#i also write so much in the tags

[xandrikart]

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[aslyran]

Visions

[tizzymcwizzy]

for my illustration final we had to make some spreads for a children's haiku book! my classmate wrote the first haiku and i wrote the second one,

im super proud of how these turned out!! maybe i should be a picture book artist.....

[wardingshout]

Travelling for Day 4 of SpeSilverWeek! going to Mt. Silver to visit "the extended family"...

[polyphonial-old]

do u guys have a character/ship that you are the #1 enthusiast and understander of but you just. never post about them. like they are on your mind 24/7 rent-free but you just don't talk about them

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[lunar-system]

Edward Teach: The Star.

Adapted from the traditional Ride-Waite-Smith tarot, this version of the Star shows Ed kneeling down serenely by the spring of life, bare to the world, ready to heal after tumultuous events.

Stede as the Sun to follow, Izzy as the Moon can be found here.

Longer exploration of the card's symbolism under the cut.

***

The Star: Hope, openness, especially after a crisis. Renewal, healing, restoration.

Rachel Pollack writes: "This is the calm after a great change, whether it comes after a drastic planetary shift or a personal upheaval. There are still difficult times ahead, but the Star tells us to trust."

In the card Ed is depicted with a short, growing beard. Multiple personal upheavals and great changes have already happened, and he is settling into a new reality. Who is he when he is stripped from titles, uniforms and roles? In the space of the Star, he has enough trust to try and find out.

Pollack continues: "In Star, we find our inner strength and belief. The Star teaches us to accept whatever it is, to drop all our shields, to believe. The water poured out signifies healing, emotional and physical."

Ed as the Star is learning to shine his own light after witnessing Stede shine as the Sun. Trust and belief don't come easy, but as the Star he can be vulnerable enough to try again. The water flows from an infinite source, letting the emotions come and go.

Even though the Star opens up towards a bright future, Ed carries his history with him. His tattoos, pictures from other tarot cards, tell about his past:

Chest: Three of Swords, the infamous card of heartbreak. "Trust no one."

Left side thigh: the face of the Devil from the Devil card. One of the largest tattoos he has, projecting his self-image. "I'm the devil."

Right side thigh: Lobster from the Moon card, a beast that lurks under the surface, in the unconscious. "I'm the Kraken."

Right side: wolf from the Moon card. In my depiction of the Moon, Izzy stands for the wolf. Here the loyal wolf is cast to the side, left howling after the broken heart.

Belly: Ram from the throne of the Emperor, a symbol of masculine power. The placement on the lower belly suggest a trans reading of the character.

Chest, around the heart: birds from Ace of Cups, suggesting new beginnings even for a broken heart.

With his past carved to his skin, Ed is kneeling at the edge of land. One of his feet is planted firmly on the ground while the other graces the water. In Tarot, earth is often connected to the material, such as the body, and the conscious mind. Water is the element of emotions and the subconscious. At the edge of the water, Ed is in balance, grounded both in his body and in his emotions, the conscious and the subconscious. The water he pours rejuvenates them both.

TL;DR: After great personal upheavals, Ed as the Star is ready to heal and trust. He carries his past with him, but is ready to shine his own light and have faith in himself and for the future. He is vulnerable and at peace, and he is connected both to the ground and the water, nourishing them both with the water he pours.

***

Sources

Image source: Pamela Colman Smith, 1909, republished as Tarot of A. E. Waite, 2016, AGM-Urania, Germany

Text source: Rachel Pollack, A Journey of 78 Steps, 2011, as cited in the booklet for instruction and guidance of Tarot of A. E. Waite, 2016, AGM-Urania, Germany

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[gummi-ships]

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[starry-bi-sky]

i've mentioned in a few past posts about an au where Danny is a variant of Jason Todd. I haven't made a post about it yet because I need a good rhythm flowing however i've been listening to Gladiator by Jann and I have been having thoughts.

but first, let me set the au:

Danny Fenton is Jason Todd, or at least, a variant of him. A him from a universe separate to the major Batman timeline - but still Jason Todd, down to the structure of his face and his name itself. The only thing that changes, is who picks him up - and, that he follows old Batman canon, and was an orphan. Jason Todd steals the tires off the batmobile and wallops Batman with his tirejack, and then runs off. Shortly after, he gets picked up by the Fentons.

(Customary line break,,,, word count check: 5k)

And his name changes from Jason Todd to Danny Fenton. He doesn't care much for the new name change, it stems from his mute refusal to share his name to the people that picked him up; an attempt to make him untraceable should he get away from them, and to keep something of his to himself. So they name him something new. He grows to like it enough as he acclimates to his new family.

(He hangs onto the name Jason Todd like a secret - he may be 'Danny Fenton' now, but he'll never forget his time on Gotham's streets. He'll always be Jason Todd.)

(Jazz is the only one who he tells his name to in the family - she affectionately calls him Jay whenever she wants.)

He becomes friends with Sam and Tucker and deals with Dash and his bullying. And when Danny steps in during a fight between Dash and another student, Dash gives him a bleeding nose and mockingly says, "Do you think you're Robin just because you're from Gotham, Fenton?"

Jason looks him in the eyes and he bares his teeth, "Why not?" he asks, spitting blood, "being Robin gives me magic."

