#i always want to skip this episode in rewatches and never do

[aaronwhorechner]

aaron "if anything happens to her, i will destroy you, you can count on that" hotchner

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[drunkinyourbenz]

YOU DON'T REALLY NEED A BREAK

☆ SYNOPSIS: in which billie is stressed, so naturally she needs you more than ever. unbenkownst to her, she takes it too far. ☆ PART ONE ☆ RELATIONSHIP: dom!billie eilish x fem!reader ☆ WARNINGS: SMUT, use of safe word, angst, fluff, comfort, mean billie, reader is a little bratty, situationship/fwb, angry sex, crying, strap-on, edging, degradation, petnames, name calling (slut, whore, brat, etc.), choking, hair pulling, humiliation, dumbification, toxic dynamic (except less so because billie's realising things hehe), unedited. ☆ REQUESTED: yes, by a bunch of anons ☆ NOTE: y'all read my mind with these reqeusts i was already thinking of writing a part two abt exactly this and you all had the same idea!! sorry this took so long lmao exams are kicking my ass :/ this is very unedited sorry for any mistakes i read it through once and then posted it lmao read part one first for it to make more sense ☆ WORD COUNT: 3.5k words

billie hadn’t texted you in a little over a week, and you almost thought that she wasn’t ever going to again. the last time you’d seen her had ended like all of the other nights, she’d cleaned you up and then left you alone in the silent hotel room. usually, she’d text afterwards, just to make sure you were feeling okay, but there was nothing. the last text between the two of you was when you’d asked where she was when she was late that night. 

the two of you normally hooked up at least a few times a week, and you’d never actually gone a week without her since you started this four months ago.

you thought the worst: someone else had replaced you as her favourite. you’d always thought it would happen, but you thought you might have a few more times before it was over. but from the looks of it, you weren’t ever going to see her again. 

which was fine, obviously. you didn’t care—or that’s what you kept telling yourself. you had agreed to a no-commitment thing when you two started whatever this was, and she could do whatever she wanted. it stung a little bit that she wasn’t doing you, but ultimately, there was nothing you could do about it. 

so when you got home from a long day, thoroughly exhausted, your plan for the night was to hide in your bed and watch 2000s tv shows until you passed out. you showered, taking your time to wash your hair and feeling your tense and tired muscles relax under the hot stream of water. once out of the shower, you changed into some comfortable clothes, flopping down on your bed in relief. you were ready to finally just cuddle up under the blankets like you’d been wishing you could do all day.

about eleven minutes into the gilmore girls episode you were up to—rewatching for the hundredth time—your phone pinged, and you almost just ignored it, but you picked it up with a groan. 

your eyes widened when you saw it was from billie, the last number you expected to text. your heart almost skipped a beat.

billie: come over?

you paused for a moment, conflicted. you truly were exhausted, and it had been such a long day, and all you wanted to do was sleep, you honestly weren’t in the mood for what you knew billie would want. but… it was billie. 

so, inevitably, you ended up at her door. you were still in the clothes you’d changed into the moment you got home, just some comfortable sweatpants and a top—billie wouldn’t care about what you wore, she wanted you to be comfortable. plus, you knew full well that you wouldn’t be wearing them for long. 

you knocked on the door, and it opened within mere seconds, almost as if billie had been waiting by the door for you to show up. from the look on her face, you wouldn’t be surprised. she looked stressed, angry, and desperate. you looked her up and down, your eyes settling on her face. she was wearing a pretty similar outfit to you, sweatpants that hung low on her hips, the “HIT ME HARD AND SOFT” waistband of her boxers peeking out, and a white tank top that you could see the slight hint of her nipples peeking through. her arms were bare and your eyes seemed to gravitate towards the toned muscles there, which never failed to make your brain short circuit. paired with the noticeable outline of her strap in her pants, it was almost too much for you to take. 

you noticed the way her eyebrows were slightly furrowed and her eyes were narrowed in a firm gaze, the frustration was clear on her face. “rough day?” 

she groaned, and when she spoke, her voice had a slight rasp to it, “you have no idea.” 

the two of you fell into silence, just staring at each other for a few long moments. it wasn’t a comfortable silence, it was one that hung in the air around you, a claustrophobic silence. there were words left unspoken between the two of you that poked their heads around the corner but never truly revealed itself, it left you wondering when it would snap, but it never did. the two of you stared at each other for what felt like lifetimes, you waiting for billie to do something, and billie simply savouring the feeling of having you in front of her again. 

finally, she spoke, her voice still holding that same raspiness—which alone could get you on your knees for her. “it’s pathetic that you’re here so fast, considering i ghosted you for a week. you’re just a desperate slut for me, aren’t you? not that you’d be good for anything else.”

the bluntness of her words sent a chill down your spine, this was exactly what you’d expected. why else would billie text you after a week of not talking, if not to use her favourite girl? 

billie continued talking before you could even get a word in, it was like she’d read your thoughts. she leaned closer, her lips brushing your ear as she spoke, “you know i could just call over any of my girls and they’d be here in a heartbeat, and they’d be exactly the same. pathetic, desperate, and begging.”

you raised an eyebrow at her words. you knew what she was doing, trying to wind you up, get you to act out. you had honestly intended to just be her good girl tonight because you were so tired, but you knew she adored it when you acted up. so you spoke with the bratty tone you knew she loved.

“sure you could. but none of them are here now, are they? you called me.” 

the brattiness, especially when she was in a mood like this, made her eyes light up. your brattiness was her favourite thing, she loved it when you gave her an excuse to be harsher and meaner than she was on a normal day. so, when you talked back to her, she lets out a dark laugh. “don’t fuckin’ test me, mama.” 

you let a soft scoff fall past your lips, “or what?” 

“you know i’ll put you in your place, i’ve done it before.” and then you realised, this was what set you apart. this was why you were her favourite. you weren’t afraid to act up, so she didn’t have to be afraid of taking it too far. she could push you, because you pushed her. “maybe you should. you want to blow off steam, don’t you?”

at your words, her lips twitched upwards into a slight, barely noticeable smirk. you knew she would be taking them as a challenge, “you’re gonna have to drop the bratty attitude eventually, mamas.”

“maybe you should make me.”

that was exactly what she wanted—she wanted you to keep going, keep winding her up. she wanted you to give her a reason to pin you down and tear you apart; and you gave her that reason with that simple suggestion.

she took your wrist in her hand, her grip almost painful as she tugged you behind her to her bedroom. the air felt different than it normally did when you were here, everything felt so tense. her entire body language screamed irritated, dominant. but it wasn’t the normal kind of dominance she normally exuded. billie always had this kind of casual dominance that just hung around her, her presence was just effortlessly assertive. this is different, she had a look in her eyes you hadn’t seen before—she was always mean, but this was her normal level of mean times ten. 

she was clearly in a whole new headspace, not one you were familiar with. this wasn’t just dominant, wasn’t just mean, no, it was something else. she wasn’t just a little stressed, she didn’t just have a little bit of frustration she needed to take out on you, this was worse. it was an almost animalistic kind of energy, one that’s so raw, so intense, you knew you wouldn’t be able to walk by the time she was finished with you.

she took one of the belts from her merch from her dresser, shoving you backwards onto the bed and tying your hands to the headboard. she tugged it slightly, making sure it was firm but not too tight. it sent a rush of excitement through you, and you knew she felt the same. 

“gonna use you, mamas,” you knew from those words that she was going to absolutely ruin you, and you could tell by the look in her eyes.

sure enough, no more than five minutes later, she had her strap deep inside of you and was pounding into you at a bruising pace. the strap was bigger than the one she usually used, and it made you ache with a constant stinging pain. she hadn’t given you any time to adjust, and had started as she meant to go on. you were naked and on her bed, with her on top of you, fucking into you at a brutal pace. your hands were still tied up with her belt and the ache it brought only amplified the pleasure. one of her hands had your hair in a firm grasp, solely to make you feel the sting of pain it brought. she wanted to bring you to tears. her other hand grabbed a handful of your ass, squeezing it before letting her hand fall down on your ass in a harsh slap. 

the intense pleasure of her cock inside you and her finger circling your clit was a perfect contrast to the pain her hands brought you, and a trail of moans fell from your lips. “b-billie-” 

a mean, almost cruel laugh left her lips, “god, you’re such a slut.” another slap landed on your ass, “it’s pathetic, really. i mean, i can ghost you for as long as i want,” another slap. “and you’re still at my door in five minutes as soon as i ask.” slap, “pathetic fuckin’ whore.” 

you whined, which simply made her laugh. in her own sadistic way, she was enjoying this. 

this continued for what felt like hours—maybe it was, you had no idea. every time you got slightly close to your orgasm, she’d pull out, tugging you away from the edge. by now, you had tears rolling down your cheeks, and the fine line between pleasure and pain was slowly but surely being crossed. 

“fuckin’ take it,” she breathed. “god, you look so dumb around my cock. all you’re good for, hm? spreading your legs and taking it like the slut you are?”

you whimpered, and she simply slapped your ass again. 

this continued for much longer, and she wasn’t even mad at you for being bratty, not in the slightest. she just needed an outlet for her bad mood, and that was what you were. merely a way for her to release her frustrations. 

you let out a choked sob, your body trembling, “billie, please, i can’t—” 

you knew she wasn’t doing this because she had anything against you, there had been something deeply wrong with her day. she had never been this downright cruel before, and you knew her well enough to know that she wouldn’t act like this without reason. but it was too much, and you weren’t sure how much more you could take. she hadn’t asked for your colour even once tonight, and that thought alone was putting you on edge. sure, her being rough turned you on, but right now it was scaring you just as much. this was darker than you’d experienced in all four months of your friends with benefits situation with her, and you weren’t sure if you liked it. 

you felt the strap hit your most sensitive spot, and you let out a sound that was a mix of a moan and a sob. “billie–” 

“like being used by me, yeah? taking everything i give you like a slut?”

you weren’t sure when you realised that you actually weren’t enjoying it anymore, but it was obvious all of a sudden. it hurt, and not in a good way. you were exhausted from both your day and the sheer amount of time she’d been edging you for. the way your arms had been tied to the bed for so long was making them ache painfully, and at some point down the line, your tears of pleasure had turned into tears of pain. 

you normally had the safety net of knowing that she was paying attention to your signals, knowing that she didn’t want to hurt you. but it didn’t even feel like she was aware of what she was doing, she was so caught up in herself and drowning out her own frustrations. you hated that lack of awareness, it was like she wouldn’t even notice if she actually hurt you. 

she looked like she was about to speak again, so before she could get out another degrading comment, you gasped out, “red, billie–”

whatever half formed sentence billie had been about to say died on her tongue, your gasped words making her freeze inside of you. her mind suddenly went silent, her frustrated thoughts about her day coming to a halt as she looked down at you with wide, almost scared eyes. you’d never actually used your safeword—obviously it was something that the two of you had communicated, but billie had never expected to actually go too far, to push you to that. she was meant to check in on your colours, and she felt an intense pang of guilt when she realised that she hadn’t done that. 

as she looked at you, noticing the tears and the exhausted expression, as well as the way your wrists were visibly sore from being tied for so long, she felt a sense of dread. she was overcome with shame and she didn’t know what to do about it. her breath caught in her throat as she processed what was going on.

“shit, i’m so sorry.” after a moment, she shook herself out of her paralysed shock, she would’ve pulled out immediately, but she was aware that that would just hurt you even more. so she leaned over, quickly untying the belt around your wrists and letting it fall to the ground beside the bed. she massaged your wrists gently for a moment, trying to soothe you. 

her hands moved over your tense muscles, trying to ease some of the soreness. she brushed some of your hair out of your eyes, her touch soft and cautious. “i-i’m so sorry, baby. i never wanted to push you that far.”

you knew that. you knew that she would never actually intend to hurt you, you knew that she wasn’t herself. you didn’t need her to over explain herself, you just needed her to hold you. the hand that had been pushing your hair out of your eyes moved to stroke your cheek, and you could see the intense guilt in her eyes. 

“i’m gonna pull out now, okay?” her voice trembled slightly as she spoke, eyes fixed on your face. 

you simply nodded, hissing slightly in pain as she gently pulled the strap out of you. billie felt her stomach twist at your obvious pain, knowing that she had done that. “i know, i’m so sorry.”

once she was out of you, she climbed off you and gently shifted you so you were sitting further up the bed, propped up on the pillows slightly. her mind was clearly racing with what she could do to help, “do you need anything? water, food, whatever?”

you shook your head softly. if your brain hadn’t been so exhausted, you probably would have thought more rationally about this. but you didn’t, and you didn’t once consider the limited affection in your dynamic. “can you just hold me?” 

billie didn’t hesitate, she just nodded instantly. “yeah, of course i can.” she joined you further up the bed, pulling you into her arms. she held you against her chest gently, her fingers soothingly running through your hair while her hand rubbed your back softly. 

you could hear her heartbeat, it was fast and a clear reminder of how stressed she was. you spoke softly, “it’s okay, seriously.”

but it wasn’t okay, not to billie. she had hurt you, she had pushed you too far, even when you were already clearly tired. she should’ve known better, and the guilt was weighing down from her and eating her up from the inside. not to mention she was terrified that this might be your last straw, that you might never want to see her again, that she might have broken your trust. wondering why she cared so much about her casual fling’s feelings was something that would have left her perplexed on any other day, but it was not currently at the forefront of her mind. “but–”

“it’s okay.” you said firmly, “i wouldn’t be asking you to hold me if i was uncomfortable around you.” 

those words seemed to ease billie’s nerves slightly, and she tightened her arms around you, holding you close. after a few minutes of this, she gently pulled you to sit in your lap, and you shifted so that your head was buried in the crook of her neck. you could feel her breathing on your skin, and you could feel her chest rising and falling with each breath. it was incredibly grounding, the feeling of just being close to her. ever so slowly, you felt your breathing calm and your heart rate slow down. 

at least an hour passed as you were just laying there in her arms, your breathing syncing with hers as her fingers ran through your hair. it was a foreign thing, for the two of you to be this close without sex, but it felt so right. it was like you were made to be in her arms, despite the situation that had brought you here. you could sense her guilt, and if you’d been a bit more aware of what was going on, you probably would’ve realised that there was something more behind that guilt—something deeper than just feeling bad for pushing you. but you were unaware, it wasn’t really what took place at the front of your mind. 

the room was filled with only the sound of both of you breathing, and your mind was taken over by the calming feeling of her playing with your hair. after a while, she broke the silence. “d’you wanna borrow something to wear?” 

you couldn’t deny that you liked the feeling of this skin to skin contact, but you also knew that it was a good idea. so you nodded quietly, and she delicately lifted you off her lap and set you down on the bed. she walked over and grabbed you an oversized t-shirt to wear, and she walked into the ensuite to grab a damp cloth. she came back over and gently wiped your thighs with the cloth, at this point you didn’t flinch too much because it had been so long. she held out the t-shirt, which you recognised as one she had worn at some point.

“arms up, darling.” that was a new pet name, but you didn’t comment. instead, you just lifted your arms and allowed her to slip the top over your head. it smelt like her, which somehow just added to the comfort. 

soon enough, she was back on the bed and you were back in her arms. she was laying down and you were laying with her, partly on top of her and partly just cuddled up to her side. this hadn’t happened before between the two of you, but you certainly weren’t complaining. her bed was comfortable, and her arms around you felt like a cocoon you never wanted to grow out of. 

gradually, your breathing started to slow as the exhaustion caught up on you, both from the recent events and your already tiring day. your head slumped onto her shoulder as a yawn fell from your lips, to which billie smiled softly. 

“do you want to stay the night?” 

that was not something you’d ever expected billie to say, but you hummed softly against her shoulder. “if that’s okay, yeah.”

you could’ve sworn you heard a sigh of relief from billie, “of course it’s okay, please stay. i want you to stay.” 

and so you did. you stayed that night, wrapped up in billie’s arms. it was so new, but it felt so right. that night had been an irreversible shift in your relationship, for both obvious reasons and more hidden ones. you knew that the two of you would have to talk about some stuff in the morning, and you knew you’d have to set some more boundaries. but you also felt closer to her than you ever had, somehow. 

little did you know, that night was just as  meaningful for billie as it was for you. she had had a revelation, one that she would likely keep to herself for a while, although there was no doubt you would find out eventually. 

but there was no doubt that billie wanted you to stay, longer than she’d ever thought.

[covenha]

The Perfect Cocktail

Synopsis: You and San get into a fight that leads to Seonghwa and Siyeon having to mix up the perfect cocktail to get the both of you to make up. Pairings: Bff!San x fem!reader ; Renjun from NCT dream is also mentioned in the fic but not as a love interest per se; Siyeon from Dreamcatcher is Seonghwa's fraternal twin in this because I said so genre: crack, fluff, angst if u squint and look really hard Warnings: alcohol drinking and going to a club, oc jokes about offing herself once because of school, Siyeon jokes about a dilf professor WC: 2.8k (I got way too carried away this was supposed to be a blurb 😭); flashbacks are in italics a/n: this is fiction, so anything that is written in this piece does not portray these people's character irl. Please always read the warnings carefully. I got way too carried away with this one, but I hope you guys enjoy it! HIMYM is one of my favorite TV shows and I was inspired to write this fic because I rewatched a couple episodes. I also have no clue why I keep writing about clubs and sports, I have like 0 background in that so if there are any inaccuracies then you'll just have to deal with it lmao. I highkey think the formatting of this fic is off but as always, your feedbacks are always deeply appreciated. Hope you enjoy the fic!

“You know, if it bothers you so much, you should just go and talk to him.” Siyeon points out, taking you out of your train of thought.

“I mean, I could…” But you wouldn’t. Siyeon shakes her head.

You and San had a lot in common. You met at the age of six when you both decided you wanted to learn taekwondo. You shared a love for mint chocolate chip ice cream, a dislike for vegetables, and a deep passion for cats. But above all, you were both painfully in love with each other and too afraid to admit it. In your years of friendship, this was one of the biggest fights you’ve had to date. 

[ 1 week ago ]

“I can’t believe you, San. You know how much this club means to me!” You point at San, your eyes are filled with disbelief. The arts club was something that you had joined on a whim during the first week of freshman year, but as time lapsed you grew to love the small group of artists in it. 

“It was only a suggestion, I swear. I didn’t know they meant the arts club. C’mon, y/n, you gotta believe me.” He massages the bridge of his nose, then looks at you. 

“God, you jocks never fucking think about anyone else but yourselves.” You mumble. A hurt expression quickly flashes on San’s face but he quickly regains his composure. You shake your head and cross your arms over your chest. The lunch in front of the both of you is forgotten as the atmosphere gets more heated. 

“Look, when I suggested getting funding from somewhere else, I had no idea they’d take it from the arts club. Hell, I didn’t even think they’d take my idea seriously. Y/n, we need the money to get better equipment. You know this. We might actually have a fighting chance against SMU this year!” San argues with you. 

