your legs alone in a seat in front of him, strategically shielded from the table seats occupied by playing the rest of the team, including himself, busingly playing cards.
Every now and then his gaze automatically lingered on your stillness, the only movements coming from the swift air you moved while turning the page or adjusting your pose to be more comfortable, this sight intoxicated him. Your focus was so intense you didn’t even flinch at Derek standing up from his seat and leaning forward, while his hands gravitated towards the doctor’s bare neck after the latter just killed him off the game because oblivious of yet another variation they all added so it would make it easier to beat Reid. An attempt that ended tragically.
In that abrupt mess - from JJ laughing at the ironic hilarity to Reid using the highest-pitched voice his vocal chords could ever produce to defend himself from Derek's accusation of cheating - Hotch only remembers how your statuesque figure slowly had revived itself again as you glanced up to make sure no harm was done to the doctor. You made eye contact with Hotch and and you immersed yourself back to the slim book as soon the Unit Chief signed you not to worry and that he would tackle the situation himself. In a matter of fractions of seconds all your surroundings had disappeared again.
As soon as the Unit Chief was back into his office, curiously reminiscing about your hypnotic serenity, he’d ordered a copy.
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Now, as in the comfort of his living room slowly turns the pages, his phone vibrates with a message from you awakening him from his trance, immediately wonders why you would message him so late at night.
“Hotch, quick question: about the profile for the Winger case—should we revise the victimology section?"
…Of course, he almost started to hate how his role as Unit Chief always seemed to ruin his brief-lasting delusions.
He robotically types a response, a straightforward answer to your work-related question but as he presses send, his gaze lingers on the book in his hands. There’s somehow a temptation on his side to share the weird coincidence, to see how you might react.
"Good catch. I’ll review it tomorrow.” He writes.
“Wow that was quick, I didn’t expect you to still be up, did I interrupt your late night reading session?”
He quicky blushes, how could you know him so well?!
“You did. Don’t worry about it. By the way, I’m reading Symposium tonight." He blurts out
There’s a pause, and he can visualize your surprised reaction, how the sight of your smile would always warm his heart; almost immediately, his phone buzzes again.
"Wait, really, Symposium?!”
A small smile tugs at the corner of his mouth. He wouldn’t smile so much if you were standing in front of him, thankfully, the shield of communicating through texts allowed him to put down his.
You continue. “Not to raise your expectations too much, but that’s my all-time favorite book, just so you know!"
He swears he can hear the intonation of your voice reading that text, visualizing how you would face your palms towards him and raise your shoulders, trying to keep that non-chalant expression of yours and not perk a soft smile to him.
Entitled by that fateful coincidence, Hotch feels brave enough to decide to tease you - just a little - hoping the text doesn't sound that much so out of character for him as much as it does in his head, although he shrugs, sending it before he starts overthinking it.
“Your all-time favorite? A book about love? I should’ve known."
He pauses, imagining you raising an eyebrow, maybe with that knowing smile you wear when he’s teasing you. And even though he’s playing it off as a joke, part of him can completely see how you, could actually have a natural flare for romance - even if you never openly admit it and always tried the best you could to suppress that side of yours.
He decides to blame it on the years spent at the BAU when it was just the two of you along with Rossi and Gideon; At how you were recruited as soon as you turned 21, while the youngest person you worked with on the team and could relate to the most was Hotch himself, even if he was late in his Jesus year.
He quickly remembers how you would always overwork yourself - you both still do nowadays, that's why you're having a conversation at past 2 AM - He could see how you were always trying to prove your worth more to yourself rather than to your co-workers or even to the sketchy police officers and detectives somehow still stuck in the 1400s.
He had always admired you for your intelligence and acute instincts, and so does your nowadays team, immediately entrusting you with the nickname of "Prehistoric Reid" only because because you had started working at the BAU back when they still didn't provide the jet so you all had to move using the trains. Even if you already have 9 years of experience in the field, yet you were the 2nd youngest - still no eidetic memory though - this desire to always prove yourself never fully went away. One day you were the youngest, the other they assume someone way more genius than you were so you can't stand out anymore for merely for your intelligence.
You finally respond: "Well, it’s more than just a book about love. It’s actually quite of a concrete example of Plato’s take on philosophy - the whole thing told through dialogues, like a discussion among friends. But I won’t bore you with all the technicalities"
Hotch chuckles softly, picturing you downplaying your passion, trying not to sound too academic. What you don’t know is that he could listen to you talk about philosophy for hours - especially tonight, about philosophy’s take on love, no less. He doesn’t dares to say that, though.
"I wouldn’t say you’re boring me. In fact, I’m starting to see the appeal. But really, all-time favorite?"
He leans back into the couch, waiting for your reply.
You told him back when you first met that your first ever degree was in philosophy, and now recalling that specific information he's been wondering why exactly a barely-reaching-100-pages-long book holds such a special place for you, out of all the others he’s seen you passionately read during the years. A part of him is genuinely curious, the other part is trying to stretch as much as possible this conversation with you.
"Absolutely. I mean, think about it: a bunch of people crashing at their friend's house, sitting around, getting drunk, each giving their take on love while they feast at a banquet." You continued. "It’s almost like when we’re at Rossi’s, except instead of love, we’re all talking about criminology and cases while stuffing ourselves with his Italo-American dishes".
An image of Rossi pouring wine wearing an ancient greek costume - fake long white beard included - while everyone at the table delves into some intricate discussion about a case flashes through his mind, Hotch immediately chuckles at the comparison. He's sure you've imagined the exact thing too and he can almost hear you suggest hosting a real Symposium next time, his profiling skills never fail him as soon his phone buzzes again.
"Imagine if we recreated the Symposium at Rossi’s. Each of us giving our take on love. I can almost hear Reid's speech delving into the psychology of affection and its variations throughout the various cultures"
Quick on his chubby fingers, after laughing at the scenario, he types the continuation "In stark opposite, Garcia would follow him and pull out her tarot cards and read each of our birth charts, telling us who we're most compatible with based on our stars alignements"
While waiting for you, he stands up and makes his way towards his home bar, reaching for the scotch bottle, swiftly filling up his glass, silently blessing Plato for making this the longest light-hearted conversation you haven’t had in years. You were both either too focused on your work or actively suppressing your romantic feelings and ignoring each other. After all this time he would almost forget how the two of you were first and foremost very good friends. As the liquid burns the back of his throat, his phone buzzes again.
"That's actually really fascinating yet so intimidating, what about Rossi though? Of course he's hosting all of us but I feel he would totally blurt out some old-scool stuff he only understands. I know I'm not the only one who doesn't get his references, but I really feel bad whenever I don't."
He almost chokes himself after your other reply
"So, big boss, have I convinced you with giving us the free week-end or should I extend the invite our lovely friend Strauss? I fear that after a few glasses of Rossi’s wine all that angst towards you might turn into some ol' sweet love. I would watch out if I were you, Unit Chief"
You loved poking fun at him using his rank; It all started a few years ago to jokingly shrug away the awkwardness caused from how the co-worker you always used to joke around, spend the nights together in the same room, sharing your theories about the unsub and building up the profile with suddenly turned into your superior. As much as you both didn't want to admit it, something in your relationship had shifted since this happened, not to mention to the fact that it's much more awkward to admit to your boss you've been having a crush on your him for almost 9 years rather than to your co-worker.
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Now Hotch, encouraged by the slight booze, further teases you "And what do you think my take on love would be?"
This was the closest he could ever come to flirting with you, walking on that fine line and never pushing himself further. For Hotch, the gesture of basically asking you to profile him in a moment in which he was so vulnerable, breaking his golden rule of "never profile your coworkers" was the most romantic declaration of love he could ever think that of.
Your text brings him back down to Earth:
"Hmm, I imagine you’d give a thoughtful, analytical speech something with a lot of depth but surprisingly subtly humorous. You would wait for everyone to finish their own speech so you would be last, acknowledging all of us completely busted, only because you have self-control."
You feel the need to add something else, even if you know already he would read into it, at the way how you reserved a mere sentence to describe that scenario involving your teammates. On the contrary, you could write a whole book about him and all his hypothetical remarks, meticulously poiting out every small gesture or expression - or the lack of - of him. Since truth lies in the middle, you decide to dedicate him only another lengthy paragraph.
"You would start with something along the lines of ‘Love is a complex system of emotional responses influenced by myriad factors…’ as if you were delivering a profile, definitely using that same tone as well. You’d probably have us all analyzing every possible nuance and you enjoy watching us slobber, trying to quickly sober up to keep up with your impeccable remarks. Of course we would miserably fail at being analytical whatsoever, but you love whenever we make a fool out of ourselves."
He chuckles "You do know me too well"
He probably hints at the possibilty of having a weekend off with his next text "And since now you're making me think I might have to start prepare my speech about love, it wouldn't hurt to also include a few practical applications for the BAU team’s dynamics."
Ha. You wish he showed you what those practical applications consisted of. Hotch although interrupts even the possibility of recycling this genius quick witted remark with him, making sure to replace yourself with his archenemy section chief Erin Strauss, to not weird him out.
"Jokes apart, your take on love would be fascinating, I'm looking forward to hear it", he says.
"Only if you’re ready for philosophical debates after a few glasses of wine. Though, I’ll warn you - I take my Plato very seriously."
Hotch smiles at that, apparently he took his Plato quite seriously as well. What you're not aware at all is that the late-night session of Symposium you had interrupted wasn't his first.
"I’ll keep that in mind. But honestly, I’ve been finding parts of it… enlightening."
He had actually finished it for the first time less than a hour before you texted. What you actually interrupted was Hotch helplessly going back through certain passages that reminded him of you. He hypothesises your take on the subject of love, trying to gauge how you view it without revealing feelings he’s kept carefully hidden for a long time.
"Enlightening, huh? So you’ve gotten to the part where Socrates explains how love makes us better people?"
Hotch remembers that part well enough, but he hasn’t revealed just how deeply he’s been thinking about it - how, in his own quiet way, he’s been trying to connect those ideas to his life, and to you, so he chooses his next words carefully.
“Not yet." He lies, knowing that the part you appointed to would only come much later in the book "But I’m guessing you’ve got some thoughts on that?"
He imagines you smiling on the other end, maybe a little amused at how he’s obviously deflecting, although you don’t press him, but your next reply doesn't lack a subtle challenge.
"I do. But I think you'd find it pretty relevant, Hotch. Phaedrus talks about how lovers fight better together - how love gives them courage."
He quickly smirks and reminds himself how much he loves when you put him in the corner with the choice of your words, there was no way he could deflect that, since Phaedrus’s speech comes first, he couldn't say he hadn't read that yet.
Hotch's eyes flicker toward the book again, remembering Phaedrus’s discourse: the idea that love could make people fight harder, be stronger… it strikes a chord, reminding him of the strength he’s seen in you, in the unique way you both handle the intense challenges of your work when paired up together. He types, his words more deliberate now.
"Phaedrus might be onto something. Love as a motivator, as a way to push people to be better. What about you? Do you see it that way?"
There’s a slight pause before your next message, and he can almost sense your careful consideration, you’ve never been one to answer these kinds of questions lightly.
"Yeah, I think so. I mean, love isn’t just about being close to someone, it’s about making each other better, pushing each other forward. But that is not easy at all. It takes patience, discipline… and maybe a bit of faith."
Hotch’s expression softens as he reads your words. He admires your thoughtfulness, your ability to cut straight to the heart of something that most people shy away from. He finds himself thinking about how true those words are, how they seem to apply not only to love, but to the way both of you approach life and work. He types slowly, his words carefully chosen.
"Patience, discipline, and faith. Sounds a lot like what we do every day, maybe we’re already living it."
As he sends the message, he sets the phone down beside him and glances at the book again. He’s aware of the irony - that for all the deflecting, all the jokes, he’s learning more about you through this conversation than he would have if he had simply asked.
The words of Plato, the discussions on love, seem to take on a new meaning - one that feels personal, one that makes him wonder if he’s been missing something between the lines all along.
"You know, this conversation feels a bit like Socratic dialogue. Just without the wine. Maybe I’m learning about love through you and Plato’s dialogues in a way Socrates might’ve appreciated."
He sends the message, a small smirk on his face. He knows how much you would appreciate the unexpected extra philosophical remark about Socrates even if he knows little to nothing about him apart from that his idea of love in Plato's book. To impress you he totally forgets how only just a few moments before he stated he hasn’t read his discourse yet. A few moments later, your reply comes through.
“No way! Aaron Hotchner now delves into the Socratic dialectics?!"
Now you smell the lie so to make sure you trick him with the next text "Well, maybe you should read something by Socrates next, he was quite the conversationalist, you would rely a lot to him, especially after all of this philosophical banter"
"Any recommendations?" He naively takes the bait
"That’s the thing, Unit Chief - Socrates didn’t write anything. He relied on his students to record his thoughts. It’s all oral and dialectical. The dialogues are his legacy, not written works, maybe that’s why it’s such a rich experience—like having an ongoing conversation with someone through the ages."