The nickname sticks. It's supposed to be an insult; Daniel Fenton is not Robin, he'll never be Robin. Not now, not in a million years. Jason Todd has always wanted to be Robin, so he takes the insult and wears it proudly. He buys a school varsity jacket and painstakingly undos the stitching of all the school's motif on it. On the breast of it, he embroiders in a black circle with the Boy Wonder "R" on it instead. It's not good stitching, but the next day Danny wears it down to breakfast and into school.

In normal au canon, Daniel Jason Todd-Fenton (its a mouthful, just call him Danny) only meets the Waynes after he becomes Phantom - an event that leans more towards Daniel Fenton's accident than Jason Todd's death, but traumatizes him all the same. (Is it too much to want to be mourned? His best friends like to deny that he died - and Danny - Jason? - wishes they wouldn't, even if he did come back.)

(The accident embitters him, even more when his parents don't seem to pick up on it. He stops calling himself Danny Fenton - he's always been Jason Todd. It shows itself in his ghostly form. He doesn't want to wear the thing he died in, not in something that belongs to the Fentons, and his suit reflects that.)

In this timeline, Daniel Jason Todd-Fenton, aged 13, meets Dick Grayson and Bruce Wayne after a mishap with magic on the other end of the reality sends the three of them careening through time and space, and spat back out on the other end, in a world not their own. And together.

Danny is paired with a very confused Bruce Wayne and Richard Grayson. Luckily, there's a few heroes there to help them. Danny can hardly comprehend the idea that he's in another universe - he doesn't know why Dick Grayson and Bruce Wayne are seemingly handling it well.

On their way to a secondary base with the heroes, Danny turns to Bruce Wayne and asks, "So, is it part of rich-person training that you're just totally chill with being sent into another universe, or are you just weird?"

Bruce Wayne huffs at him, rather than get offended, and he smiles that dumb lopsided billionaire smile that Danny's seen on every vogue magazine he's been in. "I'm not so worried with these skilled heroes here to help us get home."

Danny silently concludes that he's just weird. At least Dick Grayson is biting back a smile behind him. "Riiiight..." He says, dragging the vowel out dryly.

When they get to that secondary location -- a safehouse that one of the heroes had set up -- the three of them are sat in a living room-like room while one hero, Zatanna, goes and calls someone from the Justice League. The other two heroes stay with the three of them.

Within a few hours, Danny is face to face with Batman - someone who he hasn't seen since he whacked him in the stomach with a tire iron - and Nightwing. For a moment, Danny swears that the both of them look almost spooked by him.

Batman stares at him for a moment when he enters, and then he goes to speak with Bruce Wayne. Danny doesn't care enough to hear what they're talking about, he pulls out his phone as Nightwing goes to speak with Dick Grayson.

"Are you a fan of Robin, little man?" Someone says, and when Danny looks up he locks eyes with Dick Grayson -- who is leaning around Nightwing to talk to him, the both of them are smiling. And considering who Nightwing was, Danny finds himself turning pink to the ears.

But he will not hide his jacket. He forces a grin through his embarrassment, "Hell yeah, man, Robin's cool." He says, and pushes his arms down to pull out the hem of his letterman, showing off the emblem. "I made it m'self out of a school varsity after the A-Listers started callin' me Robin."

"A-Listers?"

"Popular kids," Danny corrects, loosing his hold on the hem and brushing invisible wrinkles out of the embroidery. "They didn't like that I kept stepping in when they were bullying. Dash asked me if i thought I was Robin because I was from Gotham."

Dick Grayson looks intrigued -- and concerned, and he leans forward onto his knees and raises an eyebrow. "What did you say?"

And Danny grins a shark-like thing, straightening back his shoulders with a burning sort of smug pride and all the sharpness of broken glass left in Crime Alley. "I told him being Robin gave me magic, and then I punched him."

Dick Grayson's smile widens, splitting into showing teeth as he leans back into his seat. Danny isn't sure why he's so delighted - but Nightwing looks incredibly amused, and he suddenly remembers that the Robin himself was there in front of him.

Danny's face burns anew and his arms fold themselves in front of him once again.

"I don't think I ever caught your name, Robin." Dick Grayson goes, his voice thick with laughter, and Nightwing steps off to the side as Batman and Bruce Wayne walk over to join them both. They're just close enough that Danny can see Bruce Wayne raise an eyebrow at them both.

"It's Jason." Danny says before he can think about it, and barely stops himself from frowning at himself for the slip. He amends himself, glancing over at Batman and Bruce as they get closer. "But everyone calls me Danny."

Dick Grayson's head recoils slightly, and he looks a little surprised. "Why Danny?" He asks.

"Why Dick?" He shoots back, and Bruce and Dick both smile at him, with Dick Grayson shrugging with an expression that looks like 'you've got a point.'

In the end, the three of them - yes, three - get sent to this world's Wayne Manor, and Danny is bewildered by that decision to include himself -- he's not a Wayne. Why not just send him to the Fentons?

Batman tells him that the Fentons don't exist in this world, and Danny falls silent. "Oh." He says quietly, a pit growing in his stomach with an ill-kind of dread. He can't keep Batman's gaze, looking away with unease.

No Fentons in this world. No Fentons. Where was he then, in the grand scheme of things? Where was he in this world? What happened to Jason Todd? Was he even alive? He can't keep the worry off his face, and he jumps when a hand lands on his shoulder. When he looks up, Dick Grayson squeezes him gently.