“We had to fight tooth and nail for that money, San. You know those funds were going to help renovate the studio.” You bite back. 

Siyeon and Seonghwa exchanged concerned glances. As fraternal twins, they were extremely good at communicating with each other, almost to the point of telepathy. They shared a look that they knew meant one thing. 

We need to do something about this.

[ 5 days later ]

You groan as you plop yourself on your bed. Today was a long day. You woke up late to your first lecture of the day, scraped your knee because you tripped while running to said class, and had to skip lunch for an emergency meeting with your groupmates for your health ethics class. You silently cursed at your professor for thinking that an impromptu group project was a good idea. 

“I despise that man.” You mumble into your pillow, still laying face down on it. 

“I don’t know, if it wasn’t unethical I’d probably tap that.” You lift your head off of your pillow just to throw Siyeon a disgusted look. 

“Mr. Kyle?! Gross.”

“What? He’s tall and cute. He gives me Carlisle Cullen vibes” Siyeon reasons out.

“He’s also 33, Siyeon.” She just chuckles at my words. 

“Well, enough about your professor. You need a break. You aren’t looking too good.” Siyeon looks at me with genuine concern. 

I probably looked worse than I felt. It was midterms week and deadlines were piling up. To make matters worse, you and San had not talked to each other for the whole week. But both of you were too stubborn to apologize to each other. 

“God, tell me about it. I’m one minor inconvenience away from becoming a statistic.” You joke. 

“Well….” Siyeon starts, I look over at her. “Midterms week ends this week, we could go clubbing this Saturday?” I groan at this suggestion. 

“Siyeon, you did not just suggest that. Remember the last time we went out clubbing?”

“One more martini, kind sir!” Siyeon giggled at the bartender. He handed her the nth martini of the night, and she waddled her way back to the booth where you, San, Seonghwa, and Hongjoong, Seonghwa’s friend, were stationed. 

“You know what would be stupid? If you guys dared us to make out. Wouldn’t that be so stupid?” Siyeon giggles again, while nursing her martini. Your eyes widen as you shake your head. She leans into you, making heart eyes at you then looking over to the boys. 

“I dare you guys to dare us to make out.”

Needless to say, you were adamant to get her to sober up quickly that night. 

“Every. Time.” You deadpan at Siyeon. 

“What?! We had a great timeeeee.” She whines out her sentence. She gives me her best set of puppy eyes and looks at me with a pout. 

“Pretty please.” 

“Fine. But no martinis. I mean it.” You could never say no to her puppy eyes. 

“I only suggested that because it would be so stupid…. So stupid.” she mumbles. But she grins inwardly, the plan had to work. 

She sends Seonghwa a text. 

SY: she folded, going clubbing tom SH: san just agreed to tomorrow too SH: operation perfect cocktail is a go SY: i did not agree to calling it that SY: nerd 🫵

[ Earlier that morning ]

The twins are sitting at their apartment table munching on some stale cereal. They clearly had a lot on their mind. It had been 4 days and you and San were still actively trying to avoid each other. This fight had been going on too long for comfort. Usually, you and San resolved fights within 2 days of starting them. You guys were whipped for each other, but too stupid to actually realize it. 

“We need to interfere.” Seonghwa breaks the silence. 

“Yeah, but they clearly won’t talk to each other. At least, not sober.” Siyeon reasons out.

“Wait no, that’s actually a great idea. We need to get those bitches drunk!” He suggests, pointing his spoon around.

“But, we can’t just get them any kind of drunk. We need a plan, Hwa.” 

“Right, right. We need to get them the right kind of drunk. How about something mellow, red wine?” He suggests. 

“I don’t know, red wine has a weird effect on y/n. She reaches like, a sad point of clarity.” 

The room was buzzing with excitement as the countdown for the new year was about to start. Siyeon was sitting across y/n, at a college bar sipping on some red wine. 

“B+. All my life I just wanted to be an A, but I’m a B+. And I just have to live with that?” she stares at her glass with a forlorn expression. 

Happy New Year!

“If we want them to open up, I say we go straight up gin.” Siyeon gets a piece of paper to write down their ideas. 

“Hmmm, last time San got gin drunk it was at that trashy sports bar. He almost got into a fight that night” Seonghwa shakes his head. 

San was trudging through the dimly lit hallway trying to find the men’s room. He turns left and notices another guy walking towards him. 

“Look at this dude. Who does he think he is? Walking to me, showing me no respect. I’ll show this chump what I’m made of.” San thinks to himself. 

He continues walking down the hallway, taking large strides trying to size up his opponent. Just as he is about to make contact with his newly sworn enemy– thump.

What the? 

Oh. It was a mirror. 

“How about cocktails… Pina Coladas?” Seonghwa suggests.

“Well, when san has one of those he gets really into himself.”  Seonghwa recalls. 

It was a halloween tradition for the five of you to hang out at the twin’s apartment and have cocktails. And as the night progressed everyone was getting buzzed with the “pina ghoul-adas” made by Hongjoong. Everyone was gathered at the front of the television watching Gonjiam– all except San who was too scared to even look at the TV. Instead, he was stationed at the front of a full-length mirror nursing the yellow drink in his hand and swaying to the sounds of the movie. He was looking at his own reflection with sensual feline eyes. Clearly he was feeling himself.

“Hey guys. I dare you to dare us to make out.” San playfully winks at his own reflection. 

“Sannie, you know that’s another mirror right?” Hongjoong points out. But San is too busy flirting with his own reflection.

“They’re idiots.” Seonghwa sighs. 

“Agreed.” Siyeon nods. 

“This better work. I can’t have another lunch with the both of them going at each other. They ruined taco tuesday.” Seonghwa says solemnly. 

“We got this.” Siyeon smirks. 

If there was one thing the Park twins were great at, it was meddling in other people’s lives. To this day, you still shudder at what they did to Chris after he stole and reformatted Hongjoong’s laptop. You never wanted to get on either of their bad sides. 

[ Saturday night ]

Dolled up and ready to finally let loose, you and Siyeon book an uber going to the club that you guys usually frequent. But when you get there, you aren’t too thrilled to see San standing near the entrance with Seonghwa and Hongjoong. You look over to Soyeon with an unimpressed look. 

“Really?” You deadpan at her.

“The boys wanted to come with, okay? And I knew you would cancel on me if you knew….” She smiles sheepishly at you. But you know what? You were not going to let some stupid boy get in between you and a fun time. 

“God, I need to get drunk.” You sigh to yourself. This night better be a fun one. 

You guys walk into the club after lining up to get in. The place is teeming with sweaty bodies dancing and grinding on the dancefloor. Usually, you would have cringed at the sight of so many people. But with the 3 shots of tequila you and Siyeon drank as pre-game, the positive buzz was humming through your body and your inhibitions were starting to melt away. You guys make it to the bar but there is a line to get drinks. Hongjoong leaves for the men’s room, and the twins volunteer to get the first round of drinks, leaving you and San to awkwardly sit in silence as you wait for the twins to come back. 

Lining up at the bar, the twins look over to you and San basically ignoring each other. Sitting across from each other at the booth, it looks like the both of you haven’t even said anything to each other. 

“Okay, we’ve cross-referenced every alcoholic drink with their reactions. What’s the right drink for this situation?” Siyeon she eyes the both of you sitting at the booth.

“They aren’t even looking at each other…. Hmm, we need a drink that will start a fight.” Seonghwa says. 

Gin.

-----

“God and we’re back to this again. You can’t honestly believe that I would suggest something like that and be serious about it y/n.” San’s eyebrows furrow at your unimpressed expression.

“I don’t know, San. Can I? I knew you didn’t like me hanging out with Renjun but this would be taking it way too far.” You roll your eyes at him. Maybe it was the alcohol buzzing in you. Or maybe it was the over stimulating environment. But whatever it was, you were getting fired up. In fact, you both were. 

“What does this have to do with me not liking Renjun?! I don’t like the bitch but I wouldn’t backstab you like that like some crazy psycho!” Bringing up Renjun clearly bothered San a lot. Of course, he didn’t like him. He could tell that he also had a crush on you. It takes one to know one, you could say. But he would rather manscape coach Liu before he admitted that out loud. Deep down, he knew that some sick part of him was a little happy that you would spend a little less time with the boba-eyed boy. But, he didn’t want to tear down something that he knew meant a lot to you. 

“Well if you really were my friend, you should’ve fought for me!” You point at him. 

“Okay, now that we have them where we want them. We need a drink that will make them emotionally vulnerable. I’m talking full on Kim Kardashian ugly crying.” Seonghwa says. 

“Right. Right. We need something that will turn subtext into text.”Siyeon scans through the handy notes that she took down. 

Whisky.

-----

“I just felt like I was never good enough to be your friend. I’m not talented in drawing like you are. I could never really relate to how you and Renjun banter over your arts and stuff. It felt like I was being replaced!” He tears up. His pout and his red face was melting your heart. 

“Oh Sannie, I could never replace you. I was just so hurt when the club’s funds were going to be used for something else. I was so upset that I took it out on you. I just wanted something to be involved in, you know? To feel important.” You slur out your heartfelt words. 

“y/n, you are so important to me. Like super duper atomic bomb important.” San hiccups. 

“It just felt like you were getting so involved with soccer that you would forget about me…” You pout, tears starting to gather in your eyes. 

“Oh god, I never thought about how you would feel.” San cries out.

“I never thought about how YOU would feel. I’m such a dingus.” You wipe away your tears and frown. You see a bit of your mascara in your finger. But you felt like a weight was lifted off of your shoulder. 

“Man that got depressing real fast.” Siyeon looks over at both of your forms drunkenly leaning on one another after that heart-to-heart conversation. 

“We need them to let loose a little. I mean, that’s what we came here for anyway. Might as well give them a little of what they actually came here for.” Seonghwa points out.

Pina Colada.

-----

You and San are slowly swaying your hips to the tunes of Charli XCX’s top hits. The strobe lights are bouncing off the walls, the bass of the songs vibrating throughout the club so hard they make your heart hurt. The both of you were finally having some fun after midterms week fried your brain. 

“Wooooo! Fuck health ethics, fuck my professor, and fuck midterms week!” You nod to the beat of the song. 

San was dancing in front of a mirror placed on the corner of the club, just having a great time twirling the little umbrella that came with his drink. He was making the same sensual look at himself in the mirror, biting his lip even. 

“God I missed this feeling.” Seonghwa sighs in satisfaction, looking over at the two of you breaking it down to Guess by Charli XCX. 

“I know right. Now I know why we love meddling in people’s lives so much. Dance my puppets, dance!” Siyeon rubs her hands together like a villain in a disney movie. 

“Okay, let’s end the night before they black out and forget everything. We need to end it with a bang.” Seonghwa says. 

Beer.

-----

“I love you.” San slurs while stumbling across the pavement with his one arm wrapped around your waist.

“No, I love YOU.” You giggle and boop his nose. You are swayed by his unsteady walking. 

“God, we are just so loving. Nobody is doing it like us, y/nie.” San smiles thoughtfully. 

The both of you are a giggling mess as the twins try and haul you into Hongjoong’s car. The drive to the twins’ apartments was riddled with a bunch more “I love you”s being drunkenly slurred between the both of you. Hongjoong, who was the drunk driver, was nervously looking at the backseat every now and then, hoping and praying that neither of you vomit in his car. But the real challenge was getting the both of you up 3 flights of stairs. 

After successfully hauling the both of you into the apartment, you and San lay a tangled mess on their pull-out couch. The both of you are out cold once the twins managed to change most of your soiled clothes. Sleeping like babies while cuddling each other, the twins look exhausted but satisfied at their work. 

“Mission Perfect Cocktail: Success!” Seonghwa whisper-shouts while pumping his fist in the air.

“I never agreed to call it that.” Siyeon repeats herself.

“Whatever, you donkey. You just hate that I’m more creative than you.” Seonghwa snaps back at Siyeon. 

“Oh please, like I could ever be jealous of your virginity corner.” Siyeon claps back. 

“Hey!”

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[coimbrabertone]

Offtopic Offseason #3 - Clone Wars Rewatch Thoughts: Part I.

We're deep in the motorsports offseason and I've been on a Clone Wars rewatch for the past week or so. I'm in early season three right now, still before the timeskip, but I've been enjoying it a lot and it's gotten me thinking about Star Wars again, so I wanted to yap about it in a blogpost.

I think I'll even do a part two once I'm done rewatching the whole thing.

For now though, I'm going to talk about what I've watched so far, so seasons one and two, and the first couple of episodes of season three.

So...Clone Wars starts out pretty rough, I'm not gonna lie. The first few episodes are just a bit cringeworthy with annoying battle droid dialogue, the voice actors still finding their footing, and the animation is pretty spotty - I'll talk more about that in a moment - and of course the classic complaints of "Snips" and "Skyguy" and all that.

All of these problems started in the movie - which I most recently watched in 2023 but skipped this time because, well, it sucks unfortunately - but they are still apparent in the early episodes of season one.

The early episodes still have their moments.

The Malevolence arc is pretty competent, Rookies is probably the first legitimately good episode of the show, Cloak of Darkness and especially Lair of Grievous are good, and then from Trespass onwards the show really comes into its own.

That being said, I think season two is better than season one. Season three is another step forward, and from the timeskip onwards I think the show really hits its stride, especially because the updated designs look a lot better and fit with the animation bump.

That being said, already in season two I noticed the animation is getting better.

Season one has that classic CGI cartoon problem where the environments are rather drab, and they can't have too many characters on screen at once since it's expensive to do - and Clone Wars was an infamously expensive show - which led to a lot of battles consisting of...two Jedi and like three clone troopers against five battle droids with two super battle droids in the background. It's an understandable error, and they get much better about it as the show goes on, but it's pretty noticeable in season one.

That's a problem for a lot of CGI cartoons though. Watch Beware the Batman, Transformers Prime, or Jimmy Neutron and you'll notice a lot of these same traits.

Even some of the Barbie cartoons have those problems and it's really noticeable because it's like these blondes in bright pink colors against like a flat brown background. It's pretty trippy.

Alright, enough about the flaws of early 2010s CGI animation.

Here's a two-parter I didn't really pay all that much attention to the first two times I watched it - the first time back when it aired on Cartoon Network, the second time when I rewatched the whole series on Disney+ ahead of season seven - the Zillo Beast episodes.

Before I always just saw them as a pretty basic Godzilla homage - they awaken this giant monster on the Malastare battlefield, they eventually subdue it, but Palpatine wants to study it on Coruscant, it inevitably breaks out, and they have to stop it - but this time, it hit for me for whatever reason.

First there's the electro-proton bomb, and the nuke parallels there - they're obvious enough that I must've picked up on them before but I guess I didn't come to appreciate it - but then even when they wake the Zillo Beast, it never actually tries to leave the hole.

In fact, it doesn't until the Dugs force it out with the toxic gas.

Then the beast is clearly suffering when the shock tanks bring it down.

So, this giant, hurt animal gets sent to Coruscant in the laboratory, and Palpatine wants it killed so he can study its indestructible scales more quickly.

Only then does the Zillo Beast break out and go on its rampage, and even then, the rampage is focused directly on Palpatine.

Then they kill it with the gas bombs, and you can see it suffer as it dies, and the Jedi are so clearly disturbed by all this.

Palpatine, however, immediately tasks the scientist with cloning another one - and apparently that story is followed up on in Bad Batch season two which has unironically given me more motivation to actually watch the rest of Bad Batch than anything else I've heard about that show.

Anyway, the reason why I think this episode clicked with me this time is because this plan has Sidious written all over it, but he's forced to maneuver it as Palpatine.

He keeps trying to justify the Zillo Beast experiments but eventually his patience wears thin, and he just starts threatening the scientist to do his bidding, despite the fact he's supposed to be the kindly old Chancellor here.

Moreover, when the Zillo Beast is after him, it's probably the only time in the whole show that Sidious is in real danger, but he's with Anakin, Padme, and the droid so he can't do anything about it.

The whole show Palpatine is pulling the strings, controlling both the Republic and the Separatists, ensuring no side gets the upper hand.

Except for here, because the Zillo Beast wants to kill him, and he can't do anything about it.

He needs the Jedi and the Clones to kill the Zillo Beast for him, and once its dead, all he can do is task his scientists to clone a new one so he can try again.

It's such a cool thing to do with Palpatine/Sidious and there's a karmic justice to it all because it's entirely his fault too.

So yeah, I used to just dismiss these episodes as "oh I guess Filoni wanted to do a monster episode" but no, there's some substance here and it's pretty great.

It also goes to show that, even before the timeskip, Clone Wars was a really, really great Star Wars show. After the timeskip, it becomes the best as far as I'm concerned.

I'm excited for more Mandalore episodes, I'm excited for the Savage Opress arc - even if his name is even more on the nose than playing the Imperial March whenever Anakin does something evil - I'm excited for the Citadel, and Umbara, and the undercover Obi-Wan episodes.

I'm excited for Maul, for the Sabotage arc, for the Order 66 arc in season six, and I can't wait to finish strong on the Siege of Mandalore which is probably some of the best Star Wars content, period.

That's not even all of it. There's so much good stuff.

I love Clone Wars, it makes me happy.

[constellationguy]

Another perspective

Episode three

"Text": regular talking

'Text': regular thinking

"Text": Saiki talking telepathically

'Text': Saiki thinking

ATTENTION! You might want to rewatch episode three of The Disastrous Life of Saiki K before reading to fully understand the events.

Summary: Episode 3 in L/N Y/N's perspective.

Previous episode

—————————————————————————

“Who’s ready for another tre bien trick by me! Master illusionist Uryoku Chono! Hey pink hair join the fun. I’ll do a trick to put a smile on that face!”

“No thanks, I’ve already seen it.”

“Oh I see you’re a sceptic! But once you see my show you’ll become a believer in my powers to amaze!”

‘Is he really going to ignore me the whole time? In that case, can I leave?’ Y/N thought to Kusuo. ‘No, if I have to stay so do you. We’re only going to watch so he leaves me alone’ Saiki thought back. ‘I’ve got a bad feeling about this but alright.’

“Right! I hold here an ordinary cardboard box. As you can see it’s empty inside.”

‘From this angle you can’t see the bottom, we don’t know that’s it’s ordinary.’

“But watch! Just a couple taps and it’s party time! Aren’t they amazing folks?” Most of the audience clapped as doves flew out of the box, say for Saiki and Y/N.

‘I always wondered how you could get those doves to behave and stay quiet during that trick, maybe I’ll never know,’ Y/N shrugged.

“Hey there kid, tre bien, am I right?”

‘It’s not “tre bien” if anything I’m worried about that dove’ Saiki thought towards Y/N.

‘Okay now you ruined that surprise for me. Sure you can easily see through the trick but the surprise and smoothness of the illusion is still impressive,’ Y/N huffed at Saiki.