Hotch leans back, wishing these moments would linger forever, hoping the words you exchanged could be eternal just like those exchanged by the men he was reading about, now printed with black ink on the paper resting in his hands. He's surprised he doesn’t feel the tiredness of the week anymore or neither the need to sleep. Damn, he has so much energy he's sure he could run a whole marathon, but only if you’re out there watching him.
"Well, if our conversations end up like Plato’s dialogues, I think I’m in for a rewarding challenge. Just don’t make me drink too much wine before our next discussion."
"Unit Chief I thought you had self-control and didn't need to be babied like us mortals"
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His phone buzzes with another message from you.
“Sorry if I ask, I’m curious - what got you interested in Symposium all of a sudden? I didn’t think philosophy was your usual reading material."
Hotch takes a moment to think, considering how to respond without revealing too much.
"You know, it’s funny. I saw you reading it a while back and it piqued my interest. I guess I wanted to see what you found so engaging about it. And honestly, I’m finding it pretty compelling - there’s a lot more depth to it than I expected."
His cheeks turn into a light shade of pink at your last response. "Unit Chief, do you believe you might need some professional insights on that speech you needed so urgently to write?"
"I definitely might need a hand - if I'm not wrong you do have a philosophy degree, don't you?"
Symposium might just become Aaron Hotchner's all-time-favourite book as well, after all.
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musings-of-a-rose · 3 days
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Camping Trip
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Pairing: Will Miller x f!reader (nickname Autumn)
Word Count: 3400+
Rating: Mature - 18+ ONLY!
Warnings: Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story. 
Notes: Listen. I don’t know. I just saw the picture in the upper right of my moodboard and came up with this. Ok fine I wrote the first 3 paragraphs in May and the rest now. Will and I are complicated, ok? Shoutout to @mermaidxatxheart for reading and listening to my ramblings as always!
**If you want to be added to the taglist, join here or let me know!
❤If you enjoy the fic, please consider giving me a warm beverage! (It is not required in any way!)
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**Reader is not described
Main Masterlist
Will Miller Masterlist
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It had been a rough few months, no doubt about that. Somehow, I survived. Made it to the solo camping trip I had been thinking about for months. It's nothing I haven't done before. Even the trails and campsite are familiar. Still, it had been a few years and I was itching to get away from the city and all the noises it pounds into my head.
I head down the backroads, the pine trees growing thicker the further out I get from the city. At first I pass a lot of cars, mostly traveling into the city. But after a while, when the trees are so tall I can't see over them, so thick I can barely see through them, I'm the only car on the road.
I see the sign for the campsite and turn, heading down the dirt path to the small parking lot about a half mile in from the road. There are a couple of other jeeps and trucks here, one of them belonging to the park ranger who sits inside the small welcome center/general store. I head inside to use the bathroom, the last little "luxury" I give myself before spending a week away from everyone.
"Hi mis- Autumn! Haven't seen you for what...3 years?"
I smile at the man behind the counter, giving him a little wave. "Hey Jay! You're still working here? I thought you'd have retired by now." I grab a couple of bags of the beef jerky they have on sale. It's made by a local farmer and I can only get it here.
Jay chuckles. "Next year. Maybe."
"Don't push yourself too hard, Jay."
"Oh! Mary had her baby! Course she's 3 now."
"Oh really? Damn, 3 already?”
Jay looks at me pointedly. “Well that’s what you get for taking so long to come back and visit.”
Before I can answer, the bell on the entrance door jingles out and Jay glances over my shoulder. “Afternoon, sir! Can I help you with anything?”
“Just a trail map, thanks.” His voice is a little raspy, like he hadn’t used it for a while. I turn to point to the map stand but am momentarily frozen. 
This man is gorgeous.
Tall, short blonde hair, slightly longer up top. Military or ex military judging by the cut and the way he holds himself. But his eyes meet mine, slate blue and what was I saying? 
Jay pinches my arm. “Show him the maps, Autumn.”
I force a small chuckle to Jay, quickly pulling my arm from his pinching fingers and walk towards the blonde man and am hit with the scent of pine, leather, and old spice. Normally I would not be into the latter on a man but the way it mixes with his natural scent is going straight to my head. And other places.
“Here,” I somehow manage to walk past him and grab a map from the spinning holder, turning to hand it to him. The man takes it, his eyes twinkling before he gives me a quick wink.
“Thanks, darlin’.” His eyes quickly flick down my body, or maybe I’m imagining it? 
“You check the weather before coming, sir?”
His eyes are on mine still for another moment before he turns to address Jay. “Yeah I did. This isn’t my first time camping.”
Jay nods. “Military?”
The man chuckles. “Vet. Am I that obvious?”
Jay shrugs. “Not exactly. I just know people. Well, as long as you know what you’re in for. Shouldn’t be too bad but just make sure to stay warm. Not sure how long you’ll be here but if ever a blizzard alert comes up, you come right back here, ok? There’s a small cabin out back that’s open to campers 24/7.”
“Thanks.” The man takes his map, declining Jay’s offer of a bag. He glances back over at me. “See you later, darlin’.”
Fuck. Me. “See you!”
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It takes me the usual couple of days to make it to my favorite spot, but I breathe a sigh of relief when I break through the trees, the breathtaking view of the mountains and lake spread out before me. It feels like coming home. 
I get to work setting up my camp, fire and tent good to go, my food hanging from a bag in a tree. I managed to find a place with a good fallen log, perfect for sitting on or against and close enough to the fire so I can keep warm. The wind blows through the nettles of the tall pines around me, the cool, misty breeze coating the exposed skin on my face. I take a deep breath in and out. I really missed being here. 
I do turn on my high powered radio to listen to the weather report twice a day, making sure nothing unexpected is coming. There’s something the weathermen are looking at, but they don’t think it’ll be anything. Still, the temps are sure to drop in a couple of days and there may be a bit of snow. I’m prepared for it, but it’s still good to know. 
A couple days later, I’m about a half mile from camp, walking along the trail near the lake. So far, I’ve seen a couple of deer and a ton of birds. I’m stopped, leaning against a tree trunk to take a quick break when I hear the sound of footsteps on the path ahead. I know I’m not the only one camping, but I’d be lying if I said I wasn’t instantly on alert. Another couple of seconds of hearing the sound and I know it’s human. From around the curve of the path emerges the man from Jay’s, his pack full and looking heavy. He sounds a little winded and had obviously been walking for a bit. I straighten myself and wave to him.
“Hey! Fancy seeing you here!”
The man glances at me and smiles, the same one from the shop. “Hey…Autumn?”
I nod. I tell him my real name. “But Jay’s been calling me Autumn since I first came to this trail.”
“Let me guess. It was during Autumn?”
I chuckle. “Jay is original.”
He comes closer, but stops several feet away, breathing heavier. “I’m Will.”
“Nice to meet you, Will.”
He nods to me. “Same.”
He still doesn’t move. “I don’t bite, you know.”
He cocks his head, confused, but then seems to piece it together. “Oh. Well, I didn’t want to freak you out by invading your space.”
I’m fairly positive if this man wanted to take me down, he could’ve done that, several feet away with a pack on or no. “Thank you. That’s…unexpected. And kind.”
“Don’t other people do that?”
I shake my head. “Not really.”
“Oh. Well they should.”
I shrug. “Maybe….but Will, you can come closer. It’s alright.”
He raises his eyebrows. “You sure?”
“Yeah, why?”
He remains rooted to the spot. “You don’t think I’ll take advantage of you?”
I snort. “I’m fairly positive you could’ve done that already, Mr. Military. Don’t threaten me with a good time.” What the fuck did I just say?
I swear I see the tips of his ears turn pink as he chuckles, shifting his weight nervously from foot to foot. “A good time it would be.”
He comes closer and I gesture towards my bag which is resting against a log. He takes his own off and sets it beside mine, shrugging and stretching his shoulders a bit. “I really should’ve taken a break before now. Gettin’ old sucks.”
I chuckle, my eyes roaming down his arms, the flannel on his shirt hugging his biceps in all the right ways. 
“You look in great shape to me.” 
His eyes meet mine and we stare at each other for several moments before I blink, shaking my head a little to rid myself of the not at all PG thoughts I was having.
“So…are you trying to make it back to that cabin before the weather moves in?”
Will clears his throat, giving his own head a little shake before crossing his arms across his broad chest. “That was the plan.”
“Have you listened to the weather station today?”
He furrows his brows and I melt. “No, why?”
“The uh..storm? Is moving a little faster than they thought. No way you’ll make it back to Jay’s cabin before it starts to pick up.”
“Shit.” Will sighs, bringing his fingers up to pinch the bridge of his nose. “I really thought I’d be able to make it but my leg was acting up.” 
I can tell he’s not used to this, needing breaks. He seems like the kind of guy that just pushes through the pain. Until it pushes back.
“Come on. You can stay with me.” I push back from the tree and lean down to get my pack, swinging it up on my back. When I look back up at Will, he’s staring at me, eyes wide.
“What?”
“Did you just invite me to your camp?”
I adjust the straps on my shoulders. “Yeah. Let’s get going so that way we aren’t stuck.”
“You trust me?”
I click the last strap into place across my chest before I look at him. “I thought we established that I do.”
He studies me for a long moment, his eyes moving between mine and I swear he glances down at my lips. “You sure you have the space?”
I shrug. “May be a little bit of a squeeze but temps are dropping anyway. We can always find a way to get warm.” What did I just say?
A small smirk spreads across his beautiful face. “I’m sure we can, darlin’.” He leans down and grabs his own pack, situating it on his back before he gestures to me. “Lead the way.”
Talking to Will is easy, comforting almost. He tells me about his time in the army, Delta Force, and his brothers, including his real life brother Benny. A golden retriever of a man if I ever heard of one. He asks me questions about my life and listens intently, actually interested in what I have to say. Before I know it, we’re back at my camp. Will stops for a moment, staring out over the lake at the mountain behind it and whistles. “You found a hell of a view.”
“Thanks. It took me a couple years to find but now it’s like home.”
Will helps me start a fire and get food cooking, laughter and conversation flows just as easily as before and I find myself gravitating towards him, physically. But he also seems to be scooting closer and closer until our legs are nearly touching. Snowflakes start to fall, coming in faster and thicker.
“We should probably get the sleeping bags set up before it gets hard to see,” Will suggests, his breath puffing out in tendrils in front of him. 
“Good idea.”
Will gets the outside of our little camp ready as the sun starts to dip and night comes. We manage to get in the tent before the snow really starts to come down. It’s a little bigger than a one room tent, but we’re still pretty snug in here now that there’s two of us. And he’s so fucking broad. I shift my sleeping bag over a bit more and Will slides his down next to mine. He looks between our bags and then up at me, his eyebrows pulled together in slight concern.
“What is it?” I ask nervously.
“It’s…nevermind.”
I punch his arm and have to choke back a scream at how firm it is. “Just tell me.”
He chuckles while he dramatically rubs his arm. “Ouch,” he smirks as I roll my eyes. “But we should zip our bags together. For warmth. It’s about to get pretty cold.”
“William Miller. Are you asking to get in my sleeping bag with me?”
He shifts nervously, his ear tips turning red. “No! I uh, that’s not… I mean, it’s basic survival. I didn’t mean.. I don’t want you to think-”
I laugh then, cutting him off. “Chill out, Will. I know how you meant it. You’re a nice guy. I just like watching you blush.”
He rubs at his face. “You’re dangerous.”
“How dare you, good sir. I am a lady.”
He snorts and I swear under his breath he says “I bet you are.”
We get the bags zipped together and slide down in them, trying to leave as much space as we could between us. After several minutes of us shuffling around awkwardly, Will chuckles.
“You wanna be the big spoon or the little one?”
My laughter rings out in the tent joining his, tears streaming down my face at this brilliant tension breaker. “I’ll be little,” I choke out. I turn around, facing my back towards him. I feel him scoot closer and heat instantly rushes through my body, pooling between my thighs. Can he hear how my heart is about to beat from my chest?
“Is this ok?” Will’s breath fans out over my neck, goosebumps erupting in it’s wake. 
“Uh..I uh…y-yeah. All good. Is it uh, close enough? For survival, I mean.”
Will clears his throat. “Uh, well I mean. We should probably be, uh, closer. To stay warm. For survival, of course.”
“Well if it’s for survival, scoot as close as you want.”
He makes a choking sound but shifts closer, his body molding to mine. I can feel his hand hovering, unsure of where to place it. I reach back and take it, gently placing it on my hip, trying to ignore the heat that immediately ignites, flowing down between my legs. The wind blows outside, the tent rustling with it. I shift my hips a little and Will’s grip on my hip tightens, his fingers digging into my skin. And I can feel something else pressing against my ass and I swallow hard.
“You’re going to have to stop moving around, darlin’. Please.” He chokes out the last word, sounding restrained. 
I take a deep breath. “What if I don’t want to?”
His grip tightens even more and I know I’ll bruise if he keeps it up. And I don’t care if I do. 
“I’m trying really hard to be respectful, Autumn.”
I glance over my shoulder at him. “Don’t be respectful then.”
A quiet growl emanates from him. “What are you saying?”