Dick Grayson is steadily beginning to remind him of his sister.

-

They end up driving back in the Batmobile. It's such a shock to Danny that he momentarily forgets the lack of Fentons. He makes a laugh sound, actually, and immediately he covers his hand with his mouth and stares at the car -- tank? with his teeth sunk into his lower lip.

"Jason?" Dick says, and hearing his name being spoken feels like someone touched him with a livewire. It's weird, it's foreign - he hates, in some way, that it's foreign - and it's so nice. Yes, that's me.

He drops his hand immediately. "Sorry." He says, realizing he'd stopped in his tracks, "I -uh, was just surprised."

"It's not every day someone sees the Batmobile." Dick agrees. Nightwing has his back to them but Danny swears he sees his shoulders shaking a little.

"Yeah," Danny nods slowly, dragging his eyes over the batmobile as Batman opens the driver's side and gets in. He thinks for a moment, of what he should say next - whether to admit that he's seen it before, or to pretend that he's seeing it for the first time. Snd as Nightwing opens the door for him, Bruce, and Dick, he chooses the funnier option; "The last time I saw it, I was stealing its tires."

To his surprise and unsurprise, Danny only gets two pairs of eyes on him. Nightwing gets into the passenger seat as both Bruce and Dick turn their gaze onto him; Dick's eyes big like they were going to bulge out of his head.

"You what!?"

So Danny tells an amazed Dick Grayson that he hit Batman with a tire iron after he stole his tires - something he is very proud about and also incredibly embarrassed about when he retells what happened in the backseat of the batmobile, with Batman and Nightwing listening in from the front seat.

(Bruce Wayne doesn't ever tell Dick shit, he's going to lord this over Bruce's head the moment they are alone.)

"Please tell me this didn't happen in this world." Danny groans behind his palms as he sinks into his seat. Dick Grayson is killing himself laughing on his left, and he saw Bruce Wayne stifling a smile before he obscured his vision with his hands.

Much to his luck, its Batman himself who speaks next, (Danny was being mostly rhetorical). "It did." He says, and his voice sounds like the rumble of the earth before a stampede. It will never not throw Danny off every time he hears it. "It takes quite a lot of spunk to steal the tires off the batmobile."

He can't believe it. Batman is making fun of him. Fucking, Batman.

He wants to die with embarrassment. He groans even louder as Dick Grayson's laughter crescendoes. Danny risks a peak through his fingers, he doesn't know whether to regret it or not because he can just barely see Batman smirk very faintly from his position in the middle.

(His world axis tilts five degree leftways seeing it; like someone dunked a bucket of ice water on him.)

"He ended up being adopted by the Bruce Wayne of this world."

Danny's hands drop with his jaw into his lap. Dick Grayson on his left chokes on his laughter and careens into a coughing fit. Bruce Wayne on his right chokes on air, and quickly recovers himself with a cough behind a closed fist.

"What?" Danny croaks.

-

Apparently, Bruce Wayne's family is much larger in this world than it is in his. Danny can barely wrap his head around the idea that he ends up adopted by the man, but now he has to learn that Wayne had several children in this world?

He's still not wrapped his head around it when the three of them wind up at Wayne Manor, finally, or even when he's standing in front of him himself. For his effort, Bruce Wayne does a good job at looking unruffled by it.

God, he's weird. Danny's starting to quite like it, actually. How human of him.

He still can't wrap his head around it when he meets the rest of Bruce Wayne's children, all of whom are already aware of the three of them. Danny thinks that someone from the Justice League might've alerted them before they got here.

It makes sense, he supposes.

It helps that they are just as weirded out as he is. A boy named Tim Drake sees him for the first time and blurts out; "Oh wow, you're tiny." In a tone like he's just seen a two-headed snake burst out of the ground.

Danny is still offended. He's still growing. It's not his fault he spent twelve years of his life malnourished. "I'm gonna be taller than you," he tells him seriously, "and when I do I'm gonna kick your ass."

Tim snorts at him.

The other Bruce Wayne -- Mr. Wayne's -- youngest looks at him up and down with a face of carefully controlled judgement. His name is Damian, he's Bruce Wayne's only biological son. Danny can't believe that there's only one.

If anything, Bruce Wayne himself looks surprised too.

"Todd, yes?" Damian says, his green eyes narrowed at him.

Danny feels like the specimen under his parents' microscope, he feels like he's standing on a platform that's being slowly spun by scientists. He looks over at Bruce Wayne in confusion, and then back at Damian. "I- yes?"

Damian Wayne nods, and then leaves.

Danny does not once see himself. That is unsettling in and of itself - surely Jason Todd would have been told about another version of himself in this world, wouldn't he? How old is he here? An adult, probably. Danny doesn't know if he wants to see him. What does he look like when he's grown up? He pulls his Robin jacket around him a little tighter, like a cocoon, like a shield.

"It's weird to hear them call me Jason Todd." He says aloud to himself, and it leaves a weight behind in his chest that shouldn't hurt the way it does. It shouldn't be weird to be called your name. It shouldn't cobweb up your throat to hear your name being said. It was his name. It was his.