“And now ladies and gentlemen, please turn your attention here, for the main event of our show! My super illusion! Magically teleporting for one box to the other will be my lovely assistant Micheal!”

‘Lovely is a strong word,’ both Saiki and Y/N thought.

“And drum roll!” Chono was making an odd pose while he vocalized the drum roll. “La la la la!” Mused Chono as he threw confetti.

‘Okay this is awkward now. Tell me why I couldn’t leave again?’ Y/N thought to Saiki perplexed.

“Alright let’s open the box! Three, two, one. It’s party time! Tre bien!” Micheal didn’t come out of the box, instead he came out from underneath the table connecting the two boxes.

The group that was standing there walked away, even Y/N started to walk away, too tired to appreciate the faces Chono was making, but Saiki grabbed their arm before they could get too far.

“Why should I pay you for ruining the illusion?!”

“I moved at the normal speed, it was your darn pattern that got too fast. Now you hand over that 500 yen.” Micheal commented back.

“No one tipped me for this performance so I couldn’t pay you even if I wanted to! Hey, why are you hanging around?” Saiki pointed towards Chono’s hat while still holding onto Y/N making sure they wouldn’t walk away.

“What? Oh, you want to give me a tip? Haha I could never take money from a kid. The look of joy on your face is- PICO!!!!” Chono only realized his dove was still in his hat after he took it off.

“I completely forgot she was up there.”

‘You’ve done your thing, let’s go now,’ Y/N said while trying to walk away but was still held back my Saiki.

“So you weren’t trying to tip me, you were trying to remind me. Wait does that mean, that you’re a magician? That’s how you knew she was up there! With instincts that good you must have hated my show. Maybe I’m not cut out for magician game after all.” During this Y/N tried repeatedly to walk away but was still being held back. ‘I’m not the one being spoken to so why do I have to stay?’ Y/N whined internally.

“Until a few months ago I was just your average office drone. Then I made a small mistake.”

‘Let’s go. I’m gonna miss my soap opera at this rate! And how does a small mistake get you fired anyway?!’ Y/N whined at Saiki.

“Corporate fat cats laid me off. And my wife skipped town.”

‘Is it too late to walk away?’ ‘Maybe but I don’t really care.’

“With no job I couldn’t pay the mortgage anymore. One little mistake and career, wife, and home had all disappeared. And then it dawned on me. I should become an illusionist! Ya!”

“Wait what”

“Because so many things in had vanished from my life I thought it must mean that disappearing them was my talent!”

‘That’s a stretch,’ ‘Your only talent is self delusion,’ Y/N and Saiki thought towards each other.

“So even though I’d been offered another office job I turned it down to start my new life, doing street magic!”

“Again what?”

“If I can save up one million yen then I can buy a sawing a body in half trick. Then my wife is sure to come back!”

‘Okay, normally I would find this entertaining but this guy is sad and delusional and I’m missing my show.’ Y/N thought generally.

“But then I wonder if I chose the wrong path.”

‘Yes. Yes you did. Now quick street magic and get a real job.’ ‘You sure you should be just thinking this, this guy needs to hear it,’ Y/N thought back to Saiki.

“Sorry, didn’t mean to get so gloomy,” Chono said, finishing his back story.

‘Look he still hasn’t said a word directed towards me, if I’m lucky he’ll forget my existence. Now let me go!’ Y/N again struggled to leave.

“Let’s get back to your background as an illusionist and how you knew I had a dove up there.” Chono said continuing the conversation. Saiki decided on his next move and put his bag out I front of him.

“Woah, gonna pull something out of your bag? You’re gonna pull out, a dove! Well I’ll have you know I can do a bowling ball.” Saiki then reached inside of his back and pulled out Chono’s assistant, Micheal.

“That’s impossible!” Chono said while falling to the floor. “Ya, ta fricken da, can I go now?” Y/N said, a little annoyed.

“Thank you. Now I can see, if your talent was hair yours would be a flowing main and mine would be just an eyelash. Make me your apprentice!!” Chono said bowing deeply. “Does that make Micheal my apprentice by proxy?” Y/N joked.

“Yay! I can afford soup!” Micheal said holding some coins behind Y/N and Saki that he probably found in Saiki’s bag.

—————————————————————————

In the L/N residence, Y/N was baking coffee cake while the TV was running some random program.

“TONIGHT! You will whiteness a miracle! A stupendous, amazing illusion preformed by the former homeless man turned master magician, Uryoko Chono!” “Now that’s tre bien!” The TV spoke loudly in the house so Y/N could hear it from the kitchen.

“Holy shit!” Y/N ran to the living room, tripping and almost falling in their way. ‘That’s the guy from the other day! How is he on television now?!” Y/N thought, rightly shocked.

“After losing it all he became a street magician and mastered tricks that others can only dream of!”

“What tricks are they talking about? The show I saw was pretty lame,” Y/N thought aloud.

“What I’m attempting tonight is the most dangerous escape you’ll ever see!” Chono said gleefully, the screen then showed what the trick entailed.

“As you can see folks, Chono’s hands and feet are both shackled as me makes his way to the crate. Oh no he fell! He’s safely inside the box, and with that Mr Micheal, Chono’s formerly homeless assistant will lock him in.”

“Wait I’m not ready!” Chono’s nose was bleeding! Now he’s banging on the box!

“The amazing Chono needs to escape within 5 minutes or he’ll be destroyed right along with this box!”

“Why is he trying to be the next Houdini?! He’s gonna get himself killed! I can’t watch a man die on screen, I’m going back to baking,” Y/N said anxiously.

“He’s got three minutes left to escape!” Y/N tried to tune the TV out as they turned on the mixer to make the frosting for the coffee cake.

“Two minutes! Just two minutes left!”

“There’s been an accident! This isn’t part of the show! Chono is burning alive in that crate! We’ll preopt the rest of the show until we can save him.” Y/N almost fell again running to their living room. “How could he survive this?! Why is the show still running?!” Y/N said flabbergasted.

“Times up! Mr Micheal will now use the swords! 17 swords to go!” ‘I know he’s probably escaped by now but damn is this stress inducing’ Y/N thought while checking on the cake in the oven.

“This is the last one folks. How could anyone survive this?!” ‘No one could, except maybe Kusuo’ Y/N thought absently.

“Now a construction crane is hoisting the box thirty meters on the air! And dropping it!” Y/N jumped a little while finishing icing the cake when the box hit the ground.

‘Glad I’m not there in person, I bet the stress of watching this in person is way worse,’ thought while sitting down on their sofa to watch the end of the special.

“That box has sustained catastrophic damage but we still have more in store for it! We’re lighting it on fire!!” ‘Okay that’s a little much, wasn’t it already on fire earlier?’

“And now we’re running over the crate… WITH A STEAM ROLLER! ‘Gosh that’s loud, wouldn’t want to be anywhere near that thing,’

“Chono’s box is as flat as a pancake, how could he survive that? Hold on, who’s that I see?! It’s the miraculous illusionist himself, Uryoko Chono! He’s alive!!!!!” The crowd cheered and Y/N let out a sigh of relief.

“Well folks that sure was some first rate escape artistry” “Tre bien right?” “Hey, stick around for what’s next! The world premiere of a mystery called ‘Love Fantasy’, my character will try to uncover the mystery of his girlfriend’s death! Enjoy the show!” The camera then fades to a commercial.

Out of nowhere Saiki teleported into Y/N’s living room. “Oh shit, are you good?” Saiki was still covered in dirt from his escape.

“Ya, just wanted to pick up some coffee jelly,” Saiki said while walking towards the kitchen.

“I just made coffee cake if you want some, but shower first before serving yourself a plate, I just cleaned up.” Y/N said while turning to Saiki.

“Fine fine,” Saiki said, turning around and walking towards the stairs. “Just pick whatever from my closet, we wear the same size clothes anyway.” Saiki gave Y/N a quick thumbs up before walking up the stairs.

—————————————————————————

“Guess what I’ve been summoned. If I told you why I’d have to kill you Saiki, but for now let’s just say the world is in store for some pretty big changes.” Kaido said to Saiki before walking away.

“What? Did he make a friend?” “Oooo, we should follow him! I feel like being a little nosy today, come on!” Y/N said to Saiki before dragging him behind them to follow Kaido.

“Thurisaz, isaz, hagalaz,” a suspicious voice spoke from beyond the door Kaido knocked on. “Sowilō, gebō, fehu,” Kaido said back. “Ehwaz, you may enter.” the door then opened.

“Okay, I know we just got here, but what the hell was that?” Y/N whispered to Saiki, he only shrugged in response.

“I hope no one has followed you, the jet back wings.” “Not to worry Jade eyes, I’m-”

“Wait! There’s something you forgotten” “I’m sorry sir, you’re right. An energy field surrounds this room, if one doesn’t perform the holy grail ceremony within 66 seconds, they’ll vanish!” “That’s right”

Y/N could only hear Kaido clap then say “Laguz”, ‘He did something funny didn’t he? I wish I could see this,’ Y/N thought.

“So have you come to terms with the truth?”

“It’s not that easy for me. It’s like everything I’ve ever knew was a lie! You say in a past life, I was a top soldier in Dark Reunion. But then after discovering their plan to sort man kind, I stole the mystical stone Panalyze, and went rouge. And then when they cornered me, I performed the phantom technique and became a disembodied soul! And then I entered the unborn body of Shun Kaido?! It’s not easy to believe all that!”

“You seem excited by it” “I’m not really!”

“That’s fine. So long as you’re realizing the truth.” “I have always left like there’s something different about me from other kids.”

“The powers of the spirit within you are absolutely vital to destroying Dark Reunion. That’s why we’ll do what we can to help you regain your memories.” “What we? Who else is here?” Kaido asked while looking around the dark room.

“There are four others at this table besides me. Of course, they are all phantoms. I take it you dont see them, if that’s so, you have no chance to help us.” “No, no, I see them fine! They’re just not here physically right?”

“Ah yes, they are here in spirit but not body like myself. Unfortunately they don’t trust you.” “Why’s that?!”

“Because you haven’t yet presented the sworn ally absolution.” “Oh, I got that right here,” Kaido said confidently.

Y/N could hear the other person taking something from Kaido’s hand before saying “Woah, such detailed answers! It’s everything we’ve expected and more from the jet back wings! With this they’re sure to except you into the group!”

‘So ghosts have clicks now? Geez,’ Y/N thought.

“Great! If that’s all it takes I’ll be-”

“Stop!” “What?” “Mannaz, ingwaz, wunjō!” “Um, what was that?”

“Dark Reunion has found out about this room. We’re under attack!” “Attack?!” “They just killed the four phantoms,” Y/N could feel Kaido’s fear from beyond the door.

“What?! Phantoms can die?!” “Yes even phantoms can be killed, if we want to make it out of here alive, we need to act. Now we need to create a barrier.” “Ya, sure! So what do I do?” Kaido asked worriedly.

“Well first things first. I need you to put any and all metal objects on you into that special bag. Metal can interfere with the barrier magic.” “Right!”

“Even change?” “Yes! You know what- just put your whole wallet in,” “right.”

‘He sounds a little to excited to be swindled like that,’ Y/N thought that was odd.

“Great now repeat my movements” “okay!”

“Ansuz, jēra!” “Ansuz, jēra!”

“Ehwaz.” “Ehwaz!”

The room then feel silent, it took a lot of strength for Y/N not to laugh in that moment.

“Looks like we got io the barrier just in time.” “Ya that was close.”

“Now it’s time for us to go home.” “Oh okay! Then can I have my wallet back?”

“The barrier is still unstable. It’s much to risky to remove it from the bag.” “But it’s got my train pass-” “thanks for your help friend! If it was for you, I would’ve died today with the phantoms! Jet black wings, you our savior!”

“Oh, sure no problem.” “Come back same time tomorrow. And keep doing the sworn ally absolution.” “Yes” The door closed then Kaido walked away.

“Those guy’s stupid fantasies are the best thing ever! He couldn’t tell the absolution was my homework. All I had to do was play along with him! I even got the idiot to give me his wallet. Hehe Dark Reunion? Thanks for doing my homework delusioner HAHA!”

Suddenly the lights turned off.

“What the- who did that? AAAAAAA”

The next day.

“Don’t tell a soul okay? This meeting involves the fate of the world. Uh it’s open? AH what’s going on? THATS THE LOGO FOR DARK REUNION! Could it be their only one step behind me?!”

‘Pretty much’ Y/N thought while watching them from behind the corner.

—————————————————————————

“What’s wrong Kaido? You afraid of the water?” Teased Nendo.

“Nu- no, t-that’s not true! I know how to swim jerk. I’m not afraid of the water.” Kaido’s tone of voice wasn’t very convincing.

“AH water-” Kaido then fell dramatically and was splashing harshly.

“I’LL SAVE YOOOOOOU!”

Y/N then looked over their shoulder, ‘I know that butt.’

“Yo, it’s Hairo!” “Oh hey Nendo! Hey Saiki.”

“You getting some sun too?” “Actually, I volunteer as a lifeguard.”

“AH IM DROWNING!” “I’LL SAVE YOU!” Hairo then ran off again.

“I can’t believe he does this job for free in this heat. Hey, when are you gonna get in the water buddy?” “Just forget I’m here,”

‘Maybe I should forget I saw them,’ Y/N thought briefly.

“You guys are no fun! I don’t want to go swim the the ocean all by myself! So! To the ladies!” Nendo said with a smirk.

‘Never mind. This job can wait, this is going to be funny,” Y/N thought while turning off their metal detector.

“With a face like that you don’t have a chance!” “Why don’t you try walking on water instead? You’ll have better odds at that.”

“Oh ho ho. My looks don’t matter. It’s about attitude.”

“I’m sorry, I find your face repulsive.” “are you joking? There’s no way I’m giving my number to that face. “Ever hear of a mirror? You should look at one before leaving the house.” “AAAAAA DON’T RUN AWAY!” Nendo said while running after the girls.

‘Wow that was harsh. But even from this far away I could tell he was staring that their chests,’ Y/N thought with little sympathy.

“Girls are stupid”

“Well arent you just a little cutie pie!” “I love his spiky hair! Don’t you?” “Hey, stop touching my hair,” “Hey, come over to our spot!” Nendo then stood over the three of them with a very intimidating face.

“Oh I just remembered I have to move my car?” “Ya, me too!”

Y/N then had the perfect view of Nendo barring Kaido in the sand, they laughed quite hard at that, then got back to work.

“Where’d my bro go? Bathroom? Saiki?! You going pee pee?!” This almost started Y/N’s laughing fit back up. Y/N then turned away, put their headphones back on and continued metal detecting.

“I ROCK!” ‘Wonder what that’s about, probably nothing,’ Y/N could hear Nendo’s shouting but chose to not think anything of it.

“WOOOOAAAH” when Y/N turned around again the spotted Nendo “walking on water”. ‘Now that’s not something you see everyday.’

“Thanks for saving my life. Sorry I joked about how ugly your face is.”

“I’m glad you didn’t ask for her number in return for your heroics.” “I try to be a gentleman, but if that hotty fell in love with me, I’m not gonna turn her down.” “She wouldn’t” “WHAT’D YOU SAY!”

When Y/N was packing up the group finally spotted them.

“Hey it’s buddy’s friend! What’s that?”

“Ya and why are you not in a swimsuit? We’re at the beach.” Kaido asked confused.

“Oh this old thing? It’s a metal detector, my uncle has this whole business finding things that are lost in the snow, sand, and even underwater! He sent me out to do this job for him, I was able to find the client’s phone not to long ago.” Y/N smiled brightly.

“And for the swim suit thing, I didn’t think I wasn’t goin to go deep in the water so I thought shorts would suffice. Funnily enough, I think these shorts are Kusuo’s” Y/N laughed.

—————————————————————————

“Hairo, you got tan.” “Ya I volunteered at the beach as a life guard.”

“You’ve got a crush on someone?!” “Teruhashi is this a joke?” “Is it one of us?” “It’s someone I ran into over vacation. It was the 6th of August when I first fell in love with him!”

“I remember seeing you that day too. And the guy you were talking with, was Nendo!” “YOU ARE WAY OFF IDIOT! Ah uh, ya! His name is Yuriof Idiot. He’s a Russian exchange student, you should get to know him!”

“Hey Saiki. Just me or is Nendo acting weird today?” Kaido asked. “You’re the one being weird.”

“Like usually he’s always saying “we should do stuff after school buddy”” “He is quieter than normal.” Saiki agreed.

“Oh my look? Don’t worry about it, it’s a long story.” Kaido said while covering his eye covered by an eyepatch. ‘I wonder what his excuse is first dressing like that, but maybe Nendo acting different than is more interesting than Kaido’s story,’ Y/N thought.

Nendo made a couple dejected faces, did an odd form of sighing then left the class. “Pretty fishy right?” “My interest has peaked.”

“Alright -alright I’ll tell you. It all started-” “Hey! I heard you saying that Nendo was acting weird. Do you mind me tagging along to figure it out too? It sounds pretty interesting.” Y/N was able to interpret Kaido before Saiki got too annoyed at him speaking.

“Oh! Uh, sure, indubitably!”

“His house isn’t this way. He’s got something going on.” “Oh maybe!”

“Why are you two so excited about this? And better yet why are you so good as tailing people?” “Oh hush, you want to know about Nendo acting weird too right?”

“Saiki, L/N, check it. What’s Nendo looking at?” Nendo was making a creepy face at a little girl.

“Creepy” “creepy” “creepy”

“Nendo has a thing for little girls?!”

“This doesn’t look good. We should probably call the police.”

“A little quick to make assumptions but if it turns out that way then ya, we should do that.”

“He’s walking into a store! Looks like a flower boutique.” Kaido said a bit confused, Saiki was making a face that matched Kaido’s tone.

“Don’t tell me he’s got a girl-”

“No not Nendo” “No not Nendo”

“Ouch”

“Another one! That’s just gross” Nendo made another face towards a little girl.

“We’ll confirm it after we call the police,”

“Ew, ya.”

“No! We need more proof than this. I mean list of people like sun flowers. And it’s natural to smile when you see and cute little kid right?”

“I guess.”

“Good point. Let’s not be brash.”

“Hm another shop. Cakes! WOMAN AND CHILDREN CAN’T RESIST SWEET TREATS, SO WHEN YOU COMBINE A WOMAN AND A CHILD YOU GET A LITTLE GIRL!”

“Now you’re just jumping to conclusions,” Y/N agreed.

“I MEAN HAVE YOU EVER SEEN NENDO EAT THAT?! OR LIKE FLOWERS?! IT’S ALL MENT TO BE GIVEN TO SOMEONE, BUT HE HAS NO GIRLFRIEND TO GIVE THEM TO. THAT COULD ONLY MEAN THAT THEIR BAIT! AND THAT HES USING THEM TO LURE AWAY LITTLE GIRLS!”