I make sure I have his gaze. “Be disrespectful. If it’s permission you want, you have it.” 
He watches me for a long moment before I feel him shift, his arm that’s not gripping my hip sliding under my neck. He twists his wrist, sliding it down to unbutton my shirt, his hand finding it’s way down my shirt and under my bra, gently swiping his fingers over my nipple. But at the same time, his other hand slowly moves from my hip, pulling my leg up and over his own, his hand gently teasing my skin as he pushes it under my pantline and between my legs, another groan when he feels how wet I am. I gasp as he nips at my shoulder. 
“You’re so fuckin’ wet, Autumn.”
I try to respond, but instead a moan escapes me as his fingers start to play with me, gentle circles with alternating pressure as all my blood rushes between my legs, that fire igniting rather quickly. 
“Will, I’m gonna…” I’m not entirely sure what I say as I come, my leg twitching as my body soars, pleasure radiating out from between my thighs, spreading throughout me.
“Feeling warm?” Will speaks deeply in my ear, nibbling a little on my ear lobe.
I nod, my head flying already. “You didn’t even take my clothes off.”
He chuckles against my neck. “I told you I was respectful.”
Surprising even myself, I reach behind me and grab him over his pants. He grunts but pushes against my hand, no doubt relieving some of the pressure. I turn my head towards him, my lips barely brushing his. “Please, Will.”
His eyes are like a storm at sea, blue and wild, darkening. “Tell me.”
I take his hand and push it between my legs where I was growing wetter by the second as I push my hips back, grinding on him. He grunts in my ear. “You gotta stop doing that or I won’t be able to hold myself.”
My hand, still over his, pushes his fingers towards my entrance, his thick fingers circling me, heat and anticipation swirling around me. “D-don’t hold yourself back. Fuck me, Will. Please,” I’m not above begging at this point, his finger continuing to edge me along. But then he’s pulling his hand out of my pants, trying to sit up but struggling because we’re in a sleeping bag. 
“Take off your clothes before I rip them off.”
That command went straight through me, my fingers moving quickly to take off all my clothes, tossing them out of the sleeping bag. Will does the same on his own, starting his own neater pile outside of the sleeping bag. I lay back down, assuming he’ll want the same position. His fingers skim across my side, watching the goosebumps pimple up. But then he pushes my hip down, turning me on my back as he slides over my body, my legs opening as wide as I can to give him space. He’s heavy, fuck he’s so much bigger than I thought as he presses against my clit, hot and pulsing. His eyes find mine, a dark twinkle in them as he leans down, pressing a gentle kiss to my lips. I part them and he slides his tongue inside, the kiss quickly heating up as he starts to move his hips. He slides himself over me, back and forth across my clit, swallowing my moans. My fingers dig at his back, silently begging him for more. The pressure is so intense, so much, that if he doesn’t fuck me now, I may just pop. Or go insane. 
Then Will gently takes my wrists, pinning them on either side of my head. His hips shift and with a confident stride, he pushes into me, my head pressing back into the pillow as I feel the pleasant burn, my body stretching to accept him, all of him. He pulls his hips back and pushes in, this time with a little more force and I feel a jolt through my body as he hits some spot at the back of me. I whine as Will continues to fuck me, slowly but forcefully, heat coursing through me. And then, I snap, crying out his name as I squeeze around him, my entire body lighting up and carrying me away from myself, my release made more intense by being pinned under him, unable to move away from the intense pleasure. 
Will’s breaths are heavy, panting out with restraint, like he’s holding himself back. He kisses me again, hard, nipping at my bottom lip before pulling back and out, but before I have a chance to feel too empty, he somehow flips me on my belly, my boobs pressing into the sleeping bag as he arcs my hips up just enough for him to slide in easily, my body greedily taking him in. He lays on top of me, his arms over mine as he laces his fingers with my hands. The weight of him both on and in me sends heat right back between my legs. He bites at my neck and shoulder as he fucks into me, deeper and harder with every thrust until I’m coming again, screaming his name into my pillow as I feel his hips sputter, Will whining in my ear as he spills inside of me. His body slumps against mine, both of us trying to catch our breath. Eventually, he slides off of me and to my side, turning me and pulling me to his chest. He nuzzles in my hair, wrapping his arms around me again, one massive hand holding a boob.
“Warm enough?” Will whispers in my ear.
“Mmm..” I respond. “You didn’t tell me you could fuck, Will.”
He chuckles and kisses my neck. “I’m restricted by this sleeping bag, darlin’. I did the best I could.”
The whine that escapes me is loud. “I’d love to see that.”
“Well when I’m done with you after this camping trip darlin’, you’re going to need some time to recover. And then I plan on showing you exactly how my fucking is.”
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srbachchan · 2 days
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DAY 6058
Jalsa, Mumbai Sept 18, 2024/Sept 19 Wed/Thu 8:52 am
🪔 ..
September 19 .. birthday greetings to Ef Vandana Joshi Bhat from Toronto - Canada 🇨🇦 .. and .. Ef Dharmesh Trivedi from USA 🇺🇸 .. 🙏🏻❤️🚩
September 18 .. birthday greetings to the Californians clan of the Ef .. Ef Viral .. Ef Sandeep Khurana .. and Ef Anisha Datta .. our love and wishes .. 🙏🏻❤️🚩
September 17 .. birthday greetings to Ef Jags .. and Ef Tasnima Khan from UK 🇬🇧 .. 🙏🏻❤️🚩
our wishes and greetings .. from the Ef ..
At times many wonder at the content that appears on this most communicative page .. as also on the minimal expresses of the X and the FB .. and I often smile and laugh at the manner in which , they that profess to be the 'masters' of the communicative 'business', pick up words expressions and create content headlines , in the garb of sensationalised information, for, that is what catches the eye of the visitor ..
The shop keeper that 'SELLS' his product - clothes, eats etc.,- shall ever put the very attractive 'content' at the doors of the window , in order to attract a prospective buyer , in order to get him or her into the store to BUY .. There is no difference in the presentation of CONTENT ..
Sensation works the sale ..
How to create it , is no longer a challenge .. the freshness of the earlier communicative days has been deeply diluted by the billions of visuals and cameras and individual information and communication devices, now at the hands of 7.6 billion humans ..
How to survive this onslaught is what the writing on the wall is :
THE IMPOTENCY OF CONTENT
अपने पदार्थ को कैसे बेचा जाए, ये उनकी समस्या का विषय बन गया है ।
तो क्या किया जाये ? चलो कुछ नया, मन चाहा, रेत का महल बना देते हैं । है तो रेत का, ज़्यादा देर टिके गा नहीं, जल्दी गिर जाएगा, फिर और कुछ बना देंगे - 'बना' देंगे - बनी बनी कहानी है, सच्चाई से बहुत दूर , क्या फ़र्क़ पड़ता है, हमारे बारे में तो नहीं है न !!!? वो जिनके बारे में जो असत्य लिखा है , छपा है, वो भोगें , हमारा काम तो हो गया - बिक गया, बेच दिया , माल अंदर - खेल ख़तम पैसा हज़म !!!
जी हाँ !!! आपका खेल क़तम, और आपके पैसे हज़म - दूसरे तड़पें, कष्ट में पड़ें, हमको क्या, हमारी तो बिक्री हो गई !
बेच दिया - बेच दिया अपने संस्कार, अपना धर्म, अपनी आत्मा को !!
अब देखियेगा, इस लेखन को किस तरह तोड़ मरोड़ कर, बेचने का प्रयास किया जायेगा
😁
🤣
😜
ट्विटर पे जो मेरा परिचय मैंने दिया है, वो बाबूजी के शब्द, और मेरा परिचय देते हैं :
"तुमने हमें पूज पूज कर पत्थर कर डाला ; वे जो हमपर जुमले कसते हैं हमें ज़िंदा तो समझते हैं "~ हरिवंश राय बच्चन
Immersed completely in the words deeds and thoughts of Babuji .. his mind and learnings from it .. his words and the reasons for portraying them .. the deeper meanings, and the essence of life .. all in such vividity ..
One does not have the desire to leave them, and stride away to the usual normal daily chores ..
And as I desire the close of today - toDAY .. I come across the words of my Father - I often in normal days called him Dad, but in his reference to the World it shall ever be the respectful BABUJI - बाबूजी ..
.. and his words from one of his works :
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join your body with mine , so that you speak from my throat too, from my vocals too ; what is there that is special about me , I need to explain to you or bring to your notice .. what is special is that I want to refuse all kinds of speciality that is upon me !!!
I worked late .. I awoke early and wished to write the Blog .. but immersed in the words and books of Babuji lying open beside me and could not resist the temptation of being with them ..
May there be love and bearings of grace and harmony about
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Amitabh Bachchan ❤️
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ilisteria · 2 days
Text
I am sorry for what I'm inflicting upon the world
Behold, the Crayon Eaters Primarch, a totally (not) serious lost Primarch OC
Legion Motto proposals:
"Every Colour Imaginable, Every Planet Imaginable, Everything Imaginable - All Under His Light" or "THOU SHALT TASTE THE RAINBOW"
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He came from a civilised world known for synthetic dyes and lacquer, but past that literally nothing was notable about his childhood. He grew up in a nice lower middle class family and just really liked crayons and once was stranded in a forest while on a camping trip so he ate his pack of crayons to survive. Turns out they taste good(to him). He found out about the name Crayola from a box of decrepit crayons he discovered in a time capsule, and he thinks crayola was the old word for colours in some lost language.
The paint splatter on the white chestpiece, knee joint, left palduron, and cloth strips were from a legion tradition of visiting orphaned children after a campaign and letting them paint on plain white armour. The armour pieces would then get clear lacquer poured over them for use to mix and match with ceremonial garb.
Tipirius was executed and his world exterminatus'd after the world's government declared Dandelion Yellow - which was was Big E's second favourite flavour of crayon - discontinued because of a shortage of the chemicals needed to produce it.
-
I don't know what else to write, he's literally a shitpost character and completely normal and well adjusted like 30k Guilliman.
I'd imagine he would be considered a defective Primarch, maybe the contemplative II legion Primarch who was far too human to agree to commit mindless slaughter in the name of the Emperor's distant dream.
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drmaddict · 2 days
Text
N.F.I. - Not Fucking Invited
Summary: Michael and his girlfriend are spending Christmas with Michael's family. One morning, when they both just want to enjoy their togetherness, they are both rudely interrupted by somone who what not fucking invited.
Word count: 904
Author's note: Somehow I seem to have an urge to let Ewan's characters get caught.
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She doesn't know what she thought Michael's family would be like, but definitely not so... normal.
His father was quite a successful builder. His mother was a hearty housewife. His older brother was training to be a car mechanic and the family dachshund, Baloo, had hip problems.
It had been strange when she first entered the house. He had invited her round for Christmas. He said it was because he wouldn't have a single lively conversation otherwise. But he seemed slightly nervous, when he introduced her to his mother.
A warm, slightly chubby woman who almost broke her back the first time she hugged her. Just like his father crushed her fingers, when he shook her hand.
It was all unexpectedly unremarkable. Most of the time the two of them withdrew and spent a few quiet hours together, but somehow his brother always found a way to interrupt them both.
Whether they were discussing their last lecture, gossiping about fellow students or just sitting together in silence. He found them.
Michael always looked more annoyed than the time before. Siblinglove didn't even seem to spare geniuses.
Only in the morning did they really had their peace from him. He was a late riser and therefore no danger until about eleven o'clock.
They were both still lying under thick down on chistmas day. The sun was just about to stretch over the horizon. She looked at his face. Relaxed. His eyes closed. His glasses were on the bedside table. His hair was tousled. Only his thumb, lazily tracing circles on her hip under the blanket, revealed that he was already awake.
She bit her lip. It had been quite a while. The pre-Christmas stress and preparations for the final tests for the semester had kept them both apart. And nothing had really happened since they'd been here.
But his thumb on her skin made her sigh silently.
She pushed herself even closer to him. With a mischievous grin, she put one leg over his hips and pulled herself as close to his body as possible.
His eyes fluttered open and looked at her questioningly. With a grin, she slipped the pantys off her legs and simply threw them away. Michael's eyes showed her, that he understood.
His gaze flitted briefly to the bedroom door, but then he too pulled his pyjamas and shorts out of the way. They caressed each other lazily. Kissed without haste. He slipped his hands under the sweatshirt he had once 'lent' her. They cheered each other on quietly and then he sliped into her.
Under the protection and warmth of the blanket, they gave themselves to each other.
She knew he liked this kind of sex. There was something meditative about it. It calmed his otherwise restless mind.
She ran her nails lightly over his back under his shirt. He buried his face in his-her  sweatshirt. The world was perfect.
Until the door opened.
"Get up already. There are presents.", his brother whined.
They both looked at him, perplexed.
"You're 24! Can't you wait until after breakfast like any normal person?"
"No!"
"Get out of my room!"
His brother leaned against the doorframe. She realised in that moment all too well, that Michael was still inside her. Involuntarily, her centre tightened at the thought. Michael's breath hitched.
"Am I interrupting something?", his brother grinned.