-

Danny acclimates to the manor slowly. The house is big, massive. He's never been in a house so large before, he feels like a stray cat being taken in for the first time, again. He and Bruce and Dick Grayson are all given their own separate rooms - one of many inside this mansion - and the sheer size of his bedroom is bigger than his living room and kitchen combined.

it's daunting. Danny sits outside on the balcony and stares at the stars he can see - Wayne Manor is far enough away from Gotham that its light pollution doesn't obscure the sky here like it did in the heart of it.

Danny finds the constellations he can find and wishes he had his books with him. He finds the library the next day and buries himself in the back, curling up into a comfy armchair next and inhaling each book he can get his hands on.

Tim Drake wanders past him at some point, Danny would have missed him if it weren't for the fact that Drake stared at him strangely when he saw him. He walks away when he realizes Danny was staring back.

It's a rinse and repeat for the next few days. Danny doesn't go to meals, he sneaks food from the kitchen afterwards, and then buries himself in hundreds of books in the library.

Dick Grayson, the one from his world, goes and finds him three days later. Danny's eyes hurt with strain by then, but he is furiously halfway through a Jane Austen novel when Dick sits down across from him.

"Have you been here all day?" Dick asks, he drapes himself across the side of his chair, contorting himself into a position that Danny doesn't think is comfortable when he looks up at him.

Not that he looks up at him long - he hums absently and goes back to reading. Frowning when he realizes he lost his place on the page.

Dick Grayson raises an eyebrow, "Have you at least eaten anything?"

Danny hums. No, he hasn't, and he hadn't thought about eating all day. Until now that is, his frown ever deepening as his stomach pangs with a deep hunger.

"That's not healthy."

"Mhm."

"Are you going to eat something?"

"Mhhh."

And this gets Dick to frown. He straightens himself up, propping onto his elbows to stare at Danny. "Jason." He says strongly. And it's that that gets Danny to finally look up from his page, jumping like he'd again been poked with a live wire as he stares at Dick with wide eyes.

"Yes?"

"Put the book down." Dick orders, gesturing towards the side table next to Danny with a nod. "And come eat something." There's very little room for argument in his voice, he sounds like Jazz when she's trying to parent him, but instead he actually sounds authoritative. Not bossy.

Danny still frowns at him. "You're not the boss of me." He says, sinking back into his chair with a thumb bookmarking his page.

Dick gives him a look and makes a decisive noise, swaggling his head side to side while he does. "I'm pretty sure that for as long as we're here, me and B actually are the boss of you."

He's never really liked authority figures, not ones that tried to boss him around, that is. Danny doubles down, his lips curling into a shadow of a scowl. "Just because you're my brother in another world doesn't mean you can act like it."

"That's not what I mean and you know it."

"I don't want to go eat."

"It's not good for you to skip meals."

"Quit talking like Jazz."

"Danny."

Danny sinks his teeth into his lip and scowls darkly at him, shrinking into the back of his armchair in hopes that it'll swallow him whole. The idea of going into that large fucking dining room fills him with a dread that makes him completely forget his appetite.

"Your fucking- dining room is- it's too big." He grits out, finally closing his book and hugging it tightly to his chest.

Dick blinks at him. "What?"

"You heard me! It's too big. This whole place is too big. It's- what do you even do with this much space? I don't know how this- other me ever lived here."

Dick Grayson surprises him, and his expression softens. "Oh," he says, "I get it."

"You do?" The tension bleeds slowly out of Danny's shoulders

"Yeah, I felt the same way when I first moved in with Bruce. I lived with the circus for most of my life, but I slept in a trailer." He says. And he talks more.

The end result of their conversation ends with Dick Grayson offering to let Danny sit across or next to him during mealtimes, and that he can talk to him if he starts getting uneasy. But he can't keep skipping meals - it was making them all worried.

Danny agrees, and Dick takes him down to the kitchens for food.

"They look at me weirdly too." He grumbles as they leave the library, Danny's book returned to the shelf where it belonged. When Dick looks at him curiously, he scrunches his nose up. "The - your other siblings. They look at me like I'm- I'm someone else. S'weird."

"Isn't that a good thing?" Dick asks, "You are someone else."

Dany shrugs, staring at the ground with a heavy frown. "I don't know."

-

Danny seeks out Dick more after that. And vice versa. Dick reminds Danny of Jazz, and he latches onto the familiarity like a leech. If Dick is bothered by it, he doesn't show it, whether he's talking to his other world's self, to the Bruce's, or to one of the other Wayne kids.

Damian Wayne seems particularly keen to seek him out, Danny finds. He thinks it means that they're close in this world, and that Damian wants to see more of what a young Dick is like. That's what he would do, at least.

He takes up on Dick's offer of seating near him during dinner, and finds an open spot across from him. Unless he has something to show him, then he sits next to him.

("You can call me Jason." He tells him one day when they're in the Wayne's massive, fuck-off gym and they're both climbing over the jungle gym. Dick's showing him how to be more flexible. It's the most Danny's worked out ever, he likes the burn it gives him.

Dick looks at him in surprise, "Really?" he's doing a handstand on the bars and Danny's more than a little jealous at his balance.

"Yeah, dipshit," he says, rolling his eyes, "I'll even let you call me Jay, it's my nickname."

Dick happily takes him up on that offer, and much to Danny's embarrassment, starts calling him Jaybird. All because of his stupid Robin jacket.)