“I think that anyone that works on has their own problems.”

“Bummer, they were all out if shortcake. Oh well, it’s not like anyone will ever eat this.”

“If it’s not for eating it must be bait” Kaido and Saiki said in unison.

“NENDO! YOUR SECRET’S OUT! HOW DARE YOU HURT LITTLE KIDS, YOU MONSTER!”

“Wait what secret? You mean my dad?”

‘I’m honestly surprised he didn’t think more about that accusation’ Y/N thought.

“So he’s dead?” “I visit on the anniversary of his bus accident.”

“But the flowers and the cake…” “respectful offerings for the dead. It’s normal to bring cakes and flowers to a family grave.”

“To think Nendo is lecturing us on normal.”

“That’s fair, I bring flowers and the favorite snack of one of my family friend’s to their gravesite.”

“When did your dad die Nendo?” “Well it was before I was born, he died trying to save a little girl who ran in front of a bus. Huh, maybe that means he was into little girls.”

“I hope not haha,” Kaido laughed nervously.

“That’s a dark joke.”

“So if he died before you were born, he must have been pretty young.” “He was only 18 or 19 years old. Here look! I’ve got his picture.”

“Hey this is just a picture of you!” “Nah it’s him! My mom says I look more like him each year, weird.” Nendo said sentimentally. “You don’t look like him, you look the same!”

“Are you okay Kusuo, you look like you’ve seen a ghost haha.” Y/N joked slightly but got a little more serious when Saiki’s face stayed shocked.

‘You haven’t developed a new power since you were like five, you better not have just developed the power to see ghosts.’ Y/N thought while looking at Saiki concerned.

“Hey wanna go get some ramen?”

“I know my powers are literally super natural, but personally, I don’t believe in ghosts. So I’ll pretend today at the graveyard never happened.”

“Is that really the best thing to do Kusuo?” Y/N laughed a bit, before following Saiki’s eyes to his mail box.

“It’s for me. Weird. I never get mail.”

The letter read “Kusuo Saiki, I know you have psychic powers.”

“What.” “Oh dear.”

—————————————————————————

Next episode

[inside-lees-mind]

I’ll Eat My Hat

This was supposed to be cute. And it is, once you get past the topic of death.

So warning about topic of death.

Ukyo Saionji x reader

I actually hate this, but take that with a grain of salt bc I always hate what I write. If I didn’t hate it, I’ve been replaced with a ghost writer and call for help.

I promise I can write better than this. I just haven’t written anything in a while.

“And if I died?” The question was a lot darker than the previous questions and conversation. To you, the question rolled off the tongue with a giggle, looking up at him. Though to you, he was upside down, but that’s because you were laying down, head resting on his thigh, looking back and up at him. You sat up when you noticed his face fall a little bit.

“I’d hope that wouldn’t happen.” He almost whispers, a smile cracking across his face. He looks about to cry, and you realize, he’s probably thought out that scenario. And you realize you should probably just move on and drop the conversation.

“S—” You start but he cuts you off.

“But even if it did, I’d always love you.” He looks like he’s fighting hiding his face in his hands. And he is, because shouldn’t he be stronger than this? He doesn’t though, he just look at you for a moment before he speaks again. “And maybe, I’d go too. Soon enough.”

“No, I’d want you to live.” Your eyes, previously fixed on something just past him, now snap over to meet his. “Don’t give up like that.”

“Well, I’d eat my hat if that day ever came so… I don’t think we have anything to worry about.” Ukyo snickers.

“Because you don’t worry about it?” You catch him off guard.

“No. I mean, well, yes. I do, but it’s just paranoia.” He says, chuckling as he looks down at the ground.

…

That conversation feels more like a distant memory now. As you slip on and fasten up some wooden shoes to do some scavenging around the forest with Kohaku, you think back to it though. This isn’t death, so why does that conversation come to mind?

You’ve been awake for less than a week, and you’re going to war soon. And maybe you will die, then your beloved boyfriend will have to eat his hat. Of course, that’s not what he’s worried about, though.

You two weren’t together when the petrification happened, so you don’t have much of a clue where to find him. What if his statue was broken? Then what?

Questions like that float through your head for days and weeks until you’re told stories by Gen and Magma about a man who had terrifying archery skills. And it feels silly, because archery is a well respected sport in Japan, which cultural roots too, so that could have been anybody, but your mind went straight to the idea that it’s him.

They say he aimed at them, and that you find harder to believe. Your boyfriend always was intimidating, when he needed to be, but he was a pacifist. If their blood was on his hands, you know he’d never sleep well again.

Yet you find yourself asking for any sort of detail that confirms your hopes it is him, because maybe there is a good explanation for his hostility. And for why he’s working for your enemy.

(I literally do not remember the episode very well at all so I’m adding my own twist bc I’m not rewatching it rn)

Gen says they couldn’t really see him, but they know he’s got excellent hearing.

“It’s like he could hear a feather drop.” He says.

And your heart skips a beat because that’s got to be your boyfriend. Yet, time passes and nothing. You can’t just walk onto enemy lines to find your boyfriend. And on top of that, you’ve began to delude yourself that there is some other man in the area with excellent, inhuman hearing and impeccable archery skills.

You brush all that off, ignoring it for now. Even if it’s clawing at you, there is work to be done. So here you are, sitting on the cold, wooden floor of the hut. Gen and Senku were on the phone with a woman named Nikki. A self proclaimed super fan of Lillian Weinberg, as you’ve come to understand. You, being from the United States, had helped him just a little bit with his facts regarding the famous singer. He knew a lot, so did Senku, but you had input too.

When you all played the recording, she believed it, but a faint, yet stern voice cut through the air from the behind the phone. Then the phone is taken, and a familiar voice speaks. Your heart stops for a moment as you realize, the archer was your boyfriend. After barely hearing the next words he, Gen, or Senku spoke, you finally snap back to reality when you hear “we have somebody who is better at English than the both of us.”

And the microphone of the giant phone is suddenly being shoved into your hand.

“So what exactly do you want?” The line is whispered to you to say. You repeat it, trying not to stutter over your words. The line goes silent on the other end for a moment, before he speaks.

Gen and Senku exchange glances because you, as stone faced and cold as you are, have never seemed nervous before. You don’t fail to notice, but you don’t say anything.

“I don’t want blood.” He says, sounding a bit more emotional now.

“I know you don’t.” You say softly back, and confusion settles into the room.

“So I’m not crazy. It’s you?” You nod, before remembering he can’t see you to know you did.

“No, you’ve lost your mind. Now you have to eat a hat.” You chuckle.

“I just got this one.” He says.

“Alright, I don’t know how you two know each other,” Senku bluntly cuts you off. “But wrap it up, we have a negotiation to discuss? Let’s be 100% to the point here. We can do this with no blood.”

You sit back, smiling, knowing you’ll see him once this is over.

[my-rose-tinted-glasses]

This was the hardest monthly wrap up I ever had to do because I forgot about it until like two days ago and my brain is not at its best and I'm tired so I can't really write a lot. So anyway as usual, spoilers and opinions below, read at your own risk.

QL - Currently Watching

🇹🇼 Blue Canvas of Youthful Days [2/12] - I really like the look of this show and all the art. I'm not yet sold on the main couple as a possible item but I really like the characters individually. I adore the second couple. The scene with the hearing aid was beautiful and I like the fact that it's not about the couple. Perhaps in a bl from a different country this would be about them finally being able to communicate, but because Liu knows sign language, it's simply about helping Tan Yin. Don't know why but I really liked this.

🇰🇷🇹🇭 Eccentric Romance [8/12] - It's not the worst thing ever but at several points during the episodes I find myself asking, what am I watching?

🇹🇭 Every You, Every Me [4/8] - This show constantly surprises me. The different stories every week and the aspec rep was how they got me at first but now I'm invested in the meta and the absolutely adorable mains. And this show is just so gorgeous to watch.

🇹🇭 Fourever You [5/16] - Beautiful Pond. Cute Earth. I'm annoyed. Hopefully the next couple is better in terms of storyline.

🇹🇭 Jack & Joker [8/12] - Can they just get together first and then give me all the drama? I'm okay with that. I actually liked Love Mechanics, so give it to me. But Jack is all over the place with his behaviour, he says Joke is family and they seem to have a shared view of the future, and they sure behave as if they're a couple, but then he hides things from Joke, supposedly 'for his own good'. I feel for Joke, because he's being jerked around by Jack.

🇹🇭 Kidnap [8/12] - I love Ohm. And that is the one and only reason I'm still here.

🇰🇷 Let Free the Curse of Taekwondo [6/8] - I'm obsessed. I think about this show way too much. It's painful and beautiful, brilliant writing and visuals and I need it to be over but I don't want it to end. I think we're gonna have a second time skip since they are not in our present yet and I just want to see them happy.

🇰🇷 Love in the Big City [4/8] - Obsessed in a total different way. This story is like an open tab in my brain at all times. I'm dreaming of edits and gifsets. I think of Young and my chest tightens. I'm having a hard time writing about the second part of the show because it's just so much, although it feels lighter than the novel. I'm dreading the next part.

🇯🇵 Love is a Poison [7/10] - I love it here. Everything about it. This being Shiba's first love sure explains a lot, and the onsen date was amazing. I think the actors are nailing this.

🇹🇭 Peaceful Property [10/12] - I've said enough about it. I'm here for TayNew and trying to just ignore everything else.

🇹🇭 Perfect 10 Liners [1/24] - And so it begins. Every gmmtv boy is here and they are all playing engineers. They got two Flukes and everything. I wish Force wasn't once again an asshole jock and Book the clueless fool but I guess that's too much to ask. This is the couple I'm least interested here so I want to see the rest.

🇹🇼 See Your Love [3/13] - Taiwan just doing giving all the rep with disabled characters and as usual a parade of bl actors. It's fine for now.

🇯🇵 Smells like Green Spirit [6/9] - I love Mishima. I think the scenes with him and Kirino are always great. I'm still not totally on board with the romance but I'm somewhat fascinated with Yumeno.

QL - Finished

🇹🇼 First Note of Love - I feel like I need to rewatch this as a binge because I think this format didn't help this particular show. Although I like the mains and I really liked the actors, their romance never truly clicked for me. I need more of the sides. The language banter was my favourite thing about this.

🇹🇭 I Saw You In My Dream - This is super cute. They are all adorable and they actually communicate. Ultimately I was a little underwhelmed about the concept.

🇹🇭 Monster Next Door - It's fine. I like Big and he was great here. But I've already forgotten everything about this.

🇭🇰 Our Golden Times - I watched it. It was okay.

🇹🇭 Reverse 4 You - Pretty show. Good concept. Not great execution all the way through.

Dropped / On Hold

Waiting to binge - 🇹🇭 The Loyal Pin | 🇹🇭 Apple | 🇻🇳 Teenager Judge

Rose Watches OJBL

Same Difference aka Docchi mo Docchi (2014) - I don't even know what to say. It's not good. That's it.

Others - Watched

🇯🇵Densetsu no Head Sho| 🇰🇷Black Out | 🇯🇵Double

Upcoming Shows - November

As usual my ask box is open. Have a wonderful weekend💜

[stanlunter]

My 6 favourite Scorptra + some little scenes I love

1. "You do care, don't tou?"

The scene that made Catra fully realize that she's not alone and that there is still someone who love her more than anything. Catra was everything for Scorpia.

And the most important thing is that Catra does the most selfless thing she could done: she refuses of Scorpia's help and doesn't let Scorpia set her free, bc she knows it can cause Scorpia troubles and she doesn't want to put Scorpia in the same situation. She doesn't want to be Like Shadow Weaver and doesn't want Scorpia to suffer bc of her.

2. "We could, you know, be happy"

Catra was so stupid for not leaving with Scorpia and Ill stay by it. Also there is no "one-sided" explanation for this. Anyone who says Catra never loved Scorpia, litterally just skipped the entire episode. They were SO in love!

Especially considering the fact that they were suppose to kiss each other at that scene ans I will never forgive Nate for removimg it

3. "You saved me?"

The moment when Catra's feelings for Scorpia startes to grow up. It's when Catra realize that Scorpia saved her, no matter what. Even tho Catra ordered Scorpia not to break the technology, Scorpia did it, bc it would save Catra. She disobeyed the order to protect her and you can read in Catra's eyes that she was shocked that she was THAT dear for someone. It makes even more sence when you remember Catra's words about Adora "You never protected me. Not in any way that would put you on SW's bad side". (no blame for Adora, she's still the best girl ofc) but the thing is that Adora wouldn't disobey to protect Catra from SW, but Scorpia did it and not once. Scorpia truly loved Catra and she would always do everything to protect her.

4. "I will always be there for you"

Even tho Catra doesn't want to ask anyone for help and wants to do everything alone, Scorpia still makes her tell the situation to resolve it together. Bc that's what friends do, Catra doesn't have to deal with this alone.

5. "You're a princess??"

Whatever the cat is this?? They were so iconic in the prom episode!

At first Catra was sympathetic with someone for the first time in the show lol. She asked Scorpia (to ask actually) to go to the prom together! It's already pretty romantic, but have you seen the rest of the scenes?

Also the screenboard where Catra zips Scorpia up lol (they really didn't have to remove it)

6. "We're making a good team!"

Uhhh, just look at them here! They litterally THE girlfriends! Catra never was so flirty with anyone. She blushes as Amity lol. And just look at these EYES!!!

Now heart-breaking scenes, cuz Im evil. S4 was so sad and for what? Im crying...

But since Im not THAT bad, here are some sweet scenes again! Cuz they're still cuties (it was a crime not to give us them in s5 btw, Ill never forgive Nate for this) <3

Protective gfs ever!

I really love Scorptra even after so many years. I need someone to rewatch she-ra with!!!

[rapha-reads]

IWTV rewatch

Season 1 episode 2 [... After the Phantoms of Your Former Self] - part 3/3

- Love how Grace knows it's not just a case of a baby crying, she knows her brother, she knows her brother is different, she knows he baby could very well be in danger. That's sibling and maternal instincts in one.

[Louis] "'I had him in my arms... And I was ready to tear into him. I'm never gon' get control over it.' [Lestat] 'You've been skipping meals lately. Don't think I haven't noticed.'" - notice how Lestat immediately cares for Louis, worries about him, and tries to comfort him, only for Louis, Saint Louis, to reject the gesture of comfort because he thinks in his self-hatred that he doesn't deserve it? And also notice how pretty a crier Jacob is. Ahem. Who said that.

[Lestat] "'If you love your family, as I know you do, spare them all the pain that you are causing them.' [Louis] 'I ain't gon' have a family of my own, am I? No sons, no daughters.' [Lestat] 'I'm your family, Louis.' [Louis] 'You should just throw me in the incinerator and make another one.' [Lestat] 'And what a waste that would be. I have two centuries walked this Earth and can report: you have no twin. No one as angry, as stubborn, as unaccommodating, as maddening...' [Louis] 'Sounds like trash to me.' [Lestat] '... as loving, as dedicated, as thoughtful, as imperfectly perfect as you've become. You're a challenge every sunset, Saint Louis, and I'd have it no other way.'"

HI EXCUSE ME WHAT GIVES YOU THE RIGHT TO PLAY WITH MY HEART LIKE THAT. No because it's Louis' dream of having a family (Claudiaaaaaaa - also give Lestat like a century or two more and he'll give you exactly that) meeting Louis' depression and self-hatred, meeting Lestat's need to be love, meeting Lestat's absolute, deep love for Louis. They're not speaking the same language still, but they've found a middle ground, and when they do strike the middle ground, it's sparks and magic. Aaaah, it is maddening! They are maddening. I don't even remember what I wanted to say, I'm just sobbing in my cup of tea.

Wait, no I remember. EXCUSE ME. Louis' hopelessly fond smile when Lestat shows the tuxedos and says "I've been neglectful of our romance" (currently sobbing even more) reminded me. Awards for Jacob to go that soft after being that down. Back to the previous exchange. It's about how soft Lestat's voice goes when he tells Louis he'd have him no other way, and it's about how Louis finally lets Lestat comforts him and how he softens, relaxes and calms down gradually as Lestat keeps talking and petting him. *screams* Need I add more? No? Carrying on.

- [Louis] "He had a way about him, those first few years, Lestat. Preternaturally charming, occasionally thoughtful. He was my murdered, my mentor, my lover, and my maker... all of those things at once. He didn't choose me to be his doormat. I knew he enjoyed it when I fought back, but there was present a kind of worship on my part. The earth beneath me always felt liquid."

*screams some more* Was the romantic background music really necessary? We get it. You loved him, you still love him but this time with both eyes open even though you're still in denial, he's the love of your life, we get iiiiiiiiiit. Daniel's fond but amused little smirk gets me. Boy knows vampire's pining. Boy knows vampire's dumb. Boy knows story's not that simple. Changing subject, petition to get the word "preternatural" BANNED please. That's one word I'm not happy to have learned. Even in French we just stick to "surnaturel" (supernatural). Also according to Collins Dictionary, the use of the word "preternatural" was kinda low until the late 70s- early 80s when it exploded. Wonder what happened then to change the trend. What a mystery. Guess we'll never know.

- ghghhghe THE OPERA SCENE. I had forgotten the opera scene. The scheme to get Louis into the room (role-playing as Lestat's valet, hello social commentary). Louis sitting there "simmering in his indignation", and Jacob's masterful acting with the jaw and fists clenching, the steely eyes fixed straight ahead. And then Lestat coming in with the hammer, voice soft and gaze downcasted, timid and apprehensive:

[Lestat] "There is one thing about being a vampire that I most fear above all else... and that is loneliness. You can't imagine the emptiness... a void stretching out for decades at a time. You take this feeling away from me, Louis. We must stay together and take precaution and never part."

I NEED A MINUTE, GEEZ. To comment again on the timeline change from late 18th century to 1910s, it actually adds to Lestat's character. In the books, when Lestat meets Louis, he hasn't been a vampire for more than 15 years, iirc he was brought into the Blood in 1780 and arrived in New Orleans in 1791, after spending some years traveling with Gabrielle, a few months at best sleeping in the sand and then a few days with Marius (dates are vague at best). So he hasn't known true loneliness so far when he turns Louis. Whereas here, he's gone through the entire 19th century alone. He actually knows loneliness, both the human kind that he knew in the book, and the vampire kind. It adds weight to his fear of being alone, and to how he clings to Louis even to the point of doing horrifying things to keep him with him. Is it emotional manipulation? Yeah, def. Mais on n'en est plus à ça prés avec eux (best translation I can come up with is: but we're already way past that with them; the French expression is much more evocative, it kind of means "yeah, but, with them, emotional abuse is the least of our worries, something like that).

The hand caress, be right back, need to set myself on fire.