"Always.", Michael bit out. His hips jerked forwards slightly.
"Then come down." He said sweetly and disappeared. The door still completely open.
Michael took a deep breath. "Fuck.", he whispered. "You like that.", he simply stated. There was no question to be found.
My hips twitched slightly at the thought of the open door.
"It's surprising us both.", she whispered.
Michael picked up his rhythm again. Faster than before, but his hips only moved minimally to minimise the rustling of the blanket.
She buried her hands in his hair. Moved towards him just as quickly. His thumb found its way between her and onto her bundle of nerves.
The knot inside her tightened. Her nails clawed into his shirt and then she fell. With her head buried against his chest, she jerked haphazardly and pulled him into the abyss with her.
They lay there, slightly out of breath. Still entwined. He buried his face in her hair. She savoured the soft, washed-out fabric of his T-shirt on her cheek.
They made no attempt to break away. They both enjoyed the feeling of still being connected. They both let themselves drift with the cosy lightness.
"Are you coming for breakfast? Your brother is driving me crazy.", they both heard Mrs. Gavey's cheerful voice.
"Yes Mum.", Michael said far too quickly and watched tensely as his mother disappeared down the corridor again.
He jumped up frantically, completely ignoring the fact that he was half naked, and quickly slammed the door shut.
"Fuck.", he whispered.
She pressed her lips together and took a deep breath. "Sorry.", she whispered back.
He just shook his head. "We'd better get dressed or my dad will be standing here too."
She smirked, but fished for her knickers and reached for her toiletry bag. She planted a quick kiss on his lips and wanted to leave to the bathroom, but he stoped her by the upper arm.
"Don't think we're not repeating this in the library.", he clarified.
She smiled, but her stomach fluttered excitedly at the thought.
"I can hardly wait."
"Little minx."
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tom-is-online · 2 days
Note
not to be rude but ena and akito are. completely different in terms of personality and overall character😭 maybe someone likes akito but doesn’t fw ena’s personality or whatever. it’s fine
reacting to THIS POST
I don't know what you're reading, but I would never describe them as completely different. Sure, they ARE different characters, but if anything is similar about them, it is their personalities and the role they play in the story.
They are both very dedicated and passionate about their corresponding passions despite neither of them having "natural talent." Instead of giving up, they keep working hard to show themselves that they can follow the path they want to despite what others (Vivid Street (Arata) in Akitos's case and their dad in Ena's) around them have to say about it.
They're both very blunt whether they mean to be rude or not, but they both also care a lot about the people around them, especially their units and each other even if they don't show it in normal ways.
Their inferiority in their talents also brings the fact that both of them experience jealousy for people who show they have more talent which is shown in both of their focus events a lot
Neither of them is very academically gifted mostly through a lack of interest
And theres a lot more which im sure someone less tired than me would love to tell me in the notes :)
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the 4komas even riff on them often acting very similar
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+ Their BNW quotes literally mean the same thing
the whole thing with them both really like cheesecake and pancakes but hate carrots is also meant to be a nod to their similarities
people have a tendency to demonise Ena for being mean or violent or whatever people want to call her. but what Ena is usually criticised for Akito typically isn't (cough cough this fanbase has a history of being very male-biased which I hate)
Akito is also mean, he was a dick to everyone in his unit in the main story at some point and he often pulls pranks on the people in his school (Tsukasa) just to highlight a few easy things
AND FOR THE VIOLENT THING.
People have a tendency to highlight Ena scratching Akito when she was stressed out in middle school. and not to generalise. but. i am convinced you people are only children AND did not read the VBS main story
siblings fight, it's normal, especially in a household like the Shinonomes with the whole emotionally neglectful dad thing they got going on, i fought with my brother a lot as a kid and it happens. I'm not saying it's great and everyone should be attacking their siblings but the people who focus on Ena scratching Akito seem to magically forget.
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AKITO PUNCHED TOYA HARD ENOUGH FOR HIM TO BE BRUISED IN THE MAIN STORY.
I've seen people make the argument that Akito can be excused cuz of the circumstances it happened being stressful and made him angry. But that clearly ignores what Ena was going through in middle school.
saying "Ena scratching Akito was a common occurrence but Akito only punched someone once" just does not feel like a good enough argument at all.
the last post gave a good argument on it so just go read that to lmao
I'll say it again. stop babying the male characters. if you're gonna excuse Akito punching Toya in the head and not excuse Ena when she was in MIDDLE SCHOOL then I don't know what to tell you
anyway.
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i think a large part of their dynamic is carried by their similarities - they share a lot of the same key traits and they tend to but heads due to it but they do care about each other a lot in their own sibling way. I also just relate to them both a lot lmao
if someone wants to make a legitimate argument for how the Shinonomes are very different in personality, be my guest feel free to rb with what you think
but in my opinion at the VERY LEAST they share so much of their personalities and with how much Ena is demonised by some of this fandom it's a red flag to me to like Akito and hate Ena.
but yeah please rb with anything else u wanna add cuz I've definitely missed some stuff
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revolu · 1 day
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I'm dropping (a bit old) john laurens yap here. Please correct anything you must + provide the source.
and we know very limited about John but whatever !!
Laurens was described by Hamilton to have honey blonde hair when clean. His hair was generally said to be light brown/blonde. As seen on portraits, he had soft features, blue eyes, and a big nose. He was described to be very handsome, and IMO I agree!! We don't know exactly how tall he was, but he was most likely over 6 feet. One day before Laurens' 15th birthday, his father wrote to James Grant; ''my Little Jack, now as big as I am...'' (Jack being John's nickname). We don't know Henry Laurens' height, but if he was as tall as Henry at 15, he certainly grew to be taller. In 1778, Henry wrote to John ''A Taylor has cut off as much of your Scarlet as will make he says a Wascoat for 6 feet 3 inches...'' which suggests that John could have been 6'3. It's not clear what exactly Henry means in the letter but as said, John was probably over 6 feet. Laurens was one of the strongest abolitionists of the time despite coming from one of the bigger slave plantations and growing up where slavery was normal. John could speak English, French, Italian, Greek, Spanish and Latin. We know that he was fluent in English and French but we don't know about his fluency in the other languages.
Laurens got Martha Manning pregnant and ended up marrying her out of pity (supposedly to protect her reputation too and to keep illegitimacy of their child.) He wrote to his uncle ''...Pity has obliged me to marry...'', When Laurens left for war, he left his pregnant wife in another country. When John was chosen by congress to be a special minister to France and had him travel there, Martha traveled with their daughter to reconnect with him upon hearing about his arrival in France. But John supposedly made no effort whatsoever to visit them; he completed his mission and went back to America. Martha later died during the trip and their daughter, Frances, was sent to live with her aunt.
John Laurens is believed to have been gay... The man didn't seem to express any attraction towards women, though I think his sexist beliefs played a role in this, as well as his lack of effort to humble his wife. His letters to Alexander Hamilton, and Francis Kinloch also suggest he had an eye for men... ESPECIALLY Kinloch's and his correspondence.
Henry Laurens wrote ''Master Jack is too closely wedded to his studies to think about any of the Miss Nanny's''. But it's important to note that he was a teenager at that time and not every teen develops those feelings at the same time. But I would imagine that since he was as tall as his father at 15, he was early in puberty... Romantic/sexual feelings usually come with puberty, but what do we know? Anyways. John expressed a lot of sexist opinions, even towards his own sisters, which can be read in letters. Most men were sexist, but John seemed to be more ''strict'' on the subject... This definitely plays a part in his supposed ''homosexuality''.
John hid the fact that he had a wife and child from Hamilton for nearly two years. Why? The reason is unknown. It's only up to debate. My guess is that he just wanted to try to ''forget'' them in some way, seeing as he literally left them... Why would you bring up that you have a family that you abandoned? But maybe it was because he never found the right time to tell him, or was it to get a better chance with Hamilton? We will never know, sadly. But what we DO know, is that Laurens referred to his wife as ''dear girl'', and Hamilton, and supposedly ONLY Hamilton, as ''Dear boy''. We know for a fact that Hamilton was close to Laurens and was special to him, but why did he call his wife that? Out of pity? He didn't necessarily show any real attraction towards her... But whatever the reason is, it's kinda cute.
We know that Henry Laurens was emotionally manipulative of John, which is like read in letters... So there is no denying that, really. BUT John was close to his father, attachment issues tsk, tsk tsk... But jokes aside, when John told his father that he wasn't super interested in becoming a lawyer or merchant like his father wanted, Henry wrote this to his brother; ''if he enters upon the plan of Life which he Seemed to pant for when he wrote the 5th. July, I Shall give him up for lost & he will very Soon reproach himSelf for his want of Duty & affection towards me, for abandoning his Brothers & Sisters, for disregarding the Council of his Uncle, & for his deficiency of common understanding, in making Such a choice_ if these reflections prevail not over him, nothing will_ he must have his own way & I must be content with the remembrance, that I had a Son.'' Basically, Henry said he would disown John if he pursued his interests in medicine. So, John ended up becoming a lawyer/statesman to please his father. There are more examples of John trying to please his father, but let's not take that now... HOWEVER, after John had died, Henry wrote of him in response to John Adams' letter; ''Thank God I had a Son who dared to die in defence of his Country'' ... We get a lot of mixed signals from Henry... Though I do believe he loved him, at least somewhat.., even if he was controlling/manipulative. Henry wasn't too nice to his other children either, but since this is about John I'm not gonna talk about that.
John's brother James died at the age of 9-10 (1765-1775)
James, or Jemmy, was supposedly scaling the outside of their house and tried to jump to the landing outside of John’s window but fell. He received life threatening injuries and cracked his skull. The doctors had figured that the injuries were too severe to save him and John described it to his uncle four days later; "At some Intervals he had his senses, so far as to be able to answer single Questions, to beckon to me, and to form his Lips to kiss me, but for the most part he was delirious, and frequently unable to articulate. Puking, Convulsions never very violent, and latterly so gentle as scarcely to be perceived, or deserve the Name, ensued, and Nature yielded."
Since John was supposed to watch over James during this time, John felt guilty and as if it was his fault. James' death was very difficult for John, and it weighed heavily on him.
Henry did little to alleviate those feelings of guilt, which suggests that he either didn't care enough, or that a part of him also blamed John. (I am not saying he 100% did, but it would not be surprising if he so did, considering how he treated John.)
He could also have been in too much grief to console John... Which, as said, would not be too surprising considering his treatment of John. But nevertheless, he did not do much to help John and John's guilt.
TW: mentions of suicide.
It is highly speculated that John was suicidal. We have a couple of written exchanges where John discusses suicide with friends and family. In February 1774, John wrote to Henry Laurens about two men who had attempted suicide. We don't have the whole letter, but here is a part of Henry's response; ''...But, my Dear Son, I trust that your opinion on that Question is So firm, that you are armed with Such irrefragable proofs of the Impiety as well as Cowardice of Self Murther, as puts you out of danger of being made a Convert to Error...'' (Not gonna put all of it). Another time, when John was a prisoner of war and didn't handle imprisonment well, Hamilton wrote to John ''For your own sake, for my sake, for the public sake, I shall pray for the success of the attempt (of being exchanged) you mention; that you may have it in your power to act with us. But if you should be disappointed, bear it like a man; have recourse, neither to the dagger, nor to the poisoned bowl, nor to the rope.'' It is clear that Hamilton (and Henry, despite how he treated John) were worried about John's thoughts of suicide. John's last letter to Hamilton was probably one of the, if not the, most emotional. He wrote ''Adieu, my dear friend; while circumstances place so great distance between us, I entreat you not to withdraw the consolation of your letters. You know the unalterable sentiments of your affectionate Laurens.'' John died about a month later. On the day of his death, John and his men surprised a troop of British soldiers that outnumbered them. Instead of retreating, John chose to immediately attack. He did not really actively end his own life, though it seems as if it was planned or that he was trying. Which is just sad. Also, it's not sure that Hamilton's last letter to Laurens ever got to him before he died. (In that letter he tells John to quit his sword and come to congress with Hamilton)
I don't know what else to add actually but here you have it!! This is as accurate as I can get it, especially cause it's like mostly based on letters... Uhm. But yay!
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daftdrac · 2 days
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If you were in a conversation, what topic would you like to talk about? :D
Something X-Men related, probably specifically anything deadpool or wolverine (Deadpool isn't exactly X-Men but I'm counting him cause he's also a part of this hyperfixation) anyways I LITERALLY GOT THIS NOTIFICATION WHILE IM WATCHING THE WOLVERING AND THE XMEN CARTOON LMAOOO Yeah I'm super into. X-Men shit right now because I watched Deadpool 3 and my brain said YES. THAT. I am absolutely taking this as an opportunity to rant by the way cause there is so much random shit about this show that has me giggling. Errrmmm spoiler warning I guess ?