Danny has yet to meet his other self still, it's scaring him a little. Where was he? And matter of fact, how long until he could go back to his home dimension? The three of them hadn't gotten any updates since they arrived.

Speaking of, he was starting to talk to Bruce more, it was just... strange. Even stranger than talking to Dick. Bruce Wayne in another life would have been his adoptive father, Danny can't wrap his head around it for the life of him.

Whatever did Bruce Wayne see in Jason Todd that made him worth adopting? He's too afraid of the answer to ask. They start talking more after they run into each other late at night. Danny had been hit with a bout of insomnia and was going to the library.

He ran into Bruce on the way. He was just.. staring, out the window, with a faraway look in his eye. He didn't even look startled to see Danny standing there.

Danny asks him if he wants to go to the library with him. It was out of panic. He isn't expecting Bruce Wayne to agree, and they walk there in suffocating silence. Danny keeps looking at him from the corner of his eye.

("You're staring?" Bruce doesn't sound upset, Danny jumps anyway.

"Yeah, sorry." his voice sounds stilted, "it's just..." his jaw wires itself shut for a spell, "...you looked like you were about to disappear."

"Ah.")

When they reach the library, Danny leads Bruce Wayne into the science section and takes out books upon books about stars. He leads him over to the armchair and fire and they both sit down on the ground.

"When I lived in Gotham I would stargaze." Danny says, it's the first thing he can think of. Bruce Wayne looks at him quizzically. "Well, I would try to. The sky's too polluted for that. Mostly I would just watch the skyline and try and spot Batman and Robin, was the same thing."

That cracks a smile out of Bruce. It's a small one, barely there. "I hardly think the two are comparable."

Danny is still serious. "Not to me."

He goes on, talking about how after he was adopted he got his hands on every star book he could find. He loves english and he loves to read, but something about the stars drew him in like a song. He rambles about every star fact he knows with Bruce Wayne.

Bruce Wayne surprises him by telling him facts he didn't know. Danny soaks it up like a sponge, listening intently to him speak. And when they run out of star books to talk about, Danny tells Bruce that it was his turn to find something for them to talk about.

Bruce Wayne smiles again at him, a sly little thing like Danny's challenged him, and gets up. He comes back with a stack of film books, and they spend the next few hours going through them. Bruce Wayne rattles off every single movie fun fact he knows, and there is so much that he knows.

Danny is in awe, and moves to press against Bruce's side to see the stuff he points at in his books.

"You're smarter than people give you credit for." He says at some point, when his eyes hurt from being open for too long and his head leans against Bruce's arm for support. It follows with a jaw-cracking yawn that he tries and fails to stifle.

"Thank you, Danny." Bruce says, his voice soft and soothing and not helping with Danny's weighing exhaustion. His eyes drift, and then jerk open. "Do you want to go back to your room? You look tired, chum."

He bites back a smile at the nickname, and fails to keep it bitten. "No, no, I'm awake." He mumbles, shaking his head slowly. "I wanna hear-" he yawns again, "-hear you talking."

Danny swears he can hear the smile in Bruce's voice as he speaks; "Alright. Now, where was I?"

In the end, Danny falls asleep on the floor of the library next to Bruce Wayne. He doesn't even realize it until he wakes up the next morning. But it's not to worry, Bruce Wayne fell asleep too, an arm thrown around Danny protectively like he was his own kid.

This becomes a thing for them soon enough. When neither of them can sleep, they go to the library and talk and talk about whatever comes to mind.

There comes the dreaded night after they've finished whatever book they were looking at when Bruce, the little shit, turns to Danny and goes; "You never mentioned what happened after you hit Batman with a tire iron."

Danny groans, big and dramatic, burying his head in his arms, and ignores the low chuckle. "I thought he was gonna chase me down for sure." He complains, his voice muffled by his arms.

"Why did you hit him with a tire iron?"

The look Bruce gets is one of pure disbelief. "If Mothman suddenly showed up behind you while you were taking the wheels off his ride, you'd hit him too!"

"Last time I checked, Mothman isn't real." Bruce told him amusedly, and Danny flops over onto his back to stare him down. His arms sprawl out like a starfish, intentionally hitting Bruce in the shoulder.

"You don't know that, Batman's a cryptid and he's real."

Bruce roars with laughter, and Danny preens like a bird.

That next morning when Bruce passes by him for breakfast, he reaches over and ruffles his hair. It's the same thing he does for Dick every morning. It's the first of many, and it gets many stares from the surrounding family.

Bruce has a newspaper tucked under his arm, and when he sits down Danny stands up and skedaddles over to him, leaning over the side of his chair to peer at the paper.

"Any cryptids spotted, Buzz?" He asks, getting a startled laugh out of Bruce, who looks up at him.

"Buzz?"

"Well, yeah," and Danny states it as matter-of-fact. He gestures his head at Dick Grayson. "Dick calls you 'B', and B is for bees, and I can't just call you Bees, that's dumb. So; Buzz."

He grins triumphantly when Bruce laughs quietly, his shoulders shaking imperceptibly. "I know," he tilts his head up proudly, "I'm a genius."

Now he's actually laughing, dropping his head into one of his hands and trying to quiet himself as much as possible. Danny is positively beaming, ignoring the stares of the other Waynes as he flounces back to his seat just as the other Mister Wayne enters the room.