[Louis] "And music, that was where Lestat separated man from food" - music is the language of the soul. (Rockstar Lestat wheeeeeeeen)

[Louis] "Music pierced his damned soul. And any humans who were involved with the creation of it existed on an elevated plane in his eyes. I was moved to see he too had his human attachments. And this woman sang for us, it seemed, articulating the difficult love we often had trouble expressing ourselves."

No but it's the way Louis' voice is just so full of love here, so soft and fond and reminiscing, as if he doesn't even realise how tenderly he's speaking of Lestat a century later, while 1917's Louis' face is equally as soft and fond and gazing tenderly at Lestat as Lestat's singing to himself. *scream cont'd*

Lestat reacting to the tenor's false notes: absolute ear Lestat. (tho tbh even I can hear how horrendous the tenor sounds, and I know next to nothing about music technicality - but I did went to the opera last week for the first time in several years and the tenor was fantastic)

[Louis] "The hunt was on" - yes please.

[Louis] "This poor soul was someone's son, someone's brother, and he was to be slaughtered for what? A false note?" - aw, Louis' humanity. Baby you're too good.

Hi, excuse me again, Lestat speaking Italian? Sam speaking Italian???? SO FUCKING GOOD. Petition to have Sam speak Italian again in season 3, and even more languages. Wanna hear him speak Greek and Arabic please oh my vampire gods make it happen.

[Louis] "'Why do you do this, Lestat?' [Lestat] 'Well, I like to do it. I enjoy it.' [Louis] 'Well, I don't. You don't have to humiliate him.' [Lestat] 'Well I don't say that you have to enjoy it! Kill them swiftly if you have to, but DO IT! Embrace what you are! You are a killer, Louis!'"

Was tempted to put all of Lestat's line in all caps, because man the shift from gallant speaking Lestat to losing-his-shit-ROARING Lestat was something. Oh, and here's the main current issues as of 1917 between them. And while they're having their little domestic squabble, a man's bleeding on the poor rug that didn't ask for it. The rug, that is. Not the man.

[Louis] "I was in denial. For in bringing death, Lestat was an artist. He had cut the man tenderly so that he could not call for help, but also so that his death was slow, meditative. And I felt a charge, witnessing it."

Listen, Lestat's an artist, period. A diva and a drama queen with several truckloads of issues, but a true artist. And again Louis' voice go soft, contemplative, tender, reminiscing about Lestat. Also, Louis, mate, the denial has been going on for more than a century at this point and not just about the subject of death and killing. Sorry to burst your bubble. Oh, and Daniel looking down, a bit disappointed I feel? as Louis describes Lestat killing, shows that Daniel's in on it too.

- [Louis] "I try to have a human dish once a week" - sorry, what? Big canon change, as far as I understood from the books, vampires can't eat or drink human food, their system isn't designed for it anymore.

Alright, do we think Alice is a construct of Daniel's mind through Armand's mind games, or do we think she's real? Haven't entirely followed the fandom's theories on this own. Do we think that Armand did stalk and traumatise Daniel for a decade after the botched '73 interview but didn't go full Devil's Minion? Or do we think he left him alone after the six days of torture? Guess season 3 will tell us. But the fact that this important little scene, of the dessert and the first proposal, happens in Paris, a city that's important to Armand... Sus, I say. Aw, Danny's a sad boy. Love Louis' face as Daniel finished talking, gives cred to the idea that these are fabricated memories. The face says "man, I'm reading your thoughts as you're speaking, and something here's fishy, something doesn't make sense, but you know what, right now I have enough on my plate with my own bullshit, can't deal with yours". Let's table it for now (that's my own "disregard", lmao). Should add screencaps to these reviews, the final image here, the long dinner table, the grey and brown coloring, the two men sitting on opposite side, that's right out of a painting. Someone who did Art History, analyse that final image.

Ooooh, I think next episode was one of my favorite, with Antoinette, Jonah, and almoooost Claudia.

episode 1 | part 1 | part 2 | episode 3 | episode 4 | episode 5 | episode 6 | episode 7

[imminent-danger-came]

I was rewatching s2 last night, and ohhh man mk looks over mei so much it's not even funny. times mei has been ignored:

maybe you need to really listen! (during the blindfold ep)

mk just? grabs stuff she's using out of her hands all the time? (video game ep)

maybe you shouldn't skip the tutorials? (video game ep again)

the way he addresses her in dumpling destruction and then immediately pushes her aside for tang

i honestly remember it lowkey kinda bothering me on first watch but now it's REALLY egregious on rewatch. are you scared? I'm so scared. do you WANT to end up like shadowpeach MK

2x03 is so rude because the whole fucking episode they're like "MK you don't listen" and it's so true. He doesn't. Pigsy literally points it out again at the end of 4x14 with the whole sun screen bit:

Pigsy: "Tch, don't bother, I've been telling him that for years but he LITERALLY never listens." Sun Wukong: "Yep! That's how we role."

-

THEY'RE SO FUCKING RUDE. "That's how we role." We. We????? Wukong and MK???? Like WHATEVER. FINE. (("I told you going against the Jade Emperor was a bad idea, but no. Wukong doesn't listen to ANYONE! He just does whatever he wants" Like shut up. Shut up!))

MK gets so stuck in his own head ("You're all stuck up in your own head! None of this is your fault!" +1 to the MK ignoring Mei counter from 4x08) and I think that really contributes to his s2 scramble to get more powerful.

LIKE:

MK: "Stop? Now? Never! I just have to try harder. It's just like the Monkey King said! *laughs manically* I just need to get stronger!"

(2x06 Game On)

VS

MK: "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be!" Macaque: "Wukong didn't think so, he always felt he had to be stronger—more immortal."

(4x11 A Lifetime of Mistakes)

-

(Bonus thing between eps 2x03 and 2x06, look at 0:42 in this video for MK hearing Mei but not listening to her. Because of course that's what he would do. *head in my hands .png*)

The terrible s2 choices both Wukong and MK make in relation to their friends is just absolutely delicious after 4x11. Like, OH. This has been a lifelong pattern of Wukong's—paranoia is one of his fatal flaws (paired with his terrible communication and self-sacrificial nature), and while he had the power to stop LBD before he still feel's the need to go after the Samadhi Fire to stop her now, and to protect MK.

Hold on look at this parallel that I don't know what to do with:

MK: "Ugh, I can't do it!"

Mei: "It's alright MK—you did it before, you'll do it again!" Sandy: "Yeah! Maybe it's like Monkey King said: the power will come when you need it most!"

(3x04 The Winning Side)

-

MK: "What! But you said the Samadhi fire was the only thing that could stop her!" Sun Wukong: "I KNOW WHAT I SAID! But I've beaten her before I'll- I'll do it again! Mei was right—I need to stop dragging you into my fights, all of you."

(3x10 The Samadhi Fire)

-

Wukong and MK's reach for power inspires a lot of fear in me! It does! Because, well, MK's current reach for power is going to lead him to his Monkey Form, and uh:

Like I'm scared. I'm scared!

"All doomed to play a role in tearing this world apart!" ; "This is Azure's utopia, and this barren wasteland is the price he paid to build it." ; "I'd do anything for my friends! But at the cost of the world?" "I'm sorry pal, ain't NOTHIN' worth that price!"

[melfinawins]

My partner started watching the new season so I joined in. Oops?

The spoiler tag is at the top. I recommend not reading this until you've watched the entire season.

Well. That season was all over the place. Big lack of cohesion.

I wound up watching it because my partner did. And I just marathoned it.

I like all the long conversations, but it got taxing and too meandering by around episode 6. I kinda hit my limit with Mikey and Tina. I loved their interaction completely, but instead of it being a unique/special moment, they applied it to every fucking character on the show.

I liked that Claire told the Faks to fuck off. That was nice!

I loved Ted Fak and Sweeps/Gary's conversation. Got teary-eyed.

Loved everything to do with Marcus. I've said it before and I'm going to say it again: he's getting a star before all these other jokers. He's the only one who has balance. He has climbed the mountain of self-actualization and reached its peak.

Loved in the finale where the camera just recorded real life world famous chefs talking and being happy about food. I was so starved for a sense of joy, I rewatched that part over again because I just wanted to see happy smiling faces. But they kept showing Carmy's dumb ass.

Things I hated: nothing was resolved, only secondary storylines (Marcus, Nat). Literally EVERYTHING ELSE IS OPEN. We didn't even get Syd telling Carmy she wanted out (didn't have to resolve that shit, just fucking START THE PROCESS OF RESOLVING IT WOULD HAVE BEEN NICE), or Cicero being straight with Carmy. We didn't get Nat showing off the baby to her brother, we didn't even get Carmy meeting the baby. WE DIDN'T GET RICHIE FINDING HIS JOY AFTER LOSING IT-- HE DIDN'T EVEN GO TO THE WEDDING OR NOT GO--NOTHING. Like, the fuck? This show goes on and on about the heart, but we barely got any moments with the characters reminding us what we watched for.

I hate that Carmy passed down his abusive behavior and trauma he got from the EMP chef to Syd, so now her ass is panicking in a hallway when THE FORMER EC OF EVER IS DOING JAEGER BOMBS IN HER LIVING ROOM. Carmy ruined that for her. They didn't get trapped by a star, Carmy ruined that opportunity the moment he got out of that freezer. They were never going to get the star. It was always a shot in hell in the first place, but with Carmy at the helm, it was fucked from jump. HE SHOULDN'T BE EXEC CHEF OF JACK SHIT.

I'm mad that Carmy doesn't even realize how hard he's fucked literally everything. I know that's a part of the point, as EMP chef didn't give two fucks either, but I'm mad that Carmy let the trauma get the best of him and then fucking PASSES IT ON.

WHY DIDN'T CARMY APOLOGIZE TO CLAIRE. I feel like even with his traumas, it was overblown. Like, a lot. As a person who was raised by two Donna's, who fucked off and left the state like this fictional character did with like, 24 hrs notice, a person who would have also skipped their parents funerals had not they had to pay for it, ect, where are his motherfucking balls? CLAIRE FUCKING DESERVES BETTER. THIS MAN IS IN HIS THIRTIES.

This review isn't even about SydCarmy, because I'm just mad about the season in general lmao

Like, I hate Carmy right now. There are sooo many people depending on him to support their families and their way of life. He was so self absorbed this season that he imploded his restaurant over fucking menu choices. The damage may be too great. And he may have fucked it beyond repair. I kinda don't care about his head space, because Donna is/was shit, but she didn't fucking implode a restaurant full of people depending on her.

He's turning into his parents.

I said previously that his ass was on thin ice. I meant that shit. Like, I'm not rooting for him as of right now. He's done too much damage. It's like Syd said in the 2nd episode or whatever: this is a him problem, not a them problem.

And Donna can fuck right off lmao And no, being women who can experience and bond over childbirth doesn't heal fucking wounds, actually. As a person who has been in that exact situation, I skipped half the episode once Donna showed up. Because I also thought my mother with severe mental health issues could relate to her daughter giving birth. But then that shit didn't happen and once the baby has arrived, the story gets rewritten. Donna, in her current state, is incapable of change. Sorry not sorry.

And when has Nat ever been that fucking dense? Anyone with eyes could see Syd and the rest of the staff are miserable. And she saw the numbers-- that place won't last a year if they don't fucking bring in the budget. What good is a star if the place is closed a week later? CICERO HAS PUT DOWN ALMOST A MILLION DOLLARS. If the storyline is to be believed, they would be making a nice dent in the loan if not for the daily changing menu. And for what? Recycled, uninspired food that Carmy is just regurgitating from his former bosses who actually put in the creative energy to accomplish it? Very 2014 of him indeed.

I usually really love dark seasons of shows, or the mid point of a movie franchise (think Two Towers of LotR). I was going in expecting it to be fucking really dark. But something that's really important when you're doing the midpoint of a story is giving the audience something to hold onto. You have to show the audience that though it's dark, the dawn will come. There needs to be hope, even if it's just a flicker.

Not the case here.

In this 3rd season, every time the story would show some positive moments in a tiny storyline, they'd reiterate how shit is fucked and possibly permanently. And the characters are unlikeable, but not in a Succession kind of way!

My hopes for the characters of The Bear is that they get the fuck out and find other spots at other places where they can self-actualize and be happy.

I hope Syd gets every one of her dreams and spending time with Carmey will seem like a drug induced psychosis from the stale waffles she ate in her freezer. I hope she and Luca fuck. I hope she, Luca and Marcus fuck. I hope she opens her dream spot with those two and they get everything that Carmy inadvertently sabotaged at The Bear.

I hope Tina goes if she wants to go around the world, even if it's just at Syd's new place. I hope the staff walks and goes with her. Honestly, I hope they all just go to a spot Syd creates. Syd has the potential to be Terry when she "grows up". All she did this season was babysit Carmy and put out fires that Carmy himself lit. Even if Carmy promises to fix himself, like, HE CAN'T BE TRUSTED. Because his "relapses" are fucked and terrible and severe. Even though we see him kind of get a catharsis from telling EMP chef off, Syd and the crew didn't see that shit and there's not much left of his word to them.

That's it for now. I got progressively more angry as I started writing.

I think that episode 1 of this season was one of, if not the best, hour of television I've watched in a long time.

I'm surprised that the season as a whole left me so disappointed.

Also, it's really funny that they got Thomas Keller to do a cameo, since Joel McHale is based off him lmao

[tornrose24]

After finishing rewatching all of The Ghost and Molly Mcgee, these are my thoughts.

I think this is the one time in who knows how many years I’ve been invested in something that came from Disney. I haven’t seen this kind of passion project in a long time and sadly I don’t know if I’ll ever see that magic again for awhile, considering how Disney itself has suffered with many poor choices.

As for the show, a lot hits different when you know how it ends. Certain moments become a lot more meaningful with that knowledge.

I’d say first season was the better of the two. There was far more at stake and the story was building up to its climax in numerous ways compared to season two. The threat of The Chairman and the discovering of the duo’s friendship is very much felt in more episodes compared to Jinx.

Scratch’s character development is really noticeable in season 1, but in a way Molly’s is as well, given how one learns to open up and learn kindness and optimism while the other also needs to learn to open up in other ways, as well as grow into the wise, yet still optimistic teenager she becomes at the end of the show.

Season two… the stakes aren’t as great here. As stated by others, the Chens are overall not given much as a threat for season 2, and Jinx is used too sparingly so the penultimate season does feel a bit rushed. I honestly would have taken out some episodes from this season and replaced them with ones that could have addressed this, especially had the creators known they’d only get two seasons. Though of course they did not when starting out and it’s surreal to think that–had things gone right–we’d be waiting for season 3 right now.

However, I’m still sticking to my initial thoughts regarding ‘The End.’ I still don’t think it was necessary for Scratch to forget Molly.

The first problem is that this plot point is already one a lot of us are familiar with (I’ve seen it quite a lot in my case). Doctor Who used it (before it got changed), Spiderman No Way Home used it to a painful extreme, and Gravity Falls temporarily used it in its own finale. There’s a novel called ‘Just like Heaven’ that is a more romantic version of TGAMM, and it ended with memory loss as well (though the movie has a happier ending). I feel sad, but I also feel angry, which leads to my second problem.

Molly and Scratch’s friendship is the heart of this show. We were entertained and moved by it, as well as how far they would go for each other. So when Scratch forgets, we feel Molly’s pain as observers to her and Scratch’s story. We want Scratch to live his life as a human, and we wanted him to go out and see the world, but he should NOT have had to forget Molly in exchange. I know we always have to say goodbye and that there are some people who were special to us that we might/will never see again, but dear lord, being forgotten is a certain type of pain that hurts even worse. 

Rewatching/remembering certain scenes is now more painful, knowing now that Scratch will forget them. Him saying that he’d hate to forget Molly was too cruel. When I was getting cloer to revisiting ‘The End’ I was feeling reluctance to continue on, and not just because I was almost done with the re-watching. When Scratch merged back with his body and the screen turned to white, I had to fight the urge to shut the episode down and pretend things went differently. That’s how much it hurts when it’s not just a casual viewing. I know these characters ultimately belong to someone else, but I wouldn’t want to put them through that kind of suffering.

Had I been in charge of the show, but kept the idea of ‘taking risks is what makes if worth living,’ I would have used one of two different endings. One where its the same, but Scratch remembers Molly. The other would have been a time skip, when Scratch returned to Brighton with Adia and he reunited with Molly who is a little older but is still the girl he knew.

But… I do appreciate the small ray of hope that was given. That Scratch’s behavior as a human and certain use of words–as well as calling Molly by name despite supposedly never hearing it before-fuels a lot of hope that one day Scratch will remember and he will reunite with Molly one day. That even a few writers proposed a reunion story where Molly hugging Scratch would trigger his memories to come back gives me hope that there's still a possibility in that story. (If anyone tells me I'm stupid to be thinking those things, please don't because I care about those characters THAT much.)

Until then, we have aus, what ifs, and fan fics to fix that.

So… I don’t know when I’ll rewatch the whole show again, given the emotional toll. I’ll still revisit some episodes and scenes. But I’m grateful that Disney allowed this show to exist–it deserved more love and attention. If this had to be the very last good thing to ever come out of Disney, I’ll take it.

[mitten-kittens420]

Yes we all know that Dennis is a terrible, terrible monster of a man, but I think his softness with Charlie is something we (re: I) NEED to talk about. I mean it’s obvious that Dennis genuinely cares about him, as much as his emotional immaturity allows him. It’s probably why charden will always be the most realistic ship in that show— in my mind, at least.

First thing that comes to mind is in The Gang Gets Extreme Home Makeover or whatever it’s called. When Charlie starts freaking out and gets all heated about Sears, it’s Dennis know calms him down immediately, and seems to know exactly how to do it. And Charlie caves so easily. And the little hug— it wasn’t just a quick thing. I mean, Dennis was holding on tight AND and Charlie immediately got all comfortable. The man licherally nuzzled up against his arm what more do I gotta say?? And again when they’re shopping for supplies it’s just *finger snap here* like clockwork. Charlie gets upset and Dennis cools him off like it’s nothing.

In The Gang Hits The Road when they’re both chilling in the back of that camper van/trailer/uhaul bullshit. I mean, Charlie’s never left Philadelphia and the one person he voices his concerns about it to in Dennis. And sure, he was a bit freaked out about it around every one else and he mentioned being uncomfortable with the whole idea, but it was Dennis that he actually opened up to. And Dennis didn’t make fun of him, or say any snide comments, he sat and heard Charlie out and genuinely offered advice and reassurance. And I feel like I need to reiterate: it was not mocking at all!! Dennis was genuinely ready to back Charlie up and he was confident with what he was saying.

And this one can swing either way with manipulation or actual bonding (leaning more toward manipulation but shhhh) but in Waiting For Big Mo. That entire section of their little chat about bouncy balls. Dennis was nice. And he didn’t really argue, when he did it wasn’t with anger or annoyance, it was calm and his voice was soft and I have a lot of feeling about them in this episode. He knows how Charlie likes to play with his little army action figures which means he’s probably watched him do it many times. And sure in this episode Dennis is a dick to him, but it’s later seasons Dennis and I….. well I have thoughts about the later seasons.