FIRST OF ALL LOGANS VOICEEEEEVEVEVDBDBE 👹👹👹 I'm not one to simp for fictional characters (lie) but I'm down bad JUST because of the voice (also lie im down bad for a lot of reasons)
ALSO THE FUCKING AMOUNT OF LOVE INTERESTS HE HAS IN THIS. JEAN, (KINDA-ISH) WHO DOESN'T SHOW UP UNTIL EPISODE 23 OF 26??? SOME RANDOM JAPANESE WOMAN WHO'S MARRIED TO A SAMURAI?? SOME ALIEN-MUTANT-THING WOMAN WHO WORKED WITH HIM AND WAS HIS GIRLFRIEND BEFORE HE LOST HIS MEMORIES OR SOMETHING ?? Emma kinda but not really she's not an explicit love interest but you can kinda tell it's a little implied at some points. I definitely am forgetting a few my memory is still shit but A BISEXUAL CHARACTER AND NOT A MALE LOVE INTEREST IN SIGHT <3 thats why Cyclops is here. He's supposed to be kind of a romantic rival to Logan kinda (cause they both like jean or whatever idk it REALLY doesn't seem like Logan likes jean all that much but I guess he does) but it really just ends in them having tension that feels less like they despise each other and more like they're waiting for everyone to leave them alone so they can go at it so I'm counting Scott even if he isn't like OFFICALLY a love interest he basically is
Oh also gambit is a thing for like 2 episodes. All he does is cause issues which. Gambit core I guess idk much about him 💀 all I know is he is REALLY like. Cunning and confident and shit. Tryin to think of the word. CHARMING yeah he's charming. Or supposed to be I guess he looks a little funny so he just makes me giggle looking at him. Honestly if he wanted to fuck Logan he could probably convince him to buy he's in love with one of magneto's daughters or whatever?? That he met for like a few hours and kissed once?? Before being thrown in a cell for kissing magneto's daughter??? And then abandoning her after promising to take her away from genosha with him?? I don't even know man.
Anyways I'm a complete noob X-Men fan I literally didn't know jack shit about anyone but Logan before I started watching this. Already a hardcore wolverine/cyclops fan they're gay to be fr with you. I should read some of the comics huh. Anyways here's my live reaction to Logan and Scott interacting like normal people:
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Also silly goofy images from this show no I'm not sorry 3/4 are Logan he's BABYGIRL in this okay
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Here have a poolverine meme to end this post
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lightlycareless · 2 days
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The perfect girl by mareux = Naoya and y/n
( if you listen to the lyrics you’ll understand !!🤭)
Hi!!!
First of all, I'm so sorry it took me a while to get back to you! Between answering other asks and writing snippets here and there... well, I got busy. But I will always do my best to respond to all!!!! And now, here I am. Moving on...
Omg this song I heard it everywhere but I never really gave it much attention—AND NOW, IT FITS NAOYA AND Y/N VERY WELL.
Now following the lyrics and song itself, I get a sense of being so irrevocably in love/obsessed with said girl that’s being sung about—just about the words I’d use to describe what Naoya feels for you haha.
warnings: fluff. a bit of highschool au. in my mind, that's how they officially met.
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I always believed that the reason why Naoya fell so hard for you is because you were completely different from his world. And somehow the sentence strange girl takes me back to when you and Naoya first met.
Naoya obviously knew that once the year ended, they’d be a bunch of new students gracing the school grounds. Nothing that he would’ve normally cared for outside of observing if there were any girls that might catch his interest, but this time around he was forced to be attentive all thanks to your annoying siblings who had made such a big deal about your enrollment.
“Another idiot to join their shenanigans. Great!” He’d say, just about the usual harsh words he’d use towards them, because he hated them.
Kind of. Mostly. Depending on the context. He did not get along with them, at all; yet again, nobody did.
But then, when the fated day finally comes and he gets a glimpse of you… all preconceived notions were promptly thrown out the window, becoming immediately smitten by you.
He just… couldn’t peel his eyes away from the strange girl that honored the hallways with her hypnotizing presence. There was something so intoxicating about your appearance, a sense of purity that showed you had remained largely ignorant of the cruelties of life. Or at least those that are usually bestowed to members of the jujutsu community.
And that just made you stranger before his eyes; odd that someone like you, part of a somewhat important family, was still capable of being cheerful, with both yourself and others.
But as unusual as it was… Naoya was still enveloped with a grave urge to protect you. Shelter that same innocence he had been unwittingly stripped away from, while hoping he’d keep getting that same gentle demeanor you’ve always bestowed upon him when possible:
The way you were always so eager to tell him about your endeavors, whatever mission or school assignment you were tasked with—either to complain, or seek advice, he didn’t care for what as long as you went to him—always considering him above others it seemed, when the rest wouldn’t even bother to look at his direction if not to seek advantage of his title, or simply avoid him…
The way you’d softly call his name, imprinting the moment it happened the first time in the back of his mind: the tone of your voice, the look in your face… like you were happy to see him! When was the last time he could say that about anyone? Not even his own father…
The way you’d compliment his work; a sincere appreciation that didn’t come from recited words out of fear of reprehension or interest in obtaining favors. You saw what he was capable of and took interest in it with hopes of improving yourself, or to simply encourage him.
And of course, the way you took your time to get to know him. Not the heir, not the talented sorcerer, but the man himself; Naoya. Having little no to interest in his family outside of comparing lifestyles, see if he too grew tired of pestering elders and overbearing parents, or if he even got along with his siblings.
Naoya felt human for the first time in his life with you, your words filling a void he could never satisfy with the empty gestures of his surroundings… So how did you not expect him to fall in love?
“You’re a strange girl, Y/N.” He’d disclose to you one day, the moment he finally came to terms with his feelings for you, much to your horror.
“Oh, is that—is that a good thing?” you fret, for such adjective was rarely used in positive prospect.
But to Naoya, that word only meant you were beyond good.
You were perfect.
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I'm sure Y/N did most of the approaching and Naoya just stood there like the tsundere I always envisioned him to be; it's not until he grows comfortable that he becomes the suave, teasing guy we all know and love (I mean, in my mind hahahaha) but yeah... it's safe to say that to him you were a strange little thing that he ended up falling in love with 🥺
Hnnnnnggggg this was so sweet to write, though the song kind of went more into a dark aspect ngl, or so that's how I felt it 🤣
Anyways, thank you so much for your patience!!! I really love it when I get sent songs that reminds y'all of Naoya and YN, ajgkhasjkghajksgas it adds depth to their relationship you know?
Now, take care and hope to see you soon!!
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theoryofweirdness · 18 hours
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What if Dipper and Mabel Pines were in Super Smash Bros?
This is something I wrote several years ago and it's just been sitting on my drive. I posted it on Ao3, but recently became aware that Tumblr might be a better platform. So, here goes my first real post on this site.
Ever wondered what it would be like if Dipper and Mabel from Gravity Falls were playable characters in Super Smash Bros.? Well, wonder no longer, because here's my extensive idea for what their moveset would be like. Though sadly, I don't have art of this, since my digital art skills are... lacking, at best.
I also haven't 100% figured out all the nuances like how much damage every move does, so if anyone has any balancing-related suggestions (for that or anything else, really).
General Overview
Statistically speaking, the Mystery Twins would be fairly weak, with relatively low average damage and launch power, as well as being lightweight and not particularly fast. This makes sense as they are both (physically, at least) completely ordinary just-barely-teenagers with none of the inherent supernatural powers of most of the other child characters like Ness, Lucas, the Inklings, or the younger Links. Even though they are older than the younger Links (not sure about Ness/Lucas/Villager), the Links have the Triforce of Courage making them stronger and granting them the combat prowess of previous Links, Ness and Lucas have their supernatural PK abilities, etc. 
The Mystery Twins make up for this statistical weakness with versatility due to their variable moveset. Many of their special moves are also able to temporarily either nerf opponents or buff themselves to even the odds. They are also significantly stronger when working together, since for most moves, they’ll attack at the same time, but even together, their raw damage wouldn’t be particularly excellent. The Mystery Twins would be a very difficult fighter to play effectively, but I’m hoping they’d also be a very fun one. I am aware that this fighter would be a nightmare to program and animate, but this is my imagination, so such paltry concerns as “budgets,” “programming,” and “animation time” mean NOTHING!
We'll start with their special gimmick, since that's key to understanding how this character works:
Gimmicks:
Mystery Twins Forever: This is basically the fact that they’re a two-part fighter, like the Ice Climbers, and work in much the same way, though with one notable difference. Using their D-Special when neither twin is KO’d will switch which twin is in front and under direct control (same as pressing [L] in Gnome Gemulets), changing most other moves. 
Because of this, they essentially have two different movesets (similar to Zelda/Sheik from Melee and Brawl), meaning there’s a lot of versatility to this character, though of course it’s dependent on both twins being around. Though they are a single fighter, each twin is a separate entity and can be independently KO’d, just like the Ice Climbers. Try to avoid this, as it will both limit your move choices and make an already complex and statistically inferior fighter much weaker. 
A KO’d twin respawns only after the other is also KO’d, or after using a Final Smash. If the current active twin is KO’d, you lose a stock (or point) and both respawn. KO'ing the non-active twin will not affect points or cause stock loss, but does replace the remaining twin's D-special with a different move.
On the fighter select screen, you can decide which twin will start as active, much like Pokémon Trainer can choose the starting Pokémon.
Special Moves
[B] Neutral Special (Dipper) - Growth Ray: Dipper turns the size-altering flashlight’s blue Growth Ray on himself, increasing his size for 10 seconds, with the same effect as the Super Mushroom item. Others very close to Dipper (such as Mabel) can also be affected. There is a 20% chance that Dipper fumbles the flashlight and points the growth ray forward (with the same hitbox as the normal shrink ray), not affecting him at all, but potentially growing other fighters who touch it.
Duration: 10 seconds
Backfire chance: 20% (1 in 5)
[B] Neutral Special (Mabel) - Shrink Ray: Mabel turns the size-altering flashlight’s pink Shrink Ray on enemies, creating a short-ranged cone in front of you that shrinks enemies hit by it, causing the same effect as the Poison Mushroom item for 10 seconds. There is a 10% chance that Mabel fumbles the flashlight and shrinks herself (and Dipper, if he's there) with the same hitbox as the normal Growth Ray.
Duration: 10 seconds
Backfire chance: 10% (1 in 10)
This move is of course based on the size-altering flashlight which Dipper created in s1e11: Little Dipper, though its function seemed both too powerful and too confusing to put into a single move, so I split its two options between the twins, on the grounds that Mabel also uses the flashlight in that episode, and it is her magic item in PinesQuest, in which case shrinking is the only thing it does.
Both rays have slight startup lag to take out the flashlight and aim it, so you can’t just surprise someone with a sudden growth. No other fighter can so easily buff themselves or nerf opponents, but overuse of this powerful move is inadvisable, as that gives enemies more chances to take advantage of it (though in team battles, you could also grow your teammates!), and also provides more chances for it to backfire. However, this is the main means by which the Mystery Twins’ low stats are directly compensated. The move can’t be used again (by either twin) until its current duration wears off (no matter what happened). Use it strategically!
[<B>] Side Special (Dipper) - Memory Gun: [EN] Dipper fires a short-ranged blue energy projectile (about the same range as Z-Suit Samus’s charged Stun Pistol N-Special) that deals small flinching damage. It also makes the target temporarily forget how to use their special moves, disabling them for 8 seconds. This can be reflected and also absorbed. The ray will have no effect on subsequent hits aside from the light damage until the disabling effect wears off. If the ray hits a fighter while they are performing a special move, it won't take effect until that move is over.
This move is based on Dipper’s use of the memory gun in s2e07: Society of the Blind Eye and s2e15: The Last Mabelcorn, and the fact that he evidently had it in his backpack all the way from s2e07 to s2e13: A Tale of Two Stans.
Damage: 2%
Duration: 8 seconds
[<B>] Side Special (Mabel) - Leaf Blower: [WI] Mabel uses a leaf blower to suck in objects and blow wind. Hold {B} to suck in air. The sucking grab box is visible, similar to King Dedede’s Inhale N-Special. She can’t suck in other fighters unless they've been shrunk down, but she can suck in projectiles and non-heavy items. If she sucks in a projectile, item, or shrunken fighter, the suction stops, and the object will shoot back out of the leaf blower when [B] is released, again similar to King Dedede’s Inhale, and with a similar sort of speed boost.
If Mabel doesn't suck in anything after 3 seconds or if you just tap {B}, she’ll blow wind in a cone straight out in front of her, causing a visible windbox similar to the Gust Bellows item, but smaller and weaker. Mabel can move left and right and jump once while holding the leaf blower. This move is based on Mabel shooting Jeff the gnome leader out of a leaf blower in s1e01: Tourist Trapped.
[^B] Up Special (Dipper) - Magnet Gun: Dipper fires a beam from Ford’s Magnet Gun (which he uses in s2e17: Dipper & Mabel vs. The Future) which can grapple onto ledges when used in the air. On the ground, it’s fired straight forward by default, but can be angled slightly up or down. In the air, it’s always fired at a 45° upward angle but will autocorrect toward ledges within a wide radius of the end of the beam. The magnet beam appears instantly at full length (though it will be interrupted by walls that can't be grappled onto) and can’t be reflected or blocked, but can be dodged.