-

When Jason Daniel Fenton Todd meets Jason Todd for the first time, they both just stare at each other.

Danny recognizes himself immediately in the library, and he freezes up. His tongue ties to the roof of his mouth, and he's unsure of what to say.

He doesn't need to say anything at all, because when Jason Todd looks up and they lock eyes, they both just stare. And stare. Jason Todd is a large, hulk of a man, built like a brick shithouse, with a tired, traumatized look in his eyes and a white streak in his black curls. The same black curls that Danny himself has.

He has no idea what to say. Or if he should turn back around and leave.

Jason Todd sighs at him, "I know they told me you and another world's Bruce and Dickie were here," he says, but it sounds like he's talking to himself. Even moreso when he mutters half-heartedly, "-but I was hoping I wouldn't run into you."

Danny feels small next to him. He doesn't know why. "Sorry." He says lamely, his one foot skips back, "I can leave if you want." It's unlike him to be meek, he thinks. Not after years of Gotham living and dealing with the likes of Dash and his Jerk Jocks.

But this also isn't the streets, and this isn't other kids being dicks. Jason Todd shakes his head, and gestures with one large arm for Danny to come over. "You don't need to do that, you were coming to read, right?"

He nods, and tentatively makes his way over. When Jason looks at him, he sees him cast his eyes over his Robin jacket - he wears it everyday. Danny sees him narrow his eyes, just slightly. But he says nothing.

It's... a strange conversation. Interaction. Jason Todd doesn't talk to him much, and if he does it's stilted and awkward, like he doesn't know how to treat him. Like he's holding him at arm's length.

Jason's getting tired of being treated like a ghost.

They talk about their books. They compare lives. Jason Todd was picked up a few days after he stole the wheels of the batmobile. He wasn't an orphan, he lived with his mom and his stepdad before he lived with Bruce. They both like to read, only Danny has an interest in the stars.

("What do your adoptive parents do?" Jason Todd asks him, one arm slung over the back of the armchair, he looks relaxed. He looks tense. Danny feels like he's back in Crime Alley again.

"They're 'ectologists'." He says, making air quotes over the word. He rolls his eyes, "Ghost hunters. They study the dead and all things afterlife."

Jason Todd makes a dry laugh huff, a sarcastic half-smile on his face. He doesn't explain why he does, Danny doesn't ask why. It doesn't seem like his business.)

Danny wants to ask him where he got that white streak in his hair. It doesn't feel right. It feels like his parents' lab, and that isn't right. Nothing ever feels like his parents' lab.

Jason Todd leaves first after giving him a few book recommendations. Danny isn't sure how to rate the experience. Being in Jason Todd's presence was like standing in a liminal space. An empty parking lot at night. When he leaves it feels like much the same thing.

He struggles to read his books afterwards, unable to shake the feeling of being haunted.

[mossterious]

Something really poignant about Lisa Frankenstein, to be at least, is the fact that when the creature attacks Janet, it’s not when she’s being rude to her. It’s not when she’s just saying rude things, or beoittling Lisa, or anything. It’s when Janet says that she’s going to admit Lisa.

Because the creature is from the 1830s. And even if he knows about modern culture and inventions, which he sort of seems to?, he’s still FROM the 1830s. And when Janet says the word admitted, he hears the word committed. When Janet says Serenity Manor, he knows that that means an asylum. And he knows what asylums are. They are dangerous places. They are places where you’re stripped of all autonomy. They are places where you send people away to become someone else’s problem, and they normally don’t come back. And so he attacks. He protects Lisa.

And I think that draws a really important comparison between what asylums were, and what mental care is now. Because in a lot of ways, it isn’t much better. There’s still a lot of abuse in the system. There’s still a complete lack of autonomy. There’s still so much ableism and bias within the system. And people are still sent there to get them out of other peoples ways, rather than strictly to help them. And, sure, this movie is set in the 80s, so it’s not exactly modern. I mean, the movie points out that times are different. But with Janet, it almost seems intent on pointing out of similar everything is. Sending Lisa to a psych ward. The diet culture. The “intuitive person” thing. That one line about narcissists needing to be vanquished. And all these things are still a pretty big issue now.

There’s just a lot of comparison. ESPECIALLY a lot of comparison when it comes to disability and madness in these three distinct time periods. And like, it’s obvious that mental health was used as a weapon against people, and especially WOMEN, in the 1830s. But Lisa Frankenstein highlights that in the 80s, it was still a weapon! And that psych ward programs still poses a threat. Theres a comparison between how Janet and Lisa’s dad erase Lisa’s grief and say that she’s “acting out” compared to female hysteria of the creature’s time. There’s also the creature’s reaction to being physically disabled vs Lisa’s, with Patch and everything, but that honestly is another post entirely.

I just think that the discussion of mental health in this film is really important and, frankly, really well done. Especially especially especially through the lens that Lisa is a girl. And Lisa Frankenstein is a movie about GIRLHOOD. And so the movie took the extra step to talk about the denial of women’s feelings and specifically grief, and the pathologization of them. When women feel in a way outside of a norm, they’re wrong. They’re crazy. They’re dangerous. And idk I just think it’s done really well and the comparisons are all right there.