And then you have him jumping to reassure Charlie that he is in fact fun to drink with in The Gang Gives Frank an Intervention. I’ll be brief with this one since it was so short but Dennis didn’t waste a second. Immediately let’s Charlie know he likes hanging out with him and he is fun, and sure it’s not that good of a situation and sure, he probably likes it mostly because Charlie probably gets himself hurt a lot and it’s funny to him, BUT it doesn’t matter because he JUMPS. And it’s not about that in the moment, it’s not about Charlie being stupid and reckless it’s just about Dennis needing Charlie to know he enjoys his company.

And again I’ll be brief because I don’t like this episode as a whole�� Sweet Dee’s Dating an R- Person (😐) it’s Dennis who goes to check on Charlie. And when he finds him sitting alone in the dark he opens the blinds and tries to cheer himself up. And he sits and writes a song with Charlie— though we’ve seen Dennis (and the rest of the gang) continually be annoyed/disinterested/straight up hating Charlie and his singing/song writing. Dennis still sat and helped. And maybe that was because he wanted the credit, but whatever. He sings with him and wrote music and did that ridiculous little dance and it was a sweet scene. And like I said I really do not like this episode all that much besides the Charlie and Dennis scenes but this little snippet alone is enough to change how I view it. It’s still a shitty episode with a shitty premise but this little scene was so sweet I eat it up every single time. Id probably skip this one all together when I rewatch the show if it wasn’t for this scene and this scene alone.

And these are just what I can think of off the top of my head. Yeah. I have a lot of thoughts about charden. And I KNOW it will never ever be canon but I actually can’t lose because I’ll never let reality destroy me.

[seyaryminamoto]

hello! I really like your meta about Zuko, and I'm so glad that I finally found a person who also thinks that Zuko in book 3 is a much worse person than he was in the book 1. I always thought that something was wrong with me, since literally no one sees this obvious fact for me! But I would like to ask you: What do you think about Katara in book 3? the fact is that she was my favorite character in books 1 and 2, and the way she was written in book 3 upset me a lot. it seems to me that they spoiled her character, but I can't explain why. Please share your thoughts!

Glad you've enjoyed my extensive meta on the fandom's fave, haha. I did write a lot about him, always nice to know my thoughts on the subject are still deemed relevant.

As for Katara... well, I have thoughts on her, too. My experience with her character is quite similar to yours, I'd say, because I too felt a lot better about her character in the first two seasons of the show compared with the third. I don't usually give this a ton of thought, but after your ask, I figured I'd try and figure out what exactly went down with her that made people like us feel so uncomfortable with Katara's portrayal at multiple points of Book 3...

For starters, I'll say I vibed with Katara a lot when I started the show for reasons beyond her being a great character or being written wonderfully: she could very well have been written mediocrely and I would have loved her anyway simply because I ran away from anime to ATLA in an era where anime kept shoehorning incest undertones into every sibling relationship, even in shows that didn't have that as a core subject. It happened at least twice that I can remember, I kept seeing people raving about shows where it WAS the core of it (I still do not understand the Oreimo deal, like, the minute I read that show's title I puked in my mouth and knew I'd never watch it), and I just needed... safety from that concept, I guess?

So when I went into ATLA, and the first sibling relationship you're exposed to is Sokka and Katara, two siblings who very much act like siblings? I was thriving. It was thrilling. I felt so refreshed that I think I didn't care much about the flaws of Book 1, despite my inability to sense direction for most of it, because thank the universe, it was a sibling relationship that made sense to me!

With that as an opening, I'd say that, initially, I thought Katara was fine for most of Book 1. In Book 2? She fell off the radar for me a bit simply because other characters are introduced that just appeal to me so much more than she does. I vibe better with characters like Azula, who tend to be the type of female character I just LOVE, and with characters like Toph, she's a tomboy, I was a tomboy (... was? x'D maybe I shouldn't use past tense...), so I gravitated much more towards those two by no real fault of Katara's core personality traits. Back in Book 1, there aren't as many main characters, so you don't have a lot of variety to choose faves from. It's not that strange, I think, that once the cast broadens, people's interest in certain characters can scatter too.

But then Book 3 happened, and I just couldn't enjoy Katara outside of episodes where she wasn't that important. The Katara-centric episode of Book 3 stand among my least favorite episodes of ATLA altogether, and among the least likely episodes I'd ever want to rewatch. I literally skipped over The Painted Lady in my first rewatches of the show, every bit as much as I skipped The Great Divide or Avatar Day, both of which annoy me a lot in the first two seasons. The Puppetmaster? Not even close to being an episode I could enjoy. Even the Runaway, that's supposed to be Toph-centric, ends up making me count down the minutes for it to end and I'm not even going to get started on The Southern Raiders and the absolute can of worms that episode is...

So, with all this being said, if we peel this particular cabbage open little by little...

After mulling it over, I've grown to suspect that Katara has major inconsistency issues since day one that most people don't particularly like to acknowledge, and that flew over most of our heads from the beginning of the show. She's pretty much portrayed to us as an empath, someone who has so much heart that she can't help but feel everyone's pain and suffer with them all the time. The fandom 100% acts like that's who she is (while also obsessively adultifying her unnecessarily, and forcing her into the mom!friend role, which... we'll talk about that later)

But this is also the same character who, when her brother banished Aang from the Southern Water Tribe as early as in episode 2, protested in a very particular way once Aang was gone. Which one of these statements sound more accurate to Katara's character, and a suitable protest for her to proclaim upon witnessing this injustice against Aang?

"Aang is alone! How could you send him away on his own? He could be in danger, Sokka! He's just a kid!"

"The Air Nomads are gone, Sokka! Where do you think he'll go? He doesn't have a home to go back to and you just sent him away!"

"You happy now? There goes my one chance at becoming a waterbender!"

If you ask the fandom? They'll most likely think that her reaction was either #1 or #2.

Surprise surprise: it was actually #3

I'm not saying she didn't show empathy towards Aang while Sokka was ranting at him, because she did. I'm not saying she wasn't willing to be banished along with Aang until Sokka asks if she'd choose pretty much a total stranger over their family and tribe, because she was. She absolutely did all those things.

... So why would she focus only on how he represented her one chance at becoming a waterbender once Aang is gone?

This feels off to me. I've never particularly liked that line. And you could absolutely say that Katara has every right to be mad at losing her chance to reclaim an aspect of her culture that she cannot connect to, but the way it was framed here? It absolutely makes Katara look more selfish than she actually was. The wording is not good. The show doesn't emphasize, at this point, that bending is such a core and crucial part of their culture and that Katara feels a major responsibility in being the ONLY person in the South Pole that can keep it alive. So it just comes off as a child's tantrum. Sokka's concerns were 100% valid too, even if he went about them while being a jerk (he is, indeed, an older brother...). He wasn't even wrong in the end about how dangerous Aang was to their tribe, since Aang's mishap with Katara on the ship gives away his position to Zuko, and it results in Zuko ramming a huge ship into their home and nearly killing people in the process. But you DON'T see the show fully framing it as though Katara and Aang did something wrong -- it was an honest mistake. We know it was. Sokka is framed as unreasonable for being so paranoid even though later events in the very episode prove he wasn't.

And that's... the crux of the issue with Katara's writing. If you ask me.

There are far too many instances where Katara makes mistakes that she's not held accountable for, that she doesn't apologize for, that run against the core logic and principles of her character and they either get shrugged off or overlooked. There are far too many situations where she acts out, and is a jerk at her jerk of a brother, even unprompted on occasion, and it's supposed to just be funny. One particularly stood out to me when I revisited it a few years ago, I can't really remember what for (maybe when I was writing Jeong Jeong's arc in Gladiator and I had a look at the fishing village...?), but it's the famous flashback episode in Book 1: The Storm.

The scene in question is... humorous. Supposedly. Katara is trying to buy fruit in the market but then realizes they have no money to pay for it. Not only does Katara piss off the vendor, but the vendor actually takes her rage out on Sokka once she realizes these kids won't give her any business: he gets kicked in the rear, as the transcript's description says. No one protests the woman's violent reaction, not even Sokka. Katara most certainly doesn't do it. But that's not all there is to it: Sokka doesn't hold what happened with the fruit vendor against Katara, they have a conversation on how they have no money and no food... and Katara offers him the golden ticket solution to their problems:

"You could get a job, smart guy."

Am I too feminist for thinking it's insane that Katara expects her brother alone to get the job? That she's not saying the THREE of them should get jobs? She and Aang are BENDERS! That's an asset most people aren't likely to find in any would-be employees in the central Earth Kingdom! So... wouldn't it be logical for all of them to do it? But no, instead, Sokka alone has to get the job?

And yes, I know, Sokka is the provider, Sokka is the protector, Sokka would do ANYTHING for his sister and the people he loves: you ask the fandom, though, and that's Katara instead of him. Moments like these simply do not exist in the fandom's eyes and, if they do, they're just excusable because Sokka is boring/weird/annoying/insert-demeaning-nonsense-here and Katara is a queen who can do whatever she wants.

Then, the consequences arrive once Sokka gets a dangerous job on a fishing boat and nearly gets killed in a storm. Aang is the one who shows concern about the potential storm when the fisherman's wife brings it up: from all I can see in the transcript, there's nothing from Katara. Sokka says they told him to get a job, so that's what he's doing, and there's no manifestation of concern from either of them about maybe joining him on this fishing trip to ensure he's safe. Instead, Aang is haunted by his past and Katara goes with him when he leaves, which, yes, is very important for context on the Air Nomads and Aang's life... and yet we don't really NEED for this scene to be Katara and Aang only. It could've included Sokka too. The plot of the second half of the episode would change? Likely. They could've come up with another idea, and not shown us a Katara who doesn't show concern for her brother's safety or any remorse when her unfair demands or expectations from him could result in catastrophic outcomes :') yes, she worries about Sokka's safety once the storm hits, but there's no sign of her feeling responsible for Sokka being out in the storm at all. No apology. Which is ironic, because Zuko apologizes to Iroh in that very same episode, hence, an apology from Katara to her brother could have mirrored that side of the story well, and they REALLY loved doing Zuko-Gaang parallel scenes like that, so it would have fit perfectly! Didn't happen, though.

Point being... Katara's compassion and empathy are not absolute. It's important to keep in mind is that they don't need to be! But precisely because she falters with them in moments where she REALLY shouldn't, with people as important to her as her own brother? It becomes very difficult to believe that she's the empath the fandom is convinced she is, and that the show's narrative tries to push her as.

The real reason why her failure to show compassion to Sokka in "humorous" situations feels so unnerving isn't because she's a typical little sister who takes her brother for granted (which is a perfectly logical/believable behavior!): it's because there are no consequences for it. Maybe at some point or another there were? But I for one can't remember many instances where Katara failed Sokka and it was framed as her fault and her responsibility. Let's look at other Book 1 instances that exemplify what I mean:

She freezes him to the deck of Zuko's ship, which puts Sokka in MAJOR danger, and she just tells him to hurry up as if it weren't her fault that he's frozen in the first place. We don't even see her making efforts to thaw him out of there when she IS the waterbender so it seems logical that she should be able to help with that (and if she's too inexperienced to do it? The least she can do to help her brother out of a dangerous situation is to TRY???). But apparently it's funny that she doesn't help him when it's her fault! So this is fine!

She endangers the entire group over the waterbending scroll, which, of course, the pirates had no right to have anyway and it's reasonable that she'd want it for herself... but she antagonized a group of fully adult, dangerous, potential murderous pirates, against Sokka's constant warnings that they shouldn't pick that particular fight. As far as I can remember? Her apologies on that episode are exclusively about how she hurt Aang's feelings by being jealous over his greater talents as a bender. Basically, nothing for Sokka, no apology for not listening to him about danger, making it worse when the very final moment features Katara proudly telling her brother that she won't steal things... unless it's from pirates. So lesson not learned because it's funny, again, to never acknowledge that Sokka has a point.

She actually cares about Sokka's fate in Jet! But the thing is... the narrative doesn't frame that as Katara's fault. Because it's not. Jet made his choices and he did awful things and he captured Sokka, lied and gaslit everyone, because he had a goal to fulfill and he used Katara to make that happen. As angry and upset as Katara is, it's not exactly shown that Katara is sorry for having trusted Jet when Sokka could have ended up paying a deadly price for it. She's angry at the betrayal, even in Book 2 it's constantly framed as though Katara is upset at him as an ex-girlfriend would be upset at her ex-boyfriend for lying to her rather than, you know, being pissed at him for nearly killing her brother + an entire village. My point is, the narrative framing never holds her responsible for Jet's choices. Which, again, she's not. But she IS responsible for her own choices... and one of those choices was disregarding Sokka's warnings about Jet. THAT was her fault, and her responsibility. She jumped to conclusions and assumed that Sokka was bitter and jealous that Jet was the charming cool leader Sokka could never be. There were no apologies to Sokka over that, either.

I could go on, and on, and on. The truth is, I bring all this up to show with solid evidence that Katara's writing was always a little... unstable. Weird. Disconnected from logic in many regards, I'd say. It's not logical/compatible to tell us that this character has the BIGGEST heart of the entire cast when she fails to show that heart to none other than her own brother, who is inarguably the person who she knows best and with whom she should share the closest relationship, even as her friendship with Aang grows and thrives. That makes no sense, thematically speaking.

Is it meant to be comedic? Yes, every bit as much as Iroh sexually harassing June was done for comedy's sake. That's not an excuse for characters behaving in ways that are thematically contrary to what they're supposed to be portraying... and along with that? No excuse for them facing zero consequences for that behavior. Which is, in fact, my main issue with these flaws from Katara: I have no issue with the writing choices in the scenes I listed just now! I take issue, however, with the lack of follow-up and consequences that you can BET, 100%, would have befallen Sokka if it had been him instead of Katara acting that way. He faced consequences even for things he didn't do, for comedy's sake: he wouldn't have gotten away with disregarding Katara's safety as often as Katara did with him, no chance at all.

Ultimately, these scenes in Book 1 are kind of ignorable in the larger scheme of things (or at least, that's how the fandom has always acted). Not a lot of people take any of this as major proof of characterization for Katara. You won't see a lot of fic writers showing her acting like this. Canon, though, often would go down this route for funsies, and the comics certainly did it plenty too, that I can remember. Part of the issue here is that, as funny as it is, it also makes Katara feel stale as a character, as does the Sokka-Katara dynamic, at large, because there's no progression for it. That's probably my greatest gripe with the Great Divide, believe it or not: it fakes being an episode where Sokka and Katara are going to be confronted over their conflictive tendencies, and the ONLY potential development in that basically-filler episode SHOULD HAVE BEEN Sokka and Katara learning to be a bit more harmonious and respectful of each other? ... And that's just not what happened at all. The status quo remains exactly the same after that episode, and it continues to be like that until the end of the show.

The real reason why Sokka and Katara are deemed the healthy siblings is because, of course, compared with the other main set of siblings in the show, these two appear to get along wonderfully. But the truth is, their relationship is not as dynamic as it deserved to be. And that's part of why Book 3 ends up failing in ways Book 1 might not have, while having similar flaws: Book 1 is when you're still getting to know these kids, and that's why I find its flaws far more forgivable than anything that comes later. When there's basically no development for that connection at all, Book 3 winds up falling flat with characters like Sokka and Katara and the bond between them.

All this being said... I'm not saying that Katara is terrible in Book 1. I still stand by the fact that I really enjoyed her character in many instances of this season, there absolutely are situations where she sasses Sokka that still make me crack a smile, and genuinely humorous situations that don't paint her in a questionable light over her lack of concern for her brother's safety. Her fight to earn the right to be trained as a waterbender is deeeeeply flawed but it's not her fault, it's more the misogyny of the writers/creators that decided that a betrothal necklace from his past would make Pakku unlearn all his sexism and get over his bullshit right after beating up a girl who was fighting tooth and nail to make him acknowledge her. That he only acknowledges her because he wanted to marry her grandmother is... uh... fuckboi behavior even when he's well over 70 years of age? XD

So, yeah, Book 1 still has my favorite Katara of the entire show even though I REALLY wish she wouldn't get away with things that other characters wouldn't get a pass for (... well... other than Zuko...). I can't enjoy her as much as I enjoy other characters because I really don't like it when characters aren't held accountable for serious mistakes they made.

Moving on to Book 2, though, and leaving behind my greatest gripe with Katara's Book 1 writing (lack of direct consequences/self-reflection on her part), Book 2's biggest sin when it comes to Katara is the beginning of the "mothering" trope. I honestly did not feel motherly vibes from Katara towards anyone in Book 1. Sokka is very often the one playing the responsible role, while Aang and Katara are seeing the world, practicing their bending, doing reckless and fun things. The entire thing about Katara being the mom friend started in Book 2 when she suddenly becomes the epitome of responsibility (well... kinda) when Toph joins the group. She still does sketchy stuff with zero consequences (I'll forever complain about how ice is not cold in this show, the kids she froze to the wall may have been dicks, but freezing someone alive that way should have resulted in serious health repercussions, just as ANY case of freezing someone alive should have, ffs, be it Zuko in Book 1's finale or Azula + Katara in Book 3's...), but once Toph is part of the group, she becomes the cool girl who's "one of the boys", and now Katara is "the mom". This dynamic gets forced into the story pretty much right after Toph joins the group. And after that? It doesn't really change for the better often. There are only a handful of instances where Katara wasn't acting wholesome and comforting and kind and compassionate in Book 2 (... particularly with Sokka, ofc), but the point where her dynamics, even with Aang, start to feel motherly is definitely Book 2.

And this adds to the issue, in the end: Katara's appeal as the main girl in the show is suddenly gone because Toph is here, and she's a way more unique character that the writers definitely were having fun working with, probably more fun than they had with Katara. So they had to find a new niche for her, I'd dare guess. Thus, instead of actually building up an awesome and solid friendship between Katara and Toph, they mostly just clash and collide. Toph is basically the ONLY character who gives Katara grief and isn't framed as in the wrong for it, which is its own set of issues (namely, Toph not being challenged enough by the narrative, which stunts her character growth), but among many things, we suddenly get shown that Katara is a girly girl who likes makeup and she ropes Toph into this when nothing we've seen so far suggests that Toph would be comfortable with that. Katara pushes her into doing things because they're the "girls of the group"... and it doesn't often look like Toph's feelings on anything are important when Katara is pushing her around for whatever purpose. I'm not saying Toph hated the spa day, she certainly had fun eventually, but even when the comics made a "Katara and Toph's day out" story, where Toph got to choose what to do for once, the story devolved into Katara's show anyway, and things concluded with Toph deciding they're better off doing girly things together when they want to hang out because Katara is just too intense for the things Toph would like to do.