If the beam hits an enemy, Dipper will either pull them toward himself as a command grab, or him towards them, depending on the difference in weight between Dipper and the target. If the enemy weighs more than him, he’s pulled toward them; if he weighs the same or more, the enemy is pulled toward him. When Mabel is present, she holds onto him and they collectively weigh twice as much for this move.
If Dipper is pulled toward another fighter, he'll automatically footstool jump off them upon contact, pushing the enemy down while gaining height himself. The same will happen if an enemy is pulled toward him while he is in the air.
If Dipper is on the ground and pulls another fighter toward himself, this special move can be canceled immediately into a grab when the enemy enters his reach, making this move potentially the longest grab in the game.
This move causes no damage.
[^B] Up Special (Mabel) - Grappling Hook!: [PH] Mabel fires her grapple gun upward, acting as a tether for recovery, which can also cause damage with decent launching ability. It’s a long tether that can grab onto ledges, basically the same as Joker’s default U-Special. On the ground, the hook is fired at a slight upward angle and has significant end lag as it retracts. In the air, it’s fired at a 60° angle by default but can be changed with directional input to 90° (straight up) or 45°. The area in which it will autocorrect to ledges is smaller than for Dipper's magnet gun. The hook can be reflected, but won’t bounce back at Mabel if it is; it just falls to the ground and must then be retracted.
Damage: 12%
Dipper’s Magnet Gun is better at horizontal recovery and can be very useful for combos, but doesn't actually deal any damage and its effects are very conditional. Mabel’s Grappling Hook is better for vertical recovery and actually deals damage, but has a lot less combo potential and more end lag. If both twins are present, they’ll hang onto each other and both be moved by either version of this move.
[vB] Down Special (both present and within reach of each other) - Tag Out: You switch which twin is under direct control. This can be used in the air (but only if the twins are within reach of each other) and is accomplished quite quickly, but does still leave you open for about a second. The newly active twin's Zodiac symbol (Dipper: blue Pine Tree, Mabel: pink Shooting Star, Stanford: red Six-Fingered Hand, Stanley: gold Mackerel) will appear on the damage counter, and will also flash in the air overhead when switching. If one twin is KO’d, this move changes (see below).
[vB] Down Special (Dipper alone) - Enter the Mindscape: [MA] Dipper casts the Mindscape projection spell from Journal 3 (seen in s1e19: Dreamscaperers, though in Smash it’s quicker, and he won’t say the words as that would give him away), causing his physical body to collapse, but entering the Mindscape as a ghostly, nearly invisible psychic avatar (inspired by what happened to him when Bill possessed his body in s2e04: Sock Opera). In this form, he can fly around freely with directional controls and pass through all parts of the stage, though speed is limited. The astral projection is intangible and immune to physical-, fire-, ice-, earth-, water-, sound-, toxic-, and wind-based damage, but not to magic-, electric-, or energy-based ones. However, Dipper’s real body is completely immobile and open to attack.
Pressing [B] again will immediately return Dipper to his real body. If you do so while overlapping an enemy fighter, that fighter will take heavy damage and become dizzy (like with a shield break; this is due to Dipper entering their mind and inflicting psychic damage). However, there is some end lag when you return, so don't get too cocky.
This attack cannot be blocked or countered. Fighters with higher damage will be stunned longer. If either Dipper’s real body or astral projection is hit, he’ll immediately return to normal (with end lag) though he’ll only be launched if the physical body is hit. You definitely need to keep an eye on Dipper’s real body when using this move, as well as watching out for attacks that can actually hit his astral projection, since they’ll deal 1.5x damage.
Dipper will be automatically returned to his real body after 12 seconds, but returning this way cannot affect enemies and will cause Dipper to become dizzy instead. If Dipper successfully hits someone or lets the move time out, there is a 20-second cooldown before he can use this move again.
If this seems a bit ruthless for Dipper, put it down to him seeking revenge for Mabel.
Duration: 12 seconds
Damage (non-launching): 25%
Immunity (x0 damage): PH, FI, WA, IC, EA, WI, SO, TO
Vulnerability (damage taken x1.5): EL, EN, MA
Cooldown: 20 seconds
[vB] Down Special (Mabel alone) - Attack Glitter: [WI] It’s pretty but it hurts! Mabel blows (or possibly coughs up?) a cloud of glitter into the air in front of her (based on the attack glitter used on Soos in s2e11: Not What He Seems). The glitter cloud floats in the air for 8 seconds, causing small, non-flinching tick damage over time and slowing down other fighters moving through it, similar to the Swirlix Pokéball summon (“I got glitter in my eye!”). 
Hold {B} before releasing to gather more glitter and create a larger cloud. Though each cloud only lasts 8 seconds, there’s no cooldown (Mabel always has glitter), so she can make more than one at a time. 
Damage (per tick): 1%
Normal Moves
If both twins are present, they will perform their neutral attacks at the same time, allowing you to set up “team” combos if positioned properly.
[A] Jab (Dipper): [PH, EN] A basic but quick 1-2-3 punch that can be used for jab-locking but is very weak until the third hit, which is enhanced with a glowing blast of power from the Gnome Battle Cuffs. Launches on the final hit.
This is Dipper's basic ground combo in Rumble’s Revenge, with the added power boost on the last hit being based on his charged-up attack from Gnome Gemulets.
Damage (1, 2):
Damage (3):
[A] Jab (Mabel): [PH] A one-two spammable swinging punch (similar to Villager’s Jab). It has slightly more reach than Dipper’s jab, as well as better damage per hit, but it's slower. Can launch on either hit at higher percentages. This is Mabel's basic ground combo in Rumble’s Revenge.
Damage (1, 2):
[>>, A] Dash Attack (Dipper): [PH] A fast side kick that launches diagonally upward at a slight angle. This is Dipper's dash attack in Rumble’s Revenge.
Damage:
[>>, A] Dash Attack (Mabel): [PH] A straight punch that's stronger than Dipper's kick, but launches at a lower angle and has more end lag. Same as her dash attack in Rumble's Revenge.
Damage:
Smash Attacks
When the twins are present and within reach of each other, they’ll perform a combined Smash Attack.
[<<A>>] Side Smash (Dipper): [SL] Dipper slashes downward with the Manotaurs’ bone spear (seen in s1e06: Dipper vs. Manliness, also his strength item in PinesQuest). Has less forward reach than Waddles, but a wider vertical hitbox, a sweet spot at the spear tip, and also less start and end lag. This is one of Dipper’s only moves that’s potentially stronger than Mabel’s corresponding one, if you land the sweet spot. Similar to Marth's S-smash.
Damage (min, sweetspot):
Damage (max, sweetspot):
Damage (min, normal):
Damage (max, normal):
[<<A>>] Side Smash (Mabel): [PH] Mabel sends her pet pig, Waddles, charging forward a short distance (based on Mabel's ground combo finisher in Rumble’s Revenge, which is itself based on her siccing Waddles on Robbie in s1e10: The Time Traveler’s Pig). Distance increases slightly with greater charge. Waddles moves the full distance whether you hit someone or not, before turning around and running back to Mabel for a hug. The run back is a sourspot that's much weaker. Waddles does not count as a projectile and cannot be reflected (he would never hurt Mabel).
The alternate costume of Stan (#8) uses Shanklin the Stab Possum from Lost Legends Part 4: Pines Bros. Mystery instead, to the same effect.
Damage (min, forward):
Damage (max, forward):
Damage (backward):
[<<A>>] Side Smash (Combined): Both twins perform their respective S-smash, with the active twin facing forward and the inactive twin facing backward.
[^^A] Up Smash (Dipper): [SO] Use awkwardness as a weapon! While charging, a lamb costume appears on Dipper and he performs the Lamby Dance. When released, he cuts to the end pose, causing a semicircular burst of music notes above and around himself that will damage and launch enemies. This is based on Dipper's ground combo finisher in Rumble’s Revenge, which is itself based on Dipper doing the Lamby Dance for the ghosts in s1e05: The Inconveniencing.
The hitbox is similar to Samus’s U-smash, but all at once instead of individually. Only the notes are a hitbox, but it’s pretty wide even on the sides, However, it's on the weaker side for a Smash attack.
Damage (min):
Damage (max):
[^^A] Up Smash (Mabel): [FI] Mabel fires a blast from a confetti cannon (used against zombies in s2e01: Scary-oke) directly overhead. Similar to Ivysaur’s U-smash, it can hit very slightly in front but is much better for anti-air. It’s stronger than Dipper’s embarrassing dance, but with a lot less reach. 
Damage (min):
Damage (max):
[^^A] Up Smash (Combined): [FI] The twins perform both U-smashes at the same time, as Mabel gives an explosive confetti finish to Dipper's dance, combining the power of Mabel’s cannon blast with the reach of Dipper’s music notes.
[vvA] Down Smash (Dipper): [EA] Dipper casts a spell from the Journal that summons two zombie hands out of the ground on either side of himself, which can launch enemies directly upward. Similar to Megaman’s D-smash, though somewhat weaker. Based on Dipper summoning zombies during s2e01: Scary-Oke.
Damage (min):
Damage (max):
[vvA] Down Smash (Mabel): [BL] Swing a golf club in a wide-reaching attack that hits from back to front, covering nearly a complete circle around Mabel, with only directly overhead being uncovered. It doesn’t reach as far outward as Dipper’s zombie hands, but is faster and can actually launch enemies quite hard. This is one of Mabel’s only attacks that’s faster than Dipper’s corresponding one. It’s based on Mabel's mini-golf skills showcased in s2e03: The Golf War.
Damage (min):
Damage (max): 
[vvA] Down Smash (Both): [EA, BL] Instead of causing damage, the zombie hands summoned by Dipper’s spell will hold enemies still, then Mabel swings her golf club to knock them out of the park, breaking the zombie hands and gaining a damage bonus as the trapped enemies can't defend themselves.
Tilts
If both twins are present, they will perform their tilts at the same time, similar to Ice Climbers. 
[<A>] Side Tilt (Dipper): [PH] Two quick slices with a fireplace poker, based on Dipper's duel with Wax Sherlock Holmes in s1e03: Headhunters. This move is fast and has decent reach, but it’s not particularly strong. It’s useful in combos or as a “get off me” tool, but not for launching.
Damage (per hit): 
[<A>] Side Tilt (Mabel): [PH] Swing a karaoke machine for a strong attack that can launch enemies quite well, but has both start and end lag. Based on her use of the karaoke machine as a “surprisingly good weapon” against zombies in s2e01: Scary-Oke.
Damage:
[^A] Up Tilt (Dipper): [PH, EN] Dipper jumps slightly forward with an uppercut. (This is a combination of the only time Dipper actually hits Rumble McSkirmish during their battle in s1e10: Fight Fighters, and his charged attack in Gnome Gemulets). It’s similar to Megaman’s U-tilt, having a sweet spot at the very start of the move (indicated by a flash of energy from the Gnome Battle Cuffs) and significant end lag. This is one of Dipper’s only moves with more end lag than Mabel's corresponding one. In fact, it's one of his only moves with significant end lag at all.
Damage (sweetspot):
Damage (sourspot):
[^A] Up Tilt (Mabel): [PH] Spin a stretchy sleeve overhead to multihit enemies, based on the charging-up animation for her charged attack in Gnome Gemulets.
Damage (per hit):
[vA] Down Tilt (Dipper): [PH] A very short and weak but fast and spammable kick that barely flinches enemies, much like Ness or Lucas’s D-tilt. It isn’t based on anything in particular, there’s just not that many actual times when Dipper fights things, so I’m pulling from other child characters.
Damage:
[vA] Down Tilt (Mabel): [PH] Mabel curls into a ball and rolls forward a short distance, similar to King Dedede’s D-tilt, though much weaker.
Damage:
Air Attacks
If both twins are present and within reach of each other, they’ll hold onto each other and use a combined air attack, improving both hitboxes and damage, though often at the cost of end lag.
[A] N-Air (Dipper): [BL] A basic aerial kick with a lingering whole-body hitbox, similar to Mario’s N-air (and many others). Based on the first hit of Dipper's aerial combo in Rumble’s Revenge.
Damage (initial kick):
Damage (lingering hotbox):
[A] N-Air (Mabel): [BL] A basic spinning move, similar to DK or Ness. She never does this in any medium I’m aware of, but it certainly seems like her style. Hits once but is stronger than Dipper's lingering kick.
Damage:
[A] N-Air (Combined): [BL] Mabel grabs Dipper’s arms from behind and spins him around right as he tries to use his normal kick attack, resulting in a spinning kick with greater than normal reach and a sweet spot on Dipper’s foot, though it does now have some landing lag (Dipper was not prepared for this).
Damage (middle):
Damage (sweet spot):
[A>] F-Air (Dipper): [BL] Dipper swings his hat in an arc from high to low, which somehow actually does damage. It's fast and has a wide hitbox, but is pretty weak. Based on the final hit of Dipper's air combo in Rumble’s Revenge. For alternate costumes without a hat (such as tuxedo and Gideon's suit), he’ll suddenly be holding his normal pine tree hat for this move. The Ford alts use an explorer-style pith helmet.