And this is all in a movie based on Frankenstein. This is all about a character based on Victor Frankenstein. The MAD scientist. So I feel like it all fits together incredibly well.

[henemimi]

my forever otp...............

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[cheswirls]

short asl thing based on @where-does-the-heart-lie's modern au :) i started this over a year ago but the beginning is all dialogue and felt more like a script to me i suppose??? which deflated my desire to work on it. anyway i checked it over recently and it's completely fine lmfao, self-confidence restored here we go !

-

"Yo. Aren't you usually in the middle of your shift by now?"

"I've been banned from the hospital."

"Like, for life?"

"No. For the next, uh.. Twenty-two hours."

"That's oddly specific."

"It was twenty-four, but I fell asleep after leaving the building."

"That wouldn't have to do with why they kicked you out, at all?"

"Hmmm. I'm too sleep-deprived, apparently."

"Ah. And, um, you called me because...?"

"I pressed a random number in my call log after waking up. Lucky you, I guess."

"Yeah. Right. Lucky me. And your car keys are...?"

"Confiscated."

"Ah, right, of course."

A beat of silence. Two. Three, then "Look, if you're busy, then–"

"No, no.  You called me, so I'll be there. Give me twenty minutes."

"Alright. Thank–"

"Thank someone else. Also, if you fall asleep in my car, I'm taking it as express permission to drive you around wherever I want."

"Ugh, go die. I don't even know why I bothered."

"LUCKY YOU, I guess," sounds off way too loudly in his ear. "No take backs. See you in ten."

"I thought you said–" Sabo breaks off as the call ends, leaving him staring blankly at his phone's too-dim screen. He squints, turns the brightness all the way up, and still squints as the sunlight proves too strong for the display.

Ace shows up in more than ten but decidedly less than twenty minutes. Sabo doesn't waste much brain power on it, only climbing into the passenger seat and yawning into his palm while his other hand fixes the seatbelt into the buckle. Not a second too soon, too, as Ace roars the engine to life and peels away from the curb at record speed.

Ace fiddles with the radio. He turns the music up, then dial it back down to inaudible. They hit the expressway and he leans over the steering wheel, frowning with his eyes fixed on the road far ahead. Sabo yawns again and this appears to be the limit to his patience. 

"Hey, so, I had a thought after you hung up on me."

Sabo grimaces. "You mean you–"

"Today's Wednesday."

He doesn't elaborate. Sabo is too tired to process. "Yes," he follows, after a second. He glances at the sky out the front window. "What time is it?"

"Oh, uh." Ace fumbles with hand placement so he can lift his watch to his face. "Nine forty."

Sabo takes a couple beats to try and process this, moves his eyes away from the skyline, and sighs as he pulls his phone out. 2:47 is what the display reads, which sounds much more believable.

"How did the minute hand get off?" he mutters to himself, chancing a look at Ace's busted wristwatch. Ace raises a brow, taking his gaze off the road to scrutinize Sabo. "No, it doesn't matter," he mutters to himself once more, sliding his phone away back on his person and out of his hands.

"My point is," Ace continues, like he hasn't just been interrupted by a whole thing. "Your timeout will be done midday Thursday. Did they switch your days off?"

"No." Sabo sighs. "They technically gave me the next thirty-six hours. Technically closer to forty. Something like that. I go back in on Friday. Sometime.” He tries to smile and it turns out very lopsided, from that he can make out in the rearview mirror. “Can you tell I’m tired?”

“I don’t think ‘tired’ is an accurate description,” Ace quips. “When did you eat a proper meal last?”

“Uh, yesterday. Maybe.”

“Maybe??”

“A ‘proper meal’ means different things to the two of us,” Sabo huffs. “On my account it was yesterday. I’ve had food since then, of course.”

“Alright, so here’s the plan,” Ace announces before absolutely whipping it around a curve. Sabo is his passenger in the passenger seat and had fully prepared to be so when he got in the vehicle, but he’d been vastly underprepared for this sudden course of action, which is how he ends up halfway out of his seat with his cheek slammed into the cold window. Ace doesn’t quite notice his brother’s terminal velocity until the car is once again on the straight and narrow, and only then it’s because of the audible thunk Sabo’s face makes when it collides with the glass.

“Aw shit. You good bro?”

“Ow,” Sabo mutters. “If I have broken bones I’m suing your ass.”

“Well, if you’re good enough to make jokes, I think you’re better than you’re letting on.” Ace keeps the wheel steady with one knee while he takes both hands away to crack his fingers. When he glances over at Sabo again, he looks even more pathetic – like he’s becoming one with the glass. “Anyway, as I was saying.

“I’m taking your ass home. You’re going straight to sleep and while you crash, I’ll make you something decent to eat and stick it in the fridge for you to heat up later. I’ll even make you two servings to eat two different times, since you clearly can’t be trusted to take care of yourself correctly.”

“Ouch.”

“I want you to conk out for as long as your body allows. We can reset your sleep schedule tomorrow, alright? Put your phone on silent; do not answer any calls. In fact, you know what, just give it to me.

Sabo glances over to see Ace’s hand held out to him, palm up. Fingers wiggling expectantly. His lips pull up into a grimace. “I’m not doing that.”

“Fine.” Ace takes his hand back. “But you will comply with everything else.”