This isn't even in the show, but it's basically a response to Tales of Ba Sing Se to try and even out Katara and Toph's one-sided dynamic, where Katara calls the shots of their entertainment... and even then, Toph doesn't really get what she's looking for. But Katara does get that out of Toph because all she wants is a girl to do girly things with and Toph provides that in the end, no matter how much of a tomboy she may be. Toph might just want a friend who loves the things she loves, and who knows, Katara could be that person! But the story never leads her in that direction so we never see that happen. And that's why that particular friendship never really... clicked for me. Their dynamics don't really feel enjoyable to me as they were written in the show, even though they very much could have been.

That's one thing I'll always give ATLA: the character potential and synergy they captured with that cast could be absolutely incredible. Team Avatar is so iconic because they really could work well off each other. A lot of teams in other media just aren't this good (... one of my main reasons to not enjoy Voltron and drop it in season 1 was my absolute failure to find any synergy between those characters, it felt like they all hated each other and I honestly did not enjoy their dynamics in the least), but Aang, Katara and Sokka have great synergy due to their different personalities in Book 1. Same when Toph joins them in Book 2. Zuko ABSOLUTELY could have been better in the group than he was if Book 3 hadn't devolved into the Zuko Woobifying Show by the second half, where the only writing priority was making him friends with everyone, and making them all feel sorry for him and have compassion towards him. But, broken down to his core traits, Zuko's personality would have resulted in solid chemistry with everyone else's if they'd gotten off that agenda anyway! So ultimately, ATLA has a big win in this respect that a lot of TV shows would LOVE to recreate but they simply haven't struck the right kind of balance in character traits.

Hence why the way they wrote Toph and Katara's dynamics kind of feels like a betrayal to me. Those two could have been a lot of fun, they have EVERYTHING it takes to be entertaining characters with not a ton of things in common and yet building a solid friendship that hinges on their differences. I've seen a fair few examples of that kind of dynamic in other media, and it absolutely would be possible with Toph and Katara. It's really unfair that they couldn't capture their dynamics in such a way that both characters would SHINE, rather than constantly resorting to conflicts between them that never seemed to truly be resolved.

So: Toph should not be a problem for Katara. She should enhance her character and doesn't because of writing failures. One of the core failures is "mom friend Katara", of course: there's nothing inherently wrong with Katara stepping up and taking care of people she loves, but there's something very wrong with it when she's suddenly portrayed as this motherly figure when she's doing things that Sokka had been doing just fine in Book 1. Main reason why this is the case? Sokka got dumbed down to full-time class clown for whatever reason in Book 2. While he has good moments, a lot of times they went WAY overboard with making him a source of comedy this season and that, too, contributes to mom friend Katara. Since Sokka is being so meh? We even feel relieved that Katara is there to keep things together because nobody can expect the other three to do it, right? But... Sokka was doing it in Book 1. And there's no real development to explain him NOT doing it anymore once Toph joins in besides "Katara is now the mom friend and Sokka is just here to be funny". It's not organic development: it's forcing tropes that just don't fit. And while Katara's mothering doesn't feel as unpleasant as it could here, it ultimately forces a new interpretation and portrayal of her character that honestly isn't all that interesting, most of all when the other characters are constantly portrayed as "more fun" while she's just here to keep them in line.

It just isn't the same Katara we met in Book 1, and it shows in spades. Book 1 Katara would have been hyped to join Aang and Toph in chaos while Sokka screams at them to behave themselves. Book 2 Katara is the one trying to keep the other three in line, and there's genuinely zero development that led things to that stage. It's not organic storytelling. There's no growth that leads to that, and so, it feels off.

But the core problem of all these flaws in Book 1 and Book 2 is that they roll together and snowball into something far greater that then proceeds to just... disrupt everything we thought we knew or understood about Katara. We've been told she's a kind person above all else, someone who cares about people close to her, someone who embodies hope and strength and love...!

... And then Book 3 starts, and we're actually facing a Katara who shifts into a wholly different person with the speed of a whiplash that we're left not knowing who tf this is anymore.

"Mom friend Katara" absolutely comes back in Book 3, why lie? She takes care of people, she tries to provide, she tries to be nice and sweet and then also enforces discipline on Toph (particularly) when she's being irresponsible!

But the reason why The Runaway is such an unpleasant episode is because Katara's behavior is dialed up to a thousand, and the conflict between her and Toph feels WAY too similar to what it was when they were barely getting to know each other in The Chase. Why are they STILL clashing over such things? There are occasional glimpses of friendliness there in The Runaway, sure! But they're not so strong that you actually feel like that friendship supersedes their conflicts and their propensity to bicker and argue and hurt each other. Toph blatantly calls her out on her mothering and fully canonically confirms that Katara is The Mom Friend™. Where Toph is annoyed but eventually complies with doing what Katara wants to do in Tales of Ba Sing Se, this time Katara makes a huuuuuge fuss over Toph's misbehavior and her scamming Fire Nation people. And you could argue that Toph has every right to do it, or that Katara is right to be worried, just like Sokka used to worry about such things in Book 1...

But what we get is a stale dynamic that repeats the same problems we saw in Book 2, as well as Katara coming off as rather hypocritical because she, too, did dangerous shit and picked dangerous fights where she shouldn't have, and ignored everyone who told her not to do it: she gave Toph that kind of grief over things Katara was willing to do back when Toph wasn't in the group (see the pirates thing), and she will try to stop Toph from having fun on her own terms when nobody has ever tried to stop Katara from doing that in hers. Of course, any Katara advocate would read this and go "you're missing the point: Katara was sad and upset that she was being LEFT OUT! That's why she was so mad about this!" Then the irony of the matter is that this argument STILL reflects poorly on Katara. She gave her friend a tough time, called her a wild child and a crazy person, went through her personal belongings because "she could tell Toph was hiding something from her", so she fully disregarded Toph's privacy... all because she couldn't say "Wait, you guys went scamming Fire Nation people? Damn, why didn't you wait for me! I would've gone too!", and there you go, problem solved! Katara's not left out anymore!

Yes, of course, that's not how it WORKS, people can struggle to identify what they feel...!

... And now it's my turn to say that that's not the point.

The point is that Katara said and did hurtful things to her friend. Things she eventually regrets, yes, but that she didn't have to do at all. This is the same person who fed Appa a bunch of food that made it look like he was sick, all be it to keep the group from leaving the Jang Hui river village so she could go out of her way to heal the injured and sick without telling anyone what she was doing. That, too, was a choice she made with no concern regarding how the rest of her team might feel about it: was she doing something nice? Sure! But it's not fundamentally different from Toph doing whatever she wants with zero regard as to Katara's feelings on the matter. Katara KNEW she was stalling their journey and that Sokka wanted them to move on: she didn't care about his feelings or priorities, and the story eventually frames Katara as being in the right for feeling that way. Here, she's in the inverse scenario, only it's with Toph rather than Sokka, and instead of realizing that she, too, has made choices that were irresponsible/dangerous/risky and STILL went all out with them, down to fighting whoever opposed her choices? Katara just doubles down until she, again, breaches boundaries and overhears Toph and Sokka's conversation, WHICH IS ANOTHER CAN OF WORMS DUE TO THE SOUTHERN RAIDERS FOLLOW-UP...

The thing is, Katara as a mom friend is not even a good thing. It's not conducive to fun or interesting storytelling, not in Book 2, not now. It doesn't make Katara a more interesting and dynamic character. The way she's portrayed isn't so she looks tragic for taking this role, it's all about forcing these kids into tropes that don't necessarily add up to who they have been so far. Katara's mom friend status is NOT treated with any compassion. It's not handled as a sore, difficult subject outside of the ONE conversation Sokka has with Toph that Katara overhears. And it's not centered on Katara's tragedy, on how she overcompensates for her mother's absence, it's centered on Sokka accepting her as a motherly person and encouraging Toph to do the same thing. The people who saw further depth in it probably haven't looked at the script itself in a long time: you CAN see more to it, but that's not the point of the scene. That's not where it's going. And the fact that such a tragic situation is what conduces Katara to take up the mom friend role actively makes it look like... she shouldn't have it. Why would she be the mom friend if she's just overcompensating for Kya's death? If she's taking up responsibility by thinking that no one else will (a blatant lie because, again, in Book 1 there's NO SIGN of this behavior and it's Sokka who's in a role of responsibility compared to her), it suggests that EVERYONE ELSE ought to step up and stop "relying" (and Sokka very much uses that word) on Katara being the mom friend. It's not a healthy thing. It's a coping mechanism that seems to be actively damaging Katara: and the story doesn't acknowledge it that way.

So... "mom friend Katara", dialed up to a thousand in Book 3, absolutely has a connection with why her character loses its sheen by this point in the story. There's no attempt to deconstruct this coping mechanism by Katara. No indication from the rest of the team that maybe Katara should get to be a kid just like them and stop being so uptight (even though VERY often she's not that uptight but the show very much tries to pretend she is). It's Katara's initiative to do a scam, it's not Toph or Sokka or Aang who think she needs to join in on the fun, she basically inserts herself in it. So basically, those three take the route of saying "that's what she's like, we just gotta bear with it", instead of actually helping her. If we'd seen that? Mom friend Katara would actually be a fun element to witness deconstructed by the story. And I'm not blaming either Katara or the other three for this:

This is EMINENTLY a writing problem.

Mom friend Katara is not a good trope. It could be if the point was to help her break free from it. It's not. It's simply weak writing that can't handle two girls with proactive, aggressive personalities and a ton of agency, a lack of creativity in realizing how much potential there could be in making Toph and Katara the absolute best of friends. It's seriously a disservice to the two of them that this trope literally blooms over Toph joining the show and then NEVER gets resolved or chased away. And when you have characters like Sokka or Aang kind of joining the bandwagon of "yeah, Katara's a mom!" when the two of them traveled with her in Book 1 and she WASN'T that at all? It makes matters infinitely worse.

So, if you ask me? This is the first thing that makes Katara feel more unpleasant than ever before in Book 3.

The second thing is even worse.

We return to accountability, as well as to illogical flow of thought when it comes to the writing of Katara: in Book 1, we see a hopeful girl who never speaks ill of her father or betrays any manner of displeasure or distrust towards him. No sign of her being conflicted by what Hakoda is doing: the focus is entirely on Sokka's feelings on the matter once it finally comes up in Bato of the Water Tribe, and Katara is a secondary matter, if even that.

This would be fine if Hakoda hadn't come up at all as a subject throughout Books 1 and 2. If Katara had never had the potential opportunity to see her father in any of these instances and had backed out from them for bigger reasons than... plot reasons.

For reference: she's excited, just as Sokka is, when Bato says he can bring the kids to meet their dad again. They're HYPED. We see no sign of Katara being upset at Hakoda for leaving at this point. The only portrayed reason why she and Sokka decide not to go see Hakoda is because they think Aang needs them more and they decide to forgive him for hiding the map. Katara, from the get-go, is not as angry at Aang for hiding the map as Sokka is. Clearly, Sokka wants to see Hakoda far more intensely than Katara does: even so, there's no sign anywhere here that implies that Katara harbors resentment or dissatisfaction towards Hakoda.

Book 2 gives us a similar situation: Katara declines going to see Hakoda and offers to be the one who stays in Ba Sing Se so Sokka can go see Hakoda himself. Sokka is soooo thrilled and thanks her and calls her the best sister ever and Katara very much says she is, indeed, the best. Which she's allowed to, worth noting, I'm not saying her reaction to Sokka's praises was bad, it's actually funny: but what I AM saying is that she knows how much this matters to Sokka and that's why she makes the offer she does. It's also VERY convenient! Because logic dictates that, if Sokka stays behind, he realizes the Kyoshi Warriors aren't themselves far faster than Katara does (even though, to be fair, Katara didn't really have much time to realize it at all), and we wouldn't have Aang suffering over Katara's imprisonment because the one in chains would be Sokka and then Aang might just go "oh okay it's just Sokka, I can go cosmic if it's not Katara"

... yeah I'm being sarcastic I actually don't think Aang wouldn't have saved Sokka, but they very clearly had Katara stay behind first and foremost for this specific purpose...

But Katara's acknowledgement that this is a good thing for her brother makes you REALLY wonder how much of a secret grudge she was supposed to feel towards her father at this stage of the story. The truth, in my opinion? She wasn't actually supposed to resent Hakoda as she did, let alone quite so harshly.

My sister personally told me that she thought Katara's anger at Hakoda was a fine storytelling choice when I told her I didn't like it. She told me Katara herself most likely didn't realize how hurt she had been by her father's leaving, that it wasn't until she was around Hakoda again that she understood she resented him at all, and that she had a lot more pent-up rage and frustrations than she had EVER acknowledged, and they burst out frequently in Book 3. Which, you know, is one possible explanation that tries to make this whole thing more palatable. From a human standpoint? This is valid.

... From a writing point? Not so much.

A Katara who struggles to understand her heart (which... is odd, tbh. As far as they portray her, Katara tends to know exactly what she's feeling, why she's feeling it, and she acts on her emotions rather than brains more often than not) would be portrayed as confused over her own rage at Hakoda. She would not have been written as a snappy teenager who hates her dad. She would have snapped at him and then apologized by reflex, unsure of what's come over her. We would see Sokka trying to mediate between them too, probably asking Katara what's her deal, and she would have no idea how to explain it. Katara would be avoiding Hakoda, knowing she loves him, not knowing why she seems to hate him now, afraid of saying things she shouldn't. Every time she snaps at him, she should worry about what she did, she should fear for Hakoda's feelings, she should reflect on what's going on inside her heart...!

... But that doesn't happen. And that knocks SO HARD on the concept of empath/compassionate Katara that it basically turns her into a whole different person.

As I've said countless times so far: it's not about Katara being perfect. I don't WANT her to be perfect. But I DO want the show to acknowledge that she's not. I want the flaws to REALLY read as flaws. I want other characters to react to those mishaps on Katara's part, and I want HER to reflect on what she's doing and realize she's messing up, just as she does when she hurts Aang's feelings in the Waterbending Scroll, which is most likely the best situation where Katara actually owns up to the exact mistake she made and feels genuine, palpable, obvious remorse for it. But when you feature Katara lashing out at Hakoda, and everyone just staying quiet because "uuuuh, awkwaaaard...", it feels off. Aang asks Katara, outright, what's her problem with her dad! And Katara goes "What? What problem?" She's acting like she's not even aware of the fact that her behavior is out of place, basically gaslighting Aang into pretending that she didn't do anything rude or mean to Hakoda. Aang literally saw it with his own eyes and is the ONLY person to bring it up.

To make matters worse? Katara has been with Hakoda for WEEKS. It's not like they just crossed paths two seconds before Aang opened his eyes. The implication is that she's been behaving like this, or her behavior has been deteriorating towards Hakoda with no one worrying about it or trying to make her reason with it. for that long. Sokka didn't do anything. Hakoda just took the teenage rants and left her alone because that's what she wants. And when the one person brings up that she's not acting like herself? Katara pretends nothing's wrong and acts like everything's fine and she's not acting any differently from herself. Whether she actually is just lying to Aang or ALSO lying to herself is a matter of debate... but what it suggests is she's unwilling to confront the gravity of her choices and how she can be hurting her father with them.

This is NOT to say that Katara has no right to be angry about Hakoda abandoning her in the Tribe. She has every right to be upset and feel forsaken. Their mother died, and Hakoda left with all the men of the tribe, and Sokka was left behind, tasked to protect everyone, and Katara apparently felt responsible for the whole village too: as valid as Hakoda's quest to fight in the war might be, it's not out of this world for Katara to harbor frustrations and resentment over what happened.

What IS out of this world, and particularly, not appropriate to her character, is that her way to convey those feelings was something she gave herself to, completely, only to reason with it once Aang was missing so that the episode would conflagrate her problems with Aang and Hakoda into the same thing.

This is basically a dark expansion of what we've seen in Katara's treatment of Sokka since Book 1: where it was typically "humorous" when she was a jerk to him and paid no price for it, this time it's not humorous. This time, you're supposed to see her being a jerk and then go "aaaaw, poor dear," even if you're not supposed to get mad at Hakoda because he is very much a decent dad. The show was trying to have its cake and eat it too with this situation, because Katara DOESN'T apologize to Hakoda for being unfair to him: HAKODA APOLOGIZES TO HER. Hakoda acknowledges the pain he caused Katara and the damage his leaving has wrought upon his children by apologizing and explaining how much he missed them... but Katara does not acknowledge the pain she inflicted on her father by acting out when he wasn't doing anything wrong. Is this teenager behavior? You could chalk it down to that, but that's precisely why teenagers can be a pain in the ass! And that's very much how Katara is being portrayed if she's unwilling to acknowledge she acted out and hurt someone she loves!

Her problems and resentment towards Hakoda magically go away after that single conversation. After this? She loves him. No hard feelings left. If her problems with Hakoda were this deep and difficult to navigate and work through, either she bottled them up in the rest of the show and stopped them from affecting her father... or she just got over it that quickly. Which would be very unrealistic because Hakoda apologizing for leaving doesn't change the damage Katara suffered through because he was gone. A single apology doesn't fix everything that people read into Katara's deep anguish in this scene and episode. And yet that's very much how the show portrays it: Katara is 100% fine in every single other interaction with Hakoda she gets past the first episode of Book 3. Does that make sense? Is that good writing? No, actually: it's literally digging up a problem, making it up last minute with zero lead-up to it, where the ONLY way to read "lead-up" is to pretend that Katara always had ulterior motives to avoid going to see Hakoda, even though we NEVER were shown that she was hiding anything, something that could be VERY easily shown in the story if they'd always had this in mind. The truth is that they didn't. They made it up for this episode, forced it in there, didn't even write it right because nobody reacts to Katara's behavior reasonably except Aang, and she gets away with it without even having to apologize. That's... not good form for any character, let alone Miss Responsibility and Empathy, is it?

This is why it's such a problem that Katara acted as she did towards her father. It's not because this is an unthinkable flaw: it's because there's very much no lead-up to it, kind of like there's none with Korrasami's big reveal in LOK's finale. It's because there's no follow-up to it either. It's because we don't see Katara living up to her supposed core character traits, where she should have a realization that her choices and actions and behavior have hurt someone else, someone she cares about. None of that happens.