Damage:
[A>] F-Air (Mabel): [BL] A diagonal downward punch, similar to Little Mac’s F-air. Not as big as Dipper’s hat swing, but with more damage. Based on the first hit of Mabel's air combo in Rumble’s Revenge.
Damage:
[A>] F-air (Combined): [BL] Dipper’s hat swing carries enemies downward into Mabel’s slightly delayed punch, which becomes a sweet spot that can spike diagonally.
Each hit does the same damage as when performed individually.
[^A] U-Air (Dipper): [BL] Dipper swings the Journal overhead from front to back. It’s a wide attack, similar to some other fighters’ “headbutt” U-airs, and can be used for juggling, but isn’t very strong, at least in comparison to other U-airs with similar hitboxes like Ness's.
Damage:
[^A] U-Air (Mabel): [BL] A back-flipping kick, similar to Mario's U-air. The twins' U-airs aren't really all that different.
Damage:
[^A] U-Air (Combined): [BL] The respective air attacks collide in the center for a strong launching blow, similar to Sonic’s U-air.
Damage:
[<A] B-Air (Dipper): [BL] Dipper kicks backwards with both feet, similar to Mario’s B-air. Not based on anything, really.
Damage:
[<A] B-Air (Mabel): [BL] Whip a stretchy sleeve backward for a long, but somewhat weak attack, similar to her Z-air.
Damage:
[<A] B-Air (Combined): [BL] Dipper holds onto Mabel’s stretchy sleeve while she flings him back, creating a sweet spot as he kicks outward. 
Damage (sourspot):
Damage (sweetspot):
[vA] D-Air (Dipper): [BL] A downward axe kick. Can spike enemies at the start of the move and has more reach than Mabel’s stomp, but isn’t as strong. This is the second hit of Dipper's air combo in Rumble's Revenge.
Damage:
[vA] D-Air (Mabel): [BL] Stomp downward with both feet, which has more startup lag than Dipper’s kick, but is also stronger and has a longer-lasting hitbox, kind of like a smaller version of Captain Falcon’s D-air. This is Mabel's aerial combo finisher in Rumble’s Revenge.
Damage:
[vA] D-Air (Combined): [BL] Similar to their combined F-air, Dipper performs his attack slightly ahead of Mabel and can hit foes into hers.
Damage:
[Grab] Z-Air (Mabel only): [BL] Mabel whips a stretchy sleeve forward for a decent-reaching, though weak attack. Unlike most Z-airs, this cannot grab ledges.
Damage:
Grabs and Throws
If both twins are present, the throws are changed; otherwise they are the same for either twin.
[Grab] Grab (Any): A basic short-ranged grab.
[Grab, A] Pummel (Both): Mabel ties up the enemy in her stretchy sleeves while Dipper punches them in the face (or whatever else is at his eye level).
[Grab, A] Pummel (Single): Holds the enemy with one hand and punches them in the face (or whatever) with the other. Easier to escape than most grabs. Based on grappling in Rumble’s Revenge.
[Grab, >] F-Throw (Both): [PH, EN] Mabel grips the foe with her sleeves and Dipper punches them outward (obviously making use of the Gnome Battle Cuffs), causing the foe to snap back into a second, stronger punch that knocks them out of Mabel's grip. This throw hits twice, but does take a while.
Damage (total):
[Grab, >] F-Throw (Single): [PH] Weakly toss the enemy forward. This is based on throwing enemies in Rumble’s Revenge; it's the least effective attack.
Damage:
[Grab, ^] U-Throw (Both): [PH, EN] Dipper uppercuts the tied-up enemy into the air, then Mabel whips them back into the ground. Hits twice.
Damage (total): 
[Grab, ^] U-Throw (Single): [PH] A basic and weak upward toss.
Damage:
[Grab, <] B-Throw (Both): [PH, EN] Mabel spins the enemy around a full circle with her stretchy sleeves, which can hit other enemies, similar to Mario’s B-throw, while Dipper charges up the Gnome Battle Cuffs, then punches them out of Mabel’s grip and backwards over her head. This is the twins’ strongest throw in terms of launching.
Damage:
[Grab, <] B-Throw (Single): [PH] A basic and weak backward toss.
Damage:
[Grab, v] D-Throw (Both): [BL] Dipper curls into a ball on the ground, then Mabel shoves the enemy, causing them to trip over him. Leaves the enemy prone. Based on when Wendy does this to Ghost Eyes in s2e18: [Weirdmaggedon].
Damage:
[Grab, v] D-Throw (Single): [PH] A basic and weak toss onto the ground that pops the enemy upward.
Damage:
Movement
(Speed and jump height are stated as an approximate comparison to existing fighters.)
Walking, running, and jumping animations, as well as idle animations, are taken from Gnome Gemulets.
[<>] Walking: Despite being light, the Mystery Twins aren’t particularly fast. They're probably similar to Lucas and Ness.
[<<>>] Running: Still not particularly fast, but better. If both twins are present, they’ll hold hands while running.
[^] Jumps: 2, a bit below average in height.
Wall Jump: No
[v] Crouch: They kneel down.
[v, <>] Crawl: Yes
[Shield, v^] Spot dodge: There’s nothing approximating dodging in any of their games, so these will probably just have similar animations to those of the other Smash fighters that share their proportions (Ness, Lucas, Villager, Inkling).
[Shield, >] F-roll: See above
[Shield, <] B-roll: See above
[Shield, <>v in air] Air dodge: See above
Ledge roll: If both twins are present, they’ll pull each other up, though the animation takes the same amount of time no matter what.
Miscellaneous
If both twins are present, they will perform a different, unique taunt on the Up and Down Taunts. For the Side Taunt, if both are present, they’ll do both at the same time.
Up Taunt (Both): A simple high five. This is a double reference, first to their end-of-level victory high-five in Gnome Gemulets, and second to Stanley and Stanford’s “high six.”
Up Taunt (Dipper only): Pumps arms up and down in a victory celebration while saying “Yeah-ha-ha!”. This is Dipper's end-of-level victory screen in both Rumble’s Revenge and the Take Back the Falls mobile game.
Up Taunt (Mabel only): Jumps up and down in joy. 
Down Taunt (Both): Awkward sibling hug (pat, pat). Seen in both s1e01: Tourist Trapped, and s2e19: Escape From Reality.
Down Taunt (Dipper only): Dipper pulls out a magnifying glass and inspects something on the ground. References both the theme song and Dipper’s general investigative nature.
Down Taunt (Mabel only): Mabel snuggles with Waddles, just like in the theme song (and plenty of other times throughout the show).
Side Taunt (Dipper): Dipper opens his journal and writes something in it. The first time this taunt is performed on [name of as-yet-undecided Gravity Falls stage], it starts a Journal Entry on whichever other player is both next after you in the player order and not on your team. These will be similar to the Palutena’s Guidance conversations, opening a text box that resembles a page from the Journal at the bottom of the screen, where Dipper reads his observations about that fighter, with commentary from Mabel and occasionally other characters as well. I’m not sure whether I’ll ever actually write these out (suggestions welcome).
Side Taunt (Mabel): Mabel takes out both a sock puppet of herself and a puppet of either another Gravity Falls character or a random other fighter currently on-screen and plays around with them. The second puppet can be any one of Dipper, Ford, Stan, Soos, Wendy, Gideon, Pacifica, Robbie, McGucket, or other fighters present on-screen. If a Pokémon Trainer is present, the puppet can be of them or any of their three Pokémon.
Idle Animation: Same as in Gnome Gemulets (I don't remember what it is).
Stage Entry: The twins fall out of a dimensional rift, like the one Mabel falls into in Lost Legends Part 3: Don't Dimension It.
Origin Symbol: The Zodiac Wheel (duh). No, it’s not too complicated. What are you, a cop?
Kirby Hat: Since there are two potential N-Specials here, there are also two Kirby hats, as Kirby only inhales the active twin.
Dipper: The Pine Tree hat (duh). (Growth Ray)
Mabel: Mabel's hairstyle, with a Shooting Star clip on the headband. (Shrink Ray)
Palette Swaps/Costumes
All of Dipper and Mabel's palette swaps are alternate outfits that they (or others) wear throughout the show.
1) Dipper and Mabel’s most iconic appearance.
Dipper: red t-shirt, dark blue vest, Pine Tree hat, gray shorts, black sneakers, holds Journal 3 (unless otherwise specified, he’s holding Journal 3 in all of these).
Mabel: purple skirt, pink headband, magenta Shooting Star sweater, black flats.
2) Fancy dress outfits from the ball in s2e10: Northwest Mansion Mystery.
Dipper: tuxedo, brown dress shoes, no hat
Mabel: fluffy pink dress (if Peach, Daisy, and Rosalina can fight in ball gowns, so can Mabel), weird hat thing, high heels, uses a feather boa instead of stretchy sleeves.
3) Mystery Shack employees/Anti Gravity AU inspired.
Dipper: Soos's dark green Question Mark t-shirt, cargo shorts, and cap.
Mabel: orange headband, white t-shirt, Wendy's green flannel jacket, boots, uses a rope lasso instead of stretchy sleeves.
4) Secondary antagonists inspired.
Dipper: Gideon's light blue suit and Pentagram cape, holds Journal 2.
Mabel: Pacifica's purple shirt, skirt, jacket, boots, and hairstyle, uses a purple scarf instead of stretchy sleeves.
5) Pool outfits from s1e15: The Deep End.
Dipper: red swim trunks, white t-shirt, whistle, sandals, red-and-white “Night Patrol” hat.
Mabel: pink one-piece swimsuit with a yellow star on the chest, flip-flops, uses a jump rope instead of stretchy sleeves.
6) Goodbyes, based on the series finale. Dipper: same as #1 but with Wendy’s trapper hat instead of his regular one, and holding the blue Pine Tree Journal.
Mabel: red birthday cupcake sweater, pink skirt and headband.
7) Outfits from s2e13: Dungeons, Dungeons, and More Dungeons; Dipper: elf costume consisting of a green tunic and cape, pointed ears, no hat, replaces S-Smash spear with a sword.
Mabel: orange Ducktective sweater and headband, blue skirt.
8) Original Mystery Twins/Relativity Falls AU. Stanley and Stanford as kids, with their appearance from s2e12: A Tale of Two Stans/Lost Legends Part 4: Pines Bros. Mystery. Ford takes Dipper’s place, Stan takes Mabel’s. They have different voice actors and lines than the younger twins (applies to #12 as well).
Ford: white t-shirt, brown jacket and shoes, dark green pants, holds Journal 1, replaces Dipper's hat with a light brown pith helmet.
Stan: red-and-white striped t-shirt, jeans, missing tooth, band-aid on face, brown shoes, uses a rope lasso instead of stretchy sleeves and Shanklin the Stab Possum replaces Waddles for the S-Smash.
Additional Alternate Costumes (just for fun)
9) Evil versions. They have different voice lines and facial expressions. Dipper: Dippy Fresh, the twisted, ‘90s-stereotype version of Dipper created by Mabeland in s2e19: Escape from Reality, has a different voice actor.
Mabel: Anti-Mabel from Lost Legends Part 3: Don't Dimension It, wearing a black sweater with an x-eyed cat face on it.
10) Outfits from Dipper vs. Manliness. Dipper: Manotaur loincloth and tattoos; Mabel: Yellow skirt and headband with black lightning bolt sweater.
11) Trick-or-treating costumes from s1e12: Summerween.
Dipper: peanut butter costume
Mabel: strawberry jelly costume, Waddles wears his brown business suit costume.
12) “Modern” Stan twins; same as #8 but wearing downsized versions of their “modern” attire.
Ford: red turtleneck, brown trench coat, black pants, shoulder bag, holds Journal 1.
Stan: black Mr. Mystery suit, red string tie, eyepatch, and Mackerel fez, uses a rope lasso instead of stretchy sleeves. 
13) Outfits from the Woodstick Festival in s2e09: The Love God. Dipper: dark red v-neck shirt, vest, jeans, sunglasses on forehead, no hat, holds Journal 3.
Mabel: Rainbow-striped pride sweater, purple skirt.
14) Outfits from s1e13: Boss Mabel.
Dipper: Mystery Junior suit (similar to Stan's #12), combed hair, eyepatch, no hat.
Mabel: blue business suit and glasses, Stan’s Mackerel fez, uses a rope lasso instead of stretchy sleeves.
15) Campaign manager outfits from s2e14: The Stanchurian Candidate.
Dipper: red “Team Stan” t-shirt, no vest, yellow visor.
Mabel: red-and-white striped sweater and headband, blue star-spangled skirt.
16) Inspired by my Reunion Falls AU fanfiction One Day Reunited.
Dipper: dark brown jacket (same as #8 Ford), red t-shirt, hiking boots, cargo shorts, no hat, holds blue Pine Tree Journal
Mabel: purple “Love Yo’self” sweater, yellow skirt, purple headband.
17) Reverse Falls AU version #1. They have different facial expressions and voice lines.
Dipper: similar to #4 but also with an amulet, holds Journal 2.
Mabel: light blue dress, amulet on hair band.