“Wow! It’s so funny, I didn’t realize you turned into my mother overnight! Really tapped into your mom potential, huh? Anything exciting happen in your life that would cause that? I guess I wouldn’t know, since I’ve been a zombie for the past two days.”

“There’s nothing wrong with acting like your older brother, you dipshit, especially if you keep putting yourself through the wringer like this. You go home. You sleep. You wake up and eat. You go back to sleep. Then we do laundry. Does that sound agreeable?”

“That’s negotiable, at the least,” Sabo mumbles. “I will accept good food as a form of bribery.”

“Oh, nice, because I’m flat broke at the moment.”

Sabo makes a mental note of that, and then they’re pulling into the driveway. Ace lets him exit the vehicle by himself and then promptly manhandles him all the way onto the couch where it will be easier to force his body to relax than in a real bed. Ace knows this, so he calls him weird before chucking a loose blanket at his head. Sabo is almost too tired to function at this point, so he lets Ace have the last laugh in favor of finally closing his eyes.

Coming to is a surreal experience, especially since the sun is still out. He must make a noise because Ace is suddenly within view. His limbs are tangled in the blanket and still so heavy that he doesn’t bother moving. “Thought you would be gone,” he half-groans, eyes slipping shut again for a moment.

“I did leave,” Ace confirms. “I had to go pilfer some stuff to make stew with. It’s almost done, so I’ll hang here until then.”

Pilfer. That could mean any number of things. Sabo chooses to believe in the option where Ace is an upstanding citizen, and then remembers Ace saying earlier that he had no money. He frowns and squirms on the cushions enough to where it looks like he’s checking his pockets. “Where’s my wallet, Ace?” he bluffs.

“Somewhere around here,” Ace pipes up. “Your stomach will thank you for your contributions to the Portgas Household’s pantry!”

“Ugh, I got robbed,” he complains. “This sucks. ‘m going back to sleep.” He rolls over so his back is to Ace.

“Yeah, you do you, bro. Stew will still be here later. I’ll see you when you’re back in the world of the living.”

—

Luffy comes in late that night and slams the front door shut as loud as humanly possible. When he appears in the main room, he doesn’t seem to be upset, so Ace writes it off as a Luffyism. Sabo hasn’t stirred at the noise, so it’s all good.

Realizing this, Luffy pads closer to Ace’s side and looks at Sabo’s unmoving body warily. “Why is Sabo passed out like a corpse? Is he sick?”

“No, he’s not sick, he just can’t take care of himself. Which is why we are going to let him sleep for as long as possible.”

Luffy just nods to this, but it’s the uncomprehending Luffy-nod that means he’s just going to end up doing whatever he wants to regardless. Ace sighs, then jerks his head towards the kitchen. “He ate a little earlier, but I want him to eat again when he wakes up. There’s stew in the fridge if you want it – just leave him a little. Got it, Monkey D. Luffy?”

Luffy throws him a salute and then runs off in his socks. “Yippee! Ace made stew!”

“Think of your brother, Luffy, and make good choices!” Ace calls after him. “He’s a pathetic man who needs food to feel better or he’ll end up sleeping through Laundry Day!”

—

Sabo does not sleep through laundry day, but he does sleep for sixteen whole hours, so it’s just around noon when he forces himself up off the couch and into a warm shower.

Ace is around, which is mildly unexpected. But he’s still half-asleep, so everything is at least a little unexpected. He glances up from playing video games with Luffy to see Sabo leaving the steam-filled bathroom with his hair hanging around his shoulders. “You look like a wet cat,” he calls.

“Sabo’s awake!” Luffy cheers. “Ace thought you died at one point.”

Ace elbows Luffy in the gut, making him hunch over. “I did not!”

“He totally checked to see if your heart was still beating!”

“I’m undead, actually,” Sabo says completely seriously.

“Does that mean you don’t need to eat anymore?” Luffy questions. “Because I ate all the stew last night.”

“I saw that coming and made extra.” Ace finger-guns in Sabo’s general direction. “That’s why I bought two sets of ingredients. With your money!”

“With my money,” Sabo echoes, because it’s such a wild statement to have to deal with this early in the day. Well, early for him. “Fuck you.”

“I mean, I can tell Luffy where I hid–”

“Thank you, Ace, for agreeing to share your quarters with both of your brothers so we can all do laundry today on your dime!” Sabo raises his pitch so his voice is mockingly squeaky when he says this. He starts moving down the hall before Ace can start to argue, letting his and Luffy’s voices bleed into the background.

When he comes back out, now dressed, it smells significantly better than before. “I reheated the stew,” Ace announces, gesturing for Sabo to take a seat at the kitchen counter. “Let’s all have lunch before we head out.”

“You have to drink this too,” Luffy tells Sabo, sliding a Gatorade across the counter so it sets in front of him when he finally does take a seat. “Ace’s orders.”

“Gotta get those nutrients back somehow.”

“Aren’t we so considerate, Sabo?”

“Do you even know what ‘considerate’ means?” Sabo asks, lips quirking up into a half-smile. At Luffy’s shrug, it turns into a real smile. “Well, thanks anyway. Both of you.”

“No sweat. And look!” Ace brandishes a five dollar bill for both to see. “I found this baby for us to use on coins! It’s all on me today–”

“Where’s my wallet, Ace?!”