And I will say: it's different when it comes to her clashes with Zuko and her reactions to him in the second half of Book 3. This is basically the MAIN thing the fandom gives her grief for and I hate them for it: she has every right and reason and justification to show no empathy or compassion towards a person who, as far as she could tell, took advantage of her compassion in Ba Sing Se, of Aang's compassion frequently across Book 1, and paid them back for all of it by joining forces with Azula and showing no concern to help Aang when Azula almost killed him. I am no fan of Iroh's... but Iroh jumped in to help Katara and Aang escape, at risk of being captured. Zuko stood beside Azula and did NOTHING to help those two leave. He showed zero concern for Aang's survival. He saw his sister potentially murder someone and had ZERO REACTION. So, no offense but full offense: Katara's unwillingness to trust Zuko is JUSTIFIED. Not only is it justified? It's CORRECT. It's the only writing choice that makes sense. Sokka getting over it relatively quickly feels off to me, no matter if the Boiling Rock adventure isn't as bad as others might be. Aang not holding a grudge for too long kind of fits because it is Aang... but Katara being that mad at Zuko? That's 100% fine. It fits. It works. And anyone pretending that what I said about Hakoda applies to how she treated Zuko is just completely biased in Zuko's favor.

Katara and Zuko do not have a secret magical powerful soulmates bond in canon. Their one instance of bonding comes after multiple instances of the exact opposite thing. Katara and Sokka were 100% down for leaving Zuko to freeze to death in the North Pole, and the ONLY reason why Zuko survives is because Aang can't let that happen to him. It's AANG'S compassion that saved Zuko. Katara felt none, AND SHE DIDN'T HAVE TO FEEL ANY. Let's not forget that!

Moving on to Book 2, Katara actually makes her first offer of kindness to Zuko and Iroh in the Chase when she offers to heal Iroh after Azula's attack. Zuko's reaction is to lash out violently and yell at her to leave: who, exactly, would feel inclined to think this poor beautiful sad boy just needs love when you OFFER HIM kindness and his reaction is, in a manner of speaking "go fuck yourself I'll handle this on my own"? And it's worth bringing it up because it feels like the fandom is hilariously misled into thinking the Gaang magically knows what Zuko is up to and how he's growing and evolving, as if they were part of the audience: they're not. The last time Katara saw Zuko before Ba Sing Se is literally when Zuko refuses her help. We're also talking about Fire Nation people: Katara has every right and every reason to believe that Zuko is refusing her help, not out of personal, internal strife he's dealing with and has no idea how to handle... she very much can read this as "inferior Water Tribe peasant, you will not heal my uncle with your wretched waterbending!" Because... let's be real, that's what Zuko looked like to Katara across Book 1. She has no real reason to think he's any better or different from that until their catacombs scene...

... And he stabs her in the back and joins Azula there. Right after "bonding" with her.

So let's be VERY clear on that respect: Katara has no real reason to forgive Zuko. She has no real reason to feel empathy outside of the show constantly trying to push that she's kind and compassionate with no boundaries, even if she forsakes that kindness and compassion at random whenever the plot requires it. But her death threats to Zuko? They're completely fine by me. I'd be pissed if she had acted any differently, and if anything I hate how easy Zuko had it to befriend everyone but Katara.

... Not to say I'm happy with how he befriended Katara either, but anyway...

As this isn't Zuko meta, we're not going to get into the true core glaring issues in The Southern Raiders, because ultimately, that episode paints Zuko in a disgusting light that his fans are constantly gaslighting themselves about. He was not beinga heroic good dude helping someone he connected profoundly with. His behavior leaves so much to be desired and proves he hasn't unlearned a lot of toxic things he had internalized. He didn't unlearn them in this episode, either. But the GREATEST sin Zuko commits in this episode, without a doubt, is bringing Katara on a journey that ultimately did NOTHING for her. The only person benefitting from it was Zuko himself. I've seen people pretend that Katara finally found closure: she did not do such thing. She learned what kind of scum killed her mother, but she did not forgive him nor did she kill him. Closure would mean peace. Katara did not find peace with the situation. She's shown troubled, sitting at that pier, miserable, when Aang talks with her, she's STILL angry. That's not closure. It never was.

What it was, however, was the journey where Katara thanked Zuko and forgave him because..! Uh... because...

... Why, exactly, did Katara forgive Zuko here?

He brought her to her mother's killer: she found no closure from it. In fact, she learned the VERY disturbing truth that she hadn't realized so far: HER MOTHER DIED SPECIFICALLY TO SAVE HER. Her mother sacrificed herself for Katara's sake. She CANNOT find peace with this reality in a single afternoon because holy shit, who would? Katara KNEW her mother had died. It's not until Yon Rha tells her what happened that she understands what happened in the igloo. Katara herself, her waterbending skills, and the target she painted on her own back because of something 100% out of her control, something that is NOT evil and that the Fire Nation was hellbent on destroying, are the reasons why Kya was murdered. This is DISTURBING SHIT to deal with. And the show completely sidelines this revelation and the dark impact it could have on Katara, which, seriously, is HUGE, way worse than what happened with Hakoda, because it very much could have triggered a profound self-hatred by Katara towards her own skills because how tf could her bending cause her mother's death?! Not to mention the obvious: who was that source? Who told the Southern Raiders that there was a waterbender? Who the hell is responsible, beyond the Fire Nation, for her mother's death?

There's A LOT to unpack here.

And none of it matters because Katara is just supposed to forgive Zuko for exacerbating and worsening her trauma regarding her mother's death :') funny how that works.

This IS the point where Katara should make a display of darker sides of herself that she didn't know or understand. THIS is where Katara turning dark like Aang did after Appa vanished would make PERFECT sense. With this revelation about Kya that's beyond disturbing: not with Hakoda... and certainly not with Sokka.

The cusp of Katara's worst is, by far, her behavior with her brother in the Southern Raiders. I know a million excuses have been made for this moment: my problem is NOT the fact that she lashed out at him as she did and said something DEEPLY hurtful. It's the fact that KNOWING, SEEING HE'S IN PAIN...

... does not matter to her one bit.

Instead of a trite scene with Zuko spouting shit he does NOT mean (aka "violence wasn't the answer... but lol go kill my father okay??"), we deserved a scene with Katara and Sokka talking this out. People pretend it's fine as it is: it's not. Katara has spent the ENTIRE show disregarding her brother's feelings in a myriad of ways: this time, it was way more painful and way more hurtful and SHE KNOWS IT. It's not funny. She's not amused. She's not being a shithead little sister. She's ANGRY. She's UPSET. She has every right to be! What she DOESN'T have a right to do is hurt her brother DELIBERATELY and then escape every consequence from doing that.

There's very much no way to spin that moment into making Katara a decent sister. There's no way she remains true to her core values of being empathetic, kind and wholesome when she will insidiously, vindictively hurt her brother this way. And what I said earlier about her overhearing Toph and Sokka in the Runaway? It actually gets a follow-up in this scene: Katara telling Sokka that he didn't love Kya as she did is basically her WEAPONIZING the information that was NOT meant for her as her alleged evidence that Sokka didn't care about Kya as much as she did. As if his inability to retrieve Kya's memory was NOT a manifestation of trauma, as if it were something he's FINE with! He's not! How guilty must he feel for that? Does that matter to Katara at all? Why... nope. Because all that matters at that point is her own rage, her own feelings, her own fury. Which is, then, entirely against the character we've been told she is.

The lack of apology or follow-up to this horrible moment will never stop being one of the absolute biggest misfires in one of the WORST written episodes of this show. Yes, I said it. The more I ponder The Southern Raiders, the more I realize it's an immensely flawed speedrun to establish a friendship that simply doesn't add up. Katara and Zuko becoming friends after this journey requires some wild, absurd leaps of imagination that, boiled down to basics, don't make any sense. There's no reason for Katara to decide she'll forgive Zuko after she regains enough clarity. Why does she forgive him? Because he proved he'd rather make her happy than defend his nation anymore? Ironically, at no point does Katara show any appreciation of the fact that Zuko is setting aside his firebending supremacist attitude completely for her sake. So maybe that's not it.

Ah... is it because of how he, and he alone, was ready to help her go on this journey of revenge...?! Why, ironically, the only reason why ONLY Zuko goes on this journey is incredibly artificial and fake: this IS intended as Katara's "field trip" with Zuko. None of the field trips make sense, from a logical standpoint, as duo journeys. I've mentioned it to a few people: Sokka and Zuko could have brought Toph with them to the Boiling Rock, a metal location where her abilities would be VERY useful, used her as a false prisoner and turned her in as a captured ally of the Avatar's, who 100% will bait him into coming here to rescue her so that the Fire Nation can get him next! A cover as strong as that one might actually get them further along on that rescue attempt than what they did in canon. But this CANNOT BE... because it was Sokka's field trip with Zuko so nobody else is invited, even if they're very much not doing anything else (as is the case with Toph). Aang? Why didn't everyone join the firebending discovery with Zuko and Aang? They weren't doing ANYTHING in the Western Air Temple at the time. They very much could have gone with them too. But they don't. And that's exactly why Katara's trip works exactly as it does: it's the solo journey with Katara and Zuko, and the ONLY way to make it work is to show Sokka and Aang completely opposed to the concept of finding Yon Rha. I'm not saying I think Sokka and Aang would have been on board if they're allowed to remain IC... but they could have wanted to go on this trip with Katara regardless of not agreeing with what she wanted to do. Hell, as is OBVIOUS: Kya is Sokka's mom too. His opinions, his feelings on this subject, should matter just as much as Katara's do, and fuck anyone who pretends otherwise. These two are NOT supposed to be the well-known unhealthy siblings Zuko and Azula, who each got one parent in their corner and therefore the other parent treated them like they were worthless or a monster. Hakoda and Kya were parents to BOTH their children, and any narrative or interpretation that attempts to say that ONLY Katara's opinion on Kya matters is immediately ruled out, for me, as absolute bullshit spouted by someone not worth listening to. Point blank.

Also, the fact that Zuko USES Sokka to gain this information about the southern raiders, and then doesn't even extend the chance to Sokka to join them? When Sokka is basically his new best buddy? That... does not make sense. It basically portrays Zuko as a disloyal asshole who takes advantage of his friends for his purposes and tosses them aside, disregarding their feelings whenever it suits him.

So Sokka's treatment at the hands of this episode is just deplorable. Both Zuko and Katara are HORRIBLE to him... but Katara is our focus here, she's actively hurts Sokka and then proceeds to not care. Because that's how she has operated so far, and that's how she always will.

Hence: we have a long, long tradition of Katara not treating Sokka fairly all across the show. The reasons why it's not a fair or balanced relationship at all is because Sokka typically pays the price for being a dick to Katara: either she inflicts the punishment herself, such as when he's disrespectful in the Drill and she smacks him with the slurry, or the narrative inflicts some magical punishment instead that CONSTANTLY proves that Sokka is not allowed to be a dick without facing consequences for it. Does he ALWAYS learn the lesson? Sure he doesn't! But the consequences for it NEVER stop. He doesn't get away with being a jerk to his sister. That's forbidden. But Katara? She's allowed to get away with it every single time! And the reason why it gets worse and worse is because we went from relatively silly/comedic things, in which Katara did not apologize because "it's funny that she didn't apologize", to NOT funny things at all, such as this scene in Southern Raiders. Even just a troubled glance at Sokka, or a slight hesitation after seeing how hurt he is, would be enough for me: there's NOTHING. She doubles down and keeps charging ahead. Zero thoughts or concerns given to her brother.

If this isn't why you have issues with Katara, well, I don't know why it might be the case in your case x'D But I absolutely attest that the combination of "mom friend", "selective compassion particularly when it comes to her brother" and "absolute imperviousness to consequences for her mistakes" are the things that fully caused my initial appreciation of her character to shift into ambivalence and then into full blown dislike once I reached Book 3.

Worth noting: THIS IS A COMPLAINT ABOUT THE SHOW'S WRITING. Boiled down to basics, written by any more competent hands, I don't think Katara would have acted the way she did often, ESPECIALLY in episodes like The Awakening or The Southern Raiders. I categorically refuse to write Katara in my stories as someone who gets free passes for EVERYTHING she does. I also refuse to portray her as the mom friend, particularly in Gladiator. There's a lot of depth you can give this character! So much you can do, so much worth exploring... and canon just settled for stunting her and then only bringing her out to play in ways that make her unpleasant, not particularly bright and extremely resistant to character development even after allegedly learning lessons (see how her initial behavior around Hama, who shows red flags often, isn't all that different from how it was with Jet? There's only a handful of moments where it looks like Katara MIGHT be wary, and yet they're quickly overcome by her excitement, which Hama manipulates in her favor until she does the bloodbending reveal). So I'm NOT saying Katara had no potential... but I am saying the show itself failed her, big time, because of how she was written. A quick glance through the transcript of the Puppetmaster to confirm my memories that Katara shows no sign of concern over Hama when Sokka finds her suspicious reveals that, after Hama shows them her comb and that she's from the Southern Water Tribe, Sokka, and Sokka alone, apologizes for suspecting her of being sketchy. Nothing from Aang, even though he was part of it too. Nothing from Toph, either. And certainly nothing from Katara. Only Sokka apologizes. As usual.

So... what does this tell you? What does this tell any of us? That Katara's development is... erratic, at best. That it's not linear isn't a bad thing, but that it contradicts itself non-stop, that her core traits come and go willy-nilly as the plot demands it, that her motivations to do things (like forgiving Zuko) don't add up to her experiences or to any lead-up we've witnessed, is most certainly not good.

If I were to rewrite ATLA, the main characters I'd want to rewrite into making a lot more sense than they do, and making their arcs actually logical, are Zuko and Katara. I'd definitely add a few rewrites for Iroh, particularly to make him WAY more accountable for shit than he ever was, and to show he's not universally loved and shouldn't be, since people would have very reasonable grievances with him. I'd also rewrite a handful of things with Aang, too. Toph, full-stop, deserves a growth arc of her own beyond getting stronger and getting used to having friends. Girl has the range. They just never let her explore it. And of course, I'd change a fair few elements of Azula's writing as well. But I feel like no characters would warrant a deeper intervention than Zuko and Katara, precisely because they constantly fail to live up to all the stuff people keep pretending they're flawless exhibits of.

And this is one more issue we've got going on with Katara:

The fandom ABSOLUTELY has been unfair to Katara. A lot of people hate her for no reason. A lot of people who potentially have unexamined racism making their hearts' choices for them and they despise her just because she dared not have fully-white skin. A lot of people pick completely ridiculous things to get angry at her, such as people who HATE HER because she's "rude to Zuko". Just, fuck off. That's about the stupidest reason to hate this character and stupid reasons for that have been heard plenty.

But Katara's fans have become... reactionary. They appear think that any criticism to her character NEEDS to be fought off with "she was right tho" or "she has every reason to act this way" or "she's HUMAN she's allowed to make mistakes you heathen!! That's what a flawed character is like!"

Here's the kicker, though: if you have justifications and excuses for every little unpleasant thing Katara EVER does? You're basically taking a dump on her character yourself and saying she IS flawless.

Flaws in characters are bad things that cannot be justified. They can be funny! They can be annoying. They can be infuriating. But they're things that inconvenience other characters, that hurt them, that show they're not above or beyond doing harmful things! All of what I listed in this crazy long post are Katara's flaws. The reason why I don't like the way these flaws were handled are all the things I already have talked about: no accountability for flaws is basically saying that these flaws don't matter. No follow-up, no lead-up, means Katara is allowed to be as much of an ass as she wants to be and nobody cares: THIS IS NOT FAIR. This is not how ANY character should be written. This is the core reason why I've spent years feuding with Zuko and Iroh: they get away with shit they should NOT get away with, EVER. They're not held accountable for so much they should be. This happens to Katara too. particularly in her dynamcis with her brother. And when people see those flaws and just start listing reasons why it's actually okay? All you're doing is dehumanizing these characters to pretend everything they EVER do is fine.

Also worth noting... character flaws are the way characters grow. If a character is DEEPLY flawed, you know what kind of work you have cut out for you as a writer. If you're writing a story heavily steeped on character development? Then those flaws are VITAL to the work you have to do in order to develop these characters!

But when Zuko is unnecessarily violent and you're told "it's because his culture and family are!", you rightfully assume that as he drifts away from Fire Nation ideology, Zuko WILL grow less violent. Then, you watch how he picks an unnecessary fight with Aang in the finale because everyone's being lazy, an EXTREMELY violent fight at that, and you contrast his earlier behavior with it and... where's the difference, exactly? How did he grow or learn better if violence is STILL his immediate reaction to anything he doesn't like?

Thus, when Katara's flaws get overlooked, ignored, disregarded? What kind of development does Katara get, if none of her flaws are addressed in a way that makes it look like she's genuinely learned any lessons? At least, none of the worst, biggest, glaring flaws were addressed. None of the things that she SHOULD be troubled by and that she shouldn't be happy with herself over, especially after seeing how she hurts people with her actions. This isn't cool. This isn't a fun way to write a character. And it's so glaringly unpleasant when you can so very easily contrast this with the well-known terrible flaw Sokka displays early on: sexism! And then he gets his ass kicked by Suki and he learns to respect the Kyoshi Warriors... and we never see him displaying that particular flaw again. THAT is what growth looks like! What can we point to with Katara that remotely compares to this? That she accepted Zuko? Yeah, no, that sincerely could not count any less. Her personal arc CANNOT be about Zuko. That she got over her mom's death? She didn't. So that's not it either. That she helped Aang save the world? So her personal arc was about Aang and not herself? Was her whole role in the story to play Aang's cheerleader, then? Because if that's it... she was doing that just fine at it since day one. She's the only person who faithfully believed the Avatar would return well before Aang turned up in her life, if the first episode's introduction is to be believed.

So... what, exactly, was Katara's arc? If it's just her waterbending skills, then she's as stunted as Toph, unexplored and underdeveloped and left to just strengthen her fighting skills while Aang and Zuko and Sokka are getting full character arcs, even if very lowkey but very much effective in Sokka's case, where they develop and grow (or they should) into the men they're supposed to be to end the war! Why don't Katara and Toph get similar arcs? Why aren't they challenged on a level that actually provides them with lasting, solid, provable growth, where you can look at them where they started out and see how they ended up and conclude their journey was beautiful?

I insist... writing. Weak writing. Failures to understand/develop characters properly. And of course, lack of accountability in storytelling. I wrote that one focusing mostly on Zuko... but it's very much applicable to every character who fails to own up to the things they should and deserve to face consequences for.

Anyway... this is what I'd say about Katara atm. I'm not 100% sure this is everything because I might have overlooked some stuff that also made Katara's character kind of backfire (while I'm no Kataang hater, I 100% agree that the ship should have been written better too, and after writing them whenever I have, it's honestly kind of ridiculous how such an easy ship could get fucked over so badly by weird writing choices...). Whether you agree with these assessments or not, ultimately, there are valid reasons to feel offput by Katara and don't let anyone tell you otherwise. Most of all when you DID appreciate and cherish the character once before, but her fans just jump to the conclusion that you must be a mindless hater to think she's anything but flawless (this, while claiming they love that she's flawed, then they proceed to reveal they have no idea what a flaw is...).

(final note: SORRY IT TOOK ME FOREVER TO ANSWER! Super lengthy answer to make up for it, I hope :((( sorry)