18) Reverse Falls AU version #2. Dipper and Mabel are replaced with Reverse Gideon and Pacifica, respectively. They have different voice actors and lines.
Gideon: Similar to Dipper’s #1, but with a light blue shirt instead of red, plus white hair and freckles.
Pacifica: tie-dyed shirt, ripped jeans, hoop earrings, bracelets, uses a scarf instead of stretchy sleeves, replaces Waddles in S-Smash with a chicken.
19) Gravity Rises AU inspired. Dipper and Mabel switch roles, Zodiac symbols, and movesets. They have different voice lines.
Mabel: blue-and-white Pine Tree t-shirt, brown pants, orange hoodie, holds Journal 3.
Dipper: dark blue t-shirt with a yellow Star over yellow long-sleeve shirt, black shorts, no hat, band-aid on face, sleeves of his shirt stretch just like Mabel’s sweaters.
Victory 1: Lower down from the top of the screen on Mabel's grappling hook, just like when they destroyed Gideon's robot in s1e20: Gideon Rises.
Victory 2: Do the short victory dance that happens when you solve certain puzzles in Gnome Gemulets, finishing with a high five (or high six, as the case may be).
Victory 3: Awkward sibling hug (pat, pat), same as the D-taunt. Yes, even the Stan and Ford alts do this.
FINAL SMASH
Like most of their moveset, the Mystery Twins’ Final Smash changes depending on which of them is present when it’s activated, though after using any of these Final Smashes, a missing twin will respawn. This is the only way to cause a missing twin to respawn without being KO’d.
Dipper only - Quantum Destabilizer: Dipper fires a straight shot from Ford’s Quantum Destabilizer, the super weapon with which he unsuccessfully attempted to destroy Bill Cipher in s2e18: [Weirdmaggedon], though it will certainly prove effective against Smash fighters. This is very similar to Dark Pit’s Final Smash; the narrow beam travels the length of the screen and will heavily damage and launch anyone hit by it, resulting in an instant KO if it takes a fighter’s damage above 100%.
Damage:
Mabel only - Imagination Unleashed: While mounted upon the dolphin-man-hallucination-monster Aoshima and karaoke singing either “Don’t Start Unbelieving” or “Taking Over Midnight” backed up by the music of her totally-a-different-art-style dream boys Xyler and Craz, Mabel unleashes her disturbing extraordinary imagination in a glittery tidal wave of rainbows, waffle soldiers, cat faces, stickers, flying sweaters, random stuffed animals, and of course, shooting stars. This is very similar to Wii Fit Trainer’s Final Smash, and is based on Mabel’s Mystery Power attack in Rumble’s Revenge.
Damage (per hit):Both - Unite the Zodiac: A large image of the Zodiac Wheel, albeit missing the image of Bill Cipher in the center, appears around the twins. Any enemies it touches take Bill Cipher’s place in the center of the wheel. After a cinematic of the ten members of the Zodiac united around the wheel, a white pillar of cosmic energy erupts from its center, obliterating anyone inside. This is always an instant KO on anyone it catches… damage doesn't matter, no exceptions.
Since the Zodiac Wheel Prophecy was unsuccessful in the actual show, it’s unknown what would have happened had it worked, so I’m free to interpret it however I want for Smash. I don’t necessarily think this is what would have happened, but it works quite well for a Final Smash. The initial capture hitbox is a ring around the twins, and its limits are pretty obvious.
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trancylovecraft · 1 day
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I've been thinking about the blood of an unwilling covenant constantly since I first read it and just wanted to tell you, also saw you mention that you probably weren't going to explain the situation with F/Ns parents in fic and wanted you to know I am VERY curious as to what their deal is
EGEGHJIRUGHRHGUI IM HAPPY TO HEAR THAT YOU ENJOYED THE FIC SM!!! I'll be happy to answer, Mostly because if I do a one-shot or smth on it, it may be a while-
AND I KINDA REALLY WANNA RAMBLE.
OK SO. Before I explain I suggest you read the translation of The Official Blue Exorcist Side Story: Bloody Fairytale. You can find a translation here done by @29rynoah which I have read sEVERAL times over. I highly recommend it as it's one of my favourite stories from AOEX.
However if you wanna skip that, Tis cool.
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[F/N]'s mother is Maria LaMorte from Bloody Fairytale, Who had given birth to [F/N] during her imprisonment within The Vatican.
[F/N] herself is probably the oldest of the exwires, Her birthday being sometime within early January.
Now here's the million dollar question, Who is the father?
Shiro Fujimoto.
During the events of Bloody Fairy-tale- Maria is in the middle of completing her rather grandeur goal of trying to turn the town into naberius' and other adjacent creatures. Of course, This doesn't go to plan though, When Shiro and Johan show up unexpectedly within the invasion.
Maria of course, As the story goes, Plays the victim and pretends that she had no idea what's going on.
Shiro, Johan, Maria and the rest of the townspeople barricade in the church as normal. The story continues on however there's a switch in the story.
Shiro approaches Maria who is leaning over on the balcony. Of course, Shiro keeps up his demeanour, Already aware of Maria and her intentions. They get to talking and Maria herself is attracted to Shiro despite not recognising her own feelings.
Though, Maria herself DOES recognise seduction as a way of manipulating others.
So of course one thing leads to another and suddenly you have the both of them climbing out of the same makeshift bed. Maria came out of this with much more complicated feelings than she had thought she'd have.
But on the other hand?
Shiro himself is at the point in his life where he's much more dark and gritty than the one we see raising the twins. This is an average thing for him, He's a player, He sleeps with women left and right. He knew very well that this was an attempt to manipulate his feelings.
But to be honest? He doesn't care.
The story plays out like normal afterwards. Shiro exposes Maria's plan and she gets sent off to the Vatican for Life imprisonment. Shiro and Mephisto get in the car and they drive off as normal.
However this time, Maria comes out of it pregnant with [F/N].
She was born almost one year before The Blue Night within a holding cell in The Vatican. Her birth was completely unexpected from both the guards as well as Maria, Who was one of the rare cases of not showing at all during a pregnancy.
[F/N] was born fragile and weak, Both doctors and guards believing she would die soon after birth. And on records? That's how it went.
According to The Vatican, The baby died a few hours after being delivered. Shiro was told of the baby's existence while he was caring for the twins.
Of course, At this time he's a different person from who he was a year ago (Post-Blue Night) and now feels shocked and a bit of regret for not knowing of [F/N]'s existence.
However, There wasn't much he could do now.
The baby had died, He couldn't change that.
However despite what the records have said. Some of the staff that were employed to help deliver the child had sworn that they saw a tall man carrying away a baby in his arms. His identity unknown, Hidden by the darkness of the night.
[F/N] was left on the doorstep of the youth centre in Japan without a single note or any clue as to where she came from. The youth centre, After having no parents claim the child, Took her in and raised her within the adoption system.
It's still unclear where her penchant comes from, Though the leading theory is the mixture of demonic influence from both sides of her parents (Maria's being her association with undead demons, Specifically Kin of Astaroth. Shiro's being the fact that he's a clone as well as a bit of satanic influence lingering on him. So much so that in some aspects, You can consider [F/N] somewhat related to Satan in a sort of 3rd parent situation.)
Perhaps you can even consider her not entirely human. Though, That part is up for interpretation.
But as it stands? Her two birth parents are Maria LaMorte and Shiro Fujimoto.
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-TML
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sleepymaven · 1 day
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The Bsd "Fyodor is Atsushi's Father" Theory:
My Not-so-Deep, Not-so-Serious Explanation on Why This Could Totally be Canon
Signed: A Sleep-Deprived Idiot
(Spoilers for the Entirety of Bungou Stray Dogs)
So... with Chapter 118 in bsd releasing, I have noticed a lot of Fyodor as Atsushi's father related things popping up and... I'm not mad about.
If anything, I'm happy the theory is getting more attention. People even seem to be taking it as canon fact, even if just jokingly.
Really, I believed the theory was plausible since it first was brought up in the fandom, but I never actually thought it would be canon because that just seemed too crazy. But those were the thoughts of a sweet summer child since the manga has gotten to the point where that might be the least crazy thing possible.
So, here I am at my keyboard yet again, ready to ramble about how, if this does somehow turn out to be canon, this might be actually rather predictable even to those who don't dive deep into the nitty-gritty lore.
Now, I won't ramble on and on endlessly about the book and Atsushi's ambiguous past and how he may be the book or a page from the book and yaddy-yadda. Instead, I'll focus on some key aspects of Atsushi's character design. First off...
His hair.
As I said, this is not all that serious or deep, so take my words with a grain of salt before you start bashing me or something for being ridiculous. You signed up for ridiculous when you started reading past the title.
Anyway, back to Atsushi's hair.
As we almost all know, Atsushi used to have a black streak in his hair that was later removed for unknown reasons, but he also has white hair.
Now, I could jokingly proclaim, "Hehe, biologically impossible Fyodor x Nikolai lovechild," and be done with it, but I am no clown, unlike Nikolai. No, I have a better, probably completely wrong, idea.
Most of us know that Fyodor has a thing for white-haired men.
Exhibit A: Every fucking member of the Decay of Angels
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I rest my case.
Also, I feel the need to mention that 3 out of 6 of them have red-ish eyes while the other two have purple-ish/blue eyes. Just pointing out that little tidbit I noticed while finding pics for them.
So, it would make sense for Fyodor to pick and choose which attributes to give to his quote-on-quote "son" when he made him from the book, picking out certain traits he found appealing and pleasing to the eye.
(Also, yes, this could mean that Fyodor could have chose specific attributes that were similar to Nikolai. Boom, lovechild route.)
This could explain certain similarities between the characters who seemingly have no biological connection between one another. Their only connection then only being through Fyodor by just knowing him.
Got all that? Alright, next up...
His eyes.
Now, Atsushi's eyes are rather unique, even for the world of Bungou Stray Dogs. What also sticks out about them is the fact that they are pointed out and focused in from time to time.
Example:
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(Fucking gorgeous eyes he has, btw)
To break down the colors of his eyes... While in normal lighting in the anime, they appear to be normally purple and yellow with just a hint of green in it, but under the full moon (as seen here) we can see that his eyes are a light green-yellow at the bottom and purple on the top that fades into blue.
(There are also a few times where his eyes also change while using his ability. Like when they turn almost fully yellow.)
I want to point out the colors of his eyes and the fact that they change due to certain circumstances (i.e: using his ability, being under the full moon), which is clearly not normal in their world seeing as how other ability users don't seem to do that at all.
(Edit here: I actually would like to mention that, in the manga, Nikolai's eyes also change color. The green one sometimes will change to match his normal eye whenever he uncovers it. I saw a theory talking about how it might change depending on whether or not he is lying at the time, which is pretty neat. More Atsushi and Nikolai parallels.)
Now, this might seem like a bit of a stretch just like the rest of this post, but the colors used for his eyes are similar to the eye colors of people Fyodor knows, though they are different shades.
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Purple like Fukuchi. Green and blue from Nikolai.
Fyodor's eyes are also a shade of purple, kind of, so... Yeah, that works too, but Fukuchi's shade of eyes are closer to Atsushi's.
Yeah, that's all I can think of now and this is already way too long (if I start talking about Atsushi's mysterious past, I'm going to make this a mile long. Maybe later tho), so I'm ending it here for now.
Alright, bye ya'll.
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rigelgoesbrrr · 8 months
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Drawing the vessel again, what a surprise/j
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Other version under the cut because I can't decide
That one "Completion" lore tablet
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funkyboxofinterests · 3 months
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Sometimes Raph misses being small
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onitnelav · 8 months
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I really love the subtle details in this scene.
I always thought this part was meant to show Vox holding Val as if they just finished a handshake after succesfully filming a new movie. Business stuff. But upon examination it looks like something else.
When the scene starts he is just starting the holding, and he brings their hands close to his chest, cordial pose as an old timely gentleman, smiling and looking attentively at the other. Val is first neutral but quickly places his other arm in his hip, as if pleased or simply content.
Vox clearly only lowers their hands because he noticed Angel, as his eyes move in his direction before he changes his body language: He drops his smile and shoulders quickly, and only rises them back up after Val turns around, but now as if tense and looking at his peer unpleased. (When he was the one that alerted Val with his glance in Angel's direction...)
Then he zaps away, but in no moment he lets go of the moth's hand, and even seems to pull him just a tiny bit, because Val's hand opens entirely before he unmaterializes completely. (When there is the possibility he could just poof away without affecting Val's form in any way, like when in a sci-fi show you are holding something before it dissapears and your hand just stays bent as if still holding it, no changes to it itself!)
Then Val leaves, after he being the one looking unpleased now. And it's a bit striking to me, because he's always putting a smiling façade at Angel unless he's mad. (Idunno why he looks at him like that in this occasion. Maybe because he already got what he wanted from him that night? But that's probably another topic...)
I think it looks like a lot of effort for something that could have easily been shortened by making Vox just stare at Angel bothered as he zapped away, as if he just interrupted them in official matters, so I appreciate it.
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chlorophyll-tints · 7 months
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captain and his first mate 🏴‍☠️